Sail Away

So I went ahead and sent out three stories on submission yesterday; “This Thing of Darkness,” “Night Follows Night”, and the Sherlock story. Will any of them actually be accepted? Who knows, but that’s all part and parcel of the joy of being a writer who likes to write short stories despite being rarely asked to write them. I have like 86 short stories in some form of progress now, but it felt really good to write finis on these and sent them out. If they are rejected, oh well; I’ll just save them for my next short story collection.

See how that works? Staying positive is always a plus, you know?

And last night before I went to bed I checked the Pandora’s Box known more commonly as my email inbox to discover a delightful email from the editor of the Sherlock anthology that she loves the new edition of the story and is sending me a contract! How absolutely delightful. I am glad “The Affair of the Purloined Rentboy” will see print, and as always, it’s lovely to get that kind of affirmation. It’s also a period piece, which was just as daunting as writing a Holmes story set in New Orleans–the only rule for the anthology was that it couldn’t be set in London, and Holmes and Watson couldn’t be English. So I made Holmes a Louisianan–and we never are quite sure where Watson is from. But it was great fun, challenging, and very, as I said, daunting. While I’ve read the Holmes stories–and the Nicholas Meyer novels, and other stories written by modern day Sherlockians (notably, Lyndsay Faye and Laurie King), I don’t think of myself as an avid Sherlockian. Even now, I cannot think of the plot of either A Scandal in Bohemia or The Red-headed League.

So, I wasn’t a hundred percent certain I could write such a story that would be worthy of publication, but it was a challenge–and I do enjoy challenges. I like pushing myself as a writer, trying something different, seeing if I can continue to grow as a writer. (But just between you and me, the only reason I even thought I could possibly do this was because it was specified not to be canon–no London, not the late nineteenth century, no need for continuity. No, this was a way I could write a Sherlock story and make it entirely my own as well. And of course, setting it in 1916 was also a bit of a challenge for me as well; I’ve never done much period/historical writing, and since I knew, once the title came to me, that Storyville had to be involved (how else could one write “The Affair of the Purloined Rentboy” and not involve Storyville?), which presented a host of other issues. Fortunately, I’ve been reading lots of New Orleans history lately, and one of the books was about Storyville: Gary Krist’s Empire of Sin (highly recommended, by the way), and in a short story I wouldn’t have to have the ongoing detail a novel would require, so I thought, fuck it, let’s give it a shot.

I was also able to use one of the locations I often use in Scotty books, the Hotel Aquitaine, which made it even more fun for me.

So, apparently, the thinking positive thing might actually work. How lovely!

Also, yesterday I (the ever-present resident Luddite) managed to figure out how to go back and read the chat from the Queer Noir at the Bar reading on Friday night–I kept accidentally closing it, and when I was reading I never looked at it–and wow. Everyone was so gracious and kind about my reading! I’m glad, though, that I wasn’t reading the chat while I was reading because it would have freaked me out. Thank you all for being so kind.

I also started reading Kelly J. Ford’s Cottonmouths, and as I read, I began to remember why I hesitated to read it. Being from the South, and from a particularly poor part of the South, I sometimes have trouble reading about that world; because of the memories it brings back, and while Ford’s prose is magnificently beautiful, she also brought me right into a world I know so well–a world I’ve been trying to shake off my entire life. There’s probably something to be said, or perhaps written, about my struggle with where I am from; the deep pride instilled in me my entire childhood about being Southern and the defensiveness that automatically arises whenever someone else is critical of (what I still think of) as home; and how that pride also runs concurrent with a river of shame–two rivers, running parallel, a kind of Tigris and Euphrates within my soul, my psyche, my being. I’ve started and never finished any number of stories and novels set in Alabama; my files run over with them. Bury Me in Shadows is the first manuscript set in Alabama I’ve ever finished a full draft of (there are a couple of short stories I’ve finished; Dark Tide is also set in Alabama but down in a little town on Mobile Bay–which isn’t quite the same thing), and I have yet to complete it enough to turn it into my publisher. Reading Kelly’s book takes me to the same places Daniel Woodrell’s work takes me, or Ace Atkins’ The Ranger series…that inner conflict, that inability to decide, that pride of place and where I come from coupled with shame. I could see it all so clearly in my head as I read that first chapter…she may have been writing about rural Arkansas but it could have been rural Alabama. It’s real, it’s vivid, and it’s beautiful.

The rural south is savage in its beauty.

My whole life has really been about dualities; being Southern but not growing up there; closeted self v. authentic self; being a writer but also always having some other job for whatever reason. My identity has always been sort of splintered; it’s probably why I am so constantly down on myself because I never really feel whole, or like I fit in somewhere–because I’ve been outside my entire life.

And, I have found few things trigger me to dark emotion–anger or depression–than being reminded that I am an outsider.

We started watching Perry Mason, and we’re enjoying it–but it’s really not Perry Mason. It’s something entirely else, with the characters given the same names as the ones Erle Stanley Gardner used. The cast is fantastic, and it’s a terrific noir series (if a bit reminiscent of Penny Dreadful: City of Angels–which we stopped watching, for reasons that are not pertinent here), so we will keep watching–but, it’s not really the same show or characters.

And it makes me want to reread one of the originals again.

And on that note, tis back to the spice mines with me.

He Can Put His Shoes Under My Bed Anytime

As Constant Reader might remember–or if you don’t, here’s the reminder–I’ve been tasked with writing a Sherlock Holmes short story. Being quite mercenary–I rarely turn down opportunities to make money–I of course said yes; I am not a Sherlockian by any means, but it was precisely this lack of knowledge regarding perhaps the greatest private detective in the history of crime fiction (along with the offer of payment) that also was part of my inspiration to respond to the querying email with a most enthusiastic yes, of course I would love tofor there is also nothing such as the combination of payment AND a challenge to my writing skill and ability that I will welcome most gratefully.

Which, of course, was immediately followed by what the fuck were you thinking?

Now, I read most of the Holmes stories when I was in junior high, and they never really took with me. I enjoyed them, don’t get me wrong, but I never became what I call a “Sherlockian”; an enormous fan who devours any and all Holmes-related materials, whether they were written by Doyle himself, or the pastiches/homages, or any of the scholarship. I’ve watched some of the films, yes, and enjoyed both Sherlock and Elementary, even though we gradually lost interest in the latter and stopped watching. I also read the Nicholas Meyer “new cases” published in the 1970’s, The Seven Per Cent Solution and The West End Horror (I believe he’s published yet another one, as well). And a few years ago I bought the definitive annotated Holmes two volume set on eBay. So I figured I could reread some of the original stories, ask some of my friends who are deep into Sherlockiana to help if I needed it (both said yes, because writers are often very kind and generous people–side-eye at Romance Writers of America), and then I remembered a story I meant to read for last year’s Short Story Project, “The Case of Colonel Warburton’s Madness,” by Lyndsay Faye, which was a Sherlock Holmes story originally published in an anthology called Sherlock Holmes in America, and reprinted in The Best American Mystery Stories 2010, edited by Lee Child. I got the book down from the shelves yesterday and started reading.

My friend Mr. Sherlock Holmes, while possessed of one of the most vigorous minds of our generation, and while capable of displaying tremendous feats of physical activity when the situation required it, could nevertheless remain in his armchair perfectly motionless longer than any human being I had ever encountered.  This skill passed entirely unnoticed by its owner. I do not believe he held any intentions to impress me so, nor do I think the exercise was, for him, a strenuous one. Still I maintain the belief that when a man has held the same pose for a period exceeding three hours, and when that man is undoubtedly awake, that same man has accomplished an unnatural feat.

I turned away from my task of organizing a set of old journals that lead-grey afternoon to observe Holmes perched with one-leg curled beneath him, firelight burnishing the edges of his dressing gown as he sat with his head in his hand, a long-abandoned book on the carpet. It was with a view to ascertain that my friend was still alive that I went so far against my habits as to interrupt his reverie.

Isn’t that a wonderful start? And very Doyle-ish, yet uniquely Lyndsay Faye’s style. Lyndsay is a dear friend–and one of the people who agreed to advise me on my story–and we’ve known each other for years. I first saw her at the first Edgar banquet I attended; she was a finalist for Best Novel for The Gods of Gotham, which was fantastic and you should read it–and again more recently for her novel Jane Steele. We later were both on a judging panel for the Edgar for Best Short Story and became friends; I later recruited her for the Mystery Writers of America board of directors, and we’ve been buds ever since.

The story is truly fantastic, and as I read it–it’s a reminiscent story, in which Watson recounts an old story to Holmes from his days traveling in the United States, and this story is set in San Francisco. Colonel Warburton was a war veteran of both the Mexican War and the Civil War who’d made a fortune and built himself a mansion in San Francisco. But now in his latter years he fears he is losing his mind, having flashbacks to his war days, and Watson never really quite figured out what was going on in the Warburton mansion–but in relating his story and observations, he delivers the missing piece to solve the puzzle to Holmes’ brilliant deductive mind.

And thus, I realized that my fears–ever-present, of course–of imposter syndrome and so forth, which had been swirling around in my head about writing this story, began to disappear. I also grabbed one of the annotated volumes and started reading another Holmes story–and the idea that I had, “The Affair of the Purloined Rentboy”, began to take even better shape in my head…and I decided that today, as part of my writing, I would attempt to start writing the story. Which is very exciting, I might add.

Yesterday was a most productive day here in the Lost Apartment. I got a really good night’s sleep Froday night, and woke up aflame to get shit done yesterday. I cleaned, I organized, I filed, I did laundry, I cleaned the floors, I did the dishes and I read and I wrote and I did all kinds of things that made me feel quite accomplished by the time I plopped down in my easy chair to relax for the evening and watch television. Paul had gone into the office for the afternoon, and went out for the evening with friends, so I was pretty much alone all day yesterday and was able to accomplish a lot–not having an LSU football game to get stressed over was a big part of my getting so much done. The Saints are playing Minnesota today in the play-offs; I’m debating whether I should watch with my full attention, or stay here in the kitchen writing, checking in on the score periodically. I should, of course, stay in here writing. I need to get further along with Bury Me in Shadows, of course, and of course there’s the Sherlock story, and some website writing I agreed to do by a week from Monday.

So, on that note, I need to head back into the spice mines. I didn’t sleep as deeply last night as I did on Friday night, but it’s okay; I’m neither tired, nor exhausted; I actually feel rested if not completely awake this morning. Perhaps once I finish my second cup of coffee, and sort through my emails, I’ll be more awake.

So, it is off to the spice mines with me now, Constant Reader. Have a lovely Sunday!

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