Did you miss me this morning? I had to take my car in to get it serviced (and was informed of things I’m going to need to get done soon), and then I came home to pack and run some errands. That’s all done now, and I am waiting for a podcast I am appearing on to promote Crime Ink: Iconic with Robyn Gigl, John Copenhaver and Marco Carocari on Alan Warren’s “House of Mystery” show, which should be fun and interesting. I don’t know how long that will take, but afterwards I am loading the car and driving north. I think I remembered to pack everything I need and if I forget anything, well, there are stores and things up there. I don’t have any writing to take with me on this trip, which is very weird–I am always writing something, it seems like–but I’m still decompressing from turning the book in (it needs work, I already know that) and so I am just going to let my mind wander for a while and scribble down ideas and start thinking about things I want to write and do. I am also thinking I probably won’t finish this before I leave, as I am loading the car the minute I sign out of the podcast.
Yesterday was an easy day of literally doing nothing other than picking up the mail and a prescription. I did nothing other than read The Haunting of Hill House and mostly think about how brilliant it is before going down some wormholes on Youtube–reviews of Hill House, some news, and some history documentaries about the Batman comics and their evolution over the years as well as the character changes. I did love comic books when I was a kid through being a teenager, and have occasionally dipped back into that world periodically as an adult (I really wish DC would let me write Nightwing, or revive Will Payton as Starman–or as another hero), so I find it interesting to learn about their history, and how the characters developed–as well as what outside influences impacted the characters. I’m not a comics nerd, but I do appreciate the art form and the creators, and am never averse to learning more about things I enjoy.
Well, it is now Friday afternoon and I am in Alabama, resting. Obviously I didn’t finish this entry before I departed, and am only now getting around to it; and it may not even be finished this time, either, LOL. I drove up here after recording the Housse of Mystery podcast, and that is a very helpfully placed link to the recording, which consists of Al Warren interviewing editor/contributor John Copenhaver, Robyn Gigl, and Marco Carocari. And me, of course. This was about the Crime Ink: Iconic anthology John edited and is freshly available at all your favorites places you select your reading choices. I’ve not had time to read it yet–that whole finishing-the-book thing–but am looking forward to digging into it sooner rather than later. I got here very late (for me)–nearly ten, my bedtime, and yes, I was very tired. As I drove through the dark night of rural Alabama, I kept getting a bit spooked and having deja vu and thinking, when have I ever driven through rural Alabama at night by myself before, which gradually morphed into I should memorize how it looks and feels to do this so I can write about it so I started describing the pines and the hollowed out hillsides the road cut through and when I pulled up to a four-way stop, I started laughing myself because I finally remembered; that was a passage in Bury Me in Shadows, and one of the creepier parts of the whole book!
Glad to confirm that I got that right.
Anyway, I was exhausted when I finally got here, and got up early yesterday to ride with Dad down to south Alabama–a lengthy round trip–to see family and was again exhausted last night–so exhausted I sat down here at the desk to try to check my email and I fell asleep! I woke up at two in the morning with my face down on the desk resting on my folded arms. I’m still tired today, so Dad is visiting friends while I rest here before we go to his old high school’s Homecoming Game–which is going to be strange for me, obviously. Dad and Mom used to come down for reunions fairly regularly until she started getting too sick, so he’s been back for games before. But for me, it’s a new experience. I’ve not been to a high school football game since my youngest nephew graduated high school, which I think was before Hurricane Katrina, and I’ve certainly not been to a rural high school game since I graduated high school myself. So, yes, I need to pay attention and notice things, because a project (one of many) I hope to finish over the next year or so opens at a high school football game. (I’ve also been thinking about some small town y/a horror/mystery novels lately, and thinking about writing another soon.) It doesn’t hurt that I’ve been thinking about slasher movies lately (Halloween Horror Month, remember?) and listening to Adam Cesare’s Clown in a Cornfield 2: Frendo Lives! in the car (which I am really enjoying) has also put me in mind of writing a slasher novel. I am not working on anything until everything is over with the new one–edits, copy-edits, and proofing–but it never hurts to spend some time in my head thinking about stories and characters and subtexts and intertwining subplots and stories.
I also read about half of Chris Grabenstein’s The Hanging Hill in the car yesterday. It’s a middle grade novel, but engaging and a bit funny, too. It’s easy to see why he’s so popular with kids.
I think I am going to go lie down for a bit. I’ll be back later, I am sure.
Well, I never came back to finish this, did I? Friday night’s Homecoming game ended well for the home team (they won 64-6), and then Saturday Dad and I watched football games. I was delighted LSU won, but wasn’t impressed by how they played. We watched the Alabama game with Missouri first, went to eat during the afternoon games with my uncle, and got back in time for the night games (we had the Auburn-Georgia game on the television while I had the LSU game on my new phone–and the picture quality was amazing). I have never seen such horrific and biased officiating in my life as I witnessed in the Auburn-Georgia game, and that team of officials and the replay idiot in Birmingham all need to be fired and horsewhipped, frankly. They blew so many calls–the so-called Auburn fumble was either a touchdown for Auburn or a touchdown for Georgia, not a touchdown for no one, for one example–that I wouldn’t trust them with a flag football game for children.
Sunday we went to Mom’s grave and put out flowers, and then I drove home…and Sparky was very happy to see me once I did.
So, this post should technically be read before this morning’s, but…so it goes!
Monday and it’s back to the office with me. This weekend is Labor Day, which also means it’s Southern Decadence in the French Quarter, which used to be one of my favorite weekends of the year–when I was younger and had more stamina and staying out all night didn’t put me into a coma for a week. I’m enormously pleased to have an extra day off this weekend, and then of course the week after that is Bouchercon. I am not registered, and am only seeing people I want to see. I used to get excited for Bouchercon as much as I’d get excited about Decadence, but alas–those days have passed as well.
And if my last Bouchercon was San Diego, that’s an excellent one to go out on. I had such an amazing time at that one…it would be hard to top that weekend.
I am sure it will come as no surprise to anyone that I didn’t get much done yesterday despite the best laid plans of mice and men. Paul’s trainer cancelled at the last minute, and so I ended up hanging out with Paul (which is always my choice if it’s an option) while I tried to get some things done. I did make some progress, but we wound up getting sucked into the US Open for most of the day. And of course there’s an entire day of college football this Saturday, capped off with LSU at Clemson in the evening. Everyone is predicting LSU to lose, and given the Tigers haven’t won a season opener since Joe Burrow graduated…I can understand the mentality. I’ve no doubt Clemson will be good this year, and I have no doubt that playing at Clemson isn’t easy.
I do feel rested this morning, I have to say, and that’s a nice feeling to wade into another Monday and a new week. I don’t like being tired on Monday mornings for obvious reasons…and I also have a lot to get done today at the office. No worries, since I am not client facing today so I can get a lot of the Admin work taken care of today and be caught up, which is always a rather nice feeling. I also need to update and rewrite my to-do list, which I also need to keep referring to–at least ONCE a day, as opposed to my usual “make the list and never look at it again,” which is highly counterintuitive. Heavy heaving sigh. And some of the things I have to do this week are absolutely things I don’t want to deal with. Ah, well, tis life, isn’t it?
The weather was insanely beautiful this past weekend; that cold front affecting most areas north of here dropped the temperatures into the 80’s and also displaced the humidity, so it was sunny and gorgeous with cool breezes everywhere. I walked to Walgreens yesterday and didn’t even break a sweat–not even my socks got damp. It’s going to be more normal this week, they say, with the humidity coming back with a vengeance so it’ll be a sweaty Decadence this weekend–which of course is a tradition; everyone drenched in sweat and their brief attire plastered to their bodies. If I could still park at the office on Frenchmen Street, I might even drop by down there this weekend just to refresh my memories of what Decadence is like–or see how it’s different from the last time I went down there (pre-pandemic) or how little it’s changed.
I taped a radio/podcast yesterday morning with host Dan White (who is always fun) along with friends John Copenhaver and Robyn Gigl yesterday morning to help promote Crime Ink: Iconic, which is releasing on September 2nd, next Tuesday to be exact. I was very pleased to hear nice commentary on my story yesterday, and that gave me some high hopes for the future of Never Kiss a Stranger, should I ever complete the damned thing. I also have to pick something out to read for Noir at the Bar next Thursday…it would probably be smart to read from my story from the anthology, but it’s not really noir. I am leaning towards reading “This Town” again; I’ve only read it publicly once, and why not? I am proud of the story and it does lend itself to being read aloud.
And on that note, I am heading into the spice mines. Have yourself a merry little Monday, Constant Reader. I’ll be back tomorrow!
I had been waiting to hear about an anthology I sold a story to (they asked me to keep it quiet until further notice), but had never did so I could never mention it. But it was announced; they just hadn’t tagged me. Anyway, the anthology is Celluloid Crimes, and will be released this summer from Level Best Books. My story is “The Last To See Him Alive,” which actually now is the first, revised chapter of Chlorine, which, if you’re wondering, I’ve never stopped thinking about or working on since I first brought it up on my blog six or seven years ago. Over the weekend, I did confess to someone that I have about six or seven novels currently in progress; Chlorine is definitely one of them. In fact, taking Chapter One and turning it into a stand-alone short story also triggered some creativity in my brain, and that helped the entire novel take shape, and now I know what the middle part will be, and the end will become even more poignant and noir-ish with these necessary changes to the story. Huzzah! More about the story and the anthology as it nears its publication date.
The auction for the Transgender Law Center concluded last night, and we raised over $58,000! I have to admit being enormously pleased and proud of the organizing committee as well as all the people who donated items and those who bid on them. Well done, everyone! This project began two or three years ago (it was before my arm surgery, I do know that much–I have no grasp or concept of time anymore–but other than that? Pfffft.) and it’s kind of hard to believe it’s over and done with at last. I didn’t do that much–the driving forces were truly Susanna Calkins, Sandra SG Wong, Ellison Cooper (Jen Dornan-Fish), Cheryl Head, and Ed Aymar. The group was exceptionally fun to work with, despite my on-going issues, and I didn’t contribute nearly as much as I ordinarily do when I am volunteering because of my on-going issues, but my fellow organizers were so efficient and on top of things I didn’t need to, which was lovely. It was truly a great group, and our advisory board (including spokesperson Robyn Gigl, Brenda Buchanan, and John Copenhaver) were also amazing and hard-working. What a lovely experience this was indeed.
I did get some writing done last night, but not nearly enough. After driving uptown to get the mail and then making groceries, I was pretty fried by the time I got home, so wasn’t really able to resist Sparky’s meowing insistence that I get in my chair and let him sleep in my lap, so I did. We continued watching Mid-century Modern, and you know, not every joke lands nor does every scene necessarily work, but all the actors are clearly having a good time with it, and Matt Bomer is absolutely perfect as the beautiful, former Mormon flight attendant who is actually very sweet and a little like Rose from The Golden Girls, completely without guile and literal. Nathan Lane can be a bit histrionic, but he’s Nathan Lane; always charming and likable. Such a shame Linda Lavin died, because she’s terrific as Lane’s mother–and was probably going to at least be nominated for an Emmy. But Nathan Lee Graham steals the entire show as a former fashion editor who is very quick-witted in that bitchy sarcastic way that so many of us develop as a shell for self-defense. It’s also refreshing to see a show about older gay men who, like The Golden Girls, still are vital and have sex lives and embracing life rather than sliding into self-pity or caricature. These characters would have been easy to play as one-dimensional stereotypes, but it’s a tribute to these actors’ skill that they have heart and are real people. I’m sure it won’t thrill some queer people–nothing ever does, we are notoriously critical of things about us–but it’s nice to see gay men as realized characters on a traditional style sitcom, and definitely a progression from Will and Grace.
I feel better today than I did yesterday; another good night of sleep was had, and this morning I don’t feel any brain fog or exhaustion like I did yesterday. I think I am now acclimating back to my life, which is nice because I also need to get my act together and start getting things done again. This weekend will most likely be restful and lovely as well; and perhaps time to start working on household projects (like cleaning out the attic) so the house can be sort of presentable and livable again. Stranger things have happened, you know. I started writing a tribute to Dorothy Allison for my newsletter, triggered by the tribute reading I did Sunday, as I have been remembering how much she and her work have always meant to me. It’s kind of hard to believe such a force is gone from the world.
Sigh. And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll be back in the morning.
Monday morning and back to the office blog! I feel awake, but kind of not completely yet, if that makes sense? It does in my fevered brain, at any rate. I didn’t get as much done this weekend as I wanted to, but I did get some things done. I did some actual writing yesterday, and I did get some work done on something else I’m working on. Not a great weekend for productivity, but I feel like I can face the office this morning. That’s a plus, right? It’s always good to start off the week feeling refreshed and rested both physically and mentally, right? So I am not sorry the weekend was wasted, because it really wasn’t. Likewise, the writing isn’t very good, but at least I did some, you know? It was excruciating getting a thousand words down, but I did, and while it didn’t alleviate my mind about getting back in the writing saddle, it’s something.
Paul wasn’t feeling well yesterday, so last night we started watching the new Prime show Cruel Intentions last night, and it’s better than I was expecting. I am a big fan of the original story (the book was Les Liaisons Dangereuses by Choderlos de Laclos; obviously filmed as Dangerous Liaisons with Glenn Close and John Malkovich), so was curious how this adaptation would work. The remake of the story as Cruel Intentions, with Sarah Michelle Gellar and Ryan Philippe, set at an exclusive elite school for the rich, was quite excellent–so I was curious about the new version, which updates the story yet again, this time to an exclusive college’s Greek system. I love this story, and did an homage to it in one of my erotic novels–which I wish I could get a do-over on, to be honest. I may need to reread the book again at some point, too. I love my conniving nasty French nobles, you know?
One thing I’ve not remarked on yet–mainly because I keep forgetting every morning–is to mention the shockingly excellent news that four queer writers were included on Sarah Weinman’s Best Crime Novels of 2024 in the New York Times! Three of them–John Copenhaver (Hall of Mirrors), Margot Douaihy (Blessed Water), and Robyn Gigl (Nothing But the Truth) are friends; the other, Katrina Carrasco (Rough Trade) is someone I don’t know but have been aware of for quite some time. I actually blurbed Blessed Water, which is exceptional. I do want to revisit it in order to write about it, and I have yet to get to John’s book–and I am very behind on Robyn’s series. But how wonderful is this? Not just one, but four queer authors on an important Best of column in the paper of record (which I still haven’t forgiven for its crimes of the last decade at least)? When I was first starting in this business, we didn’t even dare to dream of that kind of outcome for our books; and Sarah is so smart and knowledgeable about crime fiction and the genre–she absolutely knows what she’s talking about. I always enjoy talking to her, and this is so awesome for the queer authors; it’s the first sign from the Times that queer work is just as valid as other crime fiction! So, thank you, Sarah!
And it’s nice to see some diversity of thought in that vile paper for a change.1
So, I am hoping to get this work done so I can get back to writing. I owe some short stories I need to get underway, I need to get back to work on Scotty, and I am also writing this other thing, too. I’m starting to feel like I’m lazy, more than anything else, and finding excuses not to work anymore. This shall not stand.
And on that note I am heading into the spice mines. May you have a Monday as lovely as you are, Constant Reader, and one never knows–I may be back later.
Screenshot
And no, this doesn’t mean I’ll resubscribe. I will never forgive them for their role in undermining democracy and the rule of law. ↩︎
I have really come to love Bouchercon, and it’s always a highlight of my year.
Things have seriously changed for the better.
Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski
Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.
When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.
And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.
It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.
I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.
Should be considered a gift.
A fucking GIFT.
(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.
But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.
I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.
Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)
I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).
And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!
And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.
That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.
Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.
I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.
I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.
Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.
And like water wearing down a stone, we have to keep relentlessly pushing.
(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)
I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.
Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.
So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?
Several weekends ago, I did an on-line panel for Outwrite DC. The moderator was John Copenhaver (whom you should already be reading), and my co-panelists were the always delightful and intelligent Kelly J. Ford, Margot Douaihy, Renee James, and Robyn Gigl. The video is actually up on Youtube, if you would like to watch it. John’s questions were insightful and intelligent (as always), and the conversation was marvelous, inspiring, and fun; there’s nothing I love more than communing with other queer crime writers (or any writers, to be certain), and I always try very hard to not monopolize panels because I do have a tendency to talk too much–especially if and when I get going on a topic I am passionate about. So, I thought it might be fun to take John’s questions and turn them into a long form interview, for thoroughly selfish and totally self-promotional reasons.
The panel blurb claims that “queer characters are riveting and necessary material for crime fiction and how those stories can shape (and perhaps reshape) the landscape of contemporary crime fiction.” Do you agree with this statement—and why do the stories of queer characters have the potential to shape crime fiction?
I completely agree with this statement. Queer crime fiction has a very proud history that was never really recognized or appreciated by the mainstream crime writers, readers, organizations, and conferences. That is changing for the better.
New blood is always necessary for any genre–horror, romance, crime, literary fiction–because genres tend to stagnate after a certain period of time. The cultural shifts of the late 1960’s and 1970’s echoed in crime fiction, for example; you couldn’t write crime in those periods without addressing all the cultural and social shifts; Ross Macdonald’s later novels are a good example of this. The 1970’s saw a lot of anti-hero books being written. The private eye sub-genre had grown quite stale by this time, which was when the women really moved in and gave it a shot of adrenaline–Marcia Muller, Sara Paretsky, and Sue Grafton blazed that trail, and revitalized a sub-genre that had kind of lost its way. Queer writers and crime writers of color are currently doing the same to the entire genre. Voices and perspectives we aren’t used to seeing are now getting into print and changing how we see, not only our genre, but each other. Crime fiction has always given voice to societal outsiders and outliers; queer people and people of color are the ultimate outsiders and outliers in this country. Who better to tell stories of societal alienation?
Why did you choose your sub-genre? How do you think the sub-genre has influenced the types of characters you write?
Well, I write in several different ones. Chanse MacLeod was a straight private-eye series; Scotty Bradley was more of an amateur sleuth/humorous series, but he does have a private eye license in Louisiana. A Streetcar Named Murder was a cozy, with an amateur sleuth heroine who gets caught up in a family mystery. I’ve also done young adult and “new adult,” whatever that is (it’s been described as ages 16-25), and Gothics with a touch of the supernatural. I tend to write things that I like to read, and I have a varied reading taste. I started writing the Chanse series because I wanted to do a harder-edged private eye series with a queer twist and set it in New Orleans. I didn’t know about J. M. Redmann’s Micky Knight series when I started writing Chanse; would I have done something different had I known she’d already covered the hardboiled lesbian private eye in New Orleans? We’ll never know, I suppose. Scotty was meant to be a lark; a funny caper novel and a one-off. And here we are nine books later…
As for Streetcar, I had been wanting to try a traditional mystery with a straight woman main character for a long time. When the opportunity presented itself, I jumped in with both feet. I like trying new things and pushing myself. Having to follow the “rules” of a traditional cozy was a challenge–especially because I have such a foul mouth in real life. I love noir so am working on two different gay ones at the moment.
Why do you think amateur detectives are appealing? Do you think there’s a reason queer characters often find themselves in the role of amateur detective?
I think it’s because we all think we’re smarter than the police? We enjoy seeing a character we can identify with figuring things out faster than the cops, especially without access to all the evidence, interviews, and forensics the cops do. Murder She Wrote has been off the air for about thirty years and yet the books based on the show continue coming out every year. If we start out in mysteries reading the juvenile series–Nancy Drew and the Hardy Boys and Judy Bolton and all the rest were amateurs, so we always cut our teeth in the genre with them to begin with. Scotty is basically an amateur, even though he has a private eye license he rarely uses; he and the boys never get hired (although they kind of do in the new one, coming this November.)
Let’s talk about place. Greg, your books take place in the South. Why is place important to the crime novel—why is it especially important to the queer crime novel?
Place shapes who we are–not just as queer people, but as people in general. There are similarities between growing up in a small town in the Midwest and growing up in one in the South, but the differences are very marked. I’ve lived all over the country–pretty much everywhere but New England or the Northwest–and always felt, as a Southerner (despite no accent and not growing up there) like an outsider. Couple that with being gay in a time when it was still considered a mental illness, and you have someone always on the outside looking in. But I have that Southern pull to write about the South–although many would say that writing about New Orleans and writing about the South are not the same; like me, New Orleans both is and isn’t of the South, and I feel that very strongly. I’ve written books set in California and Kansas, even one in upstate New York, but I very much consider myself a Southern writer.
Place is even more important in a queer crime novel because place shapes the queer people so much. As a writer, I think one of my strengths is setting and place, and I think that comes from being very much a fan of Gothics growing up. Gothics are known for place and mood, and I think those are two things I do well.
All of you write wonderfully flawed characters. Sometimes, as LGBTQ+ writers, we feel the burden of representation and the urge to write only positive LGBTQ+ characters as an attempt to undo history’s (the dominant culture’s) demonization of us. Unfortunately, that can be limiting—even flattening. Clearly, you’ve all struck a beautiful balance with your characters. Talk a bit about how you approached this issue.
The flaws, to me, are what make the characters seem real. Nancy Drew and the Hardy Boys always annoyed me because they were so perfect; no one is that perfect, and anyone that close to perfect in real life would be irritating and insufferable. I am am quite aware that I am flawed (one of my biggest flaws is believing I am self-aware because I most definitely am not), but I am not trying to be perfect; I just want to be the best version of myself that I can be. By showing queer people with all their facets and flaws and failures and blind spots, we’re showing the reader that we are human; despite what those who hate us say or claim, we are human beings just like everyone else, just trying to get through life and do the best that we can. The villain in my first book was a gay man–and the entire book was a commentary on how we, as queer people, tend to overlook flaws and red flags from members of our own community. Just because someone is queer doesn’t mean they are a good person–and queers with a criminal bent do exist, and often take advantage of that sense of camaraderie we feel with each other, especially when we don’t know the person well. I tend to trust a queer person more readily than I will a straight person, and that’s wrong–which is why I think we feel so much more hurt when queer people betray us.
Speaking of the demonization of LGBTQ+ folks … Ray Bradbury of Fahrenheit 451 fame said, “There is more than one way to burn a book. And the world is full of people running around with lit matches.” What do you think about the current tactics to ban queer books from schools, libraries, and even bookstores in places like Florida, Arkansas, and Texas? Why are they targeting queer books?
This is, I hope, the last gasp of the homophobes who’ve never updated their hate speech in over fifty years. What the hate group “Moms for Liberty” are doing and saying is no different than what Anita Bryant said and did in the 1970’s, what Maggie Gallagher and her evil co-horts at the National Organization for Marriage repeated, then came the One Million Moms…all too often it’s the cisgender straight white women who are the real foes of progressive politics who fight to uphold a bigoted status quo. They always claim they’re concerned moms worried about their children–but are perfectly fine with them being shot up at school; working in a meat factory on the night shift at thirteen (have fun in hell, Sarah Huckabee Sanders, when you get there and French-kiss your Lord and Master Lucifer); or shouldn’t have the right to vote…they know better than a child’s actual parents, you see, about what the child needs or wants. Maybe they should spend more time with their own children than worrying about everyone else’s? Phyllis Schlafly, queen skank of the conservative right, ignored her own family while she embarked on her crusade to strip women of their rights and autonomy–all the while shrieking like a hyena into any microphone nearby that she was fighting progress to save the American family while selling some Leave it to Beaver-like nonsense as reality. I always felt sorry for her gay son. Imagine that as your mother.
As for why, it’s about control and power. I actually respected Anita Bryant more, because she truly believed all the vile, horrible, unChristian things she said and espoused. Most of the others, including the unspeakably vile and disgusting Moms for Liberty, are working a grift for money, attention and power. Hilariously, they’ve sold their souls in the worst possible way in the guise of family, religion and God; if they’ve ever actually read their Bibles, they need to work on their reading comprehension skills as they are both apostates and blasphemers who will spend eternity doing the breast stroke in the lake of eternal fire. Hope they enjoy it.
Sorry your husbands and children don’t love you, but who can really blame them?
What are you working on next? What’s coming up?
I have a short story in an anthology called School of Hard Knox from Crippen and Landru (and somehow got a co-editor credit for the book with Donna Andrews and Art Taylor); Death Drop, the first in a new series from Golden Notebook press, drops in October; and the ninth Scotty comes out in November, Mississippi River Mischief. I am writing a gay noir, and may be writing second books for the new series I started with Crooked Lane last year as well as a sequel to Death Drop, and have a couple of short stories I want to finish to submit to anthologies I’d love to be in.
Your biweekly Pays the Bills Wednesday had somehow rolled around again, and yes, I have bills to pay before I put my sleepy head to rest tonight. I slept very well last night–didn’t even hear the alarm at first this morning–and certainly didn’t want to get up; the rain, however brief it was last night, apparently dropped the temperature and so it’s actually cold in the apartment this morning; I suspect the coldness overnight inside was part of the reason I slept so deeply and well, only getting up once. (It’s a chilly 79 degrees outside right now; I may need a jacket after this summer’s blistering heat.)
In very exciting news, I got my edits for Mississippi River Mischief yesterday, and my editor loved my book. Cue enormous sigh of relief. I was worried (I worry about everything) that it wasn’t good and that it didn’t do what I wanted it to do, but I can now breathe a sigh of relief. I am starting to feel–partly from all these Alfred Hitchcock Presents short stories–a lot more confident, more brave, and perhaps even more daring about my work and what I try to accomplish with what I am writing. John (Copenhaver, you can check out his books here, thank me later) asked so many smart and insightful questions of us on the Queer Crime Panel (which you can watch right here!) on Sunday afternoon–as well as listening to the brilliant answers given by my oh-so-talented co-panelists (Renee James, Robyn Gigl, Margot Douaihy, and Kelly J. Ford) made me start looking at my work, what I do with it, what I am trying to do with it, and what I can do with it. I’m starting to feel inspired again, which is absolutely lovely, and even if my creative ADHD is really flying off the charts lately, it’s been kind of nice. I’m always afraid I’m going to stop having ideas or being able to write. *shudders at mere thought*
But I ran my errands and got home relatively easily and efficiently, and I beat the short thunderstorm home. It didn’t last near long enough, but maybe it cooled things down a little for a bit, which is all any of us can even dare to dream of at this point in the summer. I got two more Alfred Hitchcock Presents anthologies at the post office: Stories to Be Told With the Lights On and The Master’s Choice. What I am really loving about these stories is they kind of exist in that shadow world between crime and speculative fiction. I should probably turn this into a project, as I tend to do to everything at some point. I am learning from every story I read, and I am also working on my critical skills while I do. What didn’t I like about this story? How could it have been made better? All of these things are subjective, of course, and then I also kind of try to analyze why I didn’t like the things I didn’t like; I think the concept behind every story is a good one–and authors don’t always succeed in pulling off what they are attempting with, and for, the reader.
I kind of was dragging a bit yesterday, and kind of have been all week thus far. I think part of it is the readjustment to Paul being home and my supervisor being back after her unexpected and unforeseen absence, which mirrored his almost exactly. But I am also digging myself out from under the malaise or whatever has been gripping me recently, and I really need to get back to the writing. I wrote a little yesterday, but not nearly enough–fatigue and inability to string a sentence together forced me to give up about one hundred words in. But it was a hundred more words than the day before, and it whetted my appetite a bit. I also did some more mindless research into the historical period I am thinking about setting a book in, which was interesting. It’s not really world-building since the world existed at the time, but rather world-reconstructing. This weekend I am going to try to get more writing done, and hopefully we’ll also be getting a cat (fingers crossed). I think the heat wave is going to be continuing, with a bit of a break; the temperature isn’t supposed to go above 93 today, which means no 120+…and how sad it is that it’s being called by local meteorologists (I think they’re in on the joke, however) a “cold front”?
Bouchercon is nigh, and my birthday is this weekend. I am trying to fit in a lot before San Diego because I am having oral surgery the Friday after I get back (at last) and at some point I’m going to probably have to have surgery to repair my left biceps (sorry if I’ve mentioned this before) so I don’t know how I will be or how long the recovery will be or what I’ll be able to do or deal with during said recovery. This is part and parcel, one supposes, of the decline and decay of my body as I get older, and it’s not like I ever took super good care of it before. Hell, when I was a personal trainer teaching aerobics I smoked cigarettes and spent my weekends drinking in the gay bars. (Facebook memories recently reminded me of how and who I was when I first broke into print with my first novels and short stories…my naïveté was really something. I was always who I was, only now I was a published author and I dressed like, well, like I always did. I rarely wore pants! I was always either in sweats, workout shorts, or shorts; T-shirts and sweatshirts and tank tops. That will be a topic for another time, though.) I’ll be sixty-two this weekend. Sixty-two! Lord, that will be an interesting blog post to write.
I also realized last night that this year the Scotty series turns twenty! I wish I had thought about that ahead of time; I could have done something to celebrate and mark this landmark in the series. Maybe I’ll do a Scotty-centric entry; I should be doing that anyway since Mississippi River Mischief is coming out this November….it was a bit of a jolt to realize it’s been twenty years–over twenty years, actually, since Bourbon Street Blues was a spring release–April 1 or May 1, I am not sure which. Twenty years of Scotty. My God, I can hardly believe it.
The joys of birthdays once you’re past a certain age, I suppose.
And on that note, I am. heading into the spice mines. Have a lovely, lovely Wednesday, Constant Reader, and I’ll check in with you again tomorrow. Or later; one never knows.
Ah, Monday morning and back into the office with me. I slept a little late yesterday, got up feeling very refreshed and rested, then spent the morning doing research, some touch-up chores, and some reading. I also did some writing before my 5 pm EST panel, moderated by the marvelous John Copenhaver and including four of my favorite queer writers: Robyn Gigl, Renee James, Kelly J. Ford, and Margot Douaihy. They were all brilliant, and I was my usual incoherent rambling mess who then proceeds to forget what the actual question was. I should probably prepare for these things, but why start now? After all, no matter how much I prepare, my co-panelists will always be incisive and insightful and intelligent and I will be….Gregalicious.
I did finish reading the remaining short stories in Alfred Hitchcock Presents My Favorites in Suspense, and enjoyed all three–and again, like the others, reminded me the only thing limiting my short stories in what I write about and try to accomplish is my own insecurities as a writer and laziness about doing research. The final three stories (“Treasure Trove” by F. Tennyson Jesse, “The Body of the Crime” by Wilbur Daniel Steele, and “A Nice Touch” by Mann Rubin) were all marvelous, all containing that delightfully nasty twist at the end that is so reminiscent of so much of Hitchcock’s television shows and anthologies. Reading these stories–these old anthologies–has really been quite an education in short story writing–and I’ve also learned a lot about my own limitations when it comes to my creativity and what is possible. I need to, as I said the other day, write precisely the things I don’t think I can, or have the knowledge or skillset to tackle. If it’s a research issue, write the fucking story first if the research is fucking intimidating and make the research part of the editing/revision process. It’s really not as hard as I make it out to be for myself all the fucking time, seriously.
If there’s a way to make it harder I can assure you I will find it.
I also read the first story in Alfred Hitchcock Presents Stories to Be Read With the Door Locked, “Hijack” by Robert L. Fish. Mr. Fish was a prolific short story writer, and his estate endowed Mystery Writers of America to present an award in his honor every year to an outstanding short story by a first time published author every year (Rob Osler won this last year, the first of a lot of award recognition for him; his debut novel Devil’s Chew Toy has turned up on almost every awards short-list for the year). “Hijack” is a story that doesn’t hold up well; airline and airport security measures have amped up in the decades since the World Trade Center was bombed for the first time back in 1993 or 1994; ur could have been 1995. All I know is 1) I was in Manhattan when it happened and 2) I was working at the airport when the new security protocols were put into place. There probably aren’t many of us around who remember the hijacking plague of the late 1960s and early 1970s; it seemed like almost every day a flight to Miami was being hijacked to Cuba. It was so commonplace it became part of popular culture; comedians and movies and television shows constantly making hijacking jokes. But it’s a very good story with, as always, the requisite twist that comes at the end (hilariously, the ransom demand is for $250,000–a lot of money when the story was written but practically nothing in terms of today’s money and wealth) which I wasn’t quite expecting; it’s not a spoiler because the story is at least forty years old so–turns out the crew hijacked the plane themselves and killed a passenger to frame for it. It actually could have worked back then, too–and it made me want to read more of Mr. Fish.
I intended to try to write or edit before the panel yesterday, but as always with something like this, I was too antsy and nervous to focus, so I spent most of the day doing some more research–old New Orleans, Mayan gods, homosexuality in old Hollywood–and cleaning and picking things up. I also ordered some more of these Arctic Air hydration coolers; they really work well, and if you freeze the filter, well, they blow extremely cold air. I have three from several years ago before we got the new a/c system (summer of 2020, it must have been, as we got the new system after Mardi Gras in 2021), but lost the power cord for one of them. I’ve had them going since Paul left and they’ve really helped in the kitchen. I also bought a really powerful if small fan for the living room while making groceries Saturday afternoon, and it is super powerful, too–I also ordered another of those, too. I know I sound like a wimp, but you try cooling down your house when the heat index is 120+ every day for weeks on end–and of course, the kitchen add-on is always so much hotter than the rest of the apartment.
I slept okay last night, feel a bit groggy this morning, but hopefully the coffee with work its magic on me and I’ll be wide awake by the time I get to the office this morning. I think we have a busy schedule, my supervisor is back from having COVID (haven’t see her in over a week), and of course, after work today I ordered some things from Sam’s Club to be delivered. Next week I have my meeting with the orthopedic surgeon to see when we can schedule my biceps surgery–assuming I need it, which I am pretty certain I do–and then after the recovery for that I can start exercising again. I have to remember I am older and more frail than I used to be, so getting back into shape in my sixties is going to take far longer and be more painful and slow than it was in my thirties when I did it the first time. I didn’t write anything all weekend (or for most of the week last week, really) so I need to get back on that horse this week as well. Bouchercon is looming on the horizon as well.
And on that note, I am heading into the spice mines and getting another cup of coffee. Have a great Monday and I will check in with you again tomorrow.
I’d been feeling sour lately; the constant hate attacks leveled at me and my community relentlessly; the bigotry and hatred against us so naked in its hostile resentment. I was also feeling sour about Pride and its co-opting by corporations eager for queer dollars but who cower before the bigots (here’s looking at you, Target and Anheuser-Busch), and I actually started writing an A Charlie Brown Christmas-type diatribe about how the meaning of Pride has changed and been demeaned and devalued and lost over the last few decades. I may still write it, I don’t know. But last night it occurred to me the best thing I could do to fight the bigots this month is to celebrate my joy in who I am, in my community, and in my country. Because yes, it’s my country, too–and don’t you ever fucking forget it.
I wasn’t meant to have the traditional American male life trajectory. There was never going to be a wife or children, even if I had been born straight. I realized very early on in life that I would be a terrible parent–I don’t pay enough attention to be a good one–and so I ruled that possibility out. I also always wanted to be a writer, and I honestly think being one is the only thing that could have possibly made me happy in this life, gay or straight; but it was such an overwhelming piece of who I am that I could have never committed to a white collar salaried job for a corporation. For me, the day job just needed to be enough to cover life’s necessities; it was never going to get my entire attention and dedication and energy. But not being straight, and not seeing any kind of representation of people who were like me in any medium–television, film, books, comic books–and seeing only the dominant societal paradigm modeled repeatedly, and knowing I didn’t fit comfortably into that paradigm, made me believe there was something wrong with me, something dark and horrible and shameful that couldn’t ever be public knowledge. Couldn’t ever be admitted. The overwhelming shame at being something different, something unusual, was engrained deep into my soul. I was miserable for many reasons for a very long time, but the primary was denying who I was: a gay male writer. Recognizing, and accepting, that truth has gone a long way towards helping me heal, become a better person, a better adult, and has certainly brought me a great deal of joy.
I love my writing career. I do. I’m very proud of it, every last bit and piece of it, whether it was crime or horror or suspense or sports journalism or erotica or romance or whatever it may have been that I created, that I wrote, that I put a piece of myself into. I’ve had some absolutely amazing highs in my career, and I also know that I don’t actually give myself enough credit (any credit, usually) for what I have done and accomplished. I’ve been nominated for a shit ton of awards. I complain about it a lot–there are many days when I don’t want to do it, times when I have to force myself to do it, and yet…I am never happier than I am when I am writing, creating, getting my daily word count, and rereading the book when going over the page proofs..which is when I usually realize (for the first time since starting to write the damned thing) that hey, I’m not so bad at this as I always think I am and then of course, there’s the day the box of books arrives.
I also got to interview the marvelous Margot Douaihy for Saints and Sinners’ Pride Month celebration, which you can find right here: https://youtu.be/RQ2e22mRFqw. I think it went pretty well, and is yet one another example of how wonderful and lucky my life is and how I should always be grateful. My last three novels accounted for some of the best reviews of my career, and accounted for seven (!) award nominations for me over the last couple of years–mainstream awards, at that. (I supposed it’s really only six; one of the nominations is for an anthology I edited, and I don’t really count that as one of my books; editing an anthology is an entirely different animal than writing a book. It’s still work, it’s still a lot to get through, and I am proud of my anthologies just as I am of the novels…but I don’t think of those as being wholly mine; the anthologies also primarily belong to the contributors, really.
This last year or so has actually been, despite all the personal drama and trauma, has actually been lovely for me on many levels. Over the past year, I’ve reconnected with the queer crime publishing community. I walked away from it over a decade ago; tired of people pretending to be my friend while driving the knife in and twisting it, tired of always being made to feel like my work wasn’t worthy or meant to be taken seriously, and so on. As I moved into and toward the more mainstream mystery community and trying to carve out a space for myself in that world, there were setbacks and pitfalls…and homophobia. As tiring as it is to have to deal with that kind of shit every day, I also recognized that the only way queer crime writers were going to get their due in the mainstream is if some of us went out there and made room at the table for us. That was why I joined various mainstream mystery organization’s boards of directors, not only to do work that would benefit the entire crime writing community but also to make space for queers, too–if by doing nothing more than showing up and being noticed. Presence makes an enormous difference, and sometimes…it helps to have a queer face and voice there to pipe up every once in a while. Over the last two years, thanks to making some terrific new friends who are also queer crime writers, and amazingly gifted and talented at what they do (John Copenhaver, Marco Carocari, Kelly J. Ford, Robyn Gigl, and so many more), and they are looking to form a queer crime writing community to organize and help the organizations and conferences be more inclusive and welcoming. It was lovely spending time with other queer crime writers at Bouchercon in Minneapolis. John and Marco also went out of their way to include me in things at Left Coast Crime and Sleuthfest last year, which was also marvelously kind.
So, yes, I am proud. I am proud to be a gay American, and I am proud to be a queer crime writer. I’m sorry that my existence bothers you, but my life is also none of your fucking business. It’s hilarious to me that the people who obsess about sex lives and genitals are the “christians”–you know, I spend absolutely zero time every day obsessing about the sex lives and genitals of other people…because it’s none of my fucking business.
And I am going to continue to be proud here, every fucking day of this motherfucking month. Fuck you, homophobes and haters.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll talk to you again later.
And now it is Wednesday, aka Pay-the-Bill day, and I actually had already started paying the bills yesterday. Yay? But at least I can pay them without any stress about buying the groceries or missing a payment or anything. There are few things worse, really, than financial stress–I can’t think of a single situation that financial stress has ever made better, for example.
I did sleep pretty well again last night, and I think maybe my body is beginning to get used to the getting up at six a.m. thing at long last. I certainly am not sleepy or tired this morning (I’d still rather be in bed under my blankets, though) and my mind feels pretty awake thus far. I got tired yesterday afternoon, but I get tired every afternoon at the office, frankly; I didn’t think too much of it. I also managed to do another load of dishes and laundry last night when I got home before collapsing into my easy chair with the Chlorine folder. I thought I’d been reading the wrong versions the other day, and I was correct; there were more recent versions of those first three chapters, and I reread them last evening. They were much better than the sloppy mess I originally read the other night, which was an enormous relief (after reading them Sunday or Monday I was actually thinking well, I need to revise these or this project is completely not worth even trying). The voice and tone need to be cleaned up a bit, and there are contradictions and continuity errors to be sure, but over all I think it’s going in a better direction than I had thought based on the last reading. I am actually kind of excited to be getting back to it as well.
I did some more work on the anthology yesterday as well, and am hopeful that I’ll continue making progress on it until it is actually finished and out of my hair once and for all. It’s always a lovely feeling to be making progress–yesterday I really felt like I wasn’t just spinning my wheels but was actually getting somewhere, the tires were actually getting traction on the road, and that’s a lovely feeling. I also went through my to-do list yesterday, crossed off a bunch of things, and realized that hey, it’s time for a new to-do list and felt very accomplished, to be honest. It felt really good. I stopped and got the mail on the way home, too–my copies of Cupid Shot Me were there, as was the new Robyn Gigl, Survivor’s Guilt (a great title, he typed with an eyebrow raised and an amused smile)–and I decided that I really need to get back to reading. Tonight is my night to get back to the gym after work for my second workout of the week (muscles still feel good this morning from Monday night), knowing it will probably be half-assed and so forth because it will probably be very crowded by the time I get there; but a half-assed workout is better than no workout, and then I can come home and relax, maybe read for a while. I want to get some more work done on “Condos for Sale or Rent” this week, and I am also playing around with the ideas for the sequel for A Streetcar Named Murder, should they want one…I think the title I am going to use is The House of the Seven Grables, and I think I know how to make that title work as well (publisher will probably hate it, so the back-up title will have to be something like Death on a Hot Tin Roof or The Hound and the Fury or something along those lines). So I am feeling creative again–those batteries have clearly recharged completely and finally, thank you baby Jesus–and am sleeping well and am feeling content these days, which is lovely. It’s still parade season–they start on Friday and run all weekend–which is going to take some adapting to and is inevitably going to make me feel even more tired (but hey, Fat Tuesday is a paid holiday, so that week will be a disrupted and shorter work week, which is always pleasant and a nice surprise), but that’s the price of living inside the parade route.
I have to say it’s really nice feeling creative again, even if it’s all over the place. The return of the creative ADHD is always a pleasant surprise; I just need to remember to stop riffing and brainstorming and actually laser-focus my attention on something to write, which for now is going to be that short story that is due by March 1 and the other due on April 1; both have been started but are nowhere near finished in even a first draft form. I think both have potential, really; and I also am thinking about trying my luck with Ellery Queen again, if I can get a story I have almost nearly ready polished and revised. I had been writing a story for the Bouchercon anthology, but am not really sure now if I should send it to the blind readers or not. (My last two stories for Bouchercon anthologies made it through the blind read process; but I also only wrote stories for the ones I was editing. Even though it was fairly done–the readers didn’t know either story was mine–it looked untoward. I do think the fact both stories went on to be nominated for awards undermined any controversy or smack talk done behind my back…but I think this time around I am going to take the story and sell it elsewhere. It’s a good story, and I am betting I can sell it somewhere else. And I think we got a lot of really good stories submitted for this anthology; it’s not like it needs a story by me; not that any anthology ever does, of course.) There are some other stories, too, that I’d like to get finished at some point…
And on that note, I think I should head into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you again tomorrow.
Queer and Loathing in America 