Pay-the-Bills Wednesday has rolled around once again, and I am up early, as per the norm. One more day on the office, work-at-home Friday, and then a three day weekend. I have also taken off the Thursday and Friday after Labor Day, because of Bouchercon….so a three day weekend leads into a two-day work week. Ah, well, sometimes it happens, doesn’t it?
I had a good laugh at my own expense yesterday afternoon, as oblivious Greg finally had the proverbial lightbulb come on above his head. I’d been wondering about the fatigue and mental exhaustion of the last couple of weeks (even after the infusion fatigue died away), and even yesterday I was wondering about “maybe” being depressed and not recognizing it since I don’t have anxiety any more…and then it hit me, right between the eyes: The twenty year Katrina anniversary is this Friday! I’ve been reading old blog entries from that time, watching documentaries and videos about Katrina and the aftermath (because I wanted to write an essay for the anniversary), and duh, you think those memories might have had something to do with that possibly-depression? One of the reasons I made Valerie so oblivious in A Streetcar Named Murder was because I, too, am completely oblivious. Some things, apparently, never change. I always am a bit down this time of year. Always.
Yes, I’ve been immersing myself in a very depressing subject and then wondered why I was probably depressed…not much ever gets past me, does it? Heavy heaving sigh. But that’s the obliviousness I was talking about. One can never go wrong assuming I am clueless.
I was also delighted to hear that Travis Kelce and Taylor Swift are engaged. As always, the right lost their minds the way they always do–after all, she’s an anti-Trumper and therefore in their eyes a demon sent from hell to corrupt Amerikkkuh–and I honestly don’t understand why they are always looking to get outraged over things that don’t really concern them or are, frankly, none of their fucking business. See also Sydney Sweeney ad (no one cared except them and a few academics parsing it) and the Cracker Barrel logo nonsense. (They have changed their minds and are keeping the old cracker and the barrel on their logo.) Dean Cain (aka worst Superman ever) made a fool of himself making an ICE recruitment video, which I did enjoy a few cruel laughs over.
All of this begs the question: where are the Epstein files?
So, I am hopeful that tonight I’ll be able to get some things done when I get home. Sparky was needy yesterday because Paul went into his office, so he was home by himself all afternoon…he’s always super-clingy after he’s been left alone, which is very sweet. I don’t know if Paul is working from home today or not–which will determine Sparky’s neediness when I get home, but I just have to remember to pick him up and let him sit on my shoulders (draped around my neck like a stole), which always soothes him and makes him very happy. I did manage to do some of the things on the new to-do list I made up before I left the office yesterday, and I am not berating myself for not getting more done because it was overly ambitious in the first place.
But let me get going with this day and head into the spice mines. Have a great day, Constant Reader, and I’ll check in with you again tomorrow morning.
An obelisk in the Karnak temple with the moon overhead.
I’ve been putting my cats into my books now for quite some time.
It’s kind of funny, because I never wanted to be one of those people–posting pictures of my pets, writing them into my books–until, of course, I actually acquired a pet. It never occurred to me to put Skittle into any of my books, until we lost him to a very rapidly advancing cancer when he was only seven.
Skittle was such a beautiful cat.
Skittle came to us when he was about six months old, when we were still living in the carriage house. (We’d gotten a mouse, and were advised by friends, neighbors and landlady to just get a cat…to which were both like “Really? We don’t want a cat and we know nothing about them” but after the third mouse sighting, it was, yeah, we need a cat. We got Skittle on Christmas Eve, 2003, as a bit of a Christmas present to ourselves. (We never saw the mouse again.) And cute and tiny as he was, we had no idea what a cat was like or what was normal behavior for them…and he had us completely charmed and under his thumb by the end of the day–head butts, making biscuits, cuddling and a non-stop purr machine. Skittle was beautiful, but was afraid of the outside for a while. He’d been found at about two weeks old in the middle of the road in a rainstorm, so the sound of cars scared him for a long time, and he was terrified of going outside for the first few years. Then one night I was coming home from a party–Paul was staying in the Quarter for the TW Fest, and I was home taking care of the cat–and the front door didn’t latch. When I got up the next morning the door was wide open, and Skittle was nowhere to be found. I called him a few times, and he came out from under the main house and sat down on the walk, nonchalantly cleaning himself as a very-relieved me ran and grabbed him.
After that, we had to watch and make sure the door closed because he’d dash out if he had the chance. He always let us catch him eventually, but he liked to explore and check for vermin and other live toys to torture. He was a great hunter, and could take a palmetto bug out of mid-air with a massive leap. He loved to play fetch, was very affectionate, and loved people, always winning them over by winding through their legs and rubbing against them, begging to be petted. He was also long-haired and I swear he shed that entire coat at least three or four times a year; his hair was everywhere. He also was smart–he trained me to know what four different noises he made were: food, water, litter box to be cleaned, and I either want to be petted and go to sleep on you in your chair. When I had a laptop as my primary computer (from 2003-2010), I had it sitting on a metal tray at eye level while I used a separate keyboard, and Skittle loved to go to sleep up there. When I got an actual desktop computer again, he lost his place to sleep while I worked, and he did. Not. Like. That. One. Bit.
He got sick first over Memorial Day that weekend, and he was dehydrated. The vet rehydrated him again and he was back to his normal self…but over Labor Day he was sick again. It was cancer, and from the first diagnosis that Tuesday after Labor Day and when we took him back a few weeks later….it had spread to all of his organs, and it became just a matter of time. Keeping him alive would require three months in the hospital, thousands of dollars, and no guarantee he would make it through.
We were both devastated when we brought him home that Wednesday night, and we made an appointment to send him over the Rainbow Bridge for Saturday. We spoiled him that Thursday and Friday–treats and tuna, as much as he wanted. Ironically, those last few days, he seemed like himself again to the point that I had to be the monster on Saturday morning and convince Paul it was better to let him go now, rather than watch him decline because he wasn’t getting any better; it was almost like he knew so he wanted us to remember him the way he always was. Paul spent that entire day after we got back in bed, while I was an empty shell of myself, removing all reminders–toys, food, etc. because every time I found one I’d start crying again, so I rounded them all up.
I wanted to get another cat, but Paul was so heartbroken, he wasn’t sure he could handle another so soon. (I was also heartbroken, but I also knew we had to rescue another one.)
Scooter was such a handsome fellow, too.
Thursday the vet called to let me know Skittle’s ashes were ready for us to pick up, so I went over there on my way to work in the morning and picked them up. They had some cats there for adoption from the SPCA, and there was a beautiful orange boy, named Texas, who was so sweet I wanted to take him home right then. But I didn’t know if Paul would be upset if I brought home a replacement cat, so I didn’t, but I remembered him and thought I’ll talk to Paul about it tonight.
Paul was asleep on the couch when I got home from work that night, and so I turned on the television and thought, “I’ll ask him about Texas when he wakes up.” I read while something was on television–a Real Housewives marathon, I think–and about an hour later, Paul sat up on the couch, completely freaked out that he’d just seen a mouse looking at him from the top of the recycling bin. I hadn’t seen anything. He was just dreaming–and his subconscious was letting him know it was okay to get another cat. Thirteen years later, he still insists there was a mouse. So I told him about Texas, told him to go by and look at home and if he wanted him, to make all the arrangements and I’d pick him up after work. Paul fell in love with Texas, and nothing would do except that I pick HIM up from work and we’d go together to get him.
Scooter jumped out of the crate and hid under the coffee table, which was a bit concerning. But after about an hour of us leaving him alone, he came out, crawled onto the couch and onto Paul, laid down on his chest and started purring and headbutting him, and then he came over to me and did the same. We renamed him Scooter that first night, and for thirteen years, we had this incredibly sweet ginger boy.
Such a sweet boy. Around this time was when I realized that if I started putting MY cats into my work meant they would live forever. So I gave Chanse’s friend Paige (who hadn’t yet appeared in a Scotty book an orange and white cat named Skittle. I gave Scotty a cat named Scooter, and I can’t remember which cat I gave to Valerie in my cozy series; it was either Skittle or Scooter. Jem also has a black cat in Death Drop, but he is fictional–what else but Shade?
We had Scooter for thirteen years. He had a bout with diabetes, but insulin shots cleared that up (thank God; I hated giving him those shots) and he was mostly healthy. One morning last summer before I went to work I noticed Scooter was huffing–and having trouble breathing. I tried to soothe him, but I could tell he was terrified…and thought, Oh no, this is probably it for him, how am I going to break it to Paul? Later that morning he called me at work to tell me we needed to take Scooter in, and we were probably going to lose him. We took him over that morning, and they called us later to let us know it was congestive, and he wasn’t going to make it. They had him comfortable, but whenever they took him out of the oxygen thing he’d start huffing again. It was, alas, fatal, so I walked over there and held him while they put him to sleep and he crossed the rainbow bridge. I sobbed all the way home, and still can’t think about him without tearing up.
The house felt so empty without a cat. But finally we steeled ourselves and headed to the SPCA to pick out a new rescue.
Sparky!
And we brought Sparky home, and I’ve been entertaining you all with tales of the kitten here ever since. He’s a darling, and he’s getting so much bigger than the little kitten with a big voice and adorable energy. He picked us out–just as Skittle did–and I love that he’s got orange coloring, as you can see above.
And I guess I’ll have to start another series so I can immortalize Sparky, too.
But my God, fasting is the worst. The doctor visit went extremely well, and I am actually kind of excited about going forward with a primary care physician who, um, cares. Everything went well, we are getting ready to move ahead with my next surgery, we’re coming up with a plan to deal with the anxiety (bye bye, Xanax; but you didn’t really work for that anyway, only the symptoms), and I got my flu shot. I think I’ll probably swing by CVS to get a COVID booster and the RVS shot tomorrow. I have to go drop books off at the library sale anyway, I want to wash the car, and now that the excessive heat is over, maybe now I can properly air my tires and get the pressure in them to balance again. But I weighed only 200 pounds per their scale (with my wallet, belt, shoes and keys on me), which must be a result of the fasting? I can’t imagine how i dropped five pounds since yesterday.
I was also thinking that this soft food diet/tooth thing is really the perfect time for me to reset my eating habits and go forward with a more healthy eating plan. I need more vegetables in my life, and fresh foods. I don’t need the junk anymore except as a treat–I’ve rather broken the habit while not being able to snack these last couple of weeks, and let me tell you, last night I wanted a snack of something crunchy and salty so badly there’s no telling what I would have done to be able to have something like that. I’ve also come to realize that I actually like ramen. I generally have tried avoiding the foods that I consider “poverty indicators”–the stuff I could afford in college or during my leaner financial days–and those are things like ramen, box Mac’n’ Cheese, and tuna. But only being able to eat soft food and reverting to ramen reminded me that I do, in fact, actually like it–I always love any kind of noodles, really–and what is easier to take for lunch than that? I’ve been taking leftovers, and usually only cooking a big meal on the weekends to have something to take for lunch…,but ramen is easier, tasty, and filling (which is why it’s such a great poverty food). And you can always dress it up; one of my roommates in college had a Japanese mom and what she could do with a package of ramen, spices, and some vegetables was something I’ve tried duplicating any number of times without success. And once my arm is healed, I need to get back into working out again. Now that the weather is getting cooler I am probably going to start taking walks in the mornings on the weekends; the city is getting ready for Halloween and I have so many friends who are into Halloween that I love sharing pictures showing how overboard New Orleans goes for it.
I’ve never really done any Halloween writing about New Orleans, now that I think about it. Jackson Square Jazz was supposed to be the Halloween book, but I wound up setting it earlier in the month and only mentioned Halloween costumes in the epilogue. A Streetcar Named Murder was also set in October just before Halloween–hence the masked ball Valerie and Lorna attend–but I’ve never done Halloween itself. My story “The Snow Globe” actually began life as a Halloween story; I wrote it for a Halloween anthology and it wasn’t accepted. The original opening line was Satan had a great six-pack, and was inspired by me standing on the balcony at the Pub/Parade on Halloween and looking across the street just as someone come out of Oz dressed as sexy Satan–red body paint, red bikini, face done up, and red glitter everywhere–and I actually had that thought: “Satan has a great six-pack” and stored it away as an opening line. When I was looking through the files for a Christmas holiday story for the anthology benefiting my chapter of Sisters in Crime, I realized Santa is an anagram for Satan (which is interesting in and of itself) and I can switch the story from Halloween to Christmas, which makes more sense anyway for its outcome. Ironically, the story actually worked better as a Christmas story!
I definitely need to do a Scotty Halloween book. Halloween Season Hijinks? That actually could work….hmmm.
And on that note I am going to make myself some lunch (hello, Lipton’s double noodle soup and Ritz crackers!) and dive into the spice mines to get my work at home duties completed for the day. May the rest of your Friday be as awesome as you are, Constant Reader! I may be back later–one never knows–but if not, definitely on the morrow.
The other night, as I walked to Lilette to meet my friend Laura for dinner, I walked past this house:
It made me smile, as the New Orleans dedication for decorating for the holidays (any holiday, really) always does.
I posted this picture after taking it, along with a caption along the lines of it’s almost Twelfth Night and the start of Carnival! Someone commented, a bit surprised, “already?” which once again made me realize how different living in New Orleans is from living anywhere else, really, in the country. Nobody outside of Louisiana (unless they’re Catholic) understands how Carnival actually works, which makes sense. If it doesn’t affect you, how would you know? So, I decided explaining Carnival would be an excellent blatant self-promotion post, particularly since A Streetcar Named Murder is built around (sort of) a Carnival krewe and their membership recruitment ball. So, buckle up, Constant Reader, I’m going to give you a sort of primer for New Orleans Carnival.
Carnival begins on Twelfth Night, January 6th, and the season continues until it ends at midnight on Fat Tuesday (Mardi Gras is actually the last day of Carnival, not the entire season; but over the years Mardi Gras has become synonymous with Carnival, but the locals will always correct you when you call it Mardi Gras instead of Carnival; and ‘mardi gras” literally translates from the French to Fat Tuesday), when the bells of St. Louis toll the beginning of Lent and the police clear everyone off the streets of the city (no one is supposed to be out on the streets after midnight; I used to love to stand on the balcony at the Parade watching the mounted police officers slowly making their way down Bourbon Street as the crowds disperse before them–and behind them the street is empty). I’m not going to get into the history of Carnival and how it all began as a “farewell to the flesh” before the religious solemnity and penance of Lent; but that’s the part most people don’t get if you’re not from here or Catholic. Christmas, Carnival, Lent, and Easter are all tied together. Twelfth Night is always a fixed date because Christmas is fixed for December 25th; but since Easter’s date is never the same, neither is the date for Mardi Gras/Fat Tuesday, which is always forty days before Easter.
So, first things first. If you want to know all there is to know about each year’s Carnival, you start by getting a copy of Arthur Hardy’s Mardi Gras Guide, seen below. (You can order it on-line if you’re curious about it.)
(Don’t @ me, I know it should be Carnival Guide, but Mr. Hardy is Mr. Expert on all things Carnival, so we let him get away with it every year.)
The guide is invaluable, even though now there’s a parade tracker app so you always know where the parades are. The parades are what most people associate with New Orleans and Carnival/Mardi Gras; the big ones that shut down St. Charles Avenue and Canal Street aren’t until the last two weekends before Fat Tuesday. I don’t even know how many parades pass by our corner during parade season, but it’s a lot. (I’m hearing that the parade routes are being truncated a bit because of not having enough police officers to pull parade duty, but I don’t pay a lot of attention and just look at the Guide–which I have yet to get a copy of this year.) So, parade season is the two weekends prior to Fat Tuesday. The first weekend is easy, really; there’s parades on Friday night, Saturday afternoon and evening, and Sunday afternoon. Then we get a two day respite before they start in earnest, and there’s always at least two a night beginning the Wednesday before Fat Tuesday. Muses is Thursday night, following two others; there are also three on that Friday. Saturday afternoon is my favorite, Iris, which is followed by Tucks. Endymion is the big parade on Saturday night but it has a different route; it doesn’t come down St. Charles unless rain has caused it to be postponed for a night (when Endymion rolls down St. Charles on a Sunday night it’s a nightmare out there at the corner because Endymion is HUGE). There are parades all day Sunday, culminating with Bacchus Sunday night; Orpheus is the grand finale on Monday night, and of course on Fat Tuesday Rex follows Iris and then come the truck parades. There are also other, smaller, walking parades earlier; Krewe de Vieux, for example, is enormous and is a Saturday night later this month. After Twelfth Night and before Parade Season, there are balls and parties and walking parades and all kinds of celebrations leading up to the parades. The bleachers are already going up at Liberty Circle and all along St. Charles.
So, what does A Streetcar Named Murder, which is set in October, have to do with Carnival, and how is this a blatant self-promotion post?
Because the plot of Streetcar is set around an October costume ball for one of the newer Carnival krewes, the completely fictitious Krewe of Boudicca (it was Athena in earlier drafts, until I realized that I should check to make sure such a krewe doesn’t exist anywhere and sure enough, there is one; either in Metairie or on the north shore), which is also kind of new-member rush for the krewe. Our main character, Valerie, has no interest in belonging to a krewe; as she says, she’s fine “just going to parades and catching throws.” But her neighbor/best friend Lorna wants to join Boudicca, and she is dragging an unwilling Valerie along for the ball. It’s at the ball that the murder takes place; turns out the membership chair for Boudicca is Valerie’s nemesis, and of courea Valerie is the one who finds the victim after she’s stabbed.
And of course, it’s Carnival season again in New Orleans! So more info and blatant self-promotion to come!
So, when Ellen Byron was preparing to interview me for our live stream event from Murder by the Book, she sent me some questions to prepare myself with. They were good questions, actually, and I thought that taking time to answer them when I can think about the responses would be an excellent BLATANT SELF-PROMOTION post.
So, without further ado, here we go!
What inspired your book? Series premise and the specific story?
That’s an interesting story, actually. I had been toying with the idea of writing a cozy for a long time–I’ve always liked them–but never was sure I could do it; there were rules, after all, and I’m terrible about following rules, always have been. Several friends have been encouraging me for years to do it, but I always hesitated. It was (I thought) outside of my comfort zone, and while I would toy with ideas here and there, none ever came to anything. My partner’s office is near a costume shop, and he’d had to go in there one day for some reason or another, and as is his wont, he struck up a conversation with an employee about the costume business, how they made money, how they stayed open all year, etc etc etc. He’s very curious. Anyway, that night I mentioned to him that someone had yet again suggested I write a cozy, and he wasn’t sure what one was, so I gave him a thumbnail overview, and he said, “Oh, you should do a costume shop” and proceeded to tell me about his conversation with the shop employee. I agreed it was an interesting idea, and stowed it away in the back of my head for future reference, and would think about it now and then, come up with characters and a community for the main character to be a part of, and so on. But at the same time I kept thinking New Orleans wasn’t the right place for a cozy series–basically looking for ways to fail instead of reasons to succeed, which is the underlying theme of my life, really–and so it went. An editor I’ve worked with before was interested in the idea of my writing a cozy series, so I wrote up a proposal and sent it off. They liked it, but couldn’t sign it, and recommended I take it somewhere else, so I did. It evolved from a costume shop to an antique shop during the process of me signing a contract with Crooked Lane; they liked everything about my idea except for the shop itself, so I had to change that. I went down to Magazine Street and walked for a block, writing down every kind of shop I saw, and sent the list in–and we all came to an agreement about the series being structured around an antiques business. As for the story, well, I wanted to talk about and explore the gentrification of New Orleans that has been ongoing almost this entire century, and how real estate has just exploded around here. (It still staggers me that our rent was $450 when we first moved here; the lowest rent I’ve seen advertised in our neighborhood is around $1500 for less than thousand square feet. Our original apartment now rents for $2500 per month now, which is insane.) What happens to Valerie–the fear of a new tax assessment pricing her out of her house–actually happened to a friend of mine; and the prices just seem to keep going up all the time. You can’t even buy a condo in my neighborhood for less than $350, 000 now–the asking prices for houses in the neighborhood are completely insane. Every time I see a new listing in the neighborhood for half a million dollars or more I think, we really should have bought when we moved here–but home-ownership is New Orleans isn’t something Paul or I have ever been terribly interested in. Termites, tornados, hurricanes, floods, black mold–no thanks! But man, what a return on our investment had we bought in 1996!
We both write series set in New Orleans. Why do you find it so inspiring? Especially when you’ve lived in so many other places?
I’ve lived all over the country–we’re from Alabama, and I’ve lived in Chicago on the south side, the suburbs, Kansas, Fresno, Houston, Tampa, Minneapolis and then New Orleans. New Orleans is the only place I’ve ever been to where I felt like I belonged, where I fit in; where I didn’t seem like the eccentric one. New Orleans embraces its eccentrics and doesn’t judge them, and I like that. I knew that first time I came here on my birthday in 1994 that if I moved here all my dreams would come true. And they have, which has been kind of lovely. And no writer could ever exhaust the inspiration New Orleans provides. I’ve written fifteen books set here and countless short stories at this point, and haven’t even scratched the surface. I’ve never written about the music scene here, for one glaring example, or restaurants or the food industry or…you see what I mean? There’s not enough time in my life to write everything I want to about New Orleans.
Tell us about your protagonist. Where did the inspiration for her come from?
My sister never had any interest in going to college or having any kind of career other than being a wife and mother. She was a straight A student and had numerous scholarship offers, but had little to no interest. I used to always think she had wasted her potential, but gradually came to the realization that she has the life she always wanted when she was growing up, and has never missed having a career outside of the home–so rather than feeling bad about her lost potential, I should have been happy that her dreams came true. I started thinking about that more, and thought that would make a great starting place–a woman like my sister who wasn’t really very interested in college but went because it was expected of her…only to fall in love, get married, and drop out when she had twins. I really like the idea of a woman who’s not yet thirty, who wasn’t really sure what she wanted from life and then sidetracked to wife-and-mother, but with her kids now off to college and her husband having died…what do you do for the rest of your life when you’re a widow at thirty-eight and your kids have left for college? And the more I thought about her, the more I liked her and wanted to write about her.
Why did you choose the Irish Channel as the neighborhood?
My Scotty series is set in the French Quarter, and the Chanse series was set in the lower Garden District (where I’ve always lived and always default to it for that very reason), so I wanted to do something different this time out. Before I moved here, I had friends who lived in the Channel and I loved their house and I loved their neighborhood. I had already started writing a novella set in their old house, and I thought, why not use that same house for this series? The Channel did used to be considered a bad part of town, too, when we first moved here (so was the lower Garden District, which we didn’t know), and so I thought the gentrification issue would work better there than in my neighborhood. That part of the Channel is one I used to spend a lot of time in. As my character mentions in the book, I used to hang out at the Rue de la Course coffee shop at the corner of Magazine and Harmony–it was where I would meet friends for coffee. I’m still bitter it closed.
Similarities in our series: both widows, both have family mysteries, both live in the Irish Channel, you have jokes about potholes, I have a plot point about them. Let’s talk about NOLA’s potholes.
Oh, the potholes! Ironically, an active one ate one of my car tires a few weeks ago. Usually, if I am going someplace and have to turn around, there’s usually room for me to make a U-turn or I can turned into a driveway and turn around. This particular day the bar on the corner had reopened after being sold, closed, and renovated for a few months. So, there were cars everywhere, including blocking the driveways, and I thought, fine, I’ll just go around the block, which I hadn’t done in years. Because I hadn’t done that i years, I forgot there’s a massive pothole right when you make the turn so you have to jog left to avoid it. I hit the pothole, hard, and when I did, I thought oh that’s not good and as I continued driving I noticed the car was pulling to the left–which was the tire that hit the pothole. Sure enough, it was flat. It had a nail in it, and I happened to hit the pothole perfectly so that the nail dragged, tearing a hole in the tire. So, yes, New Orleans is a city of potholes–all different shapes, sizes, and depths. When the streets flood the water hides the potholes, and if they are really deep…the one on our street (which is reforming after being filled in and paved over for like the fiftieth time) ate a pick-up truck when that end of the street flooded a few years ago, so our street was blocked until the water went down and a tow truck could get in.
You have a Nolier than thou joke – I have OhNo!LA, an app that’s a runner in the book.
I wish I could claim credit for that joke, but I stole it from Bill Loefhelm, another New Orleans crime writer when we were on a panel together talking about writing about New Orleans and the need to get things right. He responded to a question about accuracy by saying something like “Yes, you really don’t want to set off the Nolier-Than-Thou people” and it still makes me laugh whenever I think about it because it’s so true! In all honesty, I am one of those people–nothing is more infuriating to me than reading something set in New Orleans that doesn’t get it right–but I’ve loosened up some as I’ve gotten older. I was even wondering if that was still a thing while I was writing this book…but since it’s come out I’ve seen any number of locals posting reviews and comments about “how (he) got New Orleans right” so it is still a thing. (And I’m glad and grateful people think I get ir right.)
How would you say your past experiences and jobs in life inform your writing?
I always say that life is material, as is every experience you’ve had. I’ve had so many jobs over the years and have been fired so many times I can’t keep track of them all anymore. But I also had a huge variety of jobs–fast food to retail to food service to banking to insurance to an airline to being a personal trainer to managing a health club to being a magazine editor to my present job working in an STI clinic as a sexual health counselor. Whenever I am creating a character and need a job for them, I inevitably fall back on one of my experiences. The main character in The Orion Mask worked at an airport–I’ve written a lot of characters who work for airlines–and so I try to get away from my own experiences once I catch myself doing it again. I have always had jobs that required interaction with other humans, so I’ve gotten to observe a lot of human behavior. I’ve written about high school students in Kansas (where I went to high school). I’ve written about fraternities because I was in one (hard as it is to believe now). I played football in high school, I’ve written about football players in high school. The only places I’ve lived that I’ve not written about are Chicago, Houston, and Tampa (I have written about Florida, but just the panhandle, where I spent of time as a kid).
I read a blog post where you talked about your relationship with the city. How has it morphed over the years and where does it stand now? It sounded like doing promotion and writing about the city reignited your love for it. What’s your writing process? You write in different genres. Is the process different?
As sad as it is to admit, it’s very easy when you live here to start taking New Orleans for granted. As I said before, I usually am so focused on what I am doing–work, writing, errands, chores, etc.–that I don’t pay much attention to my surroundings as I should (I think we are all guilty of this to some degree). About a year before the pandemic, my day job moved. I had worked in our office on Frenchmen Street for well over ten years–right across the street from Mona’s, in that block between Decatur and Chartres, so I was a block outside the Quarter five days a week, and we also used to do a lot of testing in the French Quarter gay bars and passing out condoms during Carnival, Southern Decadence, and Halloween. So I used to spend a lot of time in and around the Quarter. It was lovely–I could go to the Walgreens or the Rouse’s on Royal and there was a bank branch on Chartres Street, too, by the Supreme Court building. Anytime I didn’t have anything in the house to pack for lunch I could just walk into the Quarter and get something not only amazing but inexpensive. I used to walk past where Scotty lives all the time. After we moved into our new building in the 7th Ward, I don’t go into the Quarter much anymore. So I was starting to feel a bit disconnected from New Orleans already before the pandemic shut everything down. But I realized when I started doing promo for this book that I am not disconnected from New Orleans. I’ve just lived here so long that I don’t take as much note of the unusual or the weird as I used to–it’s become normalized to me. I’ve acclimated. It’s still just as weird and wild and crazy here as it always has been, it just doesn’t strike me as weird and wild and crazy the way it used to. I need to take more walks and spend more time exploring the city and checking things out. I don’t know if all the hidden places I used to take friends to eat in the Quarter are still there, either. Maybe after Mardi Gras…
So, Greg, why did you choose to write about an antique shop when you know nothing about antiques other than they are old furniture and so forth?
In all honesty, I didn’t originally set out to write about an antique shop, and while the book was in progress my utter lack of knowledge about the antiques business did have me incredibly concerned. Even though I had decided that Valerie herself would know nothing about antiques (that way, she and I could learn together), it still made me feel fraudulent and like I didn’t know what I was doing writing about something I didn’t know anything about. But then I went to Crime Bake, and at one of the panels a writer named Barbara Ross, who writes a Clambake New England series, confessed she knew nothing about clam bakes or any of those types of things…so she had to learn as she wrote the series. That was exactly what I wanted and needed to hear from someone and that was the right time for me to hear it, so I felt a lot more confident about the book when I returned home to New Orleans from that trip (it’s always nice to go to a writer’s event and learn something; I feel like I always do whenever I go to one).
Originally, I had wanted to write about a costume shop; which even now seems easier to learn about that antiques, to be honest. There used to be a costume shop in my neighborhood for years, on St. Charles Avenue on the lake side on the same block as Hoshun. I never went inside, but I always thought it was interesting that it was open year-round rather than just being seasonal; I would have thought they wouldn’t have enough business to do so. But it closed and another opened in the CBD near Paul’s office, connected to whatever theater that is in the next block–which means they had an enormous warehouse space to keep their costumes in, and their primary customers were local theater, film and television productions. I thought, yeah, that could be fun so I moved MY shop back to the block and decided to give them a warehouse to store costumes for commercial rentals in, out near the airport. When Crooked Lane wanted something other than a costume shop, I just went to the Starbucks at the corner of Washington and Magazine, got a latte, and walked down the block writing down the kinds of businesses I walked past. I sent those to Crooked Lane and they picked an antique shop, which was a bit daunting but….anything is do-able, right? And since I like to learn…in theory.
I did stop into one of the ubiquitous antique shops in New Orleans to talk to the manager, who gave me some good tips–estate auctions and sales, for example; something that hadn’t occurred to me–and also, highly amused that both Valerie and myself knew nothing about the business, suggested, “Start with Antiquing for Dummies.” I’m still not sure if she was kidding or not, but I thought it a pretty good idea, so I ordered a copy and had Dee–who works at Rare Things–suggest Valerie do the same in the book!
Serendipity, if you will.
And then I needed a name for the business. In the late 1980’s there was a marvelous supernatural syndicated series called Friday the 13th-the Series (because it just used the name, it was not related to the films in any way) in which there was such a shop called Curious Goods. The premise of the show is that the owner of the shop made a deal with the devil and all the items in the shop are cursed; he goes back on his deal and the devil drags him to hell. His niece and nephew inherit the shop and start selling things–only to find out that the items are all cursed –an older man with lots of knowledge tells them; they form a team to track down the objects, which can kill–or can make a wish of some sort for the person owning it come true, but death is required–and each episode focuses on one of the objects. I thought about calling the shop Curious Goods, as an homage, but then thought but the objects in this shop aren’t cursed, so I went with Rare Things. I liked the name, and thought it really fit; it’s really more of a curio shop than an antique shop, anyway.
And the benefits of an antique shop means I can have a lot of fun with future volumes, if there are more. How much fun would it be for Valerie to have to stay at some old manse working on an estate sale, only to be bedeviled by ghosts and secret passages and so on? It also means getting to explore history and areas outside of New Orleans; I am becoming more and more interested in the entire state rather than just New Orleans, too, so this really is kind of cool–more reason to explore Louisiana’s history! Huzzah!
So, that’s how this book came to built around an antique shop on St. Charles Avenue. More to come!
Queer and Loathing in America 