Tag: noir

Crazy Arms

Sunday morning and all is calm in the house. I feel good, very well-rested and cheerful, which of course is lovely. The Sparkster let me sleep in till almost eight, and now I am finishing my first cup of coffee and have already had this morning’s slice of chocolate marble swirl coffee cake (can’t imagine why I can’t lose weight, can you?), and am about to get another cup of coffee. I did get some things done yesterday, which is cool, and have more things to do today as well. I have one errand to run later this morning, and I’m going to get that out of the way, come home and get cleaned up and get back into working for a bit. Yesterday was a lovely day. I worked some more on the apartment, and delved even more deeply into my renamed main character in the current work. I’m also going to try writing it in the first person present tense, which is going to be really hard for me. (I tend to always use first person past tense.)

The best part of writing a book is this part–even if a lot of this background work never makes it into the finished part.

I’ve been listening a lot to old Fleetwood Mac albums in the car lately, and while they’ve always been my favorite band of all time–every album is a gem, in its own way–when I go for a while without listening I sometimes forget why they are my favorite band of all time. This past week I was listening to their Christine McVie-less recording from the early aughts, Say You Will, which is really good, but kind of Buckingham Nicks 2.0, really. I also like watching Youtube videos of young people listening to their recordings for the first time, and appreciating the artistry, talent, sound, and production values. Rumours will always be my favorite album of all time, and my favorite album of theirs, but the others are also excellent and merit more listening.

We watched this week’s episode of Heated Rivalry, which was probably the best, and most engaging, episode of the show thus far (I loved episode 3, spoiler alert); the first time I cared whether the main characters were just fuck buddies or a couple slowly falling in love. I still have some thoughts about the show, some quibbles as it were, mostly about relationship roles and the feminization of bottoms, but that can wait till I’ve finished watching the show and review it for the newsletter. (I’m still bitter about the cancelation of Boots, but…they also could have seriously fucked up a second season, so I’m choosing to see this cancelation, evil as it was, as a good thing.)

I did have the college football games on yesterday, but the only one we watched was Miami-Texas A&M, which was the only good game of the day. We turned off the later games to watch other things once it was clear they were not going to be competitive. Despite their blowout losses, good for both Tulane and James Madison for having breakout seasons and making it to the playoffs before a lot of name brand schools did. I don’t know if I’ll watch the quarterfinals or not; I don’t care who wins but I am also not a big fan of any school still left in it–although I always pull for underdogs, so I kind of would like to see Indiana do well–so am not sure.

I did finally finish reading The Postman Always Rings Twice yesterday; it’s really a nasty little book, isn’t it? I now can see why it was controversial; for one, it’s told from the villain’s point of view, which may or may not have been shocking to readers in the 1930s. (This particular reread also made me realize I need to delve more deeply into Chlorine and my main character–who he is, what he wants–and very glad I did; this reread was crucial.) Postman also deserves its own newsletter (I need to get some of the others done and out of the way already, don’t I?), where I can talk about this vicious little novella that changed everything in the crime fiction genre (I”m talking out of my ass here, but I would imagine it did challenge the sensibilities of readers conditioned to Christie, Queen, and Sayers, among many others), and its impact on me, both as a writer and a reader. I also generally don’t revisit Postman often; usually I just revisit Double Indemnity and Mildred Pierce, but am very glad I did. It made me see what was wrong with what I had already done on this book.

I also gave my main character a new stage name–because the old one really didn’t work. It was more modern than the weird names movie stars were given in the late 1940s and early 1950s (Tab Hunter, Rock Hudson, Troy Donahue), and so yesterday one of those dopey names came to me as I was cleaning the house; and realized it would work, plus would help define the amorality and narcissism in the character. I will reuse the working name for him in another book, certainly–it’s a good name–but this new one is even better.

And on that note, I am heading into the spice mines. The sun is shining outside (it’s gorgeous out, just as it was yesterday), and I still have some things to do this morning. I’m going to start reading the new Eli Cranor. methinks, while also revisiting a classic juvenile series mystery from one of my favorite juvenile series. I also have some short stories I want to work on, too. Have a lovely Sunday, Constant Reader, and I will be back in the morning before I head in for my last two work days before Christmas.

The gift where they meant well, but didn’t think about the cost-feeding, clothing, cleaning up after him, etc.

Tumbling Dice

You’ve got to ro-oh-oll me, call me the tumbling dice…

Good morning out there to my daily (or periodic) Constant Readers! I really didn’t want to get up this morning, in all honesty; it was so comfortably cozy under my blanket pile and Sparky was cuddling (and only occasionally attacking my feet), which was very blissful. My legs feel a little fatigued this morning, which isn’t a good sign for my fatigue. But yesterday at work wasn’t at all bad, or a struggle to get through; it actually went by pretty quickly and I had energy when I got home. I got started on my chores (didn’t finish them) and sat in my chair to read with Sparky in my lap, and of course, the purring curled up kitty puddle started putting me to sleep. I woke up at just past nine and went up to bed before Paul even got home from the office.

I read deeper into the manuscript (before dozing off last night), and it’s not bad; it’s just kind of awkward and unpolished, which naturally is a bit of a relief about the revisions that need to be done in addition to the chapters that need to be finished before I can turn it in. I am taking it with me to work to read over lunch and breaks, and may get started on writing the rest of it tonight. LSU has one of those throwaway games this weekend–against Southeastern Louisiana, out of Hammond–so while I do want to watch (if it’s even on television) it’s not one of the big games of the season and I am not even sure who else is playing this weekend. I’ve not even bothered to look into who’s playing yet! I hope to have a successful writing/editing weekend; fingers crossed!

One can hope, at any rate.

My creativity is coming back, though; which usually happens when I am coming down to the wire on another project. Working on that short story to finish it Monday night kicked that door open–not like it was, back in the day, but I’ll take it–and started thinking about other short stories to write and what to work on with this book and how to get it all under control and working and something that my Constant Readers will like. I think I am going to finish Chlorine after this; probably work on it and Muscles at the same time, most likely. I also have some short stories I want to finish by the end of the year, and it has been a very hot minute since my last newsletter, hasn’t it? The Katrina one was, I think, the last one; and that was around two-three weeks ago, wasn’t it? I am really at sea; did Bouchercon and the return of the fatigue really set me that far back on everything?

Apparently so.

And on that note, I am heading into the spice mines. Have a great Wednesday (mine already feels like a Thursday) and I shall return on the morrow. Cheerio!

The sack of Constantinople by the 4th Crusade, 1204

Mama Can’t Buy You Love

Ah, Wednesday and it’s all downhill for the rest of the week, isn’t it? Huzzah! I feel good this morning, too, more rested and alert than I have been for most of the week. So, this week feels back to normal in that weird way of feeling better later in the week as my body again resets to getting up early every day. I was fatigued again last night when I got home from work, but I wrote for a little while once I was home, and did some chores (the kitchen looks presentable again) before zoning out with The Real Housewives of Beverly Hills and the news last night. I also ran an errand after work, picking up my copy of Christa Faust’s The Get Off, the third and probably final book of the Angel Dare series. I loved the first two (Money Shot and Choke Hold), and nobody writes like Christa. If you’ve not read Christa, and love noir, you really can’t go wrong with reading this trilogy. It really is fantastic.

As a general rule, I simply watch the antics of “”book social media” from a removed, slightly bemused distance and don’t get involved, other than a comment about how jaw-droppingly insane the latest controversy on those sites are, and these controversies usually involve the actions of a problematic author and/or publisher. I have my thoughts and opinions about each and every topic in those hashtags and posts that grow heated (remember the fun days of American Dirt? Good times!) but I don’t contribute to them because I don’t see any point. Are there authors that write bigoted, uninformed work that is questionable at best and horrifying at its worst? Are there readers who will embrace those works because said stories confirm their prejudices and values? 100%. Are they all, authors and readers, awful people? Certainly. Will arguing with them on social media do anything other than raise my blood pressure and wreck my day? Not likely. Personally? I don’t want to ever unintentionally offend anyone (unless you’re MAGA, in which case you shouldn’t be reading my work in the first place because you are not my intended audience but if you are reading it, suck it up snowflakes, and fuck your feelings); and I constantly question my choices in my work. My go-to is always if I question it, best to remove it. (Sidebar: I bet the American Dirt author–Jeanine Cummins?– was really happy about the pandemic because it made everyone forget about her and her shitty racist book.) There have been some tempests in this week’s (and last’s) social media teapots1, haven’t there? Sheesh. There was an explosion (again) of homophobia in the m/m writing community, which got people riled up (I love when cishet straight white women inform gay men that books with two men falling in love aren’t for us.) There was another kerfuffle where a romance writer gave her main male character an HEA–just not with the female lead, but another man. Horrors! Needless to say, that also triggered an on-line meltdown, and I am reminded again why I never want to write romance…just like I eschew the y/a publishing community, which is also a snake pit.

I’d rather jump into a piranha-infested river, to be honest. Or be forced to be on a Kardashian television show.2

And yesterday, the “Tori Woods” groomer romance situation blew up on the Internet–and her book, about a “romance” that begins when an adult male is attracted to a three-year-old “but waits for her to grow-up so it’s not child sexual abuse”, is from the same publisher as the last author who wrote racist books and was “canceled” (whatever the fuck that means) deservedly for being a racist piece of shit. Sounds like a publisher issue to me, doesn’t it? I think the publisher has also published problematically racist books before, too. There was some historical romance writer who also outed herself as a racist pos–apparently, people of color only existed in the past to be enslaved or rescued by noble white people–and seriously, how did RWA take so long to burn to the ground in the first place?3

Don’t get me wrong; I still want to write a gay romance novel at some point–and maybe even more than one, honestly. But I’d really rather not get dragged into that on-line community, if I can. (I saw yesterday that someone is publishing a grooming romance–and the grooming started when the girl was THREE. Um…yeah, no thanks.) Did not trying to be a part of the on-line y/a community probably, possibly have cost me some sales? For sure, but at the same time I am really grateful to have my peace of mind.

Peace of mind is priceless.

I also got my assignments for Saints and Sinners/Tennessee Williams Fests, and I am going to be hopping all weekend, it looks like–panels, a tribute reading, the anthology launch–and I will have LOTS of friends in town, too. But this year I took Monday off, too, so I can recover from the weekend and get things done around the house. I’ll also be commuting back and forth so Sparky’s not alone for the whole weekend, and someone needs to feed him, anyway. He is not going to be happy. Paul went to the office yesterday and wasn’t home when I arrived, so Sparky was especially cuddly and needy. I don’t mind, but clearly he doesn’t like being left alone–or puts on a good show after he has been.

My Youtube algorithms, always an interesting mystery, have recently started showing me videos about the classic scifi television program V. I loved V when it originally aired, but when it became a regular weekly series in the 1980s, I stopped watching because I lost interest. I did love the rebooted series, which was fantastic and again ended on a great cliff-hanger. And of course, once I watched one video, it started showing me more. This of course is because I’ve been watching videos about the rise of fascism in Europe between 1918-1939, World War II, and the “America First” movement of that period (newsflash: conservatives were Nazi-adjacent until Pearl Harbor)…and that’s the allegory at play in the series–the Visitors are stand-ins for Nazis, etc. I had grown up believing that it could never happen here…but watching this show made me realize how incredibly easy it is for people to side with their oppressors. It’s something, sadly, that is very human. I also remember a school did a social experiment with fascism, which was made into a TV movie called The Wave, which was again the same thing–the way we can so easily slide into being “good Germans.” I read Sinclair Lewis’ It Can’t Happen Here during the reign of Bush II: Electric Boogaloo, which cemented it even further into my head. I’ve talked before about writing a book that I originally got the idea for in the 1990s, where the queers fill in for the scapegoated minority…interesting, though, that my video research into fascism triggered the algorithm to remind me of V, which was also probably, along with Red Dawn, the biggest influences on that idea.

And on that grim note, I am heading into the spice mines. Have a wonderful midweek Wednesday, and I’ll probably be back later or tomorrow.

  1. Although I am really hoping the move to cancel Kim Kardashian and her odious family really takes this time. ↩︎
  2. Please, God, let this be the end of all things Kardashian. Haven’t we suffered enough? ↩︎
  3. Racists working with a gay white man (racist) brought RWA down, remember? ↩︎

Winds of Change

It was weird reading Gabino Iglesias’ latest, House of Bone and Rain, for any number of reasons that had nothing to do with the quality of the book. I was reading it when that “comedian” called Puerto Rico “a floating pile of garbage” (not that it mattered); while writing my own book, also set during a hurricane; and was thinking about writing another supernatural thriller about teenagers. This book is set in Puerto Rico before, during, and after a hurricane, and the main characters are teenagers. Serendipity? Synchronicity? An interesting series of events? I’m not sure if it’s anything other than a lovely coincidence, but there it is. I also really loved Gabino’s previous novel, the award-winning and critically acclaimed The Devil Takes You Home, which was exceptional, and had my appetite whetted for a follow up.

It says a lot about an author so good they make me overlook things I generally don’t like to read about–machismo, violence–because they are able to turn those things into art.

The last day of classes, our last day as high school students, marked a new era for us. We wanted it. we feared it. We had plans for it. Then Bimbo’s mom hit the sidewalk with two bullet holes in her face, and the blood drowned out all those plans.

Bimbo called to tell us the day after it happened. His real name was Andrés, but we mostly called him Bimbo because he was brown and chubby and looked like the mascot bear of a brand of cookies. It’s normal for people to report the death of a parent. Old age. Cancer. A heart attack. Whatever. Old people die and we expect it, accept it even. It’s normal. Murder is different. Murder is a monster that chews up whatever expectations you had regarding death and spits them in your face. Murder is an attack on someone’s life, yes, but also an attack on those left behind.

When Bimbo called to tell me about the death of his mother, María, I felt attacked. “They shot my mom, man.” Five words about the recent past that were heavy enough to crush out future.

It says a lot about an author so good they make me overlook things I generally don’t like to read about–machismo, violence–because they are able to turn those things into art. I generally don’t like to read about extreme violence, with bones crunching, blood spurting, and teeth flying. Because I do actually abhor the use of violence1, it’s very hard for me to relate to characters who turn to violence for whatever reason; it’s not easy to ever make me think yes, this is the right path. Violence and rage are very dark places to go, and while I completely understand embracing your rage, I will vent it a bit so it calms down before I go there. But Iglesias is the kind of writer who can pull a squeamish reader along the path of male rage and violence, which is emotion-driven rather than logical.

The book centers a group of five young friends who have just graduated from high school, and the brotherhood they develop by uniting as a group and fighting off everyone else; it’s very Three Musketeers-like; “anyone fucks with one of us, they fuck with all of us.” Iglesias also provides enough back story to make each character an individual–not easy to do with so many characters–as well as the group dynamic and why, despite any internal squabbling, they always try to present a united front on this dark odyssey of revenge and violence. Gabe, our narrator, is kind of at loose ends at the opening of the book and not knowing what he wants to do with his life. He has a girlfriend he genuinely cares about and wants to build a life with, who wants to move to the mainland and go to nursing school–and wants him to come with…but his own ties to Puerto Rico, including his mother, make it hard for him to make the choice. What if he does and it doesn’t work out? What will he do then? He is transitioning from callow youth into manhood at far too young an age, but…that’s what life is like for people living under colonization.2

Gabe is also the conscience of the story–if there can actually be one. He goes along with his brothers to get revenge for Bimbo’s mother’s murder, which puts them afoul of a drug cartel (seriously, who sets out to kill the head of a murderous criminal cartel?), but there’s also something else going on…there’s some supernatural elements involved with the cartel as well that either could just be gossipy stories to scare people into obedience, or might just be real.

The book barrels along at an excellent pace–the length of time it took for me to get through it had nothing to do with the quality; I was trying to savor it because I was enjoying the voice and the writing so much. It’s also very vivid and real; Iglesias writes in such a way that puts you right there in the room with the characters–and always, there’s this foreboding sense that time is running out for the boys, and not all of them may make it to the end.

An excellent mash-up of horror, crime, and noir stylings, I have to say this is terrific, so check it out.

  1. Ain’t going to lie, there’s a part of my brain that does think that those who commit violence should get it back, repeatedly and far worse, than they dealt. ↩︎
  2. After the Puerto Rico garbage insult, people thought Puerto Rico should become a state; which I found amusing. No, they should be granted their independence from their final colonizers and paid reparations. Who says statehood in a racist country is desirable for them? ↩︎

Go West

I was never a fan of Westerns.

They were everywhere when I was growing up—movies and television shows—and my father has been a lifelong fan, so whenever there was a Western on TV, our set was tuned to it. Gunsmoke, Bonanza, The Rifleman—you name it, we watched it. Looking back, my dislike of Westerns was rooted in several things: toxic masculinity, racist depictions of indigenous peoples, and how entertainment in this genre was primarily used to create a mythological portrait of the settling (colonizing) of this continent and make it seem as though Europeans were doing the right thing (even using religion) even though they really weren’t. I never saw the natives as villains, and I didn’t like how easily Westerns picked up the trope of heroic white people and savage natives. Even as a child I could see it was all bullshit and I didn’t buy into it. I was about eleven or twelve when indigenous people occupied the massacre site at Wounded Knee, bringing attention to those false narratives and trying to change what was then culturally-accepted racist viewpoints on the indigenous Americans.

Look at the words used for the indigenous people–“savages”, “redskins”, “braves”, etc.; all dehumanizing and differentiating; “they are not like us so have no rights or privileges and we need to kill them all” was pretty much the US government’s policy to the natives.

Many sports teams still perpetuate this—how many teams still used these offensive names until recently? How many still do? And how upset do people get when those names are changed?

Anyway, I also mentioned in passing on another post that I’d like to explore Western tropes and why I’ve never been terribly interested in them as a genre. When I was in Kentucky the last time visiting Dad some movie channel was having a John Wayne film festival, which kind of made my heart sink. I’ve never really been much of a John Wayne fan (although I do love both True Grit and Rooster Cogburn) and generally avoid his films. The first movie was Hondo, with Geraldine Page (of all people; I wonder what she thought of the experience), and you know, I actually enjoyed it…and it made me think maybe I should revisit John Wayne and check out some of his other, better films. But Christa Faust, who is one of my favorite people in this community, commented she’d love to hear my thoughts on Westerns and their tropes.

She also turned me on to this:

If you aren’t aware of Christa Faust and her work by now, you really should be ashamed of yourself.

Redemption is an amazing Western graphic novel she wrote, and I very happily downloaded it as soon as she let me know of its existence. It also made me recognize and understand my own comics-fandom to a degree, too, and I may need to reevaluate that and explore it. I had thought about doing a Pride post about comic books and super-heroes, but it might need to be a longer form personal essay. Anyway, I don’t read enough graphic novels. I’d known that Christa had done scripts for comics before, but it never occurred to me that I should read them as well as be supportive of my friends who create this way. It is just another form of writing, really.

Christa is one of my favorite writers, and Money Shot remains to this day one of my favorite American noir novels. She’s also one of my favorite people; I love just sitting around shooting the shit with her.

And what she does with Redemption is absolute feminist magic.

You see, the thing about Western tropes is they can often be adapted to other genres–including literary (Lonesome Dove is my father’s favorite novel)–and the first Star Wars movie (I will never call it anything other than Star Wars) borrowed heavily from Westerns, as does The Mandalorian. You can see the influence of Westerns on pop culture almost everywhere you look, really (and really, Western tropes are often influenced by medieval tales of lone knights and paladin, which in turn were influenced by Greek mythology), and Redemption isn’t a classic Western set in the 1800’s; this Old West is the result of some kind of apocalyptic happening, with the end result that the town of Redemption has walled itself off from the rest of the world (for their own safety) and is being run by your typical right-wing doom-and-gloom Christian type, who uses God and the Bible for control rather than for inspiration. The town’s doctor, who is not only a Latina woman but a fierce feminist, has been tried and convicted for providing an abortion to a woman whose child died in the womb and was endangering her life.

She has also been sentenced to death.

If you are seeing parallels between this and our modern world, well, I am pretty fucking sure that’s entirely intentional.

The doctor’s daughter’s only hope to save her mother is to find a legendary gunslinger called the Butcher–who had a past with the doctor when they were young. No one is even sure if the Butcher is real, or if she’s merely a legend.

And in the character of the Butcher, Faust sets Westerns on their ear by taking the typical closed-mouth gunslinger (think Clint Eastwood in all those movies about the Man with No Name) and made her a woman, but without stripping any of the gender expectations for men in Westerns. She’s old, she’s tired, and she’s done with bullshit–but she can still outdraw and outshoot any and every man she runs up against.

The art by Mike Deodato is also incredible.

Highly recommended; and again, check out her other work if you’re not familiar with it. You can thank me later.

Home Cooking

I don’t remember how I initially stumbled across a movie from 1970 (or 1971, could have been 1969 for that matter) called Something for Everyone; all I know was it was during the pandemic. It’s a very dark comedy, and it’s so queer you’ll be amazed that it was from that time period. It was directed by Harold Prince (yes, that Harold Prince), and starred beautiful young Michael York and a glamorous post-Mame-on-Broadway Angela Lansbury. I loved the film, and really, if anything, it has a lot more in common with Saltburn than The Talented Mr. Ripley does. So when I watched it, I was delighted to see that it, like so many films, was based on a book, and I decided I wanted to read said book, The Cook by Harry Kressing.

“Based on” as it turned out, was a bit of a stretch.

One hill stood out. It was steeper than the others, and higher. Also, it had no peak. While the rounded, wooded tops of the surrounding hills undulated, one into the other, this one broke the rhythm with an abrupt, flat surface.

For a few minutes Conrad just stared, shielding his eyes from the sun. Then he dismounted and dragged his bicycle off the road. When he was out of sight he chained it to a tree and concealed his rucksack under some brush. Then he started up the hill.

It was an easy climb until near the top. There he discovered a sheer cliff. It was at least twenty feet high. But if it ran all the way around no one would be able to reach the plateau.

Nevertheless, he circumambulated rather more than half the hill without finding a break in the cliff face. He began to have doubts. Possibly ladders were required. They could be brought, or lowered down.

Disappointed, he increased his pace.

In his haste he nearly missed the stairway cut in the cliff face. The steps were very narrow and high, and at a nasty angle.

When he gained the plateau he encountered another barrier: a deep moat, with water in the bottom and smooth, sheer sides, encircled the fantastic castle-like structure. There was a single drawbridge, up and locked. There was absolutely no way across.

For the record, if you are ever asked for an example of a movie that’s better than the book, feel free to use The Cook filmed as Something for Everyone, because the movie is much better.

I’m not sure what I was expecting from the cook, but the underlying story, the theme, has to do with Conrad’s obsession with a castle that has been abandoned because the family that owns it no longer can afford to maintain it and have moved out to a smaller mansion. Both the book and the movie follow this central premise, the difference being the queerness. The Cook’s queerness comes from it’s upset of the status quo; someone coming along who takes charge of all the folks in this small area of Germany who are all just drifting along in their lives lazily. In the book, this is because he is such a master of cooking that no one can resist giving him what he wants once he feeds them. His mastery of cooking is so complete that he can make a delicious diet for someone and they can eat everything they want and lose weight; if they need to gain weight he can feed them to that end. Feeling ill? His meal will cure you, and on and on.

The book is more of a fairy tale with a primary moral to it–don’t be seduced by pleasure. In the book, the pleasure all comes from food and Conrad’s mastery is gained by his skills, and his strength of will. His dream is to have banquets of incredible food and great conversation in the castle, so he starts training his employers to be good hosts, spending money on serving wear of which they could be proud, and so on. The villagers and the family, which he marries into, eventually become such gluttons that no one ever leaves the palace and everything goes to waste. It’s a dark little story, very moralistic and very Kafka-esque in writing style.

I enjoyed the book, but I enjoyed the film much more. I watched it on Youtube, and I wish it could be restored digitally and released to streaming. I liked that the film had the same moral–only in the movie it was Michael York’s beauty and sexuality that provided the convincing pleasure to everyone involved. This would be an excellent film to remake with one of our amazingly sexy, beautiful and talented crop of young actors.

It Couldn’t Have Been Any Better

Monday and the official start of my sixty-third year.

I decided to take the day off yesterday. Yeah, I decided that on Saturday, too, and you know what? I’m a big boy and I get to make those kinds of decisions for myself because I am a functioning (okay, barely) adult. I made meatballs for dinner, and had picked up slices of cheesecake as a birthday treat for us both (brownie cheesecake, at that). I read some short stories and did the dishes, but for the most part I spent the day gloriously and not feeling guilty about not doing anything. I mean, if you can’t do nothing on your birthday, what kind of life are you living in the first place? We started watching a show called Turn of the Tide, set on the Azores Islands, which is a crime show in which during a storm drug dealers on a boat lose their cargo and a hard-luck (but super hot) local young man (Portuguese actor Jose Condessa–google image search and thank me later) manages to find the bulk of it, planning on selling it so he and his friends can get off the islands. It will undoubtedly go south–there wouldn’t be a show otherwise–and I also couldn’t help thinking, “this is a noir show, where desperate people are going to commit crimes in an attempt to make their lives better–and isn’t that a good definition of noir in the first place?”

I slept really well, not quite fully awake just yet this morning. I didn’t really want to get up when the alarm went off this morning, but here I am, swilling coffee and wondering about my friends in Southern California. I did get a birthday text late last night from a friend who lives in Palm Springs (hello, Marco!) so I had to assume they had power and were safe from the storm. Tonight after work I have to run some errands on the way home–mail mostly, don’t really need to make groceries tonight, but I do need to start making another grocery list for the next time, and we’re going to go to Costco this weekend, too, I think. Maybe even to see if we can get the refrigerator–perish the thought and stop the madness. We also still don’t have a cat, and if we don’t get one this weekend we won’t be getting one for a while. When I get back from Bouchercon, I am having oral surgery and this Wednesday I am meeting with the orthopedic surgeon to try to get the process for my bicep repair surgery started. I also need to call Costco to see if I can get a hearing aids appointment scheduled, too; it would be too much to hope for to be able to get it scheduled during our trip there this weekend, wouldn’t it?

I’m not really sure what’s on my agenda for the week, to be honest, other than going into the office and having that doctor’s appointment on Wednesday. I had some thoughts about short stories I am working on yesterday, which was super awesome–I love when knotty problems untie themselves in my mind during creative riffing. I usually just open a journal and start scribbling whatever pops into my mind–and yesterday, the answer to another unfinished short story popped into my head while I was scribbling while letting old Michelle Kwan skating videos play continuously on Youtube. So, that’s two unfinished short stories I’ve figured out over the last week; now to try to get them written, and also try to get back to work on Muscles, the noir-in-progress. Next week I’ll be off to Bouchercon (!!!) provided Southern California has survived this weather disaster, or can at least be repaired by next week, at any rate.

But I feel good and rested this morning, and like I can make it through this week and get things done. When I get home, I need to finish the dishes (putting away the dishwasher load and refilling it) and the load of laundry I’m starting on my way out of the house, and maybe I can get a little writing and reading done before the evening is shot and I repair to my chair to watch more Turn of the Tide.

And on that note, I am going to head into the spice mines. Have a lovely Monday, Constant Reader, and I’ll check back in with you again later.

Southern Nights

Home alone. Look at that, I’ve not even been home for an hour and already I am sitting at the computer, writing a blog entry to document my first night sans Paul and pet in over twenty years. I got home from the office, emptied the dishwasher and reloaded it, did some laundry (one load in the dryer now, the other in the washer) and cleared off the kitchen counters, wiped down said counters, and then plopped my butt down at my desk, and here we are. I may work on the book a bit; I may not. I haven’t decided, but I think tonight, other than chores (which are mindless), I may just chill and relax and not use my brain very much and let it rest. I wasn’t terribly tired when I got home from work, either; I woke up before the alarm this morning and didn’t stay in bed–a miracle in and of itself–and had a pretty good day at the office. So, I may clean up computer files and do some organizing of my back-ups and files and things; I may just float around the apartment absently picking things up and wiping things down as I think about the fourth chapter of the WIP which is the one I am currently revising, and what precisely I want to do with the fifth chapter and where the story weaves itself next. It’s nice to simply sit and think sometimes, or to think while you do chores that don’t require much attention so your mind can wander while you do them. There’s a lot of clutter and mess in the Lost Apartment, and I’m kind of tired of it.

Everywhere I look there’s dust and clutter. This shall not stand!

This book that I’m currently writing again–because I actually started writing it sometime last year–is something I’ve had the kernel of the idea for now for quite some time. I’ve been wanting to write a straight-up gay noir novel now for I don’t know how long. I’ve had this particular idea longer than I have had the idea for Chlorine, for those of you who are anxiously awaiting that book to happen, and that’s kind of why I want to get this done. Chlorine will be a much bigger challenge than this one, and so I want to write this one as a kind of warm-up. It’s set in a city based on Tampa but isn’t Tampa, and I don’t know why that is but it feels right, like it belongs there for some reason. I haven’t been there in a very long time and the last time I was actually in Tampa (the day of the fateful Bouchercon Target run with my friend Wendy) I didn’t recognize anything and was completely lost–and I used to know that part of the city like the back of my hand. So the city I am writing about is Tampa, but as I knew it in the 1990’s, so it’s not Tampa. (There’s another noir I want to write that would be set in the same city but in 1992–and that one is going to be waaaay too much fun to write! But that’s a few years away–and both noirs are connected to each other.) The working title is Muscles, and Muscles is the name of a gym in my fictional city, that is managed by a has-been former pro wrestler in his later forties (injuries ended his career) who also happens to be gay. The gym is owned by a local criminal operation and money is laundered through it, while the main character is the public face of the gym. A very hot and sexy younger man who is fluid sexually and a bit of a sociopath (and yes, I realize I am playing into the trope of the evil bisexual, but you’ll just have to trust me) who is involved with the crime boss’ daughter and has used the main character to get ahead in the past has now done something–but the main character doesn’t know what it is–that has put his life in danger, and the main character has to decide whether he wants to try to help this stupid kid who’s in over his head but is also a user, or let the chips fall as they may while trying to stay out of it as much as he can…but of course, he can’t. It is soooo much fun to write, Constant Reader, and I’ve been very excited about working on it and the work I am doing on it. I am, of course, having constant doubts about things, but that’s what other drafts are for and I won’t be signing a contract for this until it’s in good enough shape to only need a vigorous and anal-retentive copy edit.

Today was also miserably hot again, but either I’ve gotten used to it or my entire body and soul have been numbed by it. It never gets to be over a hundred here; it was always rare before. Nineties, yes. Feels like over a hundred? Of course. But for the actual temperature to be over a hundred, and the feels like being in the hundred and teens? Mary Mother of God, no one asked for this. But I endured it today without much of a problem, and it was nice to just come straight home from work for the first time this week. My copy of the new Donna Andrews (Birder, She Wrote, which may just be one of the best titles of all time) arrived at the postal service today, so I’ll probably swing by there on the way home from work tomorrow and I’ll stop at a market so hopefully I won’t have to leave the house for the rest of the weekend, which would be oh so lovely.

I am probably being overly ambitious about what all I want to get done around here while Paul is away, but that’s always been my modus operandi, and that will also probably never change. What I can change is feeling like a loser for not getting everything on the list done. That’s self-defeating, which is also my modus operandi, and I need to do that a lot less going forward. I think part of the reason I am high achieving when it comes to productivity is because I always try to do more than any human being is capable of doing, but even getting half or part of it done is an accomplishment. I was looking at something the other day, I don’t quite remember what, but it was stats for this blog for some reason–which isn’t something I care enough about to actively seek out–but I was looking for my tags because I wanted to see if I had ever written about my book Dark Tide (I had) and at some point the list of how many posts I’ve done since moving the blog here whenever the hell that was, and was stunned to see it was in excess of two thousand? I think I moved the blog here in 2015, which was roughly eight years or so ago. So if I write one entry per day every day for eight years, that alone is 2920 entries. There have been days I’ve missed, of course, but there have also been days with more than one entry, and sometimes more than two when I am feeling especially bloggy (I just made up that word, you’re welcome), and assuming that every one is about 500 words (an underestimate, I’d bet), it comes out to…one million four hundred and sixty thousand words.

Holy fuckballs, seriously. And I never count the blog as writing for daily totals or anything.

Yikes?

And I think that’s a good place for me to cut this off. The loads in the dryer and the dishwasher are complete, so time to reload the dryer and dishwasher and fold some clothes.

Try not to let your envy consume you, Constant Reader.

If Anyone Falls

I finished reading the new Megan Abbott novel, Beware the Woman, this morning during a marvelous, raging thunderstorm that filled the gutters and streets of New Orleans with dirty swirling water, cutting the temperature to something bearable for once this summer and cooling the interior of my apartment to the point I needed to put on a sweatshirt and a knit cap on my head. Curled under a blanket with a good book while a thunderstorm rages with a warm cup of coffee on the side table, tendrils of steam rising in curly-cues of white from the creamer-lightened pool of soft brown, is perhaps my happiest of places.

Hell, reading anything new by Megan Abbott is my happiest of places.

My first Megan Abbott novel was Bury Me Deep, which stunned me with its craftsmanship, its voice, its literate choices of words and sentences structures that are short yet lyrical, minimalist strokes painting a broad canvas of human frailty and contradiction, crime and desire that comes from a primal place within, almost inexplicable and unexplainable yet so easily understandable and recognizable. I went on from there to Dare Me and the rest of her all-too-short canon; admiring, loving, respecting and enjoying each book with its magical spell woven by a true master of the literary form, astonishing in its humanity and an exploration of what lengths her characters will go to in order to get the thing (or things) they want, need, desire and hunger for.

Some of the earlier reviews I saw for Beware the Woman painted some parallels between the book and what is perhaps my favorite novel of all time, Rebecca by Daphne du Maurier…which had me intrigued and interested even more than usual.

But more on that later.

“We should go back,” he said suddenly, shaking me out of sleep.

“What?” I whispered, huddled under the thin bedspread at the motor inn, the air conditioner stuck on HI. “What did you say?”

“We should turn around and go back.”

“Go back?” I was trying to see his face in the narrow band of light through the stiff crackling curtains, the gap between every motel curtain ever. “We’re only a few hours away.”

“We should go back and just explain it wasn’t a good time. Not with the baby coming.”

His voice was funny, strained from the AC, the detergent haze of the room.

I propped myself up on my elbows, shaking off the bleary weirdness.

We’d driven all day. In my head, in my chest, we were still driving, the road buzzing beneath us, my feet shaking, cramped, over the gas.

Our main character here is Jacy Ashe, a pregnant wife in her early thirties, married to a neon sign artist, Jed, and working as an elementary school teacher. They are en route when the story opens to the remote upper peninsula of Michigan (primarily known to me from Steve Hamilton’s novels) to visit Jed’s retired doctor father, who lives up there in what used to be the family summer place, with his housekeeper, Mrs. Brandt. This is one of the classic set-ups of one of my favorite subgenres of crime fiction–the Gothic–as well as placing it strongly into another category I love, domestic suspense. This novel has echoes of du Maurier, Phyllis A. Whitney, Dorothy B. Hughes, and Margaret Millar…blended seamlessly together into a classic yet modern novel that updates and reinvigorates both subgenres, bringing them into the modern era and proving they are still just as relevant and important as they have ever been.

(Aside: I do not know where Abbott came up with the name “Jacy,” but it’s one I’ve always liked and wanted to use in my own work since first reading Larry McMurtry’s The Last Picture Show and seeing the Bogdonovich film based on it; I smiled and wondered if that was where Abbott got the unusual name from.)

The Gothic set-up is there, and I can also see the slight echoes from Rebecca: the brooding remote house in the country where tragedy has occurred in the past; the mysterious housekeeper who doesn’t seem to like our heroine very much; the slow-burn of slow revelations of secrets from the past; and the creeping paranoia and potential gaslighting of Jacy…often explained away as her pregnancy hormones or a reaction to the medications after she has a pregnancy complication. One of the strengths of Gothics, for me, is that question of paranoia vs. reality; the gaslighting that is always a hallmark of a Gothic novel. After all, what reason could either Jacy’s father-in-law or husband have for wanting to drive her mad and risking her baby’s health and well-being? She feels her husband slipping away from her and no one seems to believe her…this is probably one of the best depictions of a paranoid pregnant woman in literature since at least Rosemary’s Baby.

Someone once said the Gothic and domestic suspense novels were “women’s noir,” because the danger to them always arose from them being women and doing women’s things; a reaction to the terror of getting married and placing (until very recently) all of your agency into the hands of your husband–and what if you chose poorly?

Abbott takes the best elements of noir and combines them with the foundations of domestic suspense and Gothic to explore what it is like to be a woman, how it is to be a woman, and the trap of societal and cultural expectations for women.

And there’s a reason why the cops always look at the husband first when a woman is killed.

This is a brilliant novel, with many layers to unpack and unravel through its deceptively simple voice and brevity of language. Megan Abbott is a sorceress, a Scheherazade of crime fiction to whom you simply cannot stop listening. Read it, cherish it, love it.

Can’t Stop the World

Monday morning has rolled around again and I am up before the sun rises yet again. Neither brain nor body wanted me to get up and heed the siren song of the alarm, but there was no escaping the inevitably of getting up and heading into the office yet again. Yesterday was a mixture of days; I got things done in the morning but after making groceries, I was oddly tired and physically exhausted. I did manage to read a few more chapters of Cheryl Head’s marvelous Time’s Undoing, which is very good and I’m enjoying it a lot, even as I wince at the past sections set in 1929, at its unerring and accurate depiction of the Jim Crow South. I honestly, as a Southern man, see no problem with reading about Southern history accurately; and certainly, seeing Jim Crow through the eyes of people of Color is a reminder than no matter how bad I may have thought things were, it still wasn’t a reality I would have had to either face or deal with, and it was so much worse than I can ever imagine it–and I have a very vivid imagination. Yesterday’s exhaustion was unexpected and out of nowhere, particularly coming in the wake of two pretty good days and a good morning as well. But grief is sneaky like that, is never linear, and can literally come from nowhere. There’s also the issues involved with my bout of long COVID from last summer and how my energy levels have never really recovered from that, either.

And don’t even get me started on the memory issues.

I am hopeful for a good week; I know I’ll eventually start experiencing being tired from exerting myself at work; it’s interesting that someone with shyness issues like me has wound up working as a counselor–but one-on-one and with a purpose to the conversation makes it much easier than having a conversation with someone I’ve just met at a party. Small talk is literally my Kryptonite, and of course, being socially awkward is my lifelong jam.

I did rewatch Mildred Pierce last night on TCM after Paul went to the office, and once again I marvel at what a terrific film it was–melodramatic and over-the-top, for sure, but the addition of the murder rescued the movie from not working. I need to reread the book–it’s been a hot minute–but the one thing I’ve never really gotten from either is a sense of who Veda is and why she is the way she is; spoiled and rotten and manipulative. In order for Cain to get his point across about Mildred and her own obsession with mothering, Veda turns out to be horrible and one-dimensional; everyone sees that Veda is horrible except Mildred–obsessed with being the perfect mother and giving Veda everything, it’s also a smothering, all-encompassing kind of love that most teens would rebel against and struggle to get away from. I remember about ten years ago I wanted to write Veda’s point of view; either a retelling of the story from her point of view or a sequel to the novel (no murder, remember?) which picks up with Veda some years later, having parlayed her singing and musical talents into a film career. That’s one of the things I love the most about Cain’s work, really; so much can be read into it, and so many great ideas can be inspired by rereading his work. I’ve not read the entire Cain canon–that “never want to run out of books to read by any author” thing I struggle with–but I’ve read quite a bit. Chlorine is really my first real attempt to write a noir; I cannot wait to get back to work on that. It’s already been delayed for far too long, and once i get through these contracted books, Chlorine is going to be my focus.

Finally, right? LOL. But I do eventually get around to the projects I talk about writing for years, don’t I? I talked about the Kansas book for well over a decade before #shedeservedit saw print.

I think today is going to be a good day. I feel rested this morning, and I slept really well. The toe is still twinging; I am beginning to suspect it really is gout. I went to WebMD (which I always tell my clients not to do) and the list of foods to avoid? Everything I eat, basically. So, I am going to have to bite the bullet, schedule an appointment with my doctor, and get on with things, you know? I don’t why I’ve dithered and dicked around about this for so long, either. Just another thing I didn’t want to have to deal with so I kept kicking the can down the street, which isn’t wise. Nothing ever fixes itself, you know; a lesson I keep having to relearn over and over again. I also need to schedule an appointment with the hearing specialist, a dentist, and make an eye appointment while I am at it. Yay. But I need to start and keep up with all this routine maintenance, especially if I want to start going back to the gym in April. I also need to start doing push-ups, crunches, and stretch every day too. Maybe I will climb back on that horse this evening when I get home from the office; stranger things have happened in the past and will probably continue into the future as well. The kitchen is a mess, too; I made dinner last night, so when I get home tonight I’ll have to clean the kitchen again and maybe even get the rest of the straightening up taken care of as well. I am definitely going to be taking books to the library sale this coming Saturday, and I also want to wash the car this weekend and vacuum it all out. I also want to spend some more time with Cheryl’s book this evening. So, so much to do and work on and get done. I also have to start preparing for moderating panels for the two Festivals coming up in a couple of weeks…yikes.

And on that note, I am heading into the spice mines. Hope you have a lovely day, Constant Reader, and I will check in with you again later.