Tag: Stonewall

(Our Love) Don’t Throw It All Away

A cold Saturday morning in the Lost Apartment. My doctor’s appointment went well–all my vitals were at appropriate levels, my lungs are clear, and all medications appear to be working properly, which is lovely. I came home from that appointment to do chores and make the house orderly before we headed out to Metairie for Paul’s appointment, after which we went to Costco. You know, for the first Friday of parade season, it wasn’t that terrible. It was crowded, yes, and there were times I had to wait for inconsiderate assholes who were blocking aisles thoughtlessly (a regular occurrence at the grocery store, a rarity for Costco) and the check out lines ferociously long, but it didn’t take us long to spend a shit load of money (Paul also ordered a new pair of glasses and our membership was also due for renewal). I was a bit concerned about parking when we got back, as it was closer to parade rolling time that I was comfortable with. I had noticed there were a lot of cars parking in the neighborhood–unusual–when I left for my appointment, and there was also a lot more traffic on the roads I usually traverse. Understandably, I was worried I wouldn’t be able to park within a mile of the house, but once we departed for Metairie/Costco I realized why everything was the way it was–they’ve turned the side of St. Charles people can drive down1 while parades are rolling into an obstacle course2. This is, I imagine, for crowd safety precautions after New Year’s, but damn…it’s going to make negotiating St. Charles and the neighborhood about ten times harder than it is usually is.

Thanks, asshole terrorist. I hope you’re roasting in hell like you deserve.

I also spent some time with Lev AC Rosen’s marvelous The Bell in the Fog, the second book in his Andy Mills detective series set in early 1950’s San Francisco. It’s an interesting period to read about: after the war but before Stonewall, when sodomy was still an enforceable crime and the hatred of queer people was so intense they were targeted mercilessly and no one fucking cared.3 Lev is a terrific writer–I loved Lavender House–and this one starts out really well. It’s very reminiscent of the old masters of crime/noir/hardboiled–Hammett, Chandler, Cain–which is why he gets nominated for awards so regularly.

I also have apparently sold another short story. I had sent something to an anthology at some point last year and completely forgot about it, to be honest; yesterday I got an apologetic email from (I guess? It has been a while) the editor saying they want it if it’s still available. That was a lovely bit of news, to go along with the terrific feedback from the other anthology that asked me for one. I am going to finish writing another one this weekend (if it kills me) so I can focus on finishing my book. I’d forgotten–as it has been a hot minute–how nice it is to get positive feedback from peers. And rather than questioning or explaining it away in my head (just being nice, etc etc), I decided to accept it and feel good about it, which is a lovely new approach to my career. In the moments when I allow myself to go down the natural path of current events (my publisher will get shut down, my books removed from the bookseller websites–it galls me that they’re on Target’s website, although they probably make very little me off me–and my career shut down completely in the de-queering of the country), I find it ironic that my stress, anxiety and depression didn’t allow me to ever enjoy my career very often, and that now I am finally beginning to enjoy myself and the nicer side of publishing/writing, it could all be stripped away from me. (For the record, straight people, losing our writing careers because of our sexual identity is something we have to think about all the time. Do you? So, fuck off with your I’m-an-ally-as-long-as-it’s-just-words-online bullshit. DO SOMETHING.)

But yes, I am feeling like I definitely need to get back to producing work, and that feels good for a change, you know?

Sparky also let me sleep late this morning, the little darling, and even curled up in the bed with me rather than trying to get me up. I think he waits for my alarm like Pavlov’s dog; I’ve trained him to react to the sound as well as his stomach. We watched LSU Gymnastics win at Kentucky last night, but they didn’t have a great meet–a bit of a letdown after defeating Oklahoma last week in Baton Rouge and a packed house–but it was fine; they hadn’t won in Lexington since 2016, and this year they did despite a bad meet. We then watched the premiere episode of Season Three of Reacher, which is based on one of my favorite Reacher novels, and am loving it. (I also like that his portrayer, Alan Ritchson–whom I’ve liked since I first noticed him on Smallville–is a devout Christian and not a cosplay one; he calls out the evangelicals and their false prophet regularly. He recently gave an interview to GQ in which he talked about Matt Gaetz, whom he went to high school with, and just ripped him to fucking shreds. You see? I don’t object to Christianity when people actually are real Christians.) We also watched some Arrested Development, too, before going to bed much later than we should have.

Overall, Friday was a pretty good day. I am going to get some reading and writing and cleaning done today–I need to unload the dishwasher and refill it at some point; and there’s always organizing and cleaning to get done. I also need to answer emails–I no longer have to stick to my old rule of “no emails on the weekend”–and I need to get some more newsletters written and finished to send. I’m trying hard to not deluge people with my newsletter; I am very prolific, as has been pointed out in the past repeatedly, and who wants to read my thoughts, views, and opinions on a daily basis? Even though I didn’t publish anything–not even a short story last year–I still produce a prodigious amount of writing all the time.

And on that note, I think I am going to head into the spice mines–more accurately, I am going to repair to my easy chair with my book for a while before I actually start getting things done around here–and I may be back later. I am trying not to do more than one post here per day…but anyway, have a lovely Saturday, and I’ll be right back here tomorrow.

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  1. I’ve always marveled that one side of the neutral ground is for the parades and the other side is open to traffic heading uptown. St. Charles is a major artery of the city, and they usually have to keep that side open because everything inside the parade is blocked off–and people do need to get uptown. Not really sure how this obstacle course drivers need to negotiate will work, or if they are going to take them down every night and put them back up again before the parades start–which means shutting St. Charles down for however long it takes to set up. Sigh. ↩︎
  2. I’ll try to get a picture of it at some point. ↩︎
  3. Straight people have always been awful, and the white ones the worst of all. ↩︎

Come Softly to Me

Sunday morning and as predicted, I didn’t get nearly as much done yesterday as I wanted to, but it was mostly about time more than anything else. I picked up the mail and stopped by Fresh Market, but then once I got home…well, there were chores still to be done (still have some more to do this morning) and I never did get around to writing anything besides blog entries yesterday, like a very bad Gregalicious. Today I have no choice, I have to write today…and I also have to drive out to the Apple Store in Metairie, and make groceries, both of which will be tiring. (I knew I’d regret putting that chore off until today, but at least it’s sunny out today; I think it’s going to be a rather lovely day out there.)

Sparky is always a problem for sitting at the computer as he always wants to sit in my chair–he will hang out and be obnoxious (right now he’s sprawled across the desk, his flicking tail brushing the keyboard as he knocks other things off…) and then jump into the chair the minute I get up for more coffee or anything, really. Heavy sigh, the joys of Big Spoiled Kitten Energy.

I did manage to watch Christopher and His Kind yesterday, which is Isherwood’s memoir about his life in Berlin during the rise of the Nazis, and it much more explicit than Isherwood’s earlier fictions about Berlin. During that “Staged Right” about Cabaret I watched the other night, he wrote it in reaction to the movie, to leave the record straight (as it were) about himself and his life; he hated that Cabaret made Brian/Christopher into a bisexual and that Sally was played by Liza Minnelli, when the actual Sally was marginally talented at best. It was an interesting film, but Christopher himself really came across as a bit of an asshole. There was also a lot of explicit sex, and there’s no question in watching this film about what his sexuality was, for sure. Matt Smith is simply stunningly beautiful, and Alexander Draymon as Caspar is just too beautiful for words. The two stories (Cabaret and Christopher and His Kind) are similar to each other, but I’m not really sure if a watcher didn’t know that both came from the same source, those similarities are simply base facts the story grew out of, and you might not even recognize them as the same story. I may need to revisit the books sometime when I have more time…as I recognize that a lot of the revisiting of fiction I talk about is probably never going to happen. But as always, I find rereading something as an easy way to shake off the not-reading mode I’ve been in for so long. We also watched the new BBC adaptation of Agatha Christie’s Murder is Easy yesterday, which we quite enjoyed…although I am waiting for the racists to complain since they cast a Black man in the lead.

So I started rereading Norah Lofts’ The Little Wax Doll yesterday, of which I remember very little of my original read back in junior high school (I read her novels about queens and royal women before moving on to her other novels, which was very definitely an eclectic mix), and find myself enjoying it a lot more than I did when I was twelve–I did enjoy it, but I am certainly seeing it differently some fifty years later. As a kid, I just read Miss Mayfield as a lonely spinster who spent most of her life working in Africa in her colonial “white savior” role with her best friend, who hopes to save enough money to buy a little place she and her “best friend” could retired to; now it’s screaming lesbians at me. The book was originally published in 1960, and of course there are the queer deniers who like to think we never existed in the world before Stonewall. The phenomenon of spinsters sharing a home was just a fact of life, and the British never really inquired much further than that–the British cold politeness.

And on that note, I am going to head into the spice mines. There’s a lot to get done today and I am feeling like I will be able to make some significant progress today. Wish me luck, and I may be back later. Happy Sunday, Constant Reader!

YMCA

Ah, the Young Men’s Christian Association.

One of my favorite things about homophobic straight people is how clueless they are (the homophobia is really a tipoff) when it comes to queer stuff. (In fairness, if they don’t know any queer people why would they know anything about queer stuff?) Nothing amuses me more than watching crowds of straight people–whether it’s a sporting event, wedding, or a party– start doing the “YMCA” dance when the deejay puts it on. It’s particularly funny to me when it’s a sporting event, particularly something more on the unenlightened side with their fan base when it comes to queer equality, like NASCAR or hockey (although NASCAR had been doing rainbow stuff all month…). As I watch them all stand up and do the ‘YMCA dance”–always out of rhythm, never to the beat–I smirk to myself and think, you clearly don’t know that this song is about the sexual smorgasbord a YMCA was back in the day for gay men, do you? It’s about GAY SEX, homophobes! You’re singing along to a song about getting fucked at the Y!

It always makes me laugh. Every. Single. Fucking. Time.

I’m sure the founders of the YMCA system would have been quite nonplussed to know that in some major cities, gay men turned YMCA’s into essentially bath houses. There were a couple in Manhattan that were notorious for hook-ups, but of course a YMCA would draw gay men. For a long time they were the only places for men to go and get exercise, unless they belonged to a men’s club, like the New Orleans Athletic Club (which used to be for men only), and since gay men, especially after Stonewall, liked to be fit and keep their bodies worked out and in good shape (to draw lovers, of course) they wound up at the Y. And when you get a bunch of gay men thrown together in an environment that includes pools, weights, saunas, steam rooms and showers, you’re going to get hook ups. YMCA’s also provided cheap rooming alternatives, too–and of course, that meant that you could get a room at the Y (just like you could at a bath house) which meant you could bring partners back to the room for sex.

When we first moved to New Orleans there was still a Y at Lee Circle (now Harmony Circle); the Lee Circle Y had been there forever and was actually kind of historic; one of the Israeli athletes murdered at the Munich Olympics was a Tulane student who worked out at the Y. I thought that should at least have some kind of commemorative memorial plaque–and had preservation-minded folk cared about the Lee Circle Y, it could have been declared a historic landmark, instead of closing and the land being sold for yet another hotel. Maybe a murdered Israeli athlete isn’t enough of a connection for historical landmark status. But I used to train people there, and also taught aerobics until it was closed permanently. They had redone the weight room and bought all new equipment a few years earlier, too. Some things–like the locker room and so forth–were musty and moldy smelling, with that distinct stench of decades of male sweat baked into the walls.

But yes, the Village People of “YMCA” fame–every one of them was dressed as a particular gay archetype (leather man, Indian chief, fireman, cop, etc.) and all of their songs were thinly veiled odes to the joys of being gay and having lots of no-strings-attached sex; “Macho Man,” “In the Navy,” “YMCA,” “San Francisco”–and the village in their name was Greenwich Village, the gayborhood in Manhattan. (The promotional video for “YMCA”–taken mostly from the movie Can’t Stop the Music–which is a topic for another time, because yes, that movie needs discussion–really says it all.)

There were bath houses, of course (Bette Midler famously got her big break performing at the Continental Baths in Manhattan); New Orleans had two when we first moved here–the Club New Orleans in the Quarter on Toulouse Street and Midtown Spa on Baronne in the CBD, across from where the Rouse’s is now. Both are long gone now, ain’t dere no more as we say down here. We used to do testing in the bath houses, which was always a weird experience. Every room had a television with porn on a loop; the room they used to let us at CNO to test in also was the sling room. So I’d sit on the bed/cot, with porn playing on the television hanging from the ceiling in the corner, and a sling in the opposite corner from the television. I bet that sling could tell some tales….or could have before it was consigned to the dustbin of history.

I also remember the battle over closing bath houses during the height of HIV/AIDS. Rewatching It’s a Sin reminded me of a lot of the struggles back when the disease was new and we didn’t know much about it other than almost everyone who got infected died. It seems kind of counter-intuitive now, but there was an argument that could be made that restricting gay sexuality was also a repressive attempt to push gays back into the closet as well as further stigmatizing gay men. It seems silly now, of course, knowing what we know now, but the mask argument during the pandemic kind of took me back to the struggle to get gay men to wear condoms. (I’m so old I remember when herpes had everyone freaking out in the late 1970s.)

I keep thinking I should write about the Lee Circle Y, just to preserve that piece of New Orleans history. “Never Kiss a Stranger” originally started with my main character getting off a Greyhound bus and lugging his duffel bag down Howard Avenue to the Lee Circle Y, where he gets a room while looking for a place to live. (I later realized the story actually begins with him finding that place to live; the rest is just filler and not very interesting.)

Maybe someday.

You’re the Top

One of the most frustrating things about being a queer American is the absence of any kind of history, really. Oh, sure, there’s Stonewall and some other riots/protests in the years leading up to Stonewall; the Mattachine Society and the Daughters of Bilitis. But since historians have done such a marvelous job of erasing us, trying to find our history isn’t the easiest task. You have to look for clues, coding, and signs.

Because, you know, we’ve always been here. We have also always consistently, despite the muzzling of the overarching culture and society’s constant attempts to erase us from the pages of history, managed to sneak traces of our existence and our sensibilities into the art of the times. Ever wonder why so many statues and paintings decorating cathedrals, cemeteries, and palaces in Europe are depictions of well-muscled, physically beautiful men? Because the artists were gay and the only way they could make art celebrating the beauty of the male body was to do so in a religious setting. (The depictions of the martyrdom of St. Sebastian, in particular, are insanely homoerotic; one such painting was used for the cover art of Anne Rice’s Violin, which I think may be her finest novel.)

This entry’s title is also one of those sneaky gay songs passing for straight. Good old Cole Porter, the witty and intelligent composer and songwriter and overall bon vivant. Queer coding is everywhere in old books and movies and television shows and music. (I’m currently reading Matt Baume’s marvelous Hi Honey I’m Homo, which focuses on queer representation on old television series from the 70s and 80s, focusing primarily on comedy shows.)

There have been queer Kings and Queens and Emperors–and two of the greatest military minds of all time were gay Kings: Alexander the Great and Frederick the Great. But our history always gets erased–and homophobic historians will argue till their dying breath that unless there’s definitive proof, those sexualities and identities cannot be named. This is both infuriating and frustrating; take the instance of King James I of England–he of the King James Version of the Bible. He didn’t have female favorites–he had male ones, and he gifted them titles, money, jewels and estates and raised them into high positions of power. But because there’s no diaries where King James admits to taking it up the bum or going down on Robert Carr, there’s no proof. Well, likewise, the only proof the man was straight was because he was married and had children…which was also his duty as King. I know of no women favorites of King James. Likewise, there are no letters or journals written by Frederick the Great where he talks about some soldier having a nice ass or having sex with some hot young ambitious Prussian noble. So, no, there’s no actual proof. There are no photographs, no videos, no nothing. But…while he was married, he had no children; and he would go years without seeing his wife. Women were banned from his court. He also wrote his actually confirmed gay secretary a letter during the course of which he said: “My hemorrhoids affectionately greet your cock.” (The hoops historians will leap through to deny that Frederick the Great was a big ole bottom, and that sentence doesn’t mean what it actually said, are worthy of Ringling Brothers.) There was a lot of gossip, and Frederick’s preference for young men was openly gossiped about at other European courts. And most of his art collection celebrated homoeroticism.

I would love to write a biography of Frederick, seriously.

I also find Louis XIV’s younger brother “Monsieur,” Philippe, duc d’Orléans, fascinating as well–another one who’d be interesting to write about, especially since he is known as the Father of Europe; almost every European monarch from at least 1800 is one of his descendants, despite his sexuality and his predilection for wearing women’s clothes to court.

My story in The Faking of the President addressed this erasure; I chose James Buchanan to write about because he is the only president who never married and he was allegedly in a long-term relationship with Senator Rufus King (Andrew Jackson referred to Buchanan as “Aunt Fancy”). There’s no evidence that Buchanan and King were actually a couple; all of Buchanan’s correspondence was burned, on his instructions, when he died. I wrote my story about a gay historian who firmly believed Buchanan was gay…and after effectively wrecking his academic career, someone contacts him who claims to have the long lost letters to Buchanan from his fiancée when he was a very young man–and the letters will prove his thesis.

Believe me, I get the frustrations he experienced. I don’t think I’d go to the same lengths he did to get that proof, but I empathized.

But this also is an issue in even more recent history. When I was with Mystery Writers of America, at one point I wanted to try to figure out how many queer authors were members…but the impracticality soon became evident. First, you have to start with the question of what precisely counts as queer fiction, and what is a queer book? Is it the sexuality of the author what matters? What if they are openly queer but don’t write queer characters and stories? What about a straight person who writes queer stories and characters? Does that count? Lambda Literary went through hell over this, and there’s literally no way to please everyone. Is it the book, or the author? I’ve always been a firm believer that it’s the book when it comes to awards. Yes, the author gets the award, but it’s for writing the book. So, in my opinion, I would consider Call Me By Your Name a gay novel, despite the author being straight, and my own A Streetcar Named Murder to not be one, despite my being gay. The argument can be made, of course, that being gay gives me a different perspective and point of view that’s more queered than that of straight writers, but I don’t think there’s any “gay sensibility” to Streetcar.

Maybe I’m wrong. I’m not the final word on my books, really.

But this becomes problematic in two regards: one, if someone never officially stated anywhere that they weren’t straight, can it be inferred? Not every man or woman who never married was queer; but marriage itself isn’t proof of heterosexuality because a lot of queer people marry opposite sex spouses and get divorced when they come out later. I was engaged at nineteen; does that serve as proof to future generations that I was straight, despite all of my writings to the contrary? People still don’t feel completely comfortable coming out TODAY, let alone before Stonewall. Take Cornell Woolrich, for example. He never married, lived with his mother for a very long time, and was an alcoholic, pretty much had a miserable, horrible life. He never said he was, but would he have during the time in which he lived? Likewise George Baxt, who wrote a series about an openly gay Black police detective in the 1960’s. Baxt never made any announcements or pronouncements one way or the other; some of his acquaintances have said that he was but Baxt himself never did in any meaningful, definitive way. So, was Baxt or someone else the first gay crime writer? Joseph Hansen was definitely out, and his David Brandstetter series was not only groundbreaking but still remains one of the definitive gay crime series.

Secondly, it also becomes a matter of privacy as well. I know any number of authors who identify as queer but don’t write queer; how do you know how far out of the closet someone actually is in their life? There’s a hugely successful thriller writer who is a gay man, but I won’t say his name here or to anyone else because I don’t know how out he is…and whose business is it, anyway? There’s a hugely successful crime writer that I know for a fact is a lesbian. But if I google her name and lesbian, there are no hits. I generally put myself into their place, really, and ask myself, okay, what if you had somehow managed to start getting published when you were closeted? You wouldn’t have written books or stories about gay men, for one, and for another, I absolutely hated when people speculated about my sexuality–because it never meant anything good for me would come of it.

I’ve never been militant about people’s need to come out, and I also don’t think it’s anyone’s place to out anyone; with the caveat that if you are closeted and actively doing the community harm, you absolutely should be outed. That congressman from Illinois, the über-conservative congressman from Illinois who was outed? Ah yes, Aaron Schock. He deserved it–and while I don’t think he ever repented from his self-loathing brand of conservatism, he certainly has been living the gay high life since it happened. J. Edgar Hoover should have been outed; he was a monster, as was the always disgusting Roy Cohn. But actors and singers? Models? Writers? People who are just navigating their lives and coming to terms with who they are? Everyone should have the time and space to come out when they are ready.

The closet is a horrible place, and it seriously fucks with the people who are living there. I can be empathetic because I know how hard it is, how terrifying it can be. It can twist people (Aaron Schock, for example, clearly felt the need to be über-homophobic just to show he wasn’t one of those people, and yes, that is twisted and sick and sad, and why I am able to feel some empathy–not sympathy–for him as his life must have been hellish, even if it was his choice), and warp them into horrific behavior….but accountability, respect, and atonement are also necessary if the closet turns you into an Aaron Schock. I mean, how much self-loathing had to be there in his mind?

Not everyone has to be a spokesperson. It depends on your level of comfort. And please give people the grace to come out at their own pace and on their own terms. Struggling to accept and love yourself–realizing there’s nothing wrong with you–is a process that isn’t made easier by speculation. I’ve indulged in speculation about actors and singers and other public figures. That kind of speculation usually happens because there are so few queer role models in the public sphere; but I can also understand why people in the public sphere would want their privacy. Being a role model is daunting and full of pressure and potholes and dips and swerves in the road. And it also begs the question–what do we out queers owe to the rest of the community? What is our responsibility? Can we opt out of those things if we aren’t comfortable? I’m certainly not comfortable speaking for the entire community; I always say “in my experience” rather than making my own the community’s.

And we do live in dark times. There is a vast right-wing conspiracy (thank you, Madam Secretary, for that accurate phrase) to wipe queers off the face of the country–and don’t you dare call me an extremist for thinking that. We are being dehumanized and devalued on a daily basis by a bunch of evil people who think they are somehow doing God’s work (that arrogance alone will keep them from Heaven), and if dehumanization isn’t the first step towards eradication, study your Weimar Republic history. This country is at a tipping point–and it wouldn’t take much to tip us over into becoming the 4th Reich, which is terrifying. Oh, Greg, you always look at the worst case scenario!

That may be true, but I’m rarely wrong–and usually the reality is much worse than I imagined.

But I still hold out hope that decent people in this country outnumber the monsters, and that decency will inevitably prevail again. The importance of coming out, because the more of us there are and the more visible we are, cannot be underestimated. This is also where that lack of history bites us in the ass. It’s very easy for haters and bigots to dismiss us as “something new” or “it was better when you were quieter” or the ever-popular “I don’t care just don’t shove it in my face” (which literally has the opposite effect on me–tell me that and I will rub your nose in it) because we’ve been erased from history and a lot of the language around us is new. Language has changed and evolved over the course of my life, as we get more information and learn more, and yes, that means you have to keep up and might actually make a mistake by saying something you didn’t know had become dated or offensive. I am learning all the time, and want to continue to learn because I want to keep growing into the best version of myself that I can be (thank you again, Ted Lasso) and I don’t understand people who don’t want to grow but would rather stagnate and calcify.

Give Up the Funk (Tear The Roof Off That Sucker)

I started watching Doom Patrol on DC Universe the other night, and I have to confess I was a bit intrigued–much more so than I was when Titans did their crossover and wound up at the Doom Patrol house for one episode. That episode didn’t encourage me to tune in when Doom Patrol got its own series, but I’m glad I did tune in. I love that Brendan Frasier and Matt Bomer are basically doing voice-over work, as their characters are robots and completely bandaged from head to toe; but there was also a wonderful sequence where we learn that before the accident that left him burned beyond recognition over all of his body, Matt Bomer’s character was a deeply closeted gay Air Force pilot in the 1960’s, with a wife and child. It was a lovely, sad, and poignant touch, and one that we, in our modern times, don’t think about much: what it was like to be queer between World War II and Stonewall. I am finding myself drawn more and more to historical queer life, to be honest; it’s fascinating finding the clues and small, almost completely eradicated traces of queers in history. Maybe one of these days I’ll write a book set in the past…I have an idea for one or two, the problem being I don’t have a whole lot of time for research–I don’t have a lot of time for anything these days, it seems.

We also started watching Fleabag last night, and it’s quite interesting. Very different from most other shows, really; I can’t think of anything it’s even remotely like. Phoebe Waller-Bridge is fantastic in the lead, and she also created the show and writes it.

Yesterday I worked on a manuscript I’m editing; I intend to do some more work on that today as well. There are a million other things I need to do as well today; I started making a red velvet cheesecake for a co-worker’s birthday yesterday–I made the cheesecake part, today I have to do the red velvet cake, layer them together, and make the frosting–and I also need to do some cleaning. I’d like to get some writing or editing of my own stuff done today, too–but who knows how much time I will have to get around to doing any of it? It’s so easy for me to get off-track, and I am very easily distracted, as we all know. It’s really all a matter of juggling and staying motivated. The last two nights I slept deeply until around three-thirty in the morning; after that my sleep was spotty–more awake just lying in bed or half-awake until I finally got up both mornings. Yesterday I wound up being very tired in the afternoon and wound up taking a nap; having Scooter get into my lap and fall asleep never helps; Paul and I think he drains our energy like some kind of cat-vampire; he always cuddles up to one of us and falls asleep….and before too long, whichever one of us he is lying on is asleep as well.

Naturally, he doesn’t cuddle up to me at night when I’d like to use his sleep-inducement powers.

Anyway, I feel rested this morning and I’m awake early, which means I can get a lot done if I close my browsers and ignore the rest of the world. The house is a mess, as always, and I’ve been letting things slide (I’ve not done the living room floor in quite some time and it’s very apparent), and perhaps today I can make the time to get some of it under control.

I have a short work week this week; National HIV Testing Day is a week from this Thursday, which means I have to work eight hours instead of the usual four; since our pay week runs from Friday to Thursday, that means I get to take this coming Friday off for a lovely three day weekend. Needless to say, the month is completely winding down and I still haven’t gotten the first draft of the WIP done, but I think it’s slowly starting to come together for me–what I need to get the rest of it done. I think it’s going to be pretty good once it’s finished but who the hell knows? I’m really not sure of anything anymore, to be perfectly honest, particularly when it comes to writing. One would think it would get easier the more you do it, you know? But it never gets easier…if anything, it seems like it’s getting harder the older I get.

And on that note, I’d best get going on everything.

Have a lovely Sunday, everyone.

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