Tag: Queer Crime Writers

Me Against The Music

Saturday in the Lost Apartment, let’s goooooo!!!!!

I slept really well last night and feel good this morning. I had decided already–yesterday morning–that I was going to not do any writing after work yesterday and to take today off as well, and it feels nice. Finishing projects is always lovely, because once you’ve finished them the release of pressure is pretty marvelous. I also had a ZOOM meeting with my Scotty editor yesterday to get the book back on track, and I felt pretty good after that as well. It’s interesting how pressure and stress can affect your brain and your thinking when you are juggling things. But I have no doubt I can get the book done in time for it’s November release (moved back from September) and the release of that particular pressure valve was marvelous. I’m actually looking forward to diving back into the book again headfirst. Today I have a ZOOM thing for Queer Crime Writers at one, and so I am planning on heading out on errands around eleven; so I have time to also make groceries and get back home in time for the ZOOM meeting. After that I am going to probably finish reading Lori Roy’s marvelous Let Me Die in His Footsteps at last, and then I get to choose my next read, which is kind of exciting. I also have to prepare to interview Margot Douaihy for Saints and Sinners’ Pride Month celebration, which I want to do a very good job on because she’s amazing and so is her book.

I also need to take today away from the computer a bit so I can figure out what loose ends are dangling out there that I need to tie up. Not to mention what a mess the Lost Apartment is. I did get caught up on the dishes last night, and the laundry. The kitchen isn’t the mess it was developing into but could use some touching up, which I should try to do today or tomorrow morning. I also need to start brainstorming on some other things that I want to do. I’d like to take the rest of this year (once this one is finished) actually finishing things I’ve not been able to get done and thus off my plate: the short story collection, the novellas, and two in-progress books that I already have started. That’s what I would like to spend the rest of the year doing, frankly; getting that stuff off my plate and out of my hands into the world, so I can start 2024 with a fresh slate and figure out what I want to write that year. Of course, things always change; an opportunity you can’t pass up can come along at any minute, throwing off your plans and schedule (this happens to me a lot more than one might think); I also have some short stories to write and other short stories that need finishing. I’d like to get some more short stories out there in the world, so if anyone reading this is doing an anthology and needs a crime story (preferably queer) let me know because I can always find something for you. It is very rare that I pass up an opportunity to get a story in an anthology or publication of some sort.

It’s really nice to be busy, you know? I complain about it all the time–my freakish productivity and the pressure to keep it up–but I do like accomplishing things. I do need to be kinder to myself and perhaps not be quite so hard on myself as I am used to being; it’s nice to be able to sit around and take stock of your life and your career without it being deemed arrogant. And when I look at things from an outside perspective–someone whose thinking isn’t cluttered up with all my neuroses and self-loathing–it does look kind of impressive. I think I’ve been nominated for a Lammy fourteen or fifteen times? I don’t have the most nominations–that would be Michael Thomas Ford, Ellen Hart, and Lawrence Schimel, and not in that order–but hey, I’m in the top five of most nominations, which isn’t bad. This year’s three Anthony nominations brings me to a total of seven nods there from the Bouchercon membership, which is a lovely pat on the back for a queer author most of them hadn’t heard of even five years ago. I can add Agatha and Lefty finalist to the other awards I’ve gotten a single nomination for–the Shirley Jackson and the Macavity. I won some young adult independent press medals, too, along the way, which was lovely. (I am very happy Sleeping Angel and Lake Thirteen won those medals; I was very proud of both books, frankly.) Forty-three novels, twenty-two anthologies, over fifty short stories, two short story collections, and two novellas–and countless articles, interviews, book reviews and blog posts.

Not bad for someone told by his first creative writing teacher in college he would never be a published author.

There have been plenty of slings and arrows along the way, of course; things that happened so long ago that no one today who knows me and my work may even know about–the Virginia incident, Paul’s bashing, my service with the National Stonewall Democrats–so the rollercoaster of my life has certainly had its highs and lows. It’s been an interesting life, I guess; I’ve certainly met and knew a lot of interesting people and celebrities and authors. I’ve also learned over the years that there’s nothing wrong with ambition; I always am so busy and behind on everything that I forget that sometimes it’s nice to take a break, step away from everything, evaluate the situation as it is currently and make plans on where to go and what to do next. I’m feeling very content this morning, which is a very pleasant (and unusual) thing for me to feel; this brief reflection on my career and where it is now has, for once, brought a sense of satisfaction and pleasure instead of you still have so much more to accomplish! It’s not like I’m going to rest on my accomplishments, take my ball and go home, of course–but it’s very nice to think if my career ended now–for whatever reason–I could walk away from it and be proud.

I’ll never stop writing, of course. I will write until the day I die or can’t sit at the computer or hold a laptop or iPad; as long as I can still scribble in a journal I’ll be writing. I love creating, I love writing, I love telling stories. I love exploring character. I love taking a situation and thinking okay, what has to happen for this to happen, and where is the true starting place for the story? Who are these people and how did they come to be involved in this?

But it is nice every once in a while to stop, take a step back, and see things as they really are, or at least trying to take a look and see what other people see since they aren’t wrapped up in my neuroses.

And there’s nothing wrong with being proud of yourself, which I am. It feels weird, but I am proud of myself. I’m proud of my career and what all I’ve accomplished since moving to New Orleans in 1996.

And on that note, I am heading back into the spice mines. Have a lovely Saturday, Constant Reader–take the day off and rest–and I’ll be back later.

American Life

Friday Eve! Or Thursday, in actuality. But we’ve made it this far, with just today and tomorrow to get through before sleeping in on the weekend! Huzzah! I slept decently last night–not deeply, not that wonderful “I’ve turned into a log” coma-type sleep, but it was good enough that I don’t feel tired this morning, and I actually was awake before the alarm. It’s ridiculous how much more awake I feel when I don’t get up to an alarm–and how much less resentful I feel.

I also woke up to an email that the Nancy Drew action figure I pledged to support through Kickstarter reached it’s funding goal. I got the one from the cover of The Secret of the Old Clock, where she is wearing a green outfit, is holding a screwdriver, and looks (according to That Bitch Ford) about forty years old. Given that Nancy will be a hundred this decade, forty’s not a bad look on her.

Yesterday was a pretty good day. I got home, worked for a few hours, and then repaired to the chair to rewatch this week’s Ted Lasso (which was marvelous) and then we finished off Shrinking, which is one of the funniest shows to come along in a long while. I talked about this the other day, and the quality and high level of writing and acting continue through the final episode, which was also one of the greatest (and most unexpected) literal cliff-hangers I’ve seen in a long while.

I have been watching, with growing alarm and disgust, the recent right-wing war on anything non-Christian (which is hysterical, because nothing they believe is Christianity: you shall know them by their acts) and especially everything not straight and not white. Who knew straight white people were so fucking fragile? (Everyone non-white and non-straight) They also have incredibly weak faith in their Lord and Savior; because anything that might challenge that belief has to be eradicated, made not available, and swept under the rug and hidden from view because it makes them uncomfortable. What I would like to say to all of these people is mind your own fucking business. The hypocrisy of beating the drums and warning people about how they’re aren’t haters “just worried about the children! Won’t someone think of the children?” (Yet they are also the same people who believe everyone should be armed to the teeth and that school shootings are A-Okay with them because you know, ‘slippery slope’ and all that. Of course, they use the First Amendment for toilet paper but hey, newsflash! The Founding Fathers considered everything in the first more important than the second, otherwise GUNS would have been the First Fucking Amendment, wouldn’t it? No, they deliberately made it the second because the rights and privileges granted in the first were more important.)

The other day, a friend in the Queer Crime Writers’ group I belong to posted a screenshot of the age restriction requirement on the home page of a small but highly regarded lesbian press, where you actually had to plug in your birthdate in order to gain access. This was done to reduce potential liability in such states as Texas and Florida that have been passing unconstitutional, flagrantly Fascistic laws–laws that are deeply unpopular, but merely designed to advance the presidential aspirations of their deeply unlikable governor, who has the charisma of Ted Cruz and the charm of Matt Gaetz; nothing turns out the bigots like a fear that other people might be as equal in the eyes of the law as they are. This was horrific–but small queer presses don’t have the money or resources to fight these draconian, restrictive laws; one complaint from some skeevy parent in Florida whose pastor is probably molesting their children but oh no queer books! is what they see as the real problem. The demonization of trans people–directly tied into their stupid notion that transwomen and drag queens are the same thing (repeat after me: not all transwomen do drag–is the exact same thing as the crusades against gays and lesbians (not that far back), and is the same song, different verse. And why not go back to the scare tactics that have always worked? The piece of shit “libs of TikTok” woman is nothing more than a more modern, less talented Anita Bryant (she was a bigoted bitch, but I will give her credit for her singing talent; she actually had a successful career as a singer and spokesperson for the Florida Orange Growers–Florida again; it’s always Florida–until her bigotry destroyed her career. I have no sympathy for her, so don’t even try it. She deserved worse than divorce, bankruptcy, and public scorn.); the insidiousness of straight white women leading homophobic movements (see Maggie Gallagher) is predicated on motherhood; they are just mothers worried for their children! Won’t someone think of the children? (Unless it’s school shootings and legislation that might make a difference–doing nothing clearly isn’t working–in which case, who fucking cares about the kids? GUNS! MAH FREEDUM!)

These are indeed scary times, in which the complacent Left has allowed the rise of Fascism on the right, and even now isn’t doing enough to fight back against it; when small presses that have been doing the heavy lifting for queer books when we are not in fashion at the big houses could be fined and/or punished by a state for the crime of selling books on their website. (The irony of this happening to Bywater Books–who later took it down–whose DNA goes back to Naiad Press which was based in fucking Florida, is something you couldn’t put into a book. (In times like these, I miss Barbara Grier. Barbara would have ripped off deSantis’ head and shit down his neck.) This brings up several legal questions–which should be left to the lawyers–but it seems to me these laws and restrictions are not only censorship but also violate interstate commerce laws as well as the full faith and credit article in the Constitution.

It’s so tiring to be constantly having to explain to people why you deserve to be treated like a human being.

It occurred to me last night before I went to bed that I need to use this little platform better than I have been. I am sure anyone who reads my blog probably is on the same page as me politically; I can’t imagine this being a safe space for a bigot. But I’ve not been talking much about politics here, not in a long time at any rate, because I’ve always been of the mindset that it would just be preaching to the choir. Anyone who knows anything about me, or has read my books, should know where I stand politically. That I oppose bigotry and prejudice of any kind. That I believe that all Americans should be equal in the eyes of the law; that it’s the government’s job to intervene when something in the public sphere reaches crisis stage–whether it’s recovery from a weather event, health care, or violence. In a capitalist system, the government has to step in when the system fails to correct it.

But now we have a Supreme Court that seems determined to roll back the clock to the “good ole days” when non-white non-straight non-cisgender people were invisible–and it was socially acceptable to mistreat them if they weren’t.

For the record, your freedom ends before it infringes on mine.

Age restrictions and requiring adult permission to check out books dealing with queer or racial issues in this country essentially renders all that work–regardless of its intended audience–as pornography.

Queer characters are automatically pornography, because that’s all the “christians” think about when they think about queer people–dicks in asses, tongues in vaginas–which is frankly kind of creepy and revolting. I don’t look at straight people and wonder, does she like to do reverse cowgirl? Does he like it when she pegs him? because it’s none of my fucking business. I’m sorry you people are so frightened by sexuality and the mere thought of sex–but maybe try not thinking about it for a minute or two? My sex life is none of your business just as yours is none of mine. There is nothing more invasive that government intervention into your sex life.

Talk about slippery slopes*! Straight people also do oral and anal. Straight people are also into kink, threeways, orgies, leather, BDSM, you name it. And if we the people allow the government to legislate our sex lives…don’t you think it’s entirely possible they’ll come for yours someday? Why not outlaw oral and anal sex (sodomy laws are still on the books in some states, including Louisiana…those laws are never enforced on straight people, quelle surprise). Why not virginity laws? Or a virginity tax you only have to pay once you’ve had sex? If this sounds insane or crazy to you, please bear in mind that this is precisely what Florida, Texas, and Tennessee, among umpteen others, are trying to do.

It was nice, though, actually feeling like a full-fledged American citizen there for a few years. I should have known it would be a fleeting feeling.

*Of course, the only slippery slope the right cares about has to do with the Second Amendment, or as I like to call it, the Eleventh Commandment.

The Night Has a Thousand Eyes

Several years ago–more than I really care to recall, really–another writer told me he was “getting older and becoming more concerned with <his> legacy.” This took me aback. I’d never given a thought to such a thing, and to this day, it’s not something I give much thought or consideration to; I still don’t, really. I mean, it’s not really up to us as writers to worry about what legacy we leave behind, is it? I have always assumed once I am dead and gone both me and my work will eventually be forgotten; and even if by some weird, bizarre chance I should have some sort of revival or discovery by some future gay mystery scholar–who cares? I mean, won’t I be dead and beyond caring about such things?

Why should I be concerned about whether I’m just as unknown after death as I was when I was alive?

I became interested in Cornell Woolrich a few years ago; I don’t remember why exactly, or how he came to my attention; I just remember ordering this book and several others over the years. Woolrich has been dead for quite some time, and isn’t really remembered very much today outside of some enthusiasts of crime fiction history. I was very surprised to find out that some of his stories and novels had been filmed; “It Had to Be Murder,” for example, became Hitchcock’s Rear Window, which is something, right? Woolrich was gay and an alcoholic–so many writers of the period were (and frankly, I think using a typewriter for writing had a lot to do with it)–and he eventually died from complications from alcoholism. I thought it would be nice to read some of his work, particularly during Pride Month.

Every night he walked along the river, going home. Every night, about one. You do that when you’re young; walk along beside the river, looking at the water, looking at the stars. Sometimes you do that even when you’re a detective, and strictly speaking, have nothing to do with stars.

He could have taken the bus, ridden home as all the others did, when he came off duty. It wasn’t even the shortest route to where he lived, this walk beside the river. It took him out of his way a little. He didn’t mind that. It sounded better when you whistled, with the water there beside you. It made the stars seem brighter, and it made you want to look at them more, when the water was there below them to catch them upside down. It made you dream better; those dreams you have in your head in your twenties. You can’t dream in a bus, with all your fellows around you.

And so–every night he walked along the river, going home. Every night, about one, a little after.

It really took me awhile to get through this one, to be honest. I started it a few years ago, and it didn’t really grab me; this time I was determined to see my way through to the end. Sickness, and other things–it’s not like the world isn’t ablaze, after all–kept me from completing it, and in all honesty, even finishing it yesterday morning forced me to start skimming. It’s a great concept, but it’s got too much filler.

The concept behind it–a man who can see the future tells a rich man he knows when he is going to die, and the effect this has on the rich man and his daughter–is quite excellent; it’s in the execution that it falters. The opening is strong enough: Shawn, a young policeman, tends to walk home along the river after his shift is over. On this particular night he comes across a trail of things–money, a compact, a lipstick, things that might have fallen out of a woman’s purse; he eventually finds the purse, and the woman it belongs to is on a bridge, ready to jump. He stops her, takes her to an all-night diner, and she tells him the sad story of how her father and she became involved with this man who can see the future and how desperate she and her father have become as the man’s other predictions come true and they become convinced her father is going to die.

But the telling of the story is over half the length of the book, and Woolrich doesn’t take it into prose; he uses the device of her desperately telling her sad tale of woe precisely the way I just described it–she’s telling him the story, and the story drags precisely for that reason: it’s passive storytelling, not active, and certainly not how I would have told it. It’s a personal preference, and Woolrich IS a very good writer; I just don’t think he should have told it so passively. The suspense and drama comes from the question of whether the man with the gift of prophecy is actually a fraud or for real; but if it’s fraud, to what end? The second half of the book moves much faster, but also has a lot of dead weight/filler as well, hence the skimming; it may just be a more dated style. I also find it kind of hard to believe that the New York police would take this story seriously enough to put up to eight men on it–and there’s a horrific scene where the cops, needing access to an apartment so they can eavesdrop on the prophet, essentially set up the woman who lives there (and has been arrested for solicitation before, but not for over six years) for solicitation so they can use her apartment–and dismiss this horrifying abuse of power and her civil rights as just and necessary; and even laugh about her being sent away for at least thirty days!

But overall, it’s a good story and well-told, if a bit slow in places. Woolrich had a way with words, for sure, and sure, I think it’s worth a read; if for no other reason than to see how writers in the past handled suspense.

I Will Survive

As Pride Month comes to a close, here is a list of all the queer crime writers I posted about over the month; a handy list for anyone wanting to check out queer crime writers. This is by no means a comprehensive list, either; there are so many wonderful queer crime writers and there were only thirty days in June, alas.

I am also going to list the book whose cover I used in the post I made.

Ready? Here goes.

Joseph Hanson, Fadeout

Barbara Wilson, Murder in the Collective

Michael Nava, Lay Your Sleeping Head

Katherine V. Forrest, Murder at the Nightwood Bar

George Baxt, A Queer Kind of Death

Ellen Hart, Wicked Games

J. M. Redmann, The Intersection of Law and Desire

John Morgan Wilson, Simple Justice

Randye Lorden, Brotherly Love

Nathan Aldyne, Cobalt

Mark Richard Zubro, A Simple Suburban Murder

Sandra Scoppetone, I’ll Be Leaving You Always

James Robert Baker, Adrenaline

Mary Wings, She Came by the Book

R. D. Zimmerman, Closet

Dean James, Faked to Death

Claire McNab, Blood Link

Mabel Maney, The Case of the Good-For-Nothing Girlfriend

Keith Hartman, The Gumshoe, the Witch, and the Virtual Corpse

Christopher Rice, A Density of Souls

Greg Herren, Survivor’s Guilt and Other Stories (guest posted by the amazing Jeffrey Marks)

Grant Michaels, A Body to Dye For

Patricia Highsmith, The Talented Mr. Ripley/The Price of Salt

Jaye Maiman, I Left My Heart

Neil Plakcy, Mahu

Ann Aptaker, Tarnished Gold

Michael Craft, Eye Contact

John Copenhaver, Dodging and Burning

Rob Byrnes, Straight Lies

Kristen Lepionka, The Last Place You Look

Renee James, Transition to Murder

Dharma Kelleher, Chaser

Anne Laughlin, A Date to Die

Do bear in mind that this is merely a good starting point; there are so many terrific queer crime writers writing terrific queer mysteries. There are also a lot of non-queer people who are writing terrific queer mysteries these days as well. I couldn’t name everyone; and in fact, on the last two days of Pride Month I had to double (triple today) up to make sure I used all the writers I wanted to talk about.

Thanks, everyone, for playing along; your likes and comments and shares were deeply appreciated.

A better resource for queer mysteries and queer crime writers, if you’re looking for something a bit comprehensive, check out either Judith A. Markowitz’ The Gay Detective Novel: Lesbian and Gay Main Characters & Themes in Mystery Fiction, and Drewey Wayne Gunn’s The Gay Male Sleuth in Print and Film: A History and Annotated Bibliography.

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With Your Love

Here we go again, on the rollercoaster that is my usual work week! Good morning, Monday, how the hell are you?

I am still rather sleepy this morning; more of a tired eyes thing than anything else, really. I got new contact lenses (a trial pair) from my optometrist on Thursday; yesterday was my first time trying them out in real life, as it were (I wore them home from Metairie on Thursday, taking them out as soon as I got home). The new lenses didn’t really seem to fit in my right eye; that lens felt off the whole time Thursday, and again when I put them in yesterday. But within minutes my right eye adjusted and they became comfortable; the progressive lenses actually began to work as well, which they hadn’t any time I had tried previously with another set of lenses. I wound up wearing them for almost seven hours yesterday, which was kind of lovely. Today and tomorrow, however, are too long of work days to try them out again; I’ll hold off until Wednesday before trying them again. But it’s nice to have contact lenses again; I’ve not really worn contacts since discovering, five or six years ago, that I need progressive lenses (what used to be called bifocals).

This weekend, on June 1, I started posting on social media about queer crime books in order to celebrate Pride Month (last year I simply posted a queer book cover every day for Pride; this year I am specifically focusing on queer crime novels). I want to be absolutely clear that, in case there’s any confusion, I am posting queer crime books that were influences on me; or influential at some point in my lengthy (!) career. At the end of the month I will post the entire list here for more easy access to anyone looking to look at queer crime novels, or looking for such a list–I may not be an expert on queer fiction, or even on queer crime fiction, but I do have my list and I do know the books I read and enjoyed that made me think and develop my own queer crime novels.

And if I can bring attention to a queer crime writer who has somehow fallen off the radar, so much the better.

Yesterday we went to brunch at our friend Pat’s lovely deluxe apartment in the sky; she really has the most spectacular views of the Mississippi River at what’s called the Riverbend (from her dining room) and the rest of the city (from the terrace outside her living room). Her apartment is filled with natural light, gorgeous built in bookshelves filled with wonderful books, and amazing art everywhere. It’s kind of a dream apartment for me–one I’d never be able to afford in a million years–but every time I set foot in her apartment I do spend a moment or two fantasizing about living there (just as I always fantasized about living in her partner Michael’s former home in Hammond). It was, as always, a lovely afternoon, and enormously relaxing. I wasn’t able to do anything when I got home around six because I was so relaxed; instead, I started watching Chernobyl on HBO, which is incredibly sad and disturbing. I remember when Chernobyl happened in real life, just as I remember the Three Mile Island scare in the late 1970’s. It’s interesting that since those two scares that nuclear power plants are pretty much not talked about or thought much about anymore, when back in the day they were quite controversial (I’ve mentioned Scotty’s parents protesting nuclear power plants in the earlier books in the series) but that controversy doesn’t seem to exist as much anymore, as though activists have maybe given up on their dangers…or it’s not glamorous enough to be considered newsworthy anymore. I do recall after the natural disaster in Japan several years ago (earthquake/tsunami) there were concerns about a Japanese nuclear power plant…but those concerns also evaporated once the news cycle moved on from the Japanese disaster.

One thing that was interesting about visiting Pat’s apartment was her view of the river, mainly from the dining room windows–which was my first experience this year actually looking at how the river is in its flood stage. The river has apparently been in flood stage longer than it has any time since the Great Flood of 1927, which changed everything as far as governmental policies and procedures for fighting floods; this was the natural disaster that created the Southeast Louisiana Flood Project, building levees and dams all along the river and its tributaries. For only the third time in history all the spillways north of New Orleans are being opened–and the tributaries are all still flooding and continuing to rise. The river itself it almost to the top of the levees in Baton Rouge, and apparently a levee on the Mississippi breached further north yesterday or this morning; I saw the report on social media earlier this morning but didn’t read it; I think it was in Illinois, maybe?

Anyway, the river is really high and this reminds me that the river being high was a plot point in Bourbon Street Blues, all those years ago, and it also reminds me of how vulnerable the city is for this year’s hurricane season–if the river is already almost to the tops of the levees, a storm surge coming up the river would overtop them quite easily; which begs the question, would the levees be blown below the city to save it? Any time there’s potential flooding of New Orleans there’s always the belief that levees are blown to save the city; people believe the levee failure during Katrina was planned, to save the French Quarter and white Uptown; people still believe the levees were blown below the city for Betsy in 1965.

And now, back to the spice mines.

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