Tag: Sister Holiday

Tell It To Her

Monday morning and it’s back to the office with me today. It was a lovely weekend, and I had a nice day yesterday. I wrote–working on a short story, a newsletter, and most importantly THE BOOK–and did some things around the house but mostly took it easy. I also dipped into the book I am reading and was charmed instantly, as I knew I would be. We also started watching the new season of Citadel, but I barely remember the first one. It’s very action-packed and moves very quickly, and also has a very top-notch cast. I slept well last night and am feeling good this morning, honestly. The kitchen and apartment are a bit messy, but that’s okay. I am pleased with how this holiday weekend went, and looking forward to seeing Dad this weekend. I’ve still not picked out what I want to listen to in the car, and I didn’t get a newsletter sent out over the weekend, either.

Looks like we’re done with rain, at least for now. No rain for the entire week in the forecast, and I imagine Alabama is going to be miserably hot this weekend–and I must remember to wear a hat when I am outside. (And yes, they are having dangerous heat levels in Alabama, too; we’re currently in a heat advisory and I suspect this is going to be a long and miserable summer, and not just in New Orleans.) I have to try to get things in order since I am going away for a couple of days–nothing major or long, just driving up Thursday and back Saturday–but I hate coming home to a messy, disorganized house. I’ll try to touch up on things Thursday morning before I leave (planning on getting on the road around noon), and I doubt I’ll do much, if any, writing while I am gone. I probably won’t post here until Sunday morning, so prepare for a brief holiday from yours truly’s mad typing on here. I think I am going to listen to Margot Douaihy’s Blessed Water in the car going and coming. I blurbed it and read it in galley form several years ago, but all I remember (that illness memory issue again) is that I loved it–Margot is an exceptionally skilled artist–and I want to read the next Sister Holiday, so I am going to revisit it in the car so I can write about it as a Pride selection–and books like the ones Margot writes make me very proud to be a queer crime writer. (It’s been a while since I read the first one–which blew me completely away.)

And I am writing a noir, so it might be helpful to read one of the most literary noir writers of all time. It certainly can’t hurt.

I’m not sure about what I wrote on the book yesterday, if I am going to try to be completely honest. I feel like maybe I started down a possibly wrong path yesterday; but I could be wrong. It might be something that needs to go when it’s time for brutal edits, but I also think it’s important that my character actually have a kind of “safe space”–wouldn’t it make sense for a closeted gay actor in 1950s Hollywood to create a place where he can get away from all the lies and bullshit and Hollywood nonsense? I just worry it may soften him? Or…maybe this part can make how he is in the other parts of the book even more powerful? Living a constant lie is horrible and warps people (look at Lindsey Graham, for one prominent example), not to mention the constant worry about blackmail or another queer selling you out to save themselves–the closet makes people do horrible, horrible things, and that might be the underlying theme I am playing with here: the closet warps and twists people; fear can make you do some crazy-ass things.

And I kind of like that these kinds of thoughts are coming into my head. The loss of anxiety has helped enormously with that; I think I also used to write fast partly so my imposter syndrome wouldn’t have time to kick into gear and make me doubt myself. I like that now, when I question myself about my writing, it’s about choices and character and theme, rather than you’ve got a nerve thinking you can write something like this, which is what it used to be and was quite horrible. I’ve also recognized that I can’t really force it as much as I used to; I’m not sure what that means for my mental state and my tendency to self-deprecate, which was always so goddamned self-defeating (the thought process was if I am humble and play down what I do I can’t be offended by criticism because I am harder on myself than anyone else); that was always one of the biggest problems I had with coming up with coping mechanisms to protect myself from anxiety; it’s hard to explain how freeing it is to not have that making me tense and tightly wound all of the time.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will be back on the morrow.

An “allée,” aka a road bounded by trees or bushes. Spooky looking with the ground fog.

Broken Down in Tiny Pieces

I will spare you, Constant Reader, the trials and tribulations of my medical travails; I have to see another specialist, and we’ll leave it at that for now.

I also had to research whether either of these specialists he referred me to actually take my insurance (they do) and then get to hope they can see me at some point before this gets even worse and more difficult to take care of. I spent the rest of the day cleaning and trying to put this bullshit out of my head, because all it did was make me angry all over again and, unless I am putting that anger to productive use, it’s just wasted energy. But I’m glad I’m making progress on this at any rate, and I suspect that a doctor will be the murder victim in a book I will write at some point in the next few years. I also made an appointment on Sunday to get the hearing aids process moving along–it would be so great if I could get them before the trip, wouldn’t it?–and so at least soon I’ll be able to hear again, and in about a month I’ll be able to chew again. Yay!

Always look at the positive. Life doesn’t give you anything you can’t handle; it’s how you handle it that matters.

I took a shower to wash the blech of the day off me–it’s amazing to me how that always seems to work and put me into a better mood. The symbolism of washing the negativity off of me is actually effective and works to somehow reset my brain. I also had a great mail day–picking up the mail on the way home and made groceries, too–in which I got the ARC of the new Margot Douaihy Sister Holiday crime novel (her debut, Scorched Grace, is fantastic) and Duane Swierczynski’s short story collection Lush and Other Tales of Boozy Mayhem, which I am looking forward to digging into. Paul got home rather late last night, but we did have time to watch an episode of Turn of the Tide–but I think I actually have lost the thread of the plot. But it’s entertaining enough, still. I do want to start watching Ahsoka on Disney–I’ll try anything Star Wars; so far Boba Fett is the only Star Wars series we didn’t finish.

I’m still behind on talking about the Alfred Hitchcock Presents stories I’ve read lately; but yesterday at the specialist’s office I started reading Brett Halliday’s story “Pieces of Silver” from Stories to Be Read Late at Night, and it was an interesting tale, if dated, and more than a little bit guilty of racism. I’d not read Halliday before, but I’ve heard of him; I remember seeing his Mike Shayne novels on the wire racks at Zayre’s when I was a kid, and i have one of his books Hard Case Crime reprinted, but haven’t read yet. It’s a very typical tale of its time, though–complete with the colonialist mentality toward the indigenous people of Latin America. The story is set in Mexico, and is about an ugly American-type who has come to the region looking for oil. I will say the ugly American is the villain of the story and every step of the way Halliday is very quick to point out the classism, racism, and toxic masculinity of Thurston, the American–the way he treats the locals he hires to take him up river into the jungle; the way he ogles and wants the teenaged daughter of an American expatriate who married a local girl–but while there is absolutely no question that Thurston wound up getting exactly what he deserved…it’s very hard to be sympathetic to the author’s view of Mexico as a still wild, exotic and extremely primitive place; he certainly doesn’t view the Mexican working class with the same respect as Katherine Anne Porter. (On the other hand, I’ve always been bored by Porter’s Mexico stories–because even in them there’s still an element of the privileged white woman viewing the plight of the poor Mexican working class from her lofty perch at a safe distance.)

Reading this story only served to further emphasize to me how tricky this short story from the past that I am currently trying to revise and finish will be. Originally set in the Yucatan (I wrote it after I visited the Mayan ruins there), it was one of those Alfred Hitchcock Presents/ Tales from the Crypt kind of stories, but in reviewing the story as I wrote it, I fell into the trap Halliday did with his story–making the native people exotic and othered; mysterious and primitive. I am sure there are still poor people living in remote places in Mexico, but this isn’t the way to write about them. I’d been thinking of moving the setting of my story from Latin America (in this revision, I created a fictional country) to the Aegean–like there aren’t plenty of Greek myths to build the story around, make it seem real, and of course I can create a mysterious remote Greek island no one ever visits and no one would blink twice. I just haven’t been there myself, but I need to snap out of the mentality that I can only write about places I’ve been. It does help, of course, but…when you’re creating a fictional place, you’ve never been there. No one has.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.

Cherish

Give me faith, give me joy, my boy, I will always cherish you!

In case you didn’t notice, I am working my way through Madonna’s lengthy discography for my entry titles, and it’s actually kind of fun revisiting old Madonna music. She’s been a force in pop culture for nearly forty years now, which is a pretty amazing run when you think about it–not quite the Cher/Bette Midler mark yet, but still, pretty amazing. My first Madonna song (that I remember hearing, or taking notice of) was “Borderline,” and I bought that first album. And while I liked it a lot, I figured Madonna wasn’t going to be around for very long; artists who focused on dance music, especially white women, tended to not stick around the business for very long. But then came the Like a Virgin album (which is my least favorite of hers, in all honesty), and she turned into a phenomenon that wasn’t going away any time soon. “Cherish” I remember primarily because it was a light pop confection, nothing too deep but fun to listen to and bop along with, but the video, shot by Herb Ritts with all the hot mermen? (for the record, my two favorite Madonna albums as Like a Prayer and Ray of Light, neither of which should come as a big surprise)

Michael Denneny passed away over the weekend. I never had the occasion to meet him, but he was a hugely important figure in the development of queer art and literature back in the day, not the least for founding Christopher Street magazine. He was also important in the 1990’s, with his Stonewall Inn imprint at St. Martin’s, which eventually shuttered around the turn of the century. It’s possible I may have met him back in the days when I worked for Lambda; it’s very likely, in fact, but my memories have grown faded to sepia with time and there’s a lot I don’t remember from back then (it’s always mortifying when someone reminds me of us meeting back then and I don’t recall anything about it; there’s usually an amusing story that goes with it that makes it even more mortifying that I don’t remember). But hat’s off to you, Michael; you discovered and published a lot of authors who brought me hours of reading joy. Thank you for your life’s work.

I didn’t sleep well last night, which was something I was worried about happening. I woke up every hour or so, never really felt like I went in a deep sleep at all, and feel fried and tired today. Yay. But its okay, I can deal, and hopefully I’ll get a good night’s sleep tonight and feel great tomorrow. Heavy heaving sigh.

We finished season one of P-Valley and started season two–but weren’t too crazy about the second season. They are dealing with the pandemic, and I have to confess it never occurred to me what strippers would do during a pandemic; I did wonder, while watching, why none of them had an Onlyfans? Especially since one of them is attracting a large following on Instagram? Paul and I agreed to give the second season a second chance, but unless there’s a dramatic pick-up on the story, we’ll probably stop watching and may come back to it at another time. Which then begs the question what will we watch in the meantime? I have some things on my list, so maybe we can check out some of them tonight. And of course, if we don’t like something we can always stop watching it.

I did finish reading Margot Douaihy’s Scorched Grace yesterday, and it was quite a ride. The voice, the tone, the word choices and sentence structures…all of it unique and if not, then a fresh new way of doing something shopworn. Sister Holiday is a fascinating character with an equally fascinating back story; we glimpsed some of it in this first book (of three), and I like the idea of a hardboiled cozy with a lesbian chain-smoking nun as the main character. The book certainly subverts your expectations, and there’s a hypnotic quality to the writing, that pulls you in and makes you keep turning the page. I started marking pages that had sentences I really liked for when I do a post focusing on said book; I want to let the book sit in my head for a while before I devote an entire entry to it. It’s one of the best books I’ve read this year so far–and this year I’ve read some truly phenomenal books already and it’s only mid-April, with even more exciting books dropping throughout the course of the rest of this year.

And I really need to get more progress done on the book. The problem is not sleeping well during the week (see last night) and being too tired when I get home from work to do any more work on it. But tonight, after I get home from running errands on the way from work, I am hoping that I can start pulling some of the strings of the story without unraveling the entire thing. One can hope, at any rate, right?

And on that note I am heading into the spice mines. I thought about calling out for the day but would rather go in and gut it out. You have a great Monday, Constant Reader, and I’ll be back tomorrow morning.