Tag: ZOOM

Get Together

Saturday morning of a three day weekend and how lovely is that? Thank you, whoever made the effort to give us Memorial Day as a national holiday; this lowly worker is eternally grateful for any extra paid time off. I intend to work this entire weekend; nose firmly affixed to grindstone and butt glued to shabby and disheveled desk chair whilst fingers move rapidly over the keyboard. Yesterday after work I was too tired–more on that later–to do much of anything other than mindless chores, and while doing those mindless chores another integral part of how to improve the book came to me; shortly thereafter, while putting away clean dishes another tumbril fell into place; so my entire weekend’s worth of writing just popped into my head. How incredibly lucky am I? Terribly, shockingly so.

Paul and I watched the Being Mary Tyler Moore documentary on MAX (which always makes me think of Carol Burnett doing Nora Desmond on her old variety show) last night and it was quite interesting. We forget how recently it was that The Mary Tyler Moore Show was breaking new ground; it was during my lifetime. Saturday night television on CBS when I was a kid was the ultimate must-see television; a three hour block of comedy of such high quality it may never have been equaled since. I loved her show; I loved the cast, and it still holds up today, despite how much things have changed, culturally and socially, in the decades since it went off the air after seven glorious seasons. There was a time when Paul was between jobs here in New Orleans when he became addicted to reruns of both it and Rhoda (when I was a kid I didn’t much care for Rhoda, despite having loved her character on the original show. As an adult, I found it much funnier than I ever had as a kid; not sure why that made a difference other than that it did), and I was amazed at how well the show held up.

It’s also interesting thinking about that period of my life (the 1970s) again–because it’s been on my mind. There’s an idea formulating in the back of my head; a crime novel told from a twelve year old’s perspective set in the suburbs in 1975. I’ve thought about it a lot lately. I had the original idea sometime back early in the pandemic, when I was going through my true crime documentary phase of condom-packing back in the day. It comes back to me now and again, and lately it’s been coming to me with more and more regularity, which means it will probably be the next book after the ones already in progress are completed and out of my hair. I have no idea when that might actually be, but I have a great title for it, and images keep dancing in and out of my head. I know the crime and how my POV character becomes involved in it, but I am not sure of much else of the rest–the flashes are bits and pieces of story and scene that I start filling in, in a journal or in a notebook. I already have the file for it made, too.

I have so many files. I am swimming in files. Buried in files, to the point where between the computer files and the physical files I may never ever be able to organize or get rid of any of them. It seems like I am constantly having to find room for more files in places. Heavy heaving sigh.

But I slept deeply and well and even later than yesterday morning, so that’s a very good thing. I have to run a couple of errands today and I have all kinds of writing to get done today, which should go easier this morning because of all the thinking I did last night. We’ll see, I suppose, is the best way to look at it. But as I mentioned, I have to get the mail and stop at the grocery store for a few things (so irritating, really), and so I am hoping after that to be able to dive headfirst into the book so I can reach my daily goal for the weekend. Paul will probably be out most of the afternoon, as usual on Saturdays (he meets his trainer at noon, and then either goes to the office or rides the bike for another few hours) so I have no excuse for not being productive today. Once I finish this I am going to go sit in my chair for a little while and read (I want to finish Lori Roy’s marvelous Let Me Die in His Footsteps at long last this weekend; I cannot believe how long it’s taken me to finish something that I really am enjoying and have been itching to get back to. Lori is one of my favorite writers of the last ten years; not one of her novels have ever disappointed me…but more on that when I finish the book and talk about it on here), and then will head out to the errands around noonish. I want to read for about an hour or so before writing, and then running the errands in order to come back home and write for a while. I may even pick up grocery store sushi (don’t judge me) so I don’t have to be concerned about lunch, either. I may make shrimp creole for dinner, too; I need to do something with that leftover celery. I also cleaned out the refrigerator a bit yesterday as well–should finish that over the weekend, too.

The reason I was so fatigued and drained yesterday was because I got to do that ZOOM interview with Margot Douaihy yesterday, and so I spent a good hour researching her on-line, digging through the book for references, and of course trying to come up with good questions for her. I don’t know that I actually managed to come up with good questions, but when you’re working with someone as smart and talented and layered as Margot, it’s very easy for forty-five minutes to shoot by. I didn’t even get to all the questions I had for her; I looked at the time on my computer and realized we’d been going for three quarters of an hour, and had i continued asking questions we could have been there for the rest of the afternoon. That has always been my issue with interviews, really; whether ZOOM recordings or written ones, you can never get everything in that you want and there’s never enough space to be as thorough. I would love to do in-depth pieces on people like in Vanity Fair or Rolling Stone; I remember Ann Patchett telling Paul and I about having to fly to London on GQ’s dime to interview Liam Neeson or someone like that, and thinking man I would love to have that kind of opportunity. But it exhausted me mentally and physically, so I was very glad I had gotten all my work-at-home chores completed before it started because I was unable to do much of anything when it was finished. I did some chores–the dishes, finished laundering the bed linens, but other than that I was just in my chair letting my mind wander as I watched documentaries about history on Youtube.

And on that note, I think I’m going to make another cup of coffee and repair to the living room to read while my mind continues waking up. Have a lovely Saturday, Constant Reader, and I’ll talk to you again tomorrow or maybe even later today; one can never be certain.

Me Against The Music

Saturday in the Lost Apartment, let’s goooooo!!!!!

I slept really well last night and feel good this morning. I had decided already–yesterday morning–that I was going to not do any writing after work yesterday and to take today off as well, and it feels nice. Finishing projects is always lovely, because once you’ve finished them the release of pressure is pretty marvelous. I also had a ZOOM meeting with my Scotty editor yesterday to get the book back on track, and I felt pretty good after that as well. It’s interesting how pressure and stress can affect your brain and your thinking when you are juggling things. But I have no doubt I can get the book done in time for it’s November release (moved back from September) and the release of that particular pressure valve was marvelous. I’m actually looking forward to diving back into the book again headfirst. Today I have a ZOOM thing for Queer Crime Writers at one, and so I am planning on heading out on errands around eleven; so I have time to also make groceries and get back home in time for the ZOOM meeting. After that I am going to probably finish reading Lori Roy’s marvelous Let Me Die in His Footsteps at last, and then I get to choose my next read, which is kind of exciting. I also have to prepare to interview Margot Douaihy for Saints and Sinners’ Pride Month celebration, which I want to do a very good job on because she’s amazing and so is her book.

I also need to take today away from the computer a bit so I can figure out what loose ends are dangling out there that I need to tie up. Not to mention what a mess the Lost Apartment is. I did get caught up on the dishes last night, and the laundry. The kitchen isn’t the mess it was developing into but could use some touching up, which I should try to do today or tomorrow morning. I also need to start brainstorming on some other things that I want to do. I’d like to take the rest of this year (once this one is finished) actually finishing things I’ve not been able to get done and thus off my plate: the short story collection, the novellas, and two in-progress books that I already have started. That’s what I would like to spend the rest of the year doing, frankly; getting that stuff off my plate and out of my hands into the world, so I can start 2024 with a fresh slate and figure out what I want to write that year. Of course, things always change; an opportunity you can’t pass up can come along at any minute, throwing off your plans and schedule (this happens to me a lot more than one might think); I also have some short stories to write and other short stories that need finishing. I’d like to get some more short stories out there in the world, so if anyone reading this is doing an anthology and needs a crime story (preferably queer) let me know because I can always find something for you. It is very rare that I pass up an opportunity to get a story in an anthology or publication of some sort.

It’s really nice to be busy, you know? I complain about it all the time–my freakish productivity and the pressure to keep it up–but I do like accomplishing things. I do need to be kinder to myself and perhaps not be quite so hard on myself as I am used to being; it’s nice to be able to sit around and take stock of your life and your career without it being deemed arrogant. And when I look at things from an outside perspective–someone whose thinking isn’t cluttered up with all my neuroses and self-loathing–it does look kind of impressive. I think I’ve been nominated for a Lammy fourteen or fifteen times? I don’t have the most nominations–that would be Michael Thomas Ford, Ellen Hart, and Lawrence Schimel, and not in that order–but hey, I’m in the top five of most nominations, which isn’t bad. This year’s three Anthony nominations brings me to a total of seven nods there from the Bouchercon membership, which is a lovely pat on the back for a queer author most of them hadn’t heard of even five years ago. I can add Agatha and Lefty finalist to the other awards I’ve gotten a single nomination for–the Shirley Jackson and the Macavity. I won some young adult independent press medals, too, along the way, which was lovely. (I am very happy Sleeping Angel and Lake Thirteen won those medals; I was very proud of both books, frankly.) Forty-three novels, twenty-two anthologies, over fifty short stories, two short story collections, and two novellas–and countless articles, interviews, book reviews and blog posts.

Not bad for someone told by his first creative writing teacher in college he would never be a published author.

There have been plenty of slings and arrows along the way, of course; things that happened so long ago that no one today who knows me and my work may even know about–the Virginia incident, Paul’s bashing, my service with the National Stonewall Democrats–so the rollercoaster of my life has certainly had its highs and lows. It’s been an interesting life, I guess; I’ve certainly met and knew a lot of interesting people and celebrities and authors. I’ve also learned over the years that there’s nothing wrong with ambition; I always am so busy and behind on everything that I forget that sometimes it’s nice to take a break, step away from everything, evaluate the situation as it is currently and make plans on where to go and what to do next. I’m feeling very content this morning, which is a very pleasant (and unusual) thing for me to feel; this brief reflection on my career and where it is now has, for once, brought a sense of satisfaction and pleasure instead of you still have so much more to accomplish! It’s not like I’m going to rest on my accomplishments, take my ball and go home, of course–but it’s very nice to think if my career ended now–for whatever reason–I could walk away from it and be proud.

I’ll never stop writing, of course. I will write until the day I die or can’t sit at the computer or hold a laptop or iPad; as long as I can still scribble in a journal I’ll be writing. I love creating, I love writing, I love telling stories. I love exploring character. I love taking a situation and thinking okay, what has to happen for this to happen, and where is the true starting place for the story? Who are these people and how did they come to be involved in this?

But it is nice every once in a while to stop, take a step back, and see things as they really are, or at least trying to take a look and see what other people see since they aren’t wrapped up in my neuroses.

And there’s nothing wrong with being proud of yourself, which I am. It feels weird, but I am proud of myself. I’m proud of my career and what all I’ve accomplished since moving to New Orleans in 1996.

And on that note, I am heading back into the spice mines. Have a lovely Saturday, Constant Reader–take the day off and rest–and I’ll be back later.

Die Another Day

At some point, with all the book -bans and censorship that’s going on, I am going to have to recap and go over my own experience with being banned; but that will require logic, rational thought and revisiting my blog entries from that period to refresh my memory. Yesterday I got political on here for the first time in a long time, and you know–it kind of felt good to get that out of my system and into the public sphere. I do feel very complicit for not speaking out sooner, but…I’ve always worried, more so after turning fifty, that my opinions might cause trouble for others I am associated with; I work at a non-profit for one, and of course, I had a very long volunteer service ‘career’ with Mystery Writers of America. It was probably at least nine years of service all told; and I didn’t want anyone claiming I was speaking for MWA (particularly when I was serving as Executive Vice President) when I was expressing myself personally; nor did I want anything I might say or do to reflect poorly on the organization–or have my words used against it in any way. As EVP, I was one of only two people authorized to speak for the organization publicly; and that last year after pandemic restrictions were lifted I traveled a lot, representing the organization at several conferences and events. And even though I personally knew where the lines were drawn and what was and wasn’t separate, I couldn’t count on other people to keep or recognize those same distinctions…and I was far too busy with everything to willingly risk more things to have to deal with by opening my mouth on here. That’s part of the reason I dialed that all back–along with the “preaching to the choir” element–but yesterday morning I realized you don’t have to be careful about what you say publicly anymore and it was incredibly liberating. So yes, I will sometimes be taking on things that I feel strongly about and not keeping my mouth shut the way I have for so long. (In my narcissistic hubris, I also sort of blame myself for the state of the world right now because I kept my mouth shut for so long.) Besides, if you read this blog or my books (hopefully both), it should be readily apparent that politically I am basically a Jacobin–albeit one who understands how our government runs and functions and how it is supposed to work…which some people serving in Washington don’t seem to know, which is odd. Surely the ones in my age group had to take Government or Civics in high school? I don’t see how they could have passed it, but here we are.

So be prepared, Constant Reader. There’s a lengthy tome coming on the Virginia Incident.

But I finished editing the manuscript I was working on (not one of my own) last evening and sent it back to the author, and I can breathe. I have a ZOOM call scheduled with my editor, so we can talk out all the issues and scheduling for Mississippi River Mischief, which I am actually itching to get back to work on. I think I’ll take today and tomorrow as free days from writing, and then I will jump back into the book on Sunday. I want to do it the way I always do my editing and revisions; by chapter as opposed to entire manuscript, which is what I had been doing and I think this change of work habits, on top of the depression and everything else, made it impossible for me to get the book finished. I don’t think I’ll get it done by the end of May, but surely I can get it finished by mid-June, and then can move back to Chlorine–which will also require me going over and revising the opening chapters again so I can get the voice down again. I am also going to go back to my chapter-per-week project I was working on before my life blew up late last year, and I feel marvelous about everything. I feel very excited about this, and about getting back to writing again. This hasn’t been the best year for me thus far, really, and I also need to stop thinking oh I need to understand why I feel like this or trying to deconstruct everything in some kind of pseudo-psychological processing. My mother died after a slow, lengthy decline, at an extremely difficult time for me professionally. I need to stop feeling guilty about grieving, or being unable to do anything because of depression. Of course I am experiencing some depression; I’d have to be inhuman not to feel anything. And like with all previous traumas, I am learning to navigate grief as I go–although maybe I should read Joan Didion’s The Year of Magical Thinking–and like all previous traumas, it creates a bipolar existence where one day you are fine and the next you’re back in the pit of despair. Sometimes the day will start out great and will flip as it goes on. I have nothing wise or profound to say about loss or grief; although there is something to be said about the numb emotional deadening the HIV/AIDS crisis brought in its wake. I would never want to be that zombie-like ever again, drifting through the days waiting to hear someone else is in the hospital, someone else has died, and there’s another funeral in a few days–but I also have to start recognizing, at this great advanced age, that I’ve never processed or dealt with that time either. (It’s a Sin was a strong reminder of that very thing. I was also thinking Longtime Companion deserves a revisit; it’s always been hard to watch for me, but the beach scene at the end always makes me sob. I’ve also been thinking about the literature of the plague; has anyone ever compiled a list of the classic HIV/AIDS writings? There’s a thesis for a grad student.)

Last night I slept like a log; the sleep of the righteous for finally finishing that editing job. I feel great this morning–rested and relaxed. I do have some work at home duties to accomplish today, and the kitchen is a complete disaster area. I have decided that I am going to finish reading Lori Roy’s Let Me Die in His Footsteps (which is fucking brilliant in every way), as well as reread the openings of the Scotty books this weekend, to see if I can get his voice back into my brain–I feel like that’s the big problem in Mississippi River Mischief–I haven’t nailed the voice and tone in any of the drafts yet, so I need to re-familiarize myself with Scotty’s voice and his wicked, wicked ways. I am actually excited about getting reacquainted with him. This is our ninth outing together, and I always wonder with each one if this is the last or not. I think there’s at least two more Scottys within the reaches of my brain–Hurricane Party Hustle and Quarter Quarantine Quadrille for sure–but you never know what is going to happen next and what may come along your road to write from out of nowhere. I’d like to get both Chlorine and Muscles finished this year, as well as the novellas, and maybe a short story collection by the end of the year. I have also been thinking that one thing that is missing from the annals of New Orleans (or Louisiana, for that matter) crime fiction is the environmental novel. John D. MacDonald deplored what politicians and greedy developers were doing to the tropical paradise of Florida, and slipped that social commentary into almost every Travis McGee novel and many of his stand alones (Barrier Island comes to mind). Louisiana has been in an environmental crisis for decades, and yet no one ever writes about the eroding coastline, the greed of the oil companies and the politicians they buy and pay for every year; Cancer Alley along the river between Baton Rouge and New Orleans being a hotbed of toxic waste; and of there was the Bayou Corne sinkhole a few years ago. I don’t know that I have the knowledge or the time to do the necessary research to write such things, but it’s something someone needs to write. And you know what I always say–if you think someone should write it, that someone should be you.

For me, though, the problem with research is how do you stop from going down wormholes and wasting days? Where do you draw the line, and when do you know you’ve done enough? As Constant Reader knows, I can never get enough of the sixteenth and seventeenth centuries of European history; I can spend days in wormholes of research about politics and wars and the powerful; it was an interesting time–when white Europeans began their colonization of the world, when Christianity had it’s huge splintering that led to war after war after war, the Hapsburgs continuing to expand their empire by marrying it, and on and on and on. Remarkable female leaders proliferated in the sixteenth century more than perhaps any other century before or since; which makes the sixteenth a bit more interesting than the seventeenth. The seventeenth interests me because it was the century when the world empires continued to grow and oppress natives around the globe, but it was also the time of the rise of the modern state, when the political games became more about state power rather than faith or old inheritance claims–when politics became more about the country than the King’s whims. I also go down New Orleans and Louisiana history wormholes a lot, too. I will never have the time to write everything I want to write, or research history enough to write about it. I really, for example, want to write about the German Coast rebellion of the enslaved; I want to write about Freniere, Louisiana being wiped off the map; and I want to write more historical stories set in New Orleans.

And I want to write a romance. I had that on my list of projects for this year, but then everything blew up in my face and my control over the year slipped right out of my fingers. But even though it’s mid to late May, it’s not too late to salvage the rest of the year from the wreckage of the first five months.

And on that note, I’m heading into the spice mines. Have a lovely Friday, Constant Reader, and I will check in which you again later or tomorrow.

Music

Tuesday morning and it looks like we managed to survive Monday somehow. It was ninety-seven degrees yesterday when I left the office–but the humidity hasn’t started getting super bad yet. After getting the mail and making groceries, I was exhausted by the time i finished unloading the car and putting everything away. And it’s only May. It’s funny how we forget the brutality of summer when it’s not summer her, every single year. It’s always a shock how hot it gets here when the summer heat returns in late spring…and how much it saps the energy right out of you. I did manage to get some work done last night after putting everything away, and then I repaired to the easy chair after a ZOOM meeting to be a kitty bed.

We started watching Shrinking last night on Apple TV, and it is really one of the funniest shows I’ve seen. I believe it’s written by Brett Goldstein, aka Roy Kent on Ted Lasso, and stars Jason Segal and Harrison Ford. Once it hits its stride–the pilot episode was a bit uneven–it becomes absolutely hilarious. I can’t believe more people aren’t talking about this (maybe they are, I am notoriously oblivious, after all) but it’s terrific. Funny–and the humor comes from the characters and who they are, rather than situations, which makes it richer and more human, I think. Jason Segal plays a therapist whose wife passed away about a year before the show opens, and he’s questioning everything about his life, including how he practices therapy with his patients, and decides to be more active, proactive even, in his treatment of them. Sometimes this works, sometimes it doesn’t, but it is always quite clever and funny and enjoyable. He also has an estranged relationship with his daughter–his grief was selfish, and he wasn’t there for her when she lost her mom–and their neighbor, Liz, has kind of taken over taking care of Alice the daughter, so he’s trying to rebuild that relationship as well, while navigating his gratitude to Liz for stepping up–complicated by the fact she won’t let go or step back. Like Ted Lasso, it’s about relationships and learning how to navigate grief–in Ted Lasso, it’s the grief of the failed marriage, in Shrinking, it’s grief over a dead spouse…but the primary takeaway from the show so far is something I’ve noticed, and a friend who lost her spouse about six months ago and I have been talking about, is the lack of conversation and discussion about grief, how to grieve, how long one should grieve, the guilt you feel whenever you have a good moment or something nice happens to you (“I shouldn’t be having a good time!”), and so on.

We have a billion dollar industry built around grief–the mortuary business–and yet that’s all about the public display of grief, rather than the intimate experience of it. Ah, capitalism. I’m actually surprised no one has figured out a way to monetize grief, really. Or maybe that’s what the mortuary business is? If so, at least in my case, it’s gone horribly wrong. The service in Alabama at the funeral home was absolutely lovely, don’t get me wrong–but it didn’t provide me with any closure or answers or much of anything other than the ability to share sadness with the rest of the family (and I do pity the relatives who didn’t come or even call or anything; that is something Dad will never forgive. I am a little more understanding, but totally get where he’s coming from and can appreciate and understand it. He worshipped her and he saw that as a slap in her face, right or wrong.), so I don’t know.

I don’t know much about anything, really. Almost every day is a reminder of how little I know and how little I understand. But life really is a learning process; I hope to never stop learning and evolving and growing until the day my heart finally gives out as well.

And on that note, I am heading back into the spice mines. Have a lovely Tuesday, and I will check back in with you again tomorrow.

Don’t Tell Me

It’s the Monday after Mother’s Day and I managed to make it through somehow. I woke up this morning with a strong urge to remain comfortably in bed, but here I am swilling coffee and planning on how to make it through this week of work and everything else I have to get done. But yesterday wasn’t nearly as bad as I feared it might have been. I eventually became emotionally immune to Mother’s Day sales and the FTD reminders; my situation certainly didn’t require me to complain about others still celebrating with their mothers–why harsh everyone’s buzz? I can’t imagine anything more narcissistic than insisting everyone else calm down with the Mother’s Day stuff because it was hard for me. Next year I’ll know what to expect and will be one more year removed from the loss; time has a way of dulling the aches and pains and slings and arrows life hurls at us–all things become easier with the passage of time. A friend was in town yesterday and I joined him for a rather late lunch. I had a beer (!!!); a local IPA that was actually quite good–I’ve always only drank trash beer, and never really got into beer as an experience rather than as a method of alcohol delivery. (I also know nothing about wine.) That was a nice break from working, and last night we started watching The Consultant, with Christoph Waitz, on Amazon Prime. I don’t think we’ll continue. It’s well done but it’s very strange; it’s based on a Bentley Little novel, so it’s probably more on the horror end of the spectrum, but it didn’t really engage with us very much? I suspect we’ll be looking for something else to watch this evening after I finish working.

And because I never made a grocery run over the weekend I shall have to do it tonight after I get off work, which is hardly an appealing thought. I also have a ZOOM call tonight–I should be able to get home in time for it, I think–or maybe I don’t; it’s not on my calendar which is unusual, but there’s no meeting at all on my schedule for the month of May, which is very odd. I’ll have to dig through my emails to see, but I’m pretty certain it was tonight. I’m actually rather amazed that I remember that much, without it being on my calendar. I know i had some things I needed to do before that call, too–so that’s going on today’s list of things to do. MUST BE DONE.

But I feel like there’s a lot less on my shoulders this morning, which is also kind of weird. Was Mother’s Day that subconsciously brutal on my psyche that I was able to keep it out of the forefront of my mind while still carrying the load and only being slightly aware? My brain’s ability to protect itself (and me) from things I don’t want to think about or deal with at the moment is pretty uncanny; but I’m not sure if that’s entirely healthy. There’s a lot stored away in the dusty back corners of my mind that I’ve never processed or dealt with–watching It‘s a Sin on HBO MAX back whenever it was that first aired, for example, brought a lot of memories back that I’d not even considered, let alone dealt with and processed, since it all actually happened to me in my life. I said recently to a very young gay man lately (early twenties, so born in either the late 90’s/early aughts) “back then we just all figured we were all going to die before anything would be done about it” and he recoiled slightly from me, saying “But that’s terrible” , to which I shrugged and said, “that was our reality.” I’d never really thought about it much because it was the reality; and yes, it was indeed horrible. But I’ve blocked that all out so much for so long that it does sometimes seem like it was distant history, like it all happened to someone else, or that it was a book I wrote long, long ago and barely remember. The loss of memory from that time is no different, really, from the loss of memory of the times and years after Katrina or how all the pandemic/COVID years kind of jumble in my mind and I can’t remember timelines or when things happened or how they happened. Scrambled brains, I suppose, is the easiest way to say it; trauma and PTSD scramble our brains.

And even as I reread that last sentence, I am, as always, inwardly rolling my eyes at myself, So dramatic, my inner critic is sneering. You’re not the first person to lose a parent. It is funny, when you catch yourself being nasty to yourself and then start unpacking where that negativity and self-loathing came from. Childhood, of course, which is where so many of the scars were inflicted and lessons learned that have almost proven impossible to unlearn as an adult. There are no guidebooks for life; only experience and learning hard lessons. As someone who prefers a bit of structure to life, not knowing how I am supposed to handle things like grief and so forth inevitably results in me being harder on myself than I should be. How long are you supposed to grieve? How long before it stops hurting, before I can think about Mom without getting deeply emotional? Am I supposed to keep this to myself, or am I supposed to share it? Do people get tired of hearing about it and grow bored with me talking about it? I know I get bored with myself–and then wonder, is that self-abuse? Should I be kinder to myself? I never have been, really; so that would be a novelty in the first place. When does it cross the line from normal emotional response to wallowing in it?

I really hate that my parents lost my user manual so many years ago…

And on that note, I am heading into the spice mines. It’s a Monday, so take it as easy on yourself as you can–we can make it through yet another week of challenges and excitement, can’t we?

Don’t Cry for Me Argentina

It won’t be easy, you’ll think it strange…

Work at home Friday for one Gregalicious, and yes, I feel marvelous after not having to get up to an alarm at the ungodly hour of six a.m. It doesn’t matter how many days, weeks, months or years I have to do that–I will never get used to it. I’ve had 9 to 5 jobs before and it didn’t matter. I never got used to getting up to the alarm, never failed to get tired or worn down during the course of the week, and was generally so tired by Friday all I could do was pray for the day to end. Why is this? I don’t know, but I have always been like this–even when I was a kid. I made some decent progress on the book last night–thank God–and hopefully will be able to do so tonight as well.

Last night I joined some colleagues and friends for a catch-up-we-don’t-see-each-other-enough ZOOM call, which was lovely. They taught me how to take my face off the screen (I don’t like looking at myself, which is why I’ve always hated doing ZOOM things) and I learned how to blur out my background so I don’t have to stress about open cabinet doors or a stray dirty dish or case of condoms in camera range (which is why I’ve always hated ZOOM things) and it was quite lovely. It was a nice cap on an odd day of weird energy. As always, I enjoyed my clients and there was cake again today (there’s been cake pretty much every day this week), but I felt like I wasn’t getting as much done as I usually can and like I was kind of drifting through the day, if that makes any bit of sense (USE YOUR WORDS, WRITER BOY). But after the call I got through another chapter, and I think I am over the hump now and can buckle down and get the damned thing finished at long last. I have a lot to do this weekend, and not much time for being lazy and recharging (my favorite things to do) my batteries.

But it’s going to take some more time. In fact, I am going to stop being so lethargic and talk to my editor today and let her know how behind this is and see what we can do. Avoidance always makes things worse, you know, and this is a lesson I learned a long time ago–which makes this regression back to a time when “avoidance” was my middle name puzzling, confusing, and worrisome. I used to evade responsibility at every opportunity; eventually I realized that stepping up and taking responsibility was better for me on every level. Maybe I tend to overdo that somewhat; I don’t need to take responsibility for everything as not everything is actually mu fault, but I have also found that taking responsibility like that gives everyone and everything the chance to deal and move on. And sometimes that’s the best thing to do; because things inevitably devolve to “who do we need to blame for this?” and that isn’t productive.

After working some, Paul and I got caught up on The Other Two, which isn’t as funny in its third season as it was in its earlier ones, and then spent some more time with Somebody Somewhere, which I really do like. Today I have work-at-home duties as well as chores to get done before I can curl up with today’s edits; this weekend I have other things to do so I have to put the book aside once I take responsibility for my failures to get this revision done in a timely manner and get this back on the road to its completion. This morning I feel more clear-headed than I have all week, but then of course I should have expected to be tired this week; last weekend I spent over eleven hours driving between Saturday and Sunday and of course, the weekend was an emotional drain. It’s actually been quite a week, frankly; between the emotional rollercoaster of the weekend to the madness of getting three Anthony nominations and of course, the constant struggle to get this book finished, it’s really not a surprise that I was drained and tired and fatigued in every way (emotional, intellectual, and physical) by the time Thursday came rolling around. I also realized this morning/last night that the way I’ve been revising this book hasn’t been the best way to do it; I’ve been doing something different in my approach and as such, feel like no progress is ever being made and that makes it even harder. I was trying to work from the manuscript draft, with everything in one document, as opposed to what I usually do, which is every chapter has its own file with the chapter number and draft number as the file name (example: Chapter 2-4 means fourth draft of chapter two) and I can get the enormous satisfaction of keeping track and getting things done; working in one document there is none of that, and I think not getting that serotonin blast from the illusion of getting things done and moving ahead is what has been holding me back. I am going to go back to the old way of doing things while cutting and pasting the new stuff into the long document and see if that speeds me back up.

Never change the ingrained habits of over twenty years, for therein lies the path to madness.

And on that note, I am heading into the spice mines. May your Friday be as lovely as you are, Constant Reader, and I’ll clock back in tomorrow.

Little Star

Well, here we are on bleary-eyed Thursday morning and I am swilling coffee and hoping to wake up more. I slept very well, but this is the usual late-week battery running down kind of tired, the way I always feel by the end of the week. I was tired again when I got home from work yesterday, so didn’t get very much accomplished last evening. I have a sink full of dirty dishes I’ve been ignoring, a dishwasher full that needs to be put away, a load of laundry in the dryer and another full basket of clothes to launder as well. Heavy heaving sigh. I really just want to curl up into a ball and go back to sleep and pretend like the rest of the world doesn’t exist, but it is not to be.

I did, in my tired stupor yesterday, did manage to watch this week’s Ted Lasso again and it was just as lovely and charming and delightful the second time around, and I did catch some things I’d missed the first time (my favorite was when Jan Maas said “statistically there should be more than one gay person on the team” and everyone looked at Jamie, who just smiles and says “I’m flattered”). This show is really such a delight; I am always in a much better mood after I watch it. The character development and story arcs have just been phenomenal, and the attention to every little detail is exceptional–the developing friendship between Jamie and Sam, for example; not a major story in the scheme of things, something extra and small on the side, yet also incredible for showing the character development of them both from the first and second seasons when Sam couldn’t stand Jamie and didn’t want him back on the team. We’ve also started watching an adorably funny show on HBO MAX called Somebody Somewhere, which is set in Manhattan, Kansas and focuses on the most endearing odd characters. I wasn’t sure if I was going to like it at first–shows about oddballs are always iffy for me; I wanted to be sure we’re laughing with the characters rather than at them; otherwise it’s too mean-spirited for me, and this show is definitely not that. It’s kind of hard to describe; maybe as I watch more I’ll get it sorted in my head.

I’m hoping that I’ll get my act together this week–the jury is still out on that and it’s already Thursday–but now I am at that “I have so much to do and so little time to do it in so I will never get it done” paralysis that usually comes right before my brain snaps to attention and starts working at an insanely impossible speed. I don’t know why I always do this to myself, but it happens far too regularly for my liking and I really wish I could change my ways to not be like this anymore.

You’re sixty-two, Greg, or rather, almost sixty two (I always add a year to my age after New Year’s), what are the chances you’ll be able to change your methodology at this time in your life? Heavy heaving sigh. But one can always dream, can’t one? I am going to head straight home after work today because I have a ZOOM thing tonight with some friends and I need to clean the kitchen–or at least hide the dishes in the full sink…no wait, I remember! I learned how to blur the background so I don’t have to clean the kitchen! (But I do still need to clean the kitchen if I’m not too tired…)

Ah, well, such is life. And now into the spice mines….have a lovely Friday Eve, Constant Reader.

Who’s that Girl?

Wednesday and it’s Pay the Bills day again! Woo-hoo!

I didn’t sleep all that great Monday night, so felt a little tired all day. Mentally I was fine, but it was another one of those oh you’re body feels tired and wants to curl up and go back to sleep–which was what I’d avoided all day Monday only to have the night be restless for me. It’s okay, of course; there are always worse things that could have happened (like not sleeping at all) but it wasn’t exactly terribly motivating, you know? I got all my day job work caught up, which was great, but had a ZOOM meeting last night at six pm after I got home, so didn’t get a whole lot done other than that. But I did get all my tax stuff turned over to my accountant–we may need to file an extension, which is fine; this is all my fault for blanking on my income taxes–which was a lovely and much needed thing.

That was a very close call, frankly.

I slept much better last night. I feel very rested this morning, both physically and mentally, so here’s hoping for high productivity day, shall we? I stopped on my way home last night to pick up more ink for my printer–it’s weird how I go through the other colors much faster than black; I have two black cartridges I’ve not used yet from having to replace the colored ink; yesterday I discovered I can simply buy the colored ink separately without a black cartridge–which means it happens more frequently than i would have thought–that black and the other colors never run out at the same time. I suppose you can also buy them individually; I just always bought the more expensive all colors pack. Live and learn, things are getting a bit easier, wouldn’t you say?

I have all the background materials prepared so tonight will begin the official revision of the final draft of the new Scotty book. I have to admit, I’ve been thinking a lot lately about ending the Scotty series. What? I know, I know, I figured I’d be writing about Scotty until the day I die. But I am beginning to think the series is a bit played out; what else is there for him to do, explore, realize about himself and the world? I don’t know. The writing has been very difficult–not just for Scotty–ever since the pandemic started. Not that it’s over by any means–looks like there’s yet another new strain out there, at least I saw some news reports yesterday about it, at any rate. But I think and hope that once I get this one finished and out of my hair, going back to writing something new from scratch will be a lot more fun than writing has been since 2020.

We watched Yellowjackets last night–I really love Melanie Lynskey–and this week’s episode of Ted Lasso, which feels like it’s getting back to what it really is after an interesting start to this final season. I do love the show, just as I did Schitt’s Creek, but I’m not completely obsessed by it, the way some people on Twitter appear to be; they seem to have watched every episode shot by shot, frame by frame, and then indexed it all so they can refer to it with each new episode that drops? I mean, it’s cool–I used to be obsessed with television shows (soaps in particular) but maybe not to this extent? I think streaming makes these kinds of obsessions easier than it used to be; you used to have to record everything on a videotape, which would gradually wear out with repeated watchings and before that–well, I don’t know what people used to do before the Internet other than watched shows as they aired and took voluminous notes? I suspect people didn’t used to get as obsessed with television shows and films the way they do now because it wasn’t possible–although I suppose Star Trek was the first show to really get people obsessed. Not an expert on television history, I’m afraid, nor of its impact and influence on culture and our society as a whole.

It really is amazing how much better I feel this morning. It’s amazing what a good night’s sleep can do for you, isn’t it? I’m hoping I’m not tired when I run my errands after work tonight–I need to make some groceries and get the mail, then come home and do some chores (finishing the laundry, emptying the dishwasher in order to reload it again–before I can sit down and work on the book some more and then we need to find something new to watch; but I have found a bunch of shows that look interesting–crime stories, natch–so we can start giving those a try. I also want to prune down the books a bit more, and see if I can’t get some of this junk out of the living room. I’ve always preferred open space in my home, to give the illusion of it being a larger space, so of course the living room is completely cluttered and has stuff shoved into every crack, crevice, and space where something can possibly go, and I don’t like that feeling, frankly. (It’s also why I worry about moving into a bigger space–more space to fill with clutter and things.)

Heavy heaving sigh.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you tomorrow.

Doo Doo Doo Doo Doo (Heartbreaker)

Well, I’ve decided on my audiobook for the drive to and from Alabama this weekend: Carol Goodman’s The Night Visitors. Carol is one of my favorite writers (and has become a friend! I love my life) and I love her works; if you’re not reading her already you need to get on it–and there’s a healthy canon to dig into as well (always a plus). She also has a new book coming out this spring, called The Bones of the Story, which is a great title. I’m working on a short story this week while I am letting my novel manuscripts rest, and it’s definitely some slow going. I got about two thousand words into this story about a year ago, and I think it works perfectly for this anthology a friend of mine is putting together; I just need to finish the damned thing. But tonight I have a ZOOM call I have to do and I have to pack for my weekend in Alabama, and tomorrow morning I’m getting up, writing a post and hitting the road while listening to the divine Carol Goodman.

Does life get better? I think not.

It’s actually kind of funny; after I finished yesterday I realized I could, for the first time in quite a while, take some down time to myself for a minute or two without guilt or something looming over me needing to be done. After I sent the manuscript (such as it is) in along with my editorial thoughts and analyses, I thought, wow, I’ve sure written a lot since just before Christmas and showed an incredible amount of discipline–the kind of single-mindedness you’ve not had for quite a while, and I should feel drained and tired but I don’t. That was an incredibly over-confident assumption to make, even though it was true at the time I thought it. When I got home from work I realized my candle wick had burned down so far that it needed to rest and be replenished for a while. I am still feeling motivated and creative, though; I was simply drained yesterday. Before I went to bed last night (after watching another episode of The Recruit, which I am really enjoying) I kind of felt like the batteries were already starting to recharge. I feel very tired this morning, too–I slept well, don’t get me wrong, but I think I needed to sleep longer. Ah, well. I don’t have to get up before the sun rises tomorrow, so that’s something.

I always like Thursday nights.

But the kitchen is still a mess. I wasn’t in the mood to clean last night when I got home, either. I just felt disoriented, emotionally and intellectually spent, and physically tired. I used to call it the malaise, because it felt like melancholy brought on by the utter exhaustion of my creativity and drive to write. It’s very weird. Usually, the malaise also brings with it the feeling that I don’t even want to think about writing anything else ever again–which is not the case this time, which is very weird to me. I am champing at the bit to get to work on more things, new things, even to start working on the editing of everything else. It is very weird, and I will keep you posted on how this weird new version of malaise works itself out.

But I’ll have to clean the kitchen before the ZOOM thing tonight. That, or turn off all the kitchen lights.

Heavy heaving sigh.

I watched an interesting documentary on Youtube in my tired malaise last night, a new one from James Somerton called The Death of Queer Privacy, which was interesting. The primary focus of the documentary–Somerton does popular media critiques from a queer perspective–was, to begin with, about outing as well as the potentially problematic tropes in Paul G. Tremblay’s A Cabin at the End of the World and it’s film adaptation, A Knock at the Cabin. It was another look–deconstruction, if you will–if whether a straight identified (I don’t know how he actually does identify) writer centering a gay couple/family at the heart of a horror novel/movie is either good representation (they could just as easily have been a straight couple, a mixed-race couple, lesbians, etc.; sexual orientation didn’t play a part in the plot and if anything, the fact that the gay family was presented as normal and not a big deal tends to undermine any critical analyses of this as intentionally or unintentionally sinister) or if the book/movie, at heart, centers the trauma of a queer family as entertainment for the masses. I may want to watch that again; I wasn’t paying a lot of attention because I was tired and scrolling through social media on my iPad, so I may have missed some things, but the critique and look at the film itself was merely an introduction to the main topic, which was the attack on queer people’s right to privacy–which served as an interesting counterpoint to a lot of the public discourse about queer celebrities and how much of their lives, if any, needs to be shared with the audience. The recent forced outing of Kit Conner from Heartstopper is perhaps the best example of this; the idea that queer people in the public eye need to–nay, must–come out and be publicly queer, no matter how they themselves feel about revealing that much of themselves to the world, is problematic on its face. Somerton then went on to talk about how gossip blogger (and garbage human being) Perez Hilton essentially dragged a couple of people out of the closet. And really, are the personal and private lives of any celebrity any of our business? Simply because we enjoy someone’s performance in film and television, or like someone’s music, doesn’t really give us the right to know intimate details of their personal lives. I’ve never cared, beyond mere idle interest in hearing gossip; but I don’t care that much about it because I don’t know these people. What does who Taylor Swift is dating have to do with her music–other than her break-ups tend to spawn some amazing music–and why do I care? Why would I care who Tom Hiddleston is fucking, unless it’s someone I actually know? (There’s an interesting dialogue to be had about our billion-dollar celebrity gossip industry…) To circle around back to Tremblay, I knew he was publicly identified as straight as far as I knew (and didn’t care to know more). I was a fan of his before reading A Cabin at the End of the World (having greatly enjoyed A Head Full of Ghosts and Disappearance at Devil’s Rock–I’ve not read the others yet–and so I was delightfully surprised that the family the book was centered on was a gay couple and their adopted child. It was yet another entry in the “people go to secluded place and then horrible things happen” trope of horror, but with a remarkable twist that made it even more intense and terrifying. (I’m really looking forward to the film.) I read the book and enjoyed it, and I didn’t read anything sinister into it; but I was also reading it from an entertainment perspective rather than to gain a sociopolitical perspective for writing a critique…which now I kind of want to do, thank a lot, James Somerton–this is how this kind of thing always happens to me.

In fact, an essay exploring three mainstream novels by non-queer writers centering queer characters could prove interesting–and the Tremblay, S. A. Cosby’s Razorblade Tears, and Laurie R. King’s Back to the Garden would be the perfect trio to look at as they are relatively current, critical successes, and often award recognized.

And on that note I am going to head into the spice mines. Have a lovely morning, Constant Reader, and I’ll check in with you again later.

In the Back of My Mind

Here we are back on another Monday morning with another work week staring us in the face and not blinking. Great, right? It was a lovely weekend around the Lost Apartment, if a bit lonely; Scooter was definitely needy all weekend and it’s weird to have the bed almost entirely to myself (not including Scooter). I felt well rested both weekend mornings when I arose; yet after running my errands on Saturday and doing some cleaning I became extremely fatigued, which sent me to my chair. I did manage to get some things done once the fatigue set in–I think low blood sugar had an awful lot to do with it, to be honest–and it’s irritating, frankly. I had wanted to be a lot more productive on Saturday than I actually was; but c’est la vie and all that nonsense. I do think I am going to need to do some restructuring of the opening chapters on my book, but that’s cool; it certainly makes more sense for me to order it the way that I am going to restructure it all. And no, I didn’t get a lot done this weekend. Maybe a restful weekend of recharging my batteries was just what the doctor ordered; who knows? I am trying not to get overly stressed out about everything that is pending for me.

Stress is the mindkiller.

I’ve oddly enough been sleeping better and more restfully recently, despite the addition of cappuccino to my morning routine every morning–but maybe the caffeine crash is why I am so tired in the afternoons. Maybe, but I was also tired in the afternoons before I got the new espresso machine (which I love, if I’ve not made that clear enough already) so who knows what the new normal/Greg’s reality is anymore? I certainly don’t know.

And it’s Halloween, of course. Happy Halloween!

I was going to rewatch the original Halloween last night, but instead I rewatched Robert Wise’s 1962 adaptation of The Haunting, based on the novel by Shirley Jackson. I originally saw this movie when I was a kid, staying up late one night to catch it on the late movie, and it was absolutely terrifying. It’s exceptionally well done, and Julie Harris is so definitive as Nell–the cast is all so definitive in their roles, really–that I can’t help but see them every time I reread the book. It really is a stunning performance by Harris–she really embodies Nell–and the entire thing is so claustrophobic and terrifying, really; the concept of what you cannot see being more terrifying than what you can played up perfectly by Wise’s incredibly capable direction and camera shots–and the editing ratchets up the suspense and terror perfectly. It follows the book incredibly closely–one of the most faithful adaptations of book-to-film; up there with Rosemary’s Baby, really–and as I watched, not terrified because I’ve seen it so many times so thus able to watch for the direction and the editing, which were superb, as was the black and white cinematography, I couldn’t help but marvel at what a great job Wise did with the cast and the film. The remake was terrible, absolutely terrible–unwatchably bad; which remake a classic in the first place, especially when you’re just going to go crazy with the CGI budget, which takes away the most important suspense/terror aspect of the book and the original film: you don’t see the monsters, you don’t see whatever it is that is haunting Hill House and it is never explained. I also don’t usually like movies that have voiceovers to show a character’s thoughts, but the book itself is so intimately from Nell’s point of view that it would be hard to translate that on film and get the same feeling–and the emotive way Julie Harris does the line reading makes it work, draws the viewer in, and makes the viewing experience incredibly intimate and claustrophobic at the same time, which is exactly how Jackson wrote the book.

I also recorded Alexia Gordon’s Cozy Corner podcast yesterday, and it was a lot of fun. We talked for a very very long time–we both lost track of the time, really–and talked about a lot of things. It was seven by the time I got off the ZOOM call, and when I got up to make myself something to eat was when the fatigue hit me. Was it related to the podcast and social intercourse, which also required me to think and be smart and actually put thought into my answers? I don’t know, maybe it was but I was pretty tired by the time I made my grilled-cheese-and-bacon sandwich for dinner and repaired to the living room to watch the movie. I didn’t stay up much longer after I finished watching either; I was watching some documentary on Youtube about the Hapsburgs and started nodding off, so I decided to just go on up and go to bed early–more sleep never hurt me, after all.

I may even go to bed at nine tonight. Perish the thought!

But I think my restful weekend did the trick, and it was clearly what I needed. I do feel refreshed and alive and rested, both physically and mentally, this morning–or it could be the cappuccino. I guess we’ll find out this afternoon when the caffeine wears off.

So on that note, without further ado, I am heading into the spice mines on this lovely cool Monday morning in New Orleans. And may your day be lovely and bright, Constant Reader–I will talk to you again tomorrow morning.