Tag: the stepford wives

Somebody’s Watching Me

A month or so ago, Ira Levin’s A Kiss Before Dying was one of those “special deals for ebooks,” and I can never pass up a classic for a mere $1.99 (I generally replace my hard copy books with ebooks when they are on sale, so I can donate the real book; but Ira Levin novels will never be donated), which put me in mind of him again (the book is a crime fiction classic), and I started thinking about what is the best part of two of my favorites by him, Rosemary’s Baby and The Stepford Wives, which is the slow build of paranoia until the heroines are completely convinced that everyone is in on it and there’s no one she can trust. This is what I consider “women’s noir,” which is books that depict and explore women’s fears (which is why Gothics were so popular, I think; the wife can never trust the husband and always thinks he is trying to kill her–before the real culprit is exposed and they have their happily ever after. This, to me, mimics what it’s like for a woman when she gets married in real life; she wants to believe in her marriage and love, but how many times has that turned to ashes and dust in reality? Husbands kill wives or cheat on them or leave them; all these marriage fears were tentpoles of Gothics). I was going to revisit both novels–I had some other things I wanted to talk about with The Stepford Wives, and its similarities to Rosemary’s Baby, but I couldn’t find my copy of the latter so went with the former.

Since 2015, the term “gaslighting” has come back into vogue, with small wonder. Gaslighting can make you question your own judgment and your grasp on reality1; something many of us have experienced over the past nearly ten years and it isn’t an enjoyable experience.

Paranoia, combined with not being believed, makes for a fantastic novel that is very difficult to pull off; I can think of any number of films and books that use paranoia as a driving theme for their plots, and I always enjoy them. There really is nothing more frustrating than being being not believed about something that’s happened–or is happening–to you. It can make you crazy, make you question yourself and your own grasp of reality. It’s horrible and cruel in reality, and it’s something everyone can relate to because we have all not been believed at some point in our lives. It’s happened to me enough times (including losing jobs) that it certainly resonates with me. (I have an idea for a gaslighting/paranoia short story that I’ve been wanting to write for some time now.)

So, needless to say, I greatly enjoyed reading my advance copy of Alison Gaylin’s upcoming January release, We Are Watching.

It’s been the longest day of Meg Russo’s life, and it isn’t even half over. Her stomach gnaws at her, her hands heavy on the steering wheel. But when she glances at the clock on the dashboard, she sees that it’s a little shy of 11:30 a.m., which means that Meg, her husband, Justin, and their daugheter, Lily, have only been on the road for an hour. They’ve got at least three more hours on the thruway, and then they’ll have to contend with the series of veinlike country roads Meg and Justin haven’t traversed since their own college days. If they don’t hit too much traffic, they should be in Ithaca by five, which now feels like some point in a future so distant, Meg is incapable of envisioning it.

Time is strange that, the past eighteen years zooming by in an instant, all of it leading up to a single day that’s already lasted eons. Meg blames the stress of last night, wanting everything to be perfect for their daughter’s send-off, which led to thoughts of Lily’s first visit home for Thanksgiving break, which in turn made Meg think for the millionth time about how cold their house gets in the fall, and how Lily always complains about it. New windows, Meg had thought, lying in bed with her eyes open, envisioning insulated windows to replace those paper-thin sheets of glass, the same windows that were here when she and Justin bought the place twenty years ago–and it was a fixer-upper then. What if Lily came home to new windows? Meg mused, still awake in the wee hours of the morning. Will she have changed by then? Will she have grown too sophisticated to get excited over a warmer house? And so on, until the sky was pink and it was time to wake up and Meg had barely slept at all.

I’ve enjoyed Alison Gaylin’s work since I first read And She Was back in 2012, and have been a fan ever since, gobbling up each new book as she releases them. She has always been a terrific novelist, but what has been amazing to watch is how she pushes herself to do better with each book, tackling bigger themes and creating believable, relatable characters you can’t help but want to root for. We Are Watching may be her best yet, starting as a slow burn but building into an adrenaline boosting rollercoaster of a thriller.

The book opens with Meg and Justin taking their daughter Lily off to college, with all the emotions and fears and sense of loss that comes with a child leaving home and starting to move into their adulthood. Meg is likable, and so is her family. But as they drive a carload of skinheads pulls up alongside of them and start taking pictures. Meg reacts very strongly–so strongly that even I was like take a chill pill, girl!–which eventually leads to a crash that kills Justin, leaving the two women shattered shells of their previous selves. Lily decides to take time off from college and even Meg becomes housebound, despite needing to run her book store in the small Hudson Valley town they live in.

But things slowly begin closing in on both Meg and Lily; who were those skinheads in the other car? Why are truly strange, cult-like people showing up in the store or in town, chanting weird things at them? As Meg’s paranoia and fear grows, it soon becomes apparent that a religious cult is targeting her and her family, but why? But to find the truth, Meg has to not only survive the cult, which seems determined to kill her and her child, but when she has the time, to dig back into her own past to discover the truth–because the truth is the only thing that can set them free.

This book is fantastic, and I couldn’t put it down. It has all the hallmarks of a great Gaylin novel–a compelling and relatable main character doing the best she can in a terrible situation; a twisty plot full of surprises; and the kind of strong writing that makes her sentences and paragraphs sing.

Preorder it now and thank me in January when you finish reading it.

  1. The film this term comes from, Gaslight, is a great movie and Ingrid Bergman is terrific as the wife who isn’t sure if she is losing her mind; she deserved her Oscar and the film still holds up–and a very young Angela Lansbury makes her screen debut in it. ↩︎

I Am Woman

Ira Levin has always one of my favorite writers, but I often forget about him when I am talking about influences. I don’t know if Levin’s work influenced me; he was very sparing with his prose, and I am most definitely not that, but I know he has written some of my favorite novels of all time and his incredible popularity–based on very few novels written, most of them pretty short–was such that titles of his books became part of the popular culture; a “tl;dr” if you will to explain something: Rosemary’s Baby, The Stepford Wives, The Boys from Brazil. He wrote one of my favorite crime novels with a shocking twist (two thirds of the way in!), A Kiss Before Dying, which won an Edgar and should be considered one of the best crime novels of all time (the problem with it is a big part of the genius is in the twist, and it’s such a massive spoiler it can’t really be talked about except in criticism).

I knew about Rosemary’s Baby–everyone alive the year the movie came out knew what it was and what it referred to (I was wanting to do an entire post about Levin, but I couldn’t find my copy of Rosemary’s Baby) so settled for rereading The Stepford Wives over the weekend (it’s very short, very chilling, and downright terrifying in places. It was also the first Levin novel I read; I bought the Fawcett Crest edition pictured below, and I think I read the entire thing in a single afternoon. I’ve also seen both movies, both of which were okay, but again, the great thing about Levin is how he played his cards and which ones he withheld; the movie editions couldn’t get away with what he did in the book, which made the movies less compelling and less terrifying.

And it definitely holds up. In fact, it’s kind of compelling reading in this post-Dobbs time in which we find ourselves living these days.

This is the actual copy I had, and read. It looks very Gothic on the cover, but it’s not that at all.

The Welcome Wagon Lady, sixty if she was a day but working at youth and vivacity (ginger hair, red lips, a sunshine-yellow dress), twinkled her eyes and teeth at Joanna and said, “You’re really going to like it here! It’s a nice town with lots of nice people! You couldn’t have made a better choice!” Her brown leather shoulderbag was enormous, old and scuffed; from it she dealt Joanna packets of powdered breakfast drink and soup mix, a toy-size box of non-polluting detergent, a booklet of discount slips good at twenty-two local shops, two cakes of soap, a folder of deodorant pads–

“Enough, enough,” Joanna said, standing in the doorway with both hands full. “Hold. Halt. Thank you.”

The Welcome Wagon lady put a vial of cologne on top of the other things, and then searched in her bag–“No, really,” Joanna said–and brought out pink-framed glasses and a small embroidered notebook. “I do the ‘Notes on Newcomers,'” she said, smiling and putting on the glasses. “For the Chronicle.” She dug at the bag’s bottom and came up with a pen, clicking its top with a red-nailed thumb.

Are there still Welcome Wagon Ladies? And what a clever way to open a novel about a bedroom community town for New York–what else but the Welcome Wagon Lady welcoming a new family to Stepford. It puts the reader at ease, too–something very familiar to people in the 1970s was the Welcome Wagon Lady, so opening a novel with something ordinary and normal is an interesting choice, given what’s to come. (For the record, there will be spoilers here. I’m sorry, the book came out in the early 1970s, as did the original film version and even the dreadful remake is now at least twenty years old.) Joanna Eberhart is a stay-at-home mom who gave up a promising career as a photographer when she got married, but now that the kids are older, she and her husband have found a lovely home in an idyllic seeming town where he can commute into the city1, and they’re in the midst of the chaos of moving in. There’s an extra room that even had running water to function as a developing room2, so Joanna can get back to pursuing her photography career. Good schools, lots of space, all kinds of enticements to get a young family to move out there3…

It’s difficult for young people today to even imagine what a different world it was I grew up in, and the 1970’s might as well be the 1870’s to the younger generations…then again. didn’t 1945 and World War II seem a million years ago when I was a kid…but I was much closer in time to WW2 than teenagers today are to the 1970’s. (The actual equivalent would be fifty years ago, which would have been 1921 to me; when my grandparents were born there was still a German Empire, an Ottoman Empire, an Austria-Hungary, and the Romanovs were still on the throne in St. Petersburg.) But when this book was written the Women’s Movement was just really gaining a lot of traction (it was called Women’s Lib, and proponents of it were scathingly called “Libbers” by those who thought women were better off in the kitchen, unseen and unheard), and women were beginning to understand they didn’t have to subscribe to the old, tired gender roles that basically were invented after the Second World War. They could have a career. They didn’t have to get married. Among the things they were protesting was not being allowed to get bank loans, credit cards, or bank accounts without a husband–which was very difficult for widows and divorcees (and why a lot of women stayed with abusive jerks.) It wasn’t a crime to beat or rape your wife because you owned her. The Pill freed them–both married and unmarried–from the terror of getting pregnant and abortion was illegal. Sound familiar?

Levin, who was also an incredibly sly critic of social structures, the culture, and society in general, saw the beginnings of women starting to assert their independence, and asked the question so many bewildered men, unaccustomed to women’s freedom, didn’t know the answer to: if women were free and independent and could choose their own course in life, what was the new role in all of this for men? What was their place anymore? There was pushback against women’s liberation and not just from men; some of the most vocal opponents to women being made into whole people came from women.4 If it was, indeed, a “battle of the sexes” as the conservative gadflies kept insisting (or a “war on men”), what would men do?

The Stepford Wives was the chilling answer.

Once Joanna moves in, she begins noticing how the other wives in town are all beautiful, have great figures, and always have their hair done, a face of make-up, and are devoted to making their husbands happy. She meets another recent relocator, brash Bobbie Marlowe, whose house is just as messy as Joanna’s, and they begin to bond over the weirdness of the other women in town. They make another friend, Charmaine, and the three women kind of bemusedly wonder if there’s something in the water in Stepford that makes the women behave like such 1950’s June Cleaver housewives. There’s also the Men’s Association, a men’s club that all the men of Stepford belong–a secretive organization in a big house. Joanna and Bobbie are appalled at the sexism in the very idea of such a club, and their husbands promise to try to make including women an option–the old “change from inside” shtick we’ve all heard a million times. Joanna’s husband brings some of the club officers for her to meet and get a read on. One of them is a Frank Frazetta-style artist, who does a series of sketches of Joanna. Another used to work in the animatronic section of Disney. Another is doing a research project he asks Joanna to help with, having to do with accents and the way people speak, which requires her to record an insane amount of words into a tape recorder.

And then…Charmaine becomes one of the Stepford wives, and the two women are terrified.

Bobbie is convinced now there’s something from nearby chemical plants in their drinking water, and goes to extremes in her paranoia. Joanna forces Walter to agree to move, and then they start looking for other places in nearby towns. Heightening their paranoia is finding out there actually HAD been a Women’s Club in Stepford, and even had Betty Friedan come speak to them4! What happened to these women? Levin is exceptionally brilliant at writing paranoia, and the reader becomes wrapped in them, what is happening to them, and hoping that they’ll get away somehow. But the biggest betrayal of all is yet to come: their husbands, whom they loved and married and started families with, are also in on it.

The message of The Stepford Wives was that men don’t really want a full partner; they want a home manager who takes care of everything, including the kids, so they can focus on work.

Sound like tradwives or something Senator Katie Britt would love to impose (on other women, of course; tradwife for thee but not for me) on the country, doesn’t it? Women with no imaginations, animatronic creatures who feel like women, and cater to their every whim and desire?

Maybe The Stepford Wives should be required reading for all teenaged girls. And sadly, the book still holds up. It’s not a reach to believe that there’s a town like this somewhere, where the men have murdered their wives and replaced them with droids. I certainly see enough troglodyte men on-line who think that way.

  1. This was a HUGE trope in 1970’s horror; moving away from the city to get fresh air and space…only to have that dream of a bigger house and a lawn and fresh air turn into a fucking nightmare, which I hope to write a longer essay about at some point. ↩︎
  2. Yes, we used to take pictures with “cameras” on “film” that had to be processed and developed; Fotomats were popular, or you could get it done at Walgreens. There used a developer on Decatur Street just off Jackson Square; I had a lot of pictures developed there when I was in the Quarter more regularly. ↩︎
  3. Interesting that Rosemary’s Baby also opens with a young married couple, hoping to have kids, moving into a new place. ↩︎
  4. I hope Phyllis Schlafly is frying in hell, and is sharing a cast iron skillet with the Reagans and Jerry Falwell. ↩︎
  5. If you don’t know who Betty Friedan is, shame on you and use google. ↩︎

Pure Love

Monday has rolled around again, and it’s super dark outside. Fall is here, of course, and the weather has changed here to more of a cooler clime outside that it’s been in quite a while. The Saints lost yesterday, but it was a great game and came down to the wire; I don’t mind losing if it’s a good game, and it was. It was a nice weekend around the Lost Apartment, and nice and relaxing. We started watching American Sports Story, watched a gay horror film (Swallowed, starring Cooper Koch and his body from Monsters; he spends a great deal of time either naked or in his underwear), and then called it an evening and went to bed for a very restful night’s sleep. I decided to go make groceries after work today, and so when I leave the office I’ll be heading uptown.

I didn’t do much writing this weekend, which is a pity, but I’m not hanging my head in shame about that anymore. I did get a Substack post done (it had been three weeks!), and got some others started, too. I also started reading House of Rain and Bone, which really takes flight almost immediately. It’s an excellent choice for starting Halloween Horror Month–even if that doesn’t really begin until tomorrow. I started writing another post about The Stepford Wives, which I also spent some time with yesterday. I also got all the filing and organizing done around my work space, and I feel like I’m getting someplace with the book; yesterday also included, while filing, the combination of other files together was an upgrade in organizing research. I just created a situation in the book to deal with, and I am thinking about options for the rest of the story, which is starting to come together in my head. That, by the way, is a very good thing. Yay me!

I have an eye appointment next Saturday and there’s no LSU game, which makes the weekend a little freer for me; no LSU game to take up all my mind-space on game day. The Saints even play on Monday next weekend, so…yes, that’s an entirely free weekend around here for football season, which is very unusual. But it means I have no excuse for not getting things done around the house. I’ll watch games on Saturday, of course–love me some college football, even if it’s not my team playing–but most likely will just have it on in the background while I read or write or clean. So, Saturday morning I can go have my eye appointment, drive back into the city from Metairie, and then be on my own for the rest of the day. There are worse things. I’ll also have to come into the office on Friday for a department meeting, so I’ll probably stick around after, too. There’s another system to watch in the Gulf, in the same place Helene formed–and who knew a hurricane system could cause so much damage and destruction so far inland, in the Appalachian Mountains1? Now imagine had Helene gone up the Mississippi River. My sympathies, of course, are with everyone up there in North Carolina and Tennessee. They aren’t used to this sort of thing the way we are on the Gulf Coast, and I do have a lot of friends who live in the mountains of North Carolina, so it’s been a bit worrying on that concern. I’ve not heard from family in Kentucky, either–so I should probably find out how they all are. The last I heard, Dad only lost power for about an hour and a half, and my sister hadn’t. It seems as though Lexington was worse off for power loss than where they live, which is a very good thing. Whew, something else to not have to worry about is always a lovely thing.

Sigh.

And on that note, I am going to get ready and head into the spice mines. May your Monday be as marvelous as you can, try to donate items or money to flood/hurricane relief, and I may shout out at you again later, okay?

Screenshot
  1. Needless to say, people who live in the mountains aren’t experienced in this sort of hurricane disaster, nor should they be–but I fear they are going to have to get used to it. Climate change, for the record, doesn’t mean “more beachfront property” (which would come at the expense of the current beachfront property, you fucking morons); it means disasters like this more frequently. Woo-hoo! ↩︎

That’s the Way Love Goes

Sunday morning the Gregalicious slept late, and I feel good this morning. I stayed up late to watch Saturday Night Live return, and wasn’t terribly impressed. Our Internet also kept going in and out all day, which was annoying, especially during football games. The three games I primarily watched–Kentucky-Mississippi, Auburn-Oklahoma, and Georgia-Alabama, were all excellent games–and I also switched over to LSU-South Alabama periodically, but it was also a blow out so didn’t need to watch much. Still unsure how this season is going to shake out for everyone, which makes it interesting. I think there’s a lot more parity in the conference now, once you get past the clearly best teams this year (right now, I am going out on a limb and saying it’s Alabama and Texas, both teams LSU has to play in Baton Rouge this year) I think everyone is pretty equal for the most part, with the usual suspects (Mississippi State, Vanderbilt) in the basement. Kentucky almost beat Georgia last week and did beat Mississippi yesterday; Georgia almost beat Alabama, and that Auburn-Oklahoma game came down to the wire. The Saints play at noon today, which is cool, playing the Dirty Birds in Atlanta.

I did manage to get some things done during the games; I cleaned the downstairs bathroom thoroughly, I ran some errands in the morning (mail, Fresh Market, car wash) and then came home to start watching football. I also read, while in my chair, both We Have Always Lived in the Castle by Shirley Jackson and The Stepford Wives by Ira Levin (more on both later), so hope to start the new Gabino Iglesias at some time today, most likely during the Saints game. Jackson and Levin are excellent writers whom I deeply admire, with completely different styles but evoking the same feelings when you read them. I also managed to get most of the dishes finished yesterday, with whatever I used yesterday as the only dirty dishes left in the sink–and that will take about two minutes, tops. I had thought about delaying my trip to make groceries until tomorrow, but now that I am up I think I’ll go ahead and do that this morning and get it out of the way.

I also want to work on the kitchen a bit today, and I also want to get the floors worked on again. Sparky tears up the rugs all the time when he’s running around like a demon to burn off some of his Big Energy, and the longer they are messed up the worse they get messed up. I also have some other posts I need to get done this morning before I leave to make groceries; and the longer I let them sit there unfinished, the more likely it is they’ll continue unfinished. I have a particularly spicy one about transphobia that I’d love to get done at some point so I can Substack it (and attract more of the bigots and Nazis there), and of course, there are any number of others unfinished as well. Heavy heaving sigh. I also have three book reviews/reports to write–I’ve now finished The Price by Armen Keteyian and John Talty; an arc of We Are Watching by Alison Gaylin, and Everybody Knows by Jordan Harper, and I need to get those done sooner rather than later as well. I also have some emails I need to answer as well as some to generate.

Sounds like a to-do list to me, doesn’t it? I also need to clean up the mess around my desk. But the key is not to get overwhelmed by the length of the to-do list, and just start marking things off. I also need to work on the Scotty Bible today, but I can also see that I am starting to think in the old bad anxiety/stress markers by overwhelming myself with so much to do already. Next weekend I have an eye appointment, so I can order new glasses, and my doctor’s appointment is coming up. I am probably going to meet Dad in Alabama weekend after next, and will probably go up to Kentucky later this month. How exciting!

And on that note, I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and hope everyone in North Carolina and Tennessee are okay.

If You Talk In Your Sleep

Well, here we are in the cone of uncertainty for a tropical storm that should be forming due south of Louisiana in the Gulf, which should make for an interesting week, don’t you think? How things have changed since I posted my blog yesterday morning… I imagine we’ll be hearing about contingency plans today at the office.

Sigh. Wednesday is also Pay the Bills Day, which should make everything all the more interesting. According to the hurricane center, landfall should be around seven pm on Wednesday, so who knows? It might impact work on Thursday, too. And of course, I am writing about experiencing a Category 1 with this new Scotty, and this one will be a Category 1, too, if not stronger. Yay. Needless to say, we won’t be evacuating as this has come up a little too quickly; we’d have to get packing and on the road today, tomorrow morning at the latest. There’s no call for evacuation, so we should be okay. But…we may lose power, and that truly sucks. If the weather is going to be cool…it might be kind of nice, but I don’t think that’s going to be the case. Guess I’ll be getting that case of water down from the attic and tossing a few of them into the freezer. But there doesn’t seem to be much concern in the news or on the weather channels, so I am assuming it’s nothing to be terribly concerned or worried about. It’s 3’s and up that are the real problem…and of course, now that I’ve said that…

Since it’s a Monday, it’s back to the office with me this morning. I had a lovely, restful weekend, how about you? Yesterday was a really lovely day here. I overslept so was a bit off for the rest of the day, but the weather was gorgeous. I didn’t do a whole lot of anything, but one thing I did was start the Scotty Bible, going through the already post-it noted copy of Mardi Gras Mambo and getting some interesting (and necessary) information out of it (the first names of his grandparents and his dad; the street the Diderot mansion is on) that I needed, and I felt very accomplished getting that part of it done and it’s off to a start. It was also kind of nice revisiting the old book, something I wrote almost twenty years ago. I’d forgotten how insane the plot of this book actually was, and I’m kind of impressed that I managed to pull it off, especially given how many aborted starts I made on it. But I certainly picked the right back-list book to start compiling the Bible with; it had all the answers I needed for this one in it. Doesn’t mean I’m going to stop doing it, mind you; I am planning on getting through one book per day (I already marked the places I need to get information from in the entire series, many years ago); today is Who Dat Whodunnit when I get home tonight. I’m also going to correct the chapters I’ve already written with the right names and places and so forth.

I ran an errand and the weather was stunningly beautiful–the 70s and cool; the breeze was nice and cool, a lovely change from it feeling like the air coming out of a floor vent in Minneapolis in January. I watched the Saints win, which was also lovely, and then I had a ZOOM call with some friends before settling in for the evening, where we got caught up with Bad Monkey and Only Murders in the Building.

So, all in all, a pleasant if lazy weekend here in the Lost Apartment, if not a particularly productive one. Which is also fine, you know. Weekends don’t have to be productive anymore.

It’ll be interesting to see how this storm–which is now projected to be a Category 2 when the eye comes ashore–is going to interrupt the week and my work. If we lose power, we have plenty of candles and things to drink, and I can catch up on my reading. Now that I’ve broken through my “reader’s block” and binged an entire novel in one sitting (Alison Gaylin’s We Are Watching, available now for preorders and being released in January), reading isn’t going to be as big an issue as it was. I am also making progress on getting through Rival Queens, and am revisiting some Ira Levin classics, preparatory to a longer essay for Substack about one of my favorite writers that I sadly forget about when asked about influences; Levin’s work had an influence on mine in some ways, but he was definitely a master. He wrote one of the greatest crime novels of all time (A Kiss Before Dying, which still amazes with its twists and turns and surprises), and three others that became part of the zeitgeist and had a lasting impact on our culture: Rosemary’s Baby, The Stepford Wives, and The Boys from Brazil. (I also want to reread “A Rose for Emily” this week, too.) I also haven’t reread Rebecca in quite some time, nor The Haunting of Hill House, either. I am going to be trying to read horror all month for Halloween again; I have some terrific horror novels collecting dust that I need to get around to, and Halloween Horror Month sounds like a great idea to me.

I also want to watch The Deliverance this week.

And on that note, I am going to head into the spice mines. It’ll be an interesting day, for sure, and maybe I’ll be back later. Stranger things have occurred.

Red Roses for a Blue Lady

Labor Day and the last day of the three day weekend and Southern Decadence. It’ll be back to work with me again tomorrow (not going to say huzzah for that, sorry) but at least it’ll be a short work week. Alas, we don’t get another holiday until Thanksgiving, but I may take some time off this fall just to relax and rest and do shit, you know? I am finding these long weekends are enormously good for me physically and mentally, to be honest. I set my alarm to get up earlier this morning rather than letting myself just sleep as late as I wanted to,, and I feel better than I have all weekend sleeping late. Peculiar and strange, c’est moi. But I do want to get some things done today while taking it easy as well. I am trying to put off going to the grocery store until tomorrow; I may be able to get away with just a short walk to Walgreens because His Majesty is out of treats…but maybe it’s better to do it today and get it over with.

It does feel like I haven’t been to the office in an eternity.

Well, LSU lost it’s fifth straight season opener last night, and while I am trying not to get terribly discouraged about the season–it always sucks to start off the season with a loss–because it’s hard to say already how good USC is; so I really don’t have any idea of how good this year’s Tigers are. I had a feeling they were overconfident, and as galling as it is to lose to Lincoln Riley of all people, they could have won the game had they not consistently shot themselves in the foot, over and over, and there were a lot of questionable play calls that left points on the field. It actually reminded me a lot of the Florida State loss two years ago. Anyway, the Tigers have an easy game next week before coming home to play UCLA, so we’ll see how they regroup. I will also say Garrett Nussmaier is a great passer, so there’s potential for a great season despite the early loss. The loss cast a pall over the Lost Apartment, and I went to bed early, planning on rising early this morning, so that worked out just fine.

I had a lazy day around the house yesterday, not really doing a lot of anything. I read some more of We Are Watching, the new Alison Gaylin1 (preorder now, it’s coming out in January) which is marvelous as is everything she writes, before spending some time watching the US Open and news clips on Youtube. My shoulder was still sore from the vaccination on Saturday (it’s still sore this morning, too), and so I thought it best to take it easy and not risk getting unwell from the shot (which has happened the previous shots); or maybe it was my brain leaning into being lazy, which is always its preference. I did think a lot about the book yesterday, and feeling actually kind of excited about it, to be honest. I am trying something with it that’s more of a challenge to me, and that’s really exciting for me. I also spent some time filing yesterday and I did get ahead on the dishes and so forth. Today I can vacuum, if I so chose; but overall I am planning on a mostly low-energy day with lots of Sparky time relaxing in my easy chair. I am also planning on reading some more this morning.

The excitement I am feeling about writing this book has also kind of had a simmering effect on my creativity; rather than bursting with ideas the way I usually am when I am writing a book, I get a new idea but it’s more developed than the usual “just a title and a character and the basic idea,” which is also cool. I am also solving problems with some short stories I’ve stalled on, so yeah, it was a good weekend in that regard, and I am also working on some essays. It’s not like I’m not working even on days when I don’t advance the word count on the book, either.

Social media, such as it is now, is becoming more and more a waste of time that I don’t need to deal with in my life, frankly. One of the major problems is that it’s an election year, which is making people drop their masks with the mealy-mouthed can’t we all be friends despite our politics and the privilege that just drips from those statements just enrages me. The difference between me and the Right is that I don’t want anyone to be stripped of their rights. The Right’s corruption of American symbols has always been more about show than belief; kind of like their religion. I apparently spent a lot more time on Twitter than I thought I did–one never really is truly aware, is one–and now that Facebook is basically circling the drain, too, I am amazed at how much more free time I have. I guess I had become far more dependent on social media than I would have preferred or believed? Yesterday was another prime example of how bad Facebook is becoming. A lesbian writer friend had posted an image of a hideous Confederate flag cake with a joke about marrying your first cousin. Some woman I don’t know took offense, and said that flag has evolved into representing all Southerners.

I beg your fucking pardon?

Yeah, I let the racist bitch have it with both barrels before blocking her skank ass. Was she another lesbian writer? I don’t know and I don’t care, but if she is a writer, if that’s the way her mind works she’s probably a shitty writer as well as a shitty person. NO ONE defends the Traitor’s Flag and claims it represents all Southern people–because it sure as fuck does not represent Southern Black people, and to say that it does is so fucking racist you need to be repeatedly slapped, shamed, and driven out of the public square.

The paradox of tolerance is you cannot tolerate intolerance.

I also figured out what I need to do with Never Kiss a Stranger, and managed to convince myself my inability to finish that book was not a failure, either of imagination or as a writer. I knew how the book ended, and I knew how I wanted it to begin, but I didn’t know how to write the middle. The fact that it also started as a novella that I decided to expand and make longer has something to do with it, too; I kept going back and forth on whether there was enough story for a book or if I should, indeed, keep it as a novella, which can be forty thousand or less. There’s really not a place to publish novellas anymore, so at best I’d be able to do a novella collection or something as I have several others on hand, too–and one is almost nearly complete. Maybe I should include it in my collection of short stories? That would definitely fill that book out.

So, despite not really doing a whole lot of writing over the holiday weekend, I am not chiding or berating myself this morning over “wasting time.” It was a productive weekend, and I am getting better at being kinder to myself. I’m still figuring out the work/writing/life balance, but what I do know is that balance is a lot better now than it’s been in several decades.

And on that note, I am going to get another cup of coffee and repair to my easy chair for some more of Alison’s book. Have a great Labor Day, and never forget it was unions that got us the forty-hour work week, paid sick time and vacations, breaks, and weekends. I may be back later; we shall simply have to see how things go, won’t we?

  1. Part of the reason I am enjoying the book so much–it hit me yesterday–is the writing style/voice reminds me very much of Ira Levin, who I’ve been thinking about a lot lately; been wanting to revisit The Stepford Wives and The Boys from Brazil, especially since JD Vance reminds me of one. ↩︎

Help Me Make It Through the Night

I actually slept last night here at my hotel, and slept late this morning, both of which are so unusual it does bear remarking on. I also walked a lot yesterday here in Manhattan; it’s about fourteen blocks from the hotel to the MWA office; a straight shot up Broadway. That’s a lot more walking than my tired old fat-ass is used to, so perhaps that had something to do with the deep sleep. I also met a friend for drinks with Paul last evening (here in the hotel bar), and then we came back up to the room and I read for a bit before I got cross-eyed with sleep (I am really enjoying this Raquel V. Reyes novel tremendously; although I probably won’t get much chance to finish it before the flight home Saturday, which should give me plenty of time to not only finish reading Mango Mambo and Murder but to read (or make good headway on reading) one of the other books I brought along for the ride. (There will also be giveaway books at the banquet tonight…)

It really is remarkable how much I dislike working on a laptop, thought. Mostly it’s because the screen is too small for my aging eyes (note to self: make an eye appointment stat, maybe new glasses will take care of this for me) but I have my wireless keyboard (I hate typing on a laptop most of all) and my wireless mouse with me, which makes it a bit easier for me to deal with.

I was also surprised that I slept so well last night mainly because, well, the banquet is tonight and I have to be up on stage to begin with to welcome everyone and do some thank you’s and introductions, which I have to be stone cold sober to do–which, given there’s an hour of cocktail reception before hand, isn’t going to be easy for one Gregalicious, who never likes passing up free wine or champagne–and of course being stone cold sober is going to make it a bit more stressful, although the days when I used to drink heavily to deal with the stage fright anxiety are long in the past and let’s face it, was never a particularly smart thing to do (ah, the wisdom that comes with age). The awards are going to be broadcast live on our Youtube channel (if I were better at my job as EVP I’d share a link, but I am not better at the job so oh well) which means it will also be recorded and always be up there for all eternity (the Internet is forever, after all) so the possibilities of me doing something stupid and going viral, therefore burning MWA to the ground, are much higher than say, my speaking for a few moments at the Lefty Banquet. But I am trying very hard to manage my anxiety and stress–I handled the travel here very well, after all–and so this new calm centering thing I am doing seems to be working. I feel remarkably relaxed and rested this morning, in fact, which is highly unusual.

After I finish this and do some more emails, I will probably work on my short story a bit more.

Oh! I also did a ZOOM thing yesterday for the Jefferson Performing Arts Society (JPAS) for their upcoming production of Deathtrap; which of course was a huge Broadway hit comedy/thriller written by one of my literary heroes, Ira Levin (who also wrote A Kiss Before Dying, This Perfect Day, Rosemary’s Baby, The Stepford Wives, and The Boys from Brazil, for a few highlights). It was actually quite fun–I love the opportunity to talk about other writers; talking myself up is an entirely different subject–and I am not sure when or where it will be available to view on-line, but I don’t think I made a fool of myself.

I’ve been wrong before.

And on that note, I am going to head into the spice mines and get to work on that story some more. You have a lovely day, Constant Reader, and I will recap the banquet for you tomorrow.

Holy Ground

I came across the coroner’s obituary last night.

As I typed it, I realized what a New Orleans-like thing it was to say; and it made me smile a little bit. The coroner in question wasn’t currently serving New Orleans; he had retired in 2014 after ten terms in office, and his name was Dr. Frank Minyard. He played the trumpet, and was actually a gynecologist rather than a pathologist. Was he good coroner or a bad one? A little of each, I would gather, based on the obituary by John Pope you can read by clicking here.

But he was, like so many New Orleanians used to be, quite a character. New Orleans has always been a city full of characters, which is why so many people write about New Orleans, and write about it well. Not only can you probably get away with writing anything crazy-seeming about New Orleans; chances are if you dig a little into our history here, you’ll inevitably find crazier shit than anything you could dream up on your own. I have to say I have really been enjoying reading up on our local history here.

Hurricane Sally came ashore earlier this morning, and it had continued turning enough to the east that we didn’t get much of anything here in New Orleans. The panhandles of Alabama and Florida (in particular Mobile and Pensacola) are an entirely different story; my heart sank down into my shoes (well, my slippers) on seeing footage and images from that section of the Gulf Coast. Hurricane season is so emotionally exhausting, really; all that stress and tension and worry, and then when it goes somewhere else the enormous guilt one feels about the relief that your area escaped unscathed while others are losing everything–including some lives–is horrible, just horrible. It’s oddly gray and hazy-seeming outside the windows this morning, with the crepe myrtles and the young live oaks in the yard on the other side of the fence doing their wavy dance thing they do when the wind blows; the sidewalk outside also looks wet so we must have gotten some rain as well overnight, but not enough for me to notice anything as I slept through it all. (That’s the other thing about hurricanes, particularly the ones that come ashore overnight; you go to bed wondering what you’ll wake up to find in the morning–or worse yet, disaster will rip you out of a deep sleep.)

So, yes, this morning I feel very emotionally drained; well rested, but exhausted emotionally.

And then, of course, once the danger has passed, you have to reset yourself and get back to normality–whatever the hell that is, or what passes for it, at any rate.

Yesterday’s entry in the Cynical 70’s Film Festival was The Omen, which was a huge hit back when it was released in 1976 and spawned two sequels, Omen II: Damien and The Final Conflict. I had never seen the sequels, and I think I originally rented the film–I don’t think it played at the Twin Theater in Emporia–but I did read the book (the book was written by David Seltzer, who apparently, according to the opening credits of the film, wrote the screenplay; which came first? I don’t care enough to look it up) and of course, was put in mind of it by paging through The Late Great Planet Earth, which laid the groundwork for the movie. Obviously, it’s about the anti-Christ, who is Damien Thorn; the movie opens with the Robert Thorn (played with an almost wooden-like quality by Gregory Peck) arriving at a hospital in Rome only to be told that the child his wife has given birth to has died; he worries about her mental stability and how she will handle the news–and so a priest offers a substitute baby whose mother died giving birth. (And this is the first place I called shenanigans on this rewatch; one, he is about to start a lifetime of lying to his wife and two–was there any need to tell Robert Thorn his child died? If the idea was to have the Thorns accept the anti-Christ into their home as their child, wouldn’t it simply make more sense to swap the babies, so neither of them knew? Because how could they have been so certain Thorn would accept this literal deal with the devil?) The movie is paced fairly well, and it moves right along–there’s not a lot of gore or blood and guts, but it does beggar credulity at more than one point–and perhaps I am looking at it with jaded eyes some forty years later, but both Peck and Lee Remick, who plays his wife, seem to just be phoning it in for the paycheck and there’s also the element of their age; they seem to be fairly old to just be trying to start having a child at the opening of the movie. (I think the book plays this up more, stating that Kathy Thorn has suffered innumerable miscarriages leading up to this birth and it has shaken her mental stability; kind of hard to do that on film but it certainly would have made his motivation in accepting this needless deception–again, they could have just as easily substituted the baby without having to go through this entire risky rigmarole.) After finishing, I looked for Omen II but it’s not streaming for free anywhere; I then watched The Final Conflict, which was simply terrible (outside of Sam Neill, who was terrific and charismatic as an adult Damien, saddled with an incredibly bad and far-fetched script).

The movie does fit, however, with the Cynical 70’s Film Festival, because here we have yet another conspiracy, one in which some members of the Catholic Church have turned to Satan to try to bring about the end times as well as the birth of the Antichrist–because whereas in the 1950’s and the early 1960’s, it would have been unimaginable for such a film to be made, but also to be believable; who would have ever believed such a thing was possible? Of course, both book and film of Rosemary’s Baby set the stage for The Omen, but both were later 1960’s, when things were starting to change, times were getting more cynical, and so were people. Rosemary’s Baby changed almost everything, both in the world of novels and film, in showing that horror was both bankable and mainstream. The early 1970’s saw the publications, and enormous success, of books like Ira Levin’s The Stepford Wives, William Peter Blatty’s The Exorcist, Thomas Tryon’s Gothic horror masterpiece The Other, and eventually, Stephen King’s out-of-nowhere bestseller Carrie. Soon Peter Straub would publish Ghost Story and Carrie would become a hit movie, triggering a horror revival that brought both the literature and the films into the mainstream. This revival didn’t lose steam until the 1990’s, and frankly, I think horror is on the verge of another revival.

I could be wrong, of course. I certainly have been before, but I am seeing some really terrific work as well as amazing new voices–over the past year alone I’ve read some astonishing work by new-to-me writers, and I only wish I had more time to read everything I really want to. Paul Tremblay is amazing, and so is Bracken MacLeod, Christopher Golden, and Silvia Moreno-Garcia, among others; I’m seeing a lot of new and interesting looking titles being announced or reviewed almost every time I turn around.

I guess today is Wednesday? I am really not sure, living in this weird world that comes with hurricane watches, where it is very easy to lose track of dates and times and what day of the week it actually is. But a quick glance at Weather.com assures me that all the other storms out in the Atlantic basin pose no threat to Louisiana, so I guess we can relax for a little while, at least.

And on that note, tis back to the spice mines.

The Truck Driver and His Mate

And somehow here we are at Friday again. Christ, these weeks seem to last forever, and yet somehow I still manage to get so very little fucking done. It seems as though every Friday morning I find myself staring into the gaping maw of my email inbox, with so many emails to answer and some not only need to be answered by require me to do something; to look something up; to verify something; or make some sort of decision. I’m trying very hard not to make myself crazy (crazier, at any rate) and yet…and other emails are getting pushed down further into my inbox, and I know what I really need to do is reverse the order so that the oldest ones are at the top, but I shudder at the very thought of that. And yet, realistically, I know I have to do that one morning and deal with those emails, because with every day they become that much older.

Yesterday was exhausting. By the time I got home–after making works bags all afternoon for the needle exchange and gathering today’s supplies for condom packing (I have calls to make today, so rather than watching my next selected films–Alien and Aliens back to back on HBO MAX–I will be talking on the telephone as I make my condom packs, at least for part of the day; multi-tasking, as it were). And when quitting time rolls around later this afternoon, rather than curling up with Blacktop Wasteland, as I would much rather prefer, I am going to have to start the heavy lifting on the revisions of chapters one thru ten of Bury Me in Shadows, because in order to remain on schedule with it I need to have that finished by Sunday evening in order to begin work on chapters eleven through twenty.

Heavy heaving sigh.

I wonder if I will ever reach a point in my life where I don’t feel crushing guilt for not responding to emails within five minutes of their reception; for not having the energy after a lengthy day at the office or of doing day-job activities at home to work on my writing or read a book; for not having the drive to get things done, for not always being in motion, for not being, basically, a Stepford wife. My apartment is a disaster area, there’s another load of dishes to be done, and its Friday, the day I usually launder the bed linens. The car has a tire with a slow leak in it, so at some point I need to find the time to head over to a gas station to refill the tire with air, and also need to find the time to take it back into the dealership to have the tire dealt with, as well as have routine maintenance done. I am sleeping deeply and well every night, but so deeply that every morning I could probably, if I could, sleep several hours more and my body harbors a resentment towards my brain for forcing my body out of the bed and pouring coffee down its throat and trying to get some kind of grip on the day ahead. Even as I sit here typing I can see the number changing on the tab where my email inbox is opened; possibly more junk to simply be deleted, but there will inevitably be something in there I need to read, that will need to be responded to, will perhaps require me to think or take some kind of further action.

Partly this malaise I feel this morning is inevitably connected to the relief that the lumps in my pectorals are nothing more than genetic fatty deposits hardening into cysts that do not endanger my health nor require any further action or activity on my part; while I was doing my best to repress those worries and push them down deep into my brain and consciousness, the worry and stress wasn’t gone, and the feeling of relief has released a lot stress I wasn’t aware I was carrying. There’s probably some other sort of cathartic release of pent-up stress and energy I could and should be doing; that might help me get motivated and stop feeling so defeated every day.

And I probably should get back into therapy, if I only could carve that time out in my weeks.

Part of it has to do, I am certain, with the sense that I am not organized; but I am also very well aware that even should I carve a day out to get organized it won’t help at all with the sense of drowning and being overwhelmed; the feeling that I have that each limb and appendage is tied to a horse facing a different direction and someone is about to fire the starting pistol. And yet, even now, as the coffee and caffeine from my first cup courses through my veins and my mind begins to throw off its sluggishness and that melted feeling begins to fade from my muscles, I am aware that all the things that I allow to frustrate me (I wish I had a place where I could spread the manuscript out and piece it back together after tearing it all apart and I wish I had enough space for all my books and I wish I could rearrange my time so that I had time for everything I need to get done and I wish I could stop being so lazy or at least stop imagining and believing that I am lazy and I wish I had more self-confidence and I wish I could I wish I wish I wish) can neither be helped nor changed by simply wishing it to be so, and therefore allowing these immutable, unchangeable facts about my current situation in life to defeat or frustrate me is, ultimately, self-destructive (a regular pattern in my life deeply rooted in my consciousness from being told repeatedly that I was a loser so I started believing it, believed it for years, and revert to that mentality frequently whenever under stress or pressure) and a self-fulfilling prophecy.

So, instead I should be looking back at this past year and what I have accomplished. I have had any number of successes with short stories, giving the lie to the insidious belief that I am not a good short story writer. Just this week I sold another one, “The Snow Globe”; I had two come out in anthologies around the same time (“The Silky Veils of Ardor” in The Beat of Black Wings: Crime Fiction Inspired by the Music of Joni Mitchell and “The Dreadful Scott Decision” in The Faking of the President); I sold “The Carriage House” to Mystery Tribune and “Night Follows Night” to an anthology titled Buried; I pushed myself by writing a Sherlock Holmes pastiche, “The Affair of the Purloined Rentboy,” to The Only One in the World anthology; and my story “A Whisper from the Graveyard” was sold to an anthology I really need to follow up with, as I’ve not heard anything about it in quite some time. I still have two out on submission, but those are both long shots I don’t have a lot of confidence will land–and that is not self-deprecation; both are fine stories, but are undoubtedly buried in piles of hundreds of submissions, hence the strong possibility they won’t be sold. Both stories are works I am pleased with, “Moves in the Field” and “This Thing of Darkness,” and while the short story market has certainly dried up dramatically since I started publishing, I enjoy writing stories and would love to publish more of them.

But I need to get Bury Me in Shadows finished and turned in, so I can get the Kansas book worked on one more time and turned in as well, and then I can get going on Chlorine. I can get everything done that I need to get done, and need to stop allowing negativity to creep into my brain; there’s enough negativity in life already that I don’t need to create my own.

And so I am going to go get my second cup of coffee, and I am going to start digging through the emails. Have a lovely Friday, Constant Reader, and remember–don’t let anyone, especially yourself, hold you back.

Why Don’t We Live Together?

Saturday, I think, right?

God, it was miserably hot yesterday. I know, it’s New Orleans in July; the dog days of summer (I’ve never really quite understood what that meant, honestly; probably something about how a dog pants or something–so hot I was panting like a dog, or something along those lines anyway–it always makes my think about my grandmother’s mutt dog, Shag, lying down in the shade and panting) as it were, but it still does bear comment periodically about how motherfucking hot it is here sometimes in the summer.

I slept deeply last night, and didn’t really want to get out of bed this morning. I’ve been feeling tired again lately–not that horrible exhaustion I had for those months earlier this year, thank the heavens–and yesterday was one of those days again. It may be the heat, which is the most likely explanation, but I am not wanting to go back out into it today either–I am debating the wisdom of waiting to go to the grocery store until tomorrow or even seeing if it can be put off until next week sometime–which is probably self-defeating in some ways; but I also need to write this weekend (since I didn’t do much of that this past week) and I worry that going out into the heat and lugging bags of food into the house will defeat me for the rest of the day (which is always a possibility).

Decisions, decisions.

During our The Faking of the President on-line promotional appearance the other night we were talking about the 1970’s–if I considered myself a child of the that decade, and I actually do; I do remember bits and pieces of the 1960’s, but I turned nine in 1970 and that decade more shaped who I am rather than the 1960′–and as I mentioned yesterday, I’ve kind of started looking into the films of that decade a bit more. I kind of wanted to watch more Hitchcock movies yesterday–I was going to go for some of his 1970’s work, Frenzy and Family Plot, to be exact–but they are no longer on Amazon Prime for free (they were for quite a while) and that interface has also changed again and become even more user unfriendly; I cannot understand why Amazon cannot get its shit together on their streaming service, but came across the original film version of The Stepford Wives, either on Prime or the TCM app on HBO MAX, and settled in to watch that again. It’s a film (and novel) that is firmly anchored in the paranoid zeitgeist of the 1970’s, and fits very well into a reexamination of what was going on in that decade.

As I mentioned on the live stream the other night, the 1970’s were still a decade where wives were still defined as people in terms of their husbands; it was still very difficult for women to get credit on their own (this was actually how the subject came up–student loans and student credit cards), and I mentioned that my mom’s first credit wasn’t actually in her name, but as Mrs. (Dad) Herren. She had been working as long as I can remember, but her financial identity was still as the spouse of my father. The Women’s Liberation Movement began in the late 1960’s–espousing the radical concept that women were actual human beings in their own right and didn’t solely exist in terms of the man in their lives–and the 1970’s was when the stigma of divorce began to lessen; women no longer stayed in bad marriages or with abusive husbands. Rape was still basically a misdemeanor; spousal abuse was accepted and almost expected, and women were very much second class citizens, primarily defined as wives and mothers (this has changed somewhat, but really, not enough). Ira Levin wrote The Stepford Wives as a sort of social satire, but it was no less terrifying as a result; the revenge of men against women’s liberation. (You never hear the terms Women’s Lib or ‘libbers’ anymore) The Stepford Wives basically took the concept of how dehumanized women were to the nth degree; men really only want beautiful women who don’t think for themselves, think they’re wonderful lovers, live for their men and children, and should primarily focus on making sure their homes are spotless and perfect so their men don’t have to worry about anything but their jobs. The film leaned into this fully; I think the best part of the book was the fact that it never really explained what was going on in Stepford; it was alluded to, of course, but the truth was so terrible that the women–main character Joanna and her friend Bobbie–couldn’t possibly imagine what it was.

But seeing the actual Stepford wives, played by actresses, up on screen, truly epitomized not only how horrible what was happening in Stepford was, but how strange it was for Joanna and Bobbie to deal with, strangers who had only recently moved into town. Paula Prentiss played Bobbie–and why she was never a bigger star was something I never fully understood–and of course, stunningly beautiful Katherine Ross played Joanna–which made it all the more terrifying; she was so perfectly stunning and beautiful, how could you possibly improve on Joanna? The film of course couldn’t leave the truth ambiguous and merely hinted at; which was part of the power of the book…you never were completely sure if Joanna was simply going crazy because the truth of Stepford was presented so casually and normally. (Don’t bother with the remake; despite a stellar cast, it’s truly a terrible movie.)

The Stepford Wives, book and movie, both also fit perfectly into the paranoia of the decade; the 1970’s was a time where conspiracy theories abounded; there was a lot of interest in UFO’s and the Bermuda Triangle and Revelations/the end of the world, not to mention after Vietnam and Watergate mistrust of the government and elected officials were higher than ever before. But I also see The Stepford Wives as part of another literary trend/trope of the decade; the 1970’s was also a time when, as I mentioned on-air the other night, that white flight from the cities to the suburbs and rural eras began in earnest (although it was never, in the books, attributed to its real root cause: integrated public school systems and neighborhoods). There are at least three novels I know of that take the white flight to the rural areas (better schools! clean air! zero crime!) and turn them into horror novels–Burnt Offerings, The Stepford Wives, Thomas Tryon’s Harvest Home– where the urbanites discover far greater horrors out in the country than they ever encountered in the city; there are probably more (I am not certain The Amityville Horror fits into this category), but those three would make a great starting point for a thesis/essay. (Interesting enough, both book and movie of The Stepford Wives ends with a throwaway bit about the first black family moving into Stepford; I would absolutely LOVE to see a reimagining of the film by Jordan Peele from the perspective of the black family moving in, because the paranoia of the wife beginning to suspect that all is not right with all these white women who are devoted to housework and their families could also be played with from a racial as well as gender perspective.)

And as I watched the film again yesterday, I realized that my mother, with her obsessions with cleanliness and order, kind of was/is a Stepford wife.

I plan on spending the rest of this morning getting my kitchen/office–horribly out of control yet again–into some semblance of order before diving back into Bury Me in Shadows. I’d like to get the changes necessary done to the next three to four chapters today, and perhaps another four to five tomorrow, which would get me almost to the halfway point. I also need to compile a comprehensive to-do list for the coming week. I also want to spend some time with Blacktop Wasteland today as well.

We started watching a new series last night–Curon, which is an Italian show set in the Tyrol, in a region that changed hands between the Austrians and the Italians numerous times. The town is built on the shores of a lake, where the original town was submerged when the river was dammed; all that remains of the old town is the church’s bell tower, jutting up out of the water. There’s a story that if you hear the bells ringing, you’re going to die–and some seriously weird shit is going on in this town. The show opens with a flashback to the past, when a seventeen year old Anna is hearing the bells ringing and her father orders her out of the massive luxury hotel they live in; she’s not sure but she thinks she sees herself shooting her mother–a nightmare that haunts her the rest of her life. Flash forward to the present, and Anna is coming back to Curon, after leaving an abusive (it’s hinted at) husband with her twin children, now seventeen–Mauro and Daria–from Milan. Her father makes it clear they aren’t welcome there–but when Anna disappears the next day the twins are there to stay. It’s filmed very well, and there are apparently tensions still in the village from the olden days of the war between Austrians and Italians; Mauro is also hard of hearing and wears a hearing aid; Daria is boisterous, outgoing, and kind of a badass; and the teenagers they encounter, both outside of school and in it, are also kind of weird. There’s all kinds of history there, slowly being revealed to the viewer, while the tension continually builds. What is the dark secret of the town of Curon?

I also, while typing that last sentence, realized Curon also fits in with the trope of the urbanites coming from the big city to the country, and discovering far greater horrors there than they left behind in the city.

Interesting.