Wednesday and Pay the Bills Day has rolled around yet again. Woo-hoo!
Yesterday I was working on cleaning out my inbox–an ongoing struggle, but it’s suddenly gotten easier lately–and around noonish an email from Left Coast Crime dropped in letting me know that A Streetcar Named Murder had been selected as a finalist for the Lefty Awards! I certainly wasn’t expecting anything like that to ever happen, so thanks to everyone who listed me on their ballot. It’s a tough category–the other nominees are Ellen Byron for Bayou Book Thief, Catriona McPherson for Scot in a Trap, Jennifer Chow for Death by Bubble Tea, and A. J. Devlin for Five Moves of Doom. Such a thrill, really, and to be nominated against authors for whom I have so much respect and admiration for their talents and achievements already? And so many other amazing nominees in the other categories as well–including lots of friends! Kellye Garrett, Alex Segura, James L’Etoile, Karen Odden, Laurie R. King, Gigi Pandian, Rob Osler, Eli Cranor, Wanda Morris, and Catriona again (nominated TWICE!!!!). I’m really sorry I won’t be going to Left Coast this year. I had a marvelous time last year, but it’s also the week before TWFest and Saints & Sinners, and there’s no way I could take that much time off so close together–let alone leave the week before the festivals. I’d come home to find the locks changed, seriously. So many amazing reads this past year on this list, and there I am, right there with some of my favorite people.
It’s always lovely to get recognized, of course. Award nominations are always a lovely pat on the back, and yes, while I often joke about always losing everything I am ever nominated for (I love pretending to be bitter and cynical about losing awards), it is indeed a great honor and a thrill and all those things they’re supposed to make you feel like. Being nominated for mainstream awards, like this and the Anthonys, was never in my thoughts or calculations (to be fair, I never think about awards when I’m writing something)–so yes, for the kid who used to give acceptances speeches to the mirror holding a shampoo bottle as a stand-in for an Oscar, it’s an honor and a thrill and a privilege. I mean, winning isn’t really in my control–anyone who’s ever nominated’s control–so I just look at it as a lovely nice job thumbs-up from the community and add it to my author bio.
I slept really well again last night and this morning I don’t feel tired or sore and my mind is completely alert–yesterday there was some residual fog from my trip still, and leftover exhaustion–but today feels absolutely great. I ran errands after I got off work yesterday–some books and other things came in the mail yesterday, including my Rainbow candles (a client gave me one for Christmas; I loved the smell, and then had to go searching on line to find more of them) and the leather-bound copies of Rebecca and Echoes from the Macabre by Daphne du Maurier as produced by the International Collectors’ Library (about time I got two really nice editions of two of my favorite books). I was terribly tired when I got home from work yesterday so I pretty much melted into my easy chair with Scooter asleep in my lap and just watched videos on Youtube (I went down a Rihanna wormhole for a good while–I’d forgotten how amazing her music was–while also looking up videos from Hadestown, whose score I’ve been listening to every since I got home; I cannot tell you how much I loved this show). I need to pay the bills today and get back to work on the book–I’m behind again and am really going to have to work my ass off to get it done by the end of the month now, no time for goofing off or anything other than a major push; I also have a short story to finish that I’ve promised to a friend for an anthology; that will be a nice creative and intellectual challenge to try to get finished around the book, too.
So, yes, Constant Reader, as you can probably tell I’m in a really good place this morning. My coffee is marvelous, I got a lovely pat on the back from the mystery community yesterday (“they like me! they really like me!”), and I am feeling great about my writing and my future. We’ll see how long this happy feeling and inspiration lasts, won’t we? I also think the cold or sinus thing that’s been going on with me since I flew to New York has finally been given the boot by my immune system, which is really nice. (I always feel terrible when I travel–part of it is the lack of sleep and the dehydration caused by the pressure changes required for flying; one of these days I’ll learn to drink water and replenish electrolytes when I travel instead of just drinking Cokes and coffee and alcohol; you’d think I’d know better by now but I clearly do not) But I feel like me again for the first time in what seems like a really long time, and it’s going to take some getting used to and adjusting again. (This weekend especially is going to feel weird as fuck, to be honest.)
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will chat with you again tomorrow.
Nothing will get my attention more quickly than a Daphne du Maurier comparison.
I’d been meaning to get around to reading Ruth Ware since her The Woman in Cabin 10 broke her out in the crime writing community. I’d heard lots of good things about her work from reviewers and people on social media, and as her career continued to grow and develop it seemed like all of her books–while similar, in some ways, to each other–were rather dramatically different from each other. I began acquiring copies of her books, unable to decide where to start while each new one joined the TBR pile and began collecting dust. When I saw someone had compared her The Death of Mrs. Westaway to du Maurier and Rebecca, that got my attention and I decided to start there. I listened to it on one of my drives to Kentucky and loved, loved, LOVED it.
So, while planning for my recent trip up, I decided to listen to The Woman in Cabin 10, and have been admonishing myself for the lengthy delay in getting to it ever since finishing. It is quite excellent, and I am finding myself becoming quite a fan of Ruth Ware.
The first inkling that something was wrong was waking in darkness to find the cat pawing at my face. I must have forgotten to shut the kitchen door last night. Punishment for coming home drunk.
“Go away,” I groaned. Delilah mewed and butted me with her head. I tried to bury my face in the pillow but she continued rubbing herself against my ear, and eventually I rolled over and heartlessly pushed her off the bed.
She thumped to the floor with an indignant little meep and I pulled the duvet over my head, but even through the covers I could hear her scratching at the bottom of the door, rattling it in its frame.
The door was closed.
I sat up, my heart suddenly thumping, and Delilah leaped onto my bed with a glad little chirrup, but I snatched her to my chest, stilling her movements, listening.
I might well have forgotten to shut the kitchen door, or I could even have knocked it to without closing it properly. But my bedroom door opened outward–a quirk of the weird layout of my flat. There was no way Delilah could have shut herself inside. Someone must have closed it.
I sat, frozen, holding Delilah’s warm, panting body against my chest and trying to listen.
How’s that for a beginning?
I defy anyone to stop reading after those opening paragraphs, seriously.
Our main character turns out to be Laura Blacklock–nicknamed Lo–who is an aspiring travel journalist working as an assistant at Velocity magazine. Usually her boss is the one who gets to go on trips to write about the experience, but pregnancy has forced her to turn over a rather plum assignment to Lo; taking a cruise on a luxury ship through Scandinavia, including a look at the Northern Lights and exploratory visits to fjords. But as she is preparing for the trip, her flat is broken into while she is in it. This understandably causes her some trauma, and she is already taking medication for anxiety. Shaken up and still having nightmares, she boards the Aurora Borealis in a determined attempt to fulfill her job responsibilities well enough to get a promotion or better assignments. Easier said than done, really; on the first night she hears the toilet in the next cabin–Cabin 10–at the same time realizing she doesn’t have any mascara. She goes to Cabin 10, borrows mascara from a beautiful young woman, and returns to her cabin. Having a few drinks at dinner to calm her nerves even more, she keeps an eye out for the young woman, who never shows. In the middle of the night a sound in the next cabin wakes her, and she goes out onto her veranda to glance around the privacy screen. Before she can get out there she hears a cry, a clank, and a splash; once she is out there she thinks she sees a human hand disappearing into the water, and smear of blood on the glass screen next door. She gets the ship’s security, but Cabin 10 is empty. The man who was staying in there cancelled at the last minute. There is no trace of the girl she met, no trace of anything exceptional having happened in Cabin 10–and the only proof of her story is the mascara tube, which she still has.
No one believes her–and her recent break-in and the anxiety medications, along with the drinking she’s done, make it relatively easy for her claims to be dismissed. Certain she’s a peripheral witness to a murder, Lo starts poking around–eventually finding herself in danger.
I really enjoyed this book. Ware makes you care about Lo, and you root for her to get to the bottom of what’s going on aboard the Aurora. Ware is, indeed, a modern day writer of Gothics in the mid-to-late twentieth century traditions of duMaurier, Victoria Holt and Phyllis A. Whitney, with a generous dash of Mary Stewart as well. Is she being gaslighted, and if so, by whom and why? Who was the woman? What was she doing on board? Why was she murdered? The reader knows Lo is telling the truth, which is a brilliant way of getting reader buy-in for both the character and the story, and the gaslighting is done so well that even the reader sometimes has to question Lo’s sanity; was it alcohol and drug-related PTSD? But as the story progresses and Lo learns more and more about her fellow passengers–this is a press junket, so everyone on board is a professional travel journalist of some sort–she starts putting together the pieces and fragments of information she gathers that gradually reveal the picture of a very clever murderer who won’t stop at anything to get away with their crime, even if it means killing Lo.
Highly recommended–especially if you, like me, love the old books with the woman in a nightgown running away from a scary looking house with a light on in one window on the cover. Cannot wait to read some more of Ruth Ware.
Sidebar: the story itself is very Hitchcockian in style, and of course the gaslighting made me think of the great film Gaslight which defined the word into the vernacular…and made me also think, sadly, of what a greater masterpiece Gaslight might have been had Hitchcock also directed it.
LSU is playing New Mexico this evening (GEAUX TIGERS!) in Tiger Stadium–it should be an easy win but when it’s LSU you can never take anything for granted–and I have a lot I want to try to get done today before the games get started. I have errands to run, Costco to order for delivery; it just never ends for one Gregalicious, does it? It would appear that way.
I did feel a little tired most of the day yesterday; not sure what that was about, to be honest, but there you have it and there it is. But I also got this lovely review inPublisher’s Weekly; another industry journal I’ve not been reviewed in for quite some time now. I am getting more excited AND nervous as time ticks down to the official release date…but it’s really lovely getting all this pre-publication love from industry journals, early readers, and bloggers. I’m quite sure I don’t know how to act anymore! I’m very happy that everyone seems to be embracing the book, which I thought may be a big departure from what I usually do, but maybe it’s not? I don’t know, I’m not the best judge of my own work. It really never occurred to me that my Scotty series was technically a cozy series–despite the weed, swearing, violence and sex–but Scotty, despite being licensed, never actually had a client (the guy up on the fourth floor in Vieux Carré Voodoo does actually hire him before he is murdered) but usually, he’s just going about his day to day existence when he stumbles over a body or some kind of criminal conspiracy. But when I got home from work yesterday I puzzled over that bad bad chapter, and so this morning I am going to try to get it fixed up once and for all before diving headfirst into Chapter Four. I have some errands that must be run today–and I am going to order a Costco delivery–and I also have some cleaning around here that simply must be done; but I am hoping to avoid the allure and pull of college football as much as I can today to try to get as much done as I can on the Scotty today.
I also did the laundry once I was home, and finished clearing the dishes piled up in the sink–which even now are awaiting me to unload them from the dishwasher and put them away once and for all–and once Paul was home we settled in for Dahmer, which continues to be disturbing and hard-to-watch and almost documentary-like in style, tone, look, and story. Evan Peters and Niecy Nash should each take home Emmys for their work here; Niecy is absolutely stealing every scene she is in, and Peters looks so much like Dahmer…it’s also disturbing to watch as a gay man who went home with a lot of people he had just met for the first time. It really is a wonder there aren’t more serial killers in the gay community, and they certainly wouldn’t have much difficulty in finding potential victims thanks to the casual hook-up culture always so prevalent in gay male communities (which has always been something I want to write about; either in essay or fiction form); a sort of Looking for Mr. Goodbar sort of thing only with gay men. (I should reread that book; I haven’t in years–not since it was a thing anyway. I was thinking lately I should reread all the “thing” books from the 1970’s–Jonathan Livingston Seagull, Coma, Looking for Mr. Goodbar, Jaws, Love Story, etc.–to see how they hold up and what, if anything, they have to say or can be said about the culture and society of the time and why those books, all so disparate, were so successful and popular at the time.)
I slept wonderfully last night, which is always a delight and a plus, and my coffee is tasting rather marvelous this morning. It is most definitely hitting the spot, that’s for sure. I feel rested and good this morning, which makes it a great day for getting things done. I am also thinking about taking my car to the coin-operated self-wash while I am out and about today (reminder: check projected path for Tropical Storm Ian; the one off the Cape Verde Islands formed first and took the name Hermine), and I also want to do some cleaning around the writing. We should be able to watch the LSU game tonight, even though it is on a lesser ESPN/SEC Network sub-channel, which is annoying–but I get it; LSU-New Mexico is a “who cares?” game outside of Louisiana.
I also spent some time last night with Every Frat Boy Wants It, my first erotic novel under the name Todd Gregory, and it’s not that bad. I realized that the three “fratboy” books I wrote are of a type, really, and rereading that long-ago written story (I would swear to God it’s been almost since I bought the new car, which was 2017, so it’s been about five years or more since I wrote it in the first place) made me realize that the concordance I want to put together for Scotty needs to be a part of an even larger concordance of all my work; all the different Louisianas I’ve written about and fictionalized over the years, which is even more important now that this Scotty is going to be driven so much by action outside of New Orleans.
I also need to revisit My Cousin Rachel at some point today before tomorrow morning’s podcast taping; I don’t want to rely on my ever-decreasing memory and should at least be somewhat refreshed in my recollections of what is one of my favorite Daphne du Maurier novels, possibly even more favorite than Rebecca. Big words, I know; but while I am certainly more familiar with the text of Rebecca, having read it so many times, I’ve only read My Cousin Rachel once–and came to it within the last decade or so, on the recommendation of Megan Abbott. I’ve seen neither film adaptation, tempting as the original (starring Olivia de Havilland and marking the screen debut of a young Richard Burton) may be; simply because while I know both films are very well-regarded, it’s hard to imagine a du Maurier adaptation finer than either the Hitchcock Rebecca or Nicholas Roeg’s adaptation of Don’t Look Now; with the bar set so high on du Maurier adaptations, how could either version of My Cousin Rachel stand up to them? I recently read a new-to-me du Maurier long story or short novella called “A Border-line Case,” and like all things du Maurier, it is rather marvelously well-written and twists the knife with something obvious that was there in front of you all the time but du Maurier pulls her usual authorial sleight-of-hand that makes the reveal startling and shocking despite being right there in front of the reader the entire time.
I also had wanted to spend some time with my Donna Andrews novel Round Up the Usual Peacocks, but not sure that I’ll have the time necessary. Ah, well. And on that note, I am going to head into the spice mines. I need to brew a second cup of coffee, and there are odds and ends around here that need attention. Have a lovely Saturday, Constant Reader, and I will check in with you again either later today or tomorrow morning.
I’ve told this story any number of times; how the writing of the book was derailed by two awful things that happened in my life, and how I finally got back to writing again in the spring of 2005, managing to finish this and turn it into literally two or three weeks before Hurricane Katrina came barreling ashore and changed everything in my life, and the long recovery time from that paradigm shift, trying to adjust to the new reality I was facing every day. It felt weird going over the copy edits, weirder still doing the page proofs (I actually had the incredibly sharp-eyed Becky Cochrane and Timothy J. Lambert do it for me while I was visiting the Compound, thanks again, guys!), and even stranger having to tour and promote a book about New Orleans set before Katrina while still dealing with the recovery.
I’ve told those stories before, and that isn’t really what these entries are about; these entries are about the books themselves and how I came up with the stories and so forth, and the writing of the books. The primary problem, of course, is that I wrote this book between and around tragedies; the two year period I call the Time of Troubles that began on Memorial Day weekend in 2004 and ran through about 2008, really; because that’s about how long it took after all those issues for me to feel like my feet were beneath me again and I once again had a grasp on my life. I don’t remember what the original story was about, other than it centered on the Krewe of Iris, Scotty’s Diderot grandmother’s best friend who’d married a much younger muscle-stud Russian, and that’s really about it. The Russian would have something to do with a Colin case–and it would turn out actually be the case that brought him undercover to New Orleans in the first place during Southern Decadence; in Jackson Square Jazz we find out what Colin’s real job is, and that he was in town originally about the Napoleon death mask–but he was also in town to keep an eye on the young muscle-stud Russian who’d married Scotty’s grandmother’s best friend. It wasn’t really working, and I didn’t much care for the story, to be honest; I’d already asked for an extension before Memorial Day weekend in 2004 when all the shit started happening; after Paul was attacked they took it off the schedule and told me not to worry about it. (I appreciated the courtesy greatly at the time, but at the same time had this sinking feeling in the back of my head uh oh, they may not want another one after this–which turned out to be correct. But I dismissed the fear as part of my on-going struggle with Imposter Syndrome. It took me about six months, more or less, to get back to writing. I started my blog right after Christmas that year, and there I was writing every day again, and by January of 2005 I was ready to get going on this book again. I remember rereading everything I’d already done, not liking it, and deciding to scrap it and start over with the same essential premise: rich older society woman in New Orleans has married a much younger Russian boy-toy; Colin is investigating the boy-toy; and it’s Carnival season. Shortly after getting about halfway into a new first draft, the Virginia thing happened and I was derailed again. After that was over and I went back to the book…once again I didn’t like what was happening in the story and I threw it all out and started over again.
But this time, I hit my stride and four months later I turned the book in at long last, along with a proposal for a fourth, Hurricane Party Hustle, which was going to be set during an evacuation and would wrap up the loose ends left at the end of Mardi Gras Mambo.
And of course, three weeks later Katrina changed everything, and Hurricane Party Hustle went into the drawer.
Last night I dreamed it was Mardi Gras again. It seemed to me I was standing inside an iron gate, watching one of the night parades go by. The sidewalks in front of the gate were crowded with people, all shouting, with their grasping eager hands up in the air. Out beyond the edge of the curb, I could see people sitting in lawn chairs. Still others were up on ladders, with coolers and plastic bags of booty piled around them on the ground. Fathers and mothers were holding up babies, while black kids with the crotches of their pants down around their knees walked behind the crowd, weighted down by the ropes of beads around their necks. Beads were flying through the air, some getting caught and tangled in the branches of the towering gnarled oaks lining the avenue. The heavy upper branches of those oaks also blocked out the glow of the ancient street lamps so the night seemed even darker than it should. I could hear a marching band, playing a recent hip-hop hit, and the strange clicking sound of the baton girls’ tap shoes on the pavement. The air was heavy with the heavy fragrance of hot grease, corn dogs and the strange melted yellowish-orangey substance the vendors put on nachos that purports to be cheese—but no one is really sure what it is. A group of flambeaux carriers were passing by, dancing that odd little circular dance they do, their propane tanks popping and hissing, throwing long and twisted shadows that also danced inside the iron fence I was behind. Right behind them a huge float pulled by a tractor was coming and the crowd’s shouts became louder, more desperate, more pleading. On the float’s front was a huge white clown face, its bright red lips parted in what passed for a smile but seemed to me to be a frightening leer. The masks on the float riders glowed supernaturally at the hordes begging them for generosity in the strange light cast by the moon when it cleared the thick clouds in the cold night sky. I stood inside the black iron fence, my arms wrapped around me against the cold as an increased sense of menace and dread built inside me. Something bad was going to happen—
Oh, get real, Scotty!
If I do have bad dreams, I don’t remember them when I wake up. I’ve certainly never been troubled in my sleep, even though crazy things always seem to happen to me. I’m just one of those people, I guess. For whatever reason, the Goddess has decided to throw some wild stuff at me—she always has, even when I was a kid—and what can you do? I just don’t think I am one of those people who were destined to have a nice, normal, quiet life. Maybe it’s because I was named Milton Bradley at birth. Yes, that’s right. Milton Bradley. My older brother started calling me by my middle name, Scotty, before I started school and thank the Goddess, it stuck. Can you imagine how cruel the kids would have been to someone named Milton, let alone Milton Bradley? And then of course there’s the gay thing. I was lucky—my parents are pretty liberal and were delighted to have a gay son—like it somehow proved how truly cool they really are or something. They are pretty cool, actually.
By now, I’d taken to starting all of my New Orleans novels with a Tennessee Williams quote; for this one I chose a line from Vieux Carré: “You’ve got a lot to learn about life in the Quarter.”
I had opened Bourbon Street Blues with a parody of “The name’s Bond, James Bond” and I’d done something similar with Jackson Square Jazz–“Danger is my middle name”, riffing on Trouble is My Business. I decided to open this book with a parody of the opening line of Rebecca: “Last night I dreamed I went to Mardi Gras again.” But that entire opening paragraph of du Maurier’s is so fucking brilliant, I couldn’t help myself and made my entire first paragraph a parody of that opening. I then decided that from then forward, every Scotty book would have a Williams quote and each prologue–where Scotty introduces himself and his cast of characters and gives backstory so I don’t have to do it in the text of the story itself–would parody the opening paragraph of a famous novel, rather than just the first line (I am actually struggling to find the proper opening to parody to start the prologue for this one. I’ve used Rebecca, Peyton Place, The Haunting of Hill House, and Lolita, among others so far already; I’ve tried with this one to use An American Tragedy, Atlas Shrugged and The Great Gatsby thus far, with no luck. I’ve tried Valley of the Dolls several times for other books in the series already, but I can’t ever get it to work for me).
I do remember that the one thing that didn’t come across in those earlier drafts that I had abandoned was the sense of insanity that Carnival always brings with it; that feeling of “controlled anarchy” we experience those two weeks of parades, of knowing you have to schedule your entire life around a parade schedule–true even for those who do not live inside the box, as we say here; the box being the Uptown parade route–I always have to schedule my job, my trips to run errands uptown, everything, predicated around having to get home at least two hours before the parades start, and am incredibly lucky if I can get a parking spot within three blocks of the Lost Apartment. The thing I kept forgetting in those earlier versions was the books are meant to be fun. Granted, I was hardly in a mental space to write something fun…and of course the decision to really take it completely over the top the way I did was something I still think about to this day and wonder, where on earth did you get the idea for identical triplets?
Which, while crazy, made more sense than the cloning story I tried to write the second time.
Maybe those bad things happened for a reason? Because I couldn’t be more pleased with how the story and the book turned out. I also ran out of room to finish the personal story…but I also was operating on the assumption I’d get a contract for a fourth book. If not for Katrina, Kensington might have made another offer and Hurricane Party Hustle might have been the fourth Scotty than something just sitting in the files.
The book was released on Fat Tuesday, 2006. Paul and I had been out of town–the truncated Carnival/parade season seemed almost too sad to handle, so we’d accepted a gig to speak at the South Carolina Book Festival. We flew back to New Orleans the Sunday morning before Fat Tuesday. I’d checked my email that morning before boarding the flight to Atlanta (we changed planes) and then our cab driver couldn’t get closer to St. Charles than Baronne Street. A parade was going as we got out of the car, and we had to cross the parade (it was in the high seventies and sunny) with our luggage–I’ll never forget looking up as we got ready to cross and catching a bag of beads with my hand just before it connected with my face–and got home. I checked my emails and my word! SO MANY EMAILS.
You see, that day’s edition of the Times-Picayune carried Susan Larson’s review of the book, and it was a rave! Everyone emailed me as soon as they saw it–I still bask in the glory of that review–and I was about to embark on probably the most ambitious book tour of my career.
I just didn’t see, though, how I could write another funny, light book about a city still in ruins whose recovery was still questionable.
The series was, for the moment, over–with the personal story not resolved the way I would have wanted, but it could stand as it was, should there never be another Scotty story.
Rereading it, I couldn’t but laugh at some of the outrageous twists and turns the plot took.
Sunday morning in the Lost Apartment and I am feeling a bit bleary-eyed this morning. I slept magnificently last night; I didn’t want to arise from the nest of blankets in my comfortable bed this morning in the least. But arise I did, because there are things I must get done today and staying in the bed for a longer time than usual would not help accomplish anything except, you know, more pleasure of sleep.
We did finish watching Black Bird last night, which was an interesting show based on a true story and executive-produced by Dennis Lehane; in which a cop’s son turned bad gets a chance to get his sentence commuted if he goes into a prison for the criminally insane and gets a serial killer–whose appeal might earn his release–to confess to him. It was quite entertaining and more than a little intense, but I do recommend it. I don’t think it needed to be six episodes–I think it felt a little padded here and there to get to six episodes, which seems to be the American minimum/sweet spot for mini-series. We also started watching Five Days at Memorial, which is…interesting. It’s a dramatization based on a book and the true-life experiences of those who were trapped there after Katrina and the flooding; one thing that was absolutely spot-on was how everyone kept lapsing and calling the hospital “Baptist” instead of “Memorial”–the hospital had been bought out by Tenet Health and renamed in the years before the storm; it was a New Orleans thing as to how long it would take for the new name to catch on; I was still calling it “Baptist” to the point that even the title of the series took me aback; I actually did wonder before we started watching, was the name of the hospital Baptist Memorial and we all just called it Baptist? Mystery solved.
I did run my errands yesterday–it didn’t feel quite as miserable outside as I thought it would–and actually made dinner last night…meatballs in the slow cooker, but I also made them differently than I usually make slow-cooker meatballs, the recipe I donated to the Mystery Writers of America Cookbook; I added sour cream to the recipe, for one thing, as well as some other spices and vegetables in the sauce. They turned out really well–quite tasty, actually–and as I sliced bell peppers, celery and onions yesterday while the roux bubbled and browned, I remembered oh yes, I love to cook; I just never get the opportunity to do so anymore. Our work and sleep schedules are now completely out of sync, and the only time I ever cook anything is on the weekends. Today I do need to make things to take for lunch this week–the meatballs will only stretch so far, and I am starting the week in the office on Monday instead of Tuesday this week. I am also having Costco delivered this afternoon as well. I also need to get to work on my second-pass page proofs for a Streetcar today; they are due on my birthday, ironically, but I’d rather get them out of the way today. I also want to get some writing in today, if I am lucky and motivated; I need to start getting more focused and less concerned about other things and issues as well as getting distracted, which is getting easier and easier all the damned time. I know there’s medication for ADHD, but unfortunately it can also act like speed–and the last thing in the world I need is to take something that will make it harder for me to fall asleep.
Yeah, definitely don’t need something to keep me awake longer. (Although every night before I go to bed now I start drifting off to sleep in my easy chair, which is so fucking lovely you have no idea.)
I’ve been reading some non-fiction lately; my mind hasn’t been clear or steady enough to continue reading fiction–a malaise that has come and gone since the beginning of the pandemic in 2020–so I’ve been focusing more on non-fiction when I am reading lately. I’ve got a really interesting book called Charlie Chan: The Untold Story of the Honorable Detective and His Rendezvous with American History by Yunte Huang, which is absolutely fascinating. I loved the Charlie Chan movies when I was a kid (neither knowing nor comprehending how racist they were, not to mention their “yellowface” aspects)–again, the influence of my grandmother–and I read some of the Earl Derr Biggers novels when I was a teenager. I am really interested in getting into the meat of this book, since the character was beloved but is problematic in our more enlightened time; can the stories and the character be reclaimed from the morass of stereotyping and cultural colonialism the books and films were steeped in so deeply? Reading the introduction to the book yesterday did again make me feel like gosh, I wish I was educated enough in criticism and the writing of non-fiction to produce this type of work; there are any number of books and writers and characters I would love to explore and dissect and deconstruct. But alas, I do not have that background or education, nor do I have the necessary egotism/self-confidence in my own intellect to believe that I could come up with anything interesting or constructive or scintillatingly brilliant to say that hasn’t already been side (although I have an interesting take on Rebecca I would love to write about someday). I’d love to write about the heyday of romantic suspense and the women who hit the bestseller lists throughout the 50’s-80’s writing those books (Whitney, Stewart, Holt being the holy trinity); deconstructing the themes and tropes and tracing their evolution as the role of women in society began to change during the decades they wrote their novels.
I also bought an ebook about the children of Nazis, which is something that has always fascinated me; how did and have Germany and Germans dealt with, and continue to deal with, their horrific and genocidal past?
Obviously, as a Southerner, I am curious to see how one deals with a horrific history.
And on that note, I am heading into the spice mines. Y’all have a lovely Sunday, and I will check in with you again tomorrow.
Today’s emergency weather situation in New Orleans is an air quality alert; per the email I received this morning, people with breathing issues are encouraged to not go outside unless absolutely necessary; our air quality is at an “orange” level–not sure what that means precisely, but suspect it has something to do with a color-coded charted that I kind of don’t want to go look up, just in case. There was a heat advisory yesterday (IN JUNE); it’s clearly going to be one of those summers here in New Orleans.
I wound up taking the entire weekend off for the most part–no writing, no emails, no stress or anxiety. I finished reading Tara Laskowski’s marvelous The Other Mother yesterday afternoon; I kept reading my 4th Crusade/sack of Constantinople book; and then last night we finished off Gaslit (Julia Roberts was amazing; and yes, Martha Mitchell was right from the very beginning) and started watching a new show (for us) on Acorn, The Victim, which is actually quite interesting and has a great concept and a truly terrific cast. We watched the first episode, and I am rather curious to see where this is going to go. One way in which British crime series are superior to the American counterparts is in that there are always so many layers to the British ones, and they often tackle complex situations that made you wonder, who is the good guy, who is the bad guy, or is the entire system bad and in need of overhauling?
I also have to decide what to read next, and there’s such a plethora of good things to read in my TBR pile I am not sure where to go next. I am torn right now between John Copenhaver’s The Savage Kind (which just won the Lammy for Best Mystery this weekend–go John go!), Curtis Ippolite’s Burying the Newspaper Man, Rob Osler’s The Devil’s Chewtoy, or another Carol Goodman. I’ve also been wanting to revisit some classics I’ve not reread in a while–anything by Mary Stewart, really; or du Maurier’s Rebecca or Shirley Jackson’s The Haunting of Hill House, or maybe one of the du Mauriers I’ve not already read before.
Taking the weekend off felt absolutely lovely, if I am going to be completely honest. I did do some minor chores around the Lost Apartment–laundry, dishes, etc.–but nothing major; the place is a bit of a mess this morning. I do have to run some errands later today–prescriptions, mostly, and I need to put air in a tire–and I am going to swing by Office Depot as well to get some file organizational items so I have place to put all these files that are piled up all over the place around my desk area. After I am done with the day’s data entry (always a happy chore for me) and am free for the evening, I will spend it doing some cleaning up/organizing around here. I had hoped to start going to the gym again today, but I suspect I am not going to wind up making it over there after all. I also need to start getting binders together for the new book projects; I think I will make one for the novellas as well as one for the other three books that are currently in progress (yes, I am a glutton for punishment) but I do find that the binders are helpful for also editing and making notes and so forth.
And of course as always I need to make a to-do list for the rest of the month.
Heavy heaving sigh.
But one thing that is true after this weekend is that I feel refreshed, rested and recharged. I don’t know how long that will actually last or not–it’s always a crap shoot, let’s be honest–but fingers crossed it lasts for a long enough time to make a serious dent in the weekend. We have a paid holiday coming up on Monday, which is lovely–three days weekends are always nice, and July 4th also falls on a Monday so that’s another lovely three day weekend coming up in a few weeks–and of course, later that week I am off to Fort Lauderdale. Woo-hoo? Woo-hoo!
Paul and I also booked our plane tickets for Bouchercon last week, so that’s a go for me as well. Woo-hoo!
And on that note I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check in with you again tomorrow morning.
I’ve always been—undoubtedly in part because I love history so much—an enormous fan of books where secrets from the past (even the far distant past) play an enormous part in the present lives of the characters in the story, and that solving those mysteries, learning the truth about the past, is necessary in the present for conflict resolution. As a history buff, the lack of a lengthy history as a nation is something I’ve always thought unfortunate; without ancient buildings and the way that history isn’t sort of always there in our faces the way it is in Italy or other older nations, it’s difficult for many Americans to either grasp, be interested in, or give a shit about our history—we have as a nation the attention span of a goldfish (thanks, Ted Lasso, for that reference).
To make a side by side historical comparison, for example, the Habsburg dynasty dominated central Europe for almost six hundred years, whereas the first European to actually arrive and establish a colony were under the aegis and flag of the Habsburg king of Spain—and that was in the early sixteenth century.
Secrets of the past casting a shadow over the lives of the living is often a theme in Gothics, my favorite style of novel/writing (noir is a close second). Rebecca is of course the master class in secrets of the past; the first Mrs. deWinter might not actually be haunting the halls of Manderley literally, but her ghost is definitely there. Victoria Holt’s romantic suspense novels inevitably were set in some enormous old mansion or castle, with potential ghosts a-plenty everywhere you turn. Phyllis A. Whitney’s one novel set in Britain—Hunter’s Green—also has a classic old British mansion with a potential ghost in it. Maybe it was the childhood interest in kids’ series, with the reliance on secret passages, hidden rooms, and proving that ghosts were frauds; every episode of Scooby Doo Where Are You? had the gang proving something supernatural was quite human in origin.
One of my favorite Nancy Drew books when I was a kid was The Ghost of Blackwood Hall; I don’t really remember much of the story now, other than a fraudulent haunting was involved and a woman—Mrs. Putney—was being swindled by a medium? (Reading the synopses on a Nancy Drew website, apparently part of the story involves Nancy and the gang coming to New Orleans, which I absolutely do not remember; my only Nancy Drew-New Orleans memory is The Haunted Showboat—involving yet another haunting. Interesting.) When I was writing the original short story (“Ruins”) I needed a name for the old burned-out plantation house; I decided to pay homage to Nancy Drew by naming it Blackwood Hall, and naming Jake’s maternal ancestor’s family Blackwood (his grandmother was a Blackwood, married a Donelson; Jake has his father’s last name, which is Chapman). I did think about changing this from time to time during the drafting of Bury Me in Shadows, but finally decided to leave it as it was. It might make Nancy Drew readers smile and wonder, and those who didn’t read Nancy Drew, obviously won’t catch it.
Hey, at least I didn’t call it Hill House.
But writing about ghosts inevitably makes one wonder about the afterlife and how it all works; if there is such a thing as ghosts, ergo it means that we all have souls and spirits that can remain behind or move on after we die. So what does writing about ghosts—or writing a ghost story—mean for the writer as far as their beliefs are concerned?
Religion primarily came into existence because ignorant humans needed an explanation for the world around them, combined with a terror about dying. It is impossible for a human mind to comprehend nothingness (whenever I try, I can’t get past “there has to be something in order for there to be nothing, you cannot have nothing unless you have something” and that just bounces around in my head until it starts to hurt); likewise, whenever I try to imagine even the Big Bang Theory, I can’t get past “but there had to be something to explode” and yeah, my head starts to hurt. Even as a kid in church, studying the Old Testament and Genesis, I could never get past “but where did God come from?” I don’t begrudge anyone anything that gives them comfort—unless it starts to impede on me. I’ve studied religions and myths on my own since I was a kid; the commonalities between them all speak to a common experience and need in humanity, regardless of where in the world those humans evolved; a fear of the unknown, and an attempt to explain those fears away by coming up with a mythology that explains how everything exists, why things happen, and what happens when you die. (I am hardly an expert, but theology is an amateur interest of mine, along with Biblical history, the history of the development of Christianity, and end-times beliefs.)
Ghosts, and spirits, have been used since humanity drew art on cave walls with charcoal to explain mysterious happenings that couldn’t be otherwise explained. I am not as interested in malevolent spirits—ghosts that do harm—as I am in those who, for whatever reason, are trapped on this plane and need to be freed. This was a common theme in Barbara Michaels’ ghost stories (see: Ammie Come Home, House of Many Shadows, Witch, Be Buried in the Rain, The Crying Child) in which the present-day characters must solve the mystery from the past; why is the ghost haunting this house and what happened to them that caused them to remain behind? I used this theme—spirits trapped by violent deaths in this plane whose truth must be uncovered in so they can be put to rest—in Lake Thirteen and returned to it with Bury Me in Shadows. I did, of course, worry that I was simply writing the same book over again; repeating myself is one of my biggest fears (how many car accidents has Scotty been in?), but the two books, I think, are different enough that it’s not the same story.
At least I can convince myself of that, at any rate.
There’s a few more ghost stories I want to write, actually; (it also just occurred to me that there was a ghost in Jackson Square Jazz, the second Scotty book) any number of which come from those legends my grandmother used to tell me as a child. I have this great idea for one I’ve been wanting to write set here in New Orleans for a very long time called “The Weeping Nun;” I have the entire ghost’s story written in my head, I just don’t have a modern story to wrap around it (same issue I have with my New Orleans ghost story book, Voices in an Empty Room) and of course there’s “The Scent of Lilacs in the Rain,” a short story about another Corinth County ghost I started writing and got to about five thousand words before the ghost even made an appearance. That great length is why I shelved the story—and now, of course, I realize I can do it as a novella, which is amazing news and life-changing, really. “Whim of the Wind,” the very first Corinth County story I ever wrote, is also kind of a ghost story, and maybe someday I’ll find the key to making it publishable (although I think I already did figure it out, thanks to the brilliance of an Art Taylor short story).
I’ve always believed part of the reason I was drawn so strongly to New Orleans is because the past is still very much a part of the present here—though not so much as we New Orleanians would like to believe, as several Facebook groups I belong to about the history of New Orleans often show how often and rapidly the cityscape has changed over the years—and you can sometimes even feel here, at times, under the right conditions (fog and/or mist are usually involved) like you’ve gone back in time, through a rip in the time/space continuum; which is something I’d actually like to write someday here—but that’s just an amorphous idea skittering through my brain.
And of course, I have an idea for a paranormal series set in a fictional parish here in Louisiana. I think about it every now and again, but am really not sure how I want to do it. I know doing a paranormal Louisiana town series will get me accused of ripping off Charlaine Harris’ Sookie Stackhouse novels, but that’s fine. I don’t think I would be doing vampire kings or queens or any of the directions Ms. Harris went with her series. (Monsters of Louisiana and Monsters of New Orleans—paranormal/crime short story collections—may also still happen; one never knows, really.)
As hard as it was sometimes to write, I think Bury Me in Shadows turned out better than I could have hoped. I think it captured the mood and atmosphere I was going for; I think I made my narrator just unreliable enough to keep the reader unsure of what’s going on in the story; and I think I managed to tell a Civil War ghost story (it’s more than just that, but that’s how I’ve always thought of it and that’s a very hard, apparently, habit for me to break.
I hope people do read and like it. We shall see how it goes, shall we not?
Monday morning and here we are again. But the good news is I actually wrote something yesterday that wasn’t this blog and I haven’t done that since Before the Power Went Out. Granted, it wasn’t much of anything; a listicle of books I used as inspiration for Bury Me in Shadows and how their mood, style, voice and point of view helped me develop my own Gothic style for my own book. Bury Me in Shadows isn’t my first Gothic, of course; Sorceress, Lake Thirteen, Timothy, and The Orion Mask could all be considered Gothics (the latter two definitely more so than the first two; but the first two do have touches of Gothic in them).
But writing this listicle (and yes, I do hate that word but it works) got me thinking about Gothics in general, and what is/isn’t considered Gothic when it comes to literature (and no worries, Constant Reader–I refused to take the bait and name The Castle of Otranto, Dracula and all the others that inevitably turn up on these lists; I even left the Brontë sisters off my list); likewise, I often think about noir in the same way and what it is or isn’t (I maintain that Rebecca is noir to the heart of its dark soul), which makes reading Silvia Moreno-Garcia’s Velvet Was the Night such a joy. Yes, I was able to sit down yesterday and spend some time with this delicious noir that is just as velvety in its writing as its title implies; it was after I walked to the gym on a beautiful late September Sunday and worked out, then walked home and had my protein shake, watching the end of the Saints game while sitting in my easy chair and reading. So, yes, yesterday was quite the marvelous day for one Gregalicious. Yes, I slept later than intended; but I made it to the gym, I wrote the listicle piece, and I spent some time reading. I really need to set aside at least an hour every day to spend reading; I’m not sure why I’ve had so much trouble reading since the power came back. But I have some amazing things in my TBR list I want to get to, and I definitely want to hit the horror/spec fic hard for October, to honor Halloween. Definitely want to reread The Haunting of Hill House again, perhaps grab one of those thick Stephen King first editions down from the shelf and dig into it, and there’s a Paul Tremblay on the shelves, waiting for me to read it. I can also get back into the Short Story Project for October–there’s no better short story writer to study than Stephen King, right, and I haven’t even cracked the spine of If It Bleeds.
Yes, that sounds like a great plan.
I also need to start working on the book I just signed a contract for that is now due in January. I haven’t settled on a pseudonym yet, but the book’s title is (pause for effect) A Streetcar Named Murder, and I am really looking forward to getting back into writing this again. I’ve been thinking about it a lot lately and making lots of notes…I do think I am getting to the point where I am going to start writing fiction again, and regularly. I still feel more than a little bit overwhelmed, but it’s not as paralyzing as it has been Since The Power Went Out…but I am also aware, from past experience with this sort of shit, that it also goes from day to day and changes. Today may be a good day; yesterday certainly was, but it can also change on a dime at any moment.
We also finished watching Curse of the Chippendales after the Saints game–the final episode was a bit of a letdown–but the overall story was fascinating. I was more than a little surprised that none of the Chippendales dancers were gay–or certainly not the ones they interviewed, at any rate–because I would have sworn that several of them were; I mean, as I said to Paul while we were watching, “I find it really hard to believe none of these guys were gay–especially with worked out bodies at a time when the majority of men who did work out were gay.” Then again, it could be a stereotype, but I do remember when if someone looked like they worked out, the odds were in favor of them being gay. (While I am aesthetically very happy that gay body culture has crossed over into the mainstream with the result that even straight guys of all ages are working on keeping their bodies in shape, I do miss the days when a hot-bodied guy would catch my eye and I’d be able to think, ‘yeah, one of us most likely.’)
After that, we got caught up on Titans–I cannot emphasize how well Greg Berlanti’s television adaptations of the DC Universe are done–and then we started watching Midnight Mass on Netflix. It’s creepy and weird and sad and more than a little spooky; all I could think while watching was ugh how miserable it would be to live on that island…while I am not a fan of living in enormous metropolitan areas like New York or LA or San Francisco etc, I am also not a fan of living in little communities like the one depicted in this show. There’s such a claustrophobic, insular feel to living in small rural towns or communities that I don’t think I could stand for long. But it was a lovely, relaxing Sunday around the Lost Apartment (and the Saints won!), which was greatly appreciated by me at the very least.
And on that note, I should head into the spice mines. Y’all have a lovely Monday, okay?
Sunday morning and it’s probably about time that I get back to work. I don’t want to–this birthday mini-vacation has been quite lovely–but I have things that need to be finished and turned in by the end of this month (hello, edits and revisions) and I have to stop putting that off. I only have to go to the office twice this week–tomorrow and Tuesday–before my Bouchercon vacation begins–but my plans for that time is to get things done and then take time to myself.
Well, I may take Wednesday as a day off. I need to drive around New Orleans and do some research; Wednesday should be perfect for doing that, methinks….so maybe taking a day off to begin with to get into the groove of getting everything done that needs to be done by the end of the month could wait until Thursday to get started…but then on the other hand, maybe it a sight-seeing research trip around the Irish Channel wouldn’t be a huge distraction from getting things done that day….alas, I was supposed to have dinner with great friends that night (fucking Delta variant anyway) but I am going to try, very hard, not to let these things disappoint or depress me. That’s a sure way to guarantee I’ll get nothing done.
I started reading Megan Abbott’s The Turnout yesterday and was, of course, immediately enthralled. She manages to somehow lure you in with the opening sentence, something cryptic, eerie, and yet compelling. Her books always have this same voice–I’d say mournful, but that’s not accurate either–always a variation that fits the story and the characters, but that lyrical, poetic, economic way of establishing mood and dramatic tension is almost ethereal and dream-like; even if the dream will, as always, eventually bare its teeth at the reader. God, how I wish I could write like that. I always wonder how writers as gifted as she write their books–do they write a sentence and then agonize over how to find the right words that create the right rhythm, or do they agonize over which word to add as they go? Me? I just vomit out three thousand or so words at a time and then go back and try to make it say what I wanted to say how I wanted to say it; nothing poetic, lyrical, or dream-like about my work. But I write the way I write–I used to want to be Faulkner when I was in college; I think it’s fairly safe to say that ship has sailed–and I cannot be terribly disappointed by anything I write anymore. I am pleased with the work I am doing–have been doing–and as long as I remain pleased by everything I write going forward, I am going to be just fine. I am intending to spend some more time with Megan Abbott this morning before diving into the edits/revisions before heading to the gym; and intend to do even more revisions/edits after my brief workout this afternoon.
We started watching The White Lotus last night and I am on the fence. I really don’t care much for any of the characters–the acting is terrific, the writing is fine, but I can’t wrap my mind around a point, if there even is one, you know? I rewatched this week’s Ted Lasso, and one thing I’ve noticed–there are so many lovely little touches to this show–that is one of my favorite things is that Keeley always laughs at Ted’s jokes, no matter how corny, no matter how bad the pun–she always laughs, and she always did, from the absolute beginning. In fact, Keeley was the first character on the show to see and accept and like Ted; which made her even more likable.
I also managed to finally get my TCM app working on the Apple TV yesterday–you’ve always needed a television provider for access; once I let Cox go it wouldn’t allow me to use Hulu, but now it does–and I immediately cued up and watched The Strange Love of Martha Ivers, a terrific noir with Barbara Stanwyck as Martha…and as I watched, I realized how much that plot device–a murder committed and covered up by kids, only to have everything come home to roost when they’re adults–gets used a lot today. I saw this movie for the first time when I was a kid, with my grandmother; WGN used to show old movies after the 10:00 pm news in Chicago as well as every afternoon at 3:30 (which is where my educational grounding in classic old films started). I’d forgotten that the magnificent Judith Anderson played Stanwyck’s horrible old aunt that she winds up killing; Anderson was robbed of Oscars at so many turns in her film career–Rebecca, And Then There Were None, this–it really is a shame; but at least those great performances are preserved forever on film. I am very excited, to say the least, about having access to the full range of TCM again; I can now watch movies instead of getting sucked into watching old LSU games on Youtube or history videos (I’ve been watching a lot of biographies of the Bourbon royal family of France during the seventeenth century, and will ask again: why has no queer biographer/historian/novelist written about Louis XIV’s openly gay brother, Monsieur, Philippe duc d’Orleans?). Just glancing through the app yesterday, there were so many movies I wanted to either see for the first time, or rewatch for the first time since I was a child…and of course, watching old film noir (along with reading old noir novels) works as research for Chlorine.
That’s me, multi-tasking and always finding a way to justify wasting time/procrastination. I am quite good at it as well, in case you hadn’t noticed.
I also woke up earlier–well, I woke up around the time I usually do, just got out of bed earlier than usual. The last few days of not getting up before nine, while lovely and restful, also managed to somehow keep the lethargy going throughout the rest of the day. I am hopeful that will not be the case today. I am going to spend an hour or so immersed in Megan’s new book, and then I intend to straighten things up around the kitchen before digging into the edits/revisions of the Kansas book–which I have allowed to languish for far too long–and I also need to clean out some things (spoiled food) from the refrigerator as well as try to get my lunches prepared for the two days in the office this week.
And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I will talk to you on the morrow.
I feel very rested this morning; I’ve been sleeping well (thank you, medication) ever since last week, and am probably jinxing myself this morning for tonight’s sleep, but it is astonishing what not having insomnia feels like, and how literally marvelous that actually is. Yesterday was nice and relaxing; I made condom packs and other day-job related things around here all day, while doing the laundry and cleaning the kitchen (sort of); today I will be making more condom packs as well as doing various other day-job related things while watching some thing on television. I am now caught up on Superman and Lois (seriously, the best Superman adaptation since Christopher Reeve; if you’re a Superman fan, you really need to watch this show) and Real Housewives of Beverly Hills–which isn’t quite as absorbing as it has been before; it’s difficult to watch the Erica Girardi performances as “victim” without wanting to slap the smug smirk off her criminal face–and am not entirely sure what to watch today–I forgot to check with Paul about Loki–but I am sure I can find something.
I also neither read nor wrote yesterday; the desktop computer isn’t working as great as it could/should and I suspect I am going to eventually need to replace this bitch once and for all, which is galling, but it’s also, now that I think about it, fairly old. It was at least two or three at the time of the Great Data Disaster of 2018, and that’s almost three years ago as is. I hate spending the money–would actually prefer not to, in all honesty–but it is something I really need for my work and it is a complete tax write-off. I ordered a wireless mouse to use for the laptop–I lost the old one, and have looked for it everywhere–which should also arrive today, so working in my easy chair should be a lot easier as far as that is concerned going forward as well. I am also looking forward to paying off the car and some of these outstanding bills–which has also helped with my sleep, quite honestly–and so maybe, just maybe, I should get a new computer as a birthday gift to myself. I can’t really decide, to be honest. I mean, I could take this one back in and have them install more memory into it, but I am also not entirely certain that is the wisest course to take. Heavy heaving sigh.
But as my coffee continues to warm and wake up my brain from the deepest recesses of sleep, I see all kinds of things I really need to get done around here–I am going to bag up some more beads to donate, for example–and maybe I can start working on clearing things out of the attic. That’s a great, if problematic, project–I hate that little ladder that folds down and it attached to the trap door to the attic, and when I’m standing on it that creates an issue getting things up and down from there–but I can handle getting over my ladder phobia for a little while, and of course there’s no need for me to be going up and down; it can be done bit by bit.
And let’s be completely honest here–I’m not going to read anything that’s stored in the attic, am I?
So that can all go. And while I have been saving my papers almost from the very first–I don’t know, maybe I should try to see if there’s an archive still interested in them. I don’t think there will be much interest in them, or me, once I’ve left this mortal coil–I can’t imagine MFA or PhD candidates ever needing or wanting access to them, nor can I imagine I would be the subject of future biographies and/or scholarly research. And that isn’t me being self-deprecating, either–I am trying to watch out for that stuff, to be honest–and I have to wonder if I am, in fact, hoarding the paper. Decisions, decisions, decisions.
But it’s a lovely morning, and I need to make a to-do list for the weekend. One thing for sure I need to do is take boxes of condom packs back to the office (thus clearing out the living room) and pick up the mail; I also need to pick up a prescription. This should all be relatively easy to accomplish; the question is how do I want to do this all, and in what order to maximize my efficiency as I am out and about in the world. I feel pretty good, and that bodes well for my visit to the gym after I get my work done. I want to focus mostly on reading and writing this weekend–often a challenge–and trying to get caught up on everything.
Some day, methinks–or me-dreams–I will be finally caught up on everything. Ha ha ha ha, I still can crack myself up when I put my mind to it, can’t I?
I was also thinking, yesterday, as I made my condom packs and listened to the accessory-after-the-fact nonsense on Real Housewives, about my twisted view on gay relationships when it comes to writing about them; one of the things I’ve always been interested in is relationships gone bad, turned sour, and how to adapt common criminality tropes used for heterosexual couples for gay ones. One of the things I found so interesting about PJ Vernon’s Bath Haus was the power imbalance between Nathan and Oliver, and how that dynamic deeply affected not only how they saw each other but how they interacted with each other. The tired cliché love is blind isn’t really quite so tired when your couple is no longer opposite-sex; those dynamics really haven’t been as explored in queer relationships in crime novels so much as its been done to death for straight ones. When I wrote Timothy, I wasn’t playing with the romantic suspense trope (as Rebecca is so frequently and commonly mistaken considered) as I was writing a gay noir with a completely untrustworthy narrator–how innocent is Mrs. deWinter, after all? I have other ideas, of course (as always) for other explorations of noir and gay characters who aren’t on the up-and-up; there used to be a sense that gay characters in gay fiction had to be heroic in some one–no matter how flawed they were in service to the story they might be–because we needed to create them since history and most literature erased our existence. But things have changed, and I don’t feel that tiresome burden anymore–which I didn’t take terribly seriously in the first place if we’re being completely honest; the villain in Murder in the Rue Dauphine was a gay man, after all–but I no longer feel, when I am creating a character or starting to write something that I need my characters to be role models; that is a subconscious thought I am not sorry to have to consider anymore. Certainly my short story characters are not heroic people; they are damaged and flawed and often driven to their breaking point by circumstances beyond their control. My main character in “Festival of the Redeemer” is certainly incredibly flawed and more than a little unreliable; his mental instability and horrific, almost emotionally crippling insecurities are fun to write if emotionally exhausting.
And on that note, I am starting my day. May yours be a fabulous and amazing Friday, Constant Reader, and I will check in with you later.