Tag: Romeo and Juliet

You Make It Feel Like Christmas

Christmas Eve! It’s warmer today than yesterday by a full six whole degrees; it’s 32 degrees instead of 26, as it was yesterday. The The apartment is over all toasty and warm–but the kitchen and upstairs bathroom are not. They are a bearable degree of cold, but I do have the space heater going this morning in here as I type this and swill coffee and wake-up gradually. I slept magnificently last night, and feel very rested and relaxed this morning, which is quite marvelous. I hit my word count somehow yesterday–three thousand words–and hope to do the same today. Today has a higher goal–I’m feeling rather ambitious this morning–and Paul has his trainer this afternoon and is working on a grant proposal, so I should have the solitude I need to bang out the count I need to achieve today. I picked up the mail and ran some other errands yesterday–including taking Paul to Michaels on Claiborne to pick up a gift for me. You’d think by now I’d know he’s going to flout the “no gift” rule every year, because he has and yet every year I think he’s going to stick to it. I think it’s part of that failing memory thing I have going. Anyway, he had the front page of the New Orleans Times-Picayune/Advocate from the morning after the 2020 National Championship game framed and mounted; it’s a full page shot of Joe Burrow running downfield holding up both hands with his forefingers extended, with the headline PERFECT. It’s mounted on gold paper and the frame is purple, and I absolutely love it. Paul always won Christmas when we used to get plan on getting each other gifts, primarily because he pays attention to things I say and takes notes all year to plan for Christmas; I’ll never forget that marvelous year he got us tickets to see the Monte Carlo Ballet Company’s Romeo and Juliet, which I absolutely loved–all because I’d casually mentioned once that I loved ballet and wanted to write about it one day, despite knowing next to nothing about it. (Aside: I keep thinking I want to write a Sherlock Holmes story built around a Nijinsky performance in New Orleans; someday perhaps.)

We also watched, and greatly enjoyed, Glass Onion last night. I actually liked it better than Knives Out, in all honesty, and I love that this is turning into a film series. It reminds me so much of Agatha Christie at her best, and is there a better compliment to give a mystery film than a Christie comparison? I think not. I think Daniel Craig (whom I’ve loved since he emerged from the surf in that square cut swimsuit in Casino Royale, and quickly became one of my favorite James Bonds) is simply fantastic. The Southern accent grated a bit on me at first in Knives Out, but by the end of the movie it didn’t bother me anymore and it didn’t even make me recoil the first time I heard it last night. I think I’d like to write something along the lines of these films sometime–the big cast of suspects, the great detective unraveling the case–because I’ve always wanted to do an Agatha Christie style/classic vintage mystery type house party murder mystery. (Note to self: reread The Affair of the Blood-stained Egg Cosy)

But mother of God, it was cold yesterday when we were out in it. As I said to Paul–the entire world was out shopping yesterday because of course it was; we had to park a very long way from Michaels–“I can hang with this cold for a couple of days, but months of it would make me homicidal.” My grocery pick-up order ended up being canceled; they were unable to get it together for the time I’d selected, and the message was up to two hours minimum delay. At first I was a bit stunned, but then realized everyone and their mom is ordering groceries for pick-up today, and I bet the orders are a lot larger than usual. So I stopped by Rouses, they had a turkey breast in the freezer section, so I picked it up and carried it to the small order register, canceled my pick-up order (all I really needed with the turkey breast; everything else could wait) and then when I got home, put in another order for pick-up on Monday, since I have the day off.

Picking up the mail also ended up with a great gift to the Lost Apartment from the President: there was a stack of envelopes in the mailbox from the IRS for Paul, thirty in all. Turns out his student loans had all been forgiven, retroactively to 2017; the stack of envelopes were refund checks for every payment he’s made since then. So, yes, only more proof that our votes for President Biden and Democrats down the line was the right choices (and always have been for queer people). So keep your “how fucking dare you forgive student loan debt” shit to your fucking selves, you selfish assholes. This did, and will continue, to make a significant difference in our lives going forward; and can I just say, I can’t remember the last time any government policy had such an impact on us directly? Obviously, the Lawrence v. Texas and Obergefell Supreme Court decisions had a macro impact on us, but this is an intimate micro effect that made us both very happy yesterday. And what lovely timing, too–right before Christmas. Let’s go, Brandon indeed.

I get a text from Entergy this morning warning of potential brownouts because of high demand for energy with the cold weather; I would imagine this is because the cold is effecting everywhere, so there’s nowhere Entergy can borrow power from if the supply runs low. That’s kind of scary, really, because people could literally freeze to death down here; imagine that! How weird would it be for someone to freeze to death down in southeastern Louisiana? It does make me a bit concerned about the homeless population here–we have a considerable one–so I hope they all found shelter and a place to stay warm.

And I think as soon as I finish this I am going to get the turkey started in the slow cooker, and curl up in my easy chair with my coffee, a blanket, and Dashing Through the Snowbirds by Donna Andrews. I think my new Christmas tradition every year will be just that; I’ll read Donna’s Christmas mystery for Christmas every year.

Leather and Lace

Wednesday and pay-the-bills day. Huzzah?

Note to self: at least you can pay the bills without worry. Not everyone can say that, chuckles.

We were in a heat advisory yesterday and I haven’t acclimated to the summer yet. I ran errands after work yesterday, and was exhausted by the time I got home. Paul had worked at home yesterday, so shortly after I got home we started watching television–we started The Ipcress File, which is extremely well done, but Paul wasn’t enjoying it as much as I was, so after three episodes we switched over to First Kill, which isn’t bad but is essentially the same set-up, kind of, as the original storyline of Teen Wolf, only with vampires. There’s a family of vampires and a family of monster-hunters; naturally the hunter daughter and the vampire daughter–both of whom need to get their first kills (hence the title)–are attracted to each other, which sets up an interesting twist on the usual Romeo and Juliet type romantic tragedy. It was entertaining enough to keep watching, even if it is the same essential story as the Scott/Allison romance from the first seasons of Teen Wolf, without the homoeroticism.

I also got my first page pass copy of A Streetcar Named Murder yesterday; I gradually read my way through yesterday to get a sense of the book now and see if it all coalesced; I think it did and it reads very well. I did see a lot of mistakes–missing words, typos, etc.–that are going to need to be corrected, so I will spend some time with it this weekend taking notes of those issues so they can be corrected in the final edition. I am starting to get excited about the book’s pending release (December) rather than terrified; I also have to go blurb-shopping for it, which is my least favorite (well, one of my least favorite) things to do as a writer. I have a pretty healthy list of people to ask, so here’s hoping some of them say yes to me. Fingers crossed, everyone!

I didn’t write or read yesterday when I got home from work–Paul, as I said, was at home and running errands in the late afternoon/early evening heat/humidity had essentially worn me down–and as such, the kitchen is a complete disaster area this morning again. The dishwasher isn’t working again–it is full of water in the bottom, which probably means that a mouse has eaten through the hose one more time–but I honestly don’t mind washing the dishes by hand; I always do anyway before I load them in the dishwasher anyway (that’s another quirk you can blame on my mother), but it’s great to have the dishwasher racks as a place for the dishes to dry so it doesn’t take up my limited counter space (which I have to clean off completely when I get home from the office tonight). I do need to both read and write tonight; I hate this yearly adaptation to the heat. But you do eventually get used to opening the front door and stepping into a sauna, or leaving the office and sitting in my car that has been out in the sun all day and feels like a preheated oven when I get in–the buckle of my seat belt was too hot to touch yesterday so had to use my shirt to grip it. Madness.

I also got some great stuff–yes, more books–in the mail yesterday. I meant to take a picture of them for social media but…no clear space on the counters. Heavy heaving sigh. I also want to make a cucumber salad recipe I saw on the New York Times cooking section; my avocados have ripened and now I have to worry about them turning before I use them. So, when I get home tonight I need to do some laundry, put some dishes away, clear off the counters, make cucumber salad, do some writing and then some reading. Hopefully I’ll have time to get all this done this evening.

And on that hopeful note, I am heading into the spice mines on this “Pay the Bills” Day–and I should probably, you know, pay the bills.

Talk to you tomorrow!

If You Want Me to Stay

Well, here it is Thursday afternoon, I’ve got a load of laundry to fold and another in the dryer, the dishwasher is running and on my way home I made groceries. The past two days have been remarkably pleasant in New Orleans; low eighties and little to no humidity–so low that if there is any it isn’t noticeable, and anyone who’s been to New Orleans in July/August knows just how remarkable that actually is. I’ve not gotten very much writing done thus far this week–and I am debating whether to call it a night and just go relax in my easy chair, or try to get some writing done. I am in the midst of an enormous project that landed in my lap this week (or was it late last week? I don’t remember) and focusing on that has kind of knocked me out of writing mode.

Granted, it doesn’t take much to do this to me, but there you have it.

As much as I love writing, it’s amazing how little desire I usually have to do it. I always have to make myself do it, which is beyond bizarre.

Okay, I just spent some time doing chores, and am now listening to the Pet Shop Boys on Spotify. I’ve cleaned the kitchen, done some more laundry, straightened the rugs, and swept the living room. It really is disgraceful how slovenly I live; it’s at the point now where I am too ashamed to hire a cleaner. But in my own defense, eighteen foot ceilings make things incredibly difficult for cleaning purposes, especially when you have a ladder phobia and the floors aren’t level. I’ve always thought that the perfect metaphor for New Orleans; so many of us live here in a world that isn’t quite level. The ground is always shifting and sinking; houses always begin to lean and tilt as their foundations settle. There are very few streets or sidewalks in this city that are perfectly level; therefore it’s not so hard to understand that those of us who live here and no longer notice that things aren’t perfectly level are a little off-balance when we go somewhere else. The beautiful crepe myrtles that line the other side of the fence shower our sidewalk with beautiful , tiny pink and white blossoms…that turn to sludge when they get wet. They also attach themselves to your shoes and you track them inside, along with other assorted tree and bush and floral debris. I could sweep the sidewalk every morning and it would need to be swept again in two hours.

There’s also more dust here than anywhere I’ve ever lived before, and I’ve lived in desert climates. One would think the damp and rain would cleanse the air and remove all the dust and dirt, but it doesn’t. I can take my car to be cleaned, and by the next day there’s a thin layer of dust/dirt on my car. I’m not even sure where it comes from, to be honest. Maybe the crumbling of the houses and sidewalks and streets cough it up. Back when I worked at home I did the windows of my office every week, because the light was so much better and everything looked so much crisper and nicer with the glass cleaned. Now,  I don’t have the time, and I think that also might contribute to the general sense of dinginess. I need to take down all the pictures and dust them, the baseboards are in really poor shape, and of course, I should take the rugs in to be thoroughly cleansed.

I do enjoy cleaning though, and I do tend to think a lot about my writing when I’m cleaning. I have to write an essay/introduction to a new edition of a novel by an author who died of AIDS before the book was even published, and it is quite a good book; I loved his other book as well, and so I’ve been trying to think of a way to write an appropriate appreciation of the work he left behind; while also talking about the potential work we lost when he died so young. I knew there was a way to do it tastefully and respectfully, but every time I reached for it, it danced away out of reach inside my mind. While I was sweeping the living room, I realized what the theme of the book actually was, and that it would also make a perfect theme for my piece.

So, yay, thank you for that, dirty apartment.

I’ve also got my desk all cleaned and organized and ready for the weekend; I still need to file or find some places for things that I’m working on–I am really working on too much; I have certainly outgrown this little cubby I used as an office, and yes, I know, it’s better for the world and more convenient for me to go all digital and paperless….but I’m old and I’ve lost too much data over the years to ever completely be comfortable with a digital office. I’m excited; I want to write my essay, I am going to dig back into the WIP, and I also get to read Steph Cha’s Your House Will Pay, which is such a great title; it reminds me of my favorite ever-theater poster for Romeo and Juliet; I think Tulane was doing it and the poster was just red and yellow flames on a stark black background, and across the top in red letters outline in yellow were the words A plague upon both your houses.

Isn’t that great? Someone should really write an essay exploring Romeo and Juliet as a teen noir; it’s probably the only take on the play that hasn’t been taken–and even as I type that, I’m thinking, don’t be so sure.

And now it’s almost time for The Real Housewives of New York, after which I’ll probably write for a little while.

Have a lovely evening, Constant Reader!

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Loverboy

The ballet last night was exquisite.

I’ve seen ballets–or parts of them–on television or Youtube; and I remember, as a child, being taken to see The Nutcracker (isn’t everyone dragged to that as a child?), which I hated (interestingly enough, many things that most children love are things that I didn’t; The Nutcracker is one; The Wizard of Oz another). But as lovely and awe-inspiring as seeing ballets on Youtube or on television can be, there is nothing like being in an auditorium and watching one being performed live on the stage in front of you. I liken it to the difference between watching figure skating on television and then watching it in person; it’s very different, and you never watch it on television in quite the same way again. Romeo and Juliet is, of course, an ubiquitous story; everyone knows it, to the point that it has become almost trite and hackneyed; it’s been adapted for everything imaginable–opera, ballet, film, and of course West Side Story–but, at its heart, it is still a beautiful and sad story.

The opening sequence of the ballet reminded me so much of the opening of West Side Story that I couldn’t help wonder how much the ballet influenced the musical’s choreography, or vice versa.

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I read Romeo and Juliet when I was a sophomore in high school. I’d taken a class called Dramatic Literature; a class in which we read plays. Romeo and Juliet was paired with West Side Story (it’s also the class where I first read Tennessee Williams; A Streetcar Named Desire and Cat on a Hot Tin Roof, to be exact); we even watched the films (the version of Romeo and Juliet was the 1968 Franco Zeffirelli production, with Leonard Whiting and Olivia Hussey with the gorgeous score by Michel Legrand). Shakespeare’s language was, to me at fourteen, a mysterious puzzle I couldn’t unlock; archaic references I didn’t understand written in verse, yet somehow beautiful in how the words were put together. At the time, I didn’t understand how two families could feud so bitterly and violently in an Italian city during the Renaissance; of course, now that I’ve read so many Italian histories (I am still greatly enjoying The Black Prince of Florence), I am more than a little surprised that the feud between Capulet and Montague was so bloodless (see the Pazzi-Medici feud, circa fifteen century).

Yet, despite the overwhelming familiarity with the story, it was impossible not to be drawn into last night’s version of it; despite there being no dialogue, no words. The entire story was, as is typical with the ballet, acted out without words and through dance. The choreographer’s choices in telling the story were quite interesting; the stage setting was incredibly minimalist, with emotions and passions being evoked through the movement of the two curved walls that served as set pieces; the long rising ramp that served as not a way to exit the stage but as Juliet’s fabled balcony; and the use of costume and lighting.

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The friar was used as a connective device throughout each scene; he was, if anything, the true star of the show, and its emotional heart. The dancer who played the role was magnificent. The ballet was a thing of beauty; I couldn’t stop marveling at how fantastic the dancers were, the exceptional shapes and lines they could form with their bodies, the almost super-human stretches and leaps and twirls and spins, the intimacy of their lifts and how they could mold their bodies around one another’s.

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It was also my first time inside the Mahalia Jackson Theater for the Performing Arts since Katrina; ironically, it was also the first time the Ballet des Monte-Carlo performed there since 2005. Both the outgoing and incoming mayor were there; the Honorary Consul for Monaco, and the ambassador from Monaco were all introduced and thanked from the stage.

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And yet, as a crime writer, and someone with a vested interest in group dynamics and politics, who has viewed documentaries about ballet companies, with a knowledge of human nature and interaction,I couldn’t help wondering, as the company took its well-deserved bows to a long standing ovation last night,  what turmoils and temperaments boiled beneath the surface of the linked hands and bowing bodies; what slights and grudges boiled behind the smiling faces; which members of the company were friends and which were enemies; who were lovers and friends and who were enemies and rivals, who was gay and who was straight.

I definitely want to write a ballet noir.

And here are two short stories, for the continuation of the Short Story Project.

First up is “Split Second” by Daphne du Maurier,  from the New York Review of Books collection of Don’t Look Now and Other Stories:

Mrs. Ellis was methodical and tidy. Unanswered letters, unpaid bills, the litter and rummage of a slovenly writing-desk were things she abhorred. Today, more than usual, she was in what her late husband used to call her “clearing” mood. She had wakened to this mood; it remained with her throughout the morning. Besides, it was the first of the month, and as she ripped off the page of her daily calendar and saw the bright clean 1 staring at her, it seemed to symbolize a new start tom her day.

The hours ahead of her must somehow seem untarnished like the date; she must let nothing slide.

“Split Second” is an exceptional exercise in character. Du Maurier thoroughly examines and exposes Mrs. Ellis’ character from beginning to end, and while she doesn’t go into a great amount of detail, it isn’t hard to figure out exactly whom she is from what we are told as readers. She’s a widow and her entire world revolves around her daughter, who is off at school; she decides, after a thorough cleaning of her home to go for a walk and is almost run down by the laundry truck as she walks back home. But when she gets back to her house, things are different. It is her house, but it’s no longer the house she left behind; other people are living there, her neighbors are gone–the entire world has changed and shifted as she walked home. It’s a horrifying story, even as the reader begins to glean what has actually happened long before Mrs. Ellis does; not that she ever does, even by the end of the story, and that is part of what makes it so sad, so effective, so powerful; no one has ever quite captured that elegant, melancholy sadness the way du Maurier does.

I then moved on to “The Picture of the Lonely Diner” by Lee Child,  from the Mystery Writers of America anthology, Manhattan Mayhem:

Jack Reacher got out of the R train at Twenty-Third Street and found the nearest stairwell blocked off with plastic police tape. It was striped blue and white, tied between one handrail and the other, and it was moving in the subway wind. It said: POLICE DO NOT ENTER. Which, technically, Reacher didn’t want to do anyway. He wanted to exit. Although to exit, he would need to enter the stairwell. Which was a linguistic complexity. In which context, he sympathized with the cops. They didn’t have different kinds of tape for different situations. POLICE DO NOT ENTER IN ORDER TO EXIT was not in their inventory.

Lee Child is one of the most successful writers in our genre today; everything he publishes is a New York Times best seller, and his character, Jack Reacher, is one of those ubiquitous characters that will go down in the history of the genre, like Poirot, James Bond, and Kinsey Millhone. I am years behind on Lee’s novels; but if you’ve not read Lee Child, you simply must read The Killing Floor, the first Reacher novel. It is quite superb. This story isn’t Child at his best, but Reacher the character is at his best at novel-length, with the labyrinthian plots Child somehow concocts and manages to keep track of (one of my favorite fanboy moments was having lunch with him and Alafair Burke at the Green Goddess here in New Orleans several years ago; while I just sat there wide-eyed and listened to the two of them talk about writing and publishing, praying that I didn’t have sauce running down my chin), but this story does evoke the melancholy that Child evokes in his novels; the inevitability of fate and the powerlessness of humans to counteract it once the gears are moving. I do recommend the story; there is some amazing imagery in it as well.

And on that note, I am back to the spice mines. There are bed linens to launder, and short stories to edit, and a chapter to write; it is rainy and gloomy outside my windows this morning but I am well-rested and ready to work.

Or maybe it’s just the caffeine kicking in. Who knows?