Tag: Weimar Germany

You’ve Lost That Lovin’ Feeling

Bring back that lovin’ feeling now it’s gone, gone, gone….

One of the worst things about being a writer with a very vivid imagination is that I often think I’ve written more of a short story than I have, and inevitably am a little shocked when I open the most recent draft of the story and what I remember writing isn’t there…and then it hits me that I either thought the story through until that point, or I scribbled ideas for it in my journal…so that gradually morphed into oh I never did write that scene/story/ending. I then sigh in disgust at past Greg for not actually writing it into the story itself and then try to remember what I can of it as I try transcribing it. The loss of my short term memory also plays a relatively large role in this madness, too. Can you guess why I am mentioning that this morning? Yep, this was the case when I looked up two short stories to add to my collection; I was trying to decide which stories I have unfinished that just needed a revision and I thought I was there with several more stories than I clearly was when I looked at them last night.

One of the ghastly things for me about being a writer is thinking I’ve written something when I actually haven’t. I was tired yesterday when I got home from work; I hit the wall at some point in the afternoon, so I succumbed to Sparky’s demands and let him cuddle with me in the easy chair when I got home from work. Paul worked at home yesterday, so when he came down we watch John Oliver and then finished Dirty Pop, the Lou Pearlman documentary. It did feel weird not having the Olympics to watch, but this is that fallow two weeks or so between the Olympics and college football getting started. Has the NFL preseason started? I am terrible about that, but since I no longer (refuse to) pay for the Times-Picayune (a ringing endorsement for the red candidate from their editorial board was the final nail in that coffin once and for all) it’s harder to remember about the Saints. I shouldn’t be surprised; the billionaire who bought the paper also is a dyed-in-the-wool Republican who ran for governor back in the day. Maybe I am wrong, but I don’t remember the paper being slanted so heavily to the right back in the day. Anyway, there’s certainly no excuse for me to not get a lot done this weekend other than laziness….and laziness isn’t necessarily a bad thing, either; I think it’s your body telling your mind to rest. I also have a four day weekend this weekend for my birthday, so that should be really nice. I suppose I should make a to-do list of projects to work on for those four day–definitely taking books to the library sale will be number one on the list.

I did sleep really well and got up pretty easily this morning. I’m still in that I could fall asleep again if I went back to bed stage, but the body is starting to awaken and my mind is feeling sharp. I hope I don’t get tired this afternoon the way I did yesterday, but I don’t really have any control over that. It didn’t, in fact, rain yesterday as was promised; it’s possible again today as well and we’re hitting a heat index of 112. Yay. It didn’t seem so bad yesterday as I drove home, picking up the mail on the way. I’m still listening to the podcast My Dad Wrote a Porno, which makes me laugh multiple times in the car; it’s attempt at being sexy and provocative laughably bad, and their reactions to Belinda Blinked are hilarious. There’s many seasons of this, so I should be set for listening in the car for quite some time. I just haven’t been in the mood to listen to music lately while driving, which is unusual. I’m just tired of all my playlists and albums on Spotify, and I’m so disconnected from what is popular music that I have no idea what everyone is listening to these days, and odds are I wouldn’t care for it if I did. (The first time I heard something popular and thought what the fuck is wrong with kids today was when I was in my thirties…so yes, I’ve been a cranky old man shaking his fists at the clouds for thirty years)

One of the things I have been doing in the evenings is paging through a book I read several years ago called Weimar Culture: The Outside as Insider by Peter Gay (I’ve had Weimar Germany on my mind since about 2015 or so) and it got me to start thinking about my work as art, and its place in the overall world of queer art and literature. I don’t think students of queer literature in the future will be reading and/or studying any of my work, by any means; I think the only thing I have going for me is being prolific and producing a lot of work. I think there are many queer crime writers whose work would be seen as more influential and of more literary and artistic value than mine–Michael Nava, J. M. Redmann, Ellen Hart, Kelly J. Ford, Lev Rosen, Christa Faust, Margot Douahy and John Copenhaver, just off the top of my head, are far more likely to make up the reading list for a Queer Crime Lit class. We really do have some amazing queer crime writers out there currently and some pretty amazing ones in the past. I was thinking about writing about queer crime and its giants, but as a queer crime writer myself the possibilities for giving offense are simply too great for me to even attempt such a thing. I also haven’t read every queer or queer-oriented crime novel, either, so it would hardly be definitive, like Michael Bronski’s Pulp Friction. Besides, I’m hardly an academic; that kind of writing isn’t really my style. I admire it, wish it was a voice and style I could slip into comfortably, but it’s really not.

I would, at some point, like to engage in scholarship. Maybe after I retire. Maybe I could take an on-line class on literature and/or one on writing essays. So many potentialities, so many possibilities…kind of nice.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader and one never knows; I may be back later.

The Streak

Good morning, Sunday, how are you all doing? I’m feeling pretty good. Yesterday was a pretty good day. I took four boxes of books to the library sale and was thus able to pretty much finish the overall of the living room. I also worked on the filing, finished the laundry room, and got the kitchen back under control. I do have to spend some time this morning working on the work space here, but I feel like I have the apartment back for the first time in years. I feel very accomplished, not going to lie. There’s still more to do, but at least it doesn’t look like the abode of a hoarder who hasn’t seen the floor in years anymore. There’s still another book purge to come, of course, and there’s the boxes on top of the cabinets that need to be removed as well. I think most of it is paper, too; I don’t think I have that many copies of my own books still in boxes anymore–but I’ve also kind of decided that I can dispose of the vanity book case soon, too. If I can clear out enough other spaces, I can box up my books, carefully archiving and labeling them, and store them in places where I have books that can be donated; and then I can pick up all the stacks of books off the floor and store them in bookcases.

I’m feeling very ambitious about the apartment this year, can you tell? And it was marvelous to come downstairs to an uncluttered and more spacious living room this morning. There are just a few more bits and pieces to get done today down here–things to put away and so forth–and then I can vacuum the entire downstairs! HUZZAH!

I slept late again this morning, much to Sparky’s dismay, but now I am up and my coffee is tasting magnificent this morning. I do have to make a grocery run today, which means organizing the fridge and so forth this morning, too, so I know what we need as well as make room for it. I am resisting the temptation to stock up the freezer–part of being prepared for hurricane season, empty your freezer and don’t fill it with anything other than things you’ll use right away; there’s nothing more frustrating and maddening than throwing away a lot of food after a power outage in the summer–which isn’t easy because yet another mental issue for me is food anxiety; I am always afraid we won’t have food in the house and I won’t have money to buy more (I think Mom was the same way, which is why there was always so much food in her house). I’ve always been this way; living paycheck to paycheck when you don’t make a lot of money can be very scarring for the rest of your life. Maybe some day I’ll get over it, but at least I recognize that it’s an actual thing now and can resist it.

Also, no need to stock up on anything fresh, as everything spoils quickly here in the heat, too. It’s amazing how quickly bananas will ripen here in the tropics, you know.

I am hoping to get some writing done today, too. Tomorrow I am going to get the mail and go to the gym on the way home from the office, and hopefully that will start a real streak of me going to the gym. My arm actually looks better than it did, which is yet another reason I really need to get into the three times per week habit again, even if I’m not doing heavy weights just the exercise itself will help my metabolism. I am getting closer to two hundred pounds and my goal weight (I remember back in the aughts when that was my goal weight to build up to; now it’s a weight loss goal. Sigh. The ironies involved with being gay never end until you’re in the grave.

I read a comic book yesterday; it was a Comixology original and it was quite good. Liebestrasse was the name of it, and it’s main character is a very closeted gay businessman returning to Germany in 1952 and remembering the Weimar times there, when he moved there for work and lived openly as gay and fell in love…as the Nazis were rising. I may give the comic its own entry, but then again I may not. Gays in Weimar Berlin always interest me (especially these days, as the similarities between now and then are even more sharply drawn), but the stories never end happily–how can they–and it’s all really just another version of Goodbye to Berlin, which is a seminal work in queer canon, methinks. I also got a copy of Stephen Spender’s novel of the time (he, Isherwood, and Auden were all friends in Wiemar Berlin) The Temple, which I am also looking forward to reading at some point if I can ever get all my reading caught up (it’s never going to happen, and I really need to stop deluding myself that it will). I’ve always been interested in that time, once I learned about the queer freedoms, and I started clocking the similarities in the 1990s…even coming up with a book idea about the fall of democracy in the United States, when dissidents, queers, and racialized people were imprisoned in “relocation centers.”

Of course, I’ve been saying this for years and no one has ever listened…and here we are.

Chilling thoughts for a Sunday morning, am I right?

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may be back later; stranger things have happened, after all, and continue to happen.

I really wish I had discovered rugby players years ago. I actually would have loved to have played, too.

Tomorrow Belongs to Me

Ah, Cabaret.

I first became aware of this movie from commercials on television, and it looked very weird to young Greg. I had no idea what the movie was about, other than it was a musical; starred Liza Minnelli; also had the gorgeous Michael York in the cast; and seemed to be set in old pre-Nazi Germany. It also came out in the same year as The Godfather, which sucked all the air out of the year when it comes to film. I had also read that book that year because of the movie…which also got me interested in Marlon Brando, which is a whole other entry. (Not to mention the sex scenes, which were really confusing in a lot of ways…especially Lucy Mancini’s over-large vagina.) But Liza was everywhere that year, too–every talk show, had her own special “Liza with a Z”, magazine covers and newspapers and periodicals like you wouldn’t believe.

I had no clue what the plot was, other than decadence and debauchery?

I remember asking a friend that year if she knew what Cabaret was about–her parents were European immigrants from after the war; her father was Czech and mother German–and she told me her parents had seen it and her mother said, “It’s all about homosexuals”, which naturally got me incredibly interested in the movie. I finally saw it several years later when it aired on television, but everything queer was sliced out of the movie and it was disjointed and didn’t make a lot of sense, so I thought well, that was shit, how did it win all those Oscars?

Because of course, all the queer stuff has been excised from the movie; the movie was basically castrated and to me, seemed like nothing more than a vehicle to move the movie along to the next musical number–many musicals are like this, so I really didn’t understand what the big deal was about this one.

A few years later, I caught the original uncut version on HBO…and have been a fan ever since.

Cabaret never should have been sold to television for airing because it had to be gutted to make it ready for prime time. I only hope no one involved with the film saw that version of it, but it really was a desecration.

By the time I saw the movie as Bob Fosse originally intended it to be seen, I had become aware of the source material: Goodbye to Berlin by Christopher Isherwood, an autobiographical novel about his experiences in Weimar Berlin and witnessing the rise of the Nazis–and how their malevolence was poisoning German society and culture. It had been adapted for the stage by John Van Druten as I Am a Camera (which is the opening sentence of the second paragraph of the book), and the play was also filmed, starring Julie Harris, who may have played Sally on stage, too. I Am a Camera was adapted into the musical Cabaret, but significant changes were made from the stage version of the musical in adapting it for the screen–and the screen adaptation also wound up causing the stage version to revised, remodeled, and reinvented as well. (And to make things even more confusing, Isherwood later wrote a memoir about that time period in Berlin called Christopher and His Kind, which was also filmed.)

I had not seen the earlier film, nor had I read the book when I saw the uncut version of Cabaret.

And you really couldn’t go wrong casting Michael York in the 1970s. Stunningly handsome, and that velvety voice that just dripped syrup.

I mean, really. I think this is from Something for Everyone, which is a great, little-known queer movie also starring Angela Lansbury! (There’s a watchable version uploaded to Youtube, but the sound and picture quality isn’t great.)

I rewatch the film every now and then. I went through an Isherwood phase in the late 90’s/early aughts, when I read everything he wrote, and I enjoyed them all. And when I see some political movements today (hello, MAGAts!), Cabaret is never far from my mind.

It’s astonishing that the film was even made, given that homosexuality was still considered a mental illness in 1972, and the film didn’t judge. It simply presented these alternative sexualities as normal, and while the times themselves weren’t normal, there was also a very strong sense that the Weimar period–which is endlessly fascinating, which is one of many reasons I love Babylon Berlin so much–that filled the German political vacuum between the wars wasn’t very different from the twenties everywhere else, either; a time when the society and culture rejected the old, more conservative times that led to the first war, and everyone just wanted to have a good time because so much was misery. (I often wonder how much the American Stock Market crash of 1929 had to do with the rise of fascism in Germany; it was the economy, after all, that really caused the problems, and wasn’t the global economy heavily impacted by the collapse of Wall Street? We never realize how what happens in our country affects the rest of the world, because the United States is just as narcissistic as the convicted felon the Republicans are running.)

But the underlying message of Cabaret is one that is hard to miss: that living in your own bubble and ignoring the world outside is precisely how garbage like the Nazis rise to power…the assumption that someone else will do something to take care of it, and we’ll just keep having fun. In the late 1980s and early 1990s I thought we as a country we’re headed down that path; the unholy marriage between the right wing and evangelical christianity (I will never capitalize that C because cults don’t deserve that respect) certainly made it very clear to me that there was a very large segment of the American population that would be more than happy to put all racialized people and queer people into death camps. (I even started toying with the idea for a novel about that very thing; I still think about that idea A LOT, and even more so since 2016–which is also when I started rewatching Cabaret again on a more regular basis. Cabaret, and Bob Fosse’s vision of what it should be, was very powerful; and it changed the face of what movie musicals looked like and could be, and has influenced stage and screen musicals ever since. It’s a stunningly shot film, and now I can say that I understand why Fosse won the Oscar instead of Francis Ford Coppola for The Godfather; both films are masterpieces, but Cabaret was more “showy,” and that always wins over diligent and detailed craft.

And no, the movie isn’t “all about homosexuals”–even though there’s a minor character who is a trans woman; the main character is gay and bi-curious, and Max, Sally’s other love interest, is also bi and sleeps with them both cheerily. That was VERY avant-garde attitude to have in a 1972 Hollywood movie made for American audiences.

I wonder how seeing it on the screen in 1972 might have impacted me? But I also can’t imagine my mother and sister sitting through it, either.

Cabaret is a must-see if you’re interested in queer film–or great American cinema, for that matter. And I will judge you for not seeing it. In fact, I’m doing that right now.

Beauty and the Beast

Holiday Monday, which is celebrating Juneteenth (if you want to know more about the holiday, this is a great place to start). It’s hard to believe, and more than a little sad, that it took until recently for this to become a federally recognized holiday. Honestly.

Better late than never, I suppose–which is hardly any consolation, really.

But it’s nice to have another three-day weekend (I can’t remember which holiday we gave up for this one at my dayjob, but we only are allowed no more than eight holidays for some reason), and I slept late again this morning. The cappuccino yesterday morning had no effect on my sleep, so I am having another one this morning, which is lovely. I really do love the way they taste; I just wish making them wasn’t so complicated and dirtied up so much stuff. I made Swedish meatballs yesterday afternoon and that mess still needs to be cleaned up as well. Heavy sigh. What can I say? I got caught up in watching television once the meal was ready and stayed in my easy chair until it was time for bed. We watched the new episode of Becoming Elizabeth, which isn’t bad but it’s not overly compelling either–which is weird, because the period between Henry VIII’s death in 1547 and Elizabeth’s accession to the throne in 1558 was very fraught and very dangerous (Anya Seton brilliantly captured this period in her seminal novel Green Darkness, which I highly recommend along with the warning “it’s quite long”); but it’s not really translating to the screen very well in this production. I also spent some more time with John Copenhaver’s marvelous The Savage Kind, which I hope to do again today.

We also started watching an amazing show on Netflix that originally dropped in 2020 and whose second season was endlessly delayed by the pandemic (I checked it out on-line as we watched) called The Defeated starring Taylor Kitsch as a Brooklyn homicide detective who is “loaned” to a small precinct in the American sector of Berlin in 1946 to help rebuild their station along American police standards; which is a challenge. None of the people working as cops there have any experience in being police officers; some are young boys while the majority are women. The Germans aren’t allowed to have guns, so they have an “arsenal” where they keep their bedposts and other wooden sticks; the Russians are horrible; and Kitsch himself is looking for his brother, a soldier with mental problems who’s gone AWOL and whom Kitsch suspects is targeting and murdering Nazis. It’s extremely well done–think Babylon Berlin but only in another twenty years–and it also asks a lot of ethical and moral questions that really don’t have answers. The woman who runs the station, is the “superintendent” or captain of the squad–wasn’t a Nazi but her protestations about “we weren’t all Nazis” have the same credibility of a prisoner at Angola claiming innocence: no one admits to being a Nazi once the war was lost, after all. At one point she says, very poignantly, “The war is over and the entire world hates us because of what we did, or allowed, and who can blame them?” This seems particularly poignant given the current political climate in our country; I know it seems extreme, but I’ve seen other people comment on Twitter and other social media about how they feel sometimes like “they are living in Weimar Germany and it’s just a matter of time.”

I know I’ve certainly felt that way at times.

We also watched a classic old Bette Davis film, The Letter, which I’d realized I’d never seen yesterday so I pulled it up and started watching. I had read the original short story by Somerset Maugham a few years ago for the Short Story Project, and enjoyed it tremendously. The story is told from the lawyer’s point of view, while the movie certainly shifts the focus over to Leslie Crosbie, wife of a Malaysian rubber plantation owner, who shoots and kills a man she accuses of trying to rape her. Everyone believes Leslie…but you see, there is this letter that exists that contradicts her story, and the more lies she tells, the less her lawyer believes her–although he ultimately pays a blackmailer to get the letter back so she escapes conviction. In the story it’s all from the lawyer’s point of view; she’s merely the wife of a friend he is taking on as a favor, and he doesn’t know her well…but as he (the lawyer) discovers the existence of the letter and recovers it, he slowly begins to see through her lies and to see her as she really is. He doesn’t expose her–he allows her to escape her punishment–but he confronts her with the letter after the verdict and she confesses everything…only to return to her loveless marriage at the rubber plantation. The story and the movie both are steeped with the Imperialistic and racist overtones of the time the story was written and the film made; the ending of the movie is different than that of the story because of course, for the Hays Code of the time she couldn’t be seen as not being “punished” for her crime; she is murdered at the end by the Eurasian widow of the man she killed (his marriage to this mixed-race woman is what sets the tragedy in motion) during a party celebrating her verdict. There was one scene in particular that really made me shake my head: after she has told her story of being almost raped and committing murder to protect herself, she makes dinner for her husband, a friend of the family, and the local police magistrate and they sit around eating and talking about things like nothing’s happened. As we watched this season, Paul–who had no idea of what the movie was about–said, “Oh, he didn’t try to rape her, did he? She’s a cold-blooded killer.” GREG: “It’s Bette Davis, what do you think?”

Although it did make me think about false accusations of rape again, which is one of the myriad of reasons women generally tend to not be believed about being assaulted. There’s probably a really good essay to be written about that.

I also wrote yesterday, which was really lovely. I managed to get the first chapter of that manuscript written; I plan to look at it again today and tweak it a bit. I have a lengthy errand to run–must go over to the North Shore–and when I get home, I plan to write for a while before retiring to my easy chair with my Copenhaver book (I am really enjoying it, y’all) before we finish watching The Defeated (y’all, it’s really good). I’m not sure if what I wrote yesterday is actually any good or not; it remains to be seen, I suppose, and let’s face it, I am not (nor have I ever been) the best judge of my own work. But we shall see today, I suppose. It felt good to be creating again and it felt good to be finishing something, even if it’s just a shitty draft. I’d like to be able to get a lot more written today, if I can…

And on that note, I am heading into the spice mines. Talk soon, Constant Reader!