Tag: The Bones of the Story

Yesterday Once More

I have sung the praises of Carol Goodman and her fantastic novels numerous times here on this blog; literally to the point that I have begun to wonder at times whether or not I have said certain things about her work before. I know I always bring up Dark Shadows and the great Gothic writers of my youth that I loved; give me a dark brooding mansion and a sinister legend of murders and ghosts and I am in my favorite place. But it does get repetitive, and that will hardly convince you, Constant Reader, to pick up one of her books (you won’t regret it), will it?

So, this time around, rather than talking about her Gothic sensibility, this might be a good time to look at this most recent read of hers in a different way.

“I’m just having trouble getting back on track.”

Nina Lawson isn’t the first student this semester–or even the first today–to attribute their academic woes to a deviation from some metaphorical track. As Dean of Liberal Arts, I’ve heard every excuse, sob story, and tragedy over the course of the last two years. But the image, coming as it does at the end of a long day at the end of a very long year, jolts me as if we’re both on a train that has suddenly jumped off the rails into an abyss.

To give myself time to craft a response I look down at Nina’s folder. I see that she comes from Newburgh–a small city about an hour south of campus–that she did well in her public high school even after her classes went remote in March of her senior year, and she’s earned the Raven Society writing scholarship to Briarwood on the basis of a short story she wrote in high school. There’s a note in my assistant’s meticulous handwriting that Nina had to defer admission for a year to help her single, out-of-work mother with the bills. She has a work-study job in the financial office and an off-campus job at a local restaurant. No wonder she looks tired, I think, gazing up at her. Her light brown skin is mottled with acne. She’s slouched in a zippered sweatshirt, hood up, eyes swollen and bloodshot, lips raw and chapped. “I wish you had come to see me sooner,” I say in my firm-but-gentle voice. “The withdrawal deadline passed six weeks ago.”

“Someone told me it had been extended,” she says, not looking up.

This opening scene establishes several things: the book is going to be set at a prestigious small private college; the school has an excellent creative writing program; and our main character is getting a little jaundiced and world-weary in her position. The “I’ve heard it all before” is a problem for people in these kinds of jobs, and often occurs in education–the weariness and suspicion that students are lazy and just don’t want to work eventually becomes so engrained that they have a closed mind before the student even starts talking. I’ve experienced this myself any number of times–this past week I related two experiences I had in school where I was basically called a liar by an educational authority figure only to get an apology later when I was proved to be telling the truth to my dad, which ended with an airy “teachers never believed me, ever”–which probably explains why I never really got into school the way other smart kids did. But fortunately, Nell gives Nina the withdrawal permission, because she thinks something else is going on with Nina and she wants to help her (which was lovely to read), but Nina won’t open up to her. Briarwood is getting ready to open it’s new Writer’s Center, and there’s a big celebratory party coming up–as well as a bad winter storm–and that night, at a traditional ceremony where the students carry candles up the side of a mountain, there’s an accident and Nina falls into one of the ice caves…and when she is rescued, the skeleton of a young woman is found–which triggers Nell’s memories of being a writing student twenty-five years ago, the friends she made in the program, and the secrets they’ve kept ever since.

Which means the book is also a dual-timeline novel, which is one of my favorite tropes in crime novels (any novels, really); the book is also a master class in how to do a dual-timeline novel. Part of Goodman’s skill is taking those young, wet-behind-the-ears college students and evolving them as they make their way through their college years, as well as who they’ve turned into in the intervening years. There’s not a single false step in any of the character development, which isn’t easy when you’re juggling any number of characters.

And in the present day timeline, Goodman pays homage to several classic crime novels–particularly Christie’s And Then There Were None, which was delightful. She also made several references, throughout the book, to MARY STEWART, who I often think of as Goodman’s literary godmother…and with the past story, there’s some real The Secret History stuff going on, too. The Stewart references aren’t for the terrific suspense novels she wrote, but the equally terrific Arthurian saga she created (The Crystal Cave, The Hollow Hills, The Last Enchantment, This Wicked Day), which I should revisit sometime.

The suspense and tension continues to build, and with everyone trapped on campus by a winter storm–and characters start dying, one by one…the suspense almost becomes unbearable as the secrets and lies from the past finally come home to roost in the present.

(I will say that when I started listening to the book, I thought to myself if this were a Gothic novel this is who the killer would be–only to be correct! But the motive wasn’t what I thought it was…)

The Bones of the Story is well-written, with great language, terrific tone and style, and very literate and smart…so another feather in the cap of the divine Carol Goodman.

Three Stars

Here we are on Monday morning and I am awake much earlier than I have been in well over a week; part of the problem of finishing a vacation, alas. I feel a bit sleepy still this morning, which is probably very much a result of the alarm going off this morning and waking me up (along with Sparky’s need to be fed), but that’s okay. I am going back to the office in a little while and I am feeling a bit more trepidation than I usually do on Monday mornings. Yesterday was okay; I got some things done around here and the kitchen doesn’t look like an utter disaster this morning, which is always a nice way to start the week. I have to pick up prescriptions on my way home from work tonight, but other than that can come straight home and collapse into my chair.

But a normal routine again might be nice to slip back into, you know? I am thinking I might take a week off later this summer (around my birthday, most likely) just to have some down time at home when I can relax and work on things around here that inevitably get pushed back from week to week due to lack of time and exhaustion. I know I want to read some more of my book tonight, and of course as always there’s some filing work that needs to be done at some point. I did manage to get two entries managed yesterday about the books I read over the last week, and I have two more (Salvation on Sand Mountain, The Bones of the Story) to get done, and I had started one about Dead Boy Detectives before I left on the trip that I absolutely should get finished at some point. I don’t know what’s waiting for me at the office this week, but I am not terribly worried about it, either. Worrying, as Mom used to say, is just borrowing trouble–which is an interesting quote from someone who suffered from generalized anxiety disorder.

But Mother’s Day without Mom is becoming easier. Last year’s was horribly sad, when the loss was still incredibly fresh. This year wasn’t so bad. (I can’t speak for Dad, though.) Everything becomes easier with the passage of time, which is another one of those incredibly sad realities. This year? I felt sad only a couple of times throughout the day. The Mother’s Day newsletters and sales didn’t feel like a gut punch every time I saw one. I already knew the only way to get past the grief was to let time pass, a lesson I’ve learned far too many times in my life already, but because I’d been through a lot before I knew how this would run its course. It feels a bit cold not to get emotional about it anymore, but the sadness is slowly giving way to fondness, where the memories make me smile rather than make me seize up with grief–which is a dramatic improvement, quite frankly, even if there’s a slight element of guilt involved, too.

Well, I thought this would probably be brief this morning, and I was correct. I’ll probably be back later at some point, Constant Reader, so go ahead and have a great Monday, and I’ll chat at you after spending my day in the spice mines. Bonjour!

Goodbye Baby

Ah, Sunday. I slept in this morning–almost all the way to ten o’clock, it’s like I don’t even know me anymore–but it felt good and I am awake and enjoying my first cup of coffee this fine morn. I did some errands and chores yesterday, which was great, and watched a lot of nothing on the television while I was playing around doing research on-line. I did finish reading Carol Goodman’s marvelous The Bones of the Story (more on that at another time), and spent some more time with the Scott Carson I started reading in Kentucky. There’s still a lot that needs doing around here, but it’ll get done and I still am a little worn out from the drive home, so maybe today’s not the day to try to be super-productive. I also spent yesterday trying to catch up on the state of affairs in the country and world (glad to see people still dragging the puppy slaughterer), which was depressing but necessary. I am way behind on my emails, which is something I will have to address (tomorrow). Heavy sigh. But one can’t hide in their unreality longer than one can and still be functional, can one?

Ah, well.

I also got a signed copy of the new Lori Roy novel, Lake County, in the mail yesterday, which was marvelous. She’s one of my favorite writers, and has been ever since I met her on a panel at Bouchercon a million years ago and then read her Edgar Award winning debut, Bent Road, which was incredible, and I’ve been loving her (and her work) ever since. Once I finish the two novels I am reading, I am digging into the new Roy. Huzzah! I have so many good books on hand to read–I still have the latest Angie Kim, among many others, in that stack on the end table in reach of my chair–that it’s hard to decide what to read next, and then books like the Angie Kim (and the Celeste Ng, and the Angela Crook, and the Jess Lourey, and on and on and on it goes) end up not getting read in an expeditious manner. I have certainly been enjoying all the reading I’ve been doing lately, and need to stay on top of it as much as possible.

The more I look into the suspicious death of Noah Presgrove, the more intriguing the story becomes. It is, as Carol’s latest title proclaims, ‘the bones of the story’; obviously I am interested in what happened the last night the young man was alive and how he actually died, but the basis of the story, it’s fundamentals (small rural town; corrupt local justice system; three day long weekend party serving minors illegally; and of course the battered naked body in the fetal position on the side of the road) make for a fascinating and interesting foundation for a fiction novel, exploring the bitterness and old hurts and feuds and nastiness in a poor, small rural town in Oklahoma (which I will probably change to Kansas, naturally), and peeling back the layers of deceit and resentments and lies and relationships is kind of appealing to me.

It’s also Mother’s Day today, my second without one, and I am not actively avoiding it today, either, the way I did last year. Last year it was still too new and too fresh for me to even be on-line much on that day, but this year is easier. Seeing Dad around Mother’s Day (since it’s always the weekend after Decoration Day, or The First Sunday in May) also made it easier. We talked about her a lot, and Dad told me a lot about their teens and the early years of their marriage, when they were very poor (I didn’t realize how poor we actually were when I was a child and a teen until many years later; living in Kansas kind of twisted that as we were considered well-off there), which made me smile a lot. Obviously, I will always miss my mom, but it’s not as painful to think about her as it used to be. That’s progress, and now I can remember her without recriminations about being a bad son or taking advantage of her kindness or disappointing her. I think that’s normal when you lose a parent or a loved one; you regret time not spent together and think about all the times you were a shitty person. But…I was also horribly spoiled by my parents, and they never stopped trying to spoil me even after I was an adult, because to them I was always their baby and since I didn’t have kids…well, they never stopped seeing me that way. Then again, it may just be a parent/youngest child thing.

And on that note, I am heading into the spice mines. I’ll be back later–I have soooo many entries to catch up on; the books I’ve read alone need to be discussed–but I am also not putting any pressure on myself about getting things done today as I am still in recovery mode from the trip. So have a great Mother’s Day, everyone; hug your mom for me and if yours is also gone like mine, I am giving you a big virtual hug.

Just a Little Too Much

I got home last night around seven, after eleven hours on the road from Kentucky on what was actually a rather beautiful day for a drive. I finished listening to The Drowning Tree by Carol Goodman, and timed it perfectly so I could queue up her most recent, The Bones of the Story, to listen to for the rest of the way. I was tired, and as always, when I got hungry I was on a lengthy stretch in northwest Alabama where there is hardly anywhere to stop. By the time I got into an area with places, I wasn’t hungry and debated in my mind at every exit whether or not to stop. Again, though, it was a beautiful drive and a beautiful day. There wasn’t even traffic when I got to New Orleans other than the usual backup before the bridge across the river. It was nice to get home, relax in my chair, be stalked by Sparky, and just be home. I did keep thinking all day that it was Sunday, and had to remind myself regularly that it was, in actuality, Friday. I slept well last night after getting home–I missed my bed, my cat, and my partner, as always–and of course, Demon Kitty got me up at six this morning for his feeding. But…he also got back into bed with me for mostly cuddling and purring with the occasional apex predator cat attacks. It’s good to be home. I spent the evening last night watching our shows and getting caught up (Mary and George, Hacks, Abbott Elementary) and I can now stream The Iron Claw on Max, so we’ll probably watch that later. I have to definitely run errands this morning–mail, groceries, prescriptions, library sale–and am kind of looking forward to a nice weekend of re-entry into my regular life and settling in.

I also have lost track of the world because I really wasn’t doing much on-line other than the occasional deletion of unnecessary emails and the very rare moments when I would look at social media on my phone while I was waiting for something. But on the other hand, I am not so sure that’s a bad thing. It was nice to be away from the world and social media and everything else and just relax, you know? I also managed to read two books on the trip (Salvation on Sand Mountain and The Killer Inside Me; more on those later) and started a third (Where They Wait by Scott Carson), which was fun, and also thought about writing and my future, in a more macro and overarching way. But whereas before the trip that would have overwhelmed me and I would have to walk away from the computer, this morning I feel more inspired and clear-headed about everything than I was before I left…which points out how important it is for us writers who work full-time jobs to actually take a break from ALL work, not just the day job.

The trip itself was nice. I got to spend time with my dad, and another baby picture of me appeared, and one that actually showed my face! It’s kind of a family joke, but we have boxes of pictures of my sister in the first two years of her life–and two in total of me (and she’s in one of them). It doesn’t mean anything–there aren’t many pictures of either of us taken between 1963 and 1967 or so, for example (when Dad bought his first camera). They were living with my grandfather after my sister was born and they were still in high school; so everyone around them was taking pictures of the baby (and my sister was a beautiful baby); I was born right before they moved to Auburn for my dad to go to college and we were very poor for a long time; they had no camera and they didn’t know a lot of people there, either, but it’s always been a family joke about having no baby pictures of me as opposed to the intensely documented first two years of my sister’s life. I did scan said picture with my phone, so I may share it someday. I also got to learn some more family history–Dad reminisced about the early years with Mom and the two kids; and it really is staggering how hard they worked and sacrificed for us both. Dad of course thinks he never made things easy enough for her, but he also never takes into consideration how much Mom loved him. He’s doing better, but he’ll never be the way he was before, either.

And on my drive back yesterday when I stopped for gas in Toomsuba (I always stop there on the way home, it’s only about another three or so hours from there and the anticipation of being home starts there) when I noticed I had a text message from a friend that was rather cryptic, and I was puzzled, but it mentioned “Donna Andrews” and Bouchercon so when I got back in the car I texted back, and then checked my emails. So yes, once again I am nominated for an Anthony–that’s three years in a row, which is very cool–for the anthology School of Hard Knox, which I “co-edited” (I really didn’t do much) with Donna Andrews and Art Taylor. It IS an excellent anthology, and if you like crime short stories, you really can’t go wrong with it. But it was nice to be nominated again; I didn’t think I really had any chance this year for a nod, so that was a very pleasant surprise…and you know, I’ve never really basked in the glow of sharing credit with two people whose work I respect and who I also respect and love as people.

And on that note, I think I am going to head into the spice mines. I feel a bit hungry this morning, so I need to eat something and start my day. It’s so good to be home, and I’ve missed you, Constant Reader, and I’ll probably be in and out all weekend here, trying to get caught up on talking about books I’ve read and other things. So have a lovely Saturday, and I’ll chat with you again later.

The Itchy Glowbo Blow

Wednesday and we’ve made it halfway through the week, Constant Reader. Didn’t think it was quite possible, did you, when Monday dawned so early and ugly? We expecting thunderstorms today in New Orleans–it feels cooler and damp this morning, but I don’t know when we are supposed to have said storms; probably this afternoon. I slept really well again last night–it’s been lovely getting good sleep lately. I felt a bit tired yesterday when I got home from work, and so took it a little easier on myself when I got home. I managed to get caught up on my emails (such a weird feeling) and did some writing last night. I think I’m still a bit in the post-book malaise phase of things, so writing anything isn’t easy (not that it ever is) but Paul got home late so was left to my own devices once I finished writing for the evening. I did watch some documentaries on Youtube about the Hapsburgs last night (I also discovered an English-language biography about her–Margaret of Austria–which I added to the my list of books to buy…which is almost as out of control as my TBR stack, which is now essentially the entire living room), and I read a short story in Hitchcock’s My Favorites in Suspense anthology; a dark little Charlotte Armstrong story called “The Enemy.” Armstrong was a writer I discovered as a tween, when Mom let me join the Mystery Guild Book Club; I got an omnibus by her (The Witch’s House, Mischief, The Dream Walker) which I greatly enjoyed. I rediscovered Armstrong thanks to the work of both Sarah Weinman and Jeffrey Marks, which enabled me to continue reading in her canon.

Armstrong won an Edgar for Best Novel for A Dram of Poison, a charming if dark little story of suspense; maybe the rare Edgar winner where there’s no dead body but the plot has to do with preventing an accidental death? It’s very clever, and incredibly charming, but beneath that clever charming surface it says something dark and awful about human nature and character–people who are unhappy spreading their misery to others. Armstrong was also made a Grand Master by Mystery Writers of America. Her work may seem a bit dated in the modern day–technology and society have moved on from the times she lived and wrote in–but I think it’s well worth the read. “The Enemy” is that same style of writing as Dram, a serious subject presented charmingly, and the death of a child’s dog the catalyst for an exposé of something darker and nastier…and yes, the plot also hinges on the darkness a human being is capable of creating. It’s a really clever, if slightly dated, story–and you can’t help but smile or laugh at the last line of the story. I am really enjoying these time capsules into the past, to tell you the truth. I bought a few more of these anthologies on eBay yesterday, too. It’s nice to have short story collections around for those times when my brain can’t really focus on reading an entire novel.

I have been listening to Carol Goodman’s The Drowning Tree on Audible, but I may have to break down and finish actually reading a physical copy because I can’t keep listening every day and with my memory a literal thing of the past these days, I’m not sure I remember enough of the story to pick it up again this weekend. I also picked up copies of her new novel, The Bones of the Story, along with Paul Tremblay’s new short story collection, The Beast You Are. I do like Tremblay’s writing–A Head Full of Ghosts was one of the best horror novels of the last decade, and I’ve liked everything else of his that I’ve read–and I think this may even be his second collection. I am also hoping to pull together another collection myself this year–This Town and Other Macabre Stories–but I am not sure if I will have the time. I also got the copy edits for a short story I contributed to an anthology in my inbox last night, so that has to go onto the to-do list, and I still have page proofs to get through. But for the most part, it seems as though I have a guilt-free free weekend, which one can never truly go wrong with, either. I’ll have some errands to run, of course–I always have errands to run–but there’s no stress or pressure on me either, which is kind of nice. I think maybe that’s the reason I’ve been sleeping so well this week? No pressure and my schedule has kind of normalized, gotten back to normal, settled back into the routine my body is used to, perhaps?

Yes, that makes total sense to me.

I also have ideas and thoughts pinging around in my head. I’m itching to get back to the works I have in progress; I want to get a strong first draft of two different novels finished before I leave for Bouchercon next (!!!) month. I actually, finally, made a to-do list yesterday; I am hoping that I can get my life back on track the way it was before the pandemic and the madness of the last few years. That doesn’t mean that my blood pressure won’t continue to go up predicated on the constant assaults on everyone who’s not a cisgender straight man from the demons on the right–which is part of the reason my interest in the Civil War and the 1850’s, that terrible lead-up to the split, has been heightened these last few months. I do see a lot of similarities in the split between conservative v. progressive today, which was predicated along the lines of abolitionist/pro-human trafficking back then. One of the books my father gave me to read was called Southerners in Blue, which was a novelization of the true story (albeit poorly written) of a Union sympathizer and others like him in Winston County, Alabama. (If you’re not familiar with Winston County, the easiest way to explain it is this county did not vote for secession and essentially stated that if Alabama had the right to secede from the Union, the county had the right to secede from Alabama. They did not secede from Alabama, just said they had the right to predicated on the secession arguments being presented, but have gone down in Alabama history and lore as having actually seceded even though they most certainly did not) Basically, in some of the northern counties of Alabama there was basically a second civil war, between the “secesh” and the “Unionist” supporters, and the mountains of north Alabama were filled with deserters from the Confederate Army, This was also novelized into a book called Tories of the Hills by Wesley Sylvester Thompson, which is incredibly rare (my uncle has a copy, which my aunt won’t let be removed from her house–wise, as I would totally steal it). I had read another book also while I was up there, about the Kansas-Missouri border war–which had a decided “secesh” slant to it, of course, while complaining that all previous histories were “unsympathetic to the Missouri slave-owner point of view”. I’m sure he had a point, but simply because there are two sides to every story doesn’t mean each side deserves to be heard, or that each side’s opinion has equal weight. It did spark my interest, though, and I really think there’s a book in this little-known history of north Alabama. Again, it would be difficult to write–lots of potential landmines there–but it’s also, as I said, not very well known and with today’s tribalism mentality–not to mention how loud the Lost Cause fanatics are–it’s hard to wrap one’s mind around the notion that the South wasn’t monolithic in its thinking.

Because no group of people are, really, which is why I don’t like being asked for a gay perspective on anything; I can only speak for myself.

But while I continue to research this aspect of history and try to figure out a way to get a novel out of it, I am going to map out two others. One is already in progress, and the other is a New Orleans ghost story I’ve been wanting to write for quite some time now. The trick is to make it different from every other ghost story I’ve already written. Good luck with that, Mr. Repetitive!

Heavy heaving sigh.

And on that note, I am heading into the spice mines. Have a great Wednesday, Constant Reader, and I will check in with you again later.

Doo Doo Doo Doo Doo (Heartbreaker)

Well, I’ve decided on my audiobook for the drive to and from Alabama this weekend: Carol Goodman’s The Night Visitors. Carol is one of my favorite writers (and has become a friend! I love my life) and I love her works; if you’re not reading her already you need to get on it–and there’s a healthy canon to dig into as well (always a plus). She also has a new book coming out this spring, called The Bones of the Story, which is a great title. I’m working on a short story this week while I am letting my novel manuscripts rest, and it’s definitely some slow going. I got about two thousand words into this story about a year ago, and I think it works perfectly for this anthology a friend of mine is putting together; I just need to finish the damned thing. But tonight I have a ZOOM call I have to do and I have to pack for my weekend in Alabama, and tomorrow morning I’m getting up, writing a post and hitting the road while listening to the divine Carol Goodman.

Does life get better? I think not.

It’s actually kind of funny; after I finished yesterday I realized I could, for the first time in quite a while, take some down time to myself for a minute or two without guilt or something looming over me needing to be done. After I sent the manuscript (such as it is) in along with my editorial thoughts and analyses, I thought, wow, I’ve sure written a lot since just before Christmas and showed an incredible amount of discipline–the kind of single-mindedness you’ve not had for quite a while, and I should feel drained and tired but I don’t. That was an incredibly over-confident assumption to make, even though it was true at the time I thought it. When I got home from work I realized my candle wick had burned down so far that it needed to rest and be replenished for a while. I am still feeling motivated and creative, though; I was simply drained yesterday. Before I went to bed last night (after watching another episode of The Recruit, which I am really enjoying) I kind of felt like the batteries were already starting to recharge. I feel very tired this morning, too–I slept well, don’t get me wrong, but I think I needed to sleep longer. Ah, well. I don’t have to get up before the sun rises tomorrow, so that’s something.

I always like Thursday nights.

But the kitchen is still a mess. I wasn’t in the mood to clean last night when I got home, either. I just felt disoriented, emotionally and intellectually spent, and physically tired. I used to call it the malaise, because it felt like melancholy brought on by the utter exhaustion of my creativity and drive to write. It’s very weird. Usually, the malaise also brings with it the feeling that I don’t even want to think about writing anything else ever again–which is not the case this time, which is very weird to me. I am champing at the bit to get to work on more things, new things, even to start working on the editing of everything else. It is very weird, and I will keep you posted on how this weird new version of malaise works itself out.

But I’ll have to clean the kitchen before the ZOOM thing tonight. That, or turn off all the kitchen lights.

Heavy heaving sigh.

I watched an interesting documentary on Youtube in my tired malaise last night, a new one from James Somerton called The Death of Queer Privacy, which was interesting. The primary focus of the documentary–Somerton does popular media critiques from a queer perspective–was, to begin with, about outing as well as the potentially problematic tropes in Paul G. Tremblay’s A Cabin at the End of the World and it’s film adaptation, A Knock at the Cabin. It was another look–deconstruction, if you will–if whether a straight identified (I don’t know how he actually does identify) writer centering a gay couple/family at the heart of a horror novel/movie is either good representation (they could just as easily have been a straight couple, a mixed-race couple, lesbians, etc.; sexual orientation didn’t play a part in the plot and if anything, the fact that the gay family was presented as normal and not a big deal tends to undermine any critical analyses of this as intentionally or unintentionally sinister) or if the book/movie, at heart, centers the trauma of a queer family as entertainment for the masses. I may want to watch that again; I wasn’t paying a lot of attention because I was tired and scrolling through social media on my iPad, so I may have missed some things, but the critique and look at the film itself was merely an introduction to the main topic, which was the attack on queer people’s right to privacy–which served as an interesting counterpoint to a lot of the public discourse about queer celebrities and how much of their lives, if any, needs to be shared with the audience. The recent forced outing of Kit Conner from Heartstopper is perhaps the best example of this; the idea that queer people in the public eye need to–nay, must–come out and be publicly queer, no matter how they themselves feel about revealing that much of themselves to the world, is problematic on its face. Somerton then went on to talk about how gossip blogger (and garbage human being) Perez Hilton essentially dragged a couple of people out of the closet. And really, are the personal and private lives of any celebrity any of our business? Simply because we enjoy someone’s performance in film and television, or like someone’s music, doesn’t really give us the right to know intimate details of their personal lives. I’ve never cared, beyond mere idle interest in hearing gossip; but I don’t care that much about it because I don’t know these people. What does who Taylor Swift is dating have to do with her music–other than her break-ups tend to spawn some amazing music–and why do I care? Why would I care who Tom Hiddleston is fucking, unless it’s someone I actually know? (There’s an interesting dialogue to be had about our billion-dollar celebrity gossip industry…) To circle around back to Tremblay, I knew he was publicly identified as straight as far as I knew (and didn’t care to know more). I was a fan of his before reading A Cabin at the End of the World (having greatly enjoyed A Head Full of Ghosts and Disappearance at Devil’s Rock–I’ve not read the others yet–and so I was delightfully surprised that the family the book was centered on was a gay couple and their adopted child. It was yet another entry in the “people go to secluded place and then horrible things happen” trope of horror, but with a remarkable twist that made it even more intense and terrifying. (I’m really looking forward to the film.) I read the book and enjoyed it, and I didn’t read anything sinister into it; but I was also reading it from an entertainment perspective rather than to gain a sociopolitical perspective for writing a critique…which now I kind of want to do, thank a lot, James Somerton–this is how this kind of thing always happens to me.

In fact, an essay exploring three mainstream novels by non-queer writers centering queer characters could prove interesting–and the Tremblay, S. A. Cosby’s Razorblade Tears, and Laurie R. King’s Back to the Garden would be the perfect trio to look at as they are relatively current, critical successes, and often award recognized.

And on that note I am going to head into the spice mines. Have a lovely morning, Constant Reader, and I’ll check in with you again later.