Tag: Salvation on Sand Mountain

Spirit in the Sky

I have written another Alabama story! It will be in the Crippen & Landru anthology Double Crossing Van Dine, which you can preorder right here. My story is called “The Spirit Tree,” which was a lot of fun to write, and am very excited that the anthology will release later this month/early September. I again got an editing credit (along with Donna Andrews and Art Taylor, both of whom do a lot more work than I do on these books), and I do absolutely love that cover.

Isn’t this a great cover?

Turn right on Simmons Road and in a half mile, your destination will be on the right.

Tom Forrester slowed his official State Bureau of Investigation SUV and glanced in the rearview mirror. Nothing behind him but blacktop state highway back to the S curve he’d just negotiated. He flipped on the turn signal and made the turn onto a back road. It stretched out before him, a narrow expanse of red dirt and gravel down to the bottom of a hollow and climbing back up the other side. He was getting a headache and wished again he’d asked for someone to come with him. He’d never been to Corinth County before, hadn’t even driven through it. Yes, it was in his district, but it was remote. At least an hour to the nearest interstate. Outsiders had to want to come to Corinth County to get there.

It amazed him that there were still these random remote counties all over the deep South, seemingly untouched by the outside world.

But the county seat, for all its population of about three thousand, had a Wal-Mart and a McDonalds, and almost every house or trailer he’d seen from the road had a satellite dish either in the yard or affixed to the building. Was anything truly remote anymore?

The road wasn’t wide enough for two cars, so he hoped he didn’t meet anyone coming from the other direction. A cloud of red dust followed closely behind the vehicle. At the bottom of the hollow there was a small stream flowing through corrugated iron beneath the pitiful road. And he noticed a rusty barbed wire fence running along the front of the pine forest on the left side, caught a glimpse of a rusted tin roof surrounded by overgrowth.

It looked…familiar.

Not a bad start, right?

The anthology also has an impressive table of contents:

You can find Van Dine’s commandments (there are twenty) here, if you want to look them up.

Mine was: The problem of the crime must be solved by strictly naturalistic means. Such methods for learning the truth as slate-writing, ouija-boards, mind-reading, spiritualistic séances, crystal-gazing, and the like, are taboo. A reader has a chance when matching his wits with a rationalistic detective, but if he must compete with the world of spirits and go chasing about the fourth dimension of metaphysics, he is defeated ab initio.

So, yes, like I did in the last anthology of this nature that I was in, chose supernatural/occult as my way of breaking said rule. I’ve done this before, of course, in novels; two subgenres I prefer are crime and horror–and I do love crossing/blurring the lines between the two of them.

Several years ago (it may have been last year; my grasp of time isn’t the best anymore) I read a book called Salvation on Sand Mountain, about snake-handlers in north Alabama (I’d also watched a documentary called Alabama Rattlesnake) which reminded me of a bit of country magic. When I was a little boy–a very little boy–I remember visiting someone in Alabama–and there was a small tree beside the front porch, with bottles slipped over the ends and catching the sun in colorful flashes and making tinkling sounds when the wind blew the branches together. I asked, and was told it was a ‘spirit tree,’–the sound of the bottles kept evil spirits and ghosts out of the house. I’d forgotten about it until I read it in the book, and I remembered it all very clearly.

So, I sat down and wrote an opening scene, in which a state investigator is going to a crime scene, and when he gets there, there’s a spirit tree beside the porch. I had no idea what to do with the story–how to finish it, who was murdered and why, etc.–and it went into the files. When I was asked for a story (and a by-line credit) for this anthology, I looked for the supernatural rule, claimed it, and pulled out “The Spirit Tree.”

Yes, it’s another Corinth County story, like Bury Me in Shadows and “Smalltown Boy” and “The Ditch,” not connected to the others by anything other than location, really, but it’s location is pretty much everything!

Hope you enjoy it–and the rest of the contributors are exceptional writers, so I know you’ll enjoy theirs, too! What are you waiting for? PRE ORDERS ARE ALWAYS WELCOMED!

Snakedriver

Ah, Alabama.

Despite everything that is wrong with Alabama culturally, societally, spiritually, and politically, I’m not ashamed of being from there (and never will be). I do shake my head with every new law passage or court ruling there that flies in the face of decency and the Constitution, because it is sad that the majority of people there are not only so lost spiritually and intellectually, but also defiantly cling to their backwardness. My part of the state, where my people are from, used to be very remote and rural; many native Alabamians, when I tell them where I’m from, are often confused, having never heard of it before. It isn’t on any interstate, rooming options are limited, and you really have to drive for about an hour from the nearest interstate to get there. It’s not quite as remote as it used to be; many of the roads that were dirt and/or gravel when I was a kid are paved now…but there are still plenty of unpaved roads up there in the hills and along the countryside. It’s very different there now, too–the country stores are all gone, and there’s definitely a lot more McMansions than there ever was when I was a kid. (Dad and I often marvel at the palatial homes we come across driving around the county, as Dad shows me places from his childhood and when he and Mom were first married.)

And it’s not cheap to buy property there, either, which was also a bit of a surprise.

Dark Tide was my first attempt to deal with my history and where I am from, but was cowardly in the end and wound up editing most of the backstory of my main character out. It didn’t really fit and made the book something different from what I was trying to do with the book, but as I edited it all out I also felt that I was being a bit cowardly. I knew I was going to have to deal with the troubled history (and present) of the county and state, so I wrote Bury Me in Shadows to not only try to get a better understanding of the area, but to deal with that troubled past. It wasn’t easy–I often found myself cutting things to a bare minimum in a stupid attempt to not give offense, and there were many times while writing it when I’d wince or skip a scene because I wasn’t sure how to word it properly without being preachy. I wanted to show through the story how refusing to face the past with a realistic and jaundiced eye can cause generational trauma and how that, in turn, perpetuates societal racism and homophobia in an endless cycle that strangles growth.

But writing that book also took me down a research wormhole that I’ve never really climbed back out of, and being there last weekend also reawakened some memories as well as creativity and potential future stories. (Dad and I found a really sad set of graves in the same cemetery as my maternal grandparents and uncle; parents and two small children –one was only four months–who’d died on the same day. We speculated as to how that happened, tornado or car accident or house fire, but a distant relative my father also knew explained that the father killed them all and then himself…which naturally started churning things in my brain again.)

I also discovered, during the pandemic, a horrifying documentary called Alabama Snake, which focused on the snake handling churches of northeast Alabama and a minister who tried to kill his wife with snakes…and then discovered there was also a book about the culture from a reporter who’d covered the trial, and continued investigating and looking into the snake handling churches.

I finally read it last week.

The first time I went to a snake-handling service, nobody even took a snake out. This was in Scottsboro, Alabama, in March of 1992, at The Church of Jesus with Signs Following. I’d come to the church at the invitation of one of the members I’d met while covering the trial of their preacher, Rev. Glenn Summerford, who had been convicted and sentenced to ninety-nine years in prison for attempting to murder his wife with rattlesnakes.

The church was on a narrow blacktop called Woods Cove Road, not far from the Jackson County Hospital. I remember it was a cool evening. The sky was the color of apricots, and the moon had just risen, a thin, silver crescent. There weren’t any stars out yet.

After I crossed a set of railroad tracks past the hospital, I could see the lights of the church in the distance, but as I drew nearer I started to wonder if this was really a church at all. It was, in fact, a converted gas station and country store, with a fiberboard facade and a miniature steeple. The hand-painted sign spelled the preacher’s first name in three different ways: Glenn, Glen, and Glyn. A half dozen cars were parked out front, and even with the windows of my own car rolled up, I could feel the beat of the music.

It’s very difficult to think about Alabama without religion being involved in some way. Alabama is a very religious state, with churches everywhere–one of the things I always comment on whenever I am up there driving around with Dad is “there sure are a LOT of Churches of Christ up here”–you really can’t go anywhere without driving past at least two. Both of my grandmothers were devout (paternal family was Church of Christ; maternal Southern Baptist, although both my mom and uncle married into CoC and joined), but only the CoC was a fanatic with a Bible verse for everything and the uniquely American/Christian methodology of interpreting everything to justify her own behavior and conduct–which wasn’t actually very Christian (memorization doesn’t mean comprehension). I can remember driving around down there once with my grandmother–either in Alabama or the panhandle of Florida, where she wound up after retiring–and driving past a church (I won’t name it because she was wrong) and I said something and she sniffed in disgust. “They speak in tongues and take up serpents,” she replied. “Which is apostasy.”

Apostasy. What a marvelous word, and one that has always snaked its way through my brain, and comes up often whenever I talk about religion. But I digress; I will someday finish the essay in which I talk about my relationship with Jesus and my rejection of dogma.

I also liked the phrase “taking up serpents,” and always wondered why she said that instead of snake-handling.

I had originally thought, when I bought this book, that it was about the attempted murder by rattlesnake and subsequent trial, like the documentary I mentioned; rather it’s an exploration of this sect of Christianity by a curious reporter, and how being exposed to this style of worship made him rethink his own past, his relationship with his own faith, and about Alabama people in general. One of the reasons I enjoyed the book so damned much–even as I was repelled by its subject matter (snakes are the source of some of my worst nightmares; even harmless little garden snakes turn my stomach and engage my flight mechanism)–was because Covington has a very easy, natural and authentic authorial voice, and he really can put you into his mind as he witnesses and experiences this uniquely American brand of Christianity. It was also interesting as he got caught up in the entire experience, as he talked to the members of the various sects (there’s no national structure to the snake-handling churches, as there is with say the Southern Baptists or the Methodists), and watched them actually take up their serpents in the name of the Lord.

There’s also interesting information in the book about how these sects were created–or how they were descended from, surprisingly enough, the Methodists and how that evolved into these Appalachian sects, as well as where the people of the Appalachian regions came from, and that entire Southern mentality of fighting for their traditions and their “way of life” (it was also interesting that it’s a white phenomenon, at least as best I could tell in the book); of how they secluded themselves up in their mountains and hollows and were self-sufficient…but modern technology has forced them into a world that has left them behind.

I’ve always wanted to write about snake handlers…but as I mentioned before, snakes are the stuff of my worst nightmares, so yeah going to witness in person their rites is a big “no” from me, but I feel like I can maybe do that now, or at least make an attempt. I don’t know how much more research I’d need to do to fictionalize snake handlers, but some day it will happen.

Three Stars

Here we are on Monday morning and I am awake much earlier than I have been in well over a week; part of the problem of finishing a vacation, alas. I feel a bit sleepy still this morning, which is probably very much a result of the alarm going off this morning and waking me up (along with Sparky’s need to be fed), but that’s okay. I am going back to the office in a little while and I am feeling a bit more trepidation than I usually do on Monday mornings. Yesterday was okay; I got some things done around here and the kitchen doesn’t look like an utter disaster this morning, which is always a nice way to start the week. I have to pick up prescriptions on my way home from work tonight, but other than that can come straight home and collapse into my chair.

But a normal routine again might be nice to slip back into, you know? I am thinking I might take a week off later this summer (around my birthday, most likely) just to have some down time at home when I can relax and work on things around here that inevitably get pushed back from week to week due to lack of time and exhaustion. I know I want to read some more of my book tonight, and of course as always there’s some filing work that needs to be done at some point. I did manage to get two entries managed yesterday about the books I read over the last week, and I have two more (Salvation on Sand Mountain, The Bones of the Story) to get done, and I had started one about Dead Boy Detectives before I left on the trip that I absolutely should get finished at some point. I don’t know what’s waiting for me at the office this week, but I am not terribly worried about it, either. Worrying, as Mom used to say, is just borrowing trouble–which is an interesting quote from someone who suffered from generalized anxiety disorder.

But Mother’s Day without Mom is becoming easier. Last year’s was horribly sad, when the loss was still incredibly fresh. This year wasn’t so bad. (I can’t speak for Dad, though.) Everything becomes easier with the passage of time, which is another one of those incredibly sad realities. This year? I felt sad only a couple of times throughout the day. The Mother’s Day newsletters and sales didn’t feel like a gut punch every time I saw one. I already knew the only way to get past the grief was to let time pass, a lesson I’ve learned far too many times in my life already, but because I’d been through a lot before I knew how this would run its course. It feels a bit cold not to get emotional about it anymore, but the sadness is slowly giving way to fondness, where the memories make me smile rather than make me seize up with grief–which is a dramatic improvement, quite frankly, even if there’s a slight element of guilt involved, too.

Well, I thought this would probably be brief this morning, and I was correct. I’ll probably be back later at some point, Constant Reader, so go ahead and have a great Monday, and I’ll chat at you after spending my day in the spice mines. Bonjour!

Just a Little Too Much

I got home last night around seven, after eleven hours on the road from Kentucky on what was actually a rather beautiful day for a drive. I finished listening to The Drowning Tree by Carol Goodman, and timed it perfectly so I could queue up her most recent, The Bones of the Story, to listen to for the rest of the way. I was tired, and as always, when I got hungry I was on a lengthy stretch in northwest Alabama where there is hardly anywhere to stop. By the time I got into an area with places, I wasn’t hungry and debated in my mind at every exit whether or not to stop. Again, though, it was a beautiful drive and a beautiful day. There wasn’t even traffic when I got to New Orleans other than the usual backup before the bridge across the river. It was nice to get home, relax in my chair, be stalked by Sparky, and just be home. I did keep thinking all day that it was Sunday, and had to remind myself regularly that it was, in actuality, Friday. I slept well last night after getting home–I missed my bed, my cat, and my partner, as always–and of course, Demon Kitty got me up at six this morning for his feeding. But…he also got back into bed with me for mostly cuddling and purring with the occasional apex predator cat attacks. It’s good to be home. I spent the evening last night watching our shows and getting caught up (Mary and George, Hacks, Abbott Elementary) and I can now stream The Iron Claw on Max, so we’ll probably watch that later. I have to definitely run errands this morning–mail, groceries, prescriptions, library sale–and am kind of looking forward to a nice weekend of re-entry into my regular life and settling in.

I also have lost track of the world because I really wasn’t doing much on-line other than the occasional deletion of unnecessary emails and the very rare moments when I would look at social media on my phone while I was waiting for something. But on the other hand, I am not so sure that’s a bad thing. It was nice to be away from the world and social media and everything else and just relax, you know? I also managed to read two books on the trip (Salvation on Sand Mountain and The Killer Inside Me; more on those later) and started a third (Where They Wait by Scott Carson), which was fun, and also thought about writing and my future, in a more macro and overarching way. But whereas before the trip that would have overwhelmed me and I would have to walk away from the computer, this morning I feel more inspired and clear-headed about everything than I was before I left…which points out how important it is for us writers who work full-time jobs to actually take a break from ALL work, not just the day job.

The trip itself was nice. I got to spend time with my dad, and another baby picture of me appeared, and one that actually showed my face! It’s kind of a family joke, but we have boxes of pictures of my sister in the first two years of her life–and two in total of me (and she’s in one of them). It doesn’t mean anything–there aren’t many pictures of either of us taken between 1963 and 1967 or so, for example (when Dad bought his first camera). They were living with my grandfather after my sister was born and they were still in high school; so everyone around them was taking pictures of the baby (and my sister was a beautiful baby); I was born right before they moved to Auburn for my dad to go to college and we were very poor for a long time; they had no camera and they didn’t know a lot of people there, either, but it’s always been a family joke about having no baby pictures of me as opposed to the intensely documented first two years of my sister’s life. I did scan said picture with my phone, so I may share it someday. I also got to learn some more family history–Dad reminisced about the early years with Mom and the two kids; and it really is staggering how hard they worked and sacrificed for us both. Dad of course thinks he never made things easy enough for her, but he also never takes into consideration how much Mom loved him. He’s doing better, but he’ll never be the way he was before, either.

And on my drive back yesterday when I stopped for gas in Toomsuba (I always stop there on the way home, it’s only about another three or so hours from there and the anticipation of being home starts there) when I noticed I had a text message from a friend that was rather cryptic, and I was puzzled, but it mentioned “Donna Andrews” and Bouchercon so when I got back in the car I texted back, and then checked my emails. So yes, once again I am nominated for an Anthony–that’s three years in a row, which is very cool–for the anthology School of Hard Knox, which I “co-edited” (I really didn’t do much) with Donna Andrews and Art Taylor. It IS an excellent anthology, and if you like crime short stories, you really can’t go wrong with it. But it was nice to be nominated again; I didn’t think I really had any chance this year for a nod, so that was a very pleasant surprise…and you know, I’ve never really basked in the glow of sharing credit with two people whose work I respect and who I also respect and love as people.

And on that note, I think I am going to head into the spice mines. I feel a bit hungry this morning, so I need to eat something and start my day. It’s so good to be home, and I’ve missed you, Constant Reader, and I’ll probably be in and out all weekend here, trying to get caught up on talking about books I’ve read and other things. So have a lovely Saturday, and I’ll chat with you again later.