I love this song still to this very day. It came out during a time where nostalgia was big–especially the 1950s–and the Beach Boys had just made another comeback and their album Endless Summer was a huge hit. The song is very reminiscent of the Beach Boys–all that California sun and surf and cheerfulness and high school hops–but there was a melancholy under all that cheerful nostalgia, especially with the background refrain, oft-repeated through it, of do you remember? do you remember? (The song also come out around the same time as a book called What Really Happened to the Class of 65? and I always associated the song with the book.)
It is Tuesday morning and I am up early, as always, swilling coffee and eating coffee cake, care of Costco. I did finish editing that story, and got it turned in. I hope the editor likes it. I had the idea for it many years ago–not that long, but it seems like it now–and started writing it, getting a draft done before wondering where to try to sell it. I was going to submit it to the Minneapolis Bouchercon anthology I edited, putting it through the anonymous read process as I did for the New Orleans and St. Petersburg ones because it would look like “insider pool” if I was accepted. (I have not submitted to a Bouchercon anthology since being told this, by the way. If their board thinks I would just automatically put my own story in there instead of following the same procedure as everyone else? I don’t need to be in any of their anthologies in the future.) I’ve had the idea for a long time–going back to when I actually lived in Minneapolis, which is where I also came up with the title, which is one of my favorites of all my titles. I did try selling some other places, but the story was still…not quite right, and was rejected, as it should have been. I think I was able to fix it, but…we’ll have to see. But it felt good to work on it, and I also realized that just because it doesn’t “feel” the same to write and edit as it used to, doesn’t mean I’m not doing good work. I’ve changed, both physically and mentally, and that’s going to make things seem different to me than how they used to work, you know?
Yesterday wasn’t a bad day, you know. We weren’t as busy at work as I had expected, primarily from no-shows and last minute reschedules, so I wasn’t exhausted when I got home from work and worked on the story. I didn’t do any chores–the kitchen somehow exploded again, I don’t know how all this happens, honestly–so when I get home tonight I can’t write or read or even catch up on the news until those chores are completed. I hate when the downstairs is a mess, and the whole apartment, when it’s out of order, feels very cramped and small and claustrophobic. Because I am all about the claustrophobia? Apparently so. I slept well again last night and don’t feel terribly sleepy or tired this morning, which is a good thing. Sparky was a combination cuddle-bug/attack kitty this morning before I got up, and went into attack mode again while I was putting my shoes on. I think Paul will be working late at the office tonight, if I am not mistaken, and so it’ll be time for some bonding time after I write (or while I read and edit). I doubt I’ll be catching up on the news; the current story dominating the legacy “media” doesn’t interest me, nor am I interested in being shamed for not mourning someone who advocated me being stoned to death, either. (Miss me with the “he didn’t say that!” Okay, then, tell me one positive thing he ever said about queer rights and equality. I’ll wait.)
The story not getting this fawning, wall-to-wall coverage from the legacy media? How about the two men lynched on consecutive days in Mississippi? The Mississippi “police” already determined the Black college student’s death had “no evidence of foul play.” Really? The other victim was a white homeless man, and their names were, respectively, Trey Reed of Delta State University and Cory Zukatis. After all, it’s not like the Mississippi police have a history of covering up hate crimes or anything. (eye roll to infinity)
We are living in dark times, indeed.
And on that grim note, I am heading into the spice mines. Stay safe, Constant Reader, and I’ll be back in the morning.
It was chilly yesterday morning when I left the Lost Apartment for the office; I actually thought about going back in for a light jacket, but decided eventually to simply tough it out because I suspected (correctly) that the once the day got going it would get hot out. I was tired yesterday–fatigued, more than anything else–but the day was relatively calm at the office which was a lovely respite from the shit show of the earlier days of the week at the office; yesterday, however, we had several amusing intercom system mishaps. A code was called seven times…for a floor we don’t have. Another time the intercom system got turned on and a conversation between three women was broadcast through the entire building. Needless to say, our entire department was in hysterics.
Kind of a silly day around the office really.
But I was very tired when I got off work again yesterday, which comes mostly from stress at at the office. Yesterday was much better than the previous days, but those two days kind of wore me down for the entire week. I did manage to work on a short story I want to revise and submit to an anthology next week, and once I did go to bed, I slept extremely well and feel rested this morning, which is awesome. I don’t think today at work will be terribly stressful, but you never know. I haven’t yet checked the news about Milton and what’s happened to Florida overnight–mainly because I’m almost afraid to; just as I’m a bit worried to check the hurricane center for new developments occurring. The season doesn’t officially end until December 1 (!!!) and there have been years where we’ve had hurricanes through November. Yay.
After my brain finally became too tired to do anything last night, I just spent the rest of the evening before going to be watching hurricane coverage. I lived in Tampa for about four years or so, back in the 90s before cell phones and before everyone had the Internet; a simpler time if you will. I’ve only been back once, and I could hardly recognize it from when I lived there before (I did fly into the airport two other times, one for Bouchercon in St. Petersburg and the other when we went to that tennis resort just north of the city), it’s changed so much. That’s partly why I don’t write about Tampa; I have fictional places in Florida I write about because it’s how I remember things. I should probably go back to Tampa once more to research how the city is laid out and other things, get a feel for it–or I could just keep writing about fictional cities that are based on real places. Muscles is a Florida book, should I ever finish it, and there are several other ideas I have for Florida books. Will I ever have the time or opportunity to write them? I still delude myself that this I will.
I am glad, however, that bad as it was–Milton wasn’t as bad as he could have been. But I am sure those who’ve lost their homes probably aren’t feeling grateful for anything this morning other than being still alive. Trust me, I know the feeling. It’s sometimes hard to believe that Katrina was over nineteen years ago. I don’t know what we do if we dealt with another one of those here; we’re both kind of old to go through the rebuilding thing again, so we maintain a sense of denial about Louisiana’s hurricane vulnerability. I also kind of feel in some way–the superstitions left over from the primordial ooze brain deep inside–that writing about a hurricane hitting New Orleans will cause one, because I am just THAT powerful. There was a lot of that after Katrina in the first few days, until I realized how incredibly narcissistic that is. Yes, Greg, your city was destroyed because you were writing about a hurricane at the time; everyone else is at your mercy. Talk about a God complex.
And tomorrow I’ll be working at home before I leave for Alabama. I may stop by the office on my way out of town; but we shall see. And on that note, I am going to head into the spice mines. Have a great Thursday, everyone, and I shall chat with you tomorrow morning.
And here we are on yet another Pay-the-Bills Wednesday. Paul is leaving today, and won’t be back until a week from Saturday. I also don’t have Scooter for cuddles and company. Will I go mad living under conditions of absolute reality? Even larks and katydids are believed by some to dream.
Yesterday was a much better day than I’ve had in quite some time, all things considered. I slept incredibly well, so didn’t start off my day either sleepy or groggy or tired, which is always a plus. The work day was relatively low-key; we were slow in the morning but busy in the afternoon, and frankly, I prefer it that way; busy in the morning inevitably means tired in the afternoon, and if we’re so it’s agony. But over all, a good day at the office and an auspicious beginning to the month of August. (I also didn’t note that it was the anniversary of both of our moves to New Orleans; first in 1996, then again on August 1 2001 when we moved back home from That Horrible Year Away.)
I ran errands on my way home–mail, prescriptions, groceries–and then came home to a sink full of dirty dishes which needed attention, so I took care of that as well as another load of laundry, and then sat my ample buttocks into my desk chair and banged out the revision of Chapter 3 I’d been stuck on for a little less than a week (not so much stuck as tired and didn’t want to bother with it, in brutal honesty) and got it finished and under control before moving onto Chapter Four. I also worked on “Whim of the Wind” for a little while, and also did some more research into the history of the city I am fictionalizing for the WIP, which I continue to fail to discuss. Perhaps this weekend? Perhaps. I kind of want to see if I can get past Chapter 4 before I talk about the book publicly, but that’s nothing more than my own superstitions, which is pretty stupid. As a general rule I don’t believe in things like jinxes and curses and so forth, but I do believe you can actually speak things into existence sometimes. The only takeaway I got from Psych 101 in college was the concept of visualization; that picturing something in your mind can make it happen–but not like winning the powerball or anything like that, but more along the lines of why you always spill something full when you’re carrying it no matter how careful you are…because your mind cannot picture a negative–you can’t see yourself not spilling it; so when you think about not spilling it, you will because you see yourself in your mind actually spilling it. (It’s like how you cannot prove a negative–you can rarely prove you aren’t something; but it is incredibly easy to prove you are. I use this example: someone drinks a lot. They don’t think they have a problem, they don’t wake up in the morning feeling like death warmed over twice and wanting another drink. But once someone says, “You have a drinking problem”, you can’t prove that you don’t. You can say you aren’t, but that’s denial. You can stop drinking for a time period—but if you start drinking again, well, there, you see, you were in recovery and then relapsed! You cannot win, so why bother trying?) It is much harder to prove something isn’t true than it is proving something is. Guilt is the same way–how do you convince the cops, who are convinced you are, that you aren’t?
I will say this about the WIP–it’s more hardboiled and noir than what I usually write, I am having a lot of fun with it, and it’s been a long time since I wrote anything set in Florida, if I ever have? Dark Tide started as a Florida panhandle novel, but I moved it to the Alabama coast; “Cold Beer No Flies” was a panhandle story, too. But this is me fictionalizing Tampa–come to think of it, my main character in The Orion Mask lived in a fictional Tampa I am using again for this one–and I’ve not set foot in Tampa, other than flying in and out for Bouchercon in St. Petersburg, since I moved away in December 1995 to once again reboot and restart my life.
I was tired after all my errands yesterday–the thermostat in my car let me know it was 101 when I left the office yesterday; it is insane for it to be that hot, even in New Orleans. It’s exhausting dealing with this insane summer heat this year. But I did get some writing done yesterday, which was a good thing, and of course Paul finished packing. Heavy heaving sigh. Ah, well, I have Superman and Lois to catch up on, and My Adventures with Superman, and so many old classic films to watch, so I shouldn’t have any trouble keeping myself entertained so I don’t feel lonely or bored. And of course I could be writing, which is always difficult in August…I also think about how about eighteen years ago I was finishing (finally) Mardi Gras Mambo at long last in that last, fateful August before Katrina. It really was a completely different world all those years ago; maybe I ‘ll go back and read those old Livejournal entries from August of 2005, so I can remember the world before once again. I also have a lot of reading to get caught up on, as well. I have some errands to run this evening on the way home from work, and then I am going to be inside for the night. We did watch another episode of Gotham Knights last night–very intense, as the season finale moves closer–but now I have to wait for Paul to come home to finish. Heavy heaving sigh.
But perhaps I’ll use all this solitude productively. One never knows, and on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you again tomorrow.
One of the fun things you get to deal with when you’re a queer mystery writer is the diversity panel.
What, you may well ask, is a diversity panel?
It’s what used to happen back in the day when well-meaning non-minority people realized they had to do something with non-white non-straight mystery writers coming to mystery conventions. What better way than to wash your hands of working for diversity by throwing all of the non-white non-straight writers at a conference onto a “diversity panel”?
Back when I was getting started and still was doing touring for book store events, I used to joke that signings/readings always made me feel like a sideshow freak hawking snake oil; the mass signings at events like BEA (Book Expo America) were the worst for this. I always wound up sitting next to someone enormously popular or famous (when they’re done alphabetically, I always expect to be seated next to Charlaine Harris, which is quite humbling. The most humbling of all was sitting next to Sharyn McCrumb at the South Carolina Book Festival. Her line literally went out of the room and into the hallway….ao I just started opening the books for her to make it run more smoothly. Might as well be useful since I was just sitting there doing nothing.)
But that was years before I was ever put on a diversity panel. Ah, the well-meaning diversity panel. Make no mistake, it’s always meant well–the path to hell and all that–but inevitably these panels would devolve into let me teach you nice straight white cisgender people about homophobia/racism/misogyny. The problem was always not the intention, which was good (inclusivity is never a bad thing), but the mentality that you could throw everyone outside the straight white cisgender class onto that type of panel and not worry about actually putting those authors onto other panels wasn’t the best. Conference diversity was the goal, and tossing out a “diversity panel’ to check off that box…yeah, no thanks.
As if having your entire writing career reduced to, in my case, who I fuck isn’t a bit disheartening, to say the least. It also very clearly sends the message that the only benefit any audience would ever get out of listening to me speak would be my ability to teach them about what it’s like to be a GAY writer. Not a mystery writer, not a writer, but a GAY writer. When I taught the character/stereotype class for SinC into Good Writing at New Orleans Bouchercon, I opened with “I don’t get up in the morning and shut off my gay alarm and go down my gay staircase and make myself a gay cup of coffee. I shut off my alarm, go downstairs and make a cup of coffee like everyone else does.”
I’m a gay man, and I write (mostly) about gay men. I’ve written and centered characters who were gay men before, and will probably do so again. My driving passion, though, is to write about my community and people like me. I long ago accepted I’d never get rich doing so, but I write what interests me and the concerns and plights of gay men are usually at the top of that list. I bristled whenever I was assigned to a queer panel or a diversity panel at a mainstream community event, but I also felt obligated to do the work–and I’ve always (wrongly) believed that complaining sounds like ingratitude. (Ah, that Christian brainwashing!) If I do sit on the panel and talk about the history of queer crime fiction, writers from the past who influenced me but are out of print today, and talk about why I write what I write, maybe some hearts and minds can be changed, or at least influenced to do some reflection and processing that can lead to effective change.
But…I can also talk about writing, and inspiration, and plotting and character development and dialogue and the mechanics of novel/story construction. I can talk about suspense and cliff-hangers, and how to keep the reader turning the page. I can talk about setting and place, scene and mood and voice, first person v. third or present v. past tense. I mean, I get it. If you want someone to talk about gay crime writing, you should get a gay crime writer; every writer can speak to those things, but not every writer can talk about being a gay crime writer. But it’s so nice when I can talk about something else, you know?
The diversity panel all too often would also be the only panel we “others” would get assigned to, because clearly the only interesting thing about us and our work was it didn’t center straight white cisgender people. They were always scheduled at terrible times–either super-early in the morning or late in the afternoon; and inevitably, there would be panels scheduled against packed with superstars everyone wants to hear. If having your work and career distilled down into simply being about you fuck is disheartening, imagine being assigned to a panel at 4 in the afternoon on Friday to talk about how who you fuck makes you different from the majority of authors to the six or seven people who show up for it (if you were lucky).
If signings or readings made me feel like a sideshow freak hawking snake oil, diversity panels tend to make me feel like some exotic creature behind glass in a zoo somewhere. (There is, however, a defense for these panels, in that they do make marginalized writers easier to find for marginalized readers, but that’s an argument for another day.) I made the conscious decision to start refusing to do them quite a while ago, probably after the St. Petersburg Bouchercon. I did agree to do one at Bouchercon in Toronto, and I only agreed to do that one because Kristopher Zgorski was moderating and he pulled the panel together.
But I will say this: the diversity panel in Toronto was very well attended, and I met not only some writers and readers that were new to me, but those folks have become friends in the time since. I was pleasantly surprised that we had a full room; which I took as an incredible sign because it wasn’t an all-encompassing diversity panel but restricted to queer people, and that many people showed up. (I suspect a lot of that had to do with Kristopher’s blog readership more than any of us who were actually on the panel.) I believe the panel was–and forgive me if my faulty memory leaves someone out–Owen Laukkanen, Stephanie Gayle, John Copenhaver, Jessie Chandler, and me. It was great. We had an amazing conversation, I got to meet Stephanie and John for the first time, and it’s always fun hanging with Owen and Jessie. Kristopher asked great questions. When it was over, I was pleasantly surprised. The audience was receptive and also asked great questions.
When I was helping do the program for Dallas Bouchercon, the local committee really wanted a diversity panel. I agreed to put one together on two conditions: 1, that I would be the moderator so could control the topics under discussion* and 2. it would not be the only panel the participants would be assigned to. I made sure that was the case since I was helping write the program, and knowing I had the power to ensure that happened was the only reason I agreed to organize it. I also asked everyone who was on the Dallas panel if they minded being on the panel, and guaranteed them another panel while asking. I also assured them refusing the diversity panel would not affect any decisions about other panels, either–because you have to worry about that, too! I called it “Not a Diversity Panel” and I had planned on not talking about any of us being writers from the perspective of being marginalized, but at most, how being “on the margins” impacted how, what, and who we chose to write about.
Ironically, I wound up not going to Dallas after all; an inner ear infection kept me in New Orleans.
Diversity panels have come a long way from what they used to be, but that danger is still there. I would urge conference programmers to think long and hard before deciding to put together a diversity panel, and why you think it’s necessary to have one. If you do decide that it’s something needed for the program, remember that the authors on it should have a chance to be on a panel where they can be an author, not just a diverse author. Diversity issues and concerns should be discussed, and diversity panels are often the place for those conversations that are so important and necessary to happen. But they can easily can go down the path to the dark side, very easily, in which the panelists are made to feel like zoo animals being poked, prodded, and observed. It’s great that people will show up in droves to these panels now–but that’s why sensitivity and a moderator who has experience with marginalization is essential, to bar a repeat of that horrible diversity panel where a well-respected and lauded editor, about three quarters of the way through the panel where a very great discussion was being had decided to opine, But it has to be about the writing! The writing has to be good!
Because of course diversity is pushing bad work forward? Because work from non-white non-straight writers usually doesn’t measure up? I was horrified, and lost any respect I had for the editor along with any desire to ever work with said editor.
I will forever feel ashamed for not calling out that comment in the moment, but I was so stunned and shocked I didn’t know what to say.
Oddly enough, as I sat in my easy chair the other day watching college football games and letting my body and mind and creativity rest, I had an idea for either a stand alone book or a new series, one way or the other, and it’s something I find interesting enough that I might even consider it. It would be a difficult proposition, to be sure–given the decline in retail sales and everything going to an on-line and electronic model–but I was looking at a map of New Orleans on my iPad because it occurred to me that I didn’t know where Tulane’s not-so-new-anymore on-campus football stadium was; so I pulled up a map to look because I was thinking that was a great line for a Scotty book–I always forget there’s a football stadium in Uptown-so of course I had to go looking for it. The map also brought up businesses in the area and lo and behold, there’s a comic book shop uptown on the lake side of Claiborne and it hit me: no one has ever done a cozy series about a comic book shop and that opened up an entire world of possibilities for me: the main character is an aspiring comic book artist who works in the shop, and of course, you can get into the whole thing about who actually is into comics and the history of comic books and it would give me an excuse to actually learn more about comics and their history and…
You see how this ends up going, don’t you?
I know any number of comics geeks–Alex Segura Jr, author of this year’s brilliant Secret Identity, about the business side of producing comics, is one–and one of my best friends from college owns a comic book shop in central California, or did at some point–and of course my neighbor Michael is also heavily into comics, having gone to Comic Con in San Diego, even. And of course I’d get to make up shit, which is always a huge plus for me. I love making up shit! And of course, it would be fun to write from the point of view of a struggling artist.
I mean, it’s not like I wouldn’t know anything about that…
The Saints played terribly yesterday and logged another “L” in the record book (how bad are the Falcons?) yesterday; I didn’t watch but rather followed on Twitter while I did things around the house. The Saints games sometimes cause me too much stress and then I am emotionally exhausted afterwards–too drained to be of much use, so sometimes I just follow it on Twitter or it’ll be on in the living room while I work in the kitchen. I did get the Costco delivery yesterday, and should probably run some errands at some point today, but it is Work-at-Home Monday and I have work I have to get done. I am behind still from the Bouchercon trip and the ensuing back injury, but am hopeful I will start getting caught up somewhat soon. Emails beget emails, though, and therefore that is a sisyphean task indeed.
We watched the new Star Wars show Andor last night, and I am so happy Deigo Luna’s character is getting an origin story. So far, the only show they’ve done I didn’t buy into completely was The Book of Boba Fett, and am thinking maybe we should give that another try at some point. After those three episodes we moved on to The Serpent Queen and American Gigolo, which I think we’re going to give up on. I love Jon Bernthal, but I’m just not buying this story for the character. It’s an interesting idea–and full props to them for turning it into a sequel series in which Julian actually goes to jail for the murder he was accused of committing in the film, but I’m just not really getting vested into the show, either, no matter how much I want to. The Serpent Queen remains fantastic, and gets better with each episode as Catherine explains to her new maid her philosophy of survival, illustrated with scenes from her past. Samantha Morton is fantastic as the older queen and the actress who plays her as a young woman is also equally good. But it’s a period of history I particularly love, and of course, Catherine de Medici is one of the most fascinatingly complex women to hold power in history. The reality of her life was dramatic enough to drive a series, and they’ve done a pretty decent job of following the actual history, with some adjustments here and there.
Also keeping an eye out for Hurricane Ian, which seems to have Florida’s Gulf Coast clearly in its sights. We are just outside the Cone of Uncertainty, which doesn’t mean we’re safe–there could always be another westward shift to the potential path–but I do concern myself with Florida and friends there. I don’t remember the last time Tampa took a direct hit; I don’t think they have in quite some time, and I can imagine a storm surge into the bay and into the rivers that drain into it would be enormously problematic for the city–as well as for Clearwater and St. Petersburg on the peninsula on the other side of the bay. Stay safe, people.
My podcast interview about Daphne du Maurier, with a particular emphasis on My Cousin Rachel, went really well. It was for my friend Ricky Grove, whom I know from my days in the Horror Writers Association and when I put on World Horror Con back in the day here in New Orleans (he is the author Lisa Morton’s partner–have you read Lisa? You should read Lisa). I can talk about du Maurier all day, and we did continue talking for at least another hour after we stopped recording; I do love to talk books and writing, after all, with the end result that I felt horribly drained when it was over. Ah, yes, the age-old problem of the introvert having to be an extrovert on a day when he usually doesn’t have to do anything of the kind. I retired to my easy chair, but found the draining of my energy to have been far too effective for me to focus clearly on anything. I did do another blog entry about my work–this time my Todd Gregory erotic novel Every Frat Boy Wants It, while starting others about Baton Rouge Bingo and the second Todd Gregory book (Games Frat Boys Play)–but when I tried to work on the book or anything else (including trying to read) I couldn’t get anything done so finally gave up and made myself useful around the house. Hopefully after an eyes-crossing day of data entry and quality assurance on testing logs, I’ll be able to dive back into the Scotty book. I know I am procrastinating with Chapter Three and should probably just stop worrying about it and move on, but that’s just not how my creativity works. Heavy heaving sigh. But that’s okay, the stress of being behind will come in handy as December 1 draws ever more near.
Or so I tell myself.
And on that note, I am heading into the spice mines. Hope you have a marvelous and lovely Monday, Constant Reader, and I will check in with you again tomorrow.
If I had to do my life over again–but could keep my memories of this life’s experiences–I would focus on weights more as a teenager and once old enough, looked for a sugar daddy.
Then again, I had absolutely no self-confidence when I was younger (don’t have near enough now for that matter), so yeah–that would have wound up going very wrong.
Here it is Tuesday so I am back up before the dawn and heading back into the office for the last week of work before Labor Day. A week from tomorrow we are leaving for Bouchercon–can’t believe how quickly the summer has passed–and getting to see everyone. I am going to be kept hopping the entire time I am there at Bouchercon, and will no doubt be thoroughly exhausted when I get back a week from Sunday, but them’s the breaks, you know? I haven’t been to a Bouchercon since St. Petersburg in 2018 (I missed 2019, and the next two were virtual), so this should be fun, if exhausting. I’m also pleased with the writing I’ve been doing–not with what’s being written (which needs work) but that I am actually writing again. I’ve got to figure out what to do next with the Scotty–I know what needs to come next, just not sure how to get it done or how to do it–so I’ll probably start futzing around with it tonight when I get home, to at least get a start on it, and of course there’s a three-day weekend coming up…although I am going to try very hard not to get sucked into the US Open.
I did watch Serena WIlliams play last night, and what a joy it was to see her on form on the court again, playing like the Serena of old. I don’t think she’ll win the US Open–much as I would love that kind of Disney ending, they never seem to happen very often in tennis–and it saddens me to think this is the last hurrah of one of the greatest athletes in the history of sport. As Paul and I watched last night, we were thinking back to when she and Venus first exploded onto the scene–and how much has changed since then. Serena won her first US Open in 1999. Bill Clinton was president, Jennifer Capriati was about to make her big comeback in 2000, and Monica Seles was still playing. On the men’s side, Pete Sampras and Andre Agassi were still the two biggest names on that side of the draw. I hadn’t even published my first book yet when Serena hoisted her first slam trophy. As I said to Paul, “we’d only been together four years when Serena won that first US Open title.”
Time has definitely passed, has it not?
In other exciting news, the anthology Magic is Murder, edited by the dream team of Donna Andrews, Barb Goffman, and Marcia Talley; Barb blogs about it here and provides some order links. My story is “The Snow Globe,” which I posted the opening for sometime last week and how the story came to be. I’m very excited to be in the same company as the other contributors, and of course it’s always a bit of a thrill for me to see a story of mine in print.
I did sleep really well last night. I think my body is finally adapting to going to be early and waking up before the sunrise, even if I don’t like it. Even that, I think, is a vestige of hating to being awakened by an alarm clock, in all honesty. Most mornings I wake up before the alarm; sometimes as much as an hour before (this morning I woke up the first time at four, and went back to sleep) but stay in bed until I have hit the snooze button twice. Why does my subconscious want the snooze button to be hit twice? I have no idea, but I’ve been this way as long as I’ve ever had to get up to an alarm. I suppose part of it is knowing that my clock is set fifteen minutes fast, so when it goes off that third time I know it’s a few minutes after six and it’s time for me to get up. Tonight on the way home from work I am going to swing by and pick up the mail–no other errands necessary this evening; I have all my prescriptions refilled so that’s out of the way for awhile, and I don’t think we need any groceries. I’ll probably order a few things to pick up this weekend (oooh, it’s Labor Day, I may actually go inside the store) but since we’re going to Bouchercon next week, not much point in getting a lot of stuff, you know? That will probably be my last trip until Thanksgiving, when i drive up north to see the family, and I probably am not going to do much traveling in the future. I kind of want to save my vacation time for actual vacations, you know? Paul and I have been wistfully thinking about going back to Europe–either Spain or Germany or France (any of the three would work for me, frankly)–but if I keep using my vacation time to go to conferences, that will never happen. I think the only conferences I’ll do going forward with be of course Tennessee Williams here in New Orleans and Bouchercon. I love all the conferences, really; have had a marvelous time at every one I’ve been to…but the nickel and diming of my vacation time, already limited, has proven problematic this year.
And on that note, I am heading into the spice mines.
It has been quite a while since I managed the kind of word count that I did yesterday. I got up at seven yesterday morning, wrote my morning blog entry and then finished writing about how my novel Sorceress came to be (I am gradually working my way through all of my books), started another entry on Lake Thirteen (still to come), and then went to work on my Scotty book. I banged out Chapter Three, and then moved on to another project I am working on for a friend; I was writing a chapter of that book per week to send on to him but it went off-track and I knew it. So, I had to go back and reread those first four chapters that are already completed to see–and the fix was so much easier than I had been fearing, with the result that rather than actually fixing the problem, I simply made notes on how to fix it for the binder where I keep the printed pages (I do this with every book the last few years or so; it’s just easier to print it out, three-hole punch it and put it in a binder where I can access it easily and make notes whenever necessary). So I wrote Chapter Five of that project, bringing today’s word count to six thousand, not counting the blog entries. Whew, did my shoulder hurt once I was done for the day, but I actually felt like I earned the rest of the day off.
So, overall it was a pretty good weekend. I am working at home today with lots of data to get entered before I can take off my spice-mining helmet and head to the easy chair to relax. Labor Day is this weekend, which means it’s also Southern Decadence in New Orleans, and I haven’t really checked the schedule to see what I am going to have to do–if anything–for the day job this weekend. Next week we’re off to Bouchercon, which I am looking forward to; it’ll be lovely, even if smaller than it usually is. It’s the first in-person one since Dallas in 2019 (I still swear sometimes that LSU had the best football season of all time in 2019 and that broke the world) and there will be people I’ll get to see that I haven’t seen since St. Petersburg in 2018. My schedule is already filling up; I had to create a day by day schedule of where I have to be and what I have to do and dates I’ve made with people already (to avoid double booking as well as to keep track); it’s going to be hectic, and I also bet I am not going to get to sleep a lot because of my hotel room insomnia issues, which makes the trip even more tiring and draining. And then I get to come back and go to work at the office all week. Yay.
I’ve done a lot of thinking this summer in those rare moments when I have some time to sit and think about things–I really don’t get to do this as often as I should; I am thinking that maybe once every three months I just need to take a three day weekend and go stay in a hotel by myself somewhere–maybe do some exploring of Louisiana and the Gulf Coast, I don’t know–to take stock of my life, evaluate where I am at and where I want to go, and what do I need to do to make the things I want to happen for me actually, you know, happen. The nine-day bout of COVID, with its exhaustion, fatigue and continual brain fog, forced me to not work, to not do much of anything other than trying to just stay on top of my emails. The forced rest actually gave me time to deconstruct my life and everything I do and all of my commitments, and recognize some things about my life and what I want out of it. One of the definitions of insanity is doing the same thing over and over but expecting a different result; I’ve been doing just that for quite some time now. I’ve missed a lot of opportunities over the years with my writing career–and while I am certainly of the mindset that everything happens for a reason and grabbing on to one of those opportunities might have changed my life in ways I cannot conceive, making it entirely possible that my life could be worse than it is now–one of the primary reasons I adopted the old “no regrets about the past” mantra–but I am getting old and many of those opportunities may never present themselves again. Now, I am at the point where my energies and abilities are growing more limited, yet the demands on my time, energy and ability don’t ever seem to ease up or abate in any meaningful way. I’ve made some decisions about my life and my future going forward; I also feel like they are the right ones to make and my mind is made up. (There are few things I find more annoying than making a decision and having that decision questioned, or having people try to talk you out of it. I rarely, if ever, change my mind once it’s definitively made up.)
I need to make writing a major priority again in my life. Yesterday it felt marvelous to get up in the morning, drink some coffee, and then sit down at the computer and start writing. I don’t know if my Scotty book is coming along well or not–it could be shit; and first drafts are usually pretty awful anyway–or if the other project is working or not, but it literally was so satisfying to sit at the computer and just create for hours. When I was finished for the day, too, I felt like I’d actually accomplished something and I liked the feeling. If I write a chapter of the other project every week while still managing to get two or three chapters of Scotty done every week, the Scotty will be finished on deadline and the other will have a completed first draft in another fifteen weeks. Juggling two completely different books and two entirely different styles is going to be a challenge, but I’ve always been about challenging myself when I write. (Even if it doesn’t seem like it.) I’ve also really been enjoying revisiting my books and remembering where the ideas came from, what I was trying to do with the book and story and characters; I hope those blog entries are entertaining. But…if they aren’t, you can always skip them, Constant Reader. I won’t mind. I’m also trying to write the book entries slowly, take my time with them, not write them all in one burst in one sitting the way I do the daily “this is what I am doing” entries.
I suppose I’ve always used this blog incorrectly. I probably should use it to do giveaways of copies of my books or engage with readers more, or turn it into a writing advice blog or something like that; develop a plan for it and stick to it rather than just pantsing it every morning. But that’s how I’ve always done it, and maybe when I’ve retired and don’t have to get ready for work every morning (the blog is part of my waking up to go to work process) I can take it another direction. Ah well, that’s about four years into the future, so I can worry about it then–if I even live that long.
We also binged Bad Vegan last night, which was insane but interesting, and of course episode 2 of House of the Dragon, which was markedly better than the first episode. (I did laugh at the opening credits of Episode 2, which weren’t included in episode one…reusing the Game of Thrones theme and using the same kind of “model” assembling itself was an interesting choice.)
And on THAT cheery note, I am heading into the spice mines.
And we’ve made it to Wednesday and Pay-the-Bills day. Hurray? But, as I do like to continually remind myself, at least you CAN pay the bills and still buy groceries and other things, which is a dramatic improvement over the way life used to be. I think back to the days when I worked for the airline and cannot believe the way I used to live; always broke, scrounging for change in the car to buy cigarettes (why didn’t I just quit?), never sure how I was going to get something to eat that day…sometimes not eating at all. Since this was also the period where I tried to get in shape and lose weight–not eating wasn’t as big an issue for me then as it is now. Then again, I’ve always had issues with food, body image, and body dysmorphia (which I still have, I just don’t pay as much attention to it as I used to back in the day when I cared more).
If there’s any kind of neurosis, it seems to be very welcome in my brain.
I was absolutely correct about the insomnia effects yesterday, I might add. Sure enough, all morning long I was a bit cloudy in the head and by the afternoon I was very tired; but I did get some emails answered that needed to be answered and some progress on things that needed to have progress made on them. By the time I got off work, I wasn’t even sure that I’d be able to go pick up the groceries I ordered but Constant Reader, I persisted. I was fucking exhausted after I got them into the house and put away, but I did it. I also swung by and picked up the mail on the way home as well. There were a couple of things that I forgot to put on the list that I considered stopping to pick up as I headed home, but decided they could wait for another evening (tonight, in fact; I can stop by the grocery store in the CBD on my way home, which is not only convenient but easy as well). Yay for me, I think. Today I have to get through that damned to-do list if it kills me–which it might–and so I can start seeing daylight again, or at least get to the surface where I can start treading water again.
I did finish proofing the Bouchercon anthology last evening–I suppose I could start calling it what it actually is, Land of 10000 Thrills, rather than the Bouchercon anthology–and it’s quite the good collection of stories. And an interesting variety of voices, stories, and crimes, at that. I think you will all enjoy it, Constant Reader, when it comes out, and I will be sharing the preorder links and the cover design as soon as they drop into my inbox. This is my third Bouchercon anthology; I did the first New Orleans one (won an Anthony for it, as well) and the St. Petersburg one (my story in that one was nominated for an Anthony Award) and now I’ve done this third one–and I am nominated for two Anthony Awards this year (as Paul says, “two chances to be a loser!”)–and this is it, the last one. I said that after Florida Happens, of course, but I kind of don’t ever want to do any more anthologies of any kind, to be completely honest. I think I am good at putting them together, but there’s not really any money in them anymore–and especially the ones like this, that don’t pay anything at all and are simply a donation of my time and energy, both of which I no longer have in great quantities any longer. I need to save my creative strengths and energies (such as they are) for novels, short stories, and essays. I shouldn’t have agreed to do this one, frankly–something I’ve reminded myself of over and over most of this year–but here we are. To be honest, I don’t remember agreeing to do this one, but I am betting it happened on that horrible drunken afternoon at St. Petersburg Bouchercon when bad influences got me to drink that Low ‘n’ Slow stuff.
Yes, that’s probably when it happened.
I did not, in fact, get trained on the monkeypox vaccine yesterday after all. Our program’s nurse had an emergency and couldn’t make it in, so we had to reschedule it. I’m right now blanking on when that was moved to, but I’ll certainly find out tomorrow morning when I get to the office (I only bring the laptop home on the weekends, because Monday is my work-at-home day). I also slept really well last night–my sinuses kicked in at some point overnight, so I’m a bit phlegmy this morning (ugh) but I am also fairly certain a Claritin will do the trick on that. I have one more thing to get done today before I am finally free and clear to work specifically on Mississippi River Mischief, and I hope to get that story edited today. I also read some more of Curtis Ippolito’s Burying the Newspaper Man, which I am enjoying–the book certainly gets off to a big start–and we watched some episodes o Control Z last night–we’re on Season Three, but don’t really remember much of the plot or the story from previous seasons, although they are doing something rather interesting with a queer storyline that I’m not very certain how I feel about. But it makes me think, which is always a good thing–good art, whether it’s a book, film or TV show, should always make the viewer/reader think a little bit; that’s what art is supposed to do, challenge and inspire.
I also picked up copies of new releases yesterday: Donna Andrews’ Round Up The Usual Peacocks, Gabino Iglesias’ The Devil Takes You Home, and Amina Akhtar’s Kismet. Definitely some good reading in my future; I’ll probably move the Iglesias up the TBR Pile to next position after I finish the Ippolito.
And on that note, Constant Reader, I am going to head into the spice mines. You have a lovely day now, you hear? And I will check in with you again tomorrow. Happy Wednesday to all!
Tuesday morning and only two in-the-office days this week, as I am heading off to Albuquerque for Left Coast Crime on Thursday. I have never been before, and none of my usual convention crew buddies will be there–which means I’ll probably spend a lot of time in my room, reading. It’s my first mystery convention of any size since Bouchercon in St. Petersburg all those years ago–but I did go to Crime Bake back in November up in Boston (Dedham, to be precise). I slept really well last night–two nights in a row, huzzah!–and so am thinking I might be able to face the day after all. I got all my data entered yesterday, ran the errands I needed to run, and got the annual, tedious chore of my pulling together all of my taxes and getting it to the accountant finished. Huzzah!
We started watching Slow Horses on Apple TV as well last night; very well cast, very interesting premise, and are definitely intrigued enough to keep watching. Alas, only two episodes had dropped thus far, so after the second episode we were stuck, and then remembered we’d never finished watching the most recent (third?) season of Servant, so we watched a few of those before retiring for the evening to bed. It’s a weird show–very well acted, very creepy–and Lauren Ambrose is brilliant in the female lead. It’s hard to explain what it’s about–M. Night Shyamalan is producer/director/writer (one of those or maybe all; I am not sure) and that seems to be about par for the course for most of Mr. Shyamalan’s work, doesn’t it? I do recommend it, if for no other reason than seeing how perfectly cast Rupert Grint (aka Ron Weasley) is as Lauren Ambrose’s alcohol swigging, drug snorting/smoking brother.
I’ve also not written anything in a while; hopefully going to Left Coast will get me off my lazy writer’s ass and going on this story I need to get written. I just went over edits on another story–a reprint–and I also proofed another story I have in another anthology yesterday. In other interesting news, I also had a brief conversation with an acquiring editor who is interested in Chlorine–despite it not being written yet, which is always lovely when someone is interested in something just from reading arbitrary and oblique commentary about it that I’ve written here. I also told him about two other future projects I have in mind, which was also nice. I love talking about my projects and ideas. I’ve just been so unmotivated lately–I still think I am a little bit burned out from the rush to get the last manuscript finished, timed as it was with the release of #shedeservedit and the closing of submissions for the Bouchercon anthology, and the turnover/onboarding of the new board for Mystery Writers of America…yeah, it’s really not a surprise that I am a bit on the burned out side. It happens, you know?
Heavy heaving sigh.
And on that note, I am going to head into the spice mines. Have a lovely Tuesday, Constant Reader!
One of the great pleasures I have in life is reading; I’ve always loved to read, always been able to escape whatever ailed me at the time–loneliness, depression, heartbreak, self-loathing–by escaping into the pages of a book; imagining myself to be a part of the story, getting lost in the words and the sentences and paragraphs of an engaging author; finding sanctuary from a far too frequently cold and cruel world. I’ve always found my solace in books–whether it was Hercule Poirot using his little gray cells to outwit a killer or Perry Mason casting a spell in a courtroom or a Gothic heroine fearing she was married to someone who wanted to kill her in a palatial mansion or castle somewhere–books were my safe place. It’s why I’ve always treasured them, why I hoard them, why I am reluctant to part with them once I’ve experienced the world contained between its covers.
I’ve heard great things about Carol Goodman and her novels over the years; I had the great pleasure of meeting her in person at the HarperCollins party at Bouchercon in St. Petersburg when I was a little the worse for wine but she was gracious and friendly and kind to me. She had recently won the Mary Higgins Clark Award for The Widow’s House, and more recently a friend (whose taste is impeccable and I trust implicitly) told me that Goodman was a modern-day Daphne du Maurier.
And for me, there is no higher praise.
So last weekend, when another friend had sent me the ARC for Goodman’s latest, The Sea of Lost Girls, I decided it would be the first of hers that I would read. Last Saturday as I sat in my easy chair, shifting around the stack of books on the end table I picked it up, thinking first ugh another “girl” title and flipped it open to the first page, just to get a taste.
The next thing I knew I was one hundred pages in and reluctantly had to put it aside to do something else. I carried it with me all week, waiting for an opportunity to delve into it again, but such a moment never happened…until this morning, as I tore through the book with my morning coffee.
And may I just say, wow?
The phone wakes me as if it were sounding an alarm inside my chest. What now, it rings, what now what now what now.
I know it’s Rudy. The phone is set to ring for only two people–Harmon and Rudy (at least I made the short list, Harmon had once joked)–and Harmon is next to me in bed. Besides, what has Harmon ever brought me but comfort and safety? But Rudy…
The phone has stopped ringing by the time I grab it but there is a text on the screen.
Mom?
I’m here, I text back. My thumb hovers over the keypad. If he were here maybe I could slip in baby, like I used to call him when he woke up from nightmares, but you can’t text that to your seventeen-year-old son. What’s up? I thumb instead. Casual. As if it isn’t–I check the number on the top of the screen–2:50 in the freaking morning.
I defy anyone to stop reading after those opening paragraphs.
The Sea of Lost Girls isn’t another one of those “girl” books that have become so prevalent since Gillian Flynn’s Gone Girl became a viral sensation; the only commonality is the use of the word “girl” in the title, but Goodman’s tale is as dark and rich and layered and complex as Flynn’s. It’s also incredibly literate, but one supposes that is to be expected, given the setting is an elite boarding school on the Maine coast near Portland (the Maine coast has always held a fascination for me, thanks to Dark Shadows). The main character, a teacher married to another teacher, is a big fan of The Scarlet Letter; her troubled teenaged son is currently playing the lead in a school production of The Crucible. Both of those works have a lot of bearing and similarities to the plot of this incredible novel, but saying any more than that would be a spoiler.
The book’s set-up is that Tess’ troubled son has finally found a girlfriend–an intelligent student who is directing The Crucible–and on this night in question Tess goes to pick up her son at their “safe place”, which has to do with a rock causeway leading out to Maiden Island; legend holds that the stones are Indian maidens who drowned and were turned into rocks. Her son is soaking wet and his sweatshirt has blood on the sleeve; a nervous Tess takes him home, launders the shirt and gives her son her husband’s sweatshirt–exactly the same, drying on a radiator–to wear instead. That simple act has enormous ramifications, particularly when Rudy’s girlfriend Lila’s body is found near the rocks on the causeway.
Does Tess cover for her son? She does…but her husband, because he wore the sweatshirt jogging, now becomes a prime suspect. Husband or son?
If that was the lynchpin of the story it would be another adequate, enjoyable thriller; but there is so much more to the story of what happened to Lila–as well as the secrets Tess has kept hidden about her own past. The school used to be a Home for Wayward Girls, and the school’s own dark history, which Tess is also a part of, has an important part to play in this riveting story of a wife and mother torn between the husband and son she loves, both suspects in a murder–which maybe her own secrets have something to do with as well.
This exploration of motherhood rates up there, in my opinion, with Laura Lippman’s And When She Was Good and Hush Hush and James M. Cain’s Mildred Pierce as a classic.
And, as always when I read something extraordinary, it inspired me and gave me ideas for my own work.
It also made me want to reread both The Crucible and The Scarlet Letter.
It is being released this month. Get it now. You won’t be sorry.
Queer and Loathing in America 