Sunday morning the Gregalicious slept late, and I feel good this morning. I stayed up late to watch Saturday Night Live return, and wasn’t terribly impressed. Our Internet also kept going in and out all day, which was annoying, especially during football games. The three games I primarily watched–Kentucky-Mississippi, Auburn-Oklahoma, and Georgia-Alabama, were all excellent games–and I also switched over to LSU-South Alabama periodically, but it was also a blow out so didn’t need to watch much. Still unsure how this season is going to shake out for everyone, which makes it interesting. I think there’s a lot more parity in the conference now, once you get past the clearly best teams this year (right now, I am going out on a limb and saying it’s Alabama and Texas, both teams LSU has to play in Baton Rouge this year) I think everyone is pretty equal for the most part, with the usual suspects (Mississippi State, Vanderbilt) in the basement. Kentucky almost beat Georgia last week and did beat Mississippi yesterday; Georgia almost beat Alabama, and that Auburn-Oklahoma game came down to the wire. The Saints play at noon today, which is cool, playing the Dirty Birds in Atlanta.
I did manage to get some things done during the games; I cleaned the downstairs bathroom thoroughly, I ran some errands in the morning (mail, Fresh Market, car wash) and then came home to start watching football. I also read, while in my chair, both We Have Always Lived in the Castle by Shirley Jackson and The Stepford Wives by Ira Levin (more on both later), so hope to start the new Gabino Iglesias at some time today, most likely during the Saints game. Jackson and Levin are excellent writers whom I deeply admire, with completely different styles but evoking the same feelings when you read them. I also managed to get most of the dishes finished yesterday, with whatever I used yesterday as the only dirty dishes left in the sink–and that will take about two minutes, tops. I had thought about delaying my trip to make groceries until tomorrow, but now that I am up I think I’ll go ahead and do that this morning and get it out of the way.
I also want to work on the kitchen a bit today, and I also want to get the floors worked on again. Sparky tears up the rugs all the time when he’s running around like a demon to burn off some of his Big Energy, and the longer they are messed up the worse they get messed up. I also have some other posts I need to get done this morning before I leave to make groceries; and the longer I let them sit there unfinished, the more likely it is they’ll continue unfinished. I have a particularly spicy one about transphobia that I’d love to get done at some point so I can Substack it (and attract more of the bigots and Nazis there), and of course, there are any number of others unfinished as well. Heavy heaving sigh. I also have three book reviews/reports to write–I’ve now finished The Price by Armen Keteyian and John Talty; an arc of We Are Watching by Alison Gaylin, and Everybody Knows by Jordan Harper, and I need to get those done sooner rather than later as well. I also have some emails I need to answer as well as some to generate.
Sounds like a to-do list to me, doesn’t it? I also need to clean up the mess around my desk. But the key is not to get overwhelmed by the length of the to-do list, and just start marking things off. I also need to work on the Scotty Bible today, but I can also see that I am starting to think in the old bad anxiety/stress markers by overwhelming myself with so much to do already. Next weekend I have an eye appointment, so I can order new glasses, and my doctor’s appointment is coming up. I am probably going to meet Dad in Alabama weekend after next, and will probably go up to Kentucky later this month. How exciting!
And on that note, I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and hope everyone in North Carolina and Tennessee are okay.
Thursday, and my last day in the office for the week, which I’m not going to cheer about but I am starting to feel it. I haven’t had a full week of work in what seems like forever, between Labor Day and the hurricane and all. This week is the reset week, when you have to get re-oriented and back into the normal flow of life. I think I’m there; I wrote again this week, and I also worked on the Scotty Bible. I didn’t write anything last night, but I typed up the notes from three volumes. Left to go are Jackson Square Jazz, Vieux Carré Voodoo, and Garden District Gothic, and I also have to go through the last two and nock pages. Then I have to organize it, as well as summarize each book and list key plot points and characters. One of the lovely things about having a lengthy backlist is you can go back and mine the old books for references and even “hmmm, could this character be interesting to bring back at this point?” Yes, I am enjoying myself, and it’s great. I ran an errand after work last night–just the mail–but I also have to stop on the way home tonight at the grocery for a small run (I am resisting the urge to splurge on jelly beans, which are my literal favorite thing right now, and I am trying to break the habit but they’re so good!!!!) and will probably take the evening off from doing anything other than chores. Paul caught up the laundry yesterday, which was a very pleasant surprise, and I am currently soaking the dishes so I can finish washing them tonight. I would love to cruise into the weekend with all of these chores already taken care of so I can lose myself in college football while correcting the manuscript so far (as well as reading it all the way through to see how repetitious and tedious it must be).
I feel good and alert this morning, which is nice, and also think I slept through the night for the first time in a while–I’ve been waking up lately in the middle of the night, but am always able to get back to sleep–and I feel rested. No telling how long that will last, of course, but–last day in the office for the week, so as long as I make it through the day–and it will be a busy one, too. That’s fine; being busy always makes the day go by faster, which is nicer than having it drag all day. We’re still catching up on appointments that were canceled last week because of the hurricane, and looking ahead to next week…well, next week isn’t quite as busy once the “oops I need to do my STI swabs” worries from Southern Decadence experiences starts to fade. Halloween, of course, is just around the corner, so we’ll have one of these periods in the two weeks following it, as well. My people are like clockwork, really.
WE got caught up on English Teacher, Bad Monkey, and Only Murders in the Building last night. There are also a lot of other shows dropping soon that look great, too; I’m interested in American Sports Story: Aaron Hernandez because that case always interested me. I’d even thought about basing a book on it, using LSU and the Saints rather than Florida and the Patriots, but I don’t know if it’s that compelling anymore, so seeing it through the eyes of a fictionalize television adaptation will help me make up my mind if it’s something I want to attempt in the future. I’d like to spend some time reading Jordan Harper’s Everyone Knows, which is wonderful, and I’d love to finish it this weekend and move on to my Halloween Horror Reading challenge for October. I want to reread an old horror favorite to prime the pump, maybe Stephen King or The Haunting of Hill House, which is overdue for a reread, or I could perhaps reread We Have Always Lived in the Castle, which I’ve not reread in a very long time. Yeah, maybe that’s what I’ll do.
There are some big college games this weekend, too. I want to wash the car this weekend and clean out the interior, which I think I might be able to do tomorrow afternoon when I finish my work-at-home duties and on the way home from picking up the mail. My messy workspace needs to be organized and cleaned this weekend, and maybe–just maybe–I’ll be able to take a box down out of the attic. I can clean all the copies of my own books out of the cabinets once there’s space for them to be stored in the attic, which will be a lovely way to free up space and reorganize the kitchen. I’d also like to get a few more chapters done before the end of the weekend and Monday rolls around again. I really do need to get into the habit of making to-do lists again…
And on that note, I am going to bring this to a close. Have a lovely Thursday, Constant Reader, and I’ll be back tomorrow morning, if not sooner; one never knows.
As Constant Reader is aware–because I am nothing if not repetitious–I spent ages two to nineteen in the midwest, and the last five of those in rural Kansas. I’ve blogged endlessly about it, have written several books set there, and often blame (some of) my emotional scarring on the experience. It’s one of the reasons that stupid fucking song from earlier this year (“Try That in a Small Town”) was so ridiculous and offensive; yet another tired round of ammunition from people who equate cities with evil and rural life with purity and goodness–to which I always say “Someone’s never read Peyton Place, let alone lived in a small fucking town.” Big cities certainly don’t corner the market on crime and sin and lawlessness; small rural communities can be just as vile and horrible as any metropolis.
Shirley Jackson didn’t set “The Lottery” in Times Square for a reason.
There’s an entire essay to be written about the moral rot of the Bible Belt and rural America–and make no mistake, rural America is every bit as corrupt, sinfully evil, and dangerous as the worst neighborhood in any big city–but this is not the time, as I am here to talk about this marvelous novel I read very quickly last night.
“Can you see me?” Cole yelled over to them. He was standing on the south shore of the reservoir, barefoot and facing the water. He looked like he was thinking, but Janet knew better. The scrunch in Cole’s expression came from trying to keep his belly in a six-pack.
“I’ve got you,” Victoria yelled back as she framed her brother. She was using his phone and struggling with the device. “How do you zoom on this thing?” she asked as she shuffled to the edge, not looking at her feet and focusing on Cole. Janet could see a pink stamp of tongue at the corner of Victoria’s mouth as she tried her best to get the shot her brother wanted.
“You’ve got to be in portrait mode when you go live.”
Janet meant it as a polite pointer, but as the words came out of her mouth, they sounded like a dig. SHe didn’t mean it to be a dig, but she couldn’t help it, either. Her tone was why people thought she was such a bitch. Her tone and that she kind of was. Whatever–it was fun to watch the sheep quiver.
I don’t remember how Adam Cesare and his y/a horror thriller Clown in a Cornfield first came to my attention; if it was a suggestion from a website or if I saw someone talking about it on social media or I don’t know where, but I am very glad it did. The book is absolutely right up my alley–young adults, horror, small town Midwestern America (you know, “the REAL America,” right, Sarah Palin?), and terrifying clowns. I’ve never been afraid of clowns–although many people are, and I can respect that. The white greasepaint, the garish hair and eye make-up, the clothes–it’s not hard to see how something intended to entertain children (remember, fairy tales in their original form are horrifying) can easily become something that is absolutely terrifying. John Wayne Gacy, notorious serial killer who preyed on children, worked as a clown for kids’ parties–which is very unsettling, and of course, who can ever forget Stephen King’s masterclass of clown horror, It? Killer clowns have become kind of a cliché…but they still work.
Clown in a Cornfield works on its basic surface level–it’s a scary story that reads quickly and raises the adrenaline and is chockfull of surprises and twists; like the novel version of a slasher movie. (Something I’ve always wanted to do, frankly.) It takes place over the course of a couple of days, and is set in the small dying town of Kettle Springs, Missouri, where main character Quinn Maybrook and her father have just moved from Philadelphia; it’s hinted early on that the tragic death of her mother is why they moved during her senior year: a fresh start in a wholesome rural small town in the REAL America…which turns out to be all too real. The town is dying because the corn syrup processing plant shut down, and the town is losing population. The above few paragraphs are from the prologue–which sets up the rest of the book. There’s a tragic death at the reservoir that day, which changes the kids and changes the town–as though they’ve finally crossed a line they were dancing very close to the edge of and there isn’t any turning back.
The willful and wild teens of the town have planned a surprise during the Founders’ Day parade which Quinn witnesses when the prank goes haywire, and she learns there’s a lot of anger directed at the town’s teenagers–the kids from above who have a Youtube channel where they film themselves playing pranks on people around town–and the idea is that the pranks have become dangerous and the kids are out of control. The next night there’s a party out in a cornfield, and that’s when the corn syrup company’s mascot, Frendo the Clown, shows up with a crossbow and the body count starts to rise.
I really enjoyed this book. It was well written and works very well on all of its multiple layers, from the basic story which is well paced and exciting, to the layers of social critique, satire, and politics that it also manages to be. I found myself caring about the main characters and rooting for them, and while I saw one major surprise coming way ahead of time, there were a lot of other shocks and surprises along the way that made up for the telegraphing.
There’s also a sequel now, and I am looking forward to the second installment. I think you’ll like it, too, Constant Reader, so give it a whirl–thank me later.
I’ve always loved The Haunting of Hill House, and Jackson has always been one of my favorite writers. I’ve long ago lost count of how many times I’ve reread the book, and of course I love the original film version from 1963, directed by Robert Wise and starring Julie Harris in one of her best screen roles as Nell. The sense of dread and fear contained within the pages of that incredibly short novel are astounding. I’ve always believed that one of the book’s greatest strengths was its lack of explanation; horror novels, or ghost stories, or whatever you want to call Jackson’s novel, inevitably always get hung up on explanations of who or what caused the place to become haunted and/or accursed. Jackson never bothered, knowing instinctively that the unknown is far more unsettling and terrifying than any understanding or explanation she could provide to her readers; she just never explained. “The Lottery” offers no clues as to why the villagers have developed this annual ritual, it simply happens and she shows it to us without explanation…which again makes it that much more unsettling. In the years since I originally discovered and read a very cheap copy of The Haunting of Hill House at a used book store, with its Gothic-style cover depicting a beautiful Nell with long flowing hair and a long flowing gown, holding a candle while climbing the horrible spiral staircase in the library, I’ve read more of Jackson and become an even bigger fan of her work than I already was. The Haunting of Hill House and “The Lottery” firmly cemented Jackson’s deserved place in American literature; the rest of her equally brilliant, disturbing and unsettling work serve to heighten that place and elevate it even more.
I am not a purist. A long time ago I realized that films and television programs adapted from books would almost always be disappointing for a fan of the book; ones that are actually better than the book (The Exorcist, The Godfather) are few and far between. I stopped getting irritated by these changes a long time ago. I also learned to stop being bothered by such things; it’s an adaptation, after all, and that means changes because it’s now a different medium. (I have already mentioned my amusement at how militant fans can be about these things; particularly when it comes to things like Nancy Drew or the Hardy Boys.) I hated the 1999 remake of The Haunting; it was special effects nightmare that made little to no sense; the whole point of the story was you never see what it is that’s going on and never are really sure; this second film version ignored that and therefore, it wasn’t The Haunting but just another haunted house movie. I greatly enjoyed the Netflix adaptation mini-series by Mike Flanagan; it was a different interpretation–again, you never see anything–and I thought it was a brilliant modernization/adaptation.
But I did approach this book, said to be a retelling of the story, with a bit of trepidation. I’d heard of Ms. Hand before, of course–I have a copy of Curious Toys, which I bought when she on the Shirley Jackson Award for it, and had been meaning to get to her work at some point.
I left the rental just as the sun poked its head above the nearby mountains, and golden light filled the broad stretch of river that ran alongside the little town. Nisa was still curled up in bed, beathing deeply, her dark curls stuck to her cheek. I brushed them aside but she never stirred. Nisa slept like a child. Unlike me, she was never troubled by nightmares or insomnia. It would be another hour or two before she woke. Longer, maybe. Probably.
I kissed her cheek, breathing in her scent–lilac-and-freesia perfume mingled with my own Jasmin et Tabac, one of my few luxuries–and ran my hand along her bare shoulder. I was tempted to crawl back in bed beside her, but I also felt an odd restlessness, a nagging sense that there was somewhere I needed to be. There wasn’t–we knew no on around here except for Theresa and Giorgio, and both would be at work at their home offices overlooking the river.
I kissed Nisa again: if she woke, I’d take it as a sign, and remain here. But she didn’t wake.
I scrawled a note on a piece of paper–Nisa often forgot to turn her notifications off, she’d be grumpy all morning if a text woke her. Going for a drive, back with provisions. Love you.
This book isn’t a retelling of the Jackson novel, but rather a kind of sequel, picking up at Hill House some sixty years after poor Nell drove her car into the tree after the turn in the driveway as she realized she’d been wrong about everything but only too late. This is a new story of Hill House, and our main character, Holly Sherwin, is staying upstate with her lover Nisa in an Air BnB, and bored, wakes up early and goes for a drive. A playwright, she’s recently won a grant to help cover expenses while she works on her play, Witching Night, which is based on an old sixteenth century manuscript she came across by chance. It’s the story of an old woman accused of witchcraft and burned at the stake, based on a real event; her girlfriend Nisa is an accomplished rising singer/songwriter, who is rewriting old murder ballads to use as the soundtrack/backdrop of the play. She goes for a drive and finds herself at Hill House…which draws her in much as it did Nell in the original Jackson and she decides to rent the house for two weeks, move in with her cast (her bisexual friend Stevie, a former child star molested on set and now an amazing sound tech) and Amanda, a brilliant aging actress whose career took a turn when a costar fell to his death–and of course people wondered if she pushed him. Holly herself has a bit of a checkered past; someone had told her a story that she adapted into a play; the original person threatened to sue her but before anything can be done that person commits suicide. That derailed her playwriting career–and believe me, Hand does an excellent job of depicting what the excitement that a burnt-out creative experiences when inspiration, an opportunity to flex those creaky muscles and create again, feels like.
All four of the characters are beautifully rendered and are completely real, and one of the things I liked was how Hand slyly also referenced the Flanagan mini-series as a part of the Hill House continuity. Hand’s Hill House has similarities to Jackson’s, and there are more than enough nods for the Jackson fan to recognize and smile about. Hand also does an incredible job of creating that claustrophobic dream-like feel Jackson used for her book, but Hand doesn’t mimic Jackson’s style; the style of this novel is entirely Hand’s, but one has to marvel at Hand’s mastery of creating that same feeling in her reader but in an entirely different way. The language she uses is flawless and rhythmic, just like Jackson’s was, but again completely different. There are also moments that mirror the original novel beautifully; call backs to the original story that I personally felt like little secrets Hand was sharing with me the reader. It’s a very intimate story, and I felt like I was there with them, the characters were people I understood and knew and cared about. Hand also tells the story in alternating points of view, which helps create the off-balance slightly skewed perspective the story needs; Holly tells the story in the first person, but the others are from a third person point of view.
It was terrific, and I look forward to reading more of Hand’s work.
My, what a gorgeous day it was yesterday–the kind that reminds me why I love it here so much and helps me forget the horror that is July-August (although I believe the summer horror began in late May this year). I made groceries in the morning and also retrieved everything from the carriage house to put in the new refrigerator; it’s lovely. I hadn’t realized what a pain in the ass it was making do with the shitty old one. I didn’t get all that filing worked on, but I did make some material progress that will help get me started working on it all again this week. I have more appointments this week–primary care doctor on Wednesday afternoon, and I have to actually go into the office on Friday for a benefits meeting. Our insurance is changing to a new carrier in the new year, which is why it was so important for me to get all this medical shit out of the way while I still have insurance that will take care of everything, or at least I understand how it operates. I absolutely hate the idea that I will have to relearn all my insurance stuff again in the new year.
It makes me tired.
I slept well today, and don’t have to go into the office at all. We’re having a “professional development day”, which starts at City Park at ten this morning and goes all day, from place to place–we go to Dillard University and later to Ralph’s on the Park–before coming home at six pm. Tomorrow goes back to normal. I didn’t want to get up this morning–Tug also wanted me to stay in bed; he followed me downstairs and is sleeping in my lap while I am typing this (Paul has started calling him Sparky, which kinds of fits…) but is also very sweet. He spent most of yesterday either chasing the laser light, playing with an old catnip toy of Scooter’s (catnip didn’t affect Scooter; Tug/Sparky is an entirely different story), or sleeping in my lap. I spent most of the day in my chair finishing Elizabeth Hand’s marvelous A Haunting on the Hill, which I will talk about in more detail in another entry. I also started reading Rival Queens as my new non-fiction read; it’s about Catherine de Medici and her daughter Marguerite de Valois, Queen of Navarre (aka Queen Margot) and of course, this is one of my favorite periods of history and two of my favorite, most interesting sixteenth century queens; Catherine de Medici is fascinating. A version of Game of Thrones played out in France between 1559 and 1594, and I’m always kind of amazed that it’s not written about more–but Americans are always more interested in English history, if they have any interest in history at all.
It’s a pity, because I’ve always found French history more interesting.
While I was reading A Haunting on the Hill yesterday an old idea of mine–a sort of sideways sequel to Bury Me in Shadows started developing in my mind; another Corinth County novel, only this time with Beau, Jake’s boyfriend from the University of Alabama and an archaeology/Alabama history major, as the main character. I’ve had this idea for a short story for a very long time–set in Corinth County–called “Children of the Stone Circle”, which I think I may have even written an entire first draft a long time ago; just could never tell how to make it work and make it real. It came to me while reading the Elizabeth Hand–I always get inspired when I read books that are well-written that I enjoy–and I made copious notes in my journal. That felt good–it felt good to power down my brain for most of the weekend and kind of relax. I am delighted to have finished the Hand–and for reasons that I will explain when I write about the book, I decided the reread of The Haunting of Hill House–which I still want to do–wasn’t a necessary follow up to the Hand. I am going to read Angel Luis Colon’s Infested next, and perhaps some more y/a middle-grade horror. I do want to reread King’s The Dead Zone, too; it’s been quite a while.
I also watched another episode of Moonlighting last night, which I am really enjoying the rewatch of. There were some cultural references to the time that don’t work–last night’s episode had Addison make a reference to a highly popular ad campaign that was already over but still very much a part of the zeitgeist when the show started–but overall, it’s still a great show. Cybill Shepherd was just stunningly beautiful, and she made a great straight man character for Willis to bounce his antics and humor off, and the chemistry between the two of them was simply off the charts. I had also forgotten how utterly charming the character of Miss DiPesto (“My name’s Agnes, but my friends call me Miss DiPesto”) as played by Allyce Beasley was; I was already a fan of hers when the show started because of her turn in one of the best episodes of Cheers, where she played Coach’s daughter.
“But Gregalicious, I thought you were rewatching Friday the 13th the Series this month in honor of Halloween?” I was, but the episodes are on Youtube, the quality of some are terrible (they were clearly uploaded and digitized from old VCR recordings, and for those of us who remember using VCR’s, we also still remember how bad some of those recordings were–especially when you were re-using cassettes) and it became annoying, and then Moonlighting dropped. So yes, I am not devoting myself to all things horror this month the way I had intended to, and no, I’ve not been taking the walks every night like I wanted to when the weather turned. Partly because I am tired when I get home every night from work, and partly because Tug/Sparky needs attention when I walk through the door and I am more than willing to give the adorable little kitty whatever he wants. He fell asleep in my lap yesterday once while still sitting up–his head was still up, not resting on anything, and he was sound asleep, which I’ve never seen anyone or anything do before.
And when he gets comfortable and is deep in dreamland, he sprawls in the most adorable ways. He also was happy in his sleep at one point, too–he started making biscuits on the arm of my easy chair while purring, but was sound asleep.
Yes, he’s adorable and yes, he is now master of the apartment.
And on that note, I am going to head into the spice mines. Have a lovely Monday, Constant Reader, and I will see you later.
Wednesday morning pay-the-bills day blog, and how are y’all this morning?
Yesterday was ever so much better than Monday (low bar) but I slept really well Monday night and felt very rested and centered yesterday as I went to work. Hilariously, as I walked out to the car in my Prevention T-shirt, I felt a bit chilly. When I got into the car it felt downright cold, and once I started the car the a/c started blowing and YIKES! So I quickly switched it over to heat…and as the lovely warm air began blowing through the vents, I saw the thermostat on my dashboard reading 70–it was seventy degrees and I felt cold. But…for well over a month–an endless summer–of temperatures that felt like 110-120; 70 degrees is a forty to fifty degree drop. That is actually a significant drop in temperature, and one that would certainly be felt as cold anywhere.
I have to go uptown to get a sonogram this morning (and no, I am not pregnant). This has to do with the genetic heart defect Mom had; they want to see if I have the same problem (technical term: Arterial tortuosity syndrome) so if things start going haywire with my blood pressure and so forth, they’ll know where to start (it took weeks for them to figure out what was wrong with Mom after her initial stroke). I think part of the reasons I feel so off this week, while exacerbated by the lack of sleep and driving this weekend, has been subconsciously felt anxiety about all these medical tests and things I am having done; plus Dad’s birthday was yesterday and Mom’s is tomorrow; these are their first birthdays with her gone, so it’s going to kick a little harder, which is only natural, I think. I was also productive in that I ordered our new refrigerator this morning to be deliverer on Saturday (yay!) and I registered for jury duty. Of course this is the perfect time to be called for jury duty–when I have a million doctors’ appointments and a surgery scheduled–and of course, you have to show up in person to try to get out of it, which means getting a doctor’s note and showing up at the courthouse on Friday. I can do that, of course–but it’s just more pain in the ass shit to do on a day when I already have a doctor’s appointment. I suppose I could just go there after the appointment. I don’t know. It’s just more irritation on a week where I’d rather not have more irritations. (The MRI is scheduled for Friday morning, that’s what it is.)
Heavy heaving sigh.
I wasn’t terribly tired when I got home yesterday from work, but I didn’t seem to get very much done. I did spend some time reading more of the Sager novel; I’d like to get that finished this weekend at the latest so I can move on to the Elizabeth Hand, the reread of Shirley Jackson, and Infested by Angel Luis Colon. I should, I think, be able to get them all read by the end of the month; I may even have the time to revisit The Dead Zone by Stephen King, which I’ve been meaning to do since the 2016 election. I’m still trying to get a grip and handle on everything, but it’s hard to do with all of these tests and appointments and everything to stress about, even if I try to let it all go it’s still there working away at my subconscious. I also don’t understand why I am so reluctant to face the fact that I am still grieving my mom, seven months later, and her birthday is tomorrow; something else I need to unpack, I suppose. But progress is being made on everything, and of course I am delighted to be getting a functional refrigerator at long last.
Which means I get to spend Friday partly getting the apartment ready for a refrigerator delivery and installation and removal of the old one; which means moving all the food over to the carriage house Friday evening.
I was also thinking back to precisely when I lost the reins of my life and when I started being discombobulated and losing control of my own narrative. I think the stress truly began taking off after buying the car in 2016; the car payments wreaked havoc on my finances and put me even further into debt, which was something I was very concerned about for several years, obviously (still am, but am paying it all down and feel a lot better on that score). Then came the Great Data Disaster of 2018, when I lost all the back-ups and my desk top computer stopped functioning properly; I wasn’t able to afford a new one (thanks to the car payment wreaking havoc on my finances) which also didn’t help–a computer that was super slow, crashed and/or froze up all the time, and was barely functional for what I needed didn’t help–and of course by the time I paid off the car and was able to buy a new computer we were deep into a pandemic and I was doing all that volunteer work while barely holding onto my own sanity by my fingernails. That was also the period of time (2016 on) when the filing got out of control as did my computer files; so now trying to climb out of the wreckage is a Sisyphean task, apparently; I never feel like I am caught up on anything because there’s so much fucking mess to straighten up and organize, and I can never just take a few days to even try to dig out from under the mess because there’s always something else going on that needs attention right now.
These are the things I was pondering as I sat in my easy chair last night watching videos on Youtube–documentaries about the Hapsburgs again–and waiting for Paul to come home. I find that I’ve become a lot more introspective about my past lately (since turning sixty, really) as well as working on unpacking things and understanding why I am the way I am a lot better. I’ve spent most of my life trying to work on myself and become a better person–reading, thinking, watching, etc.–and admittedly, not always succeeding; but a lot of that is because I’ve not looked back and unpacked things I’ve experienced or went through. I’ll give you a case in point: one night during Boucheron I was sitting with my friend Teresa at the pool bar during happy hour enjoying their amazing nachos when Lou Berney joined us. As we talked, he asked us both if we’ve ever come close to death before–close calls. I’d never been asked that before and I really had to think. And while Teresa was answering about a car accident situation where she was almost killed, I remembered an experience I had when I was twenty. I related the story and they both looked at me, eyes open wide, and were like “Jesus fucking Christ, Greg!” I hadn’t really thought about that incident in a really long time; I had started writing a blog entry sometime in the last ten years (it’s still in drafts) where I talked about that experience–it is one of the reasons I am so anti-gun–but other than that…no. But having that brought up into the forefront of my mind, I realized something.
I had never expected to live this long, and I’ve always had the feeling that I would die young. I don’t know if this is a common thing for people or not, but I have just always had that thought in the back of my mind for most of my life–when I’d think about the future, I would always stop because why think about it when you’re going to die young? I gradually began to believe that was because I lived through the 1980’s; the HIV/AIDS thing. But after remembering and talking about that incident back in 1982, I realized that after going through that was when I began thinking I wouldn’t live very long; the arrival of the “gay plague” right around the same time didn’t help much in that regard either. I’m not being coy in calling it the incident–tl;dr: the husband of one of the managers at the Burger King I worked at went over the edge and came into the place and shot her multiple times (today he would have had an automatic weapon and I would have died that day, or been wounded–because that’s not what this post is about and I do want to finish my draft post where I go into more detail.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again tomorrow, if not later.
Well, I am not going to get my dentures until Monday; they just called and the dentist isn’t in today, so I can’t get them until Monday morning, which makes this weekend a bit more difficult–sigh, eating will be a bit of a challenge for me this weekend in Panama City Beach, but at least I get them Monday morning–which means I can get groceries and start eating normally again on Monday; which is fantastic and makes me incredibly happy. I think I can probably chew if I take the uppers out, but I hardly would want to be doing that in public. But Monday I can eat normally again, although I still have a lot of the softer food to get rid of without wasting. I’ve actually liked some of these options I’ve adapted to–who knew hot and spicy ramen would be so fucking good?–and I will miss the ice cream of course, but I didn’t really lose a lot of weight while on this diet (my body always adjusts very quickly) but I am hopeful that will become more of a reality for me (actual weight loss) once the teeth are done and the surgeries are over and I’ve recovered. The weather has become cool enough for me to take walks when I get home from work; I’ve just been so focused on bonding with li’l Tug that I’ve not really made use of the time as productively as perhaps I should have.
Tug is becoming more and more at home, and showing more and more Big Kitten Energy every day. When I got home from work there was a trail of…well, I won’t say destruction because that wasn’t what I found; but there was a lot more stuff on the floor when I got home than was there when I had left. Last night he slept a lot in my lap, but then would get the “wanna play!” zoomies, where he was running around knocking things off and playing with everything and chasing things. I read some more of Riley Sager’s Final Girls, which is quite interesting and holding my attention, and then switched over to some Youtube videos. I watched another old episode of Friday the 13th the Series, which is fun, as always; it also occurred to me that I’ve basically given a sort of the same set-up backstory to A Streetcar Named Murder that the show had; my main character inherited an antique shop from an old uncle of her husband’s she didn’t know, the first case involved an item from the store, etc. etc. etc. (I just last night put that together–there truly are no new stories under the sun, are there? This is what I mean when I say things like I have so many influences I can’t possibly list or remember them all–pretty much anything I’ve ever read and any movie/television show I’ve seen has influenced me in some way.) Paul had a meeting last night so he wasn’t home before I started falling asleep in my easy chair; Tug and I repaired to bed before Paul got home around ten and I slept until eight this morning; ten hours! That never happens, Constant Reader, and it felt great. I feel very rested and relaxed this morning before I dive into my work-at-home duties, of which there are quite a bit today. I also have some errands to run late this afternoon after work, and of course tomorrow mornign I have to get up early and get the oil changed–which means more of the Riley Sager. I’m also a little excited to listen to Stephen Graham Jones’ The Only Good Indians on the way over and back, and I want to finish the Sager this weekend so I can reread The Haunting of Hill House and The Dead Zone before moving on to Elizabeth Hand’s A Hanunting on the Hill–although I’ll reread the King before the Jackson, because it just makes more sense to pair the Jackson with Hand’s retelling of the same tale, doesn’t it?
The switch from blast-furnace summer heat to the coolness (relatively speaking) of fall has been wonderful, and I hope my Entergy bill reflects the cooling of the weather. The kitchen is a mess, as always on Friday mornings, so of course I have some things to do around here before I get started on my work-at-home chores or do some writing or reading or whatever I need to get done here around the house. The new season of Our Flag Means Death dropped last night, as well as other new episodes of our shows (Ahsoka, Only Murders in the Building, among others) and we also want to start The Changeling, based on Victor Lavalle’s superb novel.
So I am hoping for nice productive day at home. I feel rested and relaxed–always a plus–and maybe not as motivated as I would like, but hey, that’s on me and the coffee I have yet to finish consuming. I’m going to finish off my morning with a cup of cacao, because I am trying to get used to it and it would be great to wean myself entirely off coffee, but the cacao is taking some getting used to–it doesn’t really have the bitter bite of coffee, which is the part of the taste I prefer. Cacao is more like unsweetened hot chocolate–and it’s probably the real chocolate taste, as opposed to the insanely sweetened version Americans are used to. I’ll have to get up early tomorrow to get the oil changed in the car–since I’ll be on the West Bank, I should probably go ahead and grocery shop while I’m over there, and then I won’t have to worry about it when I get back on Sunday night, which does make the most sense.
And so, on a more cheery note than usual lately, I am going to take this chance to head into the spice mines. I may be back before tomorrow morning’s before the oil change at the crack of dawn, but one never can be sure. At any rate, have a lovely Friday, Constant Reader, and I’ll talk to you again soon.
I do, I really do. I was thinking about this the other night; I was thinking about my trip this weekend to spend time with relatives I’ve not really talked to much over the last forty or so years. Rereading Jackson Square Jazz (I finished last night) has also been revelatory. It’s a pretty good book, and rather ambitious in its scope, but there are some things I’m going to need to revise out of it–primarily words and phrases that have since become problematic. (They were always problematic, but unfortunately we weren’t as aware of these things back then as we are now.) But the purpose of the book overall in the scheme of Scotty’s growth as a person and development of his character definitely played out here, and it definitely worked, so I was rather pleased with the reread.
But it was (is?) interesting to see how I’ve changed and grown as a writer in the ensuing twenty years. I was also a little impressed at how ambitious this book was, in its scope and its story-telling; I don’t remember being that ambitious when I was writing the book. I remember where the idea came from, and how long it gestated in my head before it became Scotty #2; ironically, this was the plot I was going to use to try to write a mainstream mystery with Paige as the main character…at least, that was how I first thought of it. I will have to go back through the manuscript and start making corrections and finding the errors–with the actual finished book on the table beside me to consult for corrections and so forth–and I am also going to need to have the iPad around, so I can do searches in the other Scotty books to verify things. There were also a couple of interesting things I noted in the book as I was rereading it–I did a really good job of setting up the big twist in Mississippi River Mischief that was twenty years in the making–but there were also some things in there that I’ve not followed up on or I’m pretty sure are incorrect; the way I described the apartment on the top floor of Scotty’s building is way off; I am going to have to reread Vieux Carre Voodoo again as well and see what other continuity errors I’ve made with that building over the years. I also kind of liked Scotty’s not-totally-an-adult yet voice; he was a bit of a Peter Pan throughout his twenties, and didn’t start settling down until he was well into his thirties, which was also kind of interesting to me. This book also contains my first car chase (and my first writing about a car accident, for those who keep track of how many accidents Scotty has been in–Chanse has been in a few, too) and some of its geography was wrong; so I am going to need to clean that scene up a bit as well. I guess the best thing to do is reread the version that came out in print next, and put sticky notes in the places where I think I made mistakes in the manuscript to see if it got cleaned up in the edits.
I mean, I really tried a lot of shit in this book, and it actually worked! Good for me!
I ran errands on the way home from work yesterday (mainly so I don’t have to again today) and was a bit tired by the time I got home. I did get started on the chores before Tug decided he needed my lap, and of course, once I was in the chair and he was in my lap it was all over. I did manage to put away the dishes and do another load, as well as get started on the laundry, which I will have to finish tonight. Tomorrow is a work-at-home day, which will be nice. I do need to take the car in for an oil change and tire rotation before I leave on Saturday; whether I do that tomorrow morning or Saturday will depend on a number of things–primarily whether I hear from the dentist that my temporary plates are ready; I really would like to have those before I leave for the weekend because I’d really rather not have to remain on the soft food diet and try to figure out what to stop and eat on the way there and back.
I also picked up two books yesterday, which will come in handy for Halloween Horror Month: Elizabeth Hand’s retelling of Shirley Jackson’s The Haunting of Hill House, A Haunting on the Hill, and the Jonathan Maberry edited Weird Tales: 100 Years of Weirdness. I also got my three Anthony nominee certificates from this past Bouchercon in the mail, which was incredibly lovely and still doesn’t quite seem real to me yet. It still feels like it happened to someone else. I never got the certificates from the previous years–I didn’t know they actually made them for us–and the first time I actually picked one up was at Malice, when they gave out the ones for the Agathas (which was the first time I found out that they make these for the nominees. Just as well–I don’t have that much wall space and boy did that ever sound arrogant!) this past spring. It’s very nice to have these, too, but I am not sure where I can put them. Like I said, I don’t have much open space left on the walls of my kitchen/office. On the other hand, it may be time to mix that all up, anyway, and rehang things or replace things that have been up forever. Do I really need the glamour shots of Joan, Bette and Kate? Probably not.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again later.
Thursday morning and the bills are paid. Huzzah? But this afternoon I have to leave early to go to the cardiologist–I need to get cleared for the surgery because of my advanced age–and then Friday morning it’s off to the dentist AND WE’RE GETTING A CAT!!! (I may be a tad bit excited about getting a cat. This cat is going to be so loved and spoiled…) I was tired again yesterday when I got home from work, but I did manage to do some laundry and write. I finished the first chapter of yet another book, and will probably continue to futz around with both of these for a little while longer. It’s always important for me to get the first few chapters on a firm footing before moving on to the rest. I’m not sure why that is, to be honest, but it’s true. It’s impossible for me to move on and get deeper into a manuscript until I am confident in the first five chapters; sometimes less. I always forget this whenever I am working on new projects, and then spiral into self-doubt and imposter syndrome…aka anxiety. I have to say, this is so nice and different, such a lovelier way to live. My sleep is improving, my creativity is flourishing, I am being productive–and it’s okay to choose writing over reading, much as I love to read. I will finish my current book this week and this weekend I will start my Halloween Horror Month reading/film festival/television rewatches.
I’ve actually kind of started that already; I’ve been watching those Dark Shadows episodes. The story behind The Haunting of Collinwood is interesting enough; two doomed spirits from the past using the two children at Collinwood to enact vengeance on the Collins family, and everyone slowly comes to realize something is wrong with the children and something strange is going on. The funniest part, to me, is Elizabeth Stoddard, the matriarch played by old Hollywood star Joan Bennett, kept insisting there are no such things as ghosts and witches and so on–was this an ongoing thing for the character of Elizabeth, with every new supernatural storyline? Girl, where do you live?
I’ve also got those Friday the 13th the Series episodes to watch on Youtube. Horror has had a strong influence on my writing, and it’s something I enjoy and have a deep respect for as a genre. I am hardly expert in the field at all, and I try my hand at it here and there now and again with short stories or the occasional book. But I don’t write scary stuff–I like to write creepy suspense, with the tension and fear and adrenaline rising for the reader along with the characters in the story. My stuff is more about atmosphere itself than the supernatural events, which I rarely try to explain–there’s never a handy “expert” in any of my work to explain things to the characters, who are kind of on their own and can’t be sure they understand it themselves. As I said once in an interview, “Shirley Jackson never explained, and neither did Daphne du Maurier.”
Needless to say, Jackson and du Maurier are two of my biggest influences, I think.
OH! I should reread The Haunting of Hill House. It’s been a minute. And definitely “Don’t Look Now.”
Paul got home in time for us to watch this week’s The Morning Show, and it kind of begs the question: why is the fact that Reese Witherspoon is playing at least a bisexual woman in a relationship with Julianna Margulies not being talked about more? Have we reached the point where we’ve grown blasé about queer rep in mainstream-targeted television shows? Then again, that’s a good place to be–if no one is complaining and we no longer have to champion it? It’s a really good show, and as tired as I am of Jennifer Aniston and her even more tired old straight white lady shtick about cancel culture (“Friends couldn’t air today!” You say that like it’s a bad thing, Jen.), she is quite good in the show. I also approve the addition of Jon Hamm as Elon Musk, er, a Musk-like billionaire buying their network and also as a potential love interest. I also find it interesting that the two female leads–powerful and successful women in the news business–have male first names: Alex and Bradley.
So, hopefully by this afternoon the cardiologist will have cleared me for the surgery next month and I will know if I have the same congenital heart defect my mother had; there’s some question as to whether it’s genetic or not; she made it to eighty, but her father died in his sleep in his mid-forties; her brother also had heart issues and multiple surgeries before he passed. I have to say I have been exceptionally lucky for most of my life; I’ve never had a surgery other than tonsil removal as a child and tooth removal.
And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll be back soon.
I don’t remember how old I was the first time I saw Robert Wise’s film The Haunting; all I do remember was it was late at night–in Chicago, one (maybe more) of the local affiliates always ran films after the news at 10:30; they also ran afternoon movies at 3:30 Monday thru Friday–which is where I got most of my education in classic Hollywood movies. But The Haunting was probably the most terrifying movie I’d ever seen; it wasn’t until a rewatch later in my life that I realized that perhaps the most terrifying and unsettling thing about the movie was you never saw whatever it was that was creating the happenings at Hill House–and they were never really explained, either. I had nightmares after watching it the first time, and those nightmares became recurring. To this day I am not comfortable climbing a metal spiral staircase…
One afternoon when we were at Zayre’s for whatever reason–we went there almost weekly, although I am not sure why–I found a copy of Hell House by Richard Matheson on the paperback racks. It sounded, from reading the back, similar to the movie that had scared me so when I was younger, and I couldn’t help but wonder if the movie was taken from the book? I bought it and read it–loved it, in fact–but while it was similar to the story of The Haunting, it was also different enough for me to be certain they weren’t the same. (Hell House was filmed actually as The Legend of Hell House, which was also a terrifying film–more on that later). It wasn’t until years later, when I was in a used bookstore in Emporia, that I stumbled across this:
It was only a quarter, and looking at the back I recognized the characters–Nell, Theo, Dr. Montague, Luke–and of course, the name of the haunted house–Hill House. I bought it and a couple of others, and I started reading at the first opportunity, and was completely mesmerized. It quickly became one of my favorite novels of all time–I already knew Jackson’s story “The Lottery”, because at some point in school I’d been shown the film (why was this appropriate school viewing? Imagine trying to show it to students today!) and in a Drama class we’d actually read the stage adaptation and even put it on for the school (I think I had one line in our production?). Reading Stephen King’s Danse Macabre also told me more about both Jackson’s writing and the Robert Wise directed film, which was my first exposure to Julie Harris; I also remembered that the opening of Jackson’s novel was used by King as an epigram in ‘salem’s Lot; he also dedicated a book to her “because she never had to raise her voice,” which is a very poetic way to describe the softly macabre writing style and voice she used in her works. I lost my original copy at some point during moves over the years, and I acquired another copy after we returned to New Orleans in 2001 from our brief, preferably forgotten interlude in Washington DC–and have made a point to reread it every year since.
And no matter how many times I reread it, I never tire of its haunting, terrifying beauty.
No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.
Dr. John Montague was a doctor of philosophy; he had taken his degree in anthropology, feeling obscurely that in this field he might come closest to his truest vocation, the analysis of supernatural manifestations. He was scrupulous about the use of his title because, his investigations being so utterly unscientific, he hoped to borrow an air of respectability, even scholarly authority, from his education. It had cost him a good deal, in money and pride, since he was not a begging man, to rent Hill House for three months, but he expected to be compensated for his pains by the sensation following upon the publication of his definitive work on the causes and effects of psychic disturbances in a house commonly known as “haunted.” He had been looking for an honestly haunted house all his life. When he heard of Hill House he had been at first doubtful, then hopeful, then indefatigable; he was not the man to let go of Hill House once he had found it.
Dr. Montague’s intentions with regard to Hill House derived from the methods of the intrepid nineteenth-century ghost hunters; he was going to go and live in Hill House and see what happened there. It was his intention, at first, to followthe example of the anonymous Lady who went to stay at Ballechin House and ran a summer-long house party for skeptics and believers, with croquet and ghost-watching as the outstanding attractions, but skeptics, believers, and good croquet players are harder to come by today; Dr. Montague was forced to engage assistants. Perhaps the leisurely ways of Victorian life lent themselves more agreeably to the devices of psychic investigation, or perhaps the painstaking documentation of phenomena had largely gone out as a means of determining actuality; at any rate, Dr. Montague had not only to engage assistants but to search for them.
That opening paragraph alone is a masterpiece.
I parodied it for the beginning of one of my Scotty books–it gave me great pleasure to write the words New Orleans, not sane, stood by itself within its levees–and of course, this book was a pretty heavy influence on Bury Me in Shadows. The book reads almost like a fever dream, with its rhythms and poetries of language, and the story itself is as mysterious as one could possibly hope. The genius of Jackson is knowing that the biggest fear of all is the unknown; so we never know what is actually going on at Hill House–is the house actually bad, or just unlucky? The house’s history is bad and tragic from the very beginning, as we are told in Jackson’s spellbinding voice; who precisely was Hugh Crain, who built the house for his wife and family but never knew any kind of peace within its walls? What went wrong? Jackson never lets us know anything other than that the house is bad. Her primary point of view character is perhaps the must untrustworthy and unreliable of narrators, Eleanor Vance, Nell. Dr. Montague invited Nell because of a strange occurrence that happened when she was a small child; stones rained down on their house out of clear blue sky; her mother darkly blamed it on the neighbors (this also happened to Carrie White’s house when she was a little girl in Stephen King’s Carrie–in the newspaper write-up included in the book Mrs. White also blamed it on “the neighbors”), but other than that, Nell is pretty ordinary and small. She’s wasted most of her adult life taking care of her invalid mother; she’s now in her early thirties and living with her sister’s family, sleeping on the couch. She’s meek but capable of anger–she has a lot of anger and rage buried deep inside of herself–anger at the world, at the injustice of her wasted life, at the lack of a viable future; she has no prospects, no job, no friends, no nothing. The invitation to Hill House awakens a joy in her that she’s never known–she’s wanted somewhere. Her sister and brother-in-law refuse to let her take their mutual car; she gets up early and rebelliously takes the car anyway and heads to Hill House. As she drives she daydreams and observes everything along the road, making up a lovely fantasy for herself about living in a house with stone lions at the foot of the driveway; she stops for lunch and observes a little girl who refuses to drink her milk because she doesn’t have her special cup with stars on the bottom she can she as she drinks. Mentally, Nell urges the little girl not to give in, to not surrender to the injustice of not having her proper cup–as it will be the first of many surrenders of herself she’ll end up making throughout her life until she, like Nell, becomes invisible.
And then, hopeful and happy and excited, she arrives and gets her first look at Hill House:
The house was vile. She shivered and thought, the words coming freely into her mind, Hill House is vile, it is diseased; get away from here at once.
Which then gives Jackson the opportunity, as the next chapter opens, to describe Hill House:
No human eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until was destroyed.
Nell’s sanity, never the strongest, is affected deeply by the house–she both hates and loves it, separate parts of her nature begging her to flee while the other telling her she’s come home, to stay. The other three in the party–Dr. Montague, Theo the lesbian with some psychic ability, and Luke, due to inherit the house one day–become aware very quickly that the house is having an odd effect on her; they also hate and fear the house, but that welcoming feeling Nell experiences, that desire to never leave, is for her and her only. The rest of the book is quietly terrifying–the noises in the night, the realization that whatever is going on in the house has a sly intelligence of a sort–and the scene where Nell is terrified in the night and holds Theo’s hand…until Theo turns on the lights and Nell realizes she was across the room so whose hand was I holding? is one of the most horrifying moments in horror fiction. And then, the chilling, tragic end.
I also always see the house the way it was shown in the movie.
I also rewatched the movie while I was rereading the novel–not the execrable remake but the original–and it holds up just as terrifying and unsettling as it was the first time. Julie Harris is fantastic as Nell, fragile and frayed and slowly unraveling; in the movie isn’t not quite as left to the viewer as it is to the reader the notion that Nell herself is the one haunting Hill House; the house gains its power through her. (This was done beautifully in the Netflix adaptation, The Haunting of Hill House, which is loosely based on the book but updated and adapted and changed significantly; I thought the series was fucking fantastic and an excellent homage to both the book and the original film. You can’t improve on what came before, so why not reinterpret it? I know Jackson purists were outraged, but having seen the dreadful 1999 remake…yeah, this wasn’t that, for sure.)
Also, because of the movie, whenever I read the book I see it in my mind in black and white. The film wouldn’t work in color, either.
If you’ve not read the book, you really should. It’s a masterpiece on every level.
Queer and Loathing in America 