Tag: reading

Shake

Well, yesterday was a good day for one Gregalicious. I didn’t get as much done around the house as I would have preferred, but c’est la vie. I did have football games on all day, mostly as a break from monotonous silence, but I did get to see the Florida upset of Mississippi, and surprisingly enough, LSU beat Vanderbilt last night to stop their three game losing streak…but have to play Oklahoma next, who managed to not only upset Alabama last night but beat them pretty soundly. After the LSU game I caught the end of Auburn-Texas A&M, which Auburn finally won in quadruple overtime. What a crazy year this has been in the SEC, has it not? Now the winner of Texas-Texas A&M will play Georgia for the SEC title. #madness.

But one thing I remembered finally is that I usually read during games I don’t necessarily care about, and so I finished The Reformatory by Tananarive Due at last yesterday, and what a read it was. I’d say it’s one of the best books I’ve read in a very long time, and I read a lot of really good books, so that is really saying something. I’ve added Due to my list of “must-read” writers, and she has a substantial backlist I am looking forward to exploring. It took me a very long time to get through this book, because it was so powerful and the horror in it was so completely real, but more on that later. I am going to go out on a limb and call it a masterpiece for now, and encourage you to read it if you have not. Today I am going to start reading Lavender House by Lev AC Rosen, whom I’ve met and found delightful, and whose career I’ve been following avidly. I’ve yet to read one of his books, but I am very excited to read one of the most acclaimed queer mysteries of the last few years. I’m also kind of thrilled to be reading fiction again. Today I am also going to read a couple of short stories a friend sent me to read, and probably will do some writing, either short story, essay, or the book, today as well. I went to get the mail and made a grocery run yesterday, so I don’t have to do anything errand-like today, but I should probably make it to the gym later this morning. The weather has been wonderful, and one thing I am determined to do this year is drive around the city taking pictures of Christmas decorations. I definitely want to write a nice essay about Christmas this year, and the essay I worked on briefly yesterday, “Recovering Christian,” is one I started working on about twenty years ago. The lovely thing about Substack is I now have a place to post those essays, and share them with the world. I do have to make more of an effort to post content there at least once a week.

I do wonder if all the readers I picked up there during my ranting about homophobia post are expecting that kind of content all the time? I don’t know, but in some ways I am thinking that the Substack (also a place to publish short stories, too, if I so choose) is kind of a good place to write about my life, and explore issues of being a queer American writer, and my thoughts and opinions about systemic bigotry, and all the things I was miseducated about as a child. (American Mythology, hello?) That way it will live up to the name it shares with this blog, “Queer and Loathing in America.” I also want to write essays about my gay life, and the lessons I learned the hard way, as well as writing. I’ve been unpacking my past ever since Mom died–the first time I’ve ever allowed myself to look back–and while I am not sorry I never did this before, I am also learning a lot more about myself and why I do things and why I react the way I do and how much of my life was controlled/driven by anxiety. I was fine at the party the other night, but too many people in spaces still makes me uncomfortable and uneasy, but that’s okay. The claustrophobia might be anxiety related, or it may be entirely it’s own thing, but the primary difference was that there was no adrenaline spike or spiraling. I was able to relax, and kind of enjoy myself more.

And that is what I meant when I said I was pulling back from the crime community and centering myself. I want to focus on myself, on Paul, and our needs and what we need to do and handle and take care of, and I don’t want to do emotional labor for anyone else anymore. I’ve been watching a lot of Youtube and TikTok videos about cutting MAGA voters out of your life, or at the very least setting boundaries, and I saw one that really made a lot of sense to me: we don’t feel safe around them, but we don’t have to cut them out entirely, we just have to stop giving them emotional labor. Go get sympathy from another MAGA voter, since you’re all so empathetic and sympathetic to the concerns, fears and rights of other people. It’s why BlueSky has been flooded by Twitter trolls, now that the genius has killed that platform (but hey, let’s put him in charge of government!). They don’t enjoy talking to each other, so they have to “pwn the libs.” But they just get blocked, so they’re the ones who wind up in a echo chamber. Hell, I block people who annoy me. It’s my space, my experience, and if I don’t want the aggravation of annoying people or giving them time or energy, well…no one can make me engage with people who steal my peace.

I also don’t think people understand how casual homophobia, so easy for straight people to slip into with their excessive privilege, makes us feel when we hear it or hear about it or (in some cases) read about it in screen shots. Not only do we no longer feel safe around you, we can’t count on you to stand up for us when the chips are literally down. There’s been some slightly viral conversation about some Jewish lesbian who voted for Trump and has been cut off from her friends and kicked off a team. “I wouldn’t do this to someone who voted for Harris,” she cries her crocodile tears, as she sits down with right-wing podcasters and plays victim and martyr. She voted for Trump because of pro-Palestine lefties…or so she claims. So she aligned herself with someone who actually had dinner with a Nazi, and has been embraced by American Nazis. Who ally themselves with the Proud Boys and other ant-Semites (who precisely are the voters who chant “Jew will not replace us” again?), and now wants everyone to feel sorry for her and pretends ignorance. Sorry not sorry, bitch–your new buddies and the Karens posting on your instagram talking about how horrible it is that queers actually can see this quisling bitch for who she is? Those bitches will be the first ones to turn you into the SS, moron. It’s especially egregious because my education in feminism and social justice was at the hands of lesbians; I’ve always thought lesbians, of all people, would know better than this bullshit. And this bitch is talking about “how we all need to have these tough conversations”–no, we don’t, honey. The time for tough conversations was before the election, and trust me, there’s not a single tough conversation I could possibly have where I’d be willing to come to an agreement or compromise with people who cheered the HIV/AIDS epidemic in the 80s and 90s. You don’t compromise with the Klan. You don’t compromise with Nazis. You don’t compromise with people who’s starting position is “you don’t deserve any rights, and you really shouldn’t exist.”

Feel free to pound your head into that wall until it’s pulp, Benedictine Arnold. Enjoy the lonely life of celibacy you’ve set up for yourself.

The funniest thing about her is she is a butch lesbian–short hair, masculine clothes, the whole ball of wax–and you know she is going to get challenged going into the ladies’ bathroom or changing room.

Good. Enjoy what you voted for. I have no patience with queer remoras attaching themselves to the sharks circling the rest of us. I certainly have no forgiveness in my heart for the future informers and camp guards. She showed us who she is, and we believe her.

And on that note, I am going to head over to my chair to read for a bit before I get to work around here. I slept really well again last night, and feel pretty good this morning. I also want to work on my review of The Reformatory, and get some other things done. Have a great Sunday, Constant Reader, and I may be back later on.

It’s Not Unusual

Wednesday Pay-the-Bills day (yay) but we’ve also made it halfway through the week, which is terrific. Paul worked late with meetings and things last night, so I was by myself at home last night. I was tired when I got home from work, so I did some things and then crashed in my chair with Sparky sleeping in my lap (which I always love). I got caught up on the shit-show that is the news–and even did some writing. Not much, but it was good writing. It wasn’t work on the book, either; I worked on a short story that I had thought through while I was in Kentucky, and I like how it’s developing. Slow going, but it was some work, and I was rather pleased to dip my toe back into the waters. I wound up going to bed an hour earlier than usual–why stay up when you’re dozing off?–and I am up even earlier than I usually am. I have some errands to do tonight after work, and then I’m coming home to hang with Sparky and finish some of these chores. It is rather endless, isn’t it? The treadmill of life we’re all on?

It felt good to be writing again and I am hoping that means I’ll get even more writing done today. Hope always does spring eternal, and all that. I need to get a to-do list made (I still haven’t done this, and so have been flying by the seat of my pants, which sounds more fun than it actually is), and I definitely need to make one for the time that Paul is gone. I am going to probably go so far as to even move furniture with my cleaning. Essentially, there are four rooms in the apartment; kitchen, bedroom, living room, and the two bathrooms. So, if over the holiday next week I pick a room a day to work on, I can get the apartment back under control again.

Writing has always been my solace, and I think not doing it always affects my mood and my outlook on life. I don’t know what the future holds for any of us, and I don’t know what’s going to happen with queer lit going forward (the pornography label threat is very real, and it’s happened to me before; and certainly independent booksellers don’t carry or hand-sell my books, so who knows how long I’ll even have an outlet for my work? I guess I could do what everyone’s always told me to do–write about straight people, which is probably something I should have started doing over twenty years ago. But is there a need for books about straight people by one Gregalicious? Aren’t there already tons of them out there? The short story I am working on is about a straight woman, which should increase its chances for being sold. I suppose I’ll try the usual suspects, like I always do, and then let it sit in my files, moldering as I wait for a place that might actually want it. Although…I can definitely do a collection myself. You see why I need a to-do list? I also want to finish my “Are You Man Enough?” essay about masculinity and its traps for my Substack. I’d like to do an essay there per week–and of course, I can always publish short stories on Substack, too. Interesting thought…hmmm. It might not be a bad idea.

I do think I am making strides in conquering my Imposter Syndrome. Probably not enough to make me strap on my big boy pants and go looking for an agent again, but you never know. The worst thing any of them could do is say no–although now it seems like they just ghost you and not reply if they aren’t interested; the last time I tried I got no responses from any of the agents I queried, which was fine. I also think it’s unprofessional–it’s not going to kill you to have a rejection template and spend an hour once a week sending them so people know, but then the entire world has changed significantly since I started in this business so long ago (I just realized that I am coming up on thirty years of being paid to write; I started writing for the queer paper in Minneapolis in 1996) and maybe I’m thinking back to how things were in another time, the way all old people do, and of course thinking those times might have been better. The dangers of nostalgia I always warn about, how things seemed better at some time in the distant past when really, it’s just because you were younger then and had a less complicated, easier life. Nostalgia for high school is really just nostalgia for a time when all the worries of adulthood were still in the future, and frankly, my public education experiences were all terrible so I’ve never had to worry about doing that. I do not miss high school, and never will.

And on that hopeful note, I am heading into the spice mines. Have a lovely Wednesday, and I may be back later. You never know.

Eight Days a Week

I guess this will be the last Veterans’ Day, since going forward it will be renamed Suckers and Losers Day, right?

It’s Monday morning in the Lost Apartment and I am up early. My vacation is over and I am going back to the office. It’s going to be weird; it feels already like I’ve not been there in eons. But going back to the normal routine after a very restful (if stressful) vacation was inevitable. I had a nice day yesterday, in which I got some things done and made groceries, before Paul and I settled in for an evening of Abbott Elementary and Rivals–both of which I love– and we’ll be finishing Rivals tonight. I’m glad to be back home in New Orleans, and I slept very well last night. I didn’t really want to get up this morning because the bed was so comfortable, but Im not groggy this morning, so that’s a big win for me. I feel rested, which is the point of time off, and ready to face my week and whatever demons are thrown into my path this week. There’s always, sadly, a few.

I also spent some more time with Tananarive Due’s The Reformatory yesterday, and it is truly an exquisitely written and incredibly powerful story. It’s also heartbreaking in its truth about what life was like in Jim Crow Florida for Black people, and it’s a very stinging indictment of whiteness and the false promise of this country. I keep thinking ah yes this is what they mean by make America great again–a return to this kind of disgusting societal norm1s. I will write more about it when I finish savoring it, but I felt it needed to be brought up right now–I am not even waiting for me to finish this book to tell people they need to read it. I started listening to it in the car–the audiobook narration is completely en pointe–and continued reading in physical form when I got home this weekend. It really is superb, and I can see why it was (is?) so acclaimed and it definitely deserved every award it won. Due is going onto my ‘must-read’ list; I’m just sorry it took me this long to dip into her canon.

But after that I think I am going to read a crime novel. I have a shit ton of them in my TBR stack, and with my time on social media being dramatically curtailed going forward (I succumbed to the trap yesterday more than I should have; bad Greg, bad Greg), I should have time to read every night. Tonight I am going to pick up the mail on the way home, and I am going to cook out–it rained all day yesterday–and I’ll read some more while I do that (and clean up the kitchen more). Thanksgiving will be here before we know it, and that’ll be another lovely long weekend. I also decided this past week that this will be the last year I’ll skip Thanksgiving; it’ll mean a lot to my sister to have me there. Dad didn’t go last year (it’s really a Mom holiday), but he might go this year. I don’t know how much longer I’ll have either Dad or my sister, so I should spend as much time with them as I can while I still can. Morbid, yes, but my reality. And yes, since the election I’ve been much more aware of how little time I may have left here.

My new mantra, by the way, is fuck your feelings (see caption on picture), and I am not dialing anything back anymore. What good did being a pick-me gay ever do for me? I’m actually kind of sickened by how much of a ‘pick me’ loser I’ve been for so long in the crime fiction community. My Substack essay? Wasn’t even the fucking tip of the iceberg.

And you know what? DO you have any idea of how many straight “allies” let that kind of shit fly because it doesn’t affect them in the least, and well, if a queer is listening, that’s on them to say something. I can recall exactly ONE time in the last fifteen years when some straight white asshole decided to use the word faggy in front of me at the table in the bar where we were sitting. He smirked and looked right at me when he said it, too; he knew what he was saying and was testing me to see what I’d do or say; in other words, he put his little shriveled dick on the table and dared me to say something to him. As I burned and counted to ten before punching him in his smug smirking face, Lisa Lutz stuck her finger in his face and said, “Noooooooooooooooooooooooooooooo. We don’t use that word, ever.”

And I will be grateful to her for the rest of my life.

I do find it amusing how many straight men have no clue how close they’ve come to getting punched in the face.

None of this stuff makes me angry anymore; it’s how things are, and I’ve come to the realization that straight white people are never going to change. They are always going to be entitled, selfish monsters who will always convince themselves they were the real victims. “Well, we wouldn’t have had to kill all those Natives if they hadn’t fought back” or “if they hadn’t massacred that white settlement”. If anything, they were too kind to the colonizers. That’s what happens when you give straight white people the benefit of the doubt–it somehow always ends up in genocide.

And on that cheerful note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and never worry–I’ll be here for as long as I can be!

I used to worry about offending straight people by making lewd comments on these pictures, but nobody made you come here, so fuck off. And this picture just needs to be captioned “taste the rainbow.”
  1. For you white people who haven’t thought this through–no offense, but I am sure it’s most of you–when you ask, smugly, who’ll do the menial jobs when everyone is deported? They told us already–those are “Black jobs.” What else did you think they meant? Now do that math. How are they going to get Black people to do that work? Now you’re on the right track. ↩︎

Cool Water

It was lovely getting back into reading last week, and it’s amazing to me how I will just wave off doing things I enjoy; it’s more apparent now than ever that one of the things I need to do is schedule reading time for every week. I am very behind on my reading (always have been) and have been relatively successful at limiting my book purchases this year until I’ve made some more significant progress is working down the TBR pile. I didn’t read as much horror in October as I would have liked, so I was determined to read some more this past week, at least the ones I had planned.

And I am really glad I took The Chill with me to read on the trip.

Molly packed a black silk bag that could be worn as a hood, because she did not want her eyes to open again until she was back in Galesburg.

The bag was soft and lovely but it was also thick and dark, a stronger shield than the burlap sack or simple white pillowcase that she’d considered. And a kinder shield than the black garbage bag.

She put the silk bag inside her purse beside the pools of heavy saltwater fishing line and the long stainless steel hooks. The iron chains and padlock were already hidden on the bluff above the lake.

I’ve always been fascinated by the concept of towns being flooded when dams are built to create reservoirs; Lake Lanier in Georgia is one of those places, and it seems like several times of year that lake claims victims, in vengeance for a black town that was destroyed because hey, who cares what Black people own when white people want the land, right? I’ve always had an amorphous idea about writing such a book, but was never really sure how to go about structuring such a novel. I digress.

Anyway, I was pretty excited when I realized that was what this book was about. I am big fan of his writing under both Carson and his actual name; I’ve loved everything he’s written that I’ve read and think he’s probably one of the greatest crime/horror writers that we have today. He is such a literate writer, and I love that he doesn’t mind writing about supernatural events in crime thrillers, really. God, he is so good.

Galesburg was such a town in upstate New York, flooded and abandoned when the Chilewaukee dam was built to create Lake Chilewaukee; known as The Chill to local residents. But the reservoir, intended to be part of the water system delivering water to new York City, was never connected to the rest of the system. The story was that the kind of rock in the mountain they’d have to tunnel through to make the connection wasn’t the right kind of rock for tunneling through and therefore that plan was abandoned (one of the things I really loved about this book was all the research Carson did on New York’s water system, and the engineering marvels created to do so).

The book centers on a few main characters; a reservoir police officer, the local sheriff, and the local sheriff’s ne’er-do-well son, whom he loves but is losing patience with. The book opens with him heading to the jail to bail out his son, arrested for his latest drug and alcohol binge. The son feels like a loser that his father doesn’t love or understand; he spent his entire life dreaming of being a Coast Guard rescue swimmer, but was dishonorably discharged and his been adrift ever since returning home. He doesn’t have a job, doesn’t cre about anyone or anything, and is on a downward spiral that easily could end with his own death–being older now, I can see the father’s side of it, even as a child who always felt he was never believed about anything and was always at fault; but I can also see that, as a man of his generation, he has no idea how to talk to his son and get him to open up about what young Aaron feels is the waste of his life; but worry and concern often interferes with getting your point across with love and compassion when you’re feeling frustrated.

The other two characters are a father and daughter; the daughter being the afore-mentioned reservoir cop. The father, Deshawn, actually works for the city of New York on digging a third water tunnel for New York, so that the others can be taken out of service and repaired for the first time in over a hundred years. His daughter, Gillian, was born out of a summer relationship he had up there in Torrance; he got spooked eventually, and while he supported her, he never visited or had her come visit. After her mother’s death, her grandmother raised her until she sacrifices herself in the opening chapter; why, we don’t know. Deshawn brought Gillian to New York and raised her; they love each other and are very close. Gillian took the job up there because of her own confusion about her past and this strange pull she has toward the lake that submerged Galesburg…which is where her mother’s family originally were from.

I also appreciated all the information about the water system and the engineering marvels that made it all possible; my dad was an engineer, and the work they do is amazing and often unsung; we take their achievements for granted and never think about them.

The book is also paced like a runaway train. I stayed up till two in the morning to finish it, and it was marvelous. Check it out; you won’t be sorry. And check out his other work as well.

Baby the Rain Must Fall

Up far earlier than usual on a Sunday morning1, because of course, later on today I am driving to Kentucky. Twelve hours in the car, but I’ve figured out what to listen to on the drive, which is cool. I don’t know what traffic is going to be like, but that’s cool; I am also going to go a different way than I usually do–going thru Nashville instead of the nightmare that is always Chattanooga–so that will be interesting.

I was very tired yesterday morning, the way I always am on Saturday, but I got errands done and then came home to work on the house and get ready for today. We mostly watched football all day before going to bed; starting with Vanderbilt-Auburn (Auburn lost) and Mississippi-Arkansas, then Georgia-Florida, capping the night off with South Carolina’s big win over Texas A&M. The SEC is indeed crazy this season; it almost seems like no one wants to win it all this year. Now, all the one-loss and two-loss teams are going to continue knocking each other off the rest of the season, which is wild. LSU still has a chance, but they have to win out…and that won’t be easy (Alabama, Florida, Oklahoma, and Vanderbilt remain on the schedule). Interesting season, this first year of super-conferences and paying players and a play-off, hasn’t it been? All in all, a very nice, relaxing day was had by everyone in the Lost Apartment, including demon kitty Sparky–who turned himself into a love bug for the entire day. I’ve not yet packed or loaded up the car–I got up early this morning to do that specifically, as well as to add to the “I’m really tired so will sleep well tonight” feeling when I get there tonight. I’ll also be on the road for the Saints game today, so GEAUX SAINTS and I hope they do well.

It’ll be nice spending some time with Dad, resting and relaxing and reading. I don’t know if he’ll want to go do things–like sight-see historical sites in the area (I am not going to the Ark, rest assured of that)–or if we’ll end up just sitting around chatting and watching television. The weather will be similar up there to what we’re having down here, which is great as I don’t want to take a coat with me, either. I decided to finish listening to Gabino’s book in the car on the way up, move on to The Reformatory, finish reading it over the week, and then listen to Shadowlands in the car on the way home, so I can finish reading it when I get home Friday. I have a lovely weekend when I get home before I have to go back to work, and then of course it’s only a few more weeks to Thanksgiving. Paul is probably going to visit his mom for the holiday, which will give me a long weekend alone at home with Sparky, which could be a lot of fun.

And of course, once I get home from this trip I need to really get back to work on the book and everything else around here that I want to get finished by the end of the year. I need to do some research on actual hurricanes (as well as the ones that have hit New Orleans over the centuries, including from before when they got names), and I hope to spend some time brainstorming on the book’s plot. I know I want it to shift direction several times, but I am still not sure of how everything comes together and why, which is part of the fun ohf writing these types of novels, isn’t it?

And on that note, I think I am going to head into the spice mines. Have a lovely, lovely day, Constant Reader, and I don’t know how much I’ll be here posting this week, so hang in there without me, okay? MAKE SURE YOU VOTE.

  1. But not as early as it usually feels, thank you for the extra hour this morning, Daylight Savings Time. ↩︎

Go Now

Ah, Sunday morning and the last day of relaxation before I return to work tomorrow, and of course next weekend I am driving up to Kentucky. That’ll be nice, if exhausting–I never sleep enough when I travel–but I’ll get to see my sister and spend time with Dad, which is always nice. I’ll get to listen to books in the car, and read some while I am up there. I doubt I’ll write anything; or even edit much. I should just accept that in advance since it never happens, and I’ll have my journal with me and the laptop if the urge should strike. That should be enough, don’t you think? I know I certainly do.

Yesterday was kind of a flat day. I ran my errands and came home to watch football games, and was pretty tired. I did end up getting some chores done around watching games, but not much of anything. I did read some, too, between games. About the best game of the day was Texas-Vanderbilt; Alabama seems to have righted their ship at last, Auburn finally notched a win, and LSU lost last night at Texas A&M. They played great in the first half and then just crumbled in the second, and it was mostly the offense and the kicking team that cost the Tigers the game. But good for you, Aggies–your rivalry renewal game with Texas over Thanksgiving just became super-important. We don’t play again until November 9th, when Alabama comes to Baton Rouge, and we’ll see how and if the ship gets righted that night. I can’t remember the last time the two played where both had two losses coming into the game…I cooked out last night and that turned out well, and I did get some things done yesterday. There’s a few dishes in the sink and of course, the floors…but mostly today I think I am going to focus on writing and reading the most. I want to work on the Scotty Bible today and I want to revisit the manuscript completely, and of course there are short stories and essays to be worked on, as always. So, once I finish this I’m going to go read for a while with my coffee, and then get cleaned up and get to work on writing. Exciting!

I do want to start the week with the apartment cleaned, for one thing.

Yesterday I was thinking–during the dull Alabama-Missouri game–about projects I want to work on and the things I want to get done over the course of the next year, until 2026. It’s an ambitious slate, to be sure, and does require me to actually focus and work rather than blow everything off and spent time with Sparky, who gets sweeter and sweeter every day. He’s finally started cuddling and sleeping with us downstairs while we watch television–he’ll sleep on Paul before moving over to me in the chair–and of course, every morning he gets into bed with me (because he’s hungry) and is kind of a snooze button/alarm that I much prefer to the clanging of the actual one. I need to research hurricanes, too, because I am writing about one, so it doesn’t hurt to actually research and find out a basic overview of them so I can write about it in the book. I do think this Scotty could easily turn out to be the best of the bunch, frankly. Which is a nice feeling to have, I don’t remember feeling that way with the last two, but at the same time I also wrote the last two maybe five years apart? That’s kind of crazy, because I really should at most space them a year and a half apart, which I’ve not done in well over a decade. Kind of nuts, isn’t it? I’d say so. That’s no way to write a series, is it? I don’t know. I probably don’t care all that much, either. I’ve never been terribly smart about my writing career, mainly because my primary driver is the writing itself. I love writing, even when I complain about it, but it’s my primary source of joy in this life.

This week I have a doctor’s appointment on Thursday, with a podiatrist to see about my pronating feet and what is up with the pain in my big toes. It’s not always and it’s not bad enough to make me limp, but it is noticeable. I also noticed when I was pushing the cart around the grocery store yesterday that my hips were sore and hurting, which means time for a new pair of shoes. I should probably get that checked out as well, but it is most likely a side effect from my feet and their pronation. It wouldn’t surprise me if I’d need to have them (the hips, not my feet) replaced at some point over the next five years or so. My new glasses should come in as well, which will be great. I’m hoping they come in before I leave for Kentucky, because I got transition lenses because bright light and glare have become really painful for me, and that will help me on the drive up. I also think I am going to be brave and go up a different way, skipping Chattanooga by going north on I-65 at Birmingham to go through Nashville instead. That’s a better route for me; there’s a lot more places to eat and get gas between Birmingham and Nashville than there are between Birmingham and Chattanooga. I can always come back the normal way–I do want to get a look at the rest stops on 75 for a short story that I think I’ve finally figured out–which never seems to be as bad as going, you know?

And on that note, I need to get another cup of coffee and have breakfast and get cleaned up this morning so I can have a good, productive day. I hope you have a marvelous Sunday, too, Constant Reader, and I’ll chat with you again probably a little later.

She Called Me Baby

Saturday morning in the Lost Apartment, with a trip to Metairie looming for an eye appointment. Yesterday was a bit more hectic than I would have liked, beginning with having to go in to the office on what is usually my remote day (meetings, mostly, and some catch up on work I didn’t get to on Thursday), and then I had errands to run all afternoon. It was a gloomy, off and on raining kind of day, so when I got home I was very happy to be safely back into the Lost Apartment so I could do my chores and do some work. I was very tired last night when I was finished with everything, so just kind of zonked out in my chair. We spent the last few nights getting caught up on our shows (we’re now watching Agatha All Along, Bad Monkey, Only Murders in the Building, Grotesquerie, English Teacher, and American Sports Story), and I am hoping to get to watch the new ‘salem’s Lot movie aat some point this weekend, and I’d like to watch Fall Guy, too.

And I need to write this weekend, big time.

Thursday night, when I was working on the Scotty Bible and was marking pages in Mississippi River Mischief, I realized the murder victim in the book was a corrupt politician who goes by JD; prescience, perhaps? It also reminded me of something from a book I had read a very long time ago–Sarah Schulman’s Stagestruck. The thesis of the book was about the similarities between a very popular Broadway musical (Rent) and her nove, People in Trouble. Sarah had actually attended and reviewed Rent, and while it seemed familiar to her, she just dismissed it as being inspired by the struggling artist scene in lower Manhattan in the 1980s and thought it played very false, given her own experience; it wasn’t until later when a friend told her “you must be so mad about Rent”–and she went back and reread her book. (In all honesty, I went on to read People in Trouble and also watched the film of Rent and I also saw the similarities; she wasn’t inventing anything.) But the point of this particular story is that at the time, as an unpublished aspiring novelist, I found it a bit of a reach that she didn’t remember her own book…but doing the Scotty Bible–and talking with other authors–I realized that not remembering your own book isn’t that much of a stretch, and it does get harder the more book you have; the exponential possibility that you won’t remember your own books grows with each new book you write. that the piece of art basically ripped off her piece of art–and she couldn’t remember much I have been routinely shocked about how much of the Scotty series had slipped from my memory banks as I enter the information from each book into the master document; the huge plot points that are the most memorable things about them…but gone completely. I’d forgotten my villainous politician JD, and I only wrote that book last year. I’d forgotten a lot of the stuff in most of the books. I thought the one I’d really be able to temember was Bourbon Street Blues, and nope. I’d forgotten about the entire sequence in the swamp, the fire, and who the first victim was…and I also was able to remember, while going through it, what I was trying to do with him as a character as more time passed and he gained more experience with criminality and human behavior.

And given all those experiences, it was very important to me to ensure he remained a positive person who prefers to expect the best of people, not the worst, and never become cynical. Cynicism was one of the most powerful traits I wrote into Chanse, and I didn’t want to do that over again.

It was also rainy and dreary all day yesterday, and much as I love rain, it can damper your spirits a little especially when you’re already a bit fatigued. But I am feeling good today (I slept really late this morning) and like I can get a lot accomplished. I am going to make groceries on the way home from my eye appointment. I am going to run an errand in my neighborhood on foot when I get back from that, and I am going to try to get the house cleaned up and do some writing this afternoon while football games play in the living room. I also want to read some more of Gabino’s book and get more into it. Tomorrow morning I will run another errand that I don’t want to do much today–Fresh Market is close so it’s an easy thing to do…maybe I can run it later today and get it over with, but I suspect after getting home from the errands today I won’t want to leave the house so much.

And on that note, I am going to get cleaned up so I can get moving on the errands and the other things to get done around the house. Have a lovely Saturday, best of luck to your favorite team, and I am heading into the spice mines. I might be back later; I am itching to finish my review of Monsters, and the Menendez Brothers in general.

Hurting Each Other

Friday morning after Muses, and I am a little tired–physically. Mentally I am alert as ever and feel great, but I am not used to standing on the sidewalk for so long anymore. Chaos last night was my first parade (the floats were hilariously inappropriate; all I will say is the theme of the parade was “balls” and leave it at that), and we came home to rest before Muses arrived. We didn’t stay out for long, I was tired and sleepy and it got here around ten; we lasted out there for about an hour before I started flagging and came back inside. However, I realized I should have gone to parades to warm up for this weekend; I forgot that it takes a parade day to warm you up and get you in the proper spirit; I should be good to go tonight if my PT this morning isn’t too vicious.

And yes, we got a really cool shoe.

I had a good day at work yesterday, got a lot of things done and caught up and feel confident not being in the office again until Ash Wednesday will not be disastrous for me or put me really behind on things. I came home early (it took me an hour), and I came inside and watched this week’s episode of Capote v. the Swans, which was done in documentary style, which was an interesting take. I’m not quite as obsessed as I was about Capote when I first started watching, but I do want to read the Gerald Clarke bio of him, and maybe even George Plimpton’s Capote. It’s taken me awhile to get interested in Capote, and while I wouldn’t say it’s an obsession anymore, I am still very much interested in this incredibly famous openly gay man in the middle of the twentieth century. I have added Deliberate Cruelty, a true crime narrative about Ann Woodward’s feud with him by Roseanne Mantillo, to the books I am reading and I finished it last night.

And yes, I am beginning to understand precisely why he wrote “La Côte Basque 1965” and why he published it, but more on that when the show is finished and I give it, and Capote, an entry of their own.

As for me and the weekend, I have taken Monday off and so I am hoping that I’ll be able to get some reading and writing done today, Sunday and Monday (I will always take Saturday off from everything to go to Iris). I want to finish editing this one short story and finish writing another, and perhaps get them submitted somewhere. I have laundry going already and a dishwasher to unload and reload. I have PT this morning, a prescription and the mail to pick up, and then the car won’t move again until Monday at the earliest, as I will need to probably make a grocery run. I also should be able to finish reading Deliberate Cruelty so I can focus on Lina Chern’s Playing the Fool, which I am greatly enjoying. I also have some blistering blog entries to write, so this weekend should be fun on that score.

And hopefully I’ll be able to get this place ship-shape and get myself caught up on everything that needs catching up on.

And on that note, I am heading into the spice mines. Have yourself a lovely Friday, Constant Reader, and I may be back later.

Oh Very Young

So, are you ready for some MORE blatant self-promotion?

During the Bold Strokes Book-a-thon, the other panel I was on had to do with writing young adult fiction (the other panelists were amazing, I might add), and once again, I am answering the questions sent to us by the moderator to turn into an interview with JUST me (because it’s all about ME ME ME) but I do urge you to seek out the video of the panel. It was terrific, and I was definitely the most uninteresting person on the panel, seriously; this is NOT self-deprecation. (I bought everyone’s books during the panel, I might add; definitely check out Lauren Melissa Ellzey.)

What is the definition of Young Adult? How does it differ from other genres?

I think it’s primarily an age distinction, to be honest, which is something that always makes me uncomfortable. Growing up I read far above my age level; when I was in seventh grade I was reading at a college level, per the tests and so forth. I mean, I did read The Godfather when I was ten; my parents, despite their conservative religious beliefs and values, let me read whatever I wanted without having to ask permission–I think when I asked Mom if I could read something the last time she replied “Read whatever you want, I don’t care” and after that I never asked again. When I was a kid, there was no such thing as young adult; everything was either for adults or “juvenile.” The juvenile category contained multitudes, beginning with the Little Golden Books and picture books to kids’ mysteries to Judy Blume. I think sometime in the 1980’s the genre was separated into “juvenile” for kids 8-12 and “young adult” for 12-18.

But there are kids like me, who can read above their age/class level and others who can’t read at their age/class level, and I think in some ways that differential could be harmful for those who are below-average readers–reading is the most crucial aspect of education, because if you can’t read…and no matter how many ways they try to make the language around slower readers more accepting and less stigmatizing…it doesn’t really help kids to be told they’re below average or not as smart or quick as the other students. (One of my primary problems throughout my education is I would understand something the first time, while others inevitably didn’t, and as the teacher explained for a second or third or more time, my ADD would kick in and my mind would wander because I didn’t need to listen and then wouldn’t be listening when the teacher moved on.

Ah, well. 

Oh, and all subgenres of fiction also have the middle grade/juvenile and young adult sub-sub-genres.

Why or how did YOU choose YA?

I don’t know that I chose y/a so much as it chose me.

I started writing when I was a child (all my childish scribblings are lost to moves and time passing), and I wrote about kids my age. My first attempts at writing were always some kind of kids’ mystery series, a la The Hardy Boys and The Three Investigators (I’d still like to do this, frankly), and when I became a teenager, I started writing about teenagers. I wrote a bunch of short stories while in high school about the same group of kids going to the same high school. Those stories slowly but surely grew into a sprawling, handwritten novel about the county with plots and subplots and main characters and minor characters and all of this history; a “Peyton Place in Kansas kind of thing”. I worked on it for like five years, and eventually had this enormous sprawling mess that needed to be revised and rewritten and typed…and since I didn’t know how to type, made that part of it a problem. So I shoved it into a drawer and started pulling from it rather than revising it; taking out plots and characters and using them in other books and other stories.

After I finished that, I spent the next five years mostly working on short stories. I started another book, more horror than anything else, but never got further than the third chapter. I finally decided to write a horror novel built from my old manuscript and those short stories from high school. I was about three chapters into it when I discovered two things: there was a big market in y/a horror at the time (Christopher Pike and R. L. Stine were HUGE during this period) and so I bought some of them. When I finished, I thought, “You know, I should turn Sara into a y/a novel” (because I thought somehow that would be easier? Foolish, foolish rookie) and so… I did. I was right in that thinking of it in those terms made it possible for me to finish a draft, but I wasn’t very happy with it so I put it aside and started writing another one, Sorceress, which was also horror but also had some strong Gothic moments in it. When I finished that one, again I wasn’t pleased with it so I started another–Sleeping Angel–which was the one I thought really had potential. I never finished that draft–by this time I’d discovered that gay fiction and nonfiction existed, so I started reading that and trying to write about gay characters instead.

Those manuscripts remained in my drawer for well over a decade, until a friend of mine took a job as a young adult acquisitions editor, and she wanted to work with me. I told her I’d written three (although it was technically two and a half), and gave her a brief synopsis of them. She liked Sorceress the best, so I started revising and editing it and turning it into something publishable. Once it was all done, she’d left that publisher, but started her own small press for y/a books for underrepresented teens, and she wanted to launch the press with Sorceress. I said “okay” and we were off. I eventually realized I needed to let Bold Strokes know, and when I did, I got an email back saying you know we do y/a, too? And so I sold the other two to them, and have never looked back since then.

Are there specific rules for writing YA (things you can’t do)?  Does Bold Strokes add on or impose specific or additional rules?

I don’t pay too much attention to rules, frankly. There’s no graphic sex in my books, but it’s hinted at. I also try to swear less in young adult books than I do in adult fiction, which is probably not as big of a deal as I think it is? The society I grew up in was a lot more puritanical–believe it or not–that the one we live in today. So I always default to that setting, and then have to shake it off. Swearing isn’t as big of a deal as it used to be. No one thinks they’re marrying a virgin anymore, and on and on. And having been attacked for daring to accept an invitation to speak to queer high school students, I tend to tread softly. There have been a couple of times where I’ve had to change language, or how a scene went, because my editor thought it might be problematic; and frankly, I never want to be offensive, so I have no problem with it. I don’t see it as a free speech issue the way so many intentionally offensive writers claim it is. I shouldn’t take offense to someone calling me a faggot? Grow the fuck up. The so-called free speech “crusaders” are always defending hate speech as well as trying to shut up the people who find it objectionable. You do not have a constitutional freedom from consequences or getting a negative response to things you say and do, period. It’s really not hard to understand unless you want to be passive/aggressive and childish and a moron.

How do you remember back to these days, specifically how it felt or feels? (this is coming from your moderator who is much older than you are)

Well, for one thing, I’ve always kept a journal and I still have them all. (I was insufferable when I was younger, seriously.)

My sister has a theory that we forget a lot of the pleasant memories from our childhoods, but remember the traumas in great detail. I believe the truth of that, because school was a nightmare for me from the day we moved to the suburbs until I was done with it. I remember how it felt to read Greg Herren sucks cock on a desk at school. I remember how it felt to be mocked, laughed at, and bullied by assholes. I do remember the good things, though I tend to always focus on the bad.

The first thing I always do is abandon whatever “wisdom” about life I’ve theoretically learned since leaving high school, and put myself into the teenager mindset: they think they are the main characters in everyone they know’s story, and everything is the end of the world or their life is ruined and you are the most horrible parent ever! I’m not entirely sure I’ve escaped thinking that way, to be brutally honest: I am horribly selfish.

How do you come up with your characters?  Your stories? 

I am weird in that I inevitably always start with a title. I hear something or read something and think, that would make a good title. The next question is what story would fit that title? And it kind of goes from there. The title may change, the character names and story might change and evolve, but I can’t write anything that doesn’t have a title. Bizarre, I know. Usually with my young adult stuff it’s an idea I’ve had for a number of years and finally decide to explore whether it’s a novel or a short story, and go from there.

Dark Tide was originally called Mermaid Inn, Bury Me in Shadows was originally Ruins, but the others pretty much stayed the same from beginning to end.

I wrote #shedeservedit because I was angry about the Steubenville/Maryville rape cases, and remembered stories and gossip from when I was in high school and college…and rethinking them through a more evolved brain about women and misogyny… well, it made me angrier. I had already planned on writing a story set in the same town with the same characters and opening with the same murder (I always referred to it as “the Kansas book” for years), but the motive was something I always had trouble grounding in reality. After those cases…it clicked in my head. You need to write this story about small town misogyny, protecting the star jocks from the girls at all cost, and make that the plot. It was easy to write because I was angry. Making it a compelling read was harder, because the subject matter was sickening to me.

I needed to write that book, and I don’t regret doing it, either…but it’s not exactly a feel good story people can escape into, either.

Why do you think YA is so popular?

It’s more accessible, I think. I mentioned reading ability before, and I do think that most readers aren’t into the Great Literary Tomes, hundreds of pages of beautiful writing with no real point or story. People kind of want to escape their cares and worries, and y/a books tend to be really entertaining. We’re competing with phones and tablets and streaming, so we need to write entertaining and engaging books.

Any specific must do-s or must-haves to get your writing each day?

I’m not nearly as anal about that as I used to be, before I returned to work full-time. I am very aware that I have little time to waste when I write, and thus must seize whatever opportunities to write show up. But if pressed, coffee. I can’t write unless I’ve had coffee when I got up.

I think this is all of them, but I could be wrong.

Every Day I Write the Book

Okay, that’s technically not true. I don’t write fiction every day, and I don’t work on a book every day. I generally don’t count the blog as actual writing, but it is writing, I suppose, so I do write that pretty much every day. But I’ve never included the blog in daily word counts or anything; just as I wouldn’t (and didn’t) consider emails, text messages, and social media posts as being part of the daily production output (although I suppose I should; I estimated how many words of blog I’ve done since starting this nineteen years ago–twenty in December–and it was a staggering amount, especially since it was probably dramatically under-counted), and never will.

I do think about writing fiction every day, even the days when I am so exhausted and brain dead I don’t think I’m capable of much of anything creative. I am always thinking, and it’s very rare that the brain turns off, unless I go to sleep (thank you, sleeping pills!); as long as part of my mind is awake and alert my mind will eventually wander into creative thinking. It’s just how my mind works.

During the Bold Strokes Book-a-thon last month, I was on a couple of panels, and as usual have decided to turn the questions sent by the moderators as the basis for self-promotional posts. It has been a hot minute–I’ve not done a hell of a lot of promotion since the surgery knocked me off my tracks for a few months–and while I know many other books have come out since and the Greg has a new book excitement amongst my readers has already died down long since, but what the hell, right? I’m nothing if not a narcissist (or have, at best, some narcissistic traits at any rate), and let’s face it, one of my favorite subjects is ME, so why not? No one has to read these self-promotional posts, either. Just scroll on by, if that’s how you feel; my feelings will not be hurt in the slightest, and I no longer have the anxiety of oh my god no one likes me how can I make everyone like me?

Thank GOD.

This is from the Prolific Authors panel1.

How do you ensure that your latest work is not similar to something you have written before? Can you even remember everything you have written before?

After the eighth (?) Scotty book, someone on social media commented on one of my posts asking how many car accidents has Scotty been in? I’d never really thought much about it, but in that moment I realized quite a fucking lot, and that doesn’t include my other, non-Scotty books, either. I realized that I had been in a car accident in 2008 (the first in decades, and I wasn’t at fault) and my car was totaled. It was so weird, and so different from anything I’d ever imagined being in a serious accident like that would be; it took me days to get the taste of chemicals from the airbag out of my throat and my voice was scratchy and husky for about a week or so after. So, of course, I wrote about it in my next book…and then I think I started having a car accident in a lot more of my books. There was also a car accident in one of the earlier Scotty books–Jackson Square Jazz–and so…I didn’t put one in Mississippi River Mischief.

I had never truly worried about repeating myself until that moment of oh my God do I have a car accident in every book? And so now, I try to be really careful. Am I just rewriting a scene I’ve written before? Scotty is on book nine now; I don’t think it’s feasible for me to sit down and reread the entire series every time I am about to write another one. I have always intended to make a Scotty Bible–what all the regular characters look like, their relationships to each other, where they live, little tidbits I’ve dropped over the years that are clues to their personalities–so that I could verify the information in the series and not have to go looking for it (because I am nothing if not lazy, so I’d put it off and forget it and then realize it’s too late to change that now! FUCK!). I also should go back and outline the books, too–just to have something easy to reference when writing another one.

Since I write more than one series and I also write stand-alone novels, I just realized I should probably do this with all of my books…but I am way too lazy to ever get that done. So I will go on trusting my brain and my memory…which is clearly a mistake!

When naming your characters, do you completely avoid names which you have used in the past or do you feel that the characterization alone is enough to differentiate?

I have names I always fall back on–I also tend to like names that start with L’s and J’s for some reason–so I have to be careful with that. I don’t keep track of all character names I’ve used, and I suppose it’s possible that I could “recreate” a character with a name I’ve used before, and even make them the same…but I also re-use characters; they cross over from series to series and back and then to the stand alones. When I was writing Death Drop, I was originally going to have Blaine and Venus be the cops; they were the cops in both of my previous series with a gay male protagonist, so why not keep expanding my New Orleans universe? I eventually changed my mind–I don’t know why, really, or remember, which is probably a more accurate statement–and changed the names; I think I wanted to differentiate the Killer Queen series and make it more distinct from Chanse and Scotty.

I’m worried more about creating characters that are similar to others I’ve written about more so than the name. I was thinking about starting another series–one with a true crime writer as the main character, and he’s already appeared in both the Scotty and Chanse series; I even had an idea for the story. But when I started creating him, I began to realize he was like a mash-up of Chanse and Scotty, so I abandoned the idea. Now that I am thinking about it again, so what if their backgrounds are similar? He’s nothing like either one of them, and it was a good story idea, so…you never know. I try not to ever conclusively rule anything out. I even think about bringing Chanse back every once in a while.

A question I’m sure most of you have received—do you ever worry that you will run out of ideas?

That’s the least of my concerns. I am more worried I won’t live long enough to write everything I want to.

After all these books, do you still enjoy the writing process?

The primary goal of my life has always been to try to surgically remove anything I don’t enjoy from my existence. I am very blessed in that not only do I get to write and tell my stories and people want to read them but I also have a day job that I enjoy and can feel good about the work I do there. So, the only way I would ever stop writing if I stopped enjoying it, and I can’t ever see that happening. Sure, I’ve had times where I had to step away because of burn out or exhaustion, but I always knew it was a break and I would come back to it again. It’s been difficult for me since my surgery in November to get back into it, but I am making progress. I love writing, and am so grateful this childhood dream came true.

  1. I used to bristle a bit when people called me prolific; I just love to write. But I finally stopped that nonsense and accepted the descriptor when I hit my tenth book…which was over thirty books ago. If that’s not prolific, I don’t know what is. ↩︎