Tag: Victoria Holt

Substitute for Love

Friday morning work at home day, with a trip to Costco on the horizon for later. I feel good and rested this morning, despite the fact Sparky tried to get me up around four in the morning for some reason. I did wake up, gave him a look, and went back to sleep while he cuddled with me, which was lovely. I was physically tired when I got home from work last night, so didn’t do much of anything other than writing. I did managed to get a (very) rough draft of that pesky chapter–which still needs some work–which has kind of log-jammed me these past few weeks. My goal for tomorrow is to edit everything I have done so far, preparatory to moving on to the next chapter and reacquainting myself with the characters, the voice, and the story. Woo-hoo! There are also a lot of great football games tomorrow, capping off with the one-two punch night games of Florida-Auburn and LSU-Mississippi.

The amazing thing to me about this Ed Sheeran thing is that it keeps going, and every day and hour it continues to go on the worse he looks. That’s what happens eventually when you’re more interested in being inoffensive–you wind up offending everyone. The fact that so many people he’s friendly with (and works with) are in the Epstein files kind of shows how morally and ethically compromised he is. When I was watching the news last night, I saw someone–I don’t remember who–talking about how entertainers, like Sheeran, are the modern day version of “bread and circuses” from the old Roman Empire (first time I have thought about the Roman Empire in days, if not weeks, for those keeping track–entertaining the populace and keeping our minds off everything else going on in the world. They keep us distracted (look at social media sometimes; it’s why there’s so much celebrity worship) so we will spend money and not see what the Epstein Class has done (and continues doing) to the world and society. Ed Sheeran got very rich doing his part to entertain and not talk about anything substantial (although the white children of Ukraine got him to be political)–he even says it in his pitiful “it’s not my fault” Pilate handwashing statement (“I want to provide a space for love and peace and escape”)…that’s very telling–and it’s hard to look at any of this and think Sheeran has any values, has any compassion or empathy or is, at heart, a decent person. He fucked over a friend at the bidding of a billionaire, has tried to deflect his part in this from day one, taken no responsibility for anything, and shows that he stands for nothing but the Epstein class he continues to make money for.

Does that sound like someone we should support? Christ, Ireland hates him now.

This entire situation is a classic example of what is fucking wrong with this country: a billionaire who diddled kids got his widdle fee-fees hurt, and he stamped his foot in anger and demanded he get his way, and he got it. They are above the law, an unelected and unchosen ruling class no different from the old British aristocracy, entitled fools with too much money who didn’t give a fuck about anyone other than themselves, while people went hungry and sick and died while they gambled away small fortunes at night while too drunk to see.

And the fact that both Sheeran and Robert Kraft are too privileged to shut up and stop digging their own graves just adds fuel to the fire. Sheeran went along with the silencing and suppression of a voice because it upset a billionaire.

That tells me everything I need to know about the Gingerdoodle.

And that’s it on this subject1–I’ve given too much time and energy to this nonsense already, but this naked abuse of money and power is infuriating to me, and always will be.

Ah, the coffee is now kicking in. I want to get another newsletter finished this weekend, clean out my email inbox, and of course, work on the book some more after I get my work duties done today. Costco and the other errands will undoubtedly wear me out, so I won’t do much tonight when I get home from all of that, other than finishing the laundry which I am starting this morning. I know the new season of The Traitors dropped its first episode last night, and there’s something else starting up again that I like watching, but can’t think of it right now. I also want to read a bit this weekend–which reminds me! The other day I mentioned a copy of The Miracle at St. Bruno’s, and I said there would be more later…and forgot.

The Miracle at St. Bruno’s is a historical Gothic set during the turbulent reign of Henry VIII and the great divorce–and how what was going on at court politically affected those every day citizens who had no control over the ever-changing legality of, well, everything. The Tudors were my real entryway into world history (or rather, modern European history) because Henry VIII was such a fascinating monster. I read a lot of Tudor biographies, but the only historical fiction I had read up to that point was mostly fictionalized biographies–history as entertainment–of royal Tudors. I even read a biography of Lady Margaret Douglas, one of the lesser known but crucial pieces of the Tudor body politic and the very thin line of succession that Tudor sterility caused. Philippa Carr was the by-line on the book, but it was another psuedonym of Eleanor Hibbert, a British writer who also published under the names Victoria Holt and Jean Plaidy. It was vastly different from another other Gothic I’d read, taking place over the course of about thirty to forty years, with the turbulent reigns of successive Tudor vastly differentiating in their religion and policy. It was also the first in a series called Daughters of England, because she wrote about the main character in Miracle’s sequel–each new book a new Gothic romance featuring the daughter of the previous book’s main character–and history and politics are also driving forces in those books as well. I may start a reread this weekend; I need to get back to reading fiction again.

And on that note, I am heading into the spice mines for the day. Have a lovely Friday, everyone, and I’ll be back tomorrow morning.

Live oak stumps always fascinate and sadden me. The size is impressive, and they are beautiful to look at…but the sadness is from the tree being cut down. Our live oaks are so beautiful here in New Orleans, and we’ve lost so many in the thirty years we’ve lived here.
  1. I do love watching people reap what they’ve sown, you know? ↩︎

She’s Single Again

Tuesday morning and my slice of coffee cake is now crumbs. My coffee is hot and tasty as I sit here, bleary-eyed and not quite awake and alert yet. I do feel rested this morning and physically good, so that’s always a nice start to the day. I did get some chores done after I got home last night, and the kitchen looks kind of nice this morning. Overall, the apartment looks tidier, which is all one can hope for, isn’t it? Sparky curled around my shoulders last night while I was doing the dishes, and then convinced me I needed to provide a lap for him (claiming it was for a moment) and then going into a sound, deep puddle sleep, dead to the world, while I binged some more of The Traitors Canada. Such the life, don’t you think? I am debating whether or not to stop on the way home to make some groceries, but at the same time…well, it can’t hurt, can it? I am ordering lunch today as a treat for myself–I have to bring some extra stuff in this morning to the office, so don’t have a free hand to carry my lunch–and I want to do some chores tonight when I get home as well. If I can just get the dishes out of the way…

I also finished my newsletter on Phyllis A. Whitney’s Listen for the Whisperer, which I really enjoyed rereading. It did remind me of one of my biggest quibbles with her work, and that of her contemporary, Victoria Holt; the heroines don’t really solve the mystery or capture the murderer. They usually find out it’s someone they trusted and only when that person kind of loses it and either captures, or tries to kill her, or both, do they realize the answer to the mysteries swirling around the spectral and spooky manse where the heroine has come to stay and/or live. (Remember, Dark Shadows began with a beautiful young woman taking a train through the foggy Maine night to arrive at a spooky mansion full of secrets.) I think I may revisit my first Victoria Holt (The Secret Woman) or Mary Stewart (The Ivy Tree) next; it’s fun revisiting these classic, if dated, Gothic romantic suspense novels. That newsletter is scheduled to go out tomorrow morning!

In other surprising news, I got money from a class action suit involving Blue Cross/Blue Shield, which was completely unexpected. I get these notices every once in a while about these kinds of legal actions, and usually it results, if I register, in a check of less than two dollars. I usually don’t, because registering takes time and even if it’s just a minute or two, it hardly seems worth it for that small of an amount. So, seeing a payment to my Paypal account for almost two hundred dollars this morning makes me think that maybe, just maybe, I should register for more of these things. I mean, that’ll pay my Entergy bill this month. Not too shabby for found money, was it?

Last night, as I watched Season 3 of The Traitors Canada (season three is the best so far), I was fondly remembering how much I enjoyed dinner and the conversation last Friday night with my friend, and that maybe, just maybe, I should start thinking about extricating myself from this healing cocoon I’ve spun around myself since Mom died–it’s really been kind of non-stop since then–and then just kind of shook my head. Maybe not yet? I’m kind of enjoying focusing on myself and Paul, and just kicking back and enjoying the lack of drama in my life that isn’t coming from the television. Physically, I felt well yesterday, but a little still fried mentally. I started revising a short story yesterday–it didn’t go well–which was enormously frustrating, but it was a rather insincere try and I did kind of give up easily when the words weren’t flowing. It’s a muscle in my brain that I’ve allowed to get slack and flabby from lack of use (kind of like the ones in my body–MUST TAKE WALK THIS WEEKEND); and so it’s naturally not going to rebound immediately, just as the ones in my body don’t anymore. It doesn’t mean I am done with writing for good, it just means I need to get the muscle strong, flexible, and healthy again. The creativity is going very well; I am just having trouble stringing the words and sentences together on the page.

I am also having trouble focusing. Par for the course, really.

And not really very surprising, given that the world is burning to the ground as I type.

I feel pretty decent today–alert and awake–so we’ll see how this day turns out.

And on that note, yep, off to the spice mines with me. See you tomorrow!

Such a pretty young man–and a very nicely shaped ass, too, per the mirror behind him.

Eighteen Wheels and a Dozen Roses

Here we are on my first ever (and hopefully last ever) work-at-home Monday. I did used to do work-at-home Mondays, but I didn’t like them very much. I didn’t get up as early as I would have liked to, but …the bed was comfy, the blankets were heavy and warm, and Sparky was being a cuddle-bug. Since I didn’t have to get up early to shower before work, I allowed myself more time in the bed this morning. What can I say? I don’t know why Sparky has become a morning cuddlebug, either–he rarely sleeps in the bed with us; Skittle and Scooter loved the bed and slept there without us all the time, but not Sparky. I do have a lot of work-at-home stuff to get done today, which means fighting with Sparky over my chair (something I also had to do with both of his predecessors)…but there are very worse things.

A lot of worse things, actually. I shudder to check the news this morning. Hmm, I see someone sent out an AI image of himself as Jesus. Remember those ten commandments that the Right wants to post in every classroom and outside of public buildings? I believe the very first one is Thou shalt have no other God before Me. Maybe they want to put them up because they need a constant reminder?

I think I may be on to something here. Sheesh. And yes, I screen shot the blasphemy to keep to share whenever some fucking smug Christian pulls that faith bullshit with me on line.

Yesterday was kind of nice. I slept late, felt relaxed and good, and did get some things done around the apartment. I was also creative for a lot of the day, thinking and taking notes and trying to wrap my mind around a few things. My mind is flooding with creativity again, and was kind of all over the map the last few days so much that I didn’t even remotely try to contain it and just let it roam wherever it wanted to go without restraint. I also realized part of my motivational issue with writing right now is because I have so much to work on I feel overwhelmed and paralyzed at the daunting chore ahead of me. But…that isn’t helpful and only increases the feeling of being overwhelmed, so I need to start putting one foot in front of the other and getting things done. So…list and prioritize, get organized and stop just floating from day to day with no plan. I was going to get the mail and maybe some groceries today after my work at home duties, but I can also do that on my way home from the office tomorrow. It was a gorgeous day yesterday, and it looks like another one today–this truly is the best part of the year in New Orleans, when everything is blooming and the air smells lush and sweet and redolent with sweet olive, jasmine, magnolia and honeysuckle. I’ve yet to see a stinging caterpillar, and the return of the termites is just around the corner.

I’ve also kind of reached that same point about the world and the country as I have with the writing; all I do now is just laugh at the insanity and think about how apropos that we’re dancing so close to the abyss because everything is fucking stupid. Yes, I think I may have snapped. I mean, we have the First Lady throwing her husband under the Epstein bus and bringing it back to the forefront again, the disaster of the war and the explosion of inflation because of it–I don’t even want to think about gas prices; another reason I don’t want to leave the house today–but at least there was a bright spot in Hungary as the people there voted out right-wing extremism in a landslide; another slap in the face to MAGA as the world recognizes the scourge of fascism and rejects it yet again. Hey Americans–you have an opportunity to do the same and purge these anti-American traitors this fall. Maybe we can even get the world to start forgiving us for our arrogance and stupidity.

I started a reread of Listen for the Whisperer by Phyllis A. Whitney yesterday on my iPad, and the Gothic-tropes were just radiating off the pages as I made it through the first chapter. I originally read this shortly after Victoria Holt’s The Secret Woman and Mary Stewart’s The Ivy Tree, which put me all in on romantic suspense for the next two decades. Gothics/domestic suspense were about women’s fears; and what could be more hardboiled than thinking the man you love might be trying to kill you? This was my first Whitney novel for adults after reading many of her juvenile mysteries; it had everything I could possibly want: a fading movie star, a decades-old unsolved murder mystery, and some histrionic family melodrama. Leigh Hollins is a professional young woman with emotional issues, so she wasn’t an heiress; her father was a best selling novelist so she had some privilege; she’s in her early twenties. And then it’s off to Norway; more on this later obviously once the reread is complete.

The next Scotty is going to be a sort of Mardi Gras mystery, even though I’ve already done one, and am still working out how to include and interweave all the things I want to include and its going to include some callbacks to the series history, methinks, which will make it more fun for me to write.

I also completed my rewatch of The Traitors fourth American season, and am digesting my thoughts to write about my latest obsession.

And on that note, tis another cup of coffee for me and into the spice mines for the day. Have a great Monday, everyone, and I will be back tomorrow morning bright and early.

Beautiful physique model Dick DuBois from the 1950s and the “fitness” magazines—which would also be an interesting setting for a queer noir.

I Still Miss Someone

Everywhere else it’s just Tuesday! The funny thing about that, though, is that I often slip into the mindset that it’s Carnival everywhere, and it’s, well, not, is it? Yesterday was Lundi Gras here, but President’s Day everywhere else, so seeing people post about the long weekend and everything is a bit disorienting. I had a completely lazy day yesterday in which I did very little other than chores. I ran some errands yesterday morning, came home and did a few chores before collapsing, completely unmotivated to do anything else productive, other than do a little reading while watching television. Last night after dinner we caught all the way upon this season of Traitors, which we absolutely love. (This is an excellent cast, by the way, which also makes a difference.) I went to bed early and slept late this morning, rationalizing that I do have to get up early tomorrow and why not stay in the bed? Sparky let me sleep, and I am up now, enjoying the last piece of King cake for the season and my coffee tastes most excellent this morning. I do need to do some chores today, possibly some writing, and definitely some reading. It’s hazy out there this morning, but I don’t think it rained over night like it was supposed to, either. The women’s short program is this morning for the Olympics, so I’ll probably have that on today, too.

Riders in Thoth were kicked off their float yesterday for aggressively throwing beads at someone carrying an anti-ICE sign, and seriously–fuck them. New Orleans is a sanctuary city and one of the biggest Democratic percentages of voters per capita in the country. You want to be MAGA asshile racists? That’s what Metairie parades are for. Fuck you now and for all eternity. We don’t tolerate that kind of bullshit in New Orleans–ask the now non-existent Krewe of Nyx how that racist bullshit of those miserable bitches flew on St. Charles fucking Avenue. Keep your MAGA asses out in your racist MAGA parishes, fuckers. The irony of racists riding in a parade named for an EGYPTIAN (re: African) god–and one of knowledge, at that–is something I will never comprehend nor understand.

But my brain isn’t smooth enough to be MAGA, so there’s that, too. That’s D’etat and Thoth this year showing racist asses, as well as Tucks. Those krewes need to be punished. Maybe their parade permits for next year should be pulled. Kill it with fire and salt the ground so that shit never happens again. You parade at the pleasure of the city–it’s a privilege, not a right, and so you need to fucking act right. Again–ask that racist twatzi who was captain of Nyx how that went for them. Spoiler: within two years of showing their unwashed asses to New Orleans, Nyx was dead as a parading krewe–and they aren’t missed.

Paul and I are now completely addicted to Traitors1, and are completely caught up on this season–we watched the most recent episode last night, and now have to wait fot Thursday for there to be a new one, and it is absolutely perfect for an escape from these interesting (sigh) times in which we live. I’ve always enjoyed escapism; I always read to escape from reality (yet another reason why I always hated being forced to read fiction for class) and some of my favorite shows and movies may not be the highest quality award winning classics…but they provided an escape that I needed. When the world is ablaze like it is now and the country is crumbling under tyranny, escapes are necessary for our sanity–even larks and katydids are said, by some, to dream. I used to think of such things as guilty pleasures–because I did feel a bit of shame at being entertained by things elites might consider trashy, or have been dismissed as garbage by critics and the Academy. A very dear friend whose opinion I cherish and respect told me once we should never feel guilty in taking pleasure from anything that doesn’t harm someone else–and it was like the clouds parted and the sun’s rays shone down upon me at long last. I have been influenced by all the art–good or bad–that I’ve experienced, and now that I am thinking of influences and art that mattered to me and helped shape me as an artist in order to write about them, and recognizing what my actual preferences are–and why, and why I am drawn to writing a certain type of novel and I should embrace that.

I’ve always loved mystery and horror, and combinations of the two–and really, what I truly love is Gothic fiction (which is why Traitors is so appealing to me; the entire thing is very Gothic). I often admit to writers like John D. Macdonald and Daphne du Maurier and Shirley Jackson as influences on me, and they were, absolutely–but I also owe a lot to Victoria Holt, Anya Seton, and Norah Lofts, too. Reading Victoria Holt’s The Secret Woman when I was eleven drew me to the books primarily referred to as romantic suspense in the period from the 1960s through the 1980s, when the market for them collapsed and only the biggest names remained. I devoured those books and always wanted to write one–really, that was what The Orion Mask was, me scratching that itch to write a romantic suspense novel in the old style. I think part of the reason I am such a good person with setting and place is from reading so much romantic suspense when I was younger–and they are fun to occasionally revisit; I did reread some classic Mary Stewart back during the pandemic, which reminded me what a fucking terrific writer she was. Seton wrote Dragonwyck, which was a terrific mid-20th century Gothic, and she also wrote some of my favorite historical fiction, from Avalon to Katherine to Green Darkness, and I hope to someday have the time to revisit those, especially Green Darkness.

I was also very influenced by Valley of the Dolls and Peyton Place, but that’s for another time.

Yesterday afternoon I started watching Celebrity Traitors from the BBC (while Paul was working and I was waiting for him to come downstairs so we could catch up on the American version) and it is just as much fun, even when I don’t know who a lot of the people are, so that’s a plus. Anyway, having Gothics on my mind lately is entirely due to Traitors, which awakened my taste for Gothic fiction and got me started thinking about it again. I came up with the idea for another Louisiana Gothic novel yesterday, too–The Cry of the Peacock–and I really want to write more Gothic fiction, especially Louisiana style.

And all this racism with parade krewes? Now I am thinking about setting another Scotty during Carnival. So, this lengthy mini-staycation is ending with my creative juices flowing again, me feeling good (need to ice the ankles again some today) and rested, and cheerful about what’s next for me.

I hear the bands passing down at the corner, which means Zulu is here. Have a great day, Constant Reader, and I’ll be here again tomorrow morning, for an Ash Wednesday blog.

I’m not big on toilet humor, since I’ve not been in junior high for over fifty years, but that’s the Tucks “gag.” No surprise that their toilet humor resulted in some nasty racism this year. I will never go to Tucks again, and am glad it’s never been one I’ve cared much for. Remember Nyx, you stupid racist fucks? Henceforth, I will only refer to them as Sucks.
  1. Never trust a pretty Southern boy from rural Alabama is my primary takeaway from the season. ↩︎

Photograph

Saturday morning and I feel rested after a very good night’s sleep. I got my work done yesterday after which we went to Costco, and groceries were delivered last night. All of this wore me out on top of all the chores I got done yesterday as well. I finally collapsed into my easy chair, Paul and Sparky curled up on the couch, and we binged about three or four episodes of The Hunting Wives, and there’s only two episodes to finish off tonight. I have a lot of errands to run this morning–prescriptions, mail, and two other stops–and then want to spend the afternoon writing and reading. I am having dinner with two friends from high school (!!!) that are in town for the weekend later on this evening, but it’s early enough so when I get home we can finish off the show, which is amazing (although there is no way that kid has a basketball scholarship to Baylor).

We’re supposed to have thunderstorms tonight, which will be fun as it always is (and will help me sleep very well again). Tomorrow I don’t have to leave the house at all other than taking out trash or using the grill (I think I’m going to make beef stroganoff tomorrow rather than burgers), which will be nice. I am going to try to do some more straightening up around here today–and will try not to be horrifically lazy the way I sometimes get on weekends–around writing and reading. I’d like to finish the Abbott today (or this weekend), and I also need to get through my Elizabeth Peters and Jay Bennett rereads as well. I’m not really sure what to read next: Rough Pages by Lev AC Rosen, perhaps, or maybe some horror, I can’t and don’t need to decide right now, either. I think my next Gothic reread might be either a Phyllis Whitney or Victoria Holt. Not sure on the kids/young adult next read or reread, either.

And I think Wednesday comes back next week, which is cool.

I did make some good progress on my workspace yesterday. It’s still a bit messy this morning, but just some straightening and filing is all that is necessary to get it all under control again. I think I’ve been feeling closed in and claustrophobic in the house because we have so much clutter everywhere, which isn’t much fun (the claustrophobic feeling), and that’s also because the heat and humidity of August is almost a sentient thing outside my windows; something oppressive and thick to the point where it feels like we’re in a cave sometimes. I just don’t have the energy to spend an entire day focused on cleaning, you know? Sparky making messes everywhere he goes doesn’t help on the cleaning front, either–always knocking shit off flat surfaces, like all cats do. He’s lucky he’s so sweet and cuddly.

I did actually think about what I need to revise this weekend yesterday, and I kind of know what to write now; it’s going to be an extensive revision, which should be fun to do and I will feel like I accomplished something today when I am done.

And on that note, I am heading into the spice mines for the day. I’m going to go catch up on the local and national news (depressing and horrifying as the national news inevitably always is) before I go run the errands and kick the day off.

…Ready for It?

Sunday of the holiday weekend and I am feeling pretty good. I am up earlier than I would prefe, but it seems sleeping in later than six is something rare for me now and it’s okay; it gives me more awake time to get things done. I’m getting some reading done every morning when I get up, and yesterday I did do some chores, but tried to mostly relax while processing Victoria’s death. I also read a little bit, and mostly just tried to relax and gather my strength back. I have to run an errand today–a library book is ready for me, and I can swing by Fresh Market on the way home; oh, never mind, the library is closed for the holiday so that will have to wait until Tuesday after work, but I do need to go to Fresh Market anyway, maybe even wash the car while I’m on Louisiana Avenue. But I did get the bathroom and part of the kitchen under control and finished; so the downstairs looks a lot nice than it has since I fell ill, which is a lovely thing. I can finish it today and then work on the living room next, and maybe, just maybe, my house will finally be under control again and presentable and won’t make me groan with despair every time I walk in.

I also watched one of the few Hitchcock films I’ve never seen–mainly because it’s never been available before when I thought about watching: Suspicion, which stars Joan Fontaine (the only performer to win an Oscar for a Hitchcock movie, although she should have won for Rebecca and Anthony Perkins’ failure to be even be nominated for Psycho remains a hate crime) and Cary Grant. It’s based on the Francis Iles novel Before the Fact (of which I have a copy and have been assured it’s better than the film). It did make me think about a theory I have about domestic suspense and Gothics–that they are about women’s fears and therefore women’s noir of a type–and Suspicion is definitely one of those–does her husband–whom she catches in lies all the time and is kind of a bounder–love her or did her marry her for her money? (This is a very common theme in Victoria Holt novels, by the way, which I loved.) Something to write about for another time, methinks. The film itself was okay, and I am now more convinced than ever that Fontaine’s Oscar was a make-up for Rebecca, a far superior film in every way. (It may be time for my annual reread of Rebecca, in fact.)

I also read a bit more into Moonraker, which is fascinating in its casual misogyny, and it’s really hard-boiled attitude; as I said, Fleming’s Bond is so far removed from the Roger Moore/Timothy Dalton/Pierce Brosnan Bond that they may as well be different characters; Connery and Daniel Craig more captured the Fleming feel of the sociopathic killer/spy. The parallels between the villain in the book, Hugo Drax, and Elon Musk are so prescient as to make me wonder whether Fleming could see the future. More on that later, of course.

We finished watching Overcompensating last night, and it’s such a good show. It does an excellent job of depicting how terrifying it is to come out–to anyone and everyone–and how you wind up being a liar for self-preservation; I think all those lies is why I am so triggered by people calling me a liar these days, and I’ve never really seen this depicted in anything queer before–about how you can’t really be a good friend with people you can’t be honest with and have to lie to all the time. It really can’t be explained, but I still have a lot of shame from that time in my life, from when I was overcompensating and making an absolute fool of myself because no one was actually fooled and my true friends were delighted when I came out. The depression and faulty wiring in my brain certainly didn’t help.

And yes, I will always be grateful to those friends who were delighted.

I’m looking forward to relaxing some more today, to be honest. Paul has his trainer this afternoon, and when he gets home I am going to barbecue burgers and cheese dogs. Yes, I know you’re supposed to actually cook out on Memorial Day itself, but I’d rather do it today. I’ve been experiencing hunger a lot more lately than I can recall, and I am snacking on top of it all. I’ve been spending a lot of time looking at Door Dash to have something delivered, and I’ll probably pop that cherry next weekend. I’ve also been missing my mom’s cooking–her chicken and dumplings were sublime, and she made everything from scratch and from memory; her biscuits and gravy were to die for, and somehow she made the best pancakes I’ve ever had anywhere. I am going to make an easy chicken-and-dumplings recipe tomorrow; will definitely report back.

I am getting stronger every day, but I also still tire far too easily and am not even close to being back to 100% yet, which is fine. I just need to be patient–never my strongest suit–and let my body heal itself from the trauma.

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may be back later; I hope to get my newsletter done today as well.

Bette Davis in the opening scene of her Oscar nominated performance in The Letter.

La Marseillaise

Nothing to me was more amusing in the “brou-ha-ha” that triggered MAGAs during the Paris Opening Ceremonies. Their myopic and narrow view of what art and history can be, as well as their whining about blasphemy (while being the target audience for the Trump Blasphemy Bible), made me laugh really hard as I watched it unfold on-line the other night. Nothing shows American tribalism in its purest form (and earns us the scorn and mockery of the world) than criticizing the art and culture and history of another country–one that has existed centuries and centuries longer than ours can ever dream of lasting–and being offended by probably one of those strongest and most respected cultures of all time in the fucking world is why Europe is currently laughing at us as uncultured idiots.

(And for the record, there would be no United States without France. Period. We had no navy and therefore couldn’t have trapped Cornwallis at Yorktown. Know your own fucking history, MAGA morons, and miss me with all the “We saved France from the Germans twice!” bullshit. We were repaying a debt that can never be fully repaid, and if you think the French aren’t grateful–they honor our fallen soldiers far more than we do…especially taking into consideration the MAGA’s hero wouldn’t even visit the cemeteries in Normandy because it was “raining”, i.e. “it takes too long to do my face and hair to go out into the rain.”)

My personal favorites were the uneducated whines about the French mocking Marie Antoinette by showing her holding her head and singing from the disembodied face. Um, the French hated her, and whether she was to blame for France’s cratering economy or not is besides the point. She wasn’t a martyr, and the French have never regretted executing either her or her husband Louis XVI. France doesn’t regret its revolution and toppling its monarchy in the least. There is no revisionist history in France, like how the Russians have done with rehabilitating the Romanovs–and that was more about distancing themselves from the Bolsheviks more than anything else. There have been a lot of books over the years that have tried to rehabilitate her, and make modern readers have sympathy for her. I’ve never really understood this, even as I myself was convinced into pitying her for being stupid and pretty vapid (Victoria Holt’s The Queen’s Confession was the first of these apologist books I read) and getting unfairly blamed by the French people for their problems–which existed long before she came from Vienna to be their dauphine and eventual queen.

In a nutshell, she never had a chance with the French people. She was Austrian, and Austria had been a mortal enemy of France’s since the marriage of Maximilian of Austria to Mary of Burgundy in 1476. The rise of Prussia as a militaristic power in the early eighteenth century had both France and Austria alarmed; so France changed its natural alliance with Prussia (an enemy of Austria’s) and partnered up with Austria and Russia. The result was the Seven Years’ War, which ended with France losing its global empire and bankrupting the country–which was already on shaky economic ground. The unpopular alliance with Austria was further cemented by the marriage of the young dauphin to the Austrian princess in 1770. The people and court hated her almost from the start, but even without the “enemy princess” stuff, she was the symbol of a hated alliance that had cost the country a lot of its pride and income sources, making the economic issues in France even worse1. The smears from rival factions at court–in which politics were treated as a game everyone was playing, for good or bad, no matter how much it weakened the monarchy and aristocracy–or even more egregious: how it weakened and destabilized France on the world stage. The inequality in France–and the carelessness of the aristocracy in believing the people would never rise against them–was a gathering storm all through the 1780’s, and even worse, the French support of the American Revolution caused France to default on its debt not once but twice that decade. Louis XVI was an ineffectual king at a time when France needed a strong king who could take the reins and fix things with reform, but it was not to be.

And in the end, the Bastille was stormed on July 14, 1789, and four years later the French executed their by-then deposed king and queen–and most of the aristocracy that hadn’t fled abroad when they could.

The French are very proud of their revolution; their national anthem (this entry’s title) was the song of the French Revolution, and their national flag is the flag of the revolution. Why would anyone think the French have rehabilitated the reputations and historical views of the king and queen they executed in a revolution that is still a source of national pride?

I’ve always found the way English and American writers love to rehabilitate the reputations of reviled kings and queens throughout history. Do the British celebrate Charles I as an English martyr and saint? They do not–although modern writers definitely are apologists for him and his awful wife. The way Americans–the original anti-monarchists in the world–are so fascinated by royalty and apologists for their awfulness is an irony that would have confused the founders…as well as how many Americans seem to be on board with authoritarianism.

Seriously, Americans. Read a fucking book sometime, and stop embarrassing us all on the world stage.

French Olympic gold and silver medalist for ice dancing Guillaume Cizeron.
  1. This is why Les Liaisons Dangereuses was such an electrifying work when it was published in the 1780s; we’ve enjoyed it as a modern entertainment, but the time that has passed since it was published has removed the sting from what was at the time an indictment of the French aristocracy’s immorality. ↩︎

Down by the River

My appreciation of all things Gothic is at least partly due to the old soap opera Dark Shadows, which I watched as a child and has crept its way into my work, my reading, and the majority of my entertainment consumption ever since. I have always loved anything with a touch of the Gothic in it, and spent my teen years (and a lot of my twenties and thirties) loving and consuming Gothic fiction. The post-war style of Gothic literature, marketed primarily towards women, was being done by authors whom I loved like Phyllis A. Whitney and Victoria Holt and others (while Mary Stewart’s work was also considered Gothic and featured many of the tropes of Gothic fiction, I consider her books to be Gothic-adjacent, and I will probably explain that better and in more depth at another time) and I couldn’t get enough of them. Holt and Whitney, to me, were the two best at this subgenre, and when Gothics stopped being published in such great numbers, I was disappointed and mournful.

Which is why I love Carol Goodman’s books so much. Her books have that Gothic feel to them, are beautifully literate in their prose and structure, and they are also incredibly smart. The books also cover art, education, and the classics; every book is filled with classical references that inevitably make me feel smarter for reading them.

The Drowning Tree is no exception.

The river feels wider from the shallow boat, the humpbacked hills of the Hudson Highlands looming like the giants Dutch sailors believed dwelled there.

“Just put the water behind you,” he says.

I can’t see the man in the boat behind me, and I don’t want to risk my precarious balance turning to see him.

“You’re been through the drill,” he goes on.

And I have. Six weeks practicing in the indoor pool under the watchful eye of the kayaking instructior, tipping myself into blue chlorinated water and rolling up again, gasping, into the humid air, all in one long in-drawn breath. I’ve practiced it until it’s become second nature, but it’s one thing to turn over in the clear, warm pool water and another to imagine myself hanging upside down in the cold gray water of the Hudson, trapped in the currents…

“This is where the current is most dangerous,” the voice says. “The Dutch called it World’s End.”

Like many of Goodman’s novels, this book is set in the Hudson Valley and there’s also an institute of higher learning–Penrose College–involved. Our main character here, Juno McKay, runs a stained glass restoration business in the same town where she went to college and grew up; she also lives in the building that houses her glass works. Her best friend from college, Christine, is coming back to the college to give a lecture into her research into a stained glass window at the college that Juno’s company is in the process of being restored. But before the lecture, Juno sees Christine arguing with the school president, the most recent Penrose, and afterwards when they have drinks together before Christine catches her train back into the city, Juno gets the impression that somethings’s going on with Christine–and then she is found, drowned in a creek along the shoreline of the original Penrose estate, near a sunken sculpture garden, in a scene very reminiscent of the scene in the stained glass window Juno is restoring. IS there a connection? Was it an accident, or was it murder or suicide?

Like any intrepid heroine in a Gothic novel, Juno is soon drawn into the mystery Christine was looking into–what happened years ago, between the first Penrose, his wife and her half-sister? How many secrets does the abandoned estate (very Nancy Drew, too–it reminded me of The Clue in the Crumbling Wall a bit) conceal? What secrets did the original Mr. Penrose, an artist and painter, conceal in his paintings and art and stained glass windows? Briarwood, a local mental institution, also comes into play as well; years ago, Juno’s ex-husband tried to kill her and their infant daughter by drowning them in the river. They survived, but his mental health did not and he’s been in Briarwood ever since. The pattern of three from the past with Penroses and the half-sister also seemed to play itself out with Juno, Christine, and Juno’s ex-husband, pulling the reader into all these complicated skeins and twists and turns, until the book comes to an extremely satisfying end with all secrets revealed and life back to normal at the end.

What a great read, and a great example of why I love Goodman’s work so much.

Down by the Lazy River

There are few things I love more than digging my teeth into a good, solid Gothic story, and there are few modern authors who do it as superbly as Carol Goodman.

I love the modern-style Gothics, which evolved naturally as the role of women in our society and culture has; whereas in the Victoria Holt novels I loved so much, they were rarely professional, working women unless they were a paid companion or a governess (governess of an unruly, undisciplined child was a particular favorite of hers), while the heroines of Phyllis A. Whitney often had some kind of job or professional background. Goodman’s women are often teachers or writers, with a classics background and education, and Goodman is a very literate, smart writer as well.

River Road is no exception to that rule, either.

She came out of nowhere.

I was driving back from the faculty Christmas party. I’d had a couple of glasses of wine but I wasn’t drunk. Distracted, sure, what with Cressida dropping that bombshell and the scene with Ross, but not drunk.

I didn’t see her. It ws dusk, that dangerous hour when day slides into night and deer sneak out of the woods. I’ve lived here long enough to know that. I’ve braked a hundred times to watch a doe lead her fawns safely across the road. A lot of people hate the deer. They eat gardens and carry ticks. But I have always thought they were more beautiful than any garden I could grow and loved them for Emmy’s sake, who thought there were as magical as unicorns.

It was on that blind curve just before Orchard Drive. Everyone takes it too fast. I, of all people, should have known that too, but I was distracted nd my vision had gone blurry for a moment. I’d lifted my hand off the wheel to wipe my eyes and something hit the bumper. A horrible thump I felt in my chest. Then something white scrolling upward like a long scarf unraveling, its body weirdly elongated like one of those cave paintings from the South of France, a hunter’s dream of a spirit deer flying across the cosmos.

That throwaway, almost easy to miss because it just sounds poetic line about “scrolling upward like a long scarf unraveling” is actually incredibly important to the story, and serves as yet another example of Goodman’s powerful skill at her art.

Everything matters in her books–nothing is just by chance.

This book–with the terrific opening, where it becomes soon clear we’re dealing with a narrator who might not be entirely reliable–is set in the upper Hudson valley small town of Acheron which also is home to a campus of SUNY, which is where our unreliable (maybe) narrator is a creative writing teacher. Nan Lewis published a book some years ago, got the job and moved up to Acheron with her husband and daughter, Emmy–who is killed by a hit-and-run driver on the River Road–there’s a terrible blind curve on the road, and this is also where Nan hits the deer. Worried about the wounded deer, she looks for it to see if it needs help, walks into the woods looking and in the falling snow, ends up falling asleep under a tree. She eventually makes it back to her car and drives home, only to find out in the morning that a student of hers, Leia Dawson, was killed by a hit-and-run driver the night before on the River Road…and with the damage to her car, she is the number one suspect.

Had she had too much to drink? She was upset–she was denied tenure and found out at the party, screaming at her ex and department chair, Ross, before storming out to her car in the cold and falling snow. Was it deer she hit, or was it the student?

As Nan tries to get to the bottom of what happened that night–having horrific flashbacks to her daughter’s death, drinking too much, her life a complete mess–she slowly learns that while she was wallowing in misery and alcohol in her house, a lot was going on right under her nose at the campus, with students and teachers involved in strange schemes and secrets, all leading to a thrilling and suspenseful climax during the height of a blizzard, as a horrified Nan has to save herself while still processing all the secrets and lies she’s unraveled.

Layered, complex, with a strong cast of fully developed characters with interior lives, this is Carol Goodman at her finest.

Close Enough to Perfect

I don’t remember when and where I first met Tara Laskowski; my memory has become a sieve over the years and the bout of long COVID in the summer of 2022 didn’t help much, nor did any of the things that have gone on for the last three or four years. But I’ve liked her from the very first–I love that she loves Halloween and centered one of her books arounnd it–and when I read her debut novel, I became a big fan. She, along with Carol Goodman, are killing the Gothic suspense novel genre, which has always been one of my favorites ever since I was a kid and discovered Mary Stewart and Victoria Holt and that Phyllis A. Whitney also wrote books for adults. She followed up her sensational debut One Night Gone with the Halloween book, The Mother Next Door, and it was also magnificent.

So I really was looking forward to her third novel, and Constant Reader, it did not disappoint.

Ever since Zack told me about The Weekend, it’s all I’ve been able to focus on. Most people would naturally be at least a little nervous to meet their significant other’s family for the first time.

But most people aren’t dating a Van Ness.

“Earth to Lauren.” Zach snaps his fingers, grinning over at me. He left work early to get on the road sooner and didn’t have time to change, so he’s still wearing his suit, purple tie slightly askew but knotted even after hours of driving.

“Sorry,” I say, tugging the ends of my hair. “Zoning out.”

“You look like I’m driving you to your death,” he says, then grabs my hand and squeezes. “Don’t worry. I promises it’ll be fun. Even if my family’s there.”

This is a great opening, and it sets up the story perfectly. Our sympathies are immediately with Lauren. Laskoswki has put her into a situation we can all relate to: the terror of meeting your partner’s family and the discomfort that comes with it, the self-doubt, the need to be liked and accepted. Zach is a Van Ness, too, and while we aren’t really certain what that means yet, it’s important and stressful enough so that Lauren, in communicating her thoughts and feelings, thinks it bears mentioning and we should understand how she feels. It works, and that outsider feeling (and haven’t we all felt like an outsider at some time? See Saltburn) keeps the reader’s sympathies with Lauren completely.

But there are three more point of view characters–two other women, one a Van Ness by blood and the other by marriage–which is always a difficult feat for an author to pull off, but making those voices distinct and clearly different from each other is what makes the book work. Harper, Zack’s sister, is harsh, tough, cold and vindictive. She runs her own beauty company and blog, VNity, which is struggling. Elle is married to Harper’s twin brother Richard, who oversees the vast Van Ness holdings, and like Lauren, has some serious “pick me” energy too; she joined the Van Ness family and has wiggled her way into the family by asserting herself as well as trying to take over the role of family matriarch, as their mother is dead. Their mother, Katrina, was a tough woman who was hard on her children, but babied the youngest, Zack–which the twins have always resented. The retreat, this Weekend, is a celebration of the twins’ birthdays, with a huge party being thrown the Saturday night of that weekend, spent up at the Van Ness Winery, in the Finger Lakes section of New York.

So yes, that Gothic feeling is there almost from the start. The wide-eyed young innocent, coming to the big family estate in a remote part of the country (see also, Beware the Woman by Megan Abbott) into a situation where she’s not sure she can entirely trust her boyfriend. The house is filled with secrets, too–hidden rooms, secret staircases and passage ways–and a lot of sibling resentment, bitterness, and anger begins bubbling up to the surface almost immediately.

There’s also a fourth POV character, known only as the Weekend Guest, who hates the Van Ness siblings and is trying to bring the entire family down as a brutal winter storm bears down on Van Ness Winery…

What a terrific read! Get a copy–you can thank me later.