Head over Heels

Hey hey hey, it’s sort of my Friday! Good Friday is a holiday in New Orleans, and so I get a three day weekend this weekend. Huzzah! Huzzah! It’s a little gloomy out there outside my windows this morning, but I don’t have to be at the office until one, so I am going to try to get the laundry and dishes finished this morning before heading out. I may even get some writing done; you never know. MADNESS.

Last night, after stopping to make groceries and making dinner, I started looking over the first six chapters of the Scotty book. I am going to revise it yet again; something horrifically dark was going to happen in the book, and I don’t think I want to include that after all. While sometimes dark things happen in that series, I don’t think it’s the right place to explore the subject I was going to explore there; and the reality is that once it’s done, once it’s happened, there’s no turning it back for the character. So, I am going to edit that out and make it almost happen. You can call me a coward for this if you like; I don’t give a shit. If not having something horrible and life-changing to a character I love makes me a bad writer or not a good one, so be it. I didn’t, when I was originally planning it, think it was necessarily the right choice in the first place; it was more about shaking things up more than anything else, and that’s absolutely the wrong thing to do for a series book: contriving something merely to shake things up a little.

When the book is released, we’ll find out if I made the right choice or not.

I also tried to work a bit on “Don’t Look Down”; I have reached a place in the story where I have to write a transition, and we all know how much I hate writing transitions. But I do think I can not only get it finished over this weekend, but I also think I can get the Chanse story revised and finished this weekend (I’ve titled it “My Brother’s Keeper”), and I may even go back and finish another short story that’s still in process; plus I have to put in the edits to a short story for an anthology that was accepted.

But I am easing back into writing the novel, which I am hoping to get back into for April. I’d love to have a workable draft finished by the end of the month, but…yeah, you know how that always goes.

Sigh.

Okay, the dryer has stopped, so it’s back to the spice mines.

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Freeway of Love

Tuesday morning. My body is still adjusting to the stupid time change, which I’ve come to loathe with every fiber of my being as I get older. I mean, seriously, does it serve any purpose any more? Can’t it just be done away with once and for all? I was so tired the last two days I could barely function–and functionality is not something I can afford to do without for a couple of days. Sure, I managed to work on some short stories yesterday; but maybe I wrote a thousand words total if I was lucky. I did, however, have a breakthrough on one that I’ve been struggling with, and now I know how to revise it to make it (hopefully) publishable; although it is still incredibly dark–if not darker now.

But I kind of like that.

I finished reading The Black Prince of Florence the other night, and have started reading The Republic of Pirates. I am very excited about reading my pirate book (thank you, Black Sails) and think that my next non-fiction will also be pirate-related; Jewish Pirates of the Caribbean is just sitting there giving me side-eye from my TBR pile.

I also got some good news which I will share when I get the go-ahead.

The goal for this week is to get several Scotty chapters finished, get back to the WIP by editing what I’ve done in this current draft so far, and finish two stories I’ve started and try to edit/revise a couple more to get out there. Heavy sigh. I also have a doctor’s appointment tomorrow morning, and so hopefully I can get to the gym on Thursday morning. I am averaging only twice a week, which isn’t optimal; I need to get to three, but twice is better than once and certainly better than no visits. This next trip is going to involve an increase in weight, which is well overdue. I also tried the elliptical rather than the treadmill on Saturday; it did not go well. I only managed eight minutes rather than the twenty I usually get on the treadmill; but the good news is that I managed to burn the same amount of calories. I am going to try to get ten minutes on the elliptical on the next visit, and then move to the treadmill for ten more. Cardio is clearly the bane of my existence.

I also managed to read two short stories. First up was “Non Sung Smoke” by Sue Grafton, from her collection Kinsey and Me.

The day was an odd one, brooding and chill, sunlight alternating with an erratic wind that was being pushed toward California in advance of a tropical storm called Bo. It was late September in Santa Teresa. Instead of the usual Indian summer, we were caught up in vague presentiments of the long, gray winter to come. I found myself pulling sweaters out of my bottom drawer and I went to the office smelling of mothballs and last year’s cologne.

I spent the morning caught up in routine paperwork, which usually leaves me feeling productive, but this was the end of a dull week and I was so bored I would have taken on just about anything. The young woman showed up just before lunch, announcing herself with a tentative tap on my office door. She couldn’t have been more than twenty, with a sultry, pornographic face and a tumble of long dark hair. She was wearing an outfit that suggested she hadn’t gone home the night before unless, of course, she simply favored lo-cut sequined cocktail dresses at noon. Her spike heels were a dyed-to-match green and her legs were bare. She moved over to my desk with an air of uncertainty, like someone just learning to roller-skate.

I really like how Grafton starts her short stories; they are very similar to the way she starts the novels, and so that Kinsey’s voice is always consistent; slightly snarky, blunt, and definitely cynical. This story, in which a young girl hires Kinsey to find the guy she hooked up with last night, isn’t one of Grafton’s stronger stories, but there’s something about it that hooks the reader and keeps you reading. And like the other stories, nothing is the way it appears at the beginning, and the end…well, it’s more sad than anything else.

Next, I took down my copy of The  Collected Stories of Katherine Anne Porter, and reread her “The Jilting of Granny Weatherall”.

She flicked her wrist neatly out of Doctor Harry’s pudgy careful fingers and pulled the sheet up to her chin. The brat ought to be in knee breeches. Doctoring around the country with spectacles on his nose! “Get along now, take your schoolbooks and go. There’s nothing wrong with me.”

Doctor Harry spread a warm paw like a cushion on her forehead where the spiked green vein danced and made her eyelids twitch. “Now, now, be a good girl, and we’ll have you up in no time.”

“That’s no way to speak to a woman nearly eighty years old just because she’s down. I’ll have you respect your elders, young man.”

This is another story I was required to read in college that I didn’t get when I was nineteen; I thought it was kind of boring, and listening to a professor go on and on about it was even more tiresome than reading it. This collection won both the Pulitzer Prize and the National Book Award; I bought it about ten years ago because I was trying to find a story I loved, and the only thing about I knew for sure was the author’s first name was Katherine (that story turned out to be by Katherine Mansfield, and the story was “Miss Brill”). I plowed through this entire collection, and it was literally like pulling teeth; I skipped this story because I’d already read and disliked it.

But on this reread, this tale of a woman on her deathbed, and how her mind jumps around about the past as she’s dying, resonated a bit more with me. She is reflecting on how happy her life is, and how she wouldn’t have changed anything about it; her happy marriage, the children she bore, the life she created for herself–yet she can’t stop remembering the humiliation of being jilted, of having been left at the altar on her wedding day, by her first love. I could understand it better now–I still remember every humiliation of my life, and never was I so horribly, publicly humiliated in such a way as Granny Weatherall–and can appreciate the poignant sadness of the tale. I also think that a decent professor could have made college students, particularly me, appreciate this story all the more than we actually did.

And now, back to the spice mines.

Here’s a hunk.

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Things Can Only Get Better

It’s Friday, and I have the morning off in order to once again have an eye appointment. Here’s hoping nothing goes wrong with that one, right? Oy. But…it’s also Friday. Hooray!

I managed to finish the first draft of my story “The Carriage House,” clocking in another 2500 words or so; the story in first draft now sits at about 5350 words, most of them written over the last two days. I had hoped to finish my Italy story yesterday as well, and get started on another Scotty chapter, but alas, that was not to be. It also occurred to me last night that I’ve written a lot of short stories so far this year; certainly more this year than I have in any previous year, and it’s early March only. Three were written to submit to anthologies, and the others were simply written because I wanted, felt the need, to write them. I’ve written a Chanse short story, which is also a first; and that’s kind of cool. I know how to fix it; I actually know how to fix all of the stories that now sit in a first draft form, which is also a first. Usually I have nary a clue on what to do with these stories once the draft is written. I also know how to fix another story that’s just been sitting in my files for years; mayhap I shall work on fixing it this weekend, who knows? I also can’t help but think that all these short stories are happening now because of the Short Story Project.

So, today it’s off to Metairie for the eye doctor, then it’s to the office for testing, and then it’s time to come home (it’s my short day) and hopefully to the gym for a workout. I’d like to spend the evening cleaning the Lost Apartment as well, so I can spend the weekend writing (other than the errands that must be run tomorrow).

Well, I never finished that, did I? Nope; my bad. Before I finished it was time to go, and off I went. I am now home, it’s later on in the day, and I’m a bit tired.

I’ll finish in the morning; sorry, Constant Reader!

I didn’t want to get up this Saturday morning, but I did–I have things to do today, errands and such, and must go to the gym–so I’ll sleep in tomorrow, which is when we lose an hour of sleep anyway. It’s not light out; it’s cloudy. I am not sure if that means it’s going to rain or something, but whatever it means…I’ll be out there dealing with it soon enough.

I also have some chores around here that I have to complete before heading out to face the day.

I am going to take today off from writing, despite being behind. I am very pleased with “The Carriage House,” as I said earlier in this missive, and I am relatively pleased with the Chanse story. It needs some more work, of course–there’s at least one scene missing that I need to put into it, as well as some more layers–but overall, I am quite well pleased with it, as well. I am more pleased, I think, that I’ve written a private eye story; I may write more now that I know I can actually do it. I doubt if I’ll do Scotty stories–there’s just way too much backstory necessary–but I have an idea for another Chanse story, this time set on the LSU campus in Baton Rouge. Oh! The title just came to me! “Once a Tiger.” I kind of like that. (The Chanse story needs not only revision but a new title; “Glory Days” doesn’t work with the story as it wound up. I originally set it at a reunion of sorts, but wrote that out of the story.) I do want to finish my Italy story, and perhaps work on a revision of either “The Weight of a Feather” or “The Problem with Autofill.” I also would like to get another Scotty chapter finished. We’ll see.

I’ve done quite a few short stories this year, as I mentioned earlier; even more than I originally thought I had done. I am thinking more about placement for said stories; I worry that some of the better paying markets–there aren’t many of those any more–won’t want a story with a gay male lead, even if the story itself isn’t particularly gay; “The Carriage House,” while not having anything particularly gay about it’s story line, also has gay character and involved murders of gay men. And you know, that’s really the thing about writing gay stories and novels; when you get rejected, when you don’t get reviewed or recognized–you always wonder. Was it really not good enough to get published/reviewed/recognized, and was it because of the gay factor? If I assume it’s the gay thing, am I not being honest with myself as a writer and rather than accepting that it needed more work or wasn’t good enough, am I using that as a crutch/excuse?

Heavy sigh.

All right, back to my chores. Here’s a Saturday hunk for you.

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Neutron Dance

Hey there, peeps! Welcome to Tuesday. Last night was a restless night for one Gregalicious; I was awakened at some point during the night when a thunderstorm rolled into the parish. It’s still gray and chilly and raining this morning; the kind where you’d rather stay in bed under a blanket with a nice warm cup of coffee and a book. But alas and alack, I must away to the office this morning. It’s Tuesday and thus my long day.

I finished the first draft of the Chanse short story yesterday morning; it’s very rough but on the other hand, I am rather pleased with it. I’ve never written a private eye short story before, and as I said, it’s incredibly rough; but on the other hand, I’ve now written a private eye short story. Jon Michaelson very graciously asked me about it on Facebook when I mentioned it the other day; there’s no publisher for it as of yet, because that’s how short stories work. You can write a novel under contract and you can write a novel without a contract, but in either case I write them with a particular publisher in mind, or at least I have some sort of idea what the next step is going to be. With short stories, it’s not quite the same; there are limited markets for short stories that pay, and those that pay well are even scarcer. I’d love to get this story into somewhere like Ellery Queen’s Mystery Magazine, but as one of the few well-paying markets that every crime writer is trying to get into, the competition is nothing if not quite fierce. There’s also not a rush; I can take my time and get back to it whenever I choose or whenever the inspiration hits me; I may submit it to an anthology, who knows? The Bouchercon anthology next year will be Texas-themed, if not Dallas-themed; and since this story is set in Texas maybe I can hold onto it and prepare it for that. Who knows? We shall see.

I also muddled through a transitional chapter in the Scotty book; it needs a bit more before it’s finished, and then the book should start flowing more smoothly. Huzzah!

Also, we went public with the table of contents for the Bouchercon anthology yesterday (alphabetically; the order hasn’t been decided on as of yet):

PATRICIA ABBOTT, “When Agnes Left Her House”
J. D. ALLEN, “The Unidentifieds”
JACK BATES, “The Fakahatchee Goonch”
LAWRENCE BLOCK, untitled as yet
SUSANNA CALKINS, “Postcard for the Dead”
REED FARREL COLEMAN, “The Ending”
ANGEL LUIS COLON,    “Muscle Memory”
HILARY  DAVIDSON, “Mr. Bones”
BRENDAN DUBOIS, “Breakdown”
JOHN FLOYD, “Frontier Justice”
BARB GOFFMAN, “The Case of the Missing Pot Roast”
GREG HERREN, “Cold Beer No Flies”
ELEANOR CAWOOD JONES, “All Accounted for at the Hurray for Hollywood Motel”
JOHN D. MACDONALD, “The Hangover”
PAUL D. MARKS “There’s an Alligator in My Purse”
CRAIG PITTMAN, “How to Handle a Shovel”
NEIL PLAKCY, “Southernmost Point”
ALEX SEGURA, “Quarters for the Meter”
DEBRA LATTANZI SHUTIKA, “Frozen Iguana”
HOLLY WEST, “The Best Laid Plans”
MICHAEL WILEY, “Winner”
It was such an embarrassment of riches to choose from; seriously.  I am grateful to everyone who served as an advance reader for the blind readings.
And now, back to the spice mines.
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Miami Vice

This wasn’t one of my better weeks, to be frank. I had issues with sleep and motivation; being tired had something to do with that. I didn’t get up Wednesday morning and go to the gym like I should have; I am hoping to go tonight, Sunday, and Monday, so as to get back on track. I did get a horrific transitional chapter on the Scotty book finished, though–and I also did some major brainstorming about the plot and how to make it work. It’s probably going to be longer than Scotty books usually are; it may come in somewhere between 90 and 100k. I am also being rather ambitious with this plot, too. It’s going to be complicated, and I am also going to take on some issues, which I generally do not do in the Scotty books. Here’s hoping it plays out the way I want it to.

I also have some deadlines coming up this coming week, which has me petrified with fear. I have several short stories in process…no, I’m not going to think about it. That will just paralyze me some more. Instead, I am going to think good thoughts about how wonderful the stuff I am working on is, rather than freaking the fuck out about everything I have to get done. Tomorrow night we are going to the ballet; I am very excited about this as I’ve never seen one live before. This was one of my Christmas presents from Paul, and I can’t wait…although it is probably going to make me want to write about the ballet and push everything else to the side.

Because the stuff I need to work on is never the stuff I want to work on.

I did read a lot of short stories yesterday, after several fallow days of not reading any. I had to do testing at Nicholls State University yesterday afternoon, which is about an hour and a half drive from the office. I didn’t drive; I rode in the backseat and read stories on my way to and from there, and then last night as I watched the Olympics I read some more. That’s the beauty of short stories; you can read a lot of them in a very short period of time. I think I may have read six or seven yesterday, so I’ve got them stockpiled for the Short Story Project. Huzzah!

And sorry to be so brief this morning; but I’ve got to get to the office.

Here’s a hunk for you as I head back into the spice mines.

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Shout

It doesn’t seem like Thursday; this short post-Mardi Gras week has messed up my inner clock and pretty much everything else you can think of; Carnival messed up my sleep and workout schedules as well. I was going to go to the gym this morning, but I am worn out still and have little to no energy; so I am going to wait and get back on track this weekend.

I did manage to start writing a short story yesterday (2800 words of it) and finish a chapter of the new Scotty (1800 words) for a grand total of 4600 words written yesterday, which is pretty freaking awesome, and I am going to count that as a major win. The writing muscles were, frankly, rusty, but I’m hoping I was able to shake the rust out some. I’d say I managed to do just that; it was difficult at first, but then the words started coming so I took it and ran with it.

I was also commenting yesterday to a friend and fellow writer yesterday about how crazy this business is; we are so constantly beaten down by not only the industry but by readers and reviewers that even little things like an email I found yesterday–I am still digging out from under–rejecting a story I’d submitted but read You’re too good of a writer to get a standard form rejection letter; this story was too slow for us, but please send more of your work–can make your day.  Heavy sigh.

I also saw a lot of chatter on social media–before the mass shooting–about charity anthologies and writers needing to be paid for their work. I have some thoughts about that as well, but I’ve not had enough coffee yet this morning to coherently put them together; although I found it interesting that one of the people talking about not writing for free and needing to be paid said I hate writing, so…

Wow. That one caught me off guard. Maybe he/she was simply being flippant in the moment, but no matter how hard it is sometimes, how stressful, and how much I loathe doing it, I never really hate writing, and would never say that I do. I love writing. I have a love/hate relationship with the publishing industry, but the writing itself? I love doing it. I enjoy it. It gives me pleasure. I wouldn’t do it if I hated it because I don’t have to do it. I miss it when I’m not doing it; and not writing definitely affects my moods; not for the better. To each their own, I suppose.

Over the weekend, between parades, I read a shit ton of short stories for The Short Story Project. It really is amazing how many anthologies and single-author collections I have here on hand.

For example, I have Flannery O’Connor’s National Book Award winner The Complete Stories. I read the first story in the book, “The Geranium,” Monday afternoon, I think it was.

Old Dudley folded into the chair he was gradually molding to his own shape and looked out the window fifteen feet away into another window framed by blackened red brick. He was waiting for the geranium. They put it out every morning about ten and they took it in at five-thirty. Mrs. Carson back home had a geranium in her window. There were plenty of geraniums at home, better-looking geraniums. Ours are sho-nuff geraniums, Old Dudley thought, not any er this pale pink business with green, paper bows. The geranium they would put in the window reminded him of the Grisby boy at home who had polio and had to be wheeled out every morning and left in the sun to blink. Lutisha could have taken that geranium and stuck it in the ground and had something worth looking at in a few weeks. Those people across the alley had no business with one. They set it out and let the hot sun bake it all day and they put it so near the ledge the wind could almost knock it over. They had no business with it, no business with it. It shouldn’t have been there. Old Dudley felt his throat knotting up. Lutish could root anything. Rabie too. His throat was drawn taut. He laid his head back and tried to clear his mind. There wasn’t much he could think of to think about that didn’t do his throat that way.

Many authors whom I respect often speak reverently of Flannery O’Connor. Many years ago, I read A Good Man Is Hard to Find and wasn’t overly impressed with it, to be honest. I bought this collection after reading a list of great Southern Gothic classics. I honestly think back when I first tried to O’Connor I was not in the kind of place where I could appreciate her work–similar to reading Carson McCullers and not getting the big deal and recently reading Reflections in a Golden Eye and getting it–because “The Geranium” is a really great story; and a very Southern one, at that, about family responsibility. The story is basically about old Dudley, whose family has now judged him too old to live by himself or to take care of himself, even in a boarding house, so he has to move in with one of his children. The daughter who takes him in lives in New York, and she doesn’t take him in out of love and wanting to help out; it’s done out of responsibility and a desire to show her siblings that she’s a better daughter than they are. That responsibility clearly chafes at her (Southern child martyr syndrome; I’ve seen it in my own family), and he is very unhappy to be there as well. He focuses on two things–the geranium across the alley in the window, and the fact that a man of color has moved into the apartment next door. The daughter and her family think nothing of it; he, as a Southern man, is horrified by it (he doesn’t say ‘man of color,’ either, FYI) and the two obsessions juxtapose against each other. It’s more an in-depth character study than anything else; one that you can’t stop thinking about after it’s over, and it’s kind of awful and true and sad all at the same time.

I definitely wasn’t in a place to appreciate O’Connor when I tried before.

I then went back to Alive in Shape and Color, Lawrence Block’s second anthology of stories inspired by paintings, and read Michael Connelly’s “The Third Panel.”

Detective Nicholas Zelinsky was with the first body when the captain called for him to come outside the house. He stepped out and pulled the breathing mask down under his chin. Captain Dale Henry was under the canopy tent, trying to protect himself from the desert sun.  He gestured toward the horizon, and Zelinsky saw the black helicopter coming in low under the sun and over the open scrubland. It banked and he could see FBI in white letters on the side door. The craft circled the house as if looking for a place to land in tight circumstances. But the house stood alone in a grid-work of dirt streets where the planned housing development was never built after the big bust a decade earlier. They were in the middle of nowhere seven miles out of Lancaster, which in turn was seventy miles out of LA.

“I thought you said they were driving out,” Zelinsky called above the sound of the chopper.

Michael Connelly is one of the most successful and prolific crime writers of our time. I read his first Bosch novel several years ago and absolutely loved it; but as much as I loved it the thought of even trying to get caught up on his canon is overwhelming–so many books! It would almost be like a year-long project, a la the Short Story Project, to read the entire Connelly oeuvre. But this story–which is quite short, actually–is taut and suspenseful and well-written; a team of detectives and crime scene techs are investigating a meth-lab murder when the FBI agents show up, with a rolled up copy of a Heironymous Bosch painting, and reveals that there’s a group going around killing ‘sinners’ in ways based from images from the painting. Very clever, and the twist at the end is also really well done.

And now, back to the spice mines.

Here’s a Throwback Thursday hunk for you, actor and physique model Gordon Scott:

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Sister Christian

It’s cold, gray, and damp in New Orleans this morning. I would guess it’s probably less than sixty degrees inside the Lost Apartment–I am wearing a wool cap and my hands are cold as I type this–but I also have a short day of work today, and I intend to use this time wisely this morning–writing, cleaning, etc. Paul returns home tomorrow everning late; so I am going to need to finish cleaning the upstairs. I bought our advance tickets for Star Wars VIII: The Last Jedi yesterday; Sunday of opening weekend so I won’t have to avoid spoilers on-line as long as I did for The Force Awakens. Woo-hoo!

I’m about halfway through Patricia Highsmith’s The Blunderer, and marveling at how bleak her world view is, to be honest. Highsmith writes in a very distant third person point of view, and her voice is terribly matter-of-fact, which makes the reality of the story she is telling much worse. Highsmith is a master of the wrong-place-wrong-time suspense tale; which is something I absolutely love. These kinds of stories build suspense naturally; the reader and the main character know they’re innocent of any wrong-doing, but no one else believes them, which also tends to make them paranoid and the pacing picks up the more paranoid the main character becomes. I sort of did this in Bourbon Street Blues, only Scotty’s only crime was to be the unwitting recipient of something both the villains and the FBI wanted to get their hands on. You can’t, of course, turn that type of a tale into a series, although part of the problem I’ve always had with writing Scotty books is I’ve always tried to turn each new book into a traditional mystery series tale, and Scotty books aren’t, and should never be, a traditional mystery tale. I always run into trouble when I try to make them out to be that way.

Heavy sigh.

I managed to get some work done on a short story yesterday as well; I’d love to get that first draft finished sooner rather than later, so I can polish it and get it into submission-ready shape.

Lord, it’s cold in the kitchen this morning. I may have to go get a blanket in a moment.

Christmas looms on the horizon, and I have yet to shop for anything. I will finish the Christmas cards this weekend–yes, I actually started addressing them and signing them and putting them into envelopes; I may even get them in the mail so people can receive them before the holiday, look at ME adulting–and I also probably should do some shopping this weekend. I need to make up my mind whether I want to simply shop on-line or if I want to actually brave a mall. I used to abhor malls, but over the years as I spend less time in them the rare occasions I actually go to them turn out to be kind of enjoyable. Lakeside Mall has both an Apple Store and a Macys, and that’s usually all I need to do at a mall, besides the Food Court–I always treat myself to something at the Food Court whenever I go to one; and yes, I am aware how weird it is that fast food is something I consider a treat. But I never eat fast food; there’s really not anything conveniently accessible, which made moving into this neighborhood a genius move for that reason alone.

And on that note, I think it’s time for me to head back into the spice mines.

Here’s a Calvin Klein ad for your delectation; Marky Mark from the 1990’s for Throwback Thursday.

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Eyes Without a Face

Monday morning, and I’m not really too bummed about the end of a weekend and the start of a new work week. I had a relatively nice weekend; I did a lot of cleaning and did some writing and editing; I went to a wonderful Christmas party on Saturday night and got to spend time with people whose company I always enjoy; and I slept really well all weekend. I am not sluggish or tired this morning, either–although the morning is slipping through my fingers much faster than I would like it to. I have almost finished reading Donna Andrews’ How The Finch Stole Christmas,which is terrific (I’ve laughed out loud a couple of times), and I also started slowly reading Joan Didion’s Miami, which is also pretty amazing. As I may have mentioned the other day, I watched the documentary about her, The Center Will Not Hold, the other night, and it had some pretty interesting things to say about writing. And the way she uses language is most impressive; in Miami she used a great John James Audubon quote that I’m going to use to open Sunny Places Shady People, the Bouchercon anthology for St. Petersburg.

Which is cool.

I finished a short story this weekend–“Passin’ Time”–and writing that story (which the editor loved, which was a wonderful confidence booster for the weekend) also, along with a conversation I had with a friend about the Scotty book at the party Saturday night seems to have blew out the rust in my head and kicked me back into gear. I got some writing done this weekend, and it wasn’t hard, I didn’t have to make myself do it, and it didn’t feel like pulling teeth or ripping out hair, strand by strand. That doesn’t mean that other things are now going to be easier to write, or that I’ve jump-started my writing mode, but I can’t help but think things are going to go a lot more smoothly now than they have been. But…I feel  a lot more confident about it, and isn’t that really the most important thing? And when the writing finally starts flowing…it’s such a great feeling.

It’s hard to explain, but writing is so integral to who I am that when I am not writing it does affect my moods, and even my sleep (I slept so well last night!). I am looking forward to getting some more writing done tonight; I have a short story due by the end of December, have some stuff that needs to be edited, and of course, there’s always Scotty and the WIP, and the Scotty Bible to get done…so much work to do, but for the first time in a long time I’m not looking at it as a Sisyphean task but rather a challenge.

It’s interesting, but I think talking to my friends at the Christmas party on Saturday night, talking about books and writing and so forth–and New Orleans, how it has changed over the years since I first moved here–had something to do with that as well. It was while I was talking to my friend Susan that I realized this is what is wrong with the Scotty book and why it isn’t working; why you can’t get to serious work on it. You knew there was a big hole in the story and it didn’t make sense; you’ve basically just said so out loud….knowing that, you now need to either fix the hole in the plot or start over with a new one.

And frankly, that isn’t too frightening.

And so, back to the spice mines. Here’s today’s Calvin Klein ad:

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The Glamorous Life

So… I spent three hours in the storage unit yesterday.

The case of Mardi Gras Mambo is still missing.

I did find a few copies, and a stack of ARC’s, but where the hell could the rest of them be? They aren’t in the attic, they aren’t in any of the boxes I use for tables (don’t judge me) in the living room…mysteries abound. Maybe I need to hire Scotty to find them?

And the storage unit is totally organized now.

So…that box is probably stored somewhere in the Lost Apartment. Paul is leaving to visit his family for a week on Thursday, so it looks like I will spend part of that time he is gone turning the Lost Apartment inside out looking for the box o’books.

Heavy heaving sigh.

But I did some other fun things in the storage unit.

I certainly didn’t think I had any copies remaining of FRATSEX or Full Body Contact, so those were nice to find, and so were some of the other copies of my books. I also have a couple of boxes filled with anthologies I contributed stories to–who knew there were so many? I also found the Spanish translation of my porn, and the German as well. I also found copies of Men for All Seasons, the anthology that I sold my first ever short story to.

And I found the rest of my journals!

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I used to buy those blank books and fill them up with journal entries, as well as writing down ideas, books I wanted to buy, notes to myself, my work schedules, important phone numbers; they literally were my personal assistant as well as my journals. I stopped using blank books right around the time my first novel was published; and of course now I blog instead. Just opening them at random, I am amazed at how many of my entries start with I am so fucking tired.

Apparently, I’ve always been really tired.

Ah, well. It’s weird having my work week start on a Tuesday; I have a long day at the office today which enables me to have a half-day on Thursday, and I always work half-days on Fridays, so I can really ease into the weekend in a lovely, easy way. Yay, weekend!

And on that note, that spice ain’t gonna mine itself.

 

Break My Stride

The regular season came to an end for LSU last night with a 45-21 win over Texas A&M, and I am going to miss the seniors and the guys the team will lose to the NFL draft. It’s been a pleasure watching you all play for the last few years. I also want to shout out to Danny Etling, who has never really gotten the kind of respect he earned over the last two seasons. He’s not Eli Manning, but he was a cool, competent quarterback who made some big plays and only threw two interceptions this entire season. That’s pretty amazing. And considering where the team was at one point, it’s no disgrace to take pride in how they closed out the season, winning six of their last seven games–including a win over Auburn, who went on to win the West division spot in the conference championship game by beating Alabama yesterday–the second CFS Number One team they defeated in three weeks.

GEAUX TIGERS!

I also continued working on the Scotty Bible yesterday–found some discrepancies that may not be able to be corrected, at least maybe not right away–but the ones I can’t correct are easily explained away; and I can correct things like the fact that Storm apparently had children in the first two books that completely vanished from the series later. Oops. (I’m not sure if they disappeared or just were never mentioned again; I don’t think I ever said Storm didn’t have children; I just never mentioned them, and that is kind of weird, really; why wouldn’t Scotty or his parents ever talk about his nieces and nephews? Although it might be kind of fun to bring them into the story at some point….hmmmm. Also, I mentioned in one book that Frank’s parents lived in Chicago and then in a later one that they were dead. I think I can correct that in the earlier book; let’s hope.

Obviously, I should have done this years ago.

But I have only one more book to go through–Garden District Gothic–which is incredibly exciting, and then I can create the Scotty Bible, which….is not so incredibly exciting. Ah, well. I have a lot to do today, so it’s probably best to get to it.

Here’s how it looks so far:

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