Tag: Paul Tremblay

Puppy Love

Thursday and my last day in the office for the week. Huzzah! I am fatigued this morning. I went to the gym on my way home last night, and while these “workouts” seem hardly worthy of the name, the way my muscles feel this morning shows me that oh yes indeed, even as light as the weights are and as few sets I am doing, it definitely still is counting. This is why I have to be patient with the progress and not get ahead of myself. Last night, I was definitely tempted to add more weight and even had to talk myself out of it, feeling like I was wimping out–but how much more fatigue would I be feeling this morning? And yes, I slept like the dead last night, too–another sign. I may take an extra rest day and not go again until Saturday. I was also tired when I got home last night, so I didn’t do much of anything, including chores….so will definitely have to do those tonight when I get home. I picked up the mail yesterday, too, so I can come straight home tonight.

And of course, tomorrow is a work-at-home day. Huzzah!

I had another surprise at the post office yesterday, too–my Nancy Drew The Secret of the Old Clock action figure! It’s pretty cool, and I may save pictures of it for here until after Pride month, because I cannot think of a way to do a Pride post about–you know what? I just thought of a way to do it, so I guess I manifested itself into being. I also managed to get a Pride post done yesterday–Calvin Klein ads–and I have some more on deck, too; I’ll give you some hints about them–Dynasty, party culture, gym culture, etc.–and who knows when I’ll get them finished and posted, but they are definitely in progress.

I also got my copy of a book I read and reread over and over again as a kid: Stranger than Science by Frank Edwards. I am slowly remembering some other things about my childhood–my interests in the occult and the unexplained. There was a lot of this sort of thing when I was growing up in the suburbs of Chicago, and I am not sure why there was so much of this in the late 1960’s/early 1970s, but there was. The Bermuda Triangle was a big thing, and so were pseudo-sciences like Erich von Däniken’s Chariots of the Gods and so on; Thor Heyerdahl was having his adventures proving that Pacific Islanders traveled much further than most believed, and he also was proving Egyptians could have made it to America on papyrus boats, which was insane but interesting at the same time. I also loved things like Ripley’s Believe It or Not, which used to be a bigger deal than it is now; weird theories about space alien astronauts and forgotten history–I was really into this sort of thing–lost knowledge has always interested me, and books about recovering lost knowledge (or treasure) were catnip for Gregalicious. I don’t know if this was a natural progression of the 1960s movements, in which we became suspicious of government and less trusting, but the 1970s were a very strange decade, and immersing myself in my memories has been interesting. Anyway, Stranger Than Science is a book telling short tales of real events with no logical or rational explanation (this was where I first learned of spontaneous combustion, for one). Edwards used to have a long-running radio show with the same name and subject matter, and my interest in his book and other unexplained phenomenon (whether true, legend, or a combination of both) had more of an influence on me as a writer than I actually remembered. I’m looking forward to revisiting this book.

I also got Paul Tremblay’s Horror Movie yesterday, and I may be moving it up on the TBR pile. He’s become one of my favorite writers lately–since I read A Head Full of Ghosts a few years back, and I’ve not read anything of his that wasn’t compelling and unputdownable since. (I’m also enjoying Grady Hendrix and Riley Sager these days as well.)

And on that note, I am bringing this to a close so I can head into the spice mines. Have a marvelous Thursday, and look for a Pride post later!

Rockin’ Robin

We made it to Wednesday! Huzzah! Huzzah! Here I sit with my coffee on my middle of the week morning, and I feel pretty good, to be honest. I was very tired yesterday, but not in the “I can’t even think” way, but rather the “hmm, I feel fatigued” way, which is fine. Yesterday was Sparky’s birthday, and so I gave him extra treats and pretty much played with him for most of the evening until he went to sleep in my lap. He really is a dear, even when he has Big Kitten Energy.

It’s been a bit of a week thus far, hasn’t it? Who knew that Ginni Thomas wasn’t the most awful SCOTUS wife? AND THAT IS SAYING SOMETHING. I saw someone on social media suggesting we change it, as a society, from “Karens” to “Martha-Anns,” since that name isn’t as common and she is clearly the GALACTIC EMPRESS of “I need to speak to a manager.” Madame Torquemada wouldn’t think Isabella the Catholic wasn’t religious enough for her, and clearly she’d love to implement the Inquisition, too. Thanks again to the third party votes who gave us the president who would appoint him for your service–and again for your service in 2016. I mean, what a vicious, venomous little spider she is, sitting in her house brooding over people being mean to her, waiting for the day she can be spiteful–the irony is it doesn’t make her look like the wife of a Supreme Court justice, but the Alitos clearly have delusions of grandeur and think they’re superior to everyone else. Whatever, trash. Don’t call yourselves patriots when you’re preference is to wipe your ass on the Constitution, and I also love that Alito thinks he’s a superior legal mind to, I don’t know, say every previous justice, which is rather telling. He certainly should not be a judge. But again, me and everyone else not white-cishet were screaming from the rafters that 2016 was about the Supreme Court, and as usual, no one listened–and that was also the case with the 2000 election, too. Sigh. It’s the pits, sometimes feeling like Cassandra on the walls of Troy.

I do feel much more lively this morning than I have any morning this week, but that’s got to be the better night of sleep last night–best of the week, in fact. I have to go pick up the mail today, my copies of the new Paul Tremblay should be there as well as another book from my childhood, Stranger than Science, which I am justifying getting because I plan to use it in The Summer of Lost Boys, which makes it research. I started thinking more about the next book yesterday, too, and how to expand this novella out into a novel. I am of course still going back and forth on it; it could be a novel, or it could just be the novella I stick at the end of my short story collection, but I think it would be too long for that. I need to write the introduction for that and finish the final stories and get it turned in. I know that Never Kiss a Stranger is already about 23k words in length, and there are at least two other subplots I need to weave into it, which should make it all the more interesting. I’ve not done nearly as much writing this week as I would have preferred, but there’s still a few days left in the week, so I can hopefully make up for lost time. What I need to do is summarize what’s already done, figure out where to slot in the subplots, and then buckle up and do the work. Next week is also going to be a little odd; we have Wednesday off for Juneteenth, so I have to work two days, be off one, work two more, and then drive over to Florida to meet Dad for the weekend. Their anniversary is next week–the 20th, to be exact, so Dad wants to go visit Mom and then he’s going on down. It’ll be a nice, relaxing weekend, methinks.

I’m not even going to take my computer with me. I’ll be ignoring everything until I get back.

Today is also the anniversary of the massacre at Pulse nightclub in Orlando, God rest their souls. That resonated because of course it was a dance club, and I had images of it happening here at either Oz or the Parade, which is chilling–and I really hated that the reboot of Queer as Folk was set here and a club shooting was central to the story. Has there been a true crime book about that yet? I feel like someone should, but not me. I am not the right person to do true crime, because I write fiction, I’d probably be unable to resist the urge to twist facts and evidence to fit any theories I might have, and that’s a disservice to the victims. I have thought, numerous times, about the possibility about writing a true crime book based on this case I am following in Oklahoma–without actually talking to any of the people or visiting the area–because one of the more interesting aspects of it all is the reaction, and how it’s all playing out on just this one Facebook page I joined. It still doesn’t make sense that the investigation was so fouled up from day one. How did anyone ever accept the theory that he was hit and killed by the side mirror on an eighteen-wheeler, and besides, I don’t care how drunk you are–there are conflicting reports on how drunk he was, but the autopsy did say .14 blood alcohol content–you’re not going to be unaware of an eighteen-wheeler coming up behind you on a country highway. And there was no wreckage or debris of any kind where the body was found. Sounds intriguing, doesn’t it? At some point I’ll probably write a blog entry about this case, but I don’t think, as much as I believe I could base a compelling novel in it, that I’ll eventually do so unless I can come up with a artistic thesis (that sounds pretentious, doesn’t it?) for it.

It’s funny how writing is like just about everything else in my life, isn’t it? The more I do it the better I write, the more I enjoy the other parts of my life, and if I take a break from it, it takes a while to shake off the dust and scrape off the rust and reactivate my creativity and my writing muscles. I also forget how to write a book sometimes, and that becomes a bit scary until I start remembering things, like oh yes you always have a point to the book you’re writing and you know what theme you want to explore, or I’ll remember something about the process and wonder if I’ve always done it that way because I don’t really remember. I am also finding I am forgetting a lot of the scenes and characters and plots of some of the books I’ve written, which is even scarier–what if I repeat myself, like with Scotty’s predilection for getting into car accidents? Heavy heaving sigh. This is why being a writer is an exercise in madness, really.

And on that note, I am heading into the spice mines. Have a delightful Wednesday; there may be a pride post later on; one never knows.

Tell Him No

I did get tired yesterday afternoon, but I think it was more from malnutrition somehow than anything else. My breakfast and my lunch did not fill me up1, and after I had lunch I did feel like my batteries were starting to run down a bit. It was, all in all, a good day for the most part. I did make it through the workday. I ran errands after work (got some things for Sparky from Chewy, and the last batch of new shirts arrived); started organizing the draft blog posts to determine which can be combined (same topic started on different days, months, years) and which can be finished and which can be deleted; I finished the revision of “Passenger to Franklin” (and I think it’s much much better now); and started getting my (delayed and extended) taxes together. Ideally, I can get that done this week and to my accountant by Friday so that will be one thing more that’s been hanging over my head like the sword of Damocles out of the way. Huzzah! I also took a look at “When I Die,” and while this one is going to take a lot of fucking work, it’ll be so much better when I finish it!

I slept well last night, and my coffee is rather delicious this morning. It was cold yesterday morning when I left for work–surprisingly so–but it warmed during the day so my car was very hot when I got into it after work. It’s going to get warmer consistently later in the week–I still can’t get over it being eighty-eight last Friday, it’s only April for Pete’s sake–which means it’ll probably be hot and sunny as I visit graveyards with Dad the weekend after next. I was thinking last night, as we watched Vigil (it’s terrific, highly recommended), that I’m almost in a good place again for the first time in almost ten years or so. My stress levels are way down, my moods generally are good and even, and I don’t have flashes of anger anymore (mostly while in my car). Other idiot drivers are still annoying, but don’t send me into a rage anymore. Now, it’s more like I get annoyed, say very calmly, “yes, you’re an asshole who can’t drive” or “yes, you are so much more important than all the rest of us”, but as I said, it’s calm–and I can absolutely live with that.

I got a short story rejection email yesterday, and I was completely ambivalent about it. The problem is you’re never sure if the story just doesn’t work for them or if the fact that the main character is gay was a problem for them. Sure, the rejection had the standard form please submit to us again, but…yeah, not so much. This is what straight white cisgender people don’t get, with all their whining about “merit”–the only people who they think actually earn their careers are straight white cisgender people, after all–because you can never be certain that it’s the story that they didn’t like enough or whether homophobic concerns come into play: our readers might get mad at is if we shove queer down their throats or we don’t want to become known as the queer crime publication and every other iteration of that you can imagine…any excuse not to publish a queer writer. Many years ago, I decided that I would never allow suspicions of homophobia affect my writing career, and I would always assume it was the story that was the problem. But…you have to wonder. When a magazine only buys your work when you send them things with straight main characters (twice) but rejects everything with a gay main character or even a gay theme, you have to start to wonder.

And given how few of the magazines that actually pay well for short stories (or pay at all) there are and how little queer work they actually publish…you begin to wonder. You don’t want to believe it’s homophobia or homophobic concerns, but here we are, you know. The stories I am working on now aren’t really crime stories, they’re more supernatural/horror stories, but I do think “The Last To See Him Alive” is not only a good story but it’s written really well. I need to revise it and edit it, of course, but it’s in really good shape already which is pleasing. “When I Die” needs a complete overhaul, but that’s fine. It’ll be a better story for it when it’s finished. And while these stories I am working on could complete the collection, this morning I am wondering if I should include horror in this book or not.

I really do not understand these new state laws (here in Louisiana we got one, too) allowing people to drive their cars into protestors, something which inbred morons Tom Cotton of Arkansas and eternal bitchboy Josh Hawley of Missouri are all about. Nothing says leadership like telling people to kill or injure other people. As always, these kind of Nazi-lite fascistic laws come to you courtesy of the Republican Party and MAGAt. I personally am looking forward to driving my car into a crowd of Trump protestors and hitting the gas pedal, frankly. When I saw this on social media yesterday, I responded with Never thought I’d see the day when the Kent State massacre would have fanboys, which prompted some responses which, of course, made the most sense: they had them at the time. I was too young to remember the right-wing response to the Kent State shootings, I just remember being appalled that the National Guard murdered four students on a campus, and I have always viewed it as a disgrace and a tragedy…but of course the right did not see it that way–just as they backed William Calley as a hero after the My Lai massacre in Vietnam. Even I–who have always known how vile and unpatriotic the right in this country is and always has been–didn’t think they were that callous and awful.

They are, they always have been, and they always will be.

The thing that always amuses me about this is the “patriots” of the right always forget that the only reason we exist as a country was because of mass protests….which led to a revolution. So, by that way of thinking, the most patriotic thing you can ever do is protest, really. Remember the Tea Party, the seeds that grew into MAGA? Remember the stolen election of 2000? Remember how Reagan dismantled and changed (and ruined) Social Security? The only reason there’s an issue with it now is because of Reagan, St Ronnie of the Right. The Republicans are the party of Joe McCarthy, Richard Nixon, Ronald Reagan, Henry Kissinger, and people like Cotton, Marjorie Taylor Greene, Josh Hawley, and Matt Gaetz are their heirs.

Remember back when I was thinking about starting to read and study poetry? I got a great recommendation from a dear friend at S&S of where to start–Mary Oliver’s Why I Wake Early–and I’ve been paging through it randomly, reading poems here and there, glimpsing fragments, and I think I’m slowly starting to come to an understanding of poetry I never had before. I am not going to review poetry on here as I am nowhere near knowledgeable enough and I don’t want to make a fool out of myself self-teaching and coming to what regular readers of poetry already understand from studying it. It’s a wonderful education, and one I kind of wish I had started earlier. Ah, well.

I also decided to postpone reading the Paul Tremblay and take it with me to Kentucky to read. Instead, I’ve decided to reread a book I don’t remember much of–Suicide Notes by Michael Thomas Ford. He published a sequel this past year that I would love to read, but not remembering the first one was a problem, so I decided to go ahead and reread it. I don’t talk about Ford much, but he really is one of the most underrated queer writers of our time. He can basically write anything (a blessing and a curse, as I know all too well), and he does it extremely well. Rereading the first chapter last night pulled me back into the story effortlessly, and the voice is so compelling and hauntingly real…and likable. I’m looking forward to reading more of it.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll probably be back later.

  1. I also ate dinner late on Sunday night, which I usually don’t do and am sure that had something to do with it, but given I don’t really get hungry all that often it was kind of cool. ↩︎

Only You (And You Alone)

Ah, Thursday and my last day in the office for the week. Awesome. Yesterday morning I once again did the old “don’t leave the house until 7:30” again, and once again I wasn’t groggy or tired by the time I left the house. Bizarre how that minor shift in how my days are structured has created such a significant change to everything. I really need to remember to pay attention to routines before they become ruts, so I can change them and avoid said rut.

I did finish the first draft of a short story Tuesday night, and I am most pleased with it. I am writing it for an open call for an anthology, and I am very pleased that I got a first draft done long before the deadline. (I’m still bitter about missing the Chessies anthology deadline, for which I was working on three stories. Note to self: never write three stories for a submissions call because you think it sounds like a great idea. It is not, nor is it ever, a good idea.) Yay, me! I also decided to work on revisions of some other stories in progress; I am still struggling working on this book, but I’ve also decided I need to really immerse myself in it for at least one day so I can get a handle on this plot and figure out where it’s going and what needs to come in and what needs to come in so that I really feel like I have a grasp on the characters and the story. Those stories in progress are the first drafts I never got a chance to revise for the Chessie anthology, and all three will fit snugly into the end of my short story collection…so technically, if I can get the three stories whipped into shape, I can also go ahead and get the collection turned in. Huzzah! All three of the stories are actually ghost stories of a sort; “Passenger to Franklin” needs some serious revision, and so does “When I Die,” which is a terrific concept and really needs some work too. I think I can get one of my oldest and most beloved stories of my own whipped into shape and added into this collection as well, which just goes to show–never discard an idea or throw out a story because you’ll eventually come back to it someday.

I wrote out the opening paragraphs of the next Scotty, which I want to write this fall and hopefully get turned in around November or December. I am pretty pleased with the plot and story of this one, too, but I also need to spend some time brainstorming the plot and how it twists and turns around and turns out. I still haven’t dipped into my Paul Tremblay yet, and I think I may save it for Sunday morning reading over my coffee. Saturday morning I am going to reread/skim Death Drop so I can get a better feel for the current WIP and make sure I have the voice right, which I don’t think I do yet, which is also why I think I am having so much trouble writing it. It’s always a struggle for me to write a book when I don’t hear the voice of the character in my head, so I need to get it there ASAP.

I feel like I am making progress with my writing, even if working on the book is like pulling recalcitrant teeth.

I feel pretty good this morning, a little tired perhaps, which is oddly different that the past few weeks, when I was tired earlier in the week and felt more rested as the week progressed. This of course made no damned sense at all, but that’s okay. Few things in my life have ever made sense, and a lot of it probably is related to the anxiety and medications, as well as this week’s change in schedule. Last night when Paul got home we watched the first episode of The Sympathizer, which was very intense. I loved the book, and the new series is actually quite excellent–but more on that as it develops, obviously. I also managed to fold the laundry and do a load of dishes. I also picked up two new books, the new Scott Carson (aka Michael Koryta) and the new Alyssa Cole. I want to get some serious reading done this weekend as well as some cleaning and writing, and I also need to get my taxes completed this weekend and off to my accountant. An odious chore, to be sure, but a necessary one. I also have a lot of errands to do this weekend–we need to go to Costco, I need to make groceries, and of course there’s a shit ton of cleaning that needs to be done. I will need to work on reorganizing the freezer/refrigerator tonight in order to make sure there’s room for what we pick up this weekend.

And on that note, I am heading into the spice mines. Have a lovely Friday Eve, Constant Reader, and one never knows, I could be back later.

Gotta Travel On

The Ides of April and Tax Day, huzzah. I’ve filed for an extension for mine because I just couldn’t deal with it before, which is kind of childish and more than a little immature; the key word here is avoidance. But I plan to get it all finished this week, God willing and the creek don’t rise. I am going into the office a little later than I usually do, because I have to swing by the Cat Practice to get Sparky’s food on the way to the office. It’s an Admin Day, so not a big deal for me to not be there as early as usual.

I feel rested and good this morning, which is a very pleasant change and surprise. I did go to bed a little early last night, but I spent most of the day writing in my journal, watching documentaries, and later on in the evening we watched more episodes of The Gentlemen. I also finally looked up the name of the star, Theo James, because it was bothering me that I recognized him and couldn’t place him. I am liking it a lot more than I would have thought, frankly; not being a big fan of producer/showrunner Guy Ritchie, but it’s actually quite fun. I also went down some rabbit holes of research yesterday, which is always a lot of fun for me. I also started reading Paul Tremblay’s The Pallbearer’s Club, which I had a little trouble getting into at first, but I remembered having this issue with A Head Full of Ghosts, too–like the latter, he’s playing with form and style and point of view in the former, which is a bit hard to get used to it, so it’s slow going (for me) at first, but as always, there’s such depth and compassion in his writing it’s easy to see why his career has taken off. I’ll try to read some more of it when I get home from work tonight, after I do the day’s writing. I am definitely planning on writing every day now, even if it’s just a little something. I made lots of notes yesterday in my journal, too, which was very cool.

I decided yesterday, when watching a lengthy documentary of LSU football highlights (I was doing this around chores, listening to the documentary while Sparky and Paul slept on the couch) that one of the problems I’ve been facing with writing lately, something I’ve talked about on here a lot, is how I’ve not really been able to focus all of my creative energies on anything that I am writing, but have any number of things in-progress that my mind keeps attention-deficiting between, skittering around between projects and ideas without really landing effectively on anything for long enough to get very far. Yesterday I decided, as I grabbed the journal and hit play on the documentary that I was going to free-form take notes and scribble out ideas as they came to me, regardless of what they were about or for, even if they were entirely new project notes. I did a lot of scribbling, and most of it focused on one project, which really needs to get done by the end of the year, as well as some others I was a bit surprised still were there and fresh in my mind. I also know now that if I rewrite at least three of these short stories drafts that I have on hand, that collection will be complete.

I also found the voice for a new project idea I’ve had in the front of my mind for a while, primarily because we watched those ‘troubled teen cure’ documentaries at the end of the previous week. I had an idea for one set in Kansas, based on a foster home where the kids went to my high school. I didn’t think much of it when I was in high school–other than how much harder those kids had it than the rest of us–and sometime in the years since high school I thought, I could write a crime novel around that story even though it would entirely be fictional and the real place was simply a starting point for my fictionalization. The title came to me this weekend–The Crooked Y–and so that’s definitely moving up the list of “what to write next.”

As you can tell, writing is becoming more important to me and it feels good for my mind to be creating again, even in this current ADHD way, which is so much better than the dry well experience I’ve been having since…well, since Mom died, really. 2023 was a lot of personal trauma; and relentless from January on, which makes it not surprising, I suppose, that my brain has been fallow for so long.

And on that note, I am going to start getting ready to head into the spice mines for the day. Have a great Monday, Constant Reader, and I may be back later.

Floridays

Michael Koryta is one of my favorite writers.

I may not have discovered him had I not been an award judge one year, and his book So Cold the River was entered. I absolutely loved the book, that perfect hybrid of crime and horror that is so often far too hard to find, let alone have it be done well. The Prophet and The Ridge cemented his place as one of my favorite writers. I had bought The Cypress House when it was new, but somehow had never gotten around to reading it–there are several volumes of unread Koryta books that I am looking forward to getting to at some point. I know I picked it up and started it at one point, but something happened to distract me and I never got back to it. Last weekend, I finally decided it was time.

And I am very glad I chose it at last.

They’d been on the train for five hours before Arlen Wagner saw the first of the dead men.

To that point it had been a hell of a nice ride. Hot, sure, and progressively more humid as they passed out of Alabama and through southern Georgia and into Florida, but nice enough all the same. There were thirty-four on board the train who were bound for the camps in the Keys, all of them veterans with the exception of the nineteen-year-old who rode at Arlen’s side, a bou from Jersey by the name of Paul Brickhill.

They’d all made a bit of conversation at the outset, exchanges of names and casual barbs and jabs thrown around in that way men have when they are getting used to one another, all of them figuring they’d be together for several months to come, and then things quieted down. Some slept, a few started card games, others just sat and watched the countryside roll by, fields going misty with late-summer twilight and then shapeless and darl as the moon rose like a watchful specter. Arlen, though, Arlen just listened. Wasn’t anything else to do, because Paul Brickhill had an outboard motor where his mouth belonged.

What a great opening.

Koryta is an exceptional writer. He doesn’t always blend the supernatural/horror into his crime novels, but I love it when he does–very few authors (Paul Tremblay being one of them) who can deliver such extraordinary hybrid work. I’ve loved every Koryta novel I’ve read–there was one about caves that absolutely terrified me, being claustrophobic and afraid of the dark, so much so that I never did read the sequel–it got under my skin that much. (I will read the sequel, never fear!) He has also started using the name Scott Carson for these hybrid books, to differentiate them from the straight-up crime novels.

The Cypress House is a historical novel, hard-boiled and noir to its core. Set in the 1930’s during the Depression, Arlen and Paul’s journey is about finding work at government projects–they are heading for the Florida Keys to build a highway connecting the keys to mainland Florida. Arlen is a WWI veteran, a survivor of the horror that was the Belleau Wood..and it was during his service in the war that he began seeing premonitions of death in people–their eyes are filled with smoke, and he knows they are going to die. As they speed through the night in Florida, he starts seeing smoke in the eyes of everyone on the train, and knows they have to get off the train, which they do at the next stop. Paul isn’t sure he believes Arlen, but he’s attached himself to the older man like a puppy, so he also doesn’t get back on the train.

They later learn a hurricane swept through the Keys and killed everyone on the train.

The two men accept a ride to a work camp in Tampa, which winds up with them at the Cypress House, a beachfront “resort” on an inlet in the middle of the swamp jungles which is a mob front…and meet the beautiful Rebecca Cady, who runs the place. When their driver’s car explodes, they are now stuck there–and are thrown in jail for their trouble by the corrupt local sheriff and judge, Solomon Wade, who is connected to the mob all over the country and runs drugs in through the inlet. Arlen decides to help Rebecca, whom he is falling in love with, and then all hell breaks lose.

Koryta is a master of building suspense and tension, and the chapters where the three of them are riding out a hurricane/massive storm surge was absolutely chilling and terrifying, especially when you’ve done that yourself. The historical setting is apt, and as I have said before, a lot of remote places in the South are still run this way–an authoritarian sheriff and other politicians who are essentially tin-pot dictators. This book reminded me of great Florida novels of the past–John D. MacDonald and Robert Wilder’s Flamingo Road spring to mind–and this would also make a great movie.

The Cypress House is yet another feather in the cap of Koryta’s canon. Highly recommended. You should be reading Koryta/Scott Carson. Fix that if you’ve not.

I Need You

Friday morning and I am up way early for PT this morning. It feels warmer this morning–it’s in the fifties–but it’s not cold in the Lost Apartment, which is nice. I haven’t slept well now for about two nights running. My sleeping pills are missing–I couldn’t find them last night–which means they were probably left out on a counter and Sparky the Demon thought “toy!” and now I have to really spend some time trying to find them. I’ll make it through today relatively okay, I suppose, since it’s a work at home day, but after PT I have a couple of errands and after that I’ll be home for the day. I did chores last night when I got home, so the kitchen isn’t messy this morning and once I get back. here, it’ll be relatively easy to get the downstairs back under control and launch into the weekend. I have events all day tomorrow on ZOOM for the Bold Strokes Book-a-thon, too. Paul didn’t get home until after I went to bed last night, so I spent most of the evening (after doing some cleaning, which was wise and I am very grateful that I didn’t blow it off) playing with Sparky and watching some television. I watched the new episode of Percy Jackson and the Olympians, which I enjoyed, and then watched some documentaries on Youtube about history–mostly Byzantine, with some French and Austrian thrown in for good measure before going to bed relatively early. I did rest–my body feels very relaxed–but my mind never really shut off completely or for long.

The Lefty and Edgar nominations came out this week, and I have so many friends nominated on either or both lists! It’s always such a pleasure to see friends nominated for awards. It’s also a great opportunity to pick out some more great books to add to the list. I am also delighted to see Rob Osler nominated for Best Short Story (a queer nominee with a queer story!) and there’s another queer story nominated for the Lillian Jackson Braun Award, a book I actually blurbed: The Body in the Back Garden by Mark Waddell from Crooked Lane, so yay for a gay cozy being nominated! It always does my heart good to see queer writers being recognized by the mainstream, which is the kind of progress we’ve been wanting to see for decades. The categories for both the Leftys and the Edgars are stacked this year, which just goes to show how deep the bench actually is in crime fiction–and so many great books that weren’t nominated for either.

I blurbed several books this past year that are coming out now, so I want to go back and reread those so I can blog about them–not only Mark’s book but the new Rob Osler, Cirque du Slay and the new Margot Douaihy, Blessed Water. I also haven’t started reading another book quite yet–I was dragging too hard every night when I got home, really, to do any reading or engage my brain as much as I would like.

I think I may need to read out of my genre next, perhaps some horror? Paul Tremblay? Elizabeth Hand? I have so many great books in my pile, which is a delightful problem to complain about, but the struggle is real. How do I decide what to read when there are so many great books waiting for me to escape into? Maybe I should try to read just the books currently nominated for awards? Heavy sigh. Decisions, decisions.

It looks like we are having yet another hard freeze this evening, so hurray for not leaving the house for the rest of the day once I get home this morning. Sheesh.

And on that note, I am going to get cleaned up and head to PT. Have a great Friday, Constant Reader!

The Itchy Glowbo Blow

Wednesday and we’ve made it halfway through the week, Constant Reader. Didn’t think it was quite possible, did you, when Monday dawned so early and ugly? We expecting thunderstorms today in New Orleans–it feels cooler and damp this morning, but I don’t know when we are supposed to have said storms; probably this afternoon. I slept really well again last night–it’s been lovely getting good sleep lately. I felt a bit tired yesterday when I got home from work, and so took it a little easier on myself when I got home. I managed to get caught up on my emails (such a weird feeling) and did some writing last night. I think I’m still a bit in the post-book malaise phase of things, so writing anything isn’t easy (not that it ever is) but Paul got home late so was left to my own devices once I finished writing for the evening. I did watch some documentaries on Youtube about the Hapsburgs last night (I also discovered an English-language biography about her–Margaret of Austria–which I added to the my list of books to buy…which is almost as out of control as my TBR stack, which is now essentially the entire living room), and I read a short story in Hitchcock’s My Favorites in Suspense anthology; a dark little Charlotte Armstrong story called “The Enemy.” Armstrong was a writer I discovered as a tween, when Mom let me join the Mystery Guild Book Club; I got an omnibus by her (The Witch’s House, Mischief, The Dream Walker) which I greatly enjoyed. I rediscovered Armstrong thanks to the work of both Sarah Weinman and Jeffrey Marks, which enabled me to continue reading in her canon.

Armstrong won an Edgar for Best Novel for A Dram of Poison, a charming if dark little story of suspense; maybe the rare Edgar winner where there’s no dead body but the plot has to do with preventing an accidental death? It’s very clever, and incredibly charming, but beneath that clever charming surface it says something dark and awful about human nature and character–people who are unhappy spreading their misery to others. Armstrong was also made a Grand Master by Mystery Writers of America. Her work may seem a bit dated in the modern day–technology and society have moved on from the times she lived and wrote in–but I think it’s well worth the read. “The Enemy” is that same style of writing as Dram, a serious subject presented charmingly, and the death of a child’s dog the catalyst for an exposé of something darker and nastier…and yes, the plot also hinges on the darkness a human being is capable of creating. It’s a really clever, if slightly dated, story–and you can’t help but smile or laugh at the last line of the story. I am really enjoying these time capsules into the past, to tell you the truth. I bought a few more of these anthologies on eBay yesterday, too. It’s nice to have short story collections around for those times when my brain can’t really focus on reading an entire novel.

I have been listening to Carol Goodman’s The Drowning Tree on Audible, but I may have to break down and finish actually reading a physical copy because I can’t keep listening every day and with my memory a literal thing of the past these days, I’m not sure I remember enough of the story to pick it up again this weekend. I also picked up copies of her new novel, The Bones of the Story, along with Paul Tremblay’s new short story collection, The Beast You Are. I do like Tremblay’s writing–A Head Full of Ghosts was one of the best horror novels of the last decade, and I’ve liked everything else of his that I’ve read–and I think this may even be his second collection. I am also hoping to pull together another collection myself this year–This Town and Other Macabre Stories–but I am not sure if I will have the time. I also got the copy edits for a short story I contributed to an anthology in my inbox last night, so that has to go onto the to-do list, and I still have page proofs to get through. But for the most part, it seems as though I have a guilt-free free weekend, which one can never truly go wrong with, either. I’ll have some errands to run, of course–I always have errands to run–but there’s no stress or pressure on me either, which is kind of nice. I think maybe that’s the reason I’ve been sleeping so well this week? No pressure and my schedule has kind of normalized, gotten back to normal, settled back into the routine my body is used to, perhaps?

Yes, that makes total sense to me.

I also have ideas and thoughts pinging around in my head. I’m itching to get back to the works I have in progress; I want to get a strong first draft of two different novels finished before I leave for Bouchercon next (!!!) month. I actually, finally, made a to-do list yesterday; I am hoping that I can get my life back on track the way it was before the pandemic and the madness of the last few years. That doesn’t mean that my blood pressure won’t continue to go up predicated on the constant assaults on everyone who’s not a cisgender straight man from the demons on the right–which is part of the reason my interest in the Civil War and the 1850’s, that terrible lead-up to the split, has been heightened these last few months. I do see a lot of similarities in the split between conservative v. progressive today, which was predicated along the lines of abolitionist/pro-human trafficking back then. One of the books my father gave me to read was called Southerners in Blue, which was a novelization of the true story (albeit poorly written) of a Union sympathizer and others like him in Winston County, Alabama. (If you’re not familiar with Winston County, the easiest way to explain it is this county did not vote for secession and essentially stated that if Alabama had the right to secede from the Union, the county had the right to secede from Alabama. They did not secede from Alabama, just said they had the right to predicated on the secession arguments being presented, but have gone down in Alabama history and lore as having actually seceded even though they most certainly did not) Basically, in some of the northern counties of Alabama there was basically a second civil war, between the “secesh” and the “Unionist” supporters, and the mountains of north Alabama were filled with deserters from the Confederate Army, This was also novelized into a book called Tories of the Hills by Wesley Sylvester Thompson, which is incredibly rare (my uncle has a copy, which my aunt won’t let be removed from her house–wise, as I would totally steal it). I had read another book also while I was up there, about the Kansas-Missouri border war–which had a decided “secesh” slant to it, of course, while complaining that all previous histories were “unsympathetic to the Missouri slave-owner point of view”. I’m sure he had a point, but simply because there are two sides to every story doesn’t mean each side deserves to be heard, or that each side’s opinion has equal weight. It did spark my interest, though, and I really think there’s a book in this little-known history of north Alabama. Again, it would be difficult to write–lots of potential landmines there–but it’s also, as I said, not very well known and with today’s tribalism mentality–not to mention how loud the Lost Cause fanatics are–it’s hard to wrap one’s mind around the notion that the South wasn’t monolithic in its thinking.

Because no group of people are, really, which is why I don’t like being asked for a gay perspective on anything; I can only speak for myself.

But while I continue to research this aspect of history and try to figure out a way to get a novel out of it, I am going to map out two others. One is already in progress, and the other is a New Orleans ghost story I’ve been wanting to write for quite some time now. The trick is to make it different from every other ghost story I’ve already written. Good luck with that, Mr. Repetitive!

Heavy heaving sigh.

And on that note, I am heading into the spice mines. Have a great Wednesday, Constant Reader, and I will check in with you again later.

This Used To Be My Playground

Monday morning of Malice week. Ugh, all the little things one has to do to get ready for traveling. Make a list of what to pack, take inventory of the kitchen to make sure Paul has what he needs while I’m gone, and so on and so forth. Heavy heaving sigh. But my flight Thursday isn’t super early; eleven-ish, if I recall correctly, which means I don’t have to be at the airport until around nine, which isn’t bad. I’m going to take some books with me to read for pleasure at the airports and while in flight; I will be editing when I can in my room periodically trying to get this revision finished by the end of the month. The weekend wasn’t nearly as productive as it could have been–there was another wave of depression and grief to be gotten through this weekend, unfortunately–but I did make some progress, which I am taking as a win. I did also make a to-do list for the week; that should help in some ways.

We watched A Knock at the Cabin last night, which I enjoyed; a lot more than I usually enjoy an M. Night Shyamalan movie. I had also enjoyed the book on which it was based, The Cabin at the End of the World by Paul Tremblay, who is one of our best horror writers today; I’ve enjoyed everything of his I’ve read thus far. The film follows the book very closely; it’s one of those claustrophobic horror stories where some city folk take a vacation in the country at a remote cabin–but remote and country are very much staples of horror; someone really should do a look at the trope of “city folk in the country” horror–and things of course go very south. The film is very well cast; Jonathan Groff and Ben Aldridge play Eric and Andrew, a gay couple who’ve adopted a young Asian girl they’ve named Wen and they make an adorable little family group. The location of the cabin is idyllic and tranquil and beautiful; the perfect spot for some city folk who want to get away from the every day and rest and relax. Wen collects grasshoppers in a jar because she wants to study them; the movie opens with her catching grasshoppers and then catching a glimpse of a very big man coming through the woods to talk to her. This is Leonard, played very well by Dave Bautista, who is the leader of a group of four people who have seen visions and have concluded that in order to stop the apocalyptic end of the world, they must come to this cabin and present the family with a horrible choice: they have to sacrifice one of their own in order to stop the end of the world. Are they crazy? They sound like it, as they try to reason with the family…but what if they aren’t? The movie’s ending is different than the book’s–there was no way they could film the book’s ending, really–but I do prefer the book’s ending than the film’s; it seemed like the inevitable outcome, and made the most sense. It’s a good movie, I do recommend it, but one thing I’ve always been curious about since reading the book and was only heightened by viewing the film: why a gay family? I gave Tremblay props when I read the book, because they were very real and didn’t seem forced or stereotypical at all; I thought it should stand as an excellent example of someone who is not gay writing gay characters. The politics of the representation–gays in peril–is one I am not going to give any time to; sure, the gay family was in danger almost from the minute the credits rolled, and it was nice having a gay couple to root for in a horror film. Horror by its very nature is disturbing and tragic; you cannot have gay representation in horror and then not expect the gay people to go through some things, you know? And having gay characters also adds another dimension to the home invasion situation–are they crazy, are they telling the truth, or did they target a gay family purposely? There’s an essay to be written about the book and the movie from a sociopolitical and sociocultural perspective, but I don’t know that I am the right person to write such a thing; I’m not an academic, after all, and have very little desire to ever be an academic.,.although that sometimes can explain my insecurities about thinking deep and heavy thoughts and wanting to write deep and heavy essays picking apart and deconstructing gay representation in modern fiction, with an emphasis on horror and crime.

I also read some academic treatises this weekend, one about being gay and the gay rights movement’s intersectionality and how it got away from that in the beginning only to circle back around to it in the present day, and the other about the television show Dark Shadows, which probably had more influence on me, my writing, and my preferences when it comes to reading, film, and television than anything else I’ve watched or read in my life. I know I used to watch classic black and white films with my grandmother (she was a big fan of the gay icons, ironically: Bette Davis, Joan Crawford, Barbara Stanwyck, and Katharine Hepburn; she also liked horror and noir, and she was a fan of Dark Shadows, as was our babysitter down the street, Mrs. Harris), so pretty much my course was set when I was a little boy–gay writer was my future. I should write more about Dark Shadows–I was actually thinking last night that I should write a memoir of being a writer; my influences and how they shaped my creativity and what I actually write–not that anyone would be interested in reading such a thing, of course; which is partly why I don’t write more personal essays. Just as I’ve never really been interested in writing a writing manual, or one of those Greg Herren teaches you how to write a novel things. I always feel like a fraud when I talk about writing; never does my Imposter Syndrome strike as hard as it does when I am talking about writing or teaching a workshop. I don’t know.

It’s back into the office with me today. It’s a light day for me; mostly busy work, like data entry, filing, resupplying testing rooms, that sort of thing. It’s always nice to ease back into the week with an easy day in the office. It’s also weird to know that I am leaving on Thursday morning; the trip doesn’t seem real to me yet even though I’ve already made plans to meet up with people while I am there. Looks like I’m going to have to take a Lyft or an Uber from the airport once there, which is fine. And then of course when I get home I have to make up for lost time with the manuscript. Heavy heaving sigh. It wasn’t a good weekend for working, really; I kept spiraling and had to finally, on both days, remind myself that my mental health was more important than a deadline and so focused on positivity and and worked when I was able to get things done. The house isn’t nearly in the kind of shape I would like for it to be in when I am leaving for a weekend (two in a row; the next weekend I am off to Alabama) but seriously–when is it ever? I just need to make sure everything is in order before I go away on Thursday morning. Heavy heaving sigh.

And my books that I’ll be taking to read with me are going to be That Summer Night on Frenchmen Street, Wined and Died in La,, Let Me Die in His Footsteps, and Monday’s Lie. I am not going to get through all of these, of course; I may even cut it down to two–like I won’t be buying books in the book room, please–and I will also be working on the revision while I am there, too. (I so wanted to be finished before I leave…)

And on that note, I am going to get cleaned up and head into the office. Have a lovely Monday, Constant Reader, and I will check in with you again tomorrow.

Bad Boy

Masculinity is something I’ve always felt I viewed from the outside.

It’s very strange; for someone who doesn’t look back very often and has a rather healthy disdain for nostalgia, for some reason since the pandemic started, I’ve been revisiting my past a lot. I don’t know, perhaps it was triggered by having dinner with an old friend from high school a while back (which also inspired me to write a horribly dark short story); or perhaps it’s because of short stories or novel ideas I’ve been toying with, but lately, I’ve been thinking about my past much more so than I usually do, and what it was like for me growing up. I wrote a Sisters in Crime quarterly column several years ago about the first time I realized, once and for all, that I was indeed different from everyone else–it centered the first time I heard the word fairy used towards me as a pejorative, as well as the first time I was called a faggot. I’ve also been examining and turning over issues of masculinity inside my head for quite some time (most of my life). #shedeservedit was itself an examination of toxic masculinity and how it reverberates through a small community when it’s allowed to run rampant and unchecked: boys will be boys. Some short stories I’ve published have also examined the same subject.

What can I say? My not being the American masculine ideal has played a very major part in shaping my life and who I am; how could it not? I used to, when I was a kid, pray that I’d wake up the next morning and magically be turned into the kind of boy I was supposed to be, the kind that every other boy I knew–from classmates to cousins to everything I watched on television and at the movies.

Society and culture have changed in many ways since I was a little boy who didn’t fit so easily into the conformist role for little boys; roles for male and female were very narrowly defined when I was a child, and children were forced into conforming to those roles almost from birth. Boys were supposed to be rough and tumble and play sports and get dirty and like bugs and frogs and so forth; girls were supposed to be feminine and play with dolls or play house, wear dresses and mother their baby dolls. Boys weren’t supposed to read or enjoy reading (but I was also supposed to get good grades and be smart), and that was all I wanted to do when I was a kid. I used to love Saturdays, when my mother would go to the grocery store and drop me off at the library on her way. I loved looking at the books on the shelves, looking at the cover art and reading the descriptions on the back. I loved getting the Scholastic Book Club catalog and picking out a few books; the excitement of the day when the books I’d ordered arrived and I could go out on the back porch when I got home and read them cover to cover. I was constantly, endlessly, pushed to do more “boyish” things; I played Pee-wee baseball (very much against my will), and later was pushed into playing football in high school–which I hated at first but eventually came to love…which just goes to show, don’t automatically hate something without trying it. But yeah, I never loved playing baseball. I was enormously happy when we moved to Kansas and I discovered, to my great joy, that my new high school didn’t have a team.

One less traditionally masculine thing for me to participate in was always a bonus.

The things that I really wanted to do weren’t considered masculine pursuits, and as a general rule I was denied them as much as possible. My parents forbade me from reading books about girls–Nancy Drew, the Dana Girls, Trixie Belden–which, quite naturally, made me want them more (my entire life the best way to get me to do something is to tell me either not to do it or tell me I can’t do it…either always makes me want to do it). Oddly enough, when my reading tastes became more adult–when I moved from children’s books to reading fiction for adults–they didn’t seem to care that I was reading books by women about women quite so much as they did when I was younger; either that, or they gave up trying as they finally saw me as a lost cause–one or the other; I don’t know which was the actual case. Maybe my embrace of football in high school overrode everything else suspect about me. It’s possible. My family has always worshipped at the goalposts…and I kind of still do. GEAUX TIGERS!

I spent a lot of my early life trying to understand masculinity and how it worked; what it was and why it was something I should aspire to–and never could quite wrap my mind around it. The role models for men always pointed out to me–John Wayne, etc.–never resonated with me; I always thought they were kind of dicks, to be honest. The whole “boys don’t cry, men never show emotions, men make the money and the entire household revolves around their wants and needs” shtick never took with me, and of course, as I never had any real sexual interest in women…the whole “locker room talk” thing was always kind of revolting to me, because I always saw girls as people. It probably had something to do with the fact that I was more likely to be able to trust girls than boys; I had so many boys decide they couldn’t be friends with me anymore because at some point other kids calling me a fairy began having an negative impact on their own lives all through junior and senior high school (to this day, I’ve never understood this; why were we friends before, and what changed? It wasn’t me…I didn’t suddenly switch gears from butch boy to effeminate overnight) it’s little wonder I have difficulty ever trusting straight men…but in fairness, I have trouble trusting everyone. But I never quite understood the entire “boys are studs girls are sluts” thing, but I also never truly understood the dynamics of male/female attraction. Yes, I dated in high school; I dated women in college before I finally stopped entirely. And yes, I also have had sex with women, back then–but never really enjoyed it much.

In all honesty, I still don’t understand masculinity, at least not as it was defined in my earlier decades of life. I’ve never understood the cavemen-like mentality of responding with violence (no matter how angry I get, I never get violent); I’ve never understood the refusal to recognize that women are human beings rather than life support systems for vaginas and wombs and breasts; I’ve never understood the mentality that a man’s desires should trump (see what I did there?) bodily autonomy for women. No man has a right to a woman’s body, nor does any man have a right to tell a woman what she can or cannot do with her body. Maybe always being an outsider looking in and observing has something to do with my mindset, maybe my difference and always having mostly female friends most of my life is what shaped me into understanding these things.

I also mostly only read women’s books, to be honest. There are some straight male writers I read and admire (Ace Atkins, Bill Loefhelm, Michael Koryta, Harlan Coben, Chris Holm, Stephen King, Jeff Abbott and Paul Tremblay, just to name a few) but I really have no desire to read straight male fantasies that reduce women to caricatures and gay men, if they do appear, as stereotypes; but after I recently read I the Jury by Mickey Spillane, a comment someone left on my post gave me a whole new perspective on how to read such books from the 40’s 50’s, and 60’s; the perspective of reading these books as examples of post-war PTSD…and that opened my eyes to all kinds of questions and potential critical analyses; that the horrors of World War II and what the veterans saw and experienced shaped the development of the culture of toxic masculinity that arose after the war (not that toxic masculinity didn’t exist before the war, of course, but the war experience certainly didn’t help any and it most definitely reshaped what “being a man” meant). I was thinking about doing a lengthier critical piece, on I the Jury, along with the first Travis McGee novel, and possibly including Ross Macdonald, Richard Stark and possibly Alistair MacLean. There’s certainly a wealth of material there to take a look at, evaluate, and deconstruct–and that’s not even getting into Ian Fleming and James Bond.

I’ve also always found it rather interesting that Mickey Spillane was Ayn Rand’s favorite writer. Make of that what you will.And on that note, I am off to bed. The last two days have been long ones, and tomorrow and Sunday will also be long days. I’m planning on driving back to New Orleans on Sunday–timing it so I get back after the parades are over so I can actually get home–regardless of what happens here. It’s not been an easy time here, and I am very tired.

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