When Smokey Sings

And just like that, the vacation is over and it’s back to work with me.

Heavy heaving sigh.

But in all honesty, it feels like I haven’t set foot in the office for months. It also feels like I haven’t written anything in months, either.

But let’s face it, and be honest with myself: yesterday was also the first time I have felt human,  or like myself, in weeks. I managed to get good sleep almost every day for the last five or six days; it’s amazing what a difference good sleep can make in one;’s day to day life. Even this morning, despite being untimely ripped from my bed–I’m not sleepy or tired; just not fully awake yet, and the coffee–with an assist from a shower–will change that all fairly rapidly.

I started –and finished–Richard Stark’s The Hunter yesterday, and I’m not quite sure how I felt about it. I thought it was written very well–the pacing was particularly good–but…it’s a 1962 novel, and that shows with misogyny and a couple of homophobic slurs, as well as some seriously questionable sexualization. But it’s also a pulp novel from the early 1960’s; Stark was a pseudonym for Donald Westlake, and it read very quickly and very fast….the main character, Parker, is described as an anti-hero; I’d say he’s more of a sociopath than anything else, really, although I do suppose to that does make him a bit of anti-hero….I am still thinking about the book, and will write more about it at another time, most likely. After I finished reading it, I moved on to The Ferguson Affair by Ross Macdonald. I don’t think I’ve read it before–to date, to the best of my knowledge I’ve not read any of Macdonald’s non-Archer novels, and that very much is what this one is; but it’s got Macdonald’s trademark writing style, and I am enjoying it. I think the Parker novel inevitably led to the Macdonald, really–there were some things about Parker that reminded me of both Macdonalds, Ross and John D.; I actually was looking for a non-McGee novel of John D. MacDonald’s to read, and finally decided on the Ross Macdonald The Ferguson Affair. As I read the book, it reminds me of something I’ve read before–perhaps not another Macdonald novel, but perhaps one of the Lew Archer short stories I read in The Archer Files last year when I was doing the Short Story Project.

I also had to do the editorial notes on my story “The Dreadful Scott Decision,” which is appearing in the anthology The Faking of the President, edited by Peter Carlaftes of Three Rooms Press–they also published Florida Happens last year–and got that turned in; I also saw the cover, which was shared on Facebook. I do like this story that I wrote; it wasn’t one of the easier ones to do. Primarily the reason it took me so long–other than I was writing Bury Me in Shadows at the same time–was because it was so difficult to come up with an idea for what I was going to write. Ordinarily I like writing stories to order–trying to come up with a story that fits a theme (and I usually will push those limits) is always a fun challenge; this one was a bit more difficult, and I am really happy with what I finally managed to come up with. I did worry, as the deadline loomed, that the story wasn’t going to come together properly; I always have that fear, it’s the flip side (or a primary symptom) of Imposter Syndrome. But it’s finished, the editor liked it, and I got my corrections done….now I just have to figure out how to write this Sherlock Holmes pastiche I agreed to write. I already have the idea, and how I want to do it, and where it’s set and the title, which I love….I just now have to figure out the story itself.

I also figured out how to revise two short stories I’ve been unable to get; one was simply because in order for the story’s title to work, one of the characters had to be a moron; and the other because it was a little too, shall we say, spot on? It’s also a great title, and I think it’s a great story; I just have to revise it and change some of the things in it before I make one last try to get it published somewhere.

It’s actually been a pretty good year, career-wise, for me so far….and with only two months left to go–what can I accomplish in the meantime?

And on that note, it’s back to the spice mines with me.

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Let’s Wait Awhile

Thursday and I still have no voice–well, I do, but my throat is still sore and my voice is still raspy-ish. But it is getting better–I really need to treat it with honey and tea, I suppose–but it’s annoying that it has lasted this long. I’ve also had an earache for a lot longer than necessary, which is terribly irritating. I’ve not actually had an earache in a very long time, and of course, now that sixty is just over the horizon, everything new and different and unusual that happens to me physically automatically turns into something traumatic in my head: I wonder if I damaged my hearing at Tiger Stadium last Saturday?

It wouldn’t surprise me. There were times during the game when the crowd was so loud I could feel the noise vibrating against my ear drums. Heavy heaving sigh. Of course I suppose now I can feign deafness when someone I don’t want to listen to is talking to me…

Oh, I already do that. Never mind.

But it’s Thursday morning, and I slept later than I probably should have this morning. C’est la vie. I kind of feel like I need another weekend to regroup and recover from everything; and I also can’t seem to get overly focused to work this week on my writing–or to read anything. It’s rather disappointing, but the earache from hell–which is sticking around, apparently, for another day–is enormously distracting and does make it harder for me to focus. I’m going to take a Claritin in a moment–my sinuses appear to also be fucked up; and maybe opening up my sinuses will alleviate the earache; stranger things have happened, after all–and hope that makes things better for the day.

I’m not really sure why we continue to watch American Horror Story: 1984. Last night’s episode continued to go even further off the rails, and the previews for next week’s episode seemed also incredibly unappealing. I had wondered how they would manage to draw out a slasher film homage into ten or eleven episodes, particularly since it was all taking place over the course of one night; and now I apparently have my answer. And yet, much as I am hating it, we’ll probably keep watching to the bitter end…the only season we ever completely bailed on was Hotel.

I’m hopeful that this weekend will be a productive one, since last weekend was a complete wash. I am so behind on everything now! It sucks being tired, and slightly ill, this entire week. It really sucks that my throat is so sore–and that it’s still not better. Is it worn from all the yelling last Saturday night, or is this a holdover from being sick? It sucks when they both happen at the same time so i can’t figure it out, you know what I mean? Just horrible. Heavy heaving sigh.

But I did manage to get the bills paid, and updated my debt list. It’s disheartening to see how much debt I’ve managed to accrue over the last few years, but it’s also somewhat heartening to know that it’s all, primarily, because I bought a new car, and have been trying to pay it off early ever since. It’s also lovely, and most satisfying, to see the debt owed on the car slowly but steadily decreasing. I haven’t been able to pay more down than the regular payment for most of the year, but it’s finally down into four figures, and should go much faster now that it’s that low. God, what will I do with all that extra money once the car is paid off? And if I take care of this car, it should last me for a good long time…

And once the car is paid for, the rest of the debt can get paid off. Thank you, baby Jesus.

Anyway, I am hoping to start reading Certain Dark Things today; I opened it the other night and read the first paragraph, and loved the style and authorial voice. My reading has certainly been suffering lately, and while I am desperately trying to get organized and rested and all that nonsense, I really need to focus. Sigh, I’ve been saying that for a really long time, haven’t I?

I am still reading my New Orleans history, though–I am now up to “The Last of the Mafia” in Robert Tallant’s Ready to Hang, which is about the kidnapping of young Walter Lamana. I’ve already read about this case–it was talked about in Empire of Sin, I believe, although I could be wrong–but it’s always interesting to me to read about how the French Quarter, in the days before preservation began, had turned into a terrible slum (which is why, before the preservation movement took hold in the city, bulldozing the Quarter would come up every so often). Since I am going to be writing a short story or two during this period–did I mention I was asked to write a Sherlock Holmes pastiche? If not, I’ve been asked to write a Sherlock Holmes pastiche, and I have a terrific idea for it–I need to get an idea of what the Quarter was actually like back then, especially if Sherlock Holmes is going to be living in the Quarter.

My ADHD-addled brain has certainly been jumping all over the place lately, and I’ve been trying to write ideas down in my journal as they come to me.

And on that note, perhaps I should put on my miner’s hat and head into the mines. I don’t get off work this evening until eight, so I know when I get home I’m not going to want to clean or do much of anything; I’ll probably try to get some writing done this evening but I am not holding out much hope. This entire week has been almost a complete loss.

Sigh. Have a lovely day, Constant Reader!

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Land of Confusion

Wednesday, and my body clock  has apparently, finally, after all these years, adjusted back to getting up early the first two days of the week. This morning I woke up again around four, went back to sleep, woke up again around six, and then fell asleep again so that I could wake up just after eight feeling rested and refreshed. Which is cool and lovely, since today is a half-day for me and I can get sort of caught up on things around the Lost Apartment. The kitchen sink is full of dirty dishes, and there are two loads of laundry in some sort of the process of being laundered; the living room is a mess, and so forth. I can also run get the mail after work, and stop at the grocery store for a minor grocery run as well.

Pulling Bury Me in Shadows together is proceeding apace; by the end of this evening I hope to  have over half of it done, with the corrections and additions made that need to be made. This does put me right on schedule for turning it on Monday of next week, which is lovely. It feels good to be producing again, and of course, the whole “Moist Money” thing was really cool this week, too–that’s two short stories I’ve placed over the last few months, which is truly a lovely thing to contemplate. I put some more out for submission earlier this week, too, so hopefully there will be more good news in the future….

..or devastating confirmations of my imposter syndrome. We’ll see how it goes.

Yesterday Facebook memories reminded me that nine years ago was the day we brought Scooter home from the Cat Practice for a two week trial, to see whether we wanted to adopt him or not. He was home with us for exactly two hours before we decided he was a keeper, and went back the next morning to finalize the adoption. It’s so funny; over the years neither Paul nor I had ever had a cat; I’d had roommates with cats, but for the most part they were distant and aloof and rarely seen. Friends had cats, but we were both more dog people, and the sad truth is, we only acquired Skittle when we lived in the carriage house because we had a mouse. Owning Skittle turned us both into cat aficionados; whenever we visit anyone who has a cat, Paul will spend most of the night trying to befriend the cat. Skittle’s untimely demise from cancer was devastating to both of us; Paul was so torn up over it we weren’t sure we’d get another cat. But the Lost Apartment felt so empty without one…when I went back to the Cat Practice to pick up Skittle’s ashes, there was a cat up for adoption in one of the cages behind the front desk–an orange cat whose name was Texas. He was very sweet, and I told Paul that night about him, as Paul was already looking into getting another cat. “Why don’t you go down there and take a look at Texas?” I told him, and so Friday morning before work he walked down there and did, indeed, take a look at Texas. He emailed me when he got to his office and we decided I’d pick Paul up later that afternoon and we’d go get Texas for a trial. I remember letting him out of the carrier, and Scooter immediately, timidly his under the coffee table. He stayed there for a while, with Paul teasingly saying “now, if all you’re going to do is hide under the table we’re not going to keep you.” We turned on the television and started watching….and before long he came out, climbed up onto Paul’s chest, purring and cuddling, and we were his.

And have been, ever since. Nine lovely years. He’s such a sweet cat, too. I finally wrote him into the Scotty series–he’s Taylor’s cat, but Scotty and the boys are all wrapped around Scooter’s paws, the same way we are. It’s always lovely, you know, to come home from a day at work (especially on those shitty days) and have a cat climb into your lap, purring and wanting to cuddle and offering no-strings affection.

We got caught up with The Righteous Gemstones last night, which I am enjoying a lot more than I ever thought I would, and also started watching On Becoming a God in Central Florida–which I’m not so sure about whether we’ll continue watching. The first episode just made me feel incredibly sorry for the main characters, although I didn’t see the shocking death coming. I wasn’t sure if it was supposed to be a comedy–perhaps a dark comedy?–or not, but it didn’t feel funny to me; I don’t like humor where poor people are the butt of the joke , and that’s how it seemed to me…I hate seeing even dark humor where the dreams of poor people to better themselves are mocked or belittled. I don’t care for that, because all I wind up doing is feeling sorry for them. I’ll probably give the show another episode or two, but if that’s all it’s going to be I don’t think we’ll finish watching–but Kirsten Dunst is terrific in the lead role.

I also finished reading “Murder in Basin Street” in Ready to Hang and am now onto the next famous murder, “Juliette and the Kind Doctor,” which seems like an almost perfect story to adapt into a fictional novel. As I read more and more New Orleans history, it’s astonishing to me how dark that history is; almost from the very beginning. I am definitely most likely going to wind up writing historical fiction about New Orleans at some point, I suspect; I see many hours in the archives at the Historic New Orleans Collection, the Williams Center, and the Tulane Louisiana Historical Research Association in my future. There’s just such a rich history to explore and dive headlong into….and as a history addict, I can get lost in such research for years.

Which reminds me, I have been asked to write a story for an interesting anthology; a book of Sherlock Holmes stories where the only requirement is that it can’t be set in England and Holmes/Watson cannot be English. My first thought on reading the email was I can’t write a Holmes story–I haven’t read Doyle since I was a kid and immediately thereafter, Oh, I can set the case in Storyville in the 1910’s and I can use that title I’ve been sitting on for years–“The Affair of the Purloined Rentboy!” 

Naturally, this made me very excited, and now I have to not only do some more research on the time period, but I need to go back and reread some Holmes stories, to get not only a feel for the character that isn’t influenced by either television series (Sherlock with Cumberbatch and Elementary), but it more Doyle-influenced. I’ve never been much of a Sherlockian; I did enjoy reading the stories when I was young, and I read the Nicholas Meyer pastiches in the 1970’s (The Seven Per Cent Solution and The West End Horror), but other than watching the TV series and the occasional film (Spielberg’s Young Sherlock Holmes and Guy Ritchie’s Sherlock Holmes, with Robert Downey Jr, which was really just Holmes as Tony Stark in the nineteenth century), my interest in Holmes and Doyle is fairly minimal. Will writing this story turn me into a Sherlockian? I’ve already recruited some of my avid Sherlockian friends to give me advice and perhaps read early versions, to see if I am getting it right.

And stranger things have happened.

And on that note, I’ve got some emails to answer. Back to the spice mines with me!

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Baby, Come to Me

Yesterday was had a rather intense storm here in New Orleans; there was flash flooding all over the city, cars ruined, water inside buildings; that sort of thing. I don’t know if my street flooded or not (guess I’ll find out if my car got ruined tomorrow morning when I am ready to go to work), but we certainly were lucky and didn’t get water inside of our house. The rain is going to continue some today; there’s an advisory for everyone to stay inside and off the roads, just in case. We get these kinds of storms and flash floods every once in a while–the price of living in a low lying city surrounding by water where parts of the city used to be swamp and are now floodplains, and our pumping system tends to get overwhelmed when we get a lot of water in a short period of time. I’ve been caught out in these storms before, having to wade through water up to my hips at times. My car was flooded when I was on my way home from work the first year we lived here and I got caught in one of these storms. There’s no point in railing against these storms and short-term floods; they happen periodically and you have to deal with them, unfortunately. Last night was also supposed to be White Linen Night, an annual event every August in the Arts District where all the galleries serve food and alcohol, booths are set up on Julia and Magazine streets to sell food and drink, and people wearing white go from gallery to gallery looking at (and hopefully buying) art. Satchmo Fest was also this weekend; clearly, both annual events were cancelled yesterday because of the deluge. I ran my errands early–thank God–and so intended to spend the rest of my day inside and working on the line edit, doing some writing, and reading as well. I did no line editing and no writing yesterday; instead, I was caught up in the last half of Lyndsay Faye’s staggeringly brilliant The Gods of Gotham, and could not put it down until it was finished.

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When I set down the initial report, sitting at my desk at the Tombs, I wrote:

On the night of August 21, 1845, one of the children escaped.

Of all the sordid trials a New York City policeman faces every day, you wouldn’t expect the one I loathe most to be paperwork. But it is. I get snakes down my spine just thinking case files.

Seriously, is there anyone who enjoys paperwork?

The Gods of Gotham is the perfect historical crime novel. I’ve read a number of them, and there are some truly excellent ones (one of my favorite novels of all time is The Affair of the Blood-Stained Egg Cosy, set in the 1930’s), but I’ve also staggered my way through some seriously bad ones. But even with the bad ones, I always have tremendous respect for the writer for even trying; I can’t imagine trying, much as I love history, because there are so many gaps; so many things to research, from small to large, intricate intimate details that may be impossible to find out–or you might find them out when it’s too late. To be truly successful, a historical piece of fiction has to be completely immersive; the author has to bring that world to life but make the reader understand it and how it was to live in that period without giving in to the temptation to put everything you’ve researched into the book/story, aka hitting the reader over the head with a history lesson. Writing a convincing, involving story with characters the reader can identify with, appreciate, and root for, is hard enough without setting it in another time period.

Lyndsay Faye has managed this incredible juggling feat, and pulled it off with aplomb. The Gods of Gotham is set in New York City (obviously) in the late summer of 1845; when the city has newly created a police force, identified by the copper stars they wear (which, obviously, is where the slang term copper, and its derivative, cop, came from; this is clearly made obvious throughout the story without Faye stopping to explain; a lesser writer certainly would have made that egregious take-the-reader-out-of-the-story error). Our hero, Timothy Wilde, is a bartender when the story opens; his older brother, Valentine, is a good-time Charlie who likes to get wasted, frequents whorehouses, and also works as a fireman. The relationship between the brothers isn’t great; they lost their parents to a fire when they were children, and they butt heads alot. Valentine is also involved with the Democratic Party. After an enormous fire leaves Timothy jobless and homeless and broke, he rents a room from a widowed German baker, Mrs. Boehm, and is then pressured by his brother into becoming a copper star; a beat cop in the newly formed city police, which not everyone in the city wants or approves of. Soon, Timothy is wrapped up in a bizarre mystery involving a child prostitute he runs across one night; wandering the streets in a nightdress, covered in blood; and soon the investigation expands to involve a possible serial killer of child prostitutes. Politics, nativism, religious and ethnic and racial bigotry all play a part in this tale; as do sexism.

The truly great historical novels not only shine a bright light on the past, but thematically show how little has changed over time. The Gods of Gotham could easily be set in the present day, with Timothy Wilde as a modern police detective. The bigotry against the Irish and Catholics could easily be translated to Middle Eastern refugees and Muslims; it is truly sad to read and see how we as a society and a people fail to learn from the mistakes of the past, repeating the same errors over and over to our own disgrace. Faye has brought New York of 1845 vividly to life with careful brush strokes that never are too big or too broad or invasive to the story; her city streets are alive with noise and people and sights and sounds and smells. Her characters are all-too-real; even the worst of her villains (particularly the diabolical madam, Silkie Marsh) are believable three-dimensional and live and breathe on the page.

I hated seeing the book end, quite frankly; but there are two more Timothy Wilde novels to savor and look forward to, as well as her Edgar nominated Jane Steele (The Gods of Gotham was also an Best Novel Edgar finalist), and her Sherlock Holmes work. (And yes, my recent interest in Holmes was triggered by Lyndsay’s interest in Holmes…and there were times when this book itself reminded me of, in the best possible ways, of Nicholas Meyer’s Holmes pastiches from the 1970’s, The Seven-Per-Cent Solution and The West End Horror.)

The Gods of Gotham, if you haven’t read it yet, needs to be added to your TBR pile immediately.

Spirits in the Material World

It might come as a surprise to many that someone such as myself, who not only writes crime but has spent almost his entire life reading crime books (both fiction and nonfiction), has very little knowledge of Sir Arthur Conan Doyle’s great character, Sherlock Holmes; a detective whose adventures have never gone out of print and have remained, to this very day, as popular as when they were originally published. Now, don’t get me wrong; I’ve always admired Doyle, and I am incredibly fond of Holmes: I love the modern interpretation of him in Sherlock; I enjoyed the first two (or three?) seasons of the American modern interpretation, Elementary; I read the Nicholas Meyer 1970’s interpretations of Holmes, The Seven-Per-Cent Solution and The West End Horror (which I really should reread), and I do suspect I would have enjoyed the novels more had I been more versed in Sherlockademia); and I both read and loved The Hound of the Baskervilles when I was in junior high school.

And yet, The Hound of the Baskervilles remains, to this day, the only Doyle Holmes story I’ve read.

Shocking, isn’t it? Shocking and appalling. And more than just a little bit embarrassing. I have lots of friends who are devoted Sherlockians–they belong to organizations like the Baker Street Irregulars, have annual meetings to talk and debate all things Sherlock–and yet I’ve kept my lack of knowledge, my complete and utter inexperience with the writings of Sir Arthur Conan Doyle, a secret from them. But this past week or so, I saw a discussion on Facebook on one of their pages, and on it The Annotated Sherlock Holmes by William S. Baring-Gould was mentioned as a ‘gold standard’, and I thought, ‘perhaps I should get a copy of this and commence my Holmes education with it.’ I dashed over to eBay, found a set in relatively good condition for a low price, and ordered it promptly.

It arrived yesterday, and I am terribly excited.

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I’m not, of course, going to read it straight through; I am still reading Lehane’s Since We Fell, but I can most certainly dive into it here and there.

And let’s face it, my education in things Sherlockian is very overdue.

And is there any more famous character in fiction than Sherlock? I daresay probably not; and since Doyle started publishing his stories in the late nineteenth century, I don’t know that there is another fictional character who has been studied so assiduously, written about more, or around whom an entire academic milieu of study has been built. The volumes are enormous, very thick, but just in paging through there is a wealth of study and information contained within their pages.

It’s very exciting.

And I intend to write about my Sherlockian education on here, sharing it with you, Constant Reader, as I go forth and learn.

And on that note, it’s off to the spice mines with me.