Tag: Storyville

Darkness at the Edge of Town

I’ve kind of slowed down on my blatant self-promotion for A Streetcar Named Murder, mainly because the enormous thrill and rush of Release Day/Release Week has already come and gone. It isn’t like I’ve run out of things to say about New Orleans by any means; I could be here blogging for the rest of my life about New Orleans and never do more than scratching the surface. The depth of my lack of knowledge about New Orleans is bottomless. One thing, for example, that I can never completely wrap my head around is where the train tracks and stations were in the city, back when rail was king and vitally important to the operation of our port. I know there was a station in Storyville; part of the reason it ended up being closed was because so many men went through New Orleans on their way to serve in Europe during World War II, and the Department of War looked askance at the soldiers disembarking in a red light district (can’t say as I blame them, but on the other hand, they were heading off to the miseries of the trenches and what was, at the time, the bloodiest and deadliest conflict in human history, so why not let them get laid and party it up before getting on their troop transport?

I have always considered New Orleans to be a dark city–despite its many charms and enticements–not just because of the history here (which is plenty dark) or even the crime “problem” (which goes back over three hundred years), but because it really gets dark here at night; not quite as the true dark you can get out in the country, but for an urban area? New Orleans is the darkest city where I’ve lived. I’ve never experienced an urban area that gets so dark at night once the sun has set.

It’s like all the lights from houses and street lamps and businesses just \gets somehow sucked into the darkness and vanishes. When I come home after dark and park on my street, it always catches me by surprise when the inside of my car is lit up by one of the street lights. This happens, I think, because the massive live oaks everywhere inevitably block out the lights with their enormous branches. Oddly enough, cloudy nights generally are lighter than cloudless ones–because the cloud cover reflects back the neon of the French Quarter, turning the night sky clouds reddish-pink; it’s a phenomena unique to New Orleans that I really love. And the street lamps here seem to only cast light downward rather than up and out; it’s very hard to read street signs in New Orleans after dark.

See how dark it gets at night? It’s like the light gets eaten by the night.

Then again, that could be my eyes getting worse with age. My sister can’t see hardly at all after dark now, which worries me a little, but not a lot: her eye issues were different than mine. I was horribly near-sighted while she had an astigmatism, but my mother also has trouble seeing at night, too and she never had to wear glasses (she has reading ones now) so that doesn’t bode well, does it?

Another part of the reason it gets so dark here at night also has something to do with how many of our street lights are out, too. New Orleans street lights aren’t the kind that go up and then hang out over the street, either. Ours are the old-fashioned kind, with a bulb and its cover going up in a straight line–I think they were the old gas ones, adapted for electricity; I am not sure one way or the other. But I do like the antique, old timey look to ours. Now that I think about it, we couldn’t have the ones that hang out over the street, either; because of parade clearance! The low hanging branches of the live oaks that line St. Charles are also a problem for the larger floats, too; which is why so many of them are festooned with beads riders accidentally toss into the trees instead of to the outstretched hands of eager parade-goers–it’s going to be Carnival here sooner rather than later.

New Orleans’ haphazard approach to street lights and keeping the city lit up and visible at night also plays, interestingly enough, a role in A Streetcar Named Murder, actually; that darkness has a very strong hand on the finale of the book. When I was driving back from Kentucky after Thanksgiving, I noticed that once you got over the twin spans from Slidell and are back in Orleans Parish the lights on I-10 either don’t work or weren’t on, which gave the busy highway an eerie, almost hypnotically haunted feeling as I arrived in New Orleans East and climbed the bridge over the Industrial Canal. It even feels like the headlight beams of my car also get swallowed up into the darkness.

Is that darkness metaphorical? Maybe.

But I can only imagine how dark it must have been here at night when there wasn’t any electricity or gas, for that matter. And of course, it was very dark here after Katrina when most of the city lay in ruins. That was such a weird time.

I read a great review of Gary Krist’s Empire of Sin yesterday, which pointed out that the book was about a thirty year battle between the city of New Orleans and its brand of lawlessness, debauchery, and sin; which really is spot-on accurate. New Orleans has always been fighting that branding almost from the day the French settled on the high land along the river here. There has never been a time in her history when New Orleans has not drawn in tourists due to the branding with debauchery and sin. Someone was telling me the other day that the primary problem with dating apps in New Orleans is they are always full of tourists looking to get laid and not wanting to pay for it–which made me laugh; it reminded me of the old gay truism about not looking for hook-ups on-line the week before Decadence, Halloween or Carnival–because the chatrooms etc. were full of people coming in for the weekend and looking to make hook-up dates in advance…which was so patently absurd because seriously, back in the day if you couldn’t get laid just by going out during those events…well, you should just hire an escort and be done with it. People come here specifically to have the kind of good time they can’t have at home.

So, yes, the city has always had that kind of reputation and branding, which is why I always roll my eyes when the whites who fled the city for the suburbs and/or the north shore clog up the comments on social media and news articles about crime in New Orleans, clutching their breasts and casting their teary eyes up to the heavens as they bemoan how New Orleans has somehow slid into the gutter and how crime has gotten completely out of control. Fuck off, racists–we know what your dog whistles are because we’ve listened to them ad nauseum, ad infinitum: crime is a stand-in for oh no the black people and don’t pretend like you left New Orleans because of “crime”; you left New Orleans because of desegregation, so fuck all the way off. (The people who were protesting the removal of Confederate monuments in New Orleans were not from New Orleans, either.)

So, yes, there is crime in New Orleans–always has been, always will be–and I don’t know what the answer to reducing it or bringing the numbers down. But you can be the victim of a crime anywhere–the Clutters were murdered in rural Kansas back in the 1950s, after all–and it just means always be aware of your surroundings–which is always good advice for anywhere, really.

Not Fade Away

And here it is, Sunday morning already, and where did my weekend go? I am not sure, but somehow yesterday managed to get away from me somehow, and I didn’t get nearly what I had hoped done–or at least looked at, at any rate. I allowed myself to sleep in yesterday–today too–and it felt really nice. I got some things done around the house and then ran my errands. When I returned, I realized I had something to do that I’d forgotten about–I remembered right when I was leaving to run the errands (okay, I saw the reminder email before I left to run those errands)–and so I had to prepare something to eat. A friend had offered to let me guest blog at Mystery Lovers’ Kitchen, where you promote yourself and your new book by sharing a recipe. No problem, I thought, forgetting that I don’t really use recipes after the first or second time I make something, and then I never ever make it the same way twice again. I love cooking, I really do, and I think I’m good at it. I’m not a chef by any means–I cannot identify flavors by taste, and I am not familiar enough with tastes and textures to think of combinations that would work together into something delicious without a reference or a starting place. And truth be told, I subscribe very heavily to the notion that if you base your cooking in the basics of Louisiana-style food, it’s always going to be delicious. You can never go wrong with anything that starts with a roux as the base, let’s be honest. Many years ago I had a recipe in the Mystery Writers of America Cookbook, which was way fun; it was a recipe I’d been making for years and years and years and tinkered with a lot, going through many delicious and delightful variations–so I knew I had it written down somewhere. But after I got the reminder email I looked at what was required–and saw to my horror that I also needed pictures. I am not one of those people who regularly documents their food preparation, so I realized that I was going to have to actually make it so I could take the needed pictures; and there were things I would need from the market as I didn’t have them on hand. I also found the recipe and realized I’d improved on it quite a bit since I wrote it down for the cookbook, and I had to rewrite and revise it.

Constant Reader, those meatballs were goddamned delicious.

And I documented their making, as well as took a photo of the plated end product.

LSU got beaten yesterday, 50-30, in the SEC championship game. Georgia was better, as I expected, and none of the breaks really went LSU’s way; and for them to win, they needed all the breaks they could get, Georgia to not play well, and the Tigers needed to play out of their ass. Back-up quarterback Garrett Nussmeier looked amazing, frankly–the future of LSU football clearly on display; a little more control and better chemistry with his receivers and he could become Joey Burrow 2.0. Am I disappointed? Sure, a little, but mostly I am proud of this team and have far they have come since last January and that bowl game, or how far they’ve come since the start of the season. But they won the toughest division in college football, and did some things no one could have predicted. The future looks bright, and LSU is going to be elite again, very soon. (And a shout out to Tulane for winning their conference and winning a trip to the Cotton Bowl. No one saw that coming, either.) TCU lost, which, along with USC’s loss, will cause enough of the chaos I was hoping to see this weekend…although I do think Georgia and Michigan are without question the two best teams in the country, and there’s really no need for a third or fourth place seed. Now we just have to see which bowl game LSU ends up in, and the season is over–far better than anything I had any reason to expect back in August, so thanks again, Tigers. It was an interesting, up and down and exciting season, with some amazing games.

Today I have to go pick up the groceries I ordered; I think the meatballs will get me through the week for lunches, and so I don’t think I need to cook anything else today. I’ll probably have to stop at the market on the way home from work on Monday, after I get a better sense of what we need after putting everything away today (don’t ask, it makes sense in my fevered brain)–I may want to get a salad, or the produce necessary to make one.

As I have been writing my Blatant Self-Promotion posts for A Streetcar Named Murder I have also been realizing that a feeling I’ve been having for quite some time isn’t actually accurate. I have posted a few times over the last few years about feeling disconnected from New Orleans in some weird way, that something had changed and I wasn’t sure what it was, if it was the city itself–which has changed–or something in me or some combination of the two. But in writing these posts about New Orleans, I find myself smiling as I write them–I certainly was smiling when I was writing that guest post the other day for the Wickeds blog, “The Orange Cone” (which could also be the seeds of a longer comic essay about life in New Orleans)–that what has actually shifted is that I’ve kind of gone native. For years, I wrote about the wackiness and silliness and delicious little ironies of life in New Orleans, the eccentricities and oddities, because they stood out to me. They no longer do. I take that stuff for granted now, and it doesn’t even register with me anymore because I’ve become so accustomed to it. Writing about potholes and orange cones, and how they are easily not only in the Top 5 for conversation material between total strangers in the city made me laugh, made me shake my head at the wackiness and strangeness, and well–the whole New Orleans of it. That’s the thing. I never thought I would get to the point where the oddities of New Orleans life would become so commonplace as for me to pay it no mind, but here I proverbially am.

And I kind of love that for me. I love this city. I am by no means an expert on New Orleans; what I do not know about this city, its people, its history and its legends and lore could fill the Great Library at Alexandria. I continue to learn more every day, and with the more I learn the more I realize I don’t know and that I will never become expert, no matter how much I learn and read and absorb and experience. I always kind of smile to myself when people say that I am an expert on all things New Orleans because I am all too aware of how little I actually do know. I don’t know that I will ever stop writing about New Orleans. Writing that historical Sherlock Holmes story set here was so much fun to write and research–and I’ve also discovered an enormous flaw in my research and writing for that story since writing it, which serves as yet another example of the limits of my knowledge and how much deeper you have to go when researching a period of history here (one of the biggest hurricanes to ever hit New Orleans came through the year before the story’s setting; no commentary on rebuilding or about the disaster is a glaring omission). I want to write about Madame La Laurie; I want to write about the Sultan’s Palace and the trunk murders and the kidnapping of that little boy back in the late nineteenth century. I want to write about Storyville and musicians and Prohibition and bootleggers. I want to write about the Axeman, and the grinch, and other legends and lore; every time I find something new in a history or an a New Orleans history website, I immediately start thinking of ways to write about it. I will never run out of material to write about here, never.

And on that note, I am heading into the spice mines for the day. I am going to read for a little while as I drink coffee and wake up, and then I am going to write until it’s time to go get the groceries…and then come home to write some more. Have a lovely Sunday, Constant Reader, and I will check in with you again later.

Landslide

Friday and a three-day weekend looms. Huzzah? Huzzah! There’s football games to watch this weekend (GEAUX TIGERS!) as well as a lot of work I need to get done before I leave for Bouchercon next Wednesday. Which is fine, of course. I just have to buckle down and get my head back in the game, is all. I’ve been tired this week after work–part of that is getting up at six in the mornings, certainly–but it’s irksome to not be able to get as much writing (and good writing, not the horrible shit I’ve actually been writing) and reading in every night as I would like before I turn my brain to relax mode. Ideally, I will be able to get some things taken care of this weekend; writing and reading and cleaning and getting ready for the trip. We have a two o’clock flight out in the afternoon, and we have two hours (!) at Midway Airport–but there’s also a Home Run Inn pizza place at that airport (I noticed it when I had to change planes there last spring when I flew to Kentucky–a mistake I shall never made again) and so perhaps we could have some wonderful Chicago-style pizza for dinner on our way to Minneapolis. I think by the time we get to the hotel and check-in and all settled it might be too late in the evening to do much of anything other than unpack; I also have a very early panel on Thursday morning which means I will have to get up around seven.

I hope there’s lots and lots of coffee to be had in the hotel, else it won’t be pretty.

Yesterday was a tired day for sure. I didn’t sleep deeply Wednesday night–not restless per se, but I was in a shallow sleep for most of the evening, if that makes sense? Not that horrible if I open my eyes I will be awake but that half-sleep where you know you’re asleep but you’re also aware of everything? I hate that. So by lunchtime I was already running out of steam and trying to just hang on until I got off work. I was going to run errands on my way home but was too tired and just came straight home (I can stop by the mail and the Fresh Market tonight or go tomorrow). Once again I was too brain-dead to either read or write, but I did make progress on some chores before collapsing into my easy chair to be a Scooter pillow. I watched Venus and Serena play doubles–Paul was out having dinner with a friend–and then we watched Five Days at Memorial and Archer, and finally were able to watch last week’s episode of American Horror Stories–Hulu kept fucking up when we tried before; we’d get halfway into the episode than it would reboot back to the beginning; finally last night it worked–the weird Judith Light gets a facelift episode–and really, it wasn’t worth all that trouble. These stand-alone horror stories are really hit-and-miss, just as they were in the first season; sometimes they are interesting and clever, other times as satisfying as eating something with no flavor. And then it was bedtime.

I slept fairly decently last night and feel a bit of a sleep hangover this morning, which is fine–I’m assuming the coffee will wipe the dust off everything and remove the cobwebs from the corners of my brain–but today is a short day in the office, which is always nice before a three day weekend–and of course, I intend to run those errands tonight (so I don’t have to tomorrow) and I also need to start making a list of the things I need to pack. I know I am going to take Gabino’s book with me to read on the trip, along with the new Donna Andrews (Round Up The Usual Peacocks) and Laurie R. King (Back to the Garden) to read when I have time or at the airport and on the planes; I imagine I’ll finish Gabino on the way up and get started on the Andrews; which I’ll finish in Minneapolis in order to read the King on the flight home. I also have a copy of Nelson Algren’s A Walk on the Wild Side–a friend had posted on social media that they were going to watch the campy film adaptation with Jane Fonda and Barbara Stanwyck, and I thought wasn’t that a book first? It was, and since it’s a New Orleans novel–set in the French Quarter in the 1930’s–I thought perhaps I should read this? So I ordered a copy, and it’s rather well written–I’ve glanced through it a couple of times, always finding some sentence that makes me think wow this is either really amazing or incredibly overwrought and overwritten–which is a very fine line to walk. It’ll be interesting to see whether or not I think it’s amazing when I read it.

I had promised myself I wasn’t going to go down any Internet wormholes again for a while, the other day one of the New Orleans and/or Louisiana history pages posted about the murder of a Storyville madam (which I’ve always thought could be an interesting basis for a book) by her long-time live-in lover to whom she’s always been rather abusive, and it mentioned that her killer, although a common-law spouse, was only able to inherit a very small portion of her estate due to “Louisiana’s concubinage law” and well, how could I not go looking that up? Louisiana has some very bizarre laws, particularly when it comes to inheritance; but you also have to understand that up until the Civil War ended, Louisiana had some very bizarre customs. The “concubinage law” was actually passed to protect the dead person’s “legal” family as well as his “extra-legal” family from each other if there was no will, or even if the will cut out one family to the benefit of the other. It’s from plaçage, of course; that dreadful custom where a wealthy white man had a white wife and children, but also had a Black mistress and children with her.

The “concubinage law”, for the record, was on the books until it was repealed in 1987.

1987.

Jesus.

And on that note, I am going to head into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check in with you again tomorrow.

Wide Sargasso Sea

Thursday! Somehow we have managed to make it to Thursday, Constant Reader, which is definitely something to cheer about. Huzzah! This week has been a bit challenging, but I feel pretty good today (yesterday was one of those I slept well but never seemed to completely wake up days, which are getting harder and harder to deal with); I slept decently and I feel like I’m awake this morning, which is better than yesterday at any rate. I ran some errands on my way home from work last night, and then was tired. Paul was working on a grant so I just sat in my easy chair with my journal, trying to outline some projects that are currently in progress and get a stronger idea on where to go with the stories.

I’m not going to try to write that story whose deadline is the end of this month. As deep a wormhole as I’ve gotten into for the lost town of Freniere in the Manchac Swamp and Julia Brown the witch–which I am definitely going to write about at some time–I still don’t have an idea for a story, and I have another anthology I want to write something for by the end of the year that’s going to need some serious thought and consideration. The other contributors are very impressive names–it’s going to be another one of those one of these things is not like the other or why am I up here with these people? I was thinking about this same thing last night as I was telling Paul about my Bouchercon panels–in almost every case, I was thinking, what am I doing on these panels with these incredibly smart and talented people? Oh, well, the audience will be there for the other people and I’ll just be sitting up there, afraid to say anything for fear of proving that I don’t belong up there.

Ah, Imposter Syndrome. Such a delight at all times. Woo-hoo!

But as this month continues to slip through my fingers and everything I have to do continues to pile up with more and more things for me that I need to do–triage triage triage–and I am making a to-do list to try to make sure nothing gets overlooked or slips through the cracks. That’s always my fear; not that I won’t get everything done in a timely manner, but that I’ll forget something if I don’t write it down. That terrifies me. But I am pretty happy that I got a rough start to the Scotty book, have gotten some other things done, and am really hopeful that I’ll get to finish reading my book this weekend.

I continue to be endlessly fascinated by the Great Hurricane of 1915–in no small part because I wrote a New Orleans story set in 1916 (“The Affair of the Purloined Rentboy”) that makes no mention of it at all. This is one of the pitfalls of writing historical fiction–I am not an expert on New Orleans history and it never occurred to me to check to see what the hurricane situation in the preceding years was. On the other hand, I have read some New Orleans history for that period and NO ONE mentions the Great Hurricane of 1915. NO ONE. And considering it wiped some towns off the map (Ruddock and Freniere, in the Manchac Swamp), you’d think it would have merited a mention in some of these Storyville/French Quarter histories? It was a Category 3 or 4, so it had to have done some serious damage in New Orleans, and in the fall of 1916 the city would have still been rebuilding, one would think. Anyway, I picked a book on the hurricane from the library yesterday which I will also peruse this weekend to try to figure out how I want to write my story “When We Die” (yes, I already have a title for the story, I just don’t know how it’s going to go or what it’s going to be about or if it will even ever turn into anything…but now I also want to write a Sherlock Holmes story involving a hurricane….this is why, in case you were wondering, it’s so hard for me to get shit done because other ideas are always crowding their way into the front of my brain which is really annoying….)

And on that note, I am heading into the spice mines. Happy Friday Eve, Constant Reader!

Dress You Up

Thursday and a work-at-home day. I have data entry to do and condoms to pack, reality shows to catch up on, emails to answer and an apartment to clean from top to bottom (always). My insomnia is back again, so yesterday when I got off work I was too tired to go to the gym or do much of anything once I got home–in fact, the evening is kind of a foggy blur. I know Paul and I binged out way through some more episodes of Happy Endings, and I did spend some time reading Bath Haus, but other than that, I can’t really think of anything interesting that went on last night around the Lost Apartment. I did get my contributor copies of the Sherlock anthology, The Only One in the World, and they are quite lovely. Yay!

At some point today I also have to make groceries. I was going to do it Tuesday night after work, but was tired that night, too. I hate that the insomnia is back, and when I see my doctor (at last!) next week I am going to talk to him about options besides the alprazolam. I need the alprazolam because it keeps my mood swings under control, but at the same time, if that prescription isn’t going to be increased–I need at least four prescriptions for six months, not three, if not more–then I am also going to need to have something else prescribed that I can take on the nights I don’t take the alprazolam.

I also need to get back to work on “Never Kiss a Stranger” tonight. I am so close to being finished with it that I hate that I’ve stalled so much on it. It would be great to bang out three thousand words today and another three thousand tomorrow, so that it will be finished in a first draft form; and then I can get to work on some other things.

And that’s the problem with the insomnia. When I am tired I can’t think; when I can’t think it becomes harder to write, and then I get stressed, and the stress leads to more insomnia, because then I am too tired also to do much of anything, let alone stay on top of everything I need to stay on top of, which begets more stress, which turns into more insomnia, and so forth. So stress management is probably the most important thing for me right now, and as such, I need to take deep breaths and remember, at all times, it is what it is. I can only do so much, and pushing myself even harder will only create more stress, lessen the quality of my work, and end up being more defeating than not getting something finished.

Which is always bad news.

I also reread–just remembered!–my story in the Sherlock anthology; I tend to not reread my work very often–generally by the time it is finished and I have gone over the page proofs, I am so heartily sick of it I never want to see it again–but usually, whenever I got a copy of the finished book or anthology, I will sit down with it and read it as a finished product before putting them on the shelf and never looking at them again. So, last night I did sit down with The Only One in the World and revisited “The Affair of the Purloined Rentboy” (still one of my favorite titles ever) and you know what? It’s pretty good. I don’t ever give myself enough credit for anything I ever write or do–ever, and it’s a lifelong problem–instead, whenever I reread something of mine in print I continually edit it or rewrite it or think “why did I say it that way? This would have been better” and find flaws and pick it apart and frankly, it’s exhausting and emotionally debilitating and inevitably sparks a downward spiral of some sort. (Sometimes I wonder why I went into this field; I am clearly not emotionally strong enough for it, or mentally stable enough, for it. I also need to remember these things when I am reading about some writer from the past who was an alcoholic–I often think why were so many writers alcoholics? This is why.)

So, yeah, it’s not a bad story. It’s a nice read, there’s some lovely language and characterization, and I feel like I did a pretty good job of conjuring up the New Orleans of 1916. I would like to revisit my Holmes and Watson sometime, but not sure how to go about doing so–and perhaps someday when the inspiration or idea comes to me, I will–I do have a vague idea for another tale set in Storyville with them, based in a true story of a murder in at a brothel; but not sure I will ever have the time or investment to write “The Mother of Harlots” (also a good title.)

And now back to the spice mines.

You Belong with Me

It’s Tuesday, I think, and it’s a simply gorgeous morning in New Orleans. When I came downstairs this morning, the kitchen/office was filled with an almost blinding light from the sun–brighter than I’ve ever seen before, at least since the loss of the trees–but the sun has moved in the sky and now the sun is blocked away from my windows by the house next door. Today I have some things to do–I need to go get the mail, for one thing, and stop by the Latter Library as well–but I am going to spend most of my day with nose pressed firmly to grindstone. I am pleased with the book and how well it’s coming–if not the speed–but if I seriously focus today I can get a lot done, which is pleasing. Yesterday was a good day–I managed to get a lot done, made groceries, went to the bank (the CBD branch by Cadillac Rouse’s is located in what used to be the Midtown Spa building–a bath house, which amuses me to no end), and went to the gym to get in a workout. I then came home and made potato leek soup in the slow cooker, and worked on the book. I also spent some time reading City of Nets, and also went down a wormhole later on Youtube of more history videos. This morning I have a sink full of dishes that need pre-washing for the dishwasher, and I also want to get some more chores done around here before I settle in for a day of writing.

I also have a short story to finish by 1/15, and of course the next book is due March 1.

#madness.

But this vacation has been lovely so far–I’ve been getting lots of rest, and perhaps not getting as much done as I may have wanted, but that’s also par for the course; I always plan to do way more than I am ever able to manage to get done. I was thinking–rather, bemoaning–yesterday that I never seem to ever be caught up; there’s always something else that needs to be done, but I think that’s probably the story of the rest of my life. I’ll go to my grave with things to do still. But I don’t think that makes me any different than anyone else–I think we all inevitably will never finish everything we need to do. I know I’ll never manage to read all the books I want to read, let alone watch all the movies I want to watch or write everything I want to write.

I suppose at some point I should stop beating myself up about things I will never get to, shouldn’t I?

It’s just wasted energy, and kind of pointless.

As my mind wandered last night while Youtube videos played on continuous play, I started thinking about, of all things, Sherlock Holmes. Sherlock came up in conversation on Twitter the other day–some writers were talking about their comfort zones, and writing outside of them, and I confessed that writing my Sherlock story was one time where I was absolutely had to step out of my comfort zone and take risks and chances. The Sherlock story (damn, was I glad I was able to use the title “The Affair of the Purloined Rentboy”) was only my second time writing about a time period before I was born (the other being “The Weight of a Feather,” which is another personal favorite story of mine), and writing about Sherlock Holmes was way above my pay grade, quite frankly. I’ve never read the entire Sherlock canon–but I have read some of the stories; The Hound of the Baskervilles being the one I remember the most–and I’ve read some pastiches (Nicholas Meyer’s run at Sherlock in the 1970’s; Lyndsay Faye’s short story in a Best American Mysteries anthology, the year I cannot remember) and so agreeing to write a Sherlock story was something I wasn’t sure I was going to be able to do. The anthology’s only rules, of course, being that Holmes and Watson couldn’t be British, and the story couldn’t be set in London, made it much easier for me. I had already been in the midst of reading New Orlean history, and the 1910’s decade was, in particular, of interest; so I decided to set up housekeeping for Holmes and Watson on Royal Street in the Quarter in 1916. It was ever so much fun to write, and ever since I finished the story and signed the contract for it, I’ve been thinking about revisiting that world–I don’t know if I necessarily want to spoof actual Holmes titles (yesterday I thought up “The Ginger League” and “A Scandal in Milneburg”); I think the next Holmes story I might attempt will be called “The Mother of Harlots”, and use some of my Storyville houses of ill repute reading to color in the story. What could be more fun than writing a Holmes story about the murder of a proprietress of a house of ill repute in Storyville in its last years before the military essentially blackmailed the city into closing down Storyville during World War I?

So, of course, I then realized where are you going to sell your Sherlock stories, Greg?

It should come as no surprise that the answer was “Well, if I have to I’ll do another collection of my own stories!”

This is how it begins, you see.

And on that note, those dishes aren’t going to wash themselves, or load themselves into the dishwasher, and I have emails to answer as well. So it is back to the spice mines with me, Constant Reader–have a lovely Tuesday.

Beautiful Ghosts

Last evening was the first night in quite some time where Paul and I didn’t have an episode of Babylon Berlin to enjoy rapturously; it was quite a devastating moment as we retired to our posts in the living room at the usual time and I pulled up Netflix with a sad, sigh knowing there were no further episodes of Gereon and Lotte to watch and enjoy. But then I remembered that I thought I had seen that season two of The Alienist had either aired or was airing; and yes, there it was, waiting for us on Hulu: The Alienist: Angel of Darkness, and so we settled in for the first two episodes. It’s a very well done and well acted show; but there are some things I don’t understand about it’s apparent liberties with actual history–which is something I generally am willing to simply side-eye and overlook for the most part, unless it is especially egregious, and I fear that these liberties might indeed wind up being terribly unforgivable to mine eyes. But I do love Luke Evans, and Dakota Fanning is tres magnifique as Sarah Howard, so I am going to try to pretend it’s simply all fictional.

Although it does put me in mind of writing about the first New Orleans policewoman, from the days of Storyville, who was known as “Mrs. Officer,” which I think you will agree, is a terrific title for a series and would also work well as the title of the first book in said series.

We had another marvelous thunderstorm yesterday afternoon, with the usual flood warnings for Orleans Parish; fortunately I was working from home so I was busily making condom packs while talking on the phone for business purposes, and when I wasn’t on the phone (multi-tasking, as it were) I watched Alien on HBO MAX, which I had actually never seen before. I’d seen Aliens, and I think the fourth one, and both of the prequels, but I had never actually seen the movie that started them all–but everyone has seen the classic “penis-like alien bursting out of John Hurt during dinner” scene, and I also knew, from watching the sequel, that Ripley was the only one getting out of there alive. It’s actually quite a marvelous film, especially for its time, and all I could think about, as I watched, was how incredibly creative and inventive the screenwriter was. And despite some obvious things that look dated now–the computer screens and controls for the ship, not to mention the body-cameras on the crew as they explored the crashed, dead ship on the planet sending the “distress” signal would have been digital, not analog (but how could they have known that in 1979?)–it overall holds up very well. I can’t imagine why I didn’t go see it in the theater, but I never actually saw it until yesterday.

I must say, it’s kind of nice to do the condom packing at home and catch up on films I’ve never seen and educate myself more on film in general. On the whole, I’d rather be at the office seeing clients; but if I have to make condom packs all day, it’s nice to broaden my knowledge of film.

And Sigourney Weaver is quite fantastic as Ripley–I still think she deserved an Oscar for Aliens, and probably should have been nominated for Alien.

I also started reading a wonderful biography of Rock Hudson (research for Chlorine) called All That Heaven Allows by Mark Griffen, and am enjoying it tremendously. The story of Chlorine is really beginning to take shape in my mind, and I am really itching to get to writing it. But I’ve got to find the time to finish both Bury Me in Shadows and the Kansas book before I can sink my teeth into it–and even then, I am postponing other things that are in progress…I am just going to content myself for now doing the research and making notes.

And on that note, I need to head back into the spice mines. Have a lovely Thursday, Constant Reader.

Sail Away

So I went ahead and sent out three stories on submission yesterday; “This Thing of Darkness,” “Night Follows Night”, and the Sherlock story. Will any of them actually be accepted? Who knows, but that’s all part and parcel of the joy of being a writer who likes to write short stories despite being rarely asked to write them. I have like 86 short stories in some form of progress now, but it felt really good to write finis on these and sent them out. If they are rejected, oh well; I’ll just save them for my next short story collection.

See how that works? Staying positive is always a plus, you know?

And last night before I went to bed I checked the Pandora’s Box known more commonly as my email inbox to discover a delightful email from the editor of the Sherlock anthology that she loves the new edition of the story and is sending me a contract! How absolutely delightful. I am glad “The Affair of the Purloined Rentboy” will see print, and as always, it’s lovely to get that kind of affirmation. It’s also a period piece, which was just as daunting as writing a Holmes story set in New Orleans–the only rule for the anthology was that it couldn’t be set in London, and Holmes and Watson couldn’t be English. So I made Holmes a Louisianan–and we never are quite sure where Watson is from. But it was great fun, challenging, and very, as I said, daunting. While I’ve read the Holmes stories–and the Nicholas Meyer novels, and other stories written by modern day Sherlockians (notably, Lyndsay Faye and Laurie King), I don’t think of myself as an avid Sherlockian. Even now, I cannot think of the plot of either A Scandal in Bohemia or The Red-headed League.

So, I wasn’t a hundred percent certain I could write such a story that would be worthy of publication, but it was a challenge–and I do enjoy challenges. I like pushing myself as a writer, trying something different, seeing if I can continue to grow as a writer. (But just between you and me, the only reason I even thought I could possibly do this was because it was specified not to be canon–no London, not the late nineteenth century, no need for continuity. No, this was a way I could write a Sherlock story and make it entirely my own as well. And of course, setting it in 1916 was also a bit of a challenge for me as well; I’ve never done much period/historical writing, and since I knew, once the title came to me, that Storyville had to be involved (how else could one write “The Affair of the Purloined Rentboy” and not involve Storyville?), which presented a host of other issues. Fortunately, I’ve been reading lots of New Orleans history lately, and one of the books was about Storyville: Gary Krist’s Empire of Sin (highly recommended, by the way), and in a short story I wouldn’t have to have the ongoing detail a novel would require, so I thought, fuck it, let’s give it a shot.

I was also able to use one of the locations I often use in Scotty books, the Hotel Aquitaine, which made it even more fun for me.

So, apparently, the thinking positive thing might actually work. How lovely!

Also, yesterday I (the ever-present resident Luddite) managed to figure out how to go back and read the chat from the Queer Noir at the Bar reading on Friday night–I kept accidentally closing it, and when I was reading I never looked at it–and wow. Everyone was so gracious and kind about my reading! I’m glad, though, that I wasn’t reading the chat while I was reading because it would have freaked me out. Thank you all for being so kind.

I also started reading Kelly J. Ford’s Cottonmouths, and as I read, I began to remember why I hesitated to read it. Being from the South, and from a particularly poor part of the South, I sometimes have trouble reading about that world; because of the memories it brings back, and while Ford’s prose is magnificently beautiful, she also brought me right into a world I know so well–a world I’ve been trying to shake off my entire life. There’s probably something to be said, or perhaps written, about my struggle with where I am from; the deep pride instilled in me my entire childhood about being Southern and the defensiveness that automatically arises whenever someone else is critical of (what I still think of) as home; and how that pride also runs concurrent with a river of shame–two rivers, running parallel, a kind of Tigris and Euphrates within my soul, my psyche, my being. I’ve started and never finished any number of stories and novels set in Alabama; my files run over with them. Bury Me in Shadows is the first manuscript set in Alabama I’ve ever finished a full draft of (there are a couple of short stories I’ve finished; Dark Tide is also set in Alabama but down in a little town on Mobile Bay–which isn’t quite the same thing), and I have yet to complete it enough to turn it into my publisher. Reading Kelly’s book takes me to the same places Daniel Woodrell’s work takes me, or Ace Atkins’ The Ranger series…that inner conflict, that inability to decide, that pride of place and where I come from coupled with shame. I could see it all so clearly in my head as I read that first chapter…she may have been writing about rural Arkansas but it could have been rural Alabama. It’s real, it’s vivid, and it’s beautiful.

The rural south is savage in its beauty.

My whole life has really been about dualities; being Southern but not growing up there; closeted self v. authentic self; being a writer but also always having some other job for whatever reason. My identity has always been sort of splintered; it’s probably why I am so constantly down on myself because I never really feel whole, or like I fit in somewhere–because I’ve been outside my entire life.

And, I have found few things trigger me to dark emotion–anger or depression–than being reminded that I am an outsider.

We started watching Perry Mason, and we’re enjoying it–but it’s really not Perry Mason. It’s something entirely else, with the characters given the same names as the ones Erle Stanley Gardner used. The cast is fantastic, and it’s a terrific noir series (if a bit reminiscent of Penny Dreadful: City of Angels–which we stopped watching, for reasons that are not pertinent here), so we will keep watching–but, it’s not really the same show or characters.

And it makes me want to reread one of the originals again.

And on that note, tis back to the spice mines with me.

Please Remember Me

I am often, incorrectly, referred to as a “New Orleans expert.”

Nothing, as I inferred in that sentence, could be further than the truth.

Don’t get me wrong–I absolutely, positively love New Orleans, for many and varied reasons. The short, elevator-pitch answer is always Because I’m not the weird one here. And it’s true; New Orleans is an eccentric city filled with eccentrics. No other city in North America is like it, even remotely; New Orleans is a city that doesn’t abhor strangeness, but rather embraces it. When I came here for my thirty-third birthday in 1994, when I got out of the cab at the intersection of St. Ann and Bourbon that first night, my actual birthday, to go out to the gay bars of the Quarter, I knew I was home. There was no doubt in my mind, no question; just an immediate and instant connection with the city and I knew, not only that I would eventually live here, but that if and when I did all my  dreams would come true.

And that feeling was right. I fell in love with New Orleans, I fell in love in New Orleans, and after I moved here, all of my dreams did, in fact, come true.

So, when I write about New Orleans my deep and abiding love and passion for the city inevitably comes through. But I always kind of smile inwardly to myself when people call me an expert on the city; I am hardly that, and libraries could be filled with what I don’t know about the city. Sure, I do know some things, but an expert? Not even remotely close.

A perfect case in point is Milneburg. What, you may every well ask, is Milneburg? Milneburg was a resort village on the lake shore that many New Orleanians would escape to during the wretched heat of the summer (and I am vastly oversimplifying this); I’ve read about it in history books and so forth. I even thought Murder in Milneburg might make for an interesting historical mystery. I always saw it, though, in my mind’s eye, as close to the parish line between Orleans and Jefferson parishes; closer to Metairie and the causeway. So, you can imagine my shock when I saw a map of Milneburg posted on one of the New Orleans historical Facebook pages I belong to, and realized that I was completely wrong: there was a railroad line from New Orleans to Milneburg (which I knew) that ran along what is now Elysian Fields Avenue. 

So, Milneburg was actually where the University of New Orleans is now located; and the train line continued along east, crossing at the Rigolets.

Some New Orleans expert I am, which is why I decided to start reading more histories of the city over the last few years. It’s been quite an education, and there are still some things I don’t quite grasp–like when the Basin Canal was filled in to become Basin Street, and what relation that had to Storyville and Treme, because the train station also used to be located near Storyville (this was part of the reason why the drive to clean up Storyville and end legal prostitution in New Orleans was successful; the other part was because New Orleans was an embarkation point for the military during World War I and the Pentagon frowned on delivering green military recruits to whorehouses).

So, yeah, some expert I am.

But I really enjoyed Richard Campanella’s Bourbon Street.

bourbon street

There are no straight lines in nature. Nor are there any right angles. Rather, intricate arcs and fractures merge and bifurcate recurrently, like capillaries in a plant leaf or veins in an arm. Nowhere is this sinuous geometry more evident than in deltas, like that of the Mississippi River. Starting eighteen thousand years ago, warming global temperatures melted immense ice sheets across North America. The runoff aggregated to form the lower Mississippi River and flowed southward bearing vast quantities of sediment. The bluffs and terraces that confined the channel to a broad alluvial valley petered out roughly between present-day Lafayette and Baton Rouge in Louisiana, south of which lay the Gulf of Mexico.

Into that sea disembogued the Mississippi, its innumerable tons of alluvium smothering the soft marshes of the Gulf Coast and accumulating upon the hard clays of the sea floor. So voluminous was the Mississippi’s muddy water column that it overpowered the (relatively weak tides and currents of) Gulf of Mexico, thus prograding the deposition farther into the sea. Occasional crevasses in the river’s banks diverted waters to the left or right, creating multiple river mouths and thus multiple depositions. High springtime flow also overtopped the river’s banks and released a think sheet of sediment-laden water sideways, further raising the delta’s elevation.

In this manner, southeastern Louisiana rose from the sea. The process took about 7,200 years, making the Mississippi Delta, as Mark Twain put it, “the youthfulest batch of country that lies around there anywhere.” Young, dynamic, fluid, warm, humid: flora and fauna flourish in such conditions, as evidenced by the verdant vegetation and high productivity of the delta’s ecosystem. Humans, on the other other, view these same conditons as inhospitable, dangerous, even evil, and endeavor to impose rigidity and rectitude upon them, so as to better exploit the delta’s resources.

If New Orleans is known for anything, it’s Bourbon Street. Everyone has heard about Bourbon Street, it seems; just as they’ve heard about Carnival/Mardi Gras, beads, and show us your tits (which locals do NOT do–either yell it or bare them). Campanella’s book traces the history of the famous street, and by extension, the French Quarter itself, from its very beginnings when the French arrived and designed the streets, to its modern day incarnation as a street of endless partying and no little debauchery. It’s very well researched, and Campanella, who I believe teaches at Tulane, is the true expert on the city; I follow his pages on Facebook, and I can’t even begin to tell you how much inspiration and information Bourbon Street  has given me. I’ve put so many page markers in my copy that I’m worried about breaking the spine!

One thing that my reading of New Orleans history has further emphasized to me–and it also really comes through strongly in Campanella’s book–is how New Orleans has always been a city of neighborhoods, and how each neighborhood of the city had (has?) its own unique  sense of itself, and how those who lived in those neighborhoods so strongly identified with them. The evolution of the French Quarter from the original city and seat of its government, to the original French leaving and being replaced by immigrants (as late as the 1960’s the lower quarter was known as ‘little Sicily’ because of all the Italian immigrants and their descendants who lived there), and then evolved again into a different type of neighborhood, with mixed incomes and everything from inexpensive apartments to gradiose condos; and a variety of ethnicities, races, sexualities, and gender identities.

One of the primary concerns modern-day New Orleanians have is the fear of the loss of those neighborhoods; because those neighborhoods were the incubators for all the things that makes New Orleans so special and unique: the music, the art, the literature, and the characters. Short-term rentals are carving up neighborhoods and the rents/property values are currently climbing, with no peak in sight, and people are rightfully concerned about these things.

But one thing I’ve learned from reading these histories, and Campanella’s in particular, is that New Orleans has always changed and evolved, yet has also always managed to keep that unique strangeness that make it New Orleans somehow intact.

If you love New Orleans or find it at all interesting, I cannot recommend Bourbon Street enough to you.

O Come All Ye Faithful

I got my copy of the graphic novel Watchmen this week, and it’s way past time for me to read it; particularly since I’m loving the television series so much.

Then again, Regina King can do no wrong.

I did start reading Watchmen, and while not even halfway finished–not only am I hooked, but I am completely blown away by the story-telling…and the art is extraordinary. I can now see why it’s been talked about so much since its first publication. This is some epic story-telling, and even more amazing world-building. The storylines have layers and textures, the relationships between the characters, and the characters themselves are messy masses of contradictions and layers; it’s just simply mind-blowing how well this is done. The story itself, and how it’s structured, is also incredible. Watchmen not only lives up to all the hype–it surpasses the hype and deserves even more hype. The graphic novel is so stupendously good that it only emphasizes how incredibly well-done the show is–the show is a sequel to the graphic novel, some thirty years later.

And obviously, while it isn’t necessary for one to read the novel to watch the show, reading it does enhance the show tremendously.

I had also started reading Laura Benedict’s The Stranger Inside last week–just the first few pages, getting a taste for it, and it really grabbed me. Yesterday I read the first few chapters and am also greatly enjoying it. This has been an exceptional year for crime fiction, and may even go down as one of the genre’s greatest years.

I’m now up to Prohibition in Richard Campanella’s Bourbon Street, which was, quite naturally, an interesting time in New Orleans. I am pondering writing a crime series set during that time; the first woman police office, Alice Monahan–known as “Mrs. Officer”– worked during that time, and I think basing a series on her, dealing with everything going on in New Orleans and the country at the time; plus it’s a chance to explore the entrenched racism and misogyny of Jim Crow New Orleans.

Storyville is merely an added bonus.

Seriously, New Orleans history is so rich and vibrant, there’s material everywhere.

One of the reasons I wanted to write about Christmas in New Orleans in Royal Street Reveillon is because Louisiana’s culture is so rich and vibrant that it surprises me that we don’t have our own Christmas stories here. Sure, there’s The Cajun Night Before Christmas, which I love, but where are the other Christmas stories? As I mentioned the other day, I tried writing a Christmas fable once, “Reindeer on the Rooftop,” but it was so sentimental and sappy that it nauseated me. I tried revising it and making it more real and less sentimental for Upon a Midnight Clear, but I just couldn’t get anywhere with it. I did write one called “The Snow Globe,” which was more of a horror Christmas story, for an anthology that didn’t take it; I did get good feedback, and one of these days I’ll sit down with the story and the feedback and pull it together. Not sure where I’d try to get it published, but most likely it would go into my Monsters of New Orleans collection.

I just used the google to check, and I was correct: there are no hits on “New Orleans Christmas stories,” but broadening the search brought up an out-of-print volume called Christmas Stories from Louisiana, edited by Dorothy Dodge Robbins, and with quite an impressive collection of contributors. There are also some more listed here.

And wouldn’t a Hallmark Christmas movie set in New Orleans be amazing?

We even have a year round Christmas shop on Decatur Street, for Christ’s sake! (And don’t think it hasn’t crossed my mind to write a series around that Christmas shop, either.)

But all these stories, at first glance, are simply plays on traditional Christmas stories–nothing new or unique to Louisiana or New Orleans.

So, maybe it’s up to me to create one?

Hmmmm.

Perhaps that is just what I’ll do.

I mean, why don’t we have something terrifying, like the Icelandic Christmas cat?

Maybe there’s a Christmas rougarou story that needs to be written.

And on that note, I am heading back into the spice mines. I have been itching to write for days now, and I am going to spend the morning writing. Paul and I are going to stop in to see a friend who’s  been dealing with an injury this afternoon, and then it’s back home and to the computer. Tonight is the Heisman Trophy presentation, and I imagine we’re going to tune in to that in case Joe Burrow (GEAUX JEAUX!) wins that tonight–he’s already won every conceivable quarterback award under the sun over this past week. The kid is definitely an LSU legend…and then I can finally finish and post the lengthy post I’ve been writing throughout the season about him.

Have a lovely Saturday, Constant Reader!

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