Tag: Play the Fool

A Horse With No Name

Monday morning has rolled around again and no, I didn’t want to get out of the comfortably warm cocoon of blankets yet again today. It was a nice, relaxing weekend. I didn’t go out to see any parades yesterday because I felt exhausted on Saturday and while i felt much better yesterday than I had, I thought it best to stay inside and rest for the day rather than push myself by going to stand on or around the corner for a few hours. This weekend is the big final push (I have to leave work early both Wednesday and Thursday), and I decided it was wisest to take Lundi Gras (Monday) off; Orpheus is that night and there’s no way I’d ever be able to find a place to park anywhere near the house. I do have PT that morning, so I’ll go to that and run some errands before heading back home and parking the car for another two days.

It actually turned out to be the best choice I could have made for the day because a friend called that I hadn’t spoken to in nearly two years (a myriad of reasons, mostly due to health concerns and my own insane rollercoaster life) and had I been out at the corner, i would have missed the call. It was a lovely conversation, and I realized once again how much I’ve missed, not only her, but so many others of my friends. I have always had the misfortune to have the majority of my writer friends not live anywhere near me, so it’s not like I can meet someone for a drink or lunch or anything at any time we so please. This has always been fine with me, but every once in a while it gets a bit lonely, so the few local friends I have are very precious to me. It was absolutely delightful to hear from her, and we were on the phone for nearly an hour, which was marvelous. (I’d been watching the Philip Seymour Hoffman Capote at long last when she called, which was really quite good and Hoffman deserved his Oscar, I think.) So yes, I kind of went down a Truman Capote wormhole yesterday. I am thinking Other Voices Other Rooms needs a reread, and maybe even a dip back into his short stories wouldn’t be a bad thing to do. My former antipathy for Mr. Capote (still processing it) has now turned to fascination; who was he behind that mask, that persona, he developed to hide behind? It’s also been years since I saw the film of In Cold Blood, too; it might be worth another look, too. This newfound obsession with Capote is multi-layered, too; it might take more than one lengthy post once I work my way through the way I’ve always reacted to Capote’s public face. (The self-loathing is coming from inside the house!) But after the call and after the film, I pretty much spent the rest of the night scribbling in my journal while watching an endless stream of Youtube videos, just to see what the algorithm thought I’d be interested in (Constant Reader, I was not interested in most of them, but I wound up watching a series of short histories of Eleanor of Aquitaine, one of my favorite historical women of all time.).

I didn’t write as much as I would have liked this weekend, either, but it’s also Carnival. Very little gets done during Carnival as I am too busy juggling and planning around parades to have much energy left to devote to writing. I did write some really good notes in my journal, though, which was fun; I always forget how much fun it is to freeform scribble in my journal and see where my subconscious mind takes me. It never matters if anything ever comes of it; it’s just playing around with words and ideas and names and form. I’ve been joking with myself that I should write a memoir called I Wouldn’t Normally Do This Kind of Thing, which is a terrific title for something like that (shout out to the Pet Shop Boys, because almost every song title is unabashedly clever and brutally honest and would make for a great title for essays or something), but as I always say, my memories lie to me all the time–which can be a problem when writing a memoir. Maybe personal essays would be a better idea than an actual memoir…and really, has my life been interesting enough for a memoir, anyway?

But I suppose that’s always in the eye of the beholder. I don’t think my life is anything special, or even unusual other than I am out of pace with traditional society with my sexuality and my chosen profession…but then other people will be amazed at some story of my past that I tell (usually after a few drinks) and I guess I never really think of me or anything that happens to me as anything other than normal and I always think everyone else has the same sort of things go on in their lives so it’s nothing out of the ordinary. But I have met a lot of important people and important writers. Larry Kramer used to call me periodically at Lambda Book Report to yell at me, but that was just Larry–he always seemed to be angry about something, but was actually also a really nice man (your mileage might vary, of course, but he also always made me laugh). Barbara Grier also used to call me about once a month to yell and swear at me, but I found her terrifically amusing and I could listen to her all day (and Barbara loved nothing more than a captive audience). There were only a few people in the business, actually, who were terrible to me when I worked there; I always seemed to have the ability to listen to everyone politely and was always pleasant and never argued with anyone….but there were a few I’d rather run over with my car and then back over them again rather than ever deal with them under any circumstance for any reason.

You know who you are, trash.

But I survived the first weekend of Carnival, and I am now thinking I want to watch the other Capote film, the one with Toby Jones–and maybe even revisit Murder by Death, which was another one of those after-church matinee movies Mom used to take my sister and I to. I just need to get through today at the office, and then I need to do my errands and go to PT before settling into my easy chair for the evening. I may go back to Lina Chern’s Play the Fool, which I am really enjoying, or my reread of Edna Ferber’s Saratoga Trunk, or Rival Queens, or even some short stories. I have some of Capote’s, and that might be interesting to reread. My friend who called yesterday afternoon recommended pairing Other Voices Other Rooms with To Kill a Mockingbird, which is a book I have issues with (more on that later at some point), but reading them as parallels to each other; the same childhood from different points of view in the same small Alabama town; it’s been a hot minute since I read the Capote novel but I did love it when I did. I don’t think I still have a copy of it, though.

And on that note, I am heading into the spice mines. It’s a windy, gray wet day in New Orleans, and so I don’t think I’ll have a lot of issues sleeping tonight, either. Have a lovely Monday, Constant Reader, and you never know–I may be back later. Stranger things have indeed happened!

Hurts So Good

Ah, Monday morning back to work blog today. I have to leave early as I have a PT appointment at four today, but that’s okay. I also have to run errands, and I will already be uptown, which is terrific. (Mail and make a little groceries, for those who are unsure what I mean by errands.) I’m usually in a good mood when I finish PT (it’s the endorphins), so hopefully that will make running the errands in the cold a little easier. It should get up to the sixties by the time I leave the office today. Parades begin next weekend (not this coming one, but the next) and I am not even remotely in the slightest prepared to deal with all the aggravation, exhaustion and fun that comes from living inside the box1, as we call it here. While it does mean having easy access to parades and catching throws, it also makes navigating every day life incredibly difficult.

Sigh.

I feel very rested this morning, after a weekend spent feeling tired most of the time. I managed to do very little this weekend other than rest and cleaning and chores. Maybe the strength PT on Friday wore me out far more than I had originally suspected; after all, it’s the first taxing kind of exercise I’ve done in over a year. (I also have to leave work a little early today as well for a session later this afternoon.) I didn’t get much done this weekend, sadly, but I consider progress on the house to be progress of a kind at any rate. I also started reading Lina Chern’s Play the Fool, which I am enjoying; the voice is quite original and delightful. We also watched another episode of Lupin last night, which is also quite good.

I was struggling there for a moment to remember what precisely I did yesterday while Paul took calls and worked upstairs; I just remembered that I spent most of the day finishing the original BBC series of Brideshead Revisited. I can see why the show was so popular back when it originally aired and why it own so many Emmys–Americans have always thought British productions of anything to be vastly superior to anything produced here–and it did remind me a lot of Downtown Abbey, which also led me to wonder why Americans are so fascinated by the British upper class. I know I certainly used to be, but my lack of knowledge regarding Brideshead seemed like a missing cultural touchstone for me, and now that I’ve seen it–yes, I can see how influential it was. There would be no Downton without Brideshead, but the original is far less soapy than the later show….and of course, Upstairs Downstairs was truly the original Downton, a soapy show about a wealthy family’s ups and downs as well as their servants. I don’t imagine the occasional thoughts I would have while watching–deep criticisms of the class system and the disproportionate division of wealth in British society of the time; how it would have sucked to have been one of their servants–would have occurred to me had I watched when I was younger. I also felt that there was more to the relationship between Charles and Sebastian than mere friendship; which is another thing it has in common with Saltburn; an ambiguous love relationship between two men. I was also rather disappointed that Sebastian disappeared from the show about halfway through so it could focus on Charles and Julia, which I felt was giving Sebastian, whom the show really centered at first, very short shrift indeed. I will go ahead and read the book–my education in Evelyn Waugh was sorely neglected–but I feel that watching the series has given me enough grounding to explore Saltburn again through that experience.

It’s chilly again this morning but nothing terribly unbearable, thank the Lord. I do feel rather good this morning, and hope I can ride that feeling through the work day, into PT and making groceries again after work tonight. This is an actual full work week, of which there have been few for quite some time for me, so we’ll see how I feel when Friday rolls around again, shall we?

It’s been an interesting and slightly uneven January so far, bit of an up and down month, in all honesty. Life is always a rollercoaster, isn’t it? Ups and downs and never certain when the next curve or sudden drop is coming, all at great speeds that sometimes never give you a chance to catch your breath. There’s nothing life can give us that we can’t handle, as Scotty always says, it’s how you handle it that matters. I’ve always found that emotional responses or reactions are often counterproductive and exhausting, and if you can somehow switch the emotional component down or off or mute it so you can engage your logical brain and figure out how to handle it and what you need to do next to start the getting through it process might not be the absolute healthiest way to handle anything, but it has always worked for me and is why people always think I am so good in a crisis–I am very good at ignoring the macro while focusing on the micro. The problem with that, of course, is that you never go back and process the feelings and emotions; they’ve been securely buried for the moment and inevitably, that results in me thinking oh I don’t need to process that after all!

When in fact I really do need to.

That’s been happening a lot for me since the concurrent COVID pandemic/shutdown coupled with me turning sixty and eventually losing my mom. I’ve been thinking about things from my past a lot more than I ever allowed myself to, identifying the lessons I’ve taken from bad experiences and how I turned that into I don’t ever want to feel like this again s so I will never do that again which may not have been exactly healthy. I don’t think I’ve ever gotten over that sense of not belonging anywhere when I was a kid, which was partly being a gay kid (I didn’t know that specifically, but I also knew I was different from the other kids) as well as having some chemical issues in my brain (ADHD, anxiety, etc.), added to the sense of not belonging because I was from Alabama and living in Chicago. New Orleans was, in fact, the first place I’ve ever felt like I belonged, and that’s part of the reason I love it here so much. There wasn’t any single one thing to blame; I always thought it was this or that or the other, but rather the combination of everything that made my childhood so incredibly difficult for me (and pretty much my life until about thirty-three or so).

I think the real reason–I was asked this on the young adult panel this weekend–I write about teenagers is I am still trying to make sense of my own experiences. I also think that my past is also filled with very rich material for my writing. I learned that with both Bury Me in Shadows and #shedeservedit–writing about things that I have had trouble understanding in my own life fictionally has not only made my work better but also has helped me process things in a healthier way than I ever have before.

And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader.

  1. “The box” means inside the parade route for Carnival; the box being formed by Canal, Napoleon, St. Charles and Tchoupitoulas. Once parades have started you cannot cross any of those streets, and yes, I live just inside the box on the St. Charles side of the rectangle. ↩︎