Tag: Scotty

Fingers & Thumbs

Here we are on a Tuesday morning with the time change coming and the weather shifting into big-time fall. Yesterday was simply beautiful outside; the sky that magnificent shade of cerulean I’ve never seen anywhere else (Italy has the most beautiful skies) and you can go for a walk without getting drenched in sweat. It’s hard to believe Thanksgiving is right around the corner, with Christmas and New Year’s hot on its tail; and whatever Carnival is going to be is right behind.

Yes, it is that time of year again. HOLIDAYS.

Sigh.

I loved the holidays when I was a kid. Christmas meant presents and a tree and turkey and dressing and decorations and candy and no school for at least two weeks. Thanksgiving didn’t mean presents, but I always always loved that meal (we always had turkey and dressing for both Thanksgiving and Christmas, and got to eat the leftovers for days after). As I got older the thrill of the holidays slowly began to wane. By the time I moved in with Paul I was almost completely over them. Almost six years with an airline–which meant working on the holidays if they fell on your scheduled day to work; the airport never closes and neither do the airlines–had kind of robbed the joy from them for me; I could only see family sometime around the holidays, depending on open seats on flights, which were scarce, and spending them with friends wasn’t quite the same thing. We stopped putting up Christmas decorations when we got Scooter–Skittle wasn’t an issue; he’d go knock a ball off the tree, lose interest and go away; Scooter saw Christmas tree and decorations and thought amusement park! And since he loves nothing more than chewing plastic–the first time I caught him trying to chew on a string of lights, that was it for the Christmas decorations. And every time I go up into the attic, I see the box of decorations and think, should I throw them away? We don’t use them, and even–God forbid, knock on wood–when the day comes that we no longer have Scooter with us, will we use them again?

Given our history, it’s very unlikely. And while the Lost Apartment isn’t as festive around the holidays as it could be, as we’ve gotten older it’s just not as important to either of us as it once was. Sure, we enjoy buying each other gifts, and sharing them–Paul always wins Christmas, no matter how hard I try to get him something absolutely perfect, he always gets me something that is so incredibly thoughtful I get teary-eyed–and we enjoy the new traditions that we have come up with together.

And really, the true gift of the holiday is spending it together, unplugging from the world, and just enjoying each other’s company.

But it’s after Halloween now, so the Christmas stuff is coming out in the stores, and the music will start playing everywhere (thank God I don’t listen to the radio anymore). The Christmas specials and movies will start airing again, every television series will have a Christmas episode of some kind (thank you, Ted Lasso, for doing it in the summer time), and advertising will have a distinctive green and red flavor to it. I will inevitably start grumping about the serious overkill–and I am also not looking forward to this year’s noxious and untrue revisitation of the right-wing “war on Christmas” narrative.

My latest Scotty book, Royal Street Reveillon, was an actual Christmas book, set in New Orleans during the Christmas season. One part of Christmas I never get tired of is the way New Orleans dresses herself up for the holiday–and seriously, if you are in town and can get a chance to go look at the lobby of the Roosevelt Hotel, it’s breathtakingly beautiful; which is why I had the book start with Scotty getting Taylor his first sazerac in the Sazerac Bar of the Roosevelt Hotel. I wanted to talk about how beautifully the hotel is decorated, how gorgeous the city is in its Christmas finery, and of course–I got to talk about a particularly New Orleans Christmas tradition–reveillon dinner. It’s funny, because I have tried to write about Christmas before–I do, at heart, love Christmas and everything it is supposed to stand for, even if I get Scrooge-like about the overkill in mid-December–but I’ve never really had much success with writing an actual Christmas story. I tried writing Christmas short stories before, but coming up with something original that is also sweet and about love and kindness is incredibly difficult; it’s like every possible idea has already had every bit of juice squeezed out of it already (how many versions of A Christmas Carol or It’s a Wonderful Life do we really need, anyway?). I wrote three first drafts of Christmas stories–“Silver Bells,” “Silent Night,” and “Reindeer on the Rooftop”–but the first two turned out incredibly sad and depressing and the latter so saccharine sweet it made my teeth ache. I’d always thought of doing a Scotty Christmas book, once I decided to keep the series going past the original three; the original idea of the first trilogy was the gay holidays–Decadence, Halloween, Carnival–and then I thought I would tie all future Scottys around holidays; when I revived the series with Book 4, Vieux Carré Voodoo, opened on Easter Sunday and the end of Lent–which seemed appropriate since the previous book was set during Carnival (I’d actually forgotten about that). Of course, I moved away from that with Who Dat Whodunnit (which was around the Saints Super Bowl win, but also included a Christmas scene with the other side of Scotty’s family, the Bradleys, now that I think about it) and Baton Rouge Bingo…so maybe actually doing a Halloween Scotty book might be in order (I have mentioned this before, of course) since Jackson Square Jazz was set the week before Halloween.

And thinking of the kind of trouble Scotty could get into over Halloween puts a little smile on my face.

I need to buckle down and get to work on my book. It’s due in January and time is slipping into the future…so on that note, dear Constant Reader, I am going to finish this and head into the spice mines. Have a lovely Tuesday!

Am I Right?

Saturday and LSU’s bye week.

That means I get to write today!

And try to get caught up on everything.

My booster shot threw me for a loop. My arm is still sore this morning, but at least today I feel good. Yesterday I had a reaction of sorts–I felt slightly feverish and low energy all day. I also had a lot of day job stuff to get done, so I basically shut off the Internet and spent the day doing my day job stuff while watching The Lost Symbol on Peacock. As the show reaches its inevitable conclusion, it is kind of going off the rails a little bit, but it’s entertaining enough to see through.

Unlike this past season of American Horror Story, which we have not finished. All that’s left is the season finale, but I honestly don’t care one way or the other how it ends; neither does Paul, which means we will inevitably only end up watching if there is literally nothing else for us to watch. (There are several past seasons we never finished, either.) We got caught up on The Morning Show last night before bed; I’m not really sure how I felt about this past week’s episode other than, well, distaste? I mean, I think I get what they were trying to do with it, but it really didn’t come across the way they intended. Or maybe it did come across the way they wanted to, but I have to ask, why would you want to do this?

I don’t even know if I am going to bother turning on the television today. Sure, there are some good games today–and maybe, just maybe, I can take a break after meeting my word quota this morning/afternoon and turn it on to see what’s going on in the world of college football; I can also just google college football scores today and be done with it, not risking the comfort of my chair and the ease of watching suck me in and end my productivity for the day. But even if that is the case and it does happen, at least none of today’s games will involve LSU–which means they won’t be stressful in the least and I won’t get worked up. The Saints play tomorrow afternoon–Tom Brady and Tampa Bay–which is late enough in the day that even if I do end up watching it, it won’t wreck my day; I should be able to get a lot done before the 3:25 kick-off time.

I wanted to go to the gym last night and again today, but the soreness of my arm has taken that off the table. I’m not really sure when I became such a delicate flower, but yeesh. I bruise deeply whenever I have blood drawn; my arm is still sore two days after a shot; and it took me a couple of days to recover from last week’s anesthesia. Maybe this is a part of getting older I wasn’t warned about (there was an awful lot I wasn’t warned about, frankly, and am starting to get a bit bitter about it all), but it’s unpleasant and it’s not something I really want to get used to or have to plan around, but I am obviously going to have to change that mindset and accept it as yet another unpleasant surprise side effect of aging.

The weather has finally turned cooler here, what other parts of the country might not see necessarily as cooler but compared to the summers, oh yes, it’s much cooler here now. It was absolutely gorgeous outside the last two days; I suspect today is going to be equally lovely. I may even take my laptop outside and work out there (the power washing of the house and concrete walk still catches me off-guard whenever I go outside; the disappearance of those layers of grime accumulated over years has completely changed how it looks out there on the side of the house), which would be crazy but kind of fun. Might as well take advantage of the weather, right? And it never hurts to get fresh air, be out of doors…

And I cannot believe tomorrow is Halloween, which makes Monday November. The earlier part of this year seems like it was a million years ago; I can barely remember what 2019 and pre-pandemic life was like. (The Morning Show’s current season takes place as the pandemic is beginning; the shutdown hasn’t yet happened but it’s weird watching it all play out again; gutsy call by the show to deal with it, I think; there has been a lot of discussion–I don’t remember when, frankly–about whether we as creative artists should address the pandemic in a book. If I do, it will definitely be through Scotty’s eyes.)

But this morning dawns bright and hopeful, as always. I slept decently (despite being up much earlier than I would have hoped) and feel rested this morning. I am going to clean the kitchen and do some organizing once I’ve finished this and posted it; I need to clean out my inbox of email; and there’s some other business I have to address this morning. It makes for a busy Gregalicious, but I feel like I can handle anything and everything this morning (which is something I shouldn’t put out into the universe, really; it rather seems like tempting fate, doesn’t it?).

OH! We watched The Way Down last night, a three part documentary on HBO about Gwen Shamblin Lara, the controversial evangelical minister who tied weight loss to Christianity (“bow down to God, not your refrigerator!). It was incredibly fascinating to watch; you cannot make this shit up in a novel, seriously. It was of interest to me because Gwen was raised in the southern version of the Church of Christ, (‘churchachrist’ is how it’s said) as was I, and after I said, “Oh, my family is Church of Christ” in the first episode when it first was mentioned…and as they went on to talk about how conservative and restrictive that sect is, with me nodding and saying “yep” over and over again, Paul finally said, “wow, you said it was bad but I had no idea HOW bad it was” which just made me laugh. We all carry scars, don’t we, from our pasts and our childhoods?

And on that heavy and somber note, I am heading into the spice mines. The dishes ain’t going to wash themselves, after all. Have a lovely Saturday, Constant Reader, and I will check in on you all tomorrow.

Always

Wednesday, and somehow Pay the Bills Day kind of snuck up on me unawares. That’s probably not a bad thing; it certainly means I am not living paycheck-to-paycheck (at least for the moment), which means a lot less stress (there are few things more stressful than money problems) for the time being.

And yes, I am thoroughly enjoying being free of that stress for the time being. I am sure at some point it will return with a vengeance, hence my embrace of the current status.

I’ve recently been immersed in #shedeservedit this past week or so; the final round of edits came in from my editor, and no sooner had I gone over them, rereading the entire thing yet again, then the page proofs dropped into my inbox. I actually have more time than usual to get these done–which is quite lovely and marvelous–and this of course is only checking for typos and mistakes and missing words, etc. But it’s been weird spending so much time in Kansas again in my head lately.

Immersing myself into that world has also been an interesting experience; particularly when you take into consideration how much different the story is now than where it was at when I first wrote it. It was, sadly, inspired by the viral rape cases in Steubenville, Ohio and Marysville, Missouri; much as I hate to admit this, the sexual assault of teenaged girls by their classmates etc. wasn’t really on my radar until those stories went viral–and of course, the Stanford swimmer rapist. All three cases horrified me to the very core of my being; and given that the only recourse I had to effect change was to write about it, I decided to start writing what I obliquely referred to as “the Kansas book” for a very long time (despite the fact that I had always titled it #shedeservedit).

Ah, Kansas.

We moved to Kansas when I was fourteen (I turned fifteen later that summer between my sophomore and junior years of high school). To say it was a bit of a culture shock is putting it mildly. The entire state of Kansas is less populous than Chicago, and the biggest town (small city) in the county was smaller than the suburb where we had lived. I don’t know how many students my suburban high school had, but the building itself was enormous and we basically had a campus; the town library was on the property and we had a field house by the football field, with locker rooms for the home and away teams. My high school in Kansas had 180 students, and my class, the largest in school history, had 48 kids. The school was simply a lobby, a single hallway for the classrooms, and a gym, which had a stage for plays at one end of the basketball court. Our hall lockers didn’t even have locks–which was unimaginable at my former school. We actually lived in a very small town (population 942) about eight miles north of the county seat; that town was the second largest one in the county. My high school was consolidated; five small towns and all the farms in the community sent their kids there–it was sixteen miles from where we lived.

Kansas, and my high school there, had a profound influence on me in many ways. I had taken a creative writing class at my former school–got an A, and some praise from the teacher, but nothing overwhelming–but it was in Kansas where I really started writing. My English class required us to write papers my junior year; my teacher very generously allowed me to write fiction, and so I did. Everyone in my class loved the stories I wrote, and my teacher, the hallowed Mrs. Anderson, encouraged me to pursue writing as a vocation–which was the first time I ever had any kind of encouragement of any kind from anyone other than my grandmother to do so–and that was when I actually began to believe it was something that could happen for me; that I had the ability to tell stories and write and even possibly, at some point, get paid to do so and maybe even make a living doing it. (It only took more than twenty years after graduation, but I did eventually start getting paid to write; it was even my primary source of income for a very long time.)

The town in the book–Liberty Center (a nod to Philip Roth’s When She Was Good)–is obviously based very slightly on the county seat; mostly the geography more than anything else, as well as it also has a small college, a park on the way out of town just before a waterfall; and another park on the other side of town rumored to be a gay cruising spot. I’ve written about this town, and this county, a lot over the years, but the name of that town has changed numerous times–everything from Greenfield to Kahola to Carterville and finally, Liberty Center. (Sara, the first young adult novel I wrote chronologically, is also set in that same area; however the county seat in that book had a different name; Kahola, I think) I’ve not set foot in Kansas since we left for California in February 1981; so this is all from my memory, with an occasional glance at Google Earth or Google Maps. Obviously, everything there has changed dramatically in the forty years (!) since we got on Amtrak and headed west at two in the morning; I tended to stick to my actual memories than the reality of what has changed.

So, when these notorious sexual assault cases involving kids (sorry, I still, and will always, think of college students as kids too, YMMV) became so viral and so ever-present everywhere, I knew I finally had the story for the book I wanted to write in this fictional town–I’d made any number of false starts over the years; some of which may eventually became the seeds for other books–but I have always, always, wanted to write a book set there, and writing a toxic masculinity/rape culture book set there just seemed like the right way to go. I had everything in place that I wanted or needed to write the book; the only thing I didn’t know how to do was end it. So, as I mentioned the other day, I finished the last book I had under contract sometime in the spring of 2015, and took the month of July to write this first draft–96,000 words, nineteen chapters, and missing the concluding one. I didn’t get the story right in the first draft, but set it aside to do other things for awhile before coming back to it. I worked on it around other projects over the years since, and finally, last year, finally recognized the truth I’d been avoiding–it will never be finished unless you sign a contract for it with a deadline. And so I did, and now it will be released in January of this year.

And yes, the deadline was precisely the panicking terrified motivation I needed to make the changes to the story that made it gel and possible for me to write an ending.

And of course, as always, I have been plagued with doubts every step of the way while writing this: am I the right person to write this book? Is a white male the right person to do a book built around toxic masculinity and rape culture? Am I taking a spot in publishing away from someone who might be better qualified and better experienced to write such a novel?

But writing is about taking risks, and trying to push yourself. One of the reasons I started doing the stand-alone books all those years ago was because I worried about getting stale and bored writing my two series; originally, switching back and forth between them helped keep them fresh and new to me…but around 2009 I was starting to feel like those books were becoming repetitive (how many car accidents has Scotty been in?) and stale; that I didn’t have anything new or interesting to say about them. (I kind of am feeling that way with Scotty right now–Chanse has ended, although I may do some novellas with him; but am hopeful once I get everything done that I am working on currently that I can sit down and gather my thoughts on the next Scotty book into something interesting and cohesive and frankly, worthy of the character) I use the stand-alone books to push myself further as a writer, into exploring other things and voices and tenses, which I hope makes the series books better.

I guess we’ll have to see how that goes, won’t we?

And on that note, I am heading into the spice mines. Have a lovely Wednesday, everyone, and will check in with you again tomorrow.

A Little Respect

Well, hello, Wednesday morning, how are you doing? I am at home today because I am doing the prep work necessary for tomorrow morning’s procedure (it’s a colonoscopy; I am not sure why I am being so coy about it. I am over sixty now and this is long overdue; the hurdles I had to clear and hoops I had to jump through to get this thing scheduled….oy. I don’t understand the mentality of the people who defend our health care/insurance system…and sadly, it’s better now than it was when I first got health insurance back in 2006), and the doctor recommended being in close reach of a bathroom for most of the day. I have to get up at midnight to begin Stage II, then I have to get up and be at Touro for the procedure by seven tomorrow morning. I also have to go to Touro later today to get a rapid COVID test to get clearance.

Seriously, with my luck I’ll test positive and then not only have to reschedule the entire thing but have to quarantine for fourteen more days.

That sure took a turn, didn’t it?That should give an indication of my late October mood, though, shouldn’t it? I don’t know, maybe it’s the procedure and having to go underneath anesthetic for the first time in a really long time; or perhaps it’s the whole Halloween thing? Who knows? Halloween is certainly a time for darkness and the macabre; which is interesting, since the name is a contraction of all hallows eve, which means, really, the eve of All Saints Day, which you’d think would be more celebratory? It also occurs to me that I’ve never actually written about Halloween, and given what a popular holiday it is in New Orleans, that’s kind of odd. Jackson Square Jazz is set just before Halloween; I think in the afterward Scotty mentions the costumes he and the boys were to the Halloween Ball? It’s been a hot minute, so I can’t remember…but I know there’s not a Scotty Halloween book, and I know I never did one with Chanse–who couldn’t be bothered to wear a costume; he’d find the whole thing tiresome. But not even a short story! (“The Snow Globe,” in fairness, began as a Halloween story and was originally titled “All Hallows Eve”; obviously I changed that.)

Unfortunately, given the timeline I’ve got going with the Scotty books now, I don’t know that the next one can be a Halloween book. Although I could play with the timeline a little more, I suppose. Royal Street Reveillon was set during the Christmas season, and I’ve always thought of it as Christmas 2019 (which means it became cemented into my brain as set in that year; and my stubborn subconscious never lets it go until my conscious mind realizes how stupid I am actually being)….with a pandemic just around the corner. But the book itself came out in October 2019, so I finished writing it earlier that year so there’s no reason it can’t be 2018…or 2017 for that matter, and I can also go back and put books in between the ones I’ve already published, if I so desire…ah, the Godlike power of being an author! What, though, would be a good Scotty Halloween title? Hmmmm…Halloween Season Hijinks? Halloween Party Horror?

Sigh. This will be in the back of my head now for awhile, which is how this always goes, doesn’t it?

I did sleep very well last night, which was lovely. (I set the alarm of course, reflexively, as I slipped into bed last night) We finished the first season of Only Murders in the Building, which resolved the first season but ended with a cliffhanger setting up Season 2–something I was wondering about–and thoroughly enjoyed it. We also started watching Dopesick, a fictionalized version of how the Sackler family single-handedly created the opioid crisis in this country so they can make billions. It’s very well done–I’d watched the documentary version of this already, whose name I cannot recall–and the acting is stellar. It’s powerful, too; I love that they are showing how this all happened through the eyes of a doctor in Appalachia (played by Michael Keaton), as well as showing the lives of some of his patients and how they got sucked into oxycontin addiction. I don’t know how anyone can watch this (or the original documentary) without burning with rage at the Sackler family and the politicians they fucking bought off so they could exploit the pain of the working class for profit, and what a classic example this is of how an unmonitored and unregulated capitalism–the ideal of the conservatives (let the market decide!)–can not only be damaging but lethal. We are still cleaning up the mess this created, while they sip expensive wine and eat caviar and fly to glamorous places on private jets. (I think the next time someone pulls some of that Ayn Rand libertarian “no regulation” bullshit on me I’m just going to smile and say “Oxycontin and the Sackler family disprove her theories on everything.”)

I also got Dr. Alecia P. Long’s latest book yesterday, Cruising for Conspirators: How a New Orleans DA Prosecuted the Kennedy Assassination as a Sex Crime, which I am really looking forward to reading. This is, of course, about the Clay Shaw trials here in New Orleans, and how Jim Garrison abused his power as district attorney; Oliver Stone based JFK on this, treating Garrison as an unsung American hero when he was anything but that–I’ve not seen the film, nor any other Oliver Stone film since this piece of propaganda and packet of lies was filmed. I also don’t trust anything Stone did, or does, anymore to be honest and truthful and factual. He basically ignored all the evidence–and there was plenty of it–and turned Garrison into some kind of folk-hero when he truly was a corrupt monster who tainted everything he touched and made the Puritans look like sex maniacs. And this country being what it is, the completely fictional film JFK and its conclusions and accusations are now seen by people as being factual. I’ve always been interested in writing about this case fictionally–seriously, the history of New Orleans and Louisiana is so rich and deep and rife with potential for writing, I could never run out of material here–and have done some loose reading up on it…and I’ve never come across anything backing up Garrison or his claims that didn’t originate in some insane right-wing crackpot conspiracy generator. I could be wrong, but I feel Dr. Long–whose The Great Southern Babylon is also a must-read for people interested in New Orleans and her history–is not a Garrison sympathizer; certainly the book’s title implies that; but I also trust Dr. Long, her scholarship, and her dedication to research. This will inevitably prove to be the definitive book on the subject.

I’m also still reading Robert A. Caro’s massive The Power Broker: Bob Moses and the Fall of New York, which, like all of Caro’s work, is exceptional. I’m perhaps about a quarter of the way through the book, but it’s also fascinating; a history of the New York parks and recreational facilities and the building of highways and parkways and roads so that New Yorkers could escape the city and enjoy the outside recreationally on the weekends. The power struggle over making Long Island more accessible to the city dwellers is deeply fascinating, as is watching how another idealistic young man slowly realizes that politics is more about reality and power than ideals, and learns to use politics and power to get what he wants–even if doing so might not be exactly legal. (This was my primary takeaway from Huey Long by Harry Williams.) I hope to read more of Paul Tremblay’s Disappearance at Devil’s Rock with an eye to finishing it, over the course of the next few days and the weekend. Tremblay is becoming one of my favorite horror writers; I’ve certainly loved everything he’s written thus far, and would like to get some more horror read this month before Halloween and we move into the Thanksgiving/Christmas/New Year’s holiday cycle.

And on that note, I am heading into the spice mines. Have a lovely Wednesday, everyone, and I will check in with you again tomorrow after the procedure. (Depending on how it goes and how drugged I am and how quickly the drugs wear off.)

Heavenly Action

I’ve always been—undoubtedly in part because I love history so much—an enormous fan of books where secrets from the past (even the far distant past) play an enormous part in the present lives of the characters in the story, and that solving those mysteries, learning the truth about the past, is necessary in the present for conflict resolution. As a history buff, the lack of a lengthy history as a nation is something I’ve always thought unfortunate; without ancient buildings and the way that history isn’t sort of always there in our faces the way it is in Italy or other older nations, it’s difficult for many Americans to either grasp, be interested in, or give a shit about our history—we have as a nation the attention span of a goldfish (thanks, Ted Lasso, for that reference).

To make a side by side historical comparison, for example, the Habsburg dynasty dominated central Europe for almost six hundred years, whereas the first European to actually arrive and establish a colony were under the aegis and flag of the Habsburg king of Spain—and that was in the early sixteenth century.

Secrets of the past casting a shadow over the lives of the living is often a theme in Gothics, my favorite style of novel/writing (noir is a close second). Rebecca is of course the master class in secrets of the past; the first Mrs. deWinter might not actually be haunting the halls of Manderley literally, but her ghost is definitely there. Victoria Holt’s romantic suspense novels inevitably were set in some enormous old mansion or castle, with potential ghosts a-plenty everywhere you turn. Phyllis A. Whitney’s one novel set in Britain—Hunter’s Green—also has a classic old British mansion with a potential ghost in it. Maybe it was the childhood interest in kids’ series, with the reliance on secret passages, hidden rooms, and proving that ghosts were frauds; every episode of Scooby Doo Where Are You? had the gang proving something supernatural was quite human in origin.

One of my favorite Nancy Drew books when I was a kid was The Ghost of Blackwood Hall; I don’t really remember much of the story now, other than a fraudulent haunting was involved and a woman—Mrs. Putney—was being swindled by a medium? (Reading the synopses on a Nancy Drew website, apparently part of the story involves Nancy and the gang coming to New Orleans, which I absolutely do not remember; my only Nancy Drew-New Orleans memory is The Haunted Showboat—involving yet another haunting. Interesting.) When I was writing the original short story (“Ruins”) I needed a name for the old burned-out plantation house; I decided to pay homage to Nancy Drew by naming it Blackwood Hall, and naming Jake’s maternal ancestor’s family Blackwood (his grandmother was a Blackwood, married a Donelson; Jake has his father’s last name, which is Chapman). I did think about changing this from time to time during the drafting of Bury Me in Shadows, but finally decided to leave it as it was. It might make Nancy Drew readers smile and wonder, and those who didn’t read Nancy Drew, obviously won’t catch it.

Hey, at least I didn’t call it Hill House.

But writing about ghosts inevitably makes one wonder about the afterlife and how it all works; if there is such a thing as ghosts, ergo it means that we all have souls and spirits that can remain behind or move on after we die. So what does writing about ghosts—or writing a ghost story—mean for the writer as far as their beliefs are concerned?

Religion primarily came into existence because ignorant humans needed an explanation for the world around them, combined with a terror about dying. It is impossible for a human mind to comprehend nothingness (whenever I try, I can’t get past “there has to be something in order for there to be nothing, you cannot have nothing unless you have something” and that just bounces around in my head until it starts to hurt); likewise, whenever I try to imagine even the Big Bang Theory, I can’t get past “but there had to be something to explode” and yeah, my head starts to hurt. Even as a kid in church, studying the Old Testament and Genesis, I could never get past “but where did God come from?” I don’t begrudge anyone anything that gives them comfort—unless it starts to impede on me. I’ve studied religions and myths on my own since I was a kid; the commonalities between them all speak to a common experience and need in humanity, regardless of where in the world those humans evolved; a fear of the unknown, and an attempt to explain those fears away by coming up with a mythology that explains how everything exists, why things happen, and what happens when you die. (I am hardly an expert, but theology is an amateur interest of mine, along with Biblical history, the history of the development of Christianity, and end-times beliefs.)

Ghosts, and spirits, have been used since humanity drew art on cave walls with charcoal to explain mysterious happenings that couldn’t be otherwise explained. I am not as interested in malevolent spirits—ghosts that do harm—as I am in those who, for whatever reason, are trapped on this plane and need to be freed. This was a common theme in Barbara Michaels’ ghost stories (see: Ammie Come Home, House of Many Shadows, Witch, Be Buried in the Rain, The Crying Child) in which the present-day characters must solve the mystery from the past; why is the ghost haunting this house and what happened to them that caused them to remain behind? I used this theme—spirits trapped by violent deaths in this plane whose truth must be uncovered in so they can be put to rest—in Lake Thirteen and returned to it with Bury Me in Shadows. I did, of course, worry that I was simply writing the same book over again; repeating myself is one of my biggest fears (how many car accidents has Scotty been in?), but the two books, I think, are different enough that it’s not the same story.

At least I can convince myself of that, at any rate.

There’s a few more ghost stories I want to write, actually; (it also just occurred to me that there was a ghost in Jackson Square Jazz, the second Scotty book) any number of which come from those legends my grandmother used to tell me as a child. I have this great idea for one I’ve been wanting to write set here in New Orleans for a very long time called “The Weeping Nun;” I have the entire ghost’s story written in my head, I just don’t have a modern story to wrap around it (same issue I have with my New Orleans ghost story book, Voices in an Empty Room) and of course there’s “The Scent of Lilacs in the Rain,” a short story about another Corinth County ghost I started writing and got to about five thousand words before the ghost even made an appearance. That great length is why I shelved the story—and now, of course, I realize I can do it as a novella, which is amazing news and life-changing, really. “Whim of the Wind,” the very first Corinth County story I ever wrote, is also kind of a ghost story, and maybe someday I’ll find the key to making it publishable (although I think I already did figure it out, thanks to the brilliance of an Art Taylor short story).

I’ve always believed part of the reason I was drawn so strongly to New Orleans is because the past is still very much a part of the present here—though not so much as we New Orleanians would like to believe, as several Facebook groups I belong to about the history of New Orleans often show how often and rapidly the cityscape has changed over the years—and you can sometimes even feel here, at times, under the right conditions (fog and/or mist are usually involved) like you’ve gone back in time, through a rip in the time/space continuum; which is something I’d actually like to write someday here—but that’s just an amorphous idea skittering through my brain.

And of course, I have an idea for a paranormal series set in a fictional parish here in Louisiana. I think about it every now and again, but am really not sure how I want to do it. I know doing a paranormal Louisiana town series will get me accused of ripping off Charlaine Harris’ Sookie Stackhouse novels, but that’s fine. I don’t think I would be doing vampire kings or queens or any of the directions Ms. Harris went with her series. (Monsters of Louisiana and Monsters of New Orleans—paranormal/crime short story collections—may also still happen; one never knows, really.)

As hard as it was sometimes to write, I think Bury Me in Shadows turned out better than I could have hoped. I think it captured the mood and atmosphere I was going for; I think I made my narrator just unreliable enough to keep the reader unsure of what’s going on in the story; and I think I managed to tell a Civil War ghost story (it’s more than just that, but that’s how I’ve always thought of it and that’s a very hard, apparently, habit for me to break.

I hope people do read and like it. We shall see how it goes, shall we not?

Together We’re Better

Yesterday actually turned out to be quite lovely.

I was a little bleary when I got up yesterday morning (my Fitbit advises me I only slept deeply for 3 hours, 48 minutes; the rest was “light sleep” and I woke up three times), but for whatever reason, I decided to start getting to work on things. I started answering emails (I am very careful with email. I refuse to let it control my life, which it easily can; so I answer emails over the weekends and in the mornings, save my responses as drafts, and send them all after lunch. I do not send emails after five pm CST; I do not read them, either. Email at one point took over my life, which made getting anything done impossible and raised my stress levels to unbelievable heights. I realized anyone who absolutely, positively needs to reach me has my cell phone number…and if I don’t trust you with my cell phone number…you don’t really need an answer right away. And guess what? The world didn’t end, I didn’t miss out on anything, and nothing became harder) while reading coverage of the LSU debacle from Saturday night (one thing I did mean to mention and didn’t yesterday; I try not to be overly critical of college athletes because they are basically kids. It’s easy to forget that when you’re watching on television, but when you see them on the sidelines with their helmets off, or while walking down Victory Hill to the stadium in their suits and ties…you see a bunch of teenagers and young men in their early twenties. They are kids—and those baby faces on those big muscular bodies is a very strange juxtaposition sometimes). I decided on the way home from Baton Rouge that while I do, indeed, love football, I really shouldn’t give up my weekends to it all fall. Now that LSU is definitely out of the running for anything, I’ll probably not watch as much football as I would if they were still in contention for anything. I’ll still watch LSU, and occasionally I may spend an afternoon watching a big game—the SEC title game, the play-offs—I am not going to spend every Saturday pretty much glued to the television all day, flipping between games all day. And I also rarely enjoy watching the Saints—I love them, they’re my guys, my team, my heart—but their games are so damned stressful it’s hard to enjoy them, and when the games is over I am always, win or lose, emotionally and physically and mentally exhausted. So, I decided it made more sense to get things done, check in on the score periodically, and not sweat it too much. (Good thing. Like LSU, the Saints led the entire game, folded like a newspaper in the fourth quarter and wound up losing.) I made groceries, filled the car’s gas tank, and before going, I started weeding shit out of my iCloud and saving it all to my back-up hard drive.  I wound up freeing up over four hundred and seven gigabytes in my flash storage, and suddenly my computer was running very quickly again.

And yes, it’s my fault.* I have a gazillion pictures files, going back to digital camera days. I used to back up my hard drive and my flash drives regularly to the cloud—and those folders are enormous. I don’t probably need all of it—I was weeding through bits here and there as I moved the files over to the back-up hard drive (eventually planning on copying them up to Dropbox), and started finding all kinds of interesting things. Story fragments I’d forgotten, book ideas and anthology ideas and essays I’d started; some of these things are in very rough, first draft form—and got left behind as my addled, AHDH-like brain moved on to the next thirty or forty ideas for all of the above. I also was kind of amused to see how I often I plagiarize myself; I had a completely different idea for the book I wanted to call A Streetcar Named Murder fifteen years ago—which I can still use at some point, just have to come up with a new title. I’d forgotten that all the way through the process Need was called A Vampire’s Heart; my editor suggested changing it after I turned the book it. It was a wise choice; my title was very romance sounding and Need was hardly that. It was also interesting seeing, over the years, how many different ideas I’ve had for a gay noir set in the world of ballet (damn you, Megan Abbott!). I discovered that Murder in the Garden District actually began as Murder on the Avenue (a title I can repurpose for an idea I had last week); I found the original files for Hollywood South Hustle, the Scotty book that turned into a Chanse MacLeod, Murder in the Rue Ursulines; I found the files for the Colin book that tells us what he was doing and where he was between Mardi Gras Mambo and Vieux Carré Voodoo; I found the original Paige novel I started writing in 2004, in which an Ann Coulter-like pundit from New Orleans is murdered; I found the first three chapters of the Scotty Katrina book, Hurricane Party High,  in which they don’t evacuate during a fictional hurricane, and the chapters where I rewrote it, had the, evacuate to Frank’s sister’s in rural Alabama (and we meet Frank’s nephew Taylor for the first time—and I also remembered that they belonged to some weird kind of religious cult and that Taylor was going to come to New Orleans in the future to visit during their version of rumspringa, but eventually abandoned the idea completely and never did a Scotty/Katrina book; was reminded that Dark Tide began as Mermaid Inn; that I wrote the first chapter of Timothy during the summer of 2003; and if I even tried to list all the iterations that wound up being #shedeservedit, we would be here all day (Sins of Omission, I think, was my favorite earlier title; again, a completely different book with some slight similarities…I may have to take a longer look at some of those iterations because being reminded of them all, I also remembered that I really liked all the versions).

I also found many, many nonfiction pieces I’ve written over the years—many of which I’d long since forgotten about—so maybe that essay collection won’t take quite as long to pull together as I had originally thought. Huzzah!

And I also discovered something else that I knew but had slipped out of my consciousness: that Bury Me in Shadows was called, for the first and second drafts, Bury Me in Satin—which gives off an entirely different vibe, doesn’t it? I wrote a very early version of it as a short story while in college, called it “Ruins,” but never wrote a second draft because I knew it wasn’t a short story; it needed to be a book, and one day I would write it. I was never completely comfortable with the story, to be honest; I wasn’t sure how I could write a modern novel built around a Civil War legend in rural Alabama. I absolutely didn’t want to write a fucking Lost Cause narrative—which is what this easily could have become, and people might come to it thinking it is, and are going to be very angry when they find out it is not that—but I really wasn’t sure how to tell the story…and in my mind, I thought of it as Ruins—which I freely admit is not a great title, and has been over-used.

As luck would have it, I was watching some awards show—I can’t begin to try to remember what year—and one of the nominated groups performed. I’d never heard of The Band Perry before; and the song they performed, “If I Die Young,” absolutely blew me away. (I just remembered, I kind of used the title as guidance when writing Need—always trying to remember he became undead very young) The first two lines of the chorus are this:

If I die young,

Bury me in satin

And I thought to myself, Bury Me in Satin is a perfect title for the Civil War ghost story! Melancholy and sort of romantic; I’ve always thought of hauntings as more about loss than being terrifying (you do not have to go full out jump scare, use gore or blood or violence to scare the reader, and if you doubt me, read Barbara Michaels’ Ammie Come Home), which is why I’ve always loved the Barbara Michaels novels that were ghost stories. That was the feeling I wanted to convey, that sad creepiness, and longing—I wanted a Gothic feel to the book, and I felt that line captured what I wanted perfectly. But as I wrote it, it didn’t quite feel as right as it did in that moment (I still love the song—and the video is interesting and kind of Gothic, doing a Tennyson Lady of Shalott thing), and then one day it hit me: changed ‘satin’ to ‘shadows’, and there’s your perfect title.

And so it was.

Oh dear, look at the time. Till tomorrow, Constant Reader! I am off to the spice mines! Have a lovely Monday!

*I will add the caveat to this that anything stored in the Cloud should not affect the flash storage in the actual computer and its operating system, and yes, I am prepared and more than willing to die on that hill.

I Can Feel Your Heartbeat

Well, this has turned into a rather interesting stay-cation, has it not?

This morning, as I swill coffee and read weather reports with bleary eyes, trying to decide what to do–we are still leaning towards not leaving; knowing at best we will probably be without power until Thursday at the earliest in a best case scenario–which is horribly unappealing, given how hot it’s been and the time of year it is–but…but…ugh. I’m not even certain, were we to go, where we would go–north, east, west–and from everything I am seeing this morning the highways out of the city are backed up, bumper to bumper and barely moving; that could be incorrect, of course (one never really knows unless one is out there). I don’t see the sense in going west or north, to be honest; the track will probably bring Ida ashore west of New Orleans, and the storm is going to go north from landfall. East would be the best choice, methinks, but…it’s not like everywhere east also isn’t a hotbed of COVID-19, either. I’m not really sure what to do, to be honest, and there’s definitely a part of me that thinks we’ve already missed the evacuation window period, anyway.

The good news is that the imminent loss of power/potential evacuation forced me to sit my ass down and get through the manuscript yesterday. I think I may have missed some spots, and I am not certain about a decision I made with something to bring it in line with things further back in the manuscript, but I am going to print it all out today (if I have enough ink) so I at least can look at it if we don’t have power for the next few days (if we evacuate, of course, it won’t matter because I can access it on my laptop). But that’s one more thing to cross off the list, which is very cool, but I suspect everything is going to come to a screeching halt by tomorrow at any rate, so I should probably get as much done as I can while I still have power.

Last night I had dinner with a friend from out of town–scheduled to come in for Bouchercon, she came to town anyway because her daughter goes to school here–at Red Gravy on Magazine Street (it was really good; I recommend the lasagna but don’t get the margarita with agave juice; it’s too sweet–at least for me; I like the tequila bite in a regular margarita myself) and she texted me this morning that she and her daughter are heading for Texas; which is kind of a bit of a relief. I was worried about them; the daughter is Not From Here and has already had some horrible experiences with losing power for days since she came to the city last year–I am, insanely, more concerned about the loss of power than anything else myself–and I hope they make it west safely. It was a lovely evening–there were hardly any people out and about; the only indication of anything was the lines at the gas stations–and then I came home. We watched this week’s Ted Lasso, which was marvelous as always, and then started watching the new season of American Horror Story: Red Tide, which was….interesting. It’s entertaining enough, but kind of, well, stupid. I kept thinking why would you stay there? It’s set in Provincetown in the off-season, as a writer brings his pregnant wife and daughter there so he can write, and they’ve got free rent as long as the wife, a decorator, redecorates the house. But crazy shit starts happening almost immediately–which begs the question, where does Provincetown hide all these crazy creatures during tourist season? A lot of it doesn’t really make sense (well, it is Ryan Murphy, after all) but we’ll keep watching because it’s entertaining.

And as always, the imminent arrival of a hurricane inevitably reminds me of the abandoned fourth Scotty novel, Hurricane Party Hustle, which I had planned in the wake of finishing and turning in Mardi Gras Mambo that August of 2005…that obviously had to be abandoned after Katrina came a-calling. I had always wanted to write a murder mystery set during that eerie time when the city empties out for an evacuation, with 80% of the people gone and the eerie silence and weird emptiness that comes with it. I used some of the stuff I’d already written for this book for Murder in the Garden District, which also has an evacuation in it–I used the memories of evacuating for Katrina for Murder in the Rue Chartres— and every once in a while, the thought crosses my mind that the Scotty version would be interesting to write and experience. I’ve never really dealt much with Katrina in the Scotty books–it was in the past and he basically waves it away as the past in the prologue to Vieux Carré Voodoo–and I’ve always thought about going back and writing the Scotty Katrina book–I can always keep the series going by filling in the times between books, if it comes to that or if writing Scotty in his sixties is unappealing–but I probably won’t do that. I don’t know–but I am also laughing at myself this morning; only a writer would view an approaching and imminent natural disaster as material and start thinking about ways to build a crime novel around it.

Take THAT, Imposter Syndrome!

And now, I am going to head into the spice mines. Have a lovely day, Constant Reader, and keep Louisiana in your thoughts!

When I Grow Up

Saturday morning and yesterday was lovely, as we slowly begin counting down the last days of my fifties. Hurray!

Yesterday was actually kind of lovely. I had my spa day (in full transparency, that means I got a back wax) which I enjoyed (at some point in time I will discuss how I feel about body hair, particularly that which grows on one’s back), got my prescription, got Scooter’s insulin syringes, got the mail, made groceries, and got phô (AT LAST), and the phô (from Lilly’s Cafe on Magazine) was truly magnificent. I got home around two thirty; it was a weird weather day in New Orleans, where the sun was shining in parts of the city and there was a downpour in others, along with thunder and lightning; which enabled me to experience all the vagaries of a summer day’s weather in the city in August over the course of two hours. After the errands were completed and my phô bowl was empty, I spent the rest of the day relaxing and organizing and cleaning–yes, yes, I know, but organizing and cleaning (like the LSU 2019 football season) is my happy place. I wound up not reading much, nor doing any writing, but I managed to get a lot done. I am still not as organized as I would like to be, as I think I should be, but I have three more days without work pressure to get through, and so while I am going to spend some time writing and reading over the next three days, I also want to finish getting organized. I’ve been so scattered and disorganized for so long–really, since the Great Data Disaster of 2018–that getting that particular act together has been enormously helpful, and I think if I actually can go ahead and get completely organized, that will make my getting everything done that I need to get done finished that much easier.

I am going to spend some time this morning with The Other Black Girl. I have to get the mail today–I am expecting some things–after which I’m planning on braving the West Bank to do some box store shopping (the traffic over there is always horrible, even on the best of days; and now that I am thinking about it some more, perhaps I should just wait and go on Monday; it’s not pressing. I can just get the mail today, really, and pick up a few things at the corner Walgreens–which I now think might be the best option? We’ll see how I feel).

But I got all my Chlorine research organized–I went through my journal (the most recent one) last night and marked the pages where I brainstormed the book; I need to do that to several more of the last ones, actually)–and I also have a secret project which I look forward to telling you about, Constant Reader; I know it’s disappointing on some levels, but I am having to push writing the next Scotty, Mississippi River Mischief, to the first quarter of next year. I also managed to get some other things organized; I need to do something about these boxes of files under my desk for one thing, and in looking through the stuff in my filing cabinet, I also realized that a lot of the stuff in there could be shifted into boxes and moved up into the attic. I do have the boxes….and I am also thinking it may be time to do another book purge, in order to drop off some boxes on this coming Thursday to the library sale.

In other words, I am looking forward to a typical Saturday around the Lost Apartment. I do need to get to the gym today (I didn’t go yesterday) and will be going again on Monday rather than Sunday; but I also have to get really started on the edits of #shedeservedit if I am going to get those finished by the end of the month. The fact that I have absolutely no desire to do it is of course indicative of how much I need to do it and how much I will actually enjoy doing it once I get started going on them. I also need to finish the second draft of “The Sound of Snow Falling”, and what better time to do that than this weekend? I love the new computer and it’s so much easier to work on than the old one was; but I best be using the hell out of it now that I spent the money on it. I’m still a bit in awe of it–the picture quality is so good it’s like having another television for the kitchen (I went ahead and watched the latest episode of Ted Lasso on here last night while Paul worked on a grant–I know, but the great thing about Ted Lasso is rewatching isn’t an ordeal, and this last episode, a Christmas episode airing in August, was just absolutely perfect and made me tear up several times as well as laugh out loud; I didn’t think it was possible for anyone to do a Christmas episode/movie/book of any kind any more without it being heavy-handed and cheesy…but I need to stop ever doubting Ted Lasso; the show is always a joy and those twenty Emmy nominations, especially those for the cast, are extremely well-deserved)–and the sound and picture is amazing. That means I can watch football games in here this fall while cleaning and/or doing other things…which is heavenly.

And yes I am well aware of the fact that the honeymoon period will end soon….but that doesn’t mean I can’t enjoy the fuck out of it while it’s still happening.

I also got caught up on my Real Housewives watching. I had cut back to just watching the two I started with (New York and Beverly Hills), but these aren’t good seasons for either; and just watched the Erika Jayne/Girardi divorce/criminal investigation/civil suits play out makes me a bit uncomfortable. I don’t have much sympathy for either her or her husband–you can deny all you want to, but settlement money for victims disappearing means it went somewhere, and one thing so many people in this country don’t understand is you can still be punished for profiting from a crime even if you didn’t know you were profiting from a crime. I don’t see how she thinks she can escape financial liability–possibly a sympathetic judge and jury would spare her from jail time–but it’s difficult to watch her excuses and her self-pity; she has no tears or empathy for her husband’s victims. Rather, it’s all about her and what she’s going through; and frankly, every time she cries me me me me I think to myself lock this bitch up and throw away the key. So, between the snooze-fest that is this season‘s New York and the real life criminality being exposed on Beverly Hills–and being coddled–might have me finally cutting the cord with these two shows. I have no desire to watch Dallas, but have heard good things about both Potomac and Salt Lake City (which also is filming during the real-life criminal exposure of a cast member)…but I also kind of wonder if these shows haven’t already run their course? Society and the culture have experienced a significant shift over the last four years….and maybe the time for shows like this is past.

And on that note, I am going to get another cup of coffee and spend some more time with The Other Black Girl, which is truly terrific. Have a lovely August Saturday, Constant Reader–and I will check in with you tomorrow, if not later.

Stronger (What Doesn’t Kill You)

I managed to get the page and cover proofs for Bury Me in Shadows finished yesterday, and yes, I am at the point again where I am so heartily sick of this book I’d rather not ever look at it again. It’s a good book; I like my main character and I enjoy the story and how it all plays out; I even think I got the tone I was going for correct–I just don’t ever want to have to read it ever again; this is par for the course, and frankly, I was a little surprised as I started going through the proofs that I wasn’t already there; I usually am by this point, and so I am taking this as a good sign for the book. Soon it will be up to the reviewers and the readers and there’s nothing I can do about it anymore. Now all I have to do is fill out the forms and turn them in and I can close up the box with all the drafts and notes and thoughts and everything else under the sun for the book and put it away up in the attic with the other accumulated boxes…which I really need to decide to do something with, and sooner rather than later. Tulane’s Louisiana Historical Research Center had shown some interest in them about a decade or so ago; I should probably renew that conversation at some point; maybe the Historic New Orleans Collection would be interested–I honestly don’t know. But the sooner this stuff it out of my attic and my storage the better, frankly. I should set a date to get them donated and if no one does, indeed, want them–toss them out and be done with it once and for all.

I also wrote an outline/synopsis of what I am going to finish writing for my friend’s website this morning, which I will need to flesh out and finish this morning. Over all, yesterday was a very good day–I also wrote notes for Chapter Four of Chlorine, which I hope to get to finish today, around going to the gym, which would also be lovely.

We’re watching the final season of Animal Kingdom on Hulu; the show seems weird without Ellen Barkin’s chilling performance as Smurf at the heart of it–and I don’t think the flashbacks to her as a young mom committing crimes and using/discarding men are necessary; the actress playing her as a young woman is good–but as I said to Paul last night, “but I think of young Ellen Barkin and how she’d be killing this role, and this young actress just isn’t young Ellen Barkin.” The show is still high quality, though–we’re enjoying it and I would recommend it–and I think tonight we may start watching the new season of Ted Lasso. We’ve been holding off on starting because it’s such a joy to binge-watch; but I am getting more and more impatient to get started. Several other shows we’ve enjoyed–Sky Rojo, Control Z, Dark Desires, Titans–have either dropped new seasons or will be at some point this month, so we should be set for viewing for a while.

I also started writing a short story yesterday–yes, I know, I know, but this is the curse of creative ADHD–called “A Midnight Train Going Anywhere.” Yes, the title came to me while I was listening to Journey’s “Don’t Stop Believin'” and I thought, she took a midnight train going anywhere was a great image (I’ve always thought so) and as I thought about it some more, I saw a train pulling into a whistle stop station in the middle of Kansas (Kansas has been on my brain a lot lately, because my main character from Chlorine is from there and of course I am about to give the Kansas book it’s final polish from editorial notes) and I just had the image–the lonely platform, the train’s whistle on a cold clear night, the darkness lying on the town at midnight, the only light the station–and a man, sitting on the train, heading west, awakened by the change of the rhythm of the train wheels, getting up to walk around the station platform to work out the kinks in his legs, back and shoulders from riding on the train–but beyond that, I couldn’t really think of anything. I wrote down that entire set-up scene, scribbled away in my new journal (started a new one yesterday!) and didn’t know where to go from there….I have some vague, amorphous ideas, but I also love the idea about writing about a train in a past time–it was also very clear to me this wasn’t an Amtrak train so it had to be set in the distant past (also another nod to Chlorine), but am not sure where it will go or if it will come to anything; I’ll wind up transcribing it today at some point, I am sure. Maybe it will turn into something, maybe it will go into the files with all the others and collect dust there, who knows? What I do know is I have until the end of September to finish Chlorine, so I can spend the final quarter of the year writing Mississippi River Mischief, which will be Scotty IX.

Yikes, right?

The house is also still a hideous mess; I am going to finish the laundry (folding) and empty/refill the dishwasher this morning before i dive into the website writing and the writing of Chapter 4 of Chlorine before heading to the gym this afternoon. I’ve been terrible; I just haven’t had the wherewithal to actually face the heat and walk over there this past week; I don’t think I’ve been since Sunday, to be perfectly honest with you (I had a horrible moment yesterday where I couldn’t remember Thursday–which was a bit terrifying, and then I shrugged and gave up trying, essentially thinking obviously nothing major happened on Thursday if you can’t remember anything), so today’s workout will undoubtedly be exhausting and more than a little painful; but I can hang with it. It’s weird not having the motivation of results anymore–I really don’t care if I look good; that ship has long since sailed and the latest age-related shifts to my body have pretty much let me know I will never be as lean and defined and muscular as I was fifteen years ago, and that’s perfectly fine–but this phase of Greg’s workouts is about feeling better, feeling stretched, maintaining the strength and flexibility of my body, and if the muscles grow and the overall body gets leaner, so be it.

At least I am not obsessively looking at myself in the mirror trying to find trouble spots where fat has accumulated and obsessing about how to get rid of it, thinking that will solve everything. (Helpful hint: it solved nothing.)

I’d also like to spend some time reading this morning; maybe an hour before I get to the writing stuff, after folding the laundry, putting away the clean dishes as well as washing the dirty ones and putting them in the dishwasher. I like Sundays, really; it would be my favorite day of the week if it didn’t end with going to bed and waking up to Monday morning. I seem to always be fairly level on Sundays, focused and relaxed and able to get things done that I want to get done, if you know what I mean. I have a four day weekend next weekend thanks to the office closing to give us all a mini-thank you-vacation for working in a public health clinic during a world-wide pandemic; I am hoping to dive into the revisions of the Kansas book over that weekend and then finishing it during my vacation during the next week (my time off for Bouchercon).

As long as everything goes as planned, by the end of the year I’ll have a great first draft of Chlorine ready to go, as well as a ninth Scotty ready to be turned in; and if I stay motivated maybe even the novellas and short story collections might be ready to go as well.

Fingers crossed as I head back into the spice mines this morning….have a great day, Constant Reader!

Blow

Good morning, Sunday, how are YOU doing?

I overslept (for me) again this morning; which felt nice; I’ll take oversleeping over insomnia any day of the week, frankly, and this morning I am going to swill coffee, read some more of S. A. Cosby marvelous Razorblade Tears, and then will write for a while before going to the gym later on in the early afternoon. I still haven’t gotten phô yet–maybe next weekend I can make to the Lilly Cafe and finally get some.

Yesterday saw me relaxing and organizing and cleaning for most of the day, at an incredibly casual pace–so casual, of course, that I didn’t get everything finished that I wanted to get finished (natch); but progress was made and I will always take some progress over not making any. I finished writing Chapter 2 of Chlorine yesterday, also setting up Chapter 3 to be written for today (after some reviewing of Chapters 1 and 2 before getting started on that today). I like that I am starting to feel connected to this manuscript; it’s finally taken root in my head and all the other considerations about it no longer matter to me other than the two most important: that I finish writing it, and that i write the best book I possibly can.

The whole Chlorine thing is remarkably improbable about how it came to be in the first place. I’ve always wanted to write about 1950’s Hollywood and the gay closet/underground that existed there; it was an incredibly turbulent time, with television stealing film audiences, HUAC investigating Communists, and J. Edgar Hoover at the FBI going after gay men and lesbians. It was also during this time that the biggest closeted movie star perhaps in Hollywood history, Rock Hudson, came to success–and there were plenty of other closet cases on the headlining pictures with their names above the title: Montgomery Clift and Tab Hunter–and plenty who may have been bisexual but definitely had experiences with men, like Marlon Brando, Anthony Perkins, James Dean, and so on. I idly wrote about this notion I had for a noir set during that time, with the main character a hustler with no talent but a lot of good looks and charm, that opens with another closeted actor’s nude, dead body being found in the morning on Santa Monica beach–only the drowning victim also had chlorine in his lungs, so he clearly drowned in a swimming pool and his body was moved. I riffed on this concept here on the blog for a little bit, and then thought nothing of it.

Yet Chlorine landed with my peers in the crime writing community for some reason–I got a lot of tweets and DM’s about what a great idea it was, and that I needed to write it. Some people continued pestering me about it, enough time and enough people, for me to go ahead and slot it into my writing schedule….but even then I kept putting it off and not taking it or myself seriously; was I the right person to write such a book? Is this interest in such a book even something that could turn into sales or whatever? You know, the usual self-doubt that plagues me on a daily basis. I sat down and wrote a very rough first chapter several years ago, just to see if I could get the tone right, and the voice properly done; I was rather pleasantly surprised with how it turned out, and so I put aside any thought of imposter syndrome and figured, okay, I CAN do this.

But the syndrome came again when the calendar time to write the book rolled around; I spent the last month or so writing anything but this manuscript…and finally sat down to revise and reshape that first chapter so that it set up the second even better, and I also had an idea of how to do the second as I worked on the first. It took me a few days, but I now have a very nice 3700 word second chapter written; and today I am going to work on writing the third. I wanted to wait until August and spend that entire month writing it, but finally decided that I was being decidedly un-confident, so while I still want to have the first draft finished by the end of August, I decided to go ahead and get started on it in the meantime. I still want to work on Scotty for the rest of the year, from September on, but there’s also a lot of other things I need to get done, so I need to stop being lazy and get my ass into my chair and writing.

We watched the Olympics some yesterday–I am amazed at the sports I couldn’t care less about most of the time but will watch avidly during an Olympics–but it again seems weird that there’s no audience or crowd…and this whole weird vibe these Olympics are giving off–no you smoked weed so you’re banned; you’re a serial sexual assaulter so we’ll make accommodations for you–has kind of tarnished the whole thing for me in some ways. There has always been cheating and stupidity at the Olympics (another example of how media has brainwashed us all into the mythology of the Olympics), but for some reason this year it seems more intolerable than usual. But I love watching the US swimmers–it’s weird without Michael Phelps in the pool–and I will undoubtedly watch more, especially the gymnastics.

But…..still.

I also figured out last night how to change a story I started writing at some point during the last decade and make it actually work–“The Brady Kid”–and while the new idea I have for it may not work after all, it’s an interesting idea for a story and something I definitely want to try writing.

And on that note, Razorblade Tears is calling me, and so it’s off to the spice mines for a bit to read, swill coffee, and prepare to start writing.