Work at home Friday! I have to go to Quest this morning to get some bloodwork done (the joys of being an old gay in his sixties never stop, believe you me), but this is the last test for something new for awhile, and will determine whether I need additional treatment for something else… I don’t know, though. I feel pretty good and have energy and there’s not even a hint of brain fog anymore, which is kind of like having enough oxygen after breathing in smoke for years. I know that might sound extreme, but that’s how I look at it because that’s how it feels. I still have short term memory issues (i,e, going into the kitchen and forgetting why I went in there to begin with), but those are bearable and so much better than every other symptom of this nonsense I’ve been dealing with this decade. But, as I have said and will continue to say and believe, it’s so nice to know there was a medical issue to blame these past five-going-on-six years rather than it be from getting older and more frail and feeble. And, even with those issues, I managed to get things done anyway.
That’s something, isn’t it?
I did stop on the way home last night to make groceries, but forgot a few things (of course) so am going to have to go out this weekend to get those, or perhaps simply have them delivered. After I got home and Sparky commanded my attention while watching the news, I did get some laundry started, but that was about it. I went down some Youtube wormholes for research–I am writing an essay about US History, wrapped around the PBS series The American Revolution, with a shout out to Hamilton–which was a lot of fun. I do love me some history. I also am going to start writing my essays about powerful women of the sixteenth century, under the Monstrous Regiment of Women umbrella. I also scanned some notes from my journal for Chlorine, and I hope to get that finished today. There’s no college football this weekend, so Saturday yawns wide open and free.
I’ve already been to Quest to get the lab work done and have come home to finish this and do my work-at-home duties along with my other chores. I wasn’t gone more than thirty minutes, including driving and parking, which really isn’t bad. Of course, before the anxiety medicine I would have been sitting in the lobby, scrolling through my phone or reading my book or some combination of the two, while fidgeting the entire time. I left here just after eight and was back by eight forty, which isn’t terrible. Feeling good and better rested and losing the brain fog has made me really appreciate the anti-anxiety medication all the more, because there’s not that tension building inside all the time anymore, which is also very relaxing; not being tightly wound is quite marvelous, and I don’t know how I managed sixty years plus without said medication. Better late than never.
I saw yesterday that Liam Neeson did the narration for an antivax documentary singing the praises of RFK Jr, and the dangers of vaccines and the COVID hoax and so forth; welp, Mr. Neeson will never be watched in anything ever again in this household. It speaks a lot to who he is, doesn’t it? Either he’s a medical conspiracy moron, or he’s a whore who’ll take a paycheck no matter what he has to do for it. In either case, not someone whose career I have any interest in continuing to support any longer. (I also noted that Sydney Sweeney has also decided to distance herself from MAGA and her white supremacy antics–now that her career is taking and her films are bombing. Never forget that smug smirk on her face when she declined to comment on the controversy. She’s fucking trash. MAGA men just like your tits, bitch, they aren’t going to see your movies.) I also refuse to support any garbage actors who are getting Harry Potter paychecks in the future. You know who and what the Chatelaine of Castle TERF is; don’t plead fucking ignorance. You like blood money. Nice to know who’d be filming with Leni Reifenstahl in the 1930s.
I also saw the Supergirl trailer yesterday and really liked it. I’m sure the comic book incels will hate it, as they hate all women super-heroes. Seriously, little boys–why do powerful women trigger you so much?
Sigh.
And on that note, I am heading into the spice mines. Have a marvelous Friday, Constant Reader, and I’ll see you again tomorrow morning.
How is it only Wednesday? It feels like it should be at least Friday by now, doesn’t it?This has been the longest week, seriously. It’s cold again this morning–in the forties–and the rain has stopped. The bipolarity of winter in New Orleans is something I don’t think I’ll ever get used to, no matter how long I live here. I don’t feel tired this morning, but the cold does make me want to get back in bed again and burrow beneath the covers. I was all kinds of warm and comfortable under my blankets this morning when the alarm went off, and by the second beep Sparky was up, trying to get my attention to get up and feed him. I don’t feel worn out, but I don’t think I’ll make it through the afternoon without my energy flagging. Ah, well.
I even left work early yesterday for my podiatrist appointment, and the good news is the toe has healed perfectly and he was most pleased with not only how quickly it healed but how properly as well. His absolute delight when he looked at was very clear. (Apparently, I am some kind of medical marvel of healing; Paul heals pretty fast, too–how many people are discharged the same day they get a hip replaced?) But that’s a good thing, and there was some callus where he’d cut the nail and the scab had been, so he got rid of that with an exacto knife (it didn’t hurt at all) and then I was done and walking out to head home. I wasn’t even super-tired when I got home, but I worked for a while and that wore me out enough to finally put it all aside and relax for the rest of the evening. I hate that I am not catching up as quickly as I would like to, but that’s life, you know?
I also keep forgetting the Super Bowl is here in February, which will make getting around the city so much easier. Yay. And of course, there’s a massive facelift (or at least temporary patchwork) being done to New Orleans to get ready for it, so you never know what detours lie in your future.
I also watched Matt Baume’s documentary about Lance Loud, the gay son of the first reality TV show, An American Family, from the early 1970s on PBS. we didn’t watch it, but everyone was talking about it, and I remember hearing about the gay oldest son, and how the marriage ended in a divorce. I think my parents thought being filmed for a television show was exploitative and kind of gross? My mother certainly wasn’t one to get into reality shows–she even stopped watching soaps about twenty years ago. I was never really sure why, but Dad has told me over and over again about how deeply conservative she was (trust me, I knew but it still came as a surprise–I always thought it was Dad and she was just trying to make him happy. Ah, the things we are led to believe as children but never really give much thought to…Dad became more conservative because she was so conservative), so I have to assume the soap thing (I used to watch them with her when I was still in school) might have had something to do with that? I know my sister stopped watching them because they encouraged you to root for adulterers. My grandmother also used to watch them when I was a kid (I actually think she was the one who got me and my sister started on Dark Shadows), but also stopped. Anyway, it was an interesting documentary, and I learned a lot more about Lance Loud than I’d ever really known before, other than he was the gay son on that show.
The tale of Robin Hoody keeps getting more and more interesting the more information that comes out about him, and I keep being more and more amused at the way the country has almost completely united (see what I did there?) behind him. That really should tell everyone about the mood of the country, shouldn’t it? I keep being amused at how the story is being reported, and how much resources the NYPD expended on searching for this person while no one is even talking about the immigrant stabbed to death by racists on the same day in the same city, and certainly the NYPD isn’t making that a top priority. I’d love to see the price tag for justice for a health insurance executive, and why the NYPD and the media made this into such an insane priority. Yes, by all means, do tell me about how everyone is equal in the eyes of the law! And of course, the more information that comes out about both shooter and victim, the more noble the shooter sounds and the more awful the victim was. The media was certainly unprepared for the way people reacted, and the fact that the media so completely misread the mood of the country makes you wonder, again, just how shitty they are at their jobs; and the right-wing grifters attempt to frame this as a right-left issue blew up their faces…as some angry Americans slowly began to realize the media they consume manipulates them to make money, and people saw it as more of a class war kind of thing that apparently everyone has just been waiting for to happen.
And that’s what has the elites and their puppet media terrified. They cannot allow the country’s division to heal and anyone who is not an elite must be persuaded to fight a culture war when the real problem is and has always been the class war the billionaires have been waging against everyone else since Ronald Reagan was sworn into office in 1981. I also think a lot of the angry people are recognizing that they voted in the rule of an oligarchy and are not very happy about that, either. For the record, I don’t have any sympathy for those who voted for this and now have regrets. Too little, too late, too bad, so sad. You voted to make people suffer, and sadly, you’re also one of those. I can’t even begin to tell you how horrible those people were before the election, and how they absolutely refused to listen to anything anyone had to say.
And the newspaper coverage and most editorial commentary has shown how deeply out of touch they actually are from everyday citizens, and how they prop up the elites at every possible turn. Imagine if the media hadn’t gotten sucked into the cult of Trump in the 1980s and started turning him into a celebrity for no good reason. Seeing them trying to lead ‘the resistance’ after doing everything they could to reelect him (so much for that “liberal media bias,” right, Richard Nixon?) is not only craven, but disgusting and people are starting to see very clearly what our “news media” actually has become: completely incompetent and not good at their jobs. The news shouldn’t be a for-profit business, just like health care should not be.
And on that note, I am bundling up and heading into the spice mines. Have a lovely Wednesday, Constant Reader, and here’s hoping the rest of this week flies by.
I am, and can be, remarkably naïve when it comes to some things. I literally will believe almost everything I am told because my default is never to assume someone is lying (unless they’ve proven themselves to be a liar before), so I actually believed, all those years I was watching The Real World, that the show was “unscripted” and the cast had cameras and microphones on them 24/7.
Then The Real World came to New Orleans–to my neighborhood, in fact–and the “gay one” got a job bar-backing at Oz (one of my favorite gay bars; and autocorrect tried to turn that into “barebacking”, which is an entirely different thing), and it wasn’t long before I realized that The Real World wasn’t, actually, “real.” I saw them any number of times walking from one destination to another to film, the camera crews not filming and just walking behind the cast; I actually watched them set up a scene in Oz and go through several takes, and so yeah, the luster and magic was gone for me. I think I may have watched another season or two after New Orleans, but reality television had also changed dramatically from when the first season of that show aired (and yes, I am aware that PBS’ An American Family was the first real reality-type show) and by the time I stopped watching that it wasn’t about kids learning to get along and learning from each other’s differences as it was about getting wasted, hooking up, and fighting.
You know, the formula Bravo quickly adapted to in Season Two of The Real Housewives of Orange County.
Viewers want conflict.
I never watched the Real Housewives shows, but usually on Sundays when it wasn’t football season Paul would come downstairs and fall asleep on the couch while I would either read or edit in my easy chair. I’d turn on the television for background noise, and it was just easiest to always park the channel on Bravo because they’d marathon something–originally Law & Order, then The West Wing or Inside the Actor’s Studio, which were fun for an occasional distraction but not enough of one to take my interest away from what I was doing. But Bravo changed, and those marathons eventually became one of the Real Housewives shows. I winced a bit, but again, background noise I didn’t need to pay attention to–it all seemed so exploitative and, well, awful–that I couldn’t see myself ever watching regularly. So I began to slowly recognize who they were–all the gossip site pop-ups and so forth on social media also covered them extensively–and even know something about them. I didn’t want to ever become a regular viewer, didn’t think I ever would.
And yet…
I originally tuned into TheReal Housewives of Beverly Hills to see Kim Richards, whom I remembered as a child star when I was a kid–from Nanny and the Professor to Escape to Witch Mountain to Tuff Turf–and was interested to see how she turned out, what happened to her…and just like a soap opera back in the day, I was soon tuning in every week. Some other friends turned out to be big fans of both Orange County and New York, so I started watching New York so we could talk about it (my antipathy to Orange County would be a subject for another essay at some other point), and there was no turning back after that.
I still primarily only watch New York and Beverly Hills with any regularity (although Atlanta is always a favorite), and there have been times when I’ve thrown up my hands in disgust with what was actually going on with the season and stopped watching (I stopped watching Beverly Hills during the “let’s out Denise Richards as bi!” bullshit, for example, and never did finish the season); but I am still absolutely fascinated by the concept behind these shows. Is any of it for real? How much is set up and scripted? It becomes very easy to get sucked into the shows–they are highly addictive; they remind me a lot of soaps as they are very high on petty drama and melodrama, feuds and fights and arguments–and how much of what we see is actually not audience manipulation on the part of production, the network, and the editors. (Women often claim to have “gotten a bad edit”–which always makes me think about The Real World–that show really started everything) I find myself getting emotionally sucked into the petty dramas too–which often spill out into the social media world and the endless blogs that dedicate themselves to reporting on these shows–and there are times when I think, well done, production! I would have never guessed you could ever show me a side of this horrible woman that would make me sympathetic to her.
Because while the women may manipulate and scheme and plan and script things, the primary people being manipulated by production are the audience and the line between reality and “reality” often gets so blurred that it’s hard to tell what is real and what isn’t.
Take, for example, this current rollercoaster of a season of The Real Housewives of Beverly Hills. Before the season started airing there was gossip flying around the Internet about their Aspen trip and a meltdown by a supporting cast member in her second year officially on the show–Kathy Hilton, older sister of OG cast member Kyle Richards–that supposedly went “really dark”…only for the season to start airing and the behavior of other members of the cast (Lisa Rinna, Diana Jenkins, Erica Girardi) being far worse than any of the rumors floated about Kathy’s “meltdown.”
Again, a subject for another time, perhaps once the reunion episodes have aired.
Anyway, I had always thought that a Real Housewives type show, set and filmed in New Orleans, would make the excellent backdrop for a crime story, particularly because of those blurred lines between reality and “reality”…so I used it for one of those e-novellas back in the day. After they were taken off the market, I kept thinking about how I wasted the background of a reality show on a story no one can access anymore and so that original story eventually morphed into Scotty VIII, Royal Street Reveillon.
I fished the last olive out of my almost empty glass and popped it into my mouth. I glanced at my watch as I chewed it, and moaned after swallowing. “There’s nothing like a good martini,” I said, glancing around the bar and getting our server’s attention.
“Do we have time for another?” My nephew Taylor finished the rest of his sazerac and looked at me hopefully.
“I take it you liked it.” I replied, not even trying to hide my smile. “But no time for another unless we want to be late.”
This was Taylor’s first time at the Sazerac Bar. He’d turned twenty-one just a few weeks before Thanksgiving, and since we were going to a party at the Joy Theater, I thought I’d treat him to a sazerac in the bar where they were invented. I personally don’t care for the drink—give me gin or vodka any day of the week—but everyone in New Orleans is required to try a sazerac at least once.
And now I could rest easy, having done not only my civic duty but treated Taylor to a New Orleans rite of passage.
I’d also wanted him to see the Roosevelt Hotel’s Christmas decorations. The Roosevelt was one of the grand old hotels of the city, and their lobby decorations are truly spectacular. Since we were going to a party at the Joy Theater—a mere block or so from the hotel, I thought, why not kill two birds with one stone? This was Taylor’s second Christmas with us, and I wanted to do it right. We’d already done Celebration in the Oaks at City Park, and I’d loved seeing the beautifully decorated ancient live oak trees through a newbie’s eyes.
I know it’s corny, but I love Christmas.
I love everything about it. I love decorating my apartment. I love picking out presents that are one hundred percent perfect for the person and carefully wrapping it up in beautiful paper, topped with a bow and twining ribbons around the box. I love picking out a tree, and the wonderful smell of pine that permeates everything inside once it’s delivered. I love getting the boxes of ornaments down from the storage closet and adorning the branches with them. I love tinsel and opening a new box of icicles for the branches. I love Christmas cookies and cakes and pies and turkey and celebrating and spending time with people I love.
I even love carols—although I do think that September is a bit early to start playing them unless the intent is to drive people to homicide by December.
While I kept the original backstories of the Grande Dames of New Orleans cast as I had in the original, I changed a lot because I didn’t want those few who had read the original to know the ending. I also wanted to do some fun things with the story, adding in another murder that was completely unconnected to the primary story as well as yet another deep personal dilemma for Scotty that doesn’t get resolved in this story, and trying to keep track of all the crazy things I had going on–as well as the complicated and complex backstories and threads of different subplots; I added another murder for the main story and I wanted to make it a bit more topical, so I added an element of “me too” to the story (in all honesty as I write the current one I wish I hadn’t done this because I can’t just drop it, either, like it never happened), and I found myself having fun with it. This was by far the most complicated and layered Scotty book since probably Mardi Gras Mambo, and this was one I felt very contented about when I turned it into the publisher. Even revisiting it now, as part of the prep for the current one, I kind of am proud of myself for it.
I also set it during Christmas season in New Orleans because I love New Orleans at Christmas-time. It’s one of the few times of the year where I don’t mind that it gets dark so fucking early–because New Orleans has put on her Christmas face and it’s absolutely delightful. One of the things I love most about this crazy city is how everyone here takes decorating so seriously–so seriously they decorate their houses and windows for everything. Jackson Square is stunning with the big red bows tied on the lampposts guarding the gates, as you can see in the gorgeous cover my publisher gave my book (and perhaps the thing about it that make me happiest the most is that one of the lamp’s light is out–just like it would be in real life) and the lights and…sighs happily.
I did think, for a time, about ending the series with this one, but I left the personal story hanging yet again which meant there would be another one–and I honestly don’t know what happened that it took me so long to get around to writing another one, but here we are.
It’s a gray Saturday morning, and my body clock has definitely reset. I woke up just before six again, wide awake, but stayed in bed for another hour (just like yesterday). I don’t feel as energetic as I did yesterday, though; but I have things to dig through and work to do and lots of coffee on-hand for fueling. But that’s okay; I don’t have huge plans for the day. I am going to start doing some editing, I am going to work on my short story a bit, and i am going to spend some more time with Kellye Garrett’s Like A Sister, which will be my reward for getting the other stuff done. I need to go make groceries at some point this weekend, just haven’t decided which day to do that. I also need to go to the gym, maybe later today. There’s always organizing and cleaning to do, too.
In other words, another normal weekend around the Lost Apartment.
But that’s cool, I suppose. Trying to do normal things helps me deal with the over-all concern about the world burning to the ground around us, which sometimes makes doing anything feel completely pointless. (I do remember all the hesitation from people in December about trying not to get thrilled or be happy that 2021 was coming to an end; we all felt that way every December for several years only for the new year to be even worse than the one before. Looks, sadly, like those people were right.) It’s a weird place to be in for someone my age, or in my generation, or those of us who remember the world before the collapse of the Soviet Union. I’m sure many of them, like me, had forgotten what it was like to live under the daily threat of nuclear annihilation and the end of civilization as we’ve come to know it. But that’s what we did back then–we went about our daily lives with that worry in the back of our minds at all times. I remember the amazement and joy when the Berlin Wall came down, and Germany reunified; part of their punishment for causing World War II and uncountable war crimes was allowing the Russians to basically split the country, turning East Germany into a communist satellite state while West Germany became a democracy and joined NATO and the west–basically for protection from a Communist takeover. I don’t miss nuclear apocalyptic fiction and films; Neville Shute’s On the Beach was such a bleak read, and the television movie The Day After was also dark and hopeless. There was an abandoned nuclear missile base about two or three miles from my high school in Kansas (which I’ve always wanted to write about); I remember there was a PBS documentary that aired when I was in high school about nuclear war, which was also the first time it ever crossed my mind that Kansas, of all places, would be a strategic military target for the Russians (because of all the missile bases spread across the prairie), they even named the closest town to the abandoned base as a target (Bushong, Kansas, population 37 at the time). And of course, The Day After made that very clear, as it took place in Kansas City and environs. Testament is another bleak film about the aftermath of nuclear war; and I remember reading another book, War Day, by Whitley Strieber and someone else, set about twenty years after a nuclear war between the superpowers. We used to learn about all kinds of things, like the electromagnetic pulse (the detonation of a nuclear weapon in the atmosphere which somehow–I don’t remember how it worked–rendered anything requiring electricity to cease working), often simplified to EMP. We were taught that iodine helped with radiation sickness, along with the grim knowledge that those killed instantly were the lucky ones. Apocalyptic and dystopian fiction used to be about the aftermath of nuclear war.
I didn’t realize how lovely it had been to be able to push those concerns completely out of my mind.
And what unique privilege it is, to be so consumed with worry over what may happen that might affect me and my life, while people are literally being slaughtered by the minute and large cities are being bombed and shelled ruthlessly and refugees are fleeing by the hundreds of thousands.
And there are other atrocities occurring around the world that aren’t being reported on, or covered as widely by the western media–primarily because the people being slaughtered or bombed aren’t white.
The great irony is that we consider our current civilization as the apex of humanity thus far–that civilization continues to evolve and grow less barbaric with the passage of time, while knowing that future generations will look back to our times and wonder what the fuck was wrong with them? How could they not see how fucked up the world was, and do something about it?
What is happening in Ukraine is just another chapter in the never-ending on-going series of books showing how incredibly inhumane humans are.
I don’t know what’s going to happen over there, and I worry that a peaceable resolution is not possible. I don’t see how Putin can possibly survive this, and he is a desperate thug with a massive Napoleon complex. I don’t know how many Ukrainians have to die before the rest of the world says enough. I don’t know how you get a madman with a nuclear arsenal to stop making war on civilians.
So, I just keep going. I get up every morning and have coffee. I check my emails, read some, delete some and reply to others. I check the news to see the latest from the front. I work on day job responsibilities and my writing and MWA business and edit. I do my dishes and clean my house and cook dinner and try to read to take my mind off the nightmares unfolding in the far corners of the world. I donate what I can to relief efforts. Little things, here and there, to cope with a reality that is incredibly worrisome and stressful and so overwhelming that I can’t allow myself to spend too much time going down that road–because I have the privilege to not have to be concerned about surviving today’s bombings. I have food and medicine and access to services. I have power and water and a working car. I have resources to draw upon. I am lucky.
I create. I write novels, fictions which may or may not have any meaning, trifles that can serve as a distraction from the worries and cares of a burning world over which I have little to no control. I have always been hesitant to use the word art when it comes to my writing; I’ve always felt that it isn’t for me to decide whether my work is art or I am an artist. But literature is a form of art, so therefore by extension my work is art and I am an artist; whether good or bad, important or forgettable is for others to discuss, debate and decide. But one of the foundations of civilization is art; art can survive the centuries and epochs and tell future generations stories about the times in which we live, to give them context for our civilization and our country and what we do and how we live. Fiction can educate and distract; it can provide a needed distraction and escape from the horrors of reality and provide comfort and joy in times of stress and terror. I have always escaped into books, and as a writer, I can also now escape into worlds and characters of my own creation. Reading and writing have always been my escapes; and now, more than ever, those kinds of escapes are necessary.
So, writers–we need to keep creating even as the world burns. There is always a need for beauty and truth, especially in times like these. And with electronic books–our words can now last for eternity, forever–or at least as long as civilization as we know it exists. I have no crystal ball; I do not have visions–although there have been times I’ve felt like Cassandra screaming on the walls of Troy, ignored and mocked as she tells them their future and of their folly. I do not know how this will all turn out, I do not know where we will be tomorrow or the next day. But as long as I have the ability to do so, I will keep working. I will keep making to-do lists and crossing off the tasks as I complete them. I will go on, living my life and doing whatever small thing I can do to try to keep the light burning. I will always try to make sense of the senseless, and I will always keep going.
No matter how dark the world might seem, no matter how much suffering we have to witness.
And on that somber note, I am going to dive into the spice mines. Have a lovely Saturday, Constant Reader, and hope you and all your loved ones are safe and secure, and continue to be.
Tuesday morning and I’m doing okay this morning, how are you, Constant Reader? (I ask very sincerely.)
I feel a little sleepy still this morning; not sure how that’s going to play out over the course of my day but it frankly does not bode well. I thought I had slept pretty well–I did wake up a few times–but this morning I am questioning it. I made it through almost the entire day yesterday without feeling tired at all; I did go to bed earlier on Sunday than I usually do, but come on. A half an hour can make that significant of a difference the next morning? I suppose it’s possibly, even if it seems terribly unlikely. I did manage to get a lot done yesterday–maybe not as much as I would have liked, but I did get it done–and same for today; I have a lot to get done, the deadline is pressing, and I actually may have to take my work-at-home days off this week in order to try to get everything done. I don’t think I will have to go anywhere or run any errands other than perhaps a mail run on Saturday, so other than that and going to the gym (I have to do that tonight as well) I should be able to do nothing other than write and work and clean up around here and maybe fill a few more boxes with books (my OCD brain is just itching to start going through the boxes of books in my storage attic and some of the ones I have in the living room, covered by a blanket, that sort of pass for tables). I would also like to finish reading The Russia House at some point and move on to my next read.
I did get some work done on the book last night–not as much as I needed to, so I am going to be playing catch up for a while, hence the consideration of needing to use vacation time this weekend (it’s not a big deal, and I’ve not used much vacation time over this past year thanks to COVID-19; not nearly as much as I would have used otherwise–no Edgar week trip to New York last year and this; no board meeting in New York in January; no trip to Bouchercon in Sacramento last fall, etc.) so maybe taking another couple of days here to get my book done isn’t such a bad idea, and if it’s done–I can enjoy my three day Easter weekend by being lazy and reading and cleaning….and Paul will be free for that weekend as well with my Festival widowhood officially ending this coming Sunday evening. There are also some calls for submissions I’d like to get some short stories written or revised for, and as I have said any number of times, it would be lovely to get some more short stories out there on submission.
Last night I finished watching Visible on Apple Plus, and I have to say I really enjoyed it–and even though it was about queer representation on television–it was also educational for me in ways I hadn’t anticipated it being. The series pulled no punches about representation–pointing out that the growth in queer rep on television for many years was incredibly limited, and primarily to white gay men at that; no lesbians, no bisexuals, no transpeople, no other races or melanin; it also made me realize that I myself had always lumped all queers together without respect to race or even the differences between the letters in our alphabet soup community; it was also incredibly educational on gender issues, particularly those of people who identify as non-binary. And that’s really the thing about our world, isn’t it? We never know everything, and we have to be open-minded about learning about new things, especially when they help broaden our understanding of humanity, what it means to be human, and how every human deserves to be treated with dignity and respect and empathy (until they prove unworthy, through their own actions as an individual and not consider that representative of others like them; i.e. “well, I worked with a trans-woman who was an awful person, so therefore all transpeople must be awful”). I found it overly simplistic in some places, of course–“women and gay men are natural allies” negates the awful truth that many anti-gay organizations were led by women (looking at you, Anita Bryant and Maggie Gallagher) and there are any number of right-wing women today who are not allies to the queer community, and are actually actively hostile to it.
But it was lovely being reminded of how much I’d loved My So-Called Life, and how much that love was due to Wilson Cruz and Rickey. I did think they glossed over HBO’s Angels in America, which certainly deserved as much attention as other shows they talked about, but it seemed to only be a very quick segment about how AIDS was being depicted and moved on very quickly from it….but nothing can cover everything with the depth one would prefer; hence the Planet Egypt series that jumped from King Narmer and Dynasty Zero in episode ahead a couple of thousand years to the 18th Dynasty for episode 2. It was also interesting being reminded of how the American Family Association and others of its ilk hounded Tales of the City off PBS–something I am sure PBS regrets to this day, given how successful it was as well as its follow-ups–and of course, I also remembered (having never forgotten) how seventeen-year-old Ryan Philippe launched his career playing gay teenager Billy Douglas on One Life to Live (I will always be a fan of his forever for this; it could have easily ended his nascent career), but I wish the docuseries had explored that story-line more in depth–it wasn’t just about a gay teenager being rejected by his family and trying to deal with homophobia and being out at that time; the show also tackled HIV/AIDS in a compelling story about how Father Andrew’s gay brother had died from it which was why he was so open and understanding with Billy; how Andrew’s homophobic father had to be brought around to mourn his son instead of being ashamed of his life; and how Andrew was also accused of molesting Billy by a vengeful young woman whose advances Andrew had scorned….and it all concluded with a visit to the AIDS Quilt. It was powerful and moving and must-see TV for me back then–in the early to mid-90’s One Life to Live was the fucking bomb, y’all. (They also covered consent, and the gang rape of a girl at a fraternity party when she’d had too much to drink–decades before we addressed this as a society, and still haven’t resolved the issue, frankly.)
If and when I ever do my book of essays, I may do one on One Life to Live during this time.
And on that note, tis back to the spice mines with me. Have a lovely day, Constant Reader, and I will see you tomorrow.
Queer and Loathing in America 