Gold

Everyone has heard of Constantinople at some point in their life, I should think–at least they’ve heard that annoying song “Istanbul (Not Constantinople)”. Some may even know that it fell to the army and navy of the Ottoman Turks under Sultan Mehmet II in 1453, ending the Eastern Roman Empire after a thousand years of existence. The Ottomans relocated the capital of their empire there, renaming it as Istanbul. (Christian Europe continued calling it Constantinople for centuries; it’s only over the last hundred years or so that Istanbul has come into more common usage.) But few know much more about the city and the empire it served as capital for over a millenium. Of those, some may know the basics–the Emperor Constantine, the first Roman Emperor to convert to Christianity, recognizing that the enormous Roman Empire had become impossible to rule or enforce law or protect, split the empire into eastern and western halves, and founded a capital for the east on the site of the village of Byzantium, renaming it Constantinople. The Western Roman Empire collapsed in 473 when the city fell; yet the eastern empire continued until 1453. Western Europe, always trying to reclaim the heritage of the Roman Empire (and ambitiously planning to rebuild it), always referred to the still existing Roman Empire as “Greek” rather than “Roman,” although the citizens of that great city and the vestiges of its empire continued calling themselves Romans until the Turks finally ended it.

But that thousand year history? It’s not easy to find information or books with much information; even the one history of the Empire I did read–Lost to the West by Lars Brownworth, along with his City of Fortune, a history of the Venetian Empire–glossed over centuries and only hit highlights. I’ve always wanted to write something historical set in the new Rome.

The Eastern Empire out-lasted its western counterpart by nearly a thousand years. Constantinople was one of the greatest Christian cities of all time; there was certainly nothing even remotely close to it in western Europe in terms of population, art, culture, education, and trade. It’s location put it in control of access and egress from the Black Sea; it also controlled the trade routes between Europe and Asia. Its fall in 1453 meant that those trade routes were now controlled by the non-Christian Islamic Ottoman Empire–and as such, other ways to reach the far east became necessary to the western Europeans, hence the Portuguese circumnavigating Africa and the Spanish attempt to sail west to find a route, leading to the “discovery” of the Americas. The fall of Constantinople was an incredibly important and necessary piece of the interlocking puzzle that led to European colonization and the global empires that resulted from it (as well as the oppression and enslavement and genocide of native populations); but Western historians–in particular, those monastic scholars in Catholic orders–have always tried to erase and /or lessen the importance of the eastern Empire and its capital, calling them “Greeks”, renaming the Eastern Roman Empire as the “Byzantine Empire,” etc.–and in no small part, this was also because of the Christian Schism of 1054, in which the Eastern Orthodox Church and the Roman Catholic Church split in two over questions of dogma. Therefore, it was in the interest of the Western Europeans to underplay the vital importance to European history of the remains of the Roman Empire because western Catholics considered their Orthodox brethren as heretics; their church was the true one, even if it was in the east that the religion originally came from, and it was in the eastern half of the empire the tenets and dogma of the “true” faith were established. The Pope in Rome always tried to assert his own authority over the Patriarch in Constantinople; the Patriarch considered himself to be the head of the faith and the Pope just another bishop. Thus, when Charlemagne conquered most of central Europe, he and the Pope created the Holy Roman Empire (which wasn’t holy, or Roman, or even really an empire in the traditional sense); the Romans in Constantinople were not pleased. (At the time, through some political machinations and drama, a woman was seated on the throne in Constantinople–the Empress Irene, one of the most interesting women in European history; she was also pretty terrible. The Pope decided there could be no such thing as a female Emperor, and so he crowned Charlemagne.)

The Holy Roman Empire also lasted over a thousand years.

Anyway, I’ve always been interested in the eastern Empire, even though it’s largely neglected in European histories. But one event in its history has always been interesting to me in particular –the fall of Constantinople to the Catholic 4th Crusade in 1204, which essentially set the stage for the second fall of the city, to the Ottomans in 1453. I also have an idea for a Colin book–which I’ve had for a very long time–that would have its beginnings in the 1204 sack of Constantinople.

It’s remarkably hard to find much information–granted, it’s not like I’ve tried very hard, but the fact that you have to try hard to find histories and/or books about the Empire and its capital, let alone the 4th Crusade–even histories of the Crusades themselves gloss over the fact that a Crusader army, blessed by the Pope, allowed itself to be diverted by the Venetians to capture and sack two Christians cities (Zara and Constantinople), and established “Latin” (western European) kingdoms and principalities out of the provinces that were once the Eastern Roman Empire. These Catholic kingdoms were so despised by their subjects that they didn’t last long, with another dynasty of the old empire arising to drive them out. The sack of the city and the pillaging and destruction that followed created such a deep hatred for the Catholic Church and the kings that followed the Pope that they preferred the Ottomans to a reconquest by the Catholic nations–which is saying something. Ernie Bradford’s The Great Betrayal: The Great Siege of Constantinople is a very thorough account of the tragedy and how it came to pass; the destruction of the mighty city–along with the destruction of priceless books and documents and art forever lost to us–was on a par with the burning of the Great Library at Alexandria.

The book itself is very interesting; the siege took nearly a year, and it’s actually kind of shocking that the Crusaders succeeded in taking the city, bearing in mind the strong defenses and so forth. A lot of things had to fit into place for it to happen, and they all did. The city came so close to holding them off successfully; it’s almost as though, as they would have said at the time, it was God’s will for it to happen. The city was also filled with all kinds of priceless Christian relics; after all, the religion was founded in the east, and as city after city fell to foreign invaders, a lot of priceless artifacts and holy relics were moved to the capital. (The great horses from the Hippodrome, for example, are proudly on display in the Piazza San Marco in Venice to this day.) A lot of the art was destroyed, jewels picked out of reliquaries, the gold or silver or bronze melted down for coin, and so forth.

As someone who has always loved history, and also has always loved treasure hunts–especially those that are involved with the history and development of Christianity, many years ago (I will freely confess to being inspired by Indiana Jones movies) I thought about writing such a treasure hunt story–where the ‘treasure’ being hunted was some important document or book or relic from the earliest days of Christianity that would revolutionize the faith as well as show how off-course it had gone since the earliest days…and wouldn’t it have made sense that whatever it was could have been kept in Constantinople, deep in the archives of the Orthodox Church? And with western, Catholic Europeans besieging the city, wouldn’t the Patriarch have wanted to keep it out of the hands of the Pope, and smuggled it out of the city to be hidden somewhere else, safe from the prying eyes of Rome?

And of course, when I created Colin–actually, when I brought him back in Jackson Square Jazz–I loved the character so much that I considered spinning him off; what about the jobs he’s on when he’s not in New Orleans? “Oh,” I thought, “my fall of Constantinople story! That could work for Colin!” And it even occurred to me the other day that I could even do them as “case files,” setting them throughout the past, both before and after he met Scotty and woven in between the Scotty stories. (It also occurred to me that I could do Scotty stories to fill in the years between books, if I wanted to…)

And reading this book–which i recommend if you want to know more about “holy wars” and how corrupt and unholy they actually were–made me think about it even more. I do want to include something about the Empress Irene, too.

Something to brainstorm at some point. Like I have the time to squeeze in another book…but it would be fun; although I don’t know how good I would be at writing action/adventure/thrillers.

It would be fun to find out, though.

Dancing With Our Hands Tied

Good morning, Wednesday, how is everyone holding up so far this week?

So Laura apparently isn’t going to be too much of a thing in New Orleans, but things aren’t looking good for eastern Texas/western Louisiana. Keep safe, my friends, and everyone else, do keep them in your thoughts and send them positive energy, as I certainly shall be doing until this too has passed. It’s similar to 2005’s Rita; following the same path and intensifying pattern. We’ll still get about 2 to 4 feet of storm surge into Lakes Borgne and Pontchartrain, and a lot of sudden, intense rain (street flooding), but for the most part, New Orleans has yet again dodged a bullet.

And compared to a direct hit, yes, that’s not too much of a thing in New Orleans.

It was very strange to not have to go into the office this week (I did have to go by yesterday–and will again today–to get more supplies) to do any work; especially when you take into consideration the vacation days I took last week. I’ve not been into the office to actually work now since last Wednesday–a full seven days–and it’s made me feel very disconnected from my job this morning; I really don’t know how all of you who’ve been having to work at home all this time without ever going into your offices have managed to do that without feeling untethered at best, disconnected at worst. At this point, it feels as though the pandemic has been going on forever, and the last days of what was previously our normal existence–late February, early March–seem like ancient history to me now, and I’ve already accepted the fact that life, that world, that way of existing, is gone forever. Whatever it is we will see when this ends–should it ever end–will be completely different. This is one of those “sea change” experiences, where life and society and culture change irrevocably forever. The world before the first World War ceased to exist after it ended; the interregnum between the two wars was a kind of stasis world, where all the problems unresolved by the Treaty of Versailles coupled with the crash of the American–and by extension, world–economy created a bizarre vacuum which fascism swept in to fill, with the inevitable war that followed–one that took a look at what had been, up to that time, called “the Great War” and basically said, “Hold my beer, you ain’t seen nothing yet.” The world in the spring of 1914 was almost completely different in almost every way in the fall of 1945–a span of only thirty one years.

So what will our world, culture and society look like in a post-pandemic environment? Will we ever get to said post-pandemic environment? Or will those of us who survive this look back at this time and say, “ah, yes, the beginning of the dystopia?”

How depressing. Which is one of many reasons why I never look forward or back, and try to live in the now. The now is depressing enough as is, if you let it be.

While I didn’t work on the book yesterday or read anything, I did educate myself somewhat by watching the Kings and Generals channel on Youtube, something I discovered recently. I watched the episodes on the Battle of Lepanto and The 1565 Siege of Malta, which were extremely informative and educational. I had previously watched the Fall of Constantinople in 1453; the Sack of Constantinople in 1204; the Battle of Mojacs; and the Siege of Vienna. Most of my study of European history has always been western-centric, primarily focusing on Great Britain, Spain, and France, with a smattering of Germany/Holy Roman Empire thrown in for good measure (and primarily the Hapsburgs); it is only recently that I’ve realized how much I’ve not looked at eastern Europe, other than some post Peter the Great Russian history–which also is primarily because it impacted western Europe. My knowledge of Asian history is non-existent; and if you ignore the scanty knowledge of ancient Egypt, I really don’t know much about African history either, other than the colonial period and not much of that. I also don’t know much about Latin America, either. Several years ago–after the Italy trip of beloved memory–I started looking into Venetian history, which is entangled heavily with that of the Byzantine Empire and its successor, the Ottoman Empire–both of which I know very little about, and as I started reading more about these eastern European empires (the Venetian included), I began to get a better concept and grasp on how little of world history I actually knew.

I would love to have the time to study more of the history of Constantinople/Istanbul, as the capital of two major historical empires that covered 1500 years of human history.

We also watched a two part documentary on HBO about the Michelle Carter/Conrad Roy case, I Love You Now Die. If the names mean nothing to you, it’s the case where the boyfriend committed suicide while his girlfriend was texting him supposedly ordering him to do it. The facts of the case–which I hadn’t really looked much into before–aren’t what they seem and it was an interesting case; her conviction, held up under appeal, set a legal precedent that can be seen as either scary or good. Was she a sociopath? Or were they both emotionally damaged teenagers locked into a strange co-dependent relationship that was actually toxic, made it even more dangerous because no one else knew how toxic it had actually become? As I watched, I wondered–as I am wont to do–how I would tell the story were I to fictionalize it, and finally decided that the best way to do it would be from multiple points of view: both mothers, the sister of the suicide, and one of the Michelle’s “friends” from high school–all of whom claimed to not be really friends of hers in the first place–and the real story is loneliness, on the parts of both kis, really. A truly sad story, without any real answers.

While I was making condom packs yesterday I also continued with my 1970’s film festival by watching the 1972 Robert Redford film The Candidate, which is one of the most cynical political films I’ve ever seen–and almost every political film made since that time has been highly cynical. The 1970’s was an interesting decade for film; a transitional period where the old Hollywood was done away with once and for all and cynical, brutal realism took its place. Watching these films has also reminded me, sometimes painfully, how questionable style and design choices were in that decade–clothing, cars, buildings, etc. It was an ugly decade–remember the hair styles, with the carefully blown dry “feathered bangs” hair-sprayed into place? Sideburns and porn-staches? The bell bottoms and earth tones? The enormous steel cars that were essentially tanks? How dirty everything seemed, and how trash littered the sides of the roads and waterways? It’s all there in these films, as well as that dark, bitter cynicism.

The Candidate is about an idealistic young lawyer who works for social justice causes named Bill McKay, whose father was a powerful two-term governor of California. Recruited by a political operative played to sleazy perfection by Peter Boyle, McKay–who has always disdained politics–agrees to run for senator against a long-term, popular Republican incumbent. No one expects him to win, and McKay agrees to it so he can talk about issues that are important to him–and he immediately makes it clear he wants his campaign to  have nothing to do with his father. The movie follows him from his own first faltering public appearances and watches as he slowly develops into an actual politician. He’s perfectly fine with everything, and he wins the primary–but the numbers extrapolate to a humiliating defeat in the general…so he starts watering down his message, speaking in generalities and never addressing issues directly–and his campaign begins to take off, and winning becomes more important to him than the issues, to the point he even allows his father, played with sleazy perfection by two-time Oscar winner Melvyn Douglas, to get involved in the campaign. He pulls off the upset and wins, and as the celebrations begin, he asks his campaign manager, “So, what happens now?” as no thought has ever been put into the future should he actually win; and that’s how the movie ends, with that question unanswered. It’s a very strong indictment of modern politics, and still relevant today; essentially, he wins because he is handsome and never says anything that means anything. We never really are sure, as the viewer, what he wants and what he stands for; which is a very deliberate choice by the filmmakers–we’re basically shown a little bit behind the curtain, but mostly we see what the voters would see. This movie doesn’t have a Frank Capra ending, but the typical cynical view of the 1970’s. The screenplay, incidentally, won an Oscar.

Aliens was the second movie on yesterday’s condom packing double feature. I had originally intended to watch Alien and Aliens back to back; don’t remember why I didn’t rewatch Aliens back then, but I didn’t, but I also figured it was equally appropriate to rewatch the day after rewatching Jaws, because it too is a monster movie, and one of the best of all time. Sigourney Weaver is even better in this one than she was in the first; and while I love Marlee Matlin and think she’s a terrific talent, I still think Weaver should have got the Oscar for this (if not for Alien). Once again, a primary theme for the movie is “no one listens to the woman who is always proven to be right”–amazing how timeless that theme has proven to be–and again, as in the first film, the Ripley character is given a relationship to soften her and make her more “womanly”; in the first film it’s the cat–which really, I felt, weakened her character, while at least in this one it’s the little girl, Newt, that she risks her life to go back for when everyone else, including me, is screaming get the fuck out of there are you fucking crazy? There are also some other terrific performances in this movie, which is a non-stop adrenaline ride, including Bill Paxton’s first performance of note as Hudson; Michael Biehn (why was he not a bigger star?) in a  great follow-up to The Terminator as Hicks; and Paul Reiser, who was so sleazily perfect as the company rep (and should have been nominated for an Oscar himself) that I have never been able to stand watching him in anything else since I saw this movie for the first time because I hated him so much as Burke that I cannot see him as anything else. Everyone in the cast is terrific; but there are some small things that date the film–Hudson makes an illegal alien joke about Vasquez (would this still be a thing that far into the future?); the analog transmissions rather than digital; and of course–the cigarette smoking; would cigarettes never evolve over time?

If all goes well, I expect to be here tomorrow morning. Have a great day, Constant Reader.

IMG_4164

Loves Me Like a Rock

Saturday.

So, yeah, yesterday was something. I slept relatively well on Thursday night, woke up at eight, and while doing my usual morning blogging over my coffee as I woke up, I kind of casually mentioned an idea for a book I had several years ago–and now that I think about it, talking about James Ellroy, which then morphed into talking about Megan Abbott’s staggeringly brilliant period noir novels was what brought it back to the front of my mind–and some friends on Twitter fell in love with the idea for the book and began pressing me to go ahead and write it, which was really unexpected and lovely and overwhelming and nice. I posted the blog entry, went and did the dishes, and when I came back to the computer my Twitter mentions had blown up (I think that’s the way to say that, hopeless Luddite that I am).  Then I walked away again, started laundering the bed lines and then cleaned the staircase only to come back to even more mentions, and some lovely new followers.

But like I always say, I never ever will have enough time to write everything that I want to write. I had already kind of decided that next year’s plan was to write three gay noirs I’d been wanting to write for quite some time (Chlorine was one of these, the others being Muscles and Heatstroke), and then a couple of weeks ago I sat down and wrote the first chapter of yet another Chanse book, despite the fact I’d officially retired the series with Murder in the Arts District several years ago. The Chanse story is already burning in my mind, aching to be written, and I’d kind of figured I’d try to get it written by the end of the year…and all the while these thoughts and ideas and creativity are running through my fevered little brain, I am also not working on the WIP or the revision of the Kansas book, which I kind of need to get done at some point….and there’s yet another unfinished manuscript (it needs another two drafts, at least) languishing in my CURRENT PROJECTS folder.

This is why writers drink.

I also spent some more time with Angie Kim’s Miracle Creek, which is simply extraordinary. I’m not even a fifth of the way through and it’s a marvel I cannot recommend to you highly enough, Constant Reader; it makes me wish I was a judge reading for a Best First Novel award so I could pick it, it’s really that good.

But I did manage to get the proofing done, or at least a first pass at them (I’ll most likely do it again this weekend since I got a bit ahead on things with it). They aren’t due back until Monday, so I think I’ll probably give them another going over tomorrow, with fresher eyes again, just to make sure nothing gets missed. Huzzah!

I have to venture out into the heat today–we are in a heat warning, I think, and an air quality warning as well–to get the mail and make groceries. Usually going out into the heat drains me of all energy, but I think what I’m going to do when I get home is self-care–use the back roller/self massage thing, exfoliate my skin, shave my head and face, so a psoriasis treatment, take a long hot shower, and perhaps then recline for a moment or two in my easy chair with Angie Kim’s novel.

I’ve not written a word this entire vacation, but I am going to get my proofs finished, which is lovely, and I’ve gotten a lot of cleaning done, too. I’ve wasted more time than I’ve spent doing things, but I don’t care. I’m allowed to have some down time, and I feel very rested, which is cool. I also seem to have trained myself to go to bed every night around ten…and get up around eight. Ten hours of sleep per night has been lovely; no wonder I’m rested, right? Also, I’ve managed to stay off social media for most of the time, other than yesterday’s Chlorine-fueled blowing up of my Twitter mentions. I also have discovered these amazing, short videos on Youtube that look at some moment in history–the Wars of the Roses, the fall of the Byzantine Empire, the Hundred Years’ War, Charlemagne’s empire–with animation, humor and all in under ten minutes. They’re terribly clever, and are also informative in a very macro way; there was a lot, for example, that I didn’t know about the collapse of the Ottoman Empire that was filled in by the video explaining it in ten minutes, which also explained how the British came to be in charge of Palestine and Egypt, as well as how the French wound up with Algeria–which I’d never really known before. This also led me to researching the history of the Franco-Spanish kingdom of Navarre; I never really quite understood how Henri IV, King of France, managed to be the son of a regnant queen of Navarre–particularly since Navarre is barely ever mentioned throughout European history (Richard the Lion-Hearted’s wife was from Navarre); I now understand it.

I love how, despite knowing more history than most people, there are so many gaps in what I do actually know.

I also need to figure out what I have agreed to write. I think there are at least three anthologies I want to write for, or have been asked to write for, so I need to figure out the deadlines and what I want to write for them. I am going to try for the Mystery Writers of America anthology again–I have a story already written that fits; it just needs some serious tweaking and revising before submission–and I think there are three others I’ve been asked to contribute something to? I really have been scattered this spring/early summer, which is disconcerting. I also, because of all the Chlorine stuff on Twitter yesterday, sat down and wrote down all the manuscripts I have started and have some version of finished, as well as the others I want to do, and some others I’ve been asked to pitch, and I am sure it will come as no surprise that Greg, the underachieving overachiever, has ten books on said list; and I want to do them all.

And of course, that doesn’t mean I won’t have more ideas in the meantime, either.

This is also why writers drink.

Correction: I just remembered two more, so it’s a list of twelve.

Yup, I am certifiably insane, in case there was ever any doubt.

And on that note, the bathtub isn’t going to scrub itself, the bastard.

Off to the spice mines, have a lovely day, Constant Reader!

IMG_1682