Monday morning has rolled around and rather than regretting not getting more done this weekend I am simply going to be grateful for the rest, spending time with Paul and Sparky, and somehow managing to remain sane during these last days of the republic. Yes, yes, I know I am being overdramatic and am overreacting and need to calm down; how many times have I been told that (incorrectly every time, I would like to point out) over the course of my life by someone in an incredibly condescending way because it wouldn’t affect them so they didn’t have to care? It really does get old, you know. There was more stupidity this weekend, no doubt, but it’s nice to get away from every now and then.
I didn’t watch the Super Bowl, nor did I care too much, but when I checked the score last night with less than two minutes left in the game and the Eagles were up 40-14, I felt some satisfaction. I lived in Kansas and the Chiefs have been terrible for so long it’s nice to see them have success (like the Saints, Bengals, and Commanders), but…Patrick Mahomes’ trashy family; the Hunts (who own the team) are also garbage, the team name is offensive, so is the tomahawk chop (see also Florida State, Atlanta Braves), and they also have Harrison Butker, that horrible piece of shit kicker who hates everyone who’s not a straight white man. The Eagles? I love the city, I love Jalen Hurts (and what a great story for him, you know?), and one of my oldest and dearest friends lives there and is an Eagles fan–and she’s been ill; I know this will have made her very happy. Also: FOTUS was also clearly wanting the Chiefs to win…and everything he touches dies. 40-14? That wasn’t a loss, it was a humiliation. Remember when he showed up for the LSU at Alabama game in 2019? Alabama lost at home for the first time in like five or six years–and never once had the lead.
I’d definitely not want him rooting for my team, that’s for sure.
This isn’t going to be an easy week for one Gregalicious. I am behind on everything, am going to be super-busy at the office during the week, and am leaving early on Thursday to head up for Alabama. I will no doubt be exhausted when I get home on Saturday, but that’s okay. We then gear up for Carnival and jury duty, and finally can relax by the following weekend. I was very pleased to finish reading my book She Was Was No More (link to my substack review of it) this weekend, and now I think I will watch Les Diaboliques, and maybe rewatch Reflections of Murder (but not the Sharon Stone version from the late 1990s; which is a shame; she would be awesome as the mistress but the previews looked terrible). I worked on my short story for a bit yesterday, and hope to work on it some more this week as well as the book. I gave up on the short story I was writing, and pulled out another unfinished one that I think will work better.
We also watched more of Arrested Development last night, which we are loving. How did they not give Jessica Walter the Emmy for supporting actress for every season of this show? I’ve been a fan of hers since I was a kid and saw her in Clint Eastwood’s directorial debut, Play Misty for Me (the original Fatal Attraction), and of course loved her voice work on Archer.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I will check back in with you again tomorrow, okay?
So yesterday I was a guest at Chicks on the Case blog, which was a lot of fun. I was invited to guest post by the delightful Ellen Byron, an accomplished mystery writer who writes a wonderful Louisiana Cajun country-based series beginning with Plantation Shudders, and also writes as Maria DiRico, who writes the catering hall mystery series. (you can read more about her, and order her books by clicking here!) I’ve not done the guest blog thing in a while, and it was quite fun. I tackled one of the weirder parts of my writing process–how I have to always start with a title, whether it is the final title or not–and was pleased to find out, based on the comments, that it’s not as strange as I had originally been led to believe! Yay, me!
Go Greg, go Greg, go Greg!
I am desperately trying to get my short story done; it’s due tomorrow, and writing it has been a real chore recently. I think my creativity feels like a worn out, dried out old husk right now–probably the push to finish the book, which I am still not sure is completely finished–and so have been forcing myself to have to write it. It’s not a bad story, by any means, it’s just been so damned hard to finish it I don’t know what to do with myself. But while today is a Greg-maintenance day–doctors appointments and so forth-I am hoping to get it finished today so I can polish it tomorrow and get it turned in and out of the way. I am daunted by how much work I also must get done this weekend–truly daunted and terrified–but there’s nothing to do but put my nose to the grindstone and start plugging away. The Lost Apartment is also a disaster area–I’ve somehow managed to keep the kitchen under control for once this week, so it’s mostly the living room that is the tragic mess–so I’d like to get the living room under control this weekend as well. I am going to try to repair my old desktop computer–the things they had me do to the laptop to try to make it functional should also work on the desktop, so keep your fingers crossed for me; it would be lovely to have an actual functional desktop computer here rather than having to keep fucking around with this piece of shit MacBook Air–but I am also not going to waste a lot of time on it. Either it works or it doesn’t, and if this fix doesn’t work I’ll have to figure out a way to dispose of it and get it out of the living room once and for all. There’s just so damned much clutter in the living room–and believe me, the more annoyed I become with the clutter, the less attached I remain to the stacks and piles of books. (If it weren’t for the damned coronavirus, I would have been able to get rid of many of these already; I don’t simply want to throw them away. I have a library book to pick up today as well, so when I call them to have them finish the check-out process and put the book outside on the gallery, I will ask them about how to donate books to them…because this shall not stand)
I also need to get back to reading rather then spending my evening streaming either CNN or MSNBC. The events of the past week have been historical, watching history unfold, and I felt an obligation–still do–as an American citizen to watch and stay informed of what is going on in the country. There’s an inevitable feeling to all of this, really–I always suspected in my heart of hearts (while hoping desperately to be wrong) that it would come to something like this, and as a long time citizen who actually believes, has always believed, and will continue to believe, that the ideals behind the founding of this country are something to always strive for, even if we have all too frequently, as flawed humans, failed to get there and always fallen short. Nowhere and at no time since the Civil War has the union and the Constitution been so threatened; and we remain very lucky we didn’t watch the wholesale slaughter of Congressional Democrats and the vice-president in real time.
And so many of this vile mob of seditious treasonous traitorous insurrectionists only have regrets because they are being arrested and losing their jobs. White supremacy is a potent and addictive a drug as heroin or meth, clearly.
But as I have said before, the world doesn’t stop because of events. The planet keeps turning and going around the sun at the same pace as ever; it halts for no man. As difficult as it is to tear one’s self away–the all-too-real fear of missing something horribly important–I must. Today I will get my routine maintenance done, pick up my library book, get the mail, clean and write my story. Tomorrow I will work at home making condom packs and trying to get back on top of all of my responsibilities, my emails, my writing, my career–and I also want to watch some more cynical 70’s movies while I make my condom packs. (Probably Saturday Night Fever and maybe Play Misty for Me) I also am hoping Paul and I can settle in for some more Bridgerton–we’re only two episodes in–and I also want to get some reading done; I want to tear through the first Mary Russell novel by Laurie R. King, and I have some e-galleys from two terrific authors (Hilary Davidson and Alison Gaylin) I can’t wait to dive into, as well as getting back to the Short Story Project, and also to get back into the swing of going to the gym again.
And with that, I need to start getting ready for my first appointment. Have a great Thursday, Constant Reader! I certainly intend to.
Shakespeare said “all the world’s a stage”–a quote I even used as a title for a Todd Gregory erotic story–and he wasn’t wrong, really. Sometimes it feels like we’re speaking lines and have no real control over what is happening or going on in our lives; and believe you me, I would love to get my hands on the sociopath who’s writing the play that is my life sometimes.
Yesterday was a lovely day. I slept very well on Friday night, and woke up in the morning feeling like I could conquer the world–if I could only find the spare parts. I got up and did my morning writing exercise (aka you are reading it right now, hi there!) before starting to get some things done around here. I straightened up the kitchen/office and made serious progress on sorting and organizing and finally trying to get a grasp on everything I have to do and get done. While I was sorting and organizing and so forth I watched a 1980’s Clint Eastwood movie, Tightrope, which I originally saw in the theater–which is odd, as I was never a big enough fan of his to actually go see one of his films at the theater. In fact, Tightrope might be the only I have. (I saw High Plains Drifter and Play Misty for Me at the drive-in when I was a kid.) I cannot recall why I actually went to see it, and the only explanation my befuddled mind can come up with now is it most of been one of those stoner afternoons when someone suggested a movie and I tagged along. I do remember not being terribly impressed with it, and that it was about a serial killer, and it also had Genevieve Bujold, of all people, in it as his love interest. It was also filmed in New Orleans, and set here–and I thought, when coming across it recently on the HBO MAX TCM app, that I should watch it again. Interestingly enough, it was just as bad on second viewing–Eastwood and Bujold have absolutely no chemistry together whatsoever, the plot has some promise but the script was bad, and the acting was terrible. I always think of Bujold fondly because she was a great Anne Boleyn in Anne of the Thousand Days, but between this and Earthquake, for the most part American cinema did her wrong.
The most interesting part of the movie was seeing New Orleans as it was in the 1980’s; early to mid, I think, was when this was filmed. The Crescent City Connection’s second span was under construction (and I realized this must have been around the time that the Camp Street on-ramp was most likely targeted for tear down, as a part of this new building project) and it was also seeing how Tulane Avenue looked, the Quarter, and so forth. Jax Brewery was still a decaying ruin when this was filmed, and there was one interesting moment where they were working out at the Superdome YMCA, where I used to teach aerobics before the New Orleans YMCA system imploded once and for all. (I also taught at the Lee Circle Y, which is now a luxury hotel and parking lot–and I guess we don’t call it Lee Circle anymore, do we? The statue is finally gone, but I don’t think it has been officially renamed yet–I used to always tell visiting friend “And this is politically incorrect Lee Circle”) It made me think of the novella in progress set in 1994 that I hope to get back to someday.
The plot of Tightrope was simple, really; a serial killer is targeting New Orleans prostitutes (of course), and with the bodies, there is evidence of some BDSM play–handcuffs, bondage, that sort of thing. Eastwood plays a divorced New Orleans police detective whose case it is; Bujold plays a rape counselor who thinks she can help solve the case. Eastwood’s character is into this kind of kink; in fact, some of the victims were prostitutes he had frequented. Some of them worked out of the Canal Baths, which was apparently a bath house style bordello. (It was located right across Rampart Street from Armstrong Park, which is where I think the Voodoo Bar used to be?) Eastwood also has custody of his two daughters, because for some reason his wife left him for a wealthier man and left the kids behind, which happened all the time in the 1980’s. It soon becomes apparent that the killer is specifically targeting Eastwood, if not trying to frame him for the serial murders. The Eastwood/Bujold romance follows the usual “can’t stand each other at first but somehow find common ground and of course fall in love” tedious romance that is inevitably the only type of romance that happens, or perhaps is possible, in this type of movie–it doesn’t make any sense, it’s just spoon-fed to the audience, and they have the chemistry of two mannequins stuck in a store window together. The ending was also ridiculous.
It could have been a good movie, had anyone put any effort into it. Shame, because the New Orleans locations were perfect.
I then spent some time savoring the first few chapters of S. A. Cosby’s Blacktop Wasteland, which is just as marvelous as I thought it would be, more marvelous than everyone who’s already read it has said it is (and given the raves it’s gotten, that is saying something) and decided, after four or five chapters, to let it simmer rather than gobbling it down in one sitting, which was what I desperately wanted to do. But good writing always inspires me, and so I headed to the spice mines to get my chapters of Bury Me in Shadows finished, which I did. This pass through I am simply changing tense and switching his age from seventeen to early twenties–21 or 22–and from high school to college student. I am catching inconsistencies and a lot of repetition, and I am also seeing some simply tragic writing, but the story is there and the story does work. There’s a very strong foundation, and while I am certain it is going to be more work than I am thinking it is going to be at this moment (it always invariably is), I think when it is done it’s going to be one of my better works.
We finished watching Curon last night as well, and were riveted; it will undoubtedly get its own entry, but I do recommend it highly. The season finale was quite good, and the entire season relatively well done; and they did an excellent job of setting up the second season. It’s funny to me how much we’ve embraced foreign television series, and now I like to watch shows that are subtitled more so than anything American-made. Just think, before the pandemic we wouldn’t watch anything subtitled, and now it’s our preference.
The world has indeed gone mad.
But I slept really well again last night, which was absolutely lovely–hope this signals a new trend, frankly–and I do have to run an errand this morning; I need a few things from the Rouse’s, and I need/want to do it before the heat gets too extreme. Which of course means it’s probably too late already, since it’s nine a.m., but still haven’t had enough coffee to be completely functional enough to be out in public. Heavy heaving sigh.
And on that note, I totally need to get another cup of coffee. Have a lovely Sunday, Constant Reader, doing whatever it is you need to do
Sunday morning, and the time change has me bleary-eyed and irritated. I hate losing an hour, absolutely hate it, and would gladly give up that extra hour of sleep in the fall that makes up for it being taken away now. It’s always disorienting, and it’s been hard enough recovering from the one-two-three punch of the Great Data Disaster of 2018 followed by the weeks of Carnival followed by the Laptop Death of 2019. Seriously, I am so not in the mood for this.
But I suppose it’s a sign that spring is on its way, with the blasting heat of the summer right behind. I need to get caught up on my homework for the panel I’m moderating–I did have a lovely experience yesterday at the car wash while reading Alafair Burke’s The Better Sister while I waited for them to finish cleaning my car. I spent most of yesterday being a trifle on the lazy side; I was worn out and the rest was kind of necessary, although I probably should have read more. I did do the laundry, ran the errands that needed running, and wound up back home extremely worn out, and made the perhaps not good decision to simply relax and rest for the rest of the day rather than doing anything constructive.
I watched American Graffiti again Friday night for the first time in decades; it’s available on Starz, and as I scrolled through the available options I thought why not? The movie itself, which was a huge deal when released, made a fortune, and got a number of Oscar nominations (including best picture), was one I remembered a bit fondly, and in all the hubbub of George Lucas/Star Wars, people tend to forget American Graffiti was the hit movie that actually made him, and made Star Wars financing a possibility in the first place. I think he was even nominated for best director? I don’t recall. But American Graffiti was notable to me as a young teenager because it triggered a nostalgia wave for the 1950’s at the time; the soundtrack was hugely successful, and anthology albums of hits from the 1950’s became all the rage. (The irony that the film was actually set in 1962 was lost on everyone.) It’s actually kind of a dark film, really; while it reintroduced Chinese fire drills and cruising and sock hops and the music of the period to teenagers (the Beach Boys also came back to prominence; their double album greatest hits compilation Endless Summer was released during this nostalgia craze) rewatching the film now, the darkness is plain to see. Vietnam is on the horizon, and the ‘innocence’ of these teens, on the brink of adulthood, isn’t all that innocent, really. There wasn’t really a cohesive plot; it was just a mishmash of interconnected characters with their own stories sometimes bisecting others–very Robert Altman-esque in that way.
And as I said earlier, it did lead to a 50’s nostalgia craze, which eventually led to shows like Happy Days and Laverne and Shirley, which also wound up starring Ron Howard and Cindy Williams, as the film did. Richard Dreyfuss also has a lead, and this was before Jaws and his Oscar for The Goodbye Girl and Close Encounters of the Third Kind. The movie kind of launched quite a few careers. It was also one of the first “teen movies” to be quite so dark, a big change from the silliness of the Disney films for teens at the time or the beach movies of the 60’s. An argument could, in fact, be made that American Graffiti set the stage for the 1980’s teen movies that redefined the genre.
I’ve also always kind of thought that the kids from Graffiti who went off to college became the adults in The Big Chill, but that’s just me. (There was a sequel, More American Graffiti, that was made in 1979, but the less said about that the better.)
I also rewatched Play Misty for Me, which is also available on Starz. Play Misty for Me was the original Fatal Attraction, also was Clint Eastwood’s first film as a director (he also starred), and scared the crap out of me when I was a kid; we saw it as a family at the drive-in, part of a triple feature with another Eastwood film, High Plains Drifter (which I think is his best Western), and a really bad low-budget movie starring country singer Marty Robbins called Guns of a Stranger–which was so laughably bad it became kind of a benchmark/joke for my family for years. I’ve never seen Play Misty for Me again, and so was curious; I remember Jessica Walters played Evelyn Draper, the “Alex Forrest” of the movie, and was absolutely terrifying as the psycho woman obsessed with Clint Eastwood’s Carmel deejay (I also recognized a lot of the locations as the same ones used for Big Little Lies). It doesn’t hold up as well on a rewatch some forty years later, alas; it has a lot of “first director-itis”, and kind of has a “made for TV” feel to it, but it was a pretty adequate little thriller, and was groundbreaking in its way–it was really the first movie to deal with a stalker situation.
I seem to have also developed some kind of a strain in my right calf muscle; I’m not sure what that’s all about, but it’s not incredibly painful or anything; but I am always aware of it when I’m walking. Crazy.
So, I have lots of plans for today now that my coffee is starting to kick in; I’m looking forward to doing some cleaning today, writing some, and of course, reading. Alafair Burke’s The Better Sister is quite good, and I can’t wait to get caught up in it later today when I finish my chores and to-do list.
And on that note, ’tis back to the spice mines with me.
Queer and Loathing in America 