Tag: Susan Larson

Steppin’ Out

Wednesday morning and it’s cold outside this morning. It’s currently in the forties, and I turned on the heat once I came downstairs. This isn’t going to last long–I believe it’ll be back in the eighties for the weekend–but this morning going outside is going to be more than just a little painful, methinks.

I got off work yesterday and swung uptown to pick up the mail–the pothole at the end of the street finally resurfaced, and so my street is being resurfaced at the St. Charles end and is closed to access from that way, which makes getting home a bit more challenging than usual. I have to go uptown on the way home again today–long story short, I ordered a new lunchbox because Tug broke the strap on the old one, and it was overdue anyway; I should have ordered a new one long ago, and the new one is being delivered today in theory. It’s also the first of November, which kind of feels weird. This year has lasted an eternity already and yet here it is almost the end of the year already. I kind of feel in some ways like I’ve frittered the year away–and let’s be brutally honest, most of this year was spent working on things that were supposed to have been finished last year, and somehow nothing since those were both completed. Blame it on what? The heat, a difficult year, the injury, and everything else that seemed to go off the rails for me this year. Paul was working last night so I didn’t get a chance to do much of anything last night. I was too tired to read, and I also had an operating system upgrade to finish on the computer. It’s working in a most lovely fashion this morning, which is super awesome; upgrades have always worried me since the Great Data Disaster of 2018.

Which reminds me, I need to back up the back-up, as it has been a moment.

I honestly don’t know why I was so off last night, or how I managed to waste most of the evening. I started reading the new Lou Berney (Dark Ride) yesterday morning at the dentist’s office (oh wait, that explains the entire day being off, doesn’t it? I hate being so immured in my ruts of routine) and it’s quite good, although I didn’t get very far into it before it was my turn to get in the chair for the dentist. It was the final fitting for my new dentures, which fit snugly and tightly and look marvelous in my mouth. The next time they call me, I will come out of their office with my new teeth, which is very exciting. I am quite delighted at the thought of eating solid foods again. I also had to go out to the UNO campus to record “My Reading Life” with Susan Larson, who is always a delight and is one of the few promotional things I actually enjoy doing. And duh, that is why I was tired and off all day long; the usual daily routine was disrupted. I had to drive out to Jefferson Highway almost to Harahan for the dentist appointment, drove back into the city for work, then had to go out to the lakefront to UNO and back. That’s a serious disruption to my routine, and as I am learning, that’s the sort of thing that drains my batteries now.

But I greatly enjoyed this year’s Halloween Horror Month, even if the bad quality of the videos of Friday the 13th the Series on Youtube caused me to abandon the rewatch of that show for the month. We’ve been watching The Fall of the House of Usher, which has been a lot of fun and very well done, too–hopefully we can get that finished tonight or by the weekend. It was fun revisiting The Dead Zone, and the other reading I did this month was pretty awesome too. I am going back to crime fiction reading again, because the horror reading has been making my brain go into the horror direction, and I’m not really a good horror writer.

Yesterday Death Drop launched into the world–I’m going to do some more promotional posts about the book as well as some for Mississippi River Mischief, which is also dropping next week (this is what happens when you don’t make your deadlines, people–don’t be a Greg)–and it’s always nice when that happens. It sometimes feels a bit anticlimactic, and I am terrible about promotion anyway (doing it always makes me feel very self-conscious, which is something else i need to work on, because it’s also rooted in my anxiety). My anxiety has also been off the charts lately, and I don’t know why that is. The lack of an LSU game last weekend, perhaps, which served as another disruption to routine? I’ve also been studiously not answering my emails since last week sometime, as well, which is also not like me and another sign that the brain chemistry isn’t working properly again. But now that I know what the problem is with my brain chemistry (better late than never, right?) we are going to change my medications because I’ve been on the wrong ones, and come up with a different coping plan. I feel like I’m in the middle of yet another reboot of my life–new teeth, surgery on my arm, writing cozies, thinking about exercise and eating right again–which might be needed. It just feels like everything has been a slog for so long now; I do think it goes back to the Great Data Disaster of 2018, which started the whole mess. Or maybe it was the expense of buying a new car and having a car payment every month, which kind of did me in financially for a while (starting to see daylight again)–there’s no stress like financial stress, after all. Anyway, I’ve not really felt centered or in any semblance of control over my life for quite some time now, and I’m kind of tired of letting my life happen to me–which was where I was at when I was thirty-three and did the first hard reboot of my life.

I feel good this morning, rested and awake and alert and energetic and ambitious, and it’s been awhile since I felt that way. I may run out of steam at some point today–it does happen, after all–but I am starting to feel good again about a lot of things and when I can look at positives rather than be overwhelmed by the negatives…I’ll take that as a win gladly and keep going.

And on that note I am heading into the spice mines. Have a marvelous mid-week, and I will check in with you again later.

You Don’t Want Me Anymore

Monday morning after a relatively relaxing and stable weekend. I did a lot, mostly chores that needed to be done and reading, but it was also very nice. The Saints won their game yesterday, which was a very pleasant surprise, and we finished watching this most recent season of Élite, which I realized yesterday I’ve always put the accent on the wrong e, but it’s pronounced ah-lee-tay, so it made sense to me for the accent to go there.

Or maybe I’ve been saying it wrong.

Anyway, this seventh season was disappointing, as the storylines and the crime focused on parents rather than the students–which was a major error, I felt. The season did end with a murder–I’d wondered how long that character, an abusive and controlling lover, would last without being killed or redeemed; I got my answer in the finale–but the primary issue with the season is I don’t really care very much about any of the characters anymore. One of the show’s greatest strengths in those early fantastic seasons was how well the characters were developed (and the talent of the actors playing them) was that they were multi-faceted; even when they were being bad or doing terrible things, you understood them and why they were doing it so they were sympathetic. Now they are all just kids who bad things happen to who have no control over anything that happens or what they do–which is the problem. Before, in the earlier seasons, the kids had agency, and while originally the show was the Gossip Girl we all deserved, it slowly turned itself into Gossip Girl, which was fun but had little depth. A pity. We’ll stick around for the eighth season, which is the last one, while mourning its former glory.

Tomorrow is Halloween, and I signed up to make a cheesecake. The mistake I made was forgetting that I have to go to the dentist tomorrow morning before work, and the other was I must have gotten rid of my cake carrier during one of my pandemic decluttering purges, so I have nothing to carry it to work with–and I don’t like the idea of it sitting in my car while I am at the dentist. Going back home to get it after the dentist isn’t an option, either, because I am trying to spare paid time off as much as possible with the surgery coming, as I also have to run off to UNO after lunch to record “My Reading Life with Susan Larson”. Big day indeed. I guess I can just put the cheesecake into a box and bring it while still in the springform pan? AH, well, all I know is when I get home from work tonight I have to make a cheesecake and figure out the rest tomorrow.

These difficult life decisions, seriously.

I did manage to read Mike Ford’s The Lonely Ghost yesterday which I quite enjoyed; middle-grade books tend to read a lot faster than those for older readers and there will definitely be more on that to come. I will say for now that had he been writing when I was a kid, Ford would be one of my go-to authors, like Phyllis A. Whitney.

We also watched a hilarious (to us, anyway) movie on Prime yesterday, Totally Killer, which starred Kiernan Shipka in the lead of a hilarious mash-up of Back to the Future with a slasher movie playing Jamie, whose mom was the final girl of a spree killer thirty-five years earlier, who comes back in the present day to kill her mom. Her mom is obviously very into self-protection and more than a little paranoid–which of course makes Jamie even more sullen and distant. Her best friend is trying to build a time machine as a science project out of an old photo book, and for some reason the science fair takes place at an old, abandoned amusement park. Anyway, the killer kills her mom and chases her into the amusement park, she ducks into the photo booth and accidentally turns it on, and then the killer stabs the console with his butcher knife–which activates the time machine and sends her back to 1987, with a new task and mission: catch the killer before he kills anyone and thus save her mother–and with the benefit of her knowledge of the history, she knows who is going to be killed and where. A great plan, of course–but her being there slowly starts changing the future. It’s very clever and funny, and the juxtaposition of a modern teenager into a teenager back in the highly problematic 80’s and the cultural/societal differences are absolutely hilarious–especially to those of us who lived through them the first time. It’s light and fluffy, fun and entertaining and not to be taken terribly seriously. Also, because it’s Halloween Horror Month, I’ve been reading a lot of books that would fall into the slasher versions of horror–Clown in a Cornfield, Final Girls–so I’ve been thinking about the trope a lot lately too.

Maybe my next y/a should be a slasher novel? It could be fun.

And on that note, off to the spice mines! Have a lovely All Hallows’ Eve Eve!

Heartlight

Saturday and no LSU game, so the day stretches out in front of me a yawning empty chasm. But I feel incredibly well rested after a very relaxing deep good night’s sleep, which is simply marvelous. I have things to do this weekend–out of the ordinary things, different from the usual to-do list–so I have to figure out when to get those things done. I’m going to need to make a grocery run at some point–I have to make a cheesecake for a work potluck this week, and I am thinking it’s probably smart to make some white bean chicken chili in the crockpot at some point (soft food, after all); regardless, I need more ice cream and microwave ramen. I really like that super-hot ramen, and am also very low on yogurt. Maybe I’ll get up tomorrow and head for a grocery run on the West Bank or to the Rouse’s on Carrollton–which I could also just do this afternoon, depending on how I feel. I want to really clean up the house and get stuff done–filing, organizing, and so forth–and I can always have the football games playing on my computer while I am in the kitchen, which desperately needs work. I also want to go for a walk around the neighborhood later on today, to get a look at how the neighborhood has dressed up for Halloween.

Yesterday was a pretty good day. I managed to get my work-at-home duties taken care of and made it to my pain management appointment, which was unnecessary as I am not in pain–I think my surgeon thought I was in pain from the injury, which is cute–I wouldn’t have let it go this long had I been in actual constant pain from it. But it was one more box to check off on the list of things that need to be done before the surgery, so that makes it one step closer to when I am going to be rehabilitating the arm. I think having this hanging over my head isn’t helping much with my anxiety or getting things done; I can try to compartmentalize all I want, and try not to think about things, but the truth of the matter is I cannot control my subconscious–especially when I don’t know what’s going on with it. I think I’ve been more relaxed and rested this week because I’ve not been trying to get much done or worrying about anything; I just came home, sat in my chair with Tug sleeping in my lap (Paul is calling him Puma now, because his claws are so sharp), and read or watched television. I did watch another episode of Moonlighting yesterday while doing work-at-home chores (“My Fair David”) and then finished reading The Dead Zone but also Adam Cesare’s marvelous Clown in a Cornfield (more on both later), and am now trying to decide what horror to read next before Tuesday–which is the end of Halloween season as All Hallow’s Eve itself falls on Tuesday. I am leaning toward Mike Ford’s middle grade The Lonely Ghost, which has been in the TBR pile for far too long, and then maybe something by Chris Grabenstein if I get that done quickly–The Hanging Hill looks like it could be quite fun, or perhaps a reread of my favorite ghost story of all time, Ammie Come Home by Barbara Michaels. I also have a kids’ ghost story anthology–Alfred Hitchcock Presents Ghosts and More Ghosts, actually edited and compiled by Robert Arthur, who created one of the best kids’ series of them all: The Three Investigators. After Paul got home from the gym we also watched this week’s The Morning Show.

And just looking at the college football television schedule, I am not seeing anything other than Georgia-Florida to watch with any degree of interest, and it’s tough–I despise Florida with every molecule of my existence, but I also kind of want Georgia to lose…but I just can’t root for Florida. (Georgia always winds up being my default team in the East because I hate Florida and Tennessee both with the white-hot intensity of a dozen burning suns, and pretty much everyone else is kind of irrelevant. Kentucky and Missouri never break through, nor does South Carolina, and Vanderbilt is…well, Vanderbilt.) I’m trying not to get overly worked up for the LSU-Alabama game, which is a must-win for both. I don’t get nearly as worked up over college football as I used to, which is a good thing–as I have slowly began to recognize that while they may be athletes, they’re also kids, and they shouldn’t be subjected to the scorn from fans. The coaching staffs and administrations, on the other hand, can have all the scorn, as can the conference hierarchy AND the NCAA. I’m not overly excited about all the conference expansion because I’m not so certain that the needs of the student-athletes are being taken into consideration as much as they should be in the pursuit of the almighty television deal dollar, and that NIL stuff isn’t something I quite understand other than that college athletes are now getting paid.

I can’t get over how good I feel this morning, and how good I felt all week, frankly. I’ve got to get all this filing under control and work on the kitchen, too–the living room and the laundry room are complete disasters; although I did start working on the laundry room shelves a bit yesterday. I do get to go for the final fitting for my dentures on Tuesday morning (the same day I am taping Susan Larson’s “My Reading Life” at UNO), so I am hoping to get back to solid food in a couple of weeks–and I am definitely going to reboot my eating habits once I have teeth again. I now am down to somewhere between 205-209 pounds, depending on the day and what is in my pockets, and I’d like to get down to 200 again; but until I am able to exercise again I am going to have to do that by changing the way I eat. I’ve frankly enjoyed the ramen (and the Velveeta shells and cheddar) and may continue to eat it going forward–same with the yogurt–but the calories from Haagen-Däzs will need to be replaced by something healthy. It wouldn’t hurt me to go back to having turkey sandwiches and salads for lunch occasionally. It’s the heavy steady diet of red meat I need to dial back on, mostly; and some of the other fatty stuff I eat far more regularly than I should–and go back to looking at Five Guys as an occasional treat for good behavior.

I can but do better in the future.

And on that note, I think I am going to indulge myself in some self-care this morning and get cleaned up before taking on the rest of the day. Have a great Saturday, Constant Reader, and I’ll be back soon enough, no worries–I have blog posts on “Don’t Look Now”, The Dead Zone, and Clown in a Cornfield to finish writing, too.

Gloria

Wednesday Pay the Bills day has rolled around yet again! I slept well again last night–I’ve been getting very good sleep lately, which has been lovely–and I don’t feel tired the way I generally do on Wednesdays, which is kind of nice. I have a doctor’s appointment this afternoon so I have to leave work a little early, but not a big deal–this is a routine follow-up to all the tests she had ordered when I switched primary care physicians, which was a huge relief to my mind about everything–and I am going in for my next fitting for my teeth on Halloween morning. We’re having a pot luck at the office that day, so I am making a cheesecake–which I will probably do on Sunday so I don’t have to mess with it on Monday night, which I won’t want to do, guaranteed. It has been a hot minute since I’ve made a cheesecake, and I think this weekend I am going to make white bean chicken chili, too.

And no, I am not wearing a costume to work that day. I also have to go tape “My Reading Life” with Susan Larson that day, and yeah–not wearing a costume to the studio at UNO for this. I also can’t believe that it’s already almost November. LSU has a bye week this weekend, so technically there’s not any real reason to watch games this Saturday, but I will have it on in the background as always and hopefully there will be some good games on this weekend; I haven’t looked yet to see who is playing.

I also spent some time with The Dead Zone again last night, and marveling at the way the novel is constructed; I don’t think anyone today (other than perhaps King) could get away with structuring a book the way he did this one, but it actually, absolutely works 100%. One of the things I’d forgotten in the years since I’ve read the book the last time is how many point-of-view characters there are, and how King uses them to build the structure of the book. I don’t think it’s a spoiler to say the main character–John Smith, the most simple and basic male name of all time, no middle name, either–is in a terrible car accident and is in a coma for nearly five years, only to wake up with some psychic abilities. This is compelling and interesting enough–the concept of losing five years, how much the world and society can change in that short a period of time (even now, if you think about it, if someone went into a coma in October of 2018 and just woke up this month…think about everything that happened in that five year span, and then imagine having to get caught up on all of that after suffering a traumatic head injury and spending five years in a coma–with a psychic gift/curse of some sort on top of it. But that structure he uses–the first person point of view of the Castle Rock Strangler (Castle Rock’s first appearance in a King novel, too); the lightning rod salesman, and of course the book’s big bad, Greg Stillson (and yes, the similarities between Stillson and a real life politician struck me as far back as 2015)–all of these things are set-ups for story that comes later–the Castle Rock Strangler pov was something else–even all these years later the the words I’m so slick raise goosebumps on my skin. I’d also forgotten how sad the story actually is; Johnny’s mother’s descent into religious mania, in part triggered by his accident; his broken father, crushed by his son’s accident and losing his wife to insanity; Sarah, who was falling in love with him and would have married him but for the accident; and so on. As a teenager reading the book I marveled at how real all the characters were, how fully realized and actualized and developed; they seemed like people I would know and King’s marvelous skill at depicting the conflicting thoughts and impulses through internal monologues was something that blew me away, something I as a writer wanted to try to emulate.

I worked briefly on a short story last night; I wasn’t really tired when I got home, but Tug wanted to sleep in my lap and the story was a struggle, so it wasn’t hard for me to walk away from the computer, in all honesty. Tonight I am going to let him play with the red dot; he needs to play and exercise as he is a kitten, and I have to break myself of the oh Scooter just wants to sleep and never wants to play mentality; he had the zoomies again this morning and it amazes me how he can just leap and bounce off surfaces to launch to a new spot and then flies off the counter and gallops into the living room. My arms and legs are, of course, all scratched up (I also have a long scratch next to my nose; he launched onto my face from the ledge above the bed one night last week), but he’s so cute and adorable; it’s hard to stay mad at him even as he scampers over my keyboard and fucks things on the screen up.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and sorry I am so dull this morning. My life generally tends to be not all that exciting, really. Maybe tomorrow will be better.

NOLier Than Thou

(NOTE: I started writing this post back in January, after I’d returned to New Orleans from my last Mystery Writers of America board meeting–this is to give context to the opening paragraph– as you are no doubt well aware, Constant Reader, that I’ve not been back to New York since January; so this is that same trip where this happened and I started thinking about these things, which have never been far out of the forefront of my mind since then.)

While I was in New York recently, walking around to and fro, here and there, hither and yon, I was always checking my phone (and yes, I hate that I’ve become one of those people) and then shoving it back into my pants pocket without putting it to sleep first or closing the app that was open. As I walked around, of course this led to my phone doing all kinds of weird things –closing an app and opening another, etc.; but at least there were no butt dials, right? At one point, when I pulled out my phone as I took a seat on the subway, somehow what was open on the screen was a google search for my book A Streetcar Named Murder–and when I went to close that screen I touched one of the images by mistake, which took me to the Goodreads page for the book. Bear in mind, I never look at Goodreads for any of my books, let alone Amazon–the temptations to start reading the bad reviews is too great, and while I can usually laugh them off, occasionally–and it depends entirely on my mood, of course–one will get under my skin and it will annoy me, and that’s not good for anyone.

This particular day on the subway the Goodreads page opened to the bad reviews first–its average is four stars, which I will always take because I am not Lauren Hough–and the very first one made me laugh out loud on the subway. Paraphrased, it was basically someone taking umbrage at “someone who doesn’t live here or know the first thing about New Orleans” writing a book about New Orleans. The reason they had come to this conclusion was because Valerie referred to Mardi Gras as “Fat Tuesday”, and according to this one-star reviewer, no one from New Orleans would ever say Fat Tuesday instead of Mardi Gras.

Well, I’ve lived here for twenty-seven years and I have heard any number of locals say Fat Tuesday rather than Mardi Gras, and so of course I had to click on the reviewer’s profile…and grinned to myself when I saw that they actually live in Metairie, not New Orleans…which to locals is a bigger crime than getting something wrong about New Orleans: claiming to be from New Orleans when you actually live in Metairie. (the rejoinder is usually along the lines of “bitch, you live in Metairie.”)

It was also kind of fun to be accused of inauthenticity when it comes to writing about New Orleans, because I personally have never claimed to be an expert on anything New Orleans (others have said that about me, and I always am very quick to reply not even close); the more I learn about the city the more I realize how little I actually know about the city. There’s an extremely rich (and often incredibly dark) history here; it’s hard for me to wrap my mind around the fact that the New Basin canal was there as long as it was, or that there were several train stations around the French Quarter (including one that essentially was in Storyville–rather convenient for the whores and pimps, right?), or that where UNO is now used to be the lake shore resort of Milneburg, or that the only way across the river or the lake was by ferry until Huey Long built a bridge at the Rigolets (the narrow inlet between lakes Pontchartrain and Borgne).

I was on a panel once at the Tennessee Williams Festival with Bill Loefhelm (if you’re not reading Bill’s books, shame on you and correct that immediately) and the question of New Orleans authenticity came up, and Bill’s response (paraphrasing) was that New Orleanians have a tendency to play a game called “NOLier than Thou,” in which they try to one-up each other to see who the true New Orleanian actually is–which is, of course, gatekeeping. (And yes, I immediately turned to him and said, “I like that and am going to steal it” SO CONSIDER IT STOLEN.)

It does bother me somewhat when I read books set in New Orleans written by people who have never lived here; you can tell, but I also get over it pretty quickly; who is to say who can and can’t write about a place? There’s a significant difference between visiting and living here, which I realized almost immediately after we moved here, and that also becomes very apparent in fiction. I had started writing the book that would become Murder in the Rue Dauphine before I moved here, and I realized, once I did live here, that everything I’d written about New Orleans was completely wrong. I didn’t work on the book for another two years; and even then I wasn’t entirely sure I’d lived here long enough to write about the city. So…I kind of cheated by making Chanse MacLeod not a native either; he’d moved to New Orleans after getting his degree in Criminology from LSU, and had been here about six or seven years when the story opened. So he was an outsider, too; so his views on the city and how things work around here were from an outsider’s perspective, like mine; that was easier. With Bourbon Street Blues, I decided that Scotty was not only a native but came from two old-line society families, from the Garden District and Uptown. One of the greatest joys of my publishing career was having the Times-Picayune’s mystery reviewer, as well as the Books Editor, both say repeatedly that I got New Orleans right in my books. (Thanks again as always for all of your support, Diana Pinckley and Susan Larson!)

And I never really worried about it too much from then on. I wrote about New Orleans as I saw it–the potholes, the cracked sidewalks, the leaning houses, flooding streets, oppressive weather and hurricanes. As the years passed, I became more and more aware that my New Orleans writing was primarily confined to the Quarter, the Marigny, the CBD, the Lower Garden District, the Garden District, and Uptown–a very narrow slice of the city, but those were also my slices of the city, so that’s I wrote about. Sometimes I’d venture into another neighborhood–Lakeview, the Irish Channel, English Turn–and sometimes the story would take the characters to another part of Louisiana–the bayou and river parishes, the Maurepas swamp, the Atchafalaya Swamp, Baton Rouge–which, oddly enough, I had no qualms about fictionalizing. I’ve created numerous fictional towns and parishes surrounding New Orleans; I’ve even invented a sleazy gay bar in the Quarter (the Brass Rail).

So, was I doing New Orleans (and Louisiana) right by making stuff up, inventing places like the Royal Aquitaine Hotel, the Brass Rail, Bodytech Health Club, Riverview Fitness, etc.? Sometimes you have to fictionalize things, even if they are based on something that really exists. I never really thought much about it; I felt like I was getting the feel of New Orleans right, that my characters talked the way people in New Orleans do and react the way people here do, and that I was putting enough reality into the books for them to ring true to locals, natives, and tourists. Sometimes the cases are based on, in or around something that actually happened or exist; like the Cabildo Fire, the Fire at the Upstairs Lounge, Hurricane Katrina and the ensuing flood; termite swarms; Huey Long’s deduct box; and even the court case in, I think, Murder in the Irish Channel that triggered the murders was actually based on a civil trial I served as a juror on.

When I started writing A Streetcar Named Murder, I realized a lot of things I was writing about had to be fictionalized; I couldn’t set a murder at a Mardi Gras krewe ball and use an actual krewe that exists in real life, for one thing (like I had to invent a French Quarter hotel for a couple of murders to occur in) and while I didn’t want to use the cheat that Valerie had moved here again, like I did with Chanse, I wanted her to be of New Orleans but not be of New Orleans…so her parents are from Georgia and moved here after college and marriage, so Valerie was born here, went to school here, met and fell in love with and married her husband here–but her roots aren’t very deep, so she is both insider and outsider at the same time. I liked that idea; like how I am of the South but not of the South, she was of New Orleans but not of New Orleans at the same time. When creating Jem Richard in Death Drop, again, he’s a recent transplant to the city but his father is from New Orleans but relocated to Dallas, where Jem was born and raised. Jem spent a lot of his summers in New Orleans when he was growing up with his paternal grandmother, so he too is of New Orleans but not of New Orleans; which I am really liking as a method of storytelling about the city. I also moved Jem to a different part of the city; he lives in the 7th ward, on St. Roch Avenue in what is known as the St. Roch neighborhood (aka what realtors are trying to redefine and rename as the “new Marigny”, in order to raise prices) which is also very close to my office. Part of this was to move the action out of the neighborhoods I usually write about (although he does wind up in both Uptown and the Quarter) and so I could explore another neighborhood/part of the city than what I usually write about.

I also had recently–prior to the pandemic–started feeling more disconnected from the city than I ever had before. Primarily I think this was due to my office moving; we had been on Frenchmen Street in the Marigny, one block from the Quarter and where Scotty lives, so whenever I needed some Scotty inspiration I could walk a block, stand under the balconies of his building and just look around, drinking in the sights and sounds and smells of the block. To get past this, I started joining New Orleans history pages on Facebook, like Ain’t Dere No Mo New Orleans or the HNOC page and various others–you do occasionally run into Confederate apologists and racists there (they usually cry about the “crime” in New Orleans–you know, the usual dog-whistles from the white flight racists who fled to Jefferson Parish or the North Shore to escape desegregation of the public schools) and reading more histories of the city, state, and region–which are incredibly fascinating. That reading/research helped me write my historical Sherlock in New Orleans short story, “The Affair of the Purloined Rentboy”–but I have also since realized I got some things wrong in the story too, but there is just so much to know. I set the story in 1916 for example….without knowing New Orleans was hit by a MAJOR hurricane in 1915 that wiped out any number of settlements and villages around the lakes and the bay shores (that will turn up in a story sometime; the destruction of the lake front village of Freniere is just begging to be fictionalized and written about). When I mentioned this to another writer, who primarily does historicals, she snorted. “It’s impossible to know everything, and would people in 1916 still be talking about a hurricane from 1915?”

Probably, but if it doesn’t have anything to do with the story being told, why would I mention it?

A very valuable lesson, to be sure.

So, yes, lady from Metairie: you caught me. I’m not from New Orleans, you’re correct. But I’ve also published over twenty novels and umpteen short stories set here, and have even won awards for doing it.

And I’ll call it Fat Tuesday if I fucking want to.

The Huey P. Long Bridge at sunset, photo credit Marco Rasi

Book of Love

Wednesday and another edition of the biweekly Pay The Bills Day! Woo-hoo! But this is also my last paycheck at my old rate of pay; I am curious to see what my paychecks will look like when they reflect my raise–check back, Constant Reader, in precisely two weeks to find out.

Can you stand the suspense? I barely can.

I was very tired yesterday, and I slept about the same last night so I can also plan on hitting the wall today around three. I took a long lunch yesterday to record Susan Larson’s marvelous radio show The Reading Life, which will air on December 6th, and that was naturally delightful as every moment spent with Susan is. But by the time I got back to the office and got settled back into the seeing clients routine, I was very tired. I had a ZOOM meeting when I got back home last night, which was interesting and fun–it’s always lovely seeing that group of people (queer crime writers! Woo-hoo!)–and then I settled into my chair to watch Reboot and another episode of Diary of a Gigolo, which is just so much fun. I did get some writing done yesterday–terrible writing, I might add–but am hopeful that tonight I’ll get back on track. I feel like I slept about the same last night, waking up several times and never really falling deep asleep again, but this morning so far I feel good. I managed to somehow get quite a bit finished yesterday, which I didn’t think would actually be the case, given how sleepy and tired I was yesterday afternoon, but looking back over the day I can see that yes, indeed, I did get a lot done despite the exhaustion. I am adjusting to the new work week schedule, methinks; tomorrow is my last day in the office and usually I am worn down the day before my last day in the office for the week, so this is a major plus.

And now to consult the to-do list…sigh. It can wait until later, surely?

I don’t know why this morning I feel like I’ve turned some kind of corner, which makes absolutely zero sense, but that’s kind of how I feel; like I’m shaking off some kind of malaise or stupor and my mind is functioning correctly again. It’s entirely possible the booster shot I got on Monday fogged my brain for a few days–I’m blaming the insomnia issues on it for fucking sure–and now this morning that fog has cleared. I don’t know, I really can’t explain it other than that, but this is one of those mornings where I feel like I am mentally rolling up my sleeves and taking a look at all and everything I need to get done and diving in headfirst. LOL, we’ll see how long this feeling lasts, won’t we? But I feel good–and that is reflected in my mood, I guess; I’m in a pretty good mood this morning (at least thus far) but it’s probably too much to hope for that it will last the rest of the day.

Probably not, but you never know.

I was thinking last night–after talking to Susan about the next book (should there be one) in the new series, and of course my copy of Raquel V. Reyes’ second novel arrived yesterday–about how important the second book in a series is, and how much different the second books in both of my series are from the first book in each series. In the first book you have to introduce the characters and their backstories and how they relate to each other (the kind of relationships they have with each other) as well as who your main character is and try to get the reader to relate to them and like them enough to buy into the series as a whole. In the second book, you’ve already done all of this work so all you need is little sound bytes here and there to recap those backstories and so forth and you can spend a lot more time developing your plot and story. Murder in the Rue St. Ann was very different than Murder in the Rue Dauphine; revisiting the Scotty series I can see how much more complicated and layered the story of Jackson Square Jazz was in comparison to Bourbon Street Blues, which had a much simpler plot. Likewise, A Streetcar Named Murder is the launching place for this series, and hopefully it will continue (my second one is tentatively titled The House of the Seven Grables, which will probably be changed by the publisher if there is a second book in the series), and the plot I have in mind for this second Valerie book is a lot more all over the place and complicated–especially as we dig deeper into the Cooper family mystery that was brought to light in the first book.

My favorite part of writing a book is the planning stage, really.

And on that note I am heading into the spice mines. Have a lovely day, Constant Reader, and I will chat with you again tomorrow.

Hold Me

I got my bivalent booster yesterday (I think that’s what it’s called) and am hopeful I won’t feel any ill effects from it this morning. If I do, oh, well. I am also taking a long lunch today so I can drive out to UNO to tape Susan Larson’s show The Reading Life to talk about Streetcar, which feels a little strange. I am so deep in the weeds with this new Scotty book that it’s weird to shift back into my Streetcar mentality and talk about a book I wrote over a year ago. Ah, well, we’ll see how it goes, won’t we?

I feel okay this morning. I woke up early–around three–and dozed off and on until the alarm went off. I don’t think the booster has made me unwell (unlike it’s four predecessors), or at least not yet at any rate, but I’m still pretty jazzed that I finally got a vaccination that didn’t even make me slightly feverish for twenty-four hours or so. This is a plus; I was a bit worried about being coherent for the radio taping today because of the booster–but it seems as though my level of incoherence will just be the usual, normal one that I always bring to an interview. *Whew*

I did some terrible work on the book yesterday but it was forward progress and I will take it, you know? The book is a mess, but sometimes the first draft is a mess and needs to be so you can fix it and clean it all up later and turn it into something coherent. That’s the plan, at any rate. Yesterday was a pretty productive day, both at the office and at home; I’m getting some training on how to do more things to go along with my promotion and raise (did I mention that? I think I did), both of which were significant. My job is essentially remaining the same, with some new added responsibilities (which make sense for me to do, really) that I have to learn how to do, and of course Friday I am going into the office to get a flu shot and so I can drop off this wretched cable modem (don’t even get me started on this)–the only Cox office in the city is a few blocks from the office–and then of course it’s the glorious weekend again. LSU is playing Florida on Saturday night (which may be painful; we’ve beaten them three years in a row and the last couple of times they were heavily favored–two years ago was the notorious Shoe Game in which one of their players threw an LSU player’s show twenty yards down the field for an unsportsmanlike conduct penalty that kept an LSU scoring drive alive; that drive also handed LSU the win; last year’s game was also kind of insane with all kinds of crazy plays and turnovers and so forth), and I should probably check when the Saints are playing–although they seem to do better when I don’t watch this season for some reason–and then plan my weekend around it. I’ve got to do a major push on the book this week and weekend; I’ve got to get back on schedule with this stupid thing.

Heavy heaving sigh.

I had a spell of not feeling so hot there for a moment, and when I was brushing my teeth earlier I noticed that my left shoulder (which is the arm that took the vaccine yesterday) was pretty sore; at least when I move my arm I am very aware of the general vicinity of where it was punctured. I think I can power through, however.

Last night we started watching another Spanish language show (we decided The Midnight Club, while sort of entertaining, wasn’t compelling enough and we can finish it another time) called Diary of a Gigolo, which of course is filled with DRAMA and all kinds of bizarre twists and turns with a rather large cast of characters and a lot of backstory and yet…not a single dull moment nor did we have any confusion about the multitude of plots–which is even more impressive when you realize it was in a foreign language and we were reading subtitles. (I do think there is something to watching shows with the closed captioning turned on; it forces me to pay attention and not let my mind wander–interesting.) I also spent a little time reading Interview with the Vampire while I was waiting for Paul to come downstairs so we could watch television. I am rather looking forward to continuing with Diary of a Gigolo (which, for the record, is far superior to American Gigolo, which just didn’t hold our interest at all) this evening after a conference call I have tonight. Heavy heaving sigh.

And on that note I am heading into the spice mines. May your Tuesday be as amazing as you are, Constant Reader, and I’ll be back in the morning tomorrow to check in yet again.

Mardi Gras Mambo

Or, my own personal Vietnam.

I’ve told this story any number of times; how the writing of the book was derailed by two awful things that happened in my life, and how I finally got back to writing again in the spring of 2005, managing to finish this and turn it into literally two or three weeks before Hurricane Katrina came barreling ashore and changed everything in my life, and the long recovery time from that paradigm shift, trying to adjust to the new reality I was facing every day. It felt weird going over the copy edits, weirder still doing the page proofs (I actually had the incredibly sharp-eyed Becky Cochrane and Timothy J. Lambert do it for me while I was visiting the Compound, thanks again, guys!), and even stranger having to tour and promote a book about New Orleans set before Katrina while still dealing with the recovery.

I’ve told those stories before, and that isn’t really what these entries are about; these entries are about the books themselves and how I came up with the stories and so forth, and the writing of the books. The primary problem, of course, is that I wrote this book between and around tragedies; the two year period I call the Time of Troubles that began on Memorial Day weekend in 2004 and ran through about 2008, really; because that’s about how long it took after all those issues for me to feel like my feet were beneath me again and I once again had a grasp on my life. I don’t remember what the original story was about, other than it centered on the Krewe of Iris, Scotty’s Diderot grandmother’s best friend who’d married a much younger muscle-stud Russian, and that’s really about it. The Russian would have something to do with a Colin case–and it would turn out actually be the case that brought him undercover to New Orleans in the first place during Southern Decadence; in Jackson Square Jazz we find out what Colin’s real job is, and that he was in town originally about the Napoleon death mask–but he was also in town to keep an eye on the young muscle-stud Russian who’d married Scotty’s grandmother’s best friend. It wasn’t really working, and I didn’t much care for the story, to be honest; I’d already asked for an extension before Memorial Day weekend in 2004 when all the shit started happening; after Paul was attacked they took it off the schedule and told me not to worry about it. (I appreciated the courtesy greatly at the time, but at the same time had this sinking feeling in the back of my head uh oh, they may not want another one after this–which turned out to be correct. But I dismissed the fear as part of my on-going struggle with Imposter Syndrome. It took me about six months, more or less, to get back to writing. I started my blog right after Christmas that year, and there I was writing every day again, and by January of 2005 I was ready to get going on this book again. I remember rereading everything I’d already done, not liking it, and deciding to scrap it and start over with the same essential premise: rich older society woman in New Orleans has married a much younger Russian boy-toy; Colin is investigating the boy-toy; and it’s Carnival season. Shortly after getting about halfway into a new first draft, the Virginia thing happened and I was derailed again. After that was over and I went back to the book…once again I didn’t like what was happening in the story and I threw it all out and started over again.

But this time, I hit my stride and four months later I turned the book in at long last, along with a proposal for a fourth, Hurricane Party Hustle, which was going to be set during an evacuation and would wrap up the loose ends left at the end of Mardi Gras Mambo.

And of course, three weeks later Katrina changed everything, and Hurricane Party Hustle went into the drawer.

Last night I dreamed it was Mardi Gras again. It seemed to me I was standing inside an iron gate, watching one of the night parades go by. The sidewalks in front of the gate were crowded with people, all shouting, with their grasping eager hands up in the air. Out beyond the edge of the curb, I could see people sitting in lawn chairs. Still others were up on ladders, with coolers and plastic bags of booty piled around them on the ground. Fathers and mothers were holding up babies, while black kids with the crotches of their pants down around their knees walked behind the crowd, weighted down by the ropes of beads around their necks. Beads were flying through the air, some getting caught and tangled in the branches of the towering gnarled oaks lining the avenue.  The heavy upper branches of those oaks also blocked out the glow of the ancient street lamps so the night seemed even darker than it should. I could hear a marching band, playing a recent hip-hop hit, and the strange clicking sound of the baton girls’ tap shoes on the pavement. The air was heavy with the heavy fragrance of hot grease, corn dogs and the strange melted yellowish-orangey substance the vendors put on nachos that purports to be cheese—but no one is really sure what it is. A group of flambeaux carriers were passing by, dancing that odd little circular dance they do, their propane tanks popping and hissing, throwing long and twisted shadows that also danced inside the iron fence I was behind. Right behind them a huge float pulled by a tractor was coming and the crowd’s shouts became louder, more desperate, more pleading. On the float’s front was a huge white clown face, its bright red lips parted in what passed for a smile but seemed to me to be a frightening leer. The masks on the float riders glowed supernaturally at the hordes begging them for generosity in the strange light cast by the moon when it cleared the thick clouds in the cold night sky.   I stood inside the black iron fence, my arms wrapped around me against the cold as an increased sense of menace and dread built inside me. Something bad was going to happen—

Oh, get real, Scotty!

If I do have bad dreams, I don’t remember them when I wake up. I’ve certainly never been troubled in my sleep, even though crazy things always seem to happen to me. I’m just one of those people, I guess. For whatever reason, the Goddess has decided to throw some wild stuff at me—she always has, even when I was a kid—and what can you do? I just don’t think I am one of those people who were destined to have a nice, normal, quiet life. Maybe it’s because I was named Milton Bradley at birth. Yes, that’s right. Milton Bradley. My older brother started calling me by my middle name, Scotty, before I started school and thank the Goddess, it stuck. Can you imagine how cruel the kids would have been to someone named Milton, let alone Milton Bradley? And then of course there’s the gay thing. I was lucky—my parents are pretty liberal and were delighted to have a gay son—like it somehow proved how truly cool they really are or something. They are pretty cool, actually.

By now, I’d taken to starting all of my New Orleans novels with a Tennessee Williams quote; for this one I chose a line from Vieux Carré: “You’ve got a lot to learn about life in the Quarter.”

I had opened Bourbon Street Blues with a parody of “The name’s Bond, James Bond” and I’d done something similar with Jackson Square Jazz–“Danger is my middle name”, riffing on Trouble is My Business. I decided to open this book with a parody of the opening line of Rebecca: “Last night I dreamed I went to Mardi Gras again.” But that entire opening paragraph of du Maurier’s is so fucking brilliant, I couldn’t help myself and made my entire first paragraph a parody of that opening. I then decided that from then forward, every Scotty book would have a Williams quote and each prologue–where Scotty introduces himself and his cast of characters and gives backstory so I don’t have to do it in the text of the story itself–would parody the opening paragraph of a famous novel, rather than just the first line (I am actually struggling to find the proper opening to parody to start the prologue for this one. I’ve used Rebecca, Peyton Place, The Haunting of Hill House, and Lolita, among others so far already; I’ve tried with this one to use An American Tragedy, Atlas Shrugged and The Great Gatsby thus far, with no luck. I’ve tried Valley of the Dolls several times for other books in the series already, but I can’t ever get it to work for me).

I do remember that the one thing that didn’t come across in those earlier drafts that I had abandoned was the sense of insanity that Carnival always brings with it; that feeling of “controlled anarchy” we experience those two weeks of parades, of knowing you have to schedule your entire life around a parade schedule–true even for those who do not live inside the box, as we say here; the box being the Uptown parade route–I always have to schedule my job, my trips to run errands uptown, everything, predicated around having to get home at least two hours before the parades start, and am incredibly lucky if I can get a parking spot within three blocks of the Lost Apartment. The thing I kept forgetting in those earlier versions was the books are meant to be fun. Granted, I was hardly in a mental space to write something fun…and of course the decision to really take it completely over the top the way I did was something I still think about to this day and wonder, where on earth did you get the idea for identical triplets?

Which, while crazy, made more sense than the cloning story I tried to write the second time.

Maybe those bad things happened for a reason? Because I couldn’t be more pleased with how the story and the book turned out. I also ran out of room to finish the personal story…but I also was operating on the assumption I’d get a contract for a fourth book. If not for Katrina, Kensington might have made another offer and Hurricane Party Hustle might have been the fourth Scotty than something just sitting in the files.

The book was released on Fat Tuesday, 2006. Paul and I had been out of town–the truncated Carnival/parade season seemed almost too sad to handle, so we’d accepted a gig to speak at the South Carolina Book Festival. We flew back to New Orleans the Sunday morning before Fat Tuesday. I’d checked my email that morning before boarding the flight to Atlanta (we changed planes) and then our cab driver couldn’t get closer to St. Charles than Baronne Street. A parade was going as we got out of the car, and we had to cross the parade (it was in the high seventies and sunny) with our luggage–I’ll never forget looking up as we got ready to cross and catching a bag of beads with my hand just before it connected with my face–and got home. I checked my emails and my word! SO MANY EMAILS.

You see, that day’s edition of the Times-Picayune carried Susan Larson’s review of the book, and it was a rave! Everyone emailed me as soon as they saw it–I still bask in the glory of that review–and I was about to embark on probably the most ambitious book tour of my career.

I just didn’t see, though, how I could write another funny, light book about a city still in ruins whose recovery was still questionable.

The series was, for the moment, over–with the personal story not resolved the way I would have wanted, but it could stand as it was, should there never be another Scotty story.

Rereading it, I couldn’t but laugh at some of the outrageous twists and turns the plot took.

I guess you could say I’m proud of it.

The Happening

So today I am off to Birmingham, once I’ve woken up completely and swilled down enough coffee to face the highway. It’s going to be horrible weather the entire way, of course–cold and rainy, potential thunderstorms–which will be ever so pleasant. But it’s a lovely serene drive, I’ll have a good audiobook playing, and it’s only about six hours or so to drive (sad that I now think only six hours? Piece o’ cake. Those twelve hour drives to Kentucky have certainly changed my perspective on what is or isn’t a long drive). It’s going to be fun to be around writers and readers and people who enjoy books for the weekend; it’s also an interesting switch to go back into author mode from my usual, every day Gregalicious mode.

My interview with Susan Larson for her show “The Reading Life” on our local NPR airs today (and again on Sunday); you can, if you are so inclined, you can listen to it here after 12:30 central time. Susan is hella smart, and incredibly well-read, and all of her shows are available to listen to at the link (check out the Laura Lippman episode, if you are so inclined), and has always been incredibly gracious to me about my writing and my career, and always so supportive. It’s lovely when you have the Duchess of the New Orleans literary scene on your side!

The weather last night was frightful, frankly. I managed to get home from work before it started in earnest, but poor Paul got stuck walking home in the torrential downpour, complete with thunder and lightning, and of course–it was 72 degrees yesterday morning when I went to work and by seven pm yesterday we’d have a thirty degree temperature swing. It’s going to stay in the thirties today (thank goodness for Paul’s sake we got the heat operational again), and it’s going to be cold up in Birmingham, too. I packed last night–there’s a few things left that need to be put in the suitcase, but really, all I have to do this morning is drink enough coffee to be functional, get cleaned up, and put the stuff in the car, and head out on the highway due northeasterly. It’s about six hours, give or take, as I mentioned before, not including the time out for bathroom breaks, lunch, and gassing up the car.

I slept very well last night–even though I woke up at five and six, the way I always seem to do every day now; and now that I am sitting here and the first cup of coffee is blazing through my veins, I can’t help but think if you are waking up that early organically, mightn’t it be easier on you to just go ahead and get up, so you don’t have to adjust again on the days you go into the office? But the bed is so comfy and warm–this morning I kept waking up but the warm comfort of my blankets couldn’t be denied, and I stayed there much longer than perhaps I should have; but again, there’s no rush to get on the road and therefore no need to get stressed or worked up about anything (who am I, and what have I done with Gregalicious?), right? Take it easy, take it slow, and take my time and don’t get worked up or freaked out about anything when it comes to traveling. At least I’m not flying and tied to times, you know?

I’m still a bit in the “post-turned-in-the-book” malaise aftershock; I tried to work on the short story that’s due on Monday a bit last night to no avail, which is worrying. I’m sure I can get it done this weekend, but last night I was just a bit too bleary to deal with it. I don’t feel exhausted this morning–that will undoubtedly change after hours in the car–which is a relief; I think a good night’s sleep last night was enormously helpful for me, and I’ll probably be flooded with ideas and thoughts for books and stories and essays while in the car, the way I always am; at least I certainly hope so. I hate the period after a project is completed when my creative batteries have been drained and are running on accessory rather than recharging–mainly because I always worry that this time the drain will be permanent and the creativity won’t come back. But I also have to take into consideration I wrote three books in the last year or so; which in and of themselves consisted of approximately 250,000 words.

When you look at it that way, I’m a little surprised that I’m not more exhausted than I already am. It’s probably not the smartest thing in the world for me to do a public appearance while I am so drained; the idea is to sound witty and clever and intelligent and get people to buy your books; I am always afraid that I am not going to be witty or clever or intelligent. Public appearances always make me nervous; I am always in great distress while I am on stage, with flop sweat running down my back and terror seizing up my stomach. People are always very gracious about how I do on these things, but then again, most people aren’t big enough assholes to say “wow, you were terrible up there!” (They save that for on-line.)

And on that cheery note, I am going to finish packing, get cleaned up, and do the little things I need to do to get on the road. Happy Friday, Constant Reader! Not sure if I will be able to post over the weekend or not, but stranger things have happened!

When the Lovelight Starts Shining Through His Eyes

As I mentioned yesterday–these blog post titles taken from the Supremes discography sometimes feel a bit off as I do some Blatant Self-Promotion about my new soon-to-be-released novel #shedeservedit.

I got my first ignorant comment on one of those blog posts yesterday; someone posted a link to a video about “toxic femininity” and how it’s “as bad if not worse” than “toxic masculinity.” Needless to say, I not only didn’t approve the comment but marked it as spam and blocked the user from commenting/reading my blog. For those of you who are new here–I don’t engage with trolls, not do I permit them the energy or the oxygen of allowing their ignorance to be seen by anyone here. This is my blog and I pay for it; therefore I will curate the content here and if you want to troll me, well, it’s just going to earn you a comment marked as spam and get you blocked, so don’t waste your time or energy on me. You may, of course–I cannot stop you, but I won’t engage with you nor will I allow Constant Reader to see your ignorance, so there you have it.

I wrote yesterday, and it felt good to get another chapter down. I only have two more to go and the revisions, and I have to say, pantsing this thing on a tight deadline hasn’t been the easiest way to write this book, but it’s working. I’ve got the plot all worked out now, who the killer is and why, and now all I have to do is cram the resolution into the last two chapters and we are finished, done, ready to go off to the editor with prayers that she likes what I’ve done and doesn’t require a complete overhaul, which is also entirely possible and within the realm of probability–one of the reasons, frankly, that I’ve not signed. a contract to dive straight away into another book when this one is finished; I thought it best to leave my time free just in case. (I am going to start working on Chlorine and Mississsippi River Mischief while waiting for my edits; there’s always something to write, after all–I can also work on the revisions of the novellas in the meantime as well.)

There’s always something…

Today’s BSP is going to focus on writing about small towns, rather than what I’ve been covering (toxic masculinity). The first book I remember reading about a small town that really stands out to me–as an examination of small town dynamics, rather than merely a setting for the story–was Ellery Queen’s Calamity Town, which was, if you are an Ellery Queen fan, the first Wrightsville story. There were several of these novels–the second, I believe, was The Murderer is a Fox–and I enjoyed them all; Queen clearly loved writing about Wrightsville, since he kept returning to the scene of the crimes, as it were, but the best, the true standout for me, was the first: Calamity Town. This book–published well over a decade before Grace Metalious scandalized the world with Peyton Place–also covers the same territory as Peyton Place: scandal and hypocrisy and the paralyzing power of gossip in small town America. Calamity Town remains a favorite mystery novel of mine to this day; I should reread it. It’s plot is ingenious and entirely rooted in human psychology, and it also contains one of the best and most clever misdirections in crime fiction history. It was Calamity Town that made me first start thinking about how small town society is actually a microcosm of American society as a whole, all encapsulated in a small package, and also that made me realize, for the first time, how claustrophobic small towns can be; where everyone knows everyone and you can’t really do anything without someone knowing; and how secrets kept can become very damaging over time. Queen is, at first, struck by the apple-pie Americana of Wrightville…and then he begins peeling back the layers.

Peyton Place, which I found to be far less scandalous than either General Hospital or All My Children by the time I got a copy at a secondhand bookstore in Emporia when I was seventeen or eighteen, also showed me again how claustrophobic small town life could be. Sure, there’s some bad to the point of laughable writing in the book (“your nipples are hard as diamonds”, anyone?) but other than those brief moments, overall it’s a very well-constructed book and a damning indictment on the hypocrisy of American small towns. I also read Sinclair Lewis’ Main Street around the same time for an American Literature class (I still think we should have read Elmer Gantry instead, or It Can’t Happen Here, but I was not in charge of the syllabus), which is also about the falseness of keeping up appearances and worrying what the neighbors think. I find it interesting that “small town American values” are frequently–particularly by conservatives–pointed out as what is the backbone of our country and so on and so forth (part of the entire “cities are BAD” thing we have had going on culturally for decades, if not centuries), but when that veil is peeled back, there is just as much rot and decay as in any “wicked” city. As I pointed out on Susan Larson’s radio show the other day, the vast majority of the soaps were originally set in very small towns, rather than urban centers.

Nobody does small towns quite like Stephen King, and the first time he really addressed small town life was in ‘salem’s Lot–although it can be argued he did a masterwork on small town life with Needful Things–and it was in his tale of small town Maine being overrun by vampires, he also did an incredible job of painting the town, it’s working class citizens and the minutiae of their lives; how circumstances trapped some of them and killed their dreams–and how others never had any dreams to be killed in the first place. The way he interweaves the lives of his small town characters, their relationships and histories and how everything is interconnected is masterful; has anyone ever done a critical analysis of King’s work with small towns? It also falls into this group; what King does with Derry is just as exceptional as his work on Castle Rock and Jerusalem’s Lot in the other works.

I based Liberty Center on Emporia, Kansas, geographically; my town is loosely laid out the same way Emporia is; there’s a small college there, as in Emporia, and there’s a meat packing plant on one side of town that reeks of death and stale blood on the south side of town, and of course, the waterfall on the river on the way out of town heading south and the park that goes with it. Other than that, it’s memory and invention; I’ve not set foot in Emporia in nearly forty years and have no plans to ever do so again. (Likewise, when I write about my fictionalized county in Alabama–it’s loosely based on where my family is from, but I haven’t been there in thirty years and will most likely never go visit again, so it’s all memory and invention for me.) I don’t know if I will write another novel about Kansas–I have some other ideas, of course, don’t I always–but it seems weird to create another fictional small city so similar to Liberty Center, but at the same time it seems even weirder to set another book there after having already done so (although i should probably revisit Sara sometime and see how I did it–and what I called the towns in Kahola County–before deciding one way or the other).

Heavy sigh.

Today I need to write another chapter, and I also need to work on revising a short story as well as writing a promotional article–and of course, there’s the horror that is my email inbox which needs to be dealt with this week once and for all (it’s all relative; answering everything and emptying it out inevitably means generating more emails there; my email responses will trigger emails in response which turns it into a Sisyphean task without end), and today is the men’s US figure skating championships, which naturally I plan to watch so I need to get my writing done before then, don’t I?

So on that note, I head into the spice mines. Have a lovely Sunday, Constant Reader.