Tag: The Ditch

Spirit in the Sky

I have written another Alabama story! It will be in the Crippen & Landru anthology Double Crossing Van Dine, which you can preorder right here. My story is called “The Spirit Tree,” which was a lot of fun to write, and am very excited that the anthology will release later this month/early September. I again got an editing credit (along with Donna Andrews and Art Taylor, both of whom do a lot more work than I do on these books), and I do absolutely love that cover.

Isn’t this a great cover?

Turn right on Simmons Road and in a half mile, your destination will be on the right.

Tom Forrester slowed his official State Bureau of Investigation SUV and glanced in the rearview mirror. Nothing behind him but blacktop state highway back to the S curve he’d just negotiated. He flipped on the turn signal and made the turn onto a back road. It stretched out before him, a narrow expanse of red dirt and gravel down to the bottom of a hollow and climbing back up the other side. He was getting a headache and wished again he’d asked for someone to come with him. He’d never been to Corinth County before, hadn’t even driven through it. Yes, it was in his district, but it was remote. At least an hour to the nearest interstate. Outsiders had to want to come to Corinth County to get there.

It amazed him that there were still these random remote counties all over the deep South, seemingly untouched by the outside world.

But the county seat, for all its population of about three thousand, had a Wal-Mart and a McDonalds, and almost every house or trailer he’d seen from the road had a satellite dish either in the yard or affixed to the building. Was anything truly remote anymore?

The road wasn’t wide enough for two cars, so he hoped he didn’t meet anyone coming from the other direction. A cloud of red dust followed closely behind the vehicle. At the bottom of the hollow there was a small stream flowing through corrugated iron beneath the pitiful road. And he noticed a rusty barbed wire fence running along the front of the pine forest on the left side, caught a glimpse of a rusted tin roof surrounded by overgrowth.

It looked…familiar.

Not a bad start, right?

The anthology also has an impressive table of contents:

You can find Van Dine’s commandments (there are twenty) here, if you want to look them up.

Mine was: The problem of the crime must be solved by strictly naturalistic means. Such methods for learning the truth as slate-writing, ouija-boards, mind-reading, spiritualistic séances, crystal-gazing, and the like, are taboo. A reader has a chance when matching his wits with a rationalistic detective, but if he must compete with the world of spirits and go chasing about the fourth dimension of metaphysics, he is defeated ab initio.

So, yes, like I did in the last anthology of this nature that I was in, chose supernatural/occult as my way of breaking said rule. I’ve done this before, of course, in novels; two subgenres I prefer are crime and horror–and I do love crossing/blurring the lines between the two of them.

Several years ago (it may have been last year; my grasp of time isn’t the best anymore) I read a book called Salvation on Sand Mountain, about snake-handlers in north Alabama (I’d also watched a documentary called Alabama Rattlesnake) which reminded me of a bit of country magic. When I was a little boy–a very little boy–I remember visiting someone in Alabama–and there was a small tree beside the front porch, with bottles slipped over the ends and catching the sun in colorful flashes and making tinkling sounds when the wind blew the branches together. I asked, and was told it was a ‘spirit tree,’–the sound of the bottles kept evil spirits and ghosts out of the house. I’d forgotten about it until I read it in the book, and I remembered it all very clearly.

So, I sat down and wrote an opening scene, in which a state investigator is going to a crime scene, and when he gets there, there’s a spirit tree beside the porch. I had no idea what to do with the story–how to finish it, who was murdered and why, etc.–and it went into the files. When I was asked for a story (and a by-line credit) for this anthology, I looked for the supernatural rule, claimed it, and pulled out “The Spirit Tree.”

Yes, it’s another Corinth County story, like Bury Me in Shadows and “Smalltown Boy” and “The Ditch,” not connected to the others by anything other than location, really, but it’s location is pretty much everything!

Hope you enjoy it–and the rest of the contributors are exceptional writers, so I know you’ll enjoy theirs, too! What are you waiting for? PRE ORDERS ARE ALWAYS WELCOMED!

It’s Just a Matter of Time

Sunday morning and the last day of Saints & Sinners. It’s been a lot of fun, if tiring. I headed down there yesterday afternoon in a Lyft, hung out in our suite for a bit and practiced for my reading–I read my story “The Ditch” from School of Hard Knox, and I think it went very well. It was a terrific reading session; Rob Byrnes, Jean Redmann, Marco Carocari, David Slayton, David Pederson and one other person whose name I can’t recall off the top of my head; my apologies because I really enjoyed what he read.I then went back up to our suite and came back down for the anthology launch with Paul. Those readings were also fantastic–and I am looking forward to reading the book more than I already was. I am also the judge for next year, so I’ll be reading a lot of stories in the fall. That will suffice as my volunteer work for 2024, so don’t bother to ask; the answer will be no.

I started reading an old Evan Hunter novel yesterday, Last Summer. It was a book I’d always wanted to read when I was younger, and I was reminded of it sometime during the pandemic, so I got a copy of it and its sequel, Come Winter, from eBay and so I started reading it at long last yesterday. I’ve never seen the film, either; but I do remember Barbara Hershey and Richard Thomas (aka John-Boy Walton) starred in it. It also put me in mind of another trope from that era of publishing; books with teenagers as protagonists (and/or antagonists) were almost always set during the summer, and so many were set on coastal islands–this one, Summer of ’42, A Summer Place, etc. It of course makes sense; teenagers had a lot of free time to get into shenanigans during the summer, especially when they were on a vacation somewhere. I’ve actually fallen into that trope a couple of times myself–Dark Tide, Lake Thirteen–and numerous other stories I would like to tell at some point. I do like the idea of gradually getting rid of all this paper around here by digitizing or disposing of things that I’ll never get around to writing. I don’t want to start writing fast in a frenzied attempt to write everything I want to before I die–and there’s always new ideas, too. But i know I’d really like to eventually get back to that novel where I based the victim on Ann Coulter…hmmm, maybe that could be the next Scotty. That’s actually a very good idea. Hmmmm.

It’s so nice to be around writers. It really is a balm for my soul. I did write some yesterday morning, but I am not going to even try today. I am very tired–I’ve done a lot of walking this weekend–and of course having to be “on” is tiring. The truth is I am not at 100% yet, much as I want to believe that I am, and there’s nothing wrong with that. One exciting development of the weekend is that I experienced no stress, anxiety or stage fright for my reading yesterday. Not only was I calm and not sweating buckets, I was actually able to relax and enjoy the experience. I don’t think I’ve ever done that before? It was wild. I’ve actually been relaxed the entire weekend; I don’t believe I understood before how much my anxiety impacted me at events like this. Having a calm and quiet head is a lovely thing, and now that the creativity has come back, I might actually start enjoying my life again.

I’ve also been spending a lot of time reminiscing about past S&S weekends, too; remembering how it all started, how much of it was done on a fraying shoestring because there was no money for it, and held in donated spaces at gay bars. It also used to be in May, so the weather was a LOT hotter. Paul and I used to always get the pool suite at the Olivier House for our home base, and people always used to wind up in our room later in the evening to drink and socialize and have a lot of fun. I couldn’t do that now–as it is, i stayed up past my usual bedtime Friday night and paid for it all day yesterday (legs are tired today, too). I also came up with a title for my memoir should I ever try to write one: Unreliable Narrator.

And LSU won the SEC women’s gymnastics championships last night in very dominant style. They weren’t as on as they usually are, and still set an incredibly high score and really have the potential to win the national title this year, too. And the US had a great outcome at the World Figure Skating Championships, winning two golds (men’s and ice dance) and a silver (women’s).

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll most likely see you tomorrow.

A Big Hunk o’ Love

Saturday morning and I slept late, and feel a bit fatigued. I graduated from PT yesterday, which was awesome–but I’ll miss going. I really liked my therapist.

I headed down to the Quarter in a Lyft yesterday after finishing my work-at-home duties, and didn’t have time to write yesterday, which I hope to do this morning. We (Paul) have that lovely suite up on the fourteenth floor of the Monteleone again–but of course I come home every night to take care of Sparky (who was waiting in the window when I got home). I went to the opening reception at the Keyes House in the Quarter (it’s called BK House now instead of its old name; in which the B stands for the general who started the Civil War–he was from New Orleans), which is an absolutely beautiful space, and I just realized I didn’t take any pictures, which I should do more of today and tonight. After the reception, where I ran into any number of delightful people (namedropping here–but amongst those I ran into were Rob Byrnes, Carol Rosenfeld, Amie Evans, Eric Andrews-Katz, Susan Larson, Trebor Healey, and Margot Douaihy), I went to eat (well, to watch them eat) with Steven Reigns, Karl (K. M.) Soehnlein, Marco Carocari, his husband Mark, and Trebor Healey. We went to that bar that used to be Yo Mama’s but has a different name now. It was lovely going down memory lane with Steven over all the years of Saints & Sinners, and remembering how it all happened in the first place all those years ago. Twenty-one years now, which is pretty amazing for a queer lit fest.

Then again, I married a pretty remarkable person.

I have to read today, and I think I have settled on my story from School of Hard Knox, “The Ditch,” because it’s an Alabama story and I can pull out my accent for it. Maybe not at first, but as I get into the story more, absolutely. I’ll also need to rehearse a bit this afternoon before I head down there again. I think today I’ll wear more sensible shoes than I did yesterday, so I can take the streetcar down and walk home at the end of the evening. It’s a lovely walk and the evenings are so cool and temperate…I really wanted to walk home last night rather than taking a Lyft home, but my shoes–I was wearing my new black-and-white saddle shoes, and I worried about walking all that way in them. Not that they would be uncomfortable, but the wear-and-tear on them for that long of a walk–that’s what my Adidas are for. I also noticed on the way to the Quarter in a Lyft (thanks, Tedzin, for the ride) that the Appellate Court building on Camp Street was named for John Minor Wisdom, who’d served there with distinction for over twenty years; it just struck me as funny yesterday that a Federal Appellate court building was named minor wisdom, which I am going to have to use in a book sometime.

I also did some chores and filing and straightening up around here yesterday, so the workspace is a lot less cluttered and a lot more functional now. I’ve also decided on a major project for this summer–getting rid of paper files. I don’t need a paper file for anything that isn’t really something in progress right now, but it’s also a massive undertaking that would require going through all the files…and there are so many files…but condensing them and cleaning out the files that I don’t really need much anymore would also make the workspace more functional and the apartment far less cluttered looking. I have so many ideas I won’t be able to write them all unless I not only live to well over a hundred but don’t get any NEW ideas for the rest of my life.

I think it’s safe to assume that’s never going to happen.

Sigh, I also have to start pulling my taxes together for my accountant. Sigh. What an odious chore, but like I’ve always said–there’s nothing more patriotic than paying your taxes so the country continues to be funded. That doesn’t mean I don’t take every deduction I can and try to get the bill down as much as possible, but I don’t ever complain about paying taxes. I kind of like paved roads and infrastructure and so forth. Call me a libtard; I wear it as a badge of honor–unlike the con(servative) artists out there, or the cosplay Christians who missed all the important messages of their religion to be better people.

And on that note, I think I am going to go sit and read for a bit before I amp up for writing. Have a great day, Constant Reader–I doubt I’ll be back later, but stranger things have happened.

Sorry (I Ran All The Way Home)

It’s raining.

Sparky was cuddling with me this morning in the bed as I took my time deciding whether the siren song of the comfortable bed and blankets was resistible when I heard thunder and that decided me. I do think I will take advantage of this gloom and the falling rain and the thunder to read some more of my book this morning (The Cook by Harry Kressing) before diving into an exciting day of writing and cleaning. Yesterday I ran some errands–Lowe’s and Rouse’s–before coming home and getting back into the filing and cleaning. I got us a pizza for dinner, and when Paul got home we watched two more episodes of The Tourist, which I am really loving (despite the fact there have been no gratuitous shirtless shots of Jamie Dornan, which seems a shame and a waste). Oh, and the Saints and Sinners program is available here. I am moderating a crime fiction panel with a powerhouse panel, and I am also doing a reading. I’m not sure what I will read from, but I am leaning towards my short story “Moist Money” or “The Ditch.” Guess I should start rehearsing. Or getting ready to moderate the panel. Maybe later.

“The procrastination is strong in this one.”

But once I finish this and make myself some breakfast, I am going to take my coffee into the living room and read some more for a little while before getting cleaned up and heading back into the spice mines. I feel like I can get some good work done today. Paul will probably get up later today, and we’ll probably finish watching The Tourist, which is a fine and lovely way to spend the day, methinks. I also need to finish up some filing and emptying out my inbox, and before you know it it’ll be bedtime. I had hoped to barbecue today, but if the rain doesn’t let up that’s a no-go, alas. I also bought a new grill yesterday (Lowe’s) which needs to be assembled and the old one disposed of; I also bought blinds for the window which I fear might be too small. I am debating whether I should try to put them up myself or ask Sam our handyman to do it when he works on the windows (he’s trying to unstick them so I can get fresh air into the house), The desk and the computer need to be moved before hand, of course, which is a problem…but I also have a laptop and an iPad with a keyboard, so I have no excuse for not writing when I’m in the chair, do I? And yet…

I do feel good this morning, rested and alert and awake and raring to go; we’ll see how long that lasts. It’s very gray outside, which means we’ll most likely be getting rain for most of the day. Which is okay; I can make something else with the ground sirloin in the fridge, and I am adapting, always a good sign–I used to get so unsettled by a change in plans for the day that I’d inevitably wind up doing nothing, which was not a good thing.

I’m also thinking about what I want to do for the rest of the year, and with my career for the rest of my life. It’s weird to think in those terms, isn’t it? But I am also getting to the point where I am having to start thinking in terms of well, if you die, which idea will you be most disappointed in not writing? And this is tricky, because I am always getting new ideas that sound terrific. It’s really important, at least to me, that I spend the rest of this year finishing things in progress and getting them out of my hair. I know I want to write about both Alabama and Kansas again, and probably a New Orleans ghost story I’ve been wanting to write for a very long time now. I have a book that has about 40k done on it, but will need extensive revision and at least another 40k.

And who knows? I may even bring Chanse back ONE MORE TIME–but don’t count on it.

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I’ll probably be back at some point later.

Sweet Time

And it’s New Year’s Eve.

I slept well last night but my blankets were all tangled up this morning, indicating the sleep was more restless than it has been for weeks. I also wasn’t in the mood to write my blog when I first woke up, so I decided to read, drink my coffee, and maybe have some breakfast before getting cleaned up. I usually write this over my morning coffee, and since I don’t reread or re-edit once it’s written, that could explain the run-on sentences, word repetitions, and occasional poor grammar no one ever points out to me. This blog began nineteen years ago (!!!) on Livejournal (the anniversary was 12/26), migrated over here in about 2016 or so, and still somehow keeps chugging along. It always surprises me that people read it, to be honest. It was always meant mainly for me, and was originally intended as a daily exercise to get me writing again. I guess it worked. When I started I had published four novels, a few anthologies, and some short stories. Nineteen years later, I’ve way surpassed that total, despite some fallow years in which I produced nothing.

I did some more picking up around here yesterday while watching football games. It was fun watching Mississippi beat Penn State, and don’t even get me started on the Florida State-Georgia game. I get the disappointment at not making the play-offs, but you also knew you were scheduled to play Georgia, another team disappointed in not making the play-offs, but instead of showing everyone that the committee was wrong and showing up to beat Georgia…and Georgia also had star players injured and over a dozen opting out and even more entering the transfer portal. This would have been a play-off game had either Auburn or Georgia beaten Alabama this year, but that’s how things go. Auburn went 13-0 in 2004 and wasn’t invited to the BCS title game. You don’t always get what you want in life or sport, and the question is how you handle that. If this was going to be the case, don’t accept the damned bowl bid. Your fans spent a lot of money to go to that game, and it was incredibly disrespectful to the team, the fanbase, and the university to show up and get embarrassed like that. After Coach O was fired in 2021, LSU went to its bowl game with 39 scholarship players and got trounced by Kansas State….but how does it appear in the record books? KSU 42, LSU 21. Twenty years from now when people look back at the history of college football and bowl games, it will read Georgia 63, Florida State 3. It’s a program and culture problem, and all the FSU fans apologizing for this disgraceful beating–do you quit when you don’t get a raise or promotion you worked hard for and feel like you deserved? The word for that is quitter…and for the record, Georgia played it’s back-ups, walk-ons and so forth in the second half and still beat your ass 21-0.

And if LSU went 12-0 and didn’t get picked for the play-offs…and pulled the same shit? Sure, I’d be angry about the play-offs but I’d also call out the Tigers for embarrassing the state and the university that way.

I’m really enjoying Danielle Arsenault’s Glory Be, and am savoring every word. What a fresh and unique voice! I have to say I am so glad I realized I needed to be better about my reading choices and should read more diverse writers. It’s been a great education for me as a reader, a writer, a person and a citizen. I’m still learning how to be better about race and gender and gender identity and sexuality; and I strongly encourage other readers to do the same. Crime fiction is so much stronger and healthier when it represents everyone, I think, and while I don’t consider reading diverse writers to be the total education I need on any social issues facing the country–I need to read more non-fiction and theory.

I rewatched The Birds yesterday after the football games, and it was pretty much as I remembered it. I’d only seen it twice before; originally as a child edited for television, when it frightened me so badly that I had nightmares (I was prone to them growing up) and for years could never see crows on a jungle gym or a wire without feeling uneasy and then again as a rental in college after I’d read the short story again and wanted to see how faithful the film was to the story. I didn’t care as much for it the second time around–the acting is really terrible and so is the script–but the suspenseful parts still held up and were scary. This third time around confirmed my second viewing; and I noticed some other flaws in the picture. Rod Taylor’s mother isn’t much older than he is, and why is there about a thirty year age gap between him and his sister? I think the short story is better than the film, but I can also see why people like it. I do consider it one of Hitchcock’s lesser films.

Since tomorrow is a day for thinking ahead and coming up with some goals for the new year, I suppose today should be a recap of sorts of this past year. It was, as I mentioned in a previous entry, a rather up-and-down rollercoaster of highs and lows with very little level ground in the middle. The recognition of mainstream award nominations for my work–even queer work–was a delightful surprise this past year. But even more important than that is I think my work is getting better. I had felt, some years ago, that my writing was becoming stale and that I wasn’t growing as a writer anymore; I’d become stagnant and that was one of my biggest fears. I wound up deciding to take some time away from writing books on deadline and write things just for me, things that I wanted to write but also wanted to take the time to do correctly. It was during this time that I worked on both #shedeservedit and Bury Me in Shadows in early drafts, and also started the novellas and working more intently on my short stories. I accepted the challenge of writing stories to themed anthologies, and produced some terrific ones of which I am really proud. When I dove back into series work with Royal Street Reveillon, I wanted to write something non-formulaic for the Scotty series. I also wanted to shake things up with Scotty a bit, as the series was getting a bit too comfortable and safe for me. Royal Street Reveillon certainly was neither comfortable nor safe, and neither was Mississippi River Mischief.

Bury Me in Shadows was not easy for me to write. When I went back to the book after setting it aside for awhile, I realized several things: I couldn’t ignore race and racism, I had to address the Lost Cause narrative, and I also had realized while doing more reading and research that the stories my paternal grandmother used to tell me about the Civil War and Alabama and the family were apocryphal stories you can turn up about almost everywhere in the rural South. The book wasn’t working, in fact, because I was trying to elide those issues because I was afraid of doing it wrong…so it pushed me to do better. And actually addressing those issues made the book easier to write. The same thing was true of #shedeservedit; I’d been working on this book in one form or another since I actually lived in Kansas. But again, I realized when I went back to it that what I was doing didn’t work because I wasn’t going there with toxic masculinity and rape culture because it wasn’t personal enough for my main character, and so I bit the bullet and made it more personal for him. It dredged up a lot of memories, some of them painful, but it also made the book better and stronger. I had been wanting to write a cozy for the longest time, and decided to try it for something different and new–and that became A Streetcar Named Murder. I was also very pleased with it, even though the deadline and the turnaround on it was a bit insane…but I still managed to take my time and turned it into something I was proud of when I got the final author copies.

My two releases of this year–Death Drop and Mississippi River Mischief–are also books of which I feel proud. I also published three terrific short stories this year: “Solace in a Dying Hour” in This Fresh Hell; “The Ditch” in School of Hard Knox; and “The Rosary of Broken Promises” in Dancing in the Shadows.

I think I’m settling finally into an acceptance that I am pretty good at what I do. I may not have the master’s or PhD in creative writing or literature of any kind; but I’ve never really wanted to be an academic writer. I never wanted to be Faulkner, but Faulkner did inspire me to interconnect novels and stories in my own fictional world (also Stephen King). I would like to do some non-fiction studies of genre and writers I enjoy, but in an accessible rather than academic way. Academics used to make me feel stupid and uneducated, and I also used to envy those writers who had that kind of background because I felt it made their work stronger than mine, or gave them insights into writing and building a novel that I’d never had, which made me and my work somehow lesser. But that wasn’t on them; that was on me. I was the one who felt inferior and lesser, not talented or good enough. That chip was on my shoulder and I was the one who put it there. My peers actually consider me a peer, and newer writers look at my longevity and my CV and are impressed by the prodigious output, if nothing else. I used to think all the award nominations were kind of hollow because I so rarely won; which was incredibly ungracious because some writers are never nominated for anything…but it doesn’t mean their work isn’t good. Now, I just find myself grateful to make a short-list of five out of all the possibilities for that slot, you know? I’m lucky, and I’m blessed.

I’ve reflected a lot on my life and my career this past year–Mom’s death had something to do with that–and I’ve identified, in many cases, why I am the way am by remembering the event that triggered the response in my brain of “okay, never want to experience that again” which led to so many self-toxic and self-defeating behaviors. But the bottom line of it all is I’ve finally accepted myself for who I am, have determined to stop self-deprecating, and take some pride in myself and my career and my life. I know the most amazing people and have the most incredible friends. I have a day job where I make a difference in people’s lives. I have an awesome life-partner, an enviable writing career, and I get to live in New Orleans.

Not bad, right?

(It’s Going to Be a) Lonely Christmas

Merry Christmas to those who celebrate, and if you don’t–well, happy Monday off!

Yesterday was not a good day. I woke up feeling like crap, and it never really got much better until later in the day, when I realized it had started raining during the night. It rained all day, actually, and I was so tired and dragged out and felt so terrible that I didn’t put it together until late in the afternoon–oh, this is SINUS related, because of the rain–and took a Claritin-D, which made me feel somewhat better. I also slept super good and slept in, too. I did manage to get some things done yesterday too–I finished reading Buried in a Good Book (more on that later) and started reading another one. We also finished watching both Looking the series, and then watched the wrap-up film (more on that later as well). I am going to pick out my next read, spend some time with it this morning, and at some point today we are probably going to watch Saltburn. I also have to put the turkey breast in the slow cooker (pulled turkey is quite delicious) and put dishes away, but I also have tomorrow off, so am not overly concerned about getting things organized and cleaned up. I worked on the books some more and pruned some more out, and started learning how to use the microwave–which does make a difference.

Christmas is usually when I started looking back on the year, and 2023 was a bit of a rollercoaster for me (they usually are). My personal life really sucked balls this past year, but it was a very good year for me professionally. The year started with me behind on two deadlines, but I managed to get both books finally finished and turned in, once I was able to turn MWA over to my successor, which was part of the delay on the books. In late January I injured my arm, and got misdiagnosed by my primary care physician. As we rolled into Mardi Gras, Mom had a massive stroke and I drove up to Kentucky to see her one last time in hospice. She didn’t really know me, she was pretty much unresponsive unless she was in pain, and it was rough. I drove home that Sunday, and she died on Valentine’s Day, so I had to drive up to Alabama that last weekend of Mardi Gras for the funeral. Not going to lie, it was tough losing my mother, and it’s been tough all year. I have sublimated most of my grief into worry about Dad, frankly. I went up and met him in Alabama for their anniversary, and we convoyed up to Kentucky, where I stayed for a week. I met Dad at my aunt and uncle’s place in Panama City Beach in October for their birthdays. When my primary care finally recognized what was wrong with my arm (torn biceps), I got referred to a orthopedic surgeon–but I needed a specialist. I had all my teeth removed finally in September, right after Labor Day, but didn’t get my new teeth until the week before the arm surgery, so was on a soft diet for two months which sucked….and then had to go back on it after the surgery because I couldn’t really cut up food. I also got hearing aids, which was great and has helped dramatically.

I also finally realized what the core mental issue was, thanks to a conversation with Dad–when I found out she suffered from generalized anxiety disorder and the light bulb went on over my head: that is exactly what is wrong with me, and all these years what I thought was “normal” because I didn’t know any different and I just always thought I was like Mom…yeah, I am like Mom, and all these years all I’ve been doing is treating symptoms and not the root cause. In consultation with my new primary care doctor, I weaned off the old medication and started treating the anxiety and the insomnia (anxiety related) properly, and it has made such an amazing difference in my life. I think more clearly, and I can analyze myself better. I’ve also started thinking about how most of my life I’ve tried to avoid confrontation (like Mom) and whenever something has happened that hurt me…well, I’ve tried to avoid those kind of situations again. My trust issues come from the anxiety and being hurt before, and I also realized that my socialization as a child was delayed and/or stunted because of being unable to control my brain. I had undiagnosed ADD as a child, and I feel pretty sure that’s carried over to my adulthood, as well. I couldn’t focus or concentrate because I didn’t know how to shut my brain off or keep it until control. The only time I could find peace, really, was reading or writing.

Professionally, I started off the year by getting nominated for a Lefty for Best Humorous for A Streetcar Named Murder, which was a very pleasant surprise. I debated going, but the timing was bad and with all the traveling I was having to do for family stuff, I had to conserve and preserve paid time off. This was followed up by an Agatha nomination for Best Children’s/Young Adult for #shedeservedit, and this time I did go. I lost to Enola Holmes, but I also became friends with Elizabeth Bunce (we’d been nominated together for an Anthony the year before) and Frances Schoonmaker, who was an absolute delight. I was nominated for three Anthonys at Bouchercon this year–Children’s/YA again; anthology for Land of 10000 Thrills, and Best Humorous for Streetcar again. None of those nominations ended with a win, but for me the nominations alone were the real win. I never ever thought I would be shortlisted for mainstream mystery awards, and what a delightful surprise.

I did publish two novels this year–a new series debuting with Death Drop, and the ninth Scotty, Mississippi River Mischief. I also got an (undeserved) editorial credit for School of Hard Knox, along with Donna Andrews and Art Taylor, for publisher Crippen and Landru–which meant working with my dear friend Jeffrey Marks. I have a story in the book, too–“The Ditch”–which was something I’d been working on forever. I also published two more short stories, “Solace in a Dying Hour” in This Fresh Hell, and “The Rosary of Broken Promises” for Dancing in the Shadows. I’m pleased with both stories, but I also need to get more. I have any number of incomplete projects that are nagging at me that I would like to finish in the new year. SO MANY PROJECTS.

But I feel good today, and very rested. I’d intended to take today as a do-nothing day, but I will probably do stuff because I am not really wired to not do anything all day.

And on that note, I will wish you happy holidays for the moment and head into the…well, not the spice mines, but perhaps a spice resort?

If We Make It Through December

I finally slept last night, and it felt amazing. I could have easily stayed in bed for another two or three hours, but that 9-to-5 is calling to me (well, 7:30-4:30, but you know what I mean). I was worried that I was getting sick–surgery recovery, medication changes, not being able to sleep, dehydration, occasionally feeling slightly feverish, and some occasional nausea (while eating, so I wasn’t eating as much, either. My COVID tests were always negative (still are, this morning), so I have to put it down to simply being exhausted from not being able to sleep, because this morning I feel good, if a bit sleepy. Everything was dragging ass last night when I got off work; but I made myself run the needed errands on the way home, and thus today I am really delighted to know that I can come straight home from the office and get caught up on some other things. I also did some chores, despite feeling like I was at death’s door by the time I got home. (And I am so glad I bought that wagon; it makes life so much easier and I will continue to use it even after the brace is gone and my arm is healed.)

Insomnia is the worst. I don’t know how people who have it chronically manage, seriously. One night is bad enough, but a couple of nights in a row is enough to completely derail me, so I cannot imagine having it every fucking night. I mean, it wouldn’t really take much to drive me over the edge anyway–I always have such a delicate grip on my sanity as it is, without having further contributing factors. I was too tired to read last night, so I figured doing chores was the right way to go with everything last night. I did think about the new book I am writing, so even though I didn’t add to my word counts yesterday, I did think about where the book needs to go, and thinking about what I am writing and puzzling out the plot and where the book needs to go next counts. We also finished Big Vape last night, which was really interesting and made me think about a lot of things, and started A Murder at the End of the World while we wait for Prime to drop season two of Reacher, which is finally launching this Friday (huzzah! I love Alan Ritchson, and have since he first appeared as Aquaman on Smallville), and of course the bowl games are also starting this weekend–but there really aren’t many this early that I care about watching; most of the bowls end up serving as background noise while I do other things–clean, prune the books, write in my journal, read, edit pages–but seriously, now that I’ve slept well for one night, I feel like I can conquer the world again, and I’ve not felt that way in a very long time. It’s a nice feeling, really.

This year has been, as I said, a rollercoaster that doesn’t seem to be coming back to the station any time soon, and this wild up-and-down ride this year has made me reflect on who I am, why I am who I am, and reset my brain and attitudes about a lot of things because once I realized oh this is why you’re like this and that and so forth I could dissect, and rethink those attitudes–a lot of which was childhood training about how to approach life, which I inevitably took to extremes. Be humble and don’t brag became self-deprecating to the point that I would think or say things about myself or my career that would be horribly offensive if said by someone else…because in my chemically-unbalanced brain, criticism won’t bother you as much if you preempt it, which is the same weirdly off mentality that led to the complete lack of self-esteem about my body and my looks and my intelligence and well, pretty much everything….which means that I was always looking for affirmation from others, and when it didn’t come, it simply confirmed the negative things I was thinking and/or saying about myself.

There’s nothing wrong in being proud of yourself; as my friend Laura says, “Sing out, Louise!” because the obverse of the way I think about negative commentary (“need to fend this off by beating them to the punch”) also works the other way–“If I don’t believe in myself, why would anyone else?”

And I am proud of myself, and the writing career I’ve somehow managed to blunder and stumble my way into. As the tarot card reader told me when we first moved to New Orleans twenty-seven years ago, I did become an author but it’s nothing like I ever dreamed of, imagined, or considered possible. I’ve written so many books, short stories, essays, book reviews, blog posts, and edited so many anthologies that I am not even sure how many there are now–and it’s even more than most people know, because there are pseudonyms I’ve never publicly claimed and books that were ghostwritten or work for hire under a veritable plethora of other names. I think my last six (!) books (Royal Street Reveillon, Bury Me in Shadows, #shedeservedit, A Streetcar Named Murder, Death Drop, and Mississippi River Mischief) are some of my best work, and the last few short stories to come out (“The Rosary of Broken Promises”, “This Thing of Darkness”, “The Affair of the Purloined Rentboy”, “Solace in a Dying Hour”, and “The Ditch”) are also some of my best stories. I am very pleased with how I’ve grown and developed in my writing, and I want to continue to grow and develop and keep getting better. My biggest fear is that my best work is behind me and I’ll keep going, getting worse with every new project until finally no one is buying anything I write anymore. I’d still write, anyway–I’ll be writing on my laptop on my death bed, and they will have to pry it from my cold dead fingers–and probably self-publish or something.

And on that note, I am heading into the spice mines on this cold morning in New Orleans. Have a marvelous Wednesday, Constant Reader, and I’ll check back in later.

A Hard Knock Life

Tuesday night as I talked with Jean, Candice and Harry about my two latest books I suddenly realized–towards the end of the conversation–that technically I have a third book out in current release with my name on the spine.

To wit, this marvelous anthology:

Which, if you like, you can order right here! There are two options to choose from–the clothbound special edition with the cover page signed by all three of us, or the less expensive paperback. I believe there’s also an ebook option.

And look at this table of contents:

How is that for some amazing company to be in, eh? Not to mention the co-editor credit with Art Taylor and Donna Andrews, who are as equally lovely as people as they are insanely talented writers (and highly intelligent people). I mean, my story is sandwiched in between stories by Martin Edwards and Naomi Hirahara, for fuck’s sake.

Rarified air, indeed.

So, who is this Father Knox, and what are these commandments that had to be broken?

Father Knox himself

Father Knox was an early twentieth century mystery writer, who was also a member of the Detection Club, along with contemporaries like G. K. Chesterton and Agatha Christie–speaking of rarefied air–and he came up with the ten commandments for mystery novels:

  1. The Criminal must be someone mentioned in the early part of the story but must not be anyone whose thoughts the reader has allowed to follow.
  2. All supernatural or preternatural agencies are ruled out as a matter of course.
  3. Not more than one secret room or passage is allowable.
  4. No hitherto undiscovered poisons may be used, nor any appliance which will need a long scientific explanation at the end.
  5. No (outdated racist term for someone of Chinese ancestry) must figure in the story.
  6. No accident must ever help the detective, nor must he ever have an unaccountable intuition which proves to be right.
  7. The detective must not himself commit the crime.
  8. The detective must not light on any clues which are not instantly produced for the inspection of the reader.
  9. The stupid friend of the detective, the Watson, must not conceal any thoughts which pass through his mind; his intelligence must be slightly, but very slightly below that of the average reader.
  10. Twin brother, and doubles generally, must not appear unless we have been dully prepared for them.

I mean, how fun would it be to write a story breaking any of these rules, let alone a book doing so (hmmm, tempting–this would be a great fun thing for a Scotty adventure)?

I chose commandment two: all supernatural or preternatural agencies are ruled out as a matter of course, so I wrote a suspense story that may (or may not) have a supernatural agency involved; “The Ditch,” which is also a Corinth County story and one I am particularly pleased with.

I am going to begin reading the anthology, perhaps a story a day, as part of my Short Story Project (always ongoing) as well as to help promote the anthology, which has as fine a collection of contributors as I’ve ever been associated with.

And the book itself? Gorgeous.

A Song in the Night

Sunday morning after a satisfactorily relaxing Saturday, in which I watched a lot of college football while doing chores and picking things up and so forth. For those of you keeping track of the soft food diet, last night I tried mashed potatoes as a meal and it was rather filling, yet not satisfying. I was fantasizing yesterday about corn dogs and fish tacos and cheeseburgers and almost every kind of solid food imaginable at some point during the day, only to sigh and get another yogurt or protein shake in a box.

LSU played very well yesterday, winning 41-14 over Mississippi State in Starkville, which meant listening to those fucking cowbells all through the game, but I don’t know what that win means, if anything. Yes, it means LSU is now tied for first place in the West, but what does it mean for how good they are? LSU has been very dominant in its last two games, but Grambling State was very much outmatched and no one really knows how good or bad Mississippi State is, either. They always manage to play better than expected when they play LSU, and there have been some insanely close games as well as the occasional MSU upset win–and by quite a lot. I’m cautiously optimistic about the rest of the season for LSU, but my expectations aren’t high; I’ll be glad for whatever we get that is good this season. It’s nice to beat the Bulldogs in Starkville decisively. Was Florida State just a really good team and LSU played sloppy so had no chance? It’s also possible. Georgia didn’t look invincible yesterday against South Carolina, and neither did Alabama at South Florida. The Florida blowout of Tennessee annihilated any hopes they may have had of winning the East this year–I can’t see how they’ll beat Georgia, and Alabama, which is the only way it’s possible for them now. Another Tennessee loss will be fatal to their hopes for a big season–and they also have to play at Alabama….who also is looking a little shaky this year. I think the SEC is wide open this year, and Georgia is still the favorite, but maybe not as resoundingly as I had thought. Interesting.

So, as I said, the rest of the day was anti-climactic. I continued on my soft food diet, while fantasizing about solid food, and my mouth waters at the thought of what I’ll be able to eat once my mouth has healed. This may also be the last time I’m ever on a liquid/soft food diet, and certainly not for the length of time this is taking for me. That helps me get through the day, believe me–and those are the straws I am grasping at this point. It’s not really been that bad, but I think a diet that is so heavy in protein and fat can’t be that good for me so I am going to force myself to eat more of the baby food, which is dreadful. There’s a weird chemical aftertaste to it that I can’t quite figure out, but it’s nasty. At least the servings are small. I did eat mashed potatoes for dinner last night, which was just weird. Today I think I am going to make chicken noodle soup for lunch; I think I can handle the noodles somewhat, and that will be a good benchmark to see what I can and can’t have in terms of more solid food. I mean, maybe mac-and-cheese could happen at some point, you never know. I do have some things to do that I’ve been (as usual) putting off until the last minute, so there’s no other option than to do them today. It’s fine; there’s no Saints game to distract me or sideline me (they play tomorrow night) and I am conflicted about them; they are my team, but this week I found out our new quarterback is a COVID-denier and anti-vaxxer–at least as far as the COVID vaccine is concerned. I had started following him on Twitter (I refuse to call it X, fuck off, Musk), and then I saw him retweeting something questioning the WHO and the vaccines, etc. and thought, yes, because you got your degree in epidemiology and infectious diseases at Fresno State? I unfollowed and blocked him. This is tough for me, really. I never really felt the same about Drew Brees after he partnered with the homophobic American Family Association to promote “bring your Bible to school day”–which sounds sweet and innocuous….unless you aren’t a Christian. The fact that he and his team failed to do any vetting on AFA before agreeing to work with them was incredibly troubling; his reaction (“I’m not a bully! I support everyone! How dare you criticize me!”) made it worse. There was no humility there, just anger at being doubted or questioned, which belied the “humble act” he’d been playing since signing with the Saints. To me, that failing lessened him in my eyes because I’d admired and liked him as a good person for so long. No doubt, he did a lot for New Orleans and he still has charities and programs here his foundation runs–but the Brees family moved back to Texas shortly after he retired as well.

So much for his lifelong commitment to New Orleans. That also stung a bit. So, yes, while the bloom was off that rose even before he retired, I suppose I could have eventually gotten around to getting past it and excusing the AFA connection–if not for them leaving New Orleans. This city literally gave them everything they have…and once the city had finished giving them everything, they left when there was nothing left to squeeze out of the orange.

I’m petty that way. I love New Orleans, and don’t even think about disrespecting the city unless you live here. Only residents of the city have the right to complain–the rest of you don’t have to come here, and please, feel free to keep your sorry asses at home if you aren’t going to love and appreciate New Orleans for all that she is.

I was also realizing, as I watched the games yesterday (won’t lie, I always pull for upsets except for LSU early in the season; my allegiances and loyalties shift as it progresses as LSU works through its schedule and who LSU needs to win and lose changes every weekend), that I should be taking advantage of this contract-free state in which I find myself to work on other things and maybe get them ready for either submission or publication? I’d like to get my short story collection finished by the end of the year–I think some of my stories that are published might not be available for it, like “The Ditch” and “The Snow Globe,” and if I finish revising “Whim of the Wind” and the anthology I am working on it for takes it, that will also take it out of consideration for the collection. I know “Death and the Handmaidens” will never be picked up for publication outside of one of my own collections, and that’s fine with me. It’s a bit flawed and needs cleaning up, of course, but it’s a good story with a strong foundation that just needs tweaking. I finally have let go of my ridiculous notion that “Whim of the Wind” was perfect as written and only had one small flaw that needed fixing; I am still proud of it as the first story I wrote that a college professor and a writing class thought was good and publishable of mine, so it will always be that landmark story in my writing career, but revising and rewriting and changing it isn’t some incredibly unpardonable sin for me, you know. I also want to revise and finish “The Blues Before Dawn,” “Parlor Tricks,” and “Temple of the Soothsayer.” That should be my goal for this week–as well as starting the revision/re-edit of Jackson Square Jazz–and emptying my email inbox.

And there are other things, too. So much, as always, that one Gregalicious always seems to have on his plate. I also started writing up interview posts, based on panel questions from Bouchercon in San Diego, which is always fun.

And on that note, I am getting another cup of coffee before heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may check in with you again later, if not tomorrow.

Alabama Pines

I sometimes wonder how dramatically different my life would be had my parents not migrated to Chicago when I was a child to provide us with a better life than we could expect in Alabama. I’ve always been somewhat grateful to them for this, because I can’t imagine or fathom what growing up in the rural South would have been like for teenaged gay Greg; Kansas was bad enough. But my heart will always have a place in it for the state I was born and where my parents grew up (and will both eventually be buried), and whenever I mine Alabama for fiction, it always comes up roses.

I was enormously pleased and flattered to be asked to participate in the Crippen and Landru anthology School of Hard Knox, and the last thing I was expecting was to get a co-editing credit. Art, Donna, and publisher Jeffrey Marks (a fine writer in his own right; check out his novels and short stories) did the majority of the heavy lifting; my contributions were more along the lines of sending an email cheering the others on or giving a thumbs up/thumbs down to a design question.

If you’d like, you can preorder a copy right here.

The premise of the anthology was that Father Ronald Knox, a scholarly clergymen, had come up with the ten commandments for writing crime fiction during the Golden Age, and each of us could chose a commandment and write a story breaking it. Obviously, it was pretty clear to me that Rule 2 was perfect for me:

All supernatural or preternatural agencies are ruled out as a matter of course.

And I knew precisely which story in the archive I could revise and rework to break this commandment and fit perfectly into the book, “The Ditch.”

I also cannot believe who I am sharing the table of contents with. Check out this talent!

Now THAT’S a table of contents! Not sure what I am doing there with these amazing writers, but I am most pleased to be there.

And this is how my story, “The Ditch,” opens:

I‘d just finished reading my book–The Hardy Boys, The Secret of the Lost Tunnel— and was reaching to turn off my bedside lamp when my phone chirped on my nightstand to let me know I’d gotten a new text message. I frowned. It was just past ten on a weeknight. Sure, it was summer, but Mom and Dad were strict about phone usage after eight o’clock. My orange-and–-blue Auburn Tigers clock, hanging just over my desk, read a few minutes past ten [on a weeknight]. I picked up the phone and looked at the screen. My wallpaper was a photo of me standing on a white sand beach on the Florida gulf coast.

I need your help. Come over! Please! Emergency!!!

It was from my best friend, Zane Tidwell.

I closed my eyes and exhaled.  Classic Zane, always sending desperate–sounding text messages expecting me to drop everything and rush right over. Everything was an emergency to Zane, from not getting his homework done to failing a test to not having any clean underwear to having a nightmare of some kind—all of these things qualified as emergencies in Zane’s brain. He worked himself up into quite a state over the stupidest things.

“The boy who cried wolf” was all Mom would say.

The problem being, sometimes it was an emergency, like that time he broke his arm when he was home alone, or when his mother fell and hit her head, or when his dog ate rat poison.

He always counted on me keeping my head on straight and not panicking and solving the problem for him. We’d been best friends ever since we were little boys in Bible study, and things had always been this way.

I was the calm one and Zane–well, Zane was a drama queen.

He knew I wasn’t even supposed to use my phone after eight, let alone leave the house after ten.

I typed out you know I can’t it’s too late to leave the house and if I get caught they’ll take my phone and ground me forever with my thumbs.

Please you have to come I don’t know what to do I am really in big trouble now PLEASE!!!!

I stared at the screen. In big trouble? What did that mean? But if the needle on the Zane drama-meter was going up, he wasn’t above calling me on the landline.

And that would send Mom and Dad over the edge.

I sighed. I was going to have to go over there.

“You’re more trouble than you’re worth, Zane Tidwell,” I whispered, typing out Be there soon and hitting send.

“The Ditch” is an Alabama story, of course, and has a teenaged protagonist (I’m not sure why I always write about Alabama from a young person’s perspective; probably because most of my memories are from childhood, I suppose) whose name we never really know. The ditch is actually a real place; my main character’s house is based on where my aunt and uncle lived–which is where we would visit–and about twenty or so yards behind the house was this ditch–or rather, what they called ‘the ditch.’ (I’d share a photo from Google Earth, but all it looks like from the air is a line of trees.) We used to spend a lot of time playing down there, and of course to me as a child it seemed enormous, but it’s probably a lot smaller in reality than I remember (everything seemed enormous to me when I was a child). I never knew what created the ditch, or why it was there, but it’s very similar to what I describe in the story, if smaller. There was all kinds of garbage down there–broken bottles, rusting cans, and so forth, so we were never supposed to go down there barefoot. I also remember that when we were in the ditch we weren’t visible to anyone not standing on the edge–which was a bonus for us as kids. The rope swing was also there (and now I think how fucking insane was it that adults let kids play like that? You could break your neck falling off that thing!) and I’ve also included the ditch in another, unfinished longer piece. There was something creepy yet idyllic about the place, and of course whenever I think about it as an adult it’s always what a perfect place to hide a body! What a perfect place for a ghost! and so on.

I wrote “The Ditch” originally for another anthology’s open call, but I knew when I finished it and turned it in it wasn’t going to get selected. (I was right.) I also knew it needed to be revised and the ending changed as well as some other things (minor but important) but had never gotten around to getting the revision done. So when this opportunity presented itself, I was going to use a different story but had some trouble with its ending and then was despairing when it hit me: you know how to fix “The Ditch” you just haven’t done it yet, so stop spinning your wheels with this one and do that instead, so I dug back into it and really had a great time with the revision. I’m very pleased with how it turned out, and I hope you will be, too!

(Ironically, this week the ending to the other story popped into my head, so I will be working on that this week, too.)