Thursday morning and I forgot to set my alarm last night; oh my! Bad Gregalicious; bad Gregalicious! I did run my errands last night after I got off work, but by the time I got home I was more tired than I expected. I intended to do the dishes at the very least, if nothing else, and sure enough, I sat down in my chair to catch up on the news and let Sparky treat me like prey (my entire body is covered in scabs), but relaxed so deeply that when Paul came downstairs–he was home and I didn’t know it–to watch some television, I was all fuck it and blew everything off. We watched this week’s English Teacher, which isn’t as funny as it initially was? Paul agreed with me, so it’s not just me being hypercritical of a show with a gay male lead–which is always my fear. The representation is great, but I am not sure if I’m missing something, or if it is the show itself. Something for me to think about, I guess, in greater length once the season is over and we can reflect on it as a whole, rather than just as individual episodes. It’s a very fine line–you don’t want to idealize a marginalized character, but at the same time the series lead has to be likable and relatable; which is a problem because you run the risk of castrating him–and this character has a MUCH healthier sex-life than Will Truman ever had in all those many seasons of Will and Grace. we also watched an episode of American Horror Stories, which was creepy and disturbing, but at least it was interesting. The show reminds me of the great old anthology shows, like Tales from the Crypt and Night Gallery1, and yes, some episodes are better than others.
So tonight, obviously, I need to write some and clean up the house before my work-at-home day tomorrow. I know we’re planning on a Costco run, so I am going to need to do some serious work on the apartment to get ready for that. I also need to finish the desk chair, which is sitting, unassembled, in front of the fireplace–and there are any number of things in the living room that need to be gotten rid of. I have to take the boxes of books to the library sale Saturday; and I also need to start boxing up the books in the kitchen cupboards and moving them up to the attic, which also needs to be cleaned out. I need to work on the book this weekend, and maybe do some serious decision-making; I also need to work on polishing that short story and revising/finishing another by the end of the month. I feel a bit out of it this morning–the oversleeping didn’t help matters much by throwing off my daily rhythm, but I was wide awake when I got up finally, and I managed to not forget anything on my way out of the house. This should be a relatively easy and uneventful day at the office, and my supervisor will be back on Monday, thank you Jesus and pass the ammunition.
Wish me luck on all of that, please. I also need to make a to-do list for this weekend. There are some great football games on Saturday; LSU at Arkansas, Alabama at Tennessee, for starters. I’ll definitely need to run my Saturday morning errands early! I also need to read Gabino’s book; I hope I’m not giving the wrong impression–it’s nothing to do with the book, but more along the lines of being too tired to focus to read once I’ve done everything I’ve needed to get done every day. I am feeling better, getting more restful sleep, and I think I’ve adjusted to getting up early, little as I like to do so, but I always have that little rundown in the afternoon when I get overwhelmed with being tired…but it’s usually low blood sugar or something, because a snack will rev me back up again.
And on that note, I am heading into the spice mines. Have a great Thursday, Constant Reader, and I may be back later. It’ll be a surprise!
I remember watching Night Gallery as a child and loving it; I wasn’t able to catch reruns of The Twilight Zone until many years later; so to me, I always think Night Gallery when I think about Rod Serling, whose daughter I met and she was absolutely charming. ↩︎
Sunday morning and we’ve survived yet another day of a heat advisory, which was miserable when I went out to get the mail and some cleaning supplies (I also got grocery store sushi for lunch, don’t you dare judge me). But I wasn’t out in it all the much, and I managed. I slept decently Friday night, woke up a few times, like always, but went to bed and slept in until seven thirty (!) before getting up and getting started on the day. I started doing a thorough cleaning of the laundry room and the kitchen in the morning (I needed more wet Swiffer pads, which was why I had to stop before running errands, and I needed other cleaning supplies as well, too), and rearranged the top of the dresser upstairs so there was room for more books, so I took my copies of the annotated Holmes up there along with some other enormous research books that don’t fit in my bookcases and had taken up residence on top of the microwave–which I then cleaned and moved the cookbooks to (because that’s where they belong, goddamnit), which pleased me inordinately. I miss Paul, of course, but the plan to keep myself busy so as to not get lonely seems to be working out so far.
Yesterday, I cleaned.
I even moved furniture and rearranged my workspace. I also discovered that I’d bought one of those Apple speaker things I can stream Spotify through, so I can have music playing while I do things–so no risk of being detoured by television or going down Youtube wormholes. I did baseboards, Constant Reader. I really need to get some Venetian blinds for this window over my desk, much as I loathe giving in finally to the loss of the crepe myrtles. The LSU blanket I tacked up in a rather pointless display of spite and vengeance that had absolutely no effect on anything other than to further enhance the “college apartment” essence we’ve apparently been going for these last few years needs to come down. I’m a grown-up, after all, and the days of using blankets for shades should have been gone years ago.
Talk about arrested development! And as usual, the only person affected by my spite is me, as always.
But it felt good to clean everything, to pick up the rugs and beat them outside, to actually sweep the floors beneath and then wash them before putting back the rugs; moving furniture to anchor the ones more prone to moving, wiping every surface down and even getting some work done in the living room, too, which was marvelous. I also discovered that I had already written a draft of the fifth chapter–I didn’t remember getting past Chapter Four (although I thought I’d already figured it out just not written it–pleasant surprise!). Also, after putting the new drafts of chapters three of four in the three ring binder for the book (because I do this for every book), I found a note scribbled on the last page of Chapter Four–something I had noticed when I was revising it, but didn’t think was a big deal–and now I need to go back and fix it. It’s minor, not a big deal, but if I don’t catch it and fix it now…I may not and whoops! Today I am going to work on the living room some and try to get some writing done. I want to revise Chapter Five, maybe finish this next draft of a short story, and maybe finish writing the first draft of another. I also need to sit down and plot out another one.
I may clean the ceiling fans. Madness. I also need to get lightbulbs, or find the ones we already have.
I also stretched yesterday and used the the back massage roller thingee, which felt great–as did the stretching. I need to stretch more regularly; seriously. It only takes about five minutes, feels great, and always gives me a jolt of energy whenever I do it. And it’s good for me and a healthy thing to do, so why do I never think about doing it? Or why do I think about it and then just shrug it off? Perhaps someday I will understand, but it’s doubtful at this point.
I slept really well again last night, waking up relatively early this morning, which is good as I plan on having a productive day. This morning I plan to do some more cleaning, read some more, and then write all afternoon if possible. My coffee is definitely hitting the spot this morning and tasting marvelous, and here’s hoping this motivation carries through the day, shall we?
I did finish watching The History of Sitcoms last night, which I did enjoy somewhat, I could probably write an entire entry dissecting the episode about class, and the success CBS had in the 1960’s essentially stereotyping the South and Southern people with shows like The Beverly Hillbillies, Green Acres, and Petticoat Junction, among others. But the first two shows (I watched Petticoat Junction growing up, but don’t remember anything about it; the other two I remember very clearly) were actually a lot more clever that critics of the time thought–they were dismissed as very lowbrow humor, but they said a lot about class and were also kind of stinging indictments of American capitalism, mythology, and the class strictures we faced as a nation. (It was interesting that these shows about rural Southern people never address race; Granny on The Beverly Hillbillies still believed the Civil War was still on-going–she was in denial about the loss, I guess; which is certainly problematic when seen through a more evolved and modern perspective.)
I plan on finishing the downstairs today–which means the ceiling fans, or at least trying to get them cleaned; I can only reach so far with my ladder (I should have bought a six foot instead of a five foot all those years ago) but I think I can reach the blades of the fans…or at least I can change out the lightbulbs that are blown out. Then I can spend the rest of this week keeping the downstairs under control as I start working on the upstairs.
I also read two more chilling Alfred Hitchcock Presents tales, this time from Stories That Scared Even Me, “Men Without Bones” by Gerald Kersh and “Not With a Bang” by Damon Knight. I enjoyed both stories, despite having no clue about either author (these old anthologies do not include author biographies in the back, which is a rather disappointing oversight). Kersh apparently wrote the book Night and the City and lots of short stories; Harlan Ellison considered him one of his favorite writers, and “Men Without Bones” was certainly a chilling story, about a man who boards a banana boat hoping desperately for passage back to the United States, who then tells of a chilling voyage deep into the jungle to look for proof of alien visitation years ago when mankind was still in its infancy (which was a very popular trope when I was a kid; Erich von Däniken’s work was selling hundreds of thousands of copies in multiple languages); there is a very dark twist at the end of the already dark story that was rather jolting. Damon Knight was a very popular science fiction writer of the post-war period; I’ve not heard of any of his novels (he was named a Grand Master by SFWA, which he helped found; he was also very prolific as a short story writer, and he wrote the story “To Serve Man,” which became one of the more famous episodes of the original Twilight Zone. One of the things I am enjoying most about reading these old anthologies is learning about great writers of the past who may not be as well-known today as they were in their time; it sometimes makes me wonder if forty years from now some gay mystery writer could be reading old anthologies from this time and discover me? “Not With a Bang” is a post-apocalyptic story about the last two humans left alive–a man and a woman–but the woman’s experiences and what she witnessed as the world came to an end has kind of fried her brain; she cannot really process what happened and it sent her back to a rather prim-like mental state from earlier in her life; she refuses to have sex with the only man left alive unless they are married–but they cannot be married as there’s no one left alive to perform the ceremony. It’s never very clear if the man is so anxious to fuck her because he wants to repopulate the world or if its sexual anxiety and frustration; but he’s not a very good person and he also has caught the post-nuclear plague that wiped out everything the bombs and the fallout didn’t get; one of the symptoms is essentially losing the ability to move or speak and falling into a coma-like state that can be reversed with medication he has stockpiled…but once she has agreed to marry him and we realize that he’s not just frustrated with her–he’s not a good person and he plans to abuse her and be dreadful to her…and chillingly thinks and she could have a daughter…before he goes into a bathroom and freezes into the coma…with the door shut behind him and he’s lost the ability to speak.
These old macabre tales with their eerie twists at the end are probably–I am seeing now–the biggest influences I ever had with my short story writing. I still try to end my stories with a surprising twist, and that has everything to do with reading these anthologies when I was a teenager, watching Night Gallery and reruns of The Twilight Zone (as well as the reboot in the 1980s, which aired one of my favorite episodes of television of all time; a teleplay based on Harlan Ellison’s brilliant story–one of my favorites of all time–“Paladin of the Lost Hour”); these were the same influences Stephen King counts. I also read the horror/suspense comics a lot as a kid, House of Secrets, House of Mystery, Tales from the Crypt and The Witching Hour, among others; there were also little digests for Ripley’s Believe It or Not and other macabre comic tales. Apparently, you’re never too old to remember influences or learn more about yourself.
And on that note, I am going to go spend some more time with Kelly J. Ford’s marvelous The Hunt, and I will check in with you again later, Constant Reader. Have a lovely Sunday!
Monday morning and back into the office. I am kind of dreading it, to be honest; there was apparently some shake-ups and drama at the office on my work-at-home day while I was dealing with Scooter. Can’t wait to get into the office today and find out what’s up and what the future holds. Who knows? I may be coming home a lot earlier than expected and never going back.
I was very productive yesterday morning, all things considered. I slept in a bit, got up, and wrote the blog, worked on the dishes and laundry, cleaned up a bit, and found some computer files I was looking for. What’s truly strange–really really strange–is that my imagination is so powerful that I can remember writing entire short stories without actually having written them. A friend had mentioned the deadline for the 2024 Malice anthology, with an international theme to it, and I thought Oh, I have that ambiguous Central American–set Mayan ruins story I wrote a long time ago. I distinctly remember writing the entire story…only to look through all my electronic files to only find one with a few sentences, at best a paragraph, written. I pulled the file out of the file cabinet and sure, that’s all there was. I’d swear I’d written the entire thing…even looking through the old files from the 1980’s that had to be retyped, before remembering that I got the idea on a trip to the Yucatan….in about 1993. This means I remember writing something that I never did.
And people wonder why I think I’m not mentally stable?
I also pulled up a file for a potential next novel–the one I was thinking about before I left for the trip a few weeks ago, and even it isn’t what I remembered; primarily because all the changes I made were made in my head and not really made electronically. I originally wrote the first chapter with the story still set in the French Quarter; I moved it mentally to Camp Place in the Lower Garden District and made changes…in my head. Lord, where is my straitjacket? This isn’t the first time this has happened; where I’ve finished writing something in my. head but never got it typed up into the word document, to be bitterly crushed and disappointed later when pulling up the file. (This also happened with, among many others, “A Holler Full of Kudzu”.) I am certainly not sure that I’ll be able to get this story written, revised, and edited by the end of the month but….stranger things have happened.
I also read some more into Megan Abbott’s Beware the Woman and am completely in her thrall. Jesus, reading her makes me want to just give up and never write another word. Well, that’s extreme, but authors who are on her level do make me want to push myself, to try harder, and to do better work. I read for a little while, a few more chapters, then got up from my chair (quite reluctantly) to do some more chores. I didn’t get nearly as much done this weekend as perhaps I would have liked to have, but it was also my first Scooter-free weekend and I kept getting sad. I imagine I’ll still do so on occasion for a while, but I am also going to resolutely start looking for a new cat to adopt this week. The house just doesn’t feel right without a cat. This morning when my alarm went off I actually went to fill his food and water bowls before remembering they weren’t there anymore. I was afraid that would happen today, to be honest; knowing reality wouldn’t kick in instantly when I rose the bed. Today is also the big meeting with the entire department. I don’t know what that is about, or what is going to happen, or what even to expect. Hell, I may be unemployed by noon, who knows? Not the kind of stress I needed for the weekend on top of everything else, but when it rains in my life the streets definitely flood. I at least slept well last night. We finished watching Fake Profile last night, which was a lot of fun, with a completely insane series finale. I don’t see how they could do a second season, but stranger things have happened with Spanish-language Netflix programming.
I also read a couple of short stories from one of the Alfred Hitchcock Presents books, Stories That Scared Even Me, and realized something about my own short stories; the stories in these Hitchcock anthologies aren’t necessarily what we would traditionally refer to as “crime stories,” but I don’t think they count as outright horror, either. The stories are what you would expect from the television series–as well as others like The Twilight Zone, Outer Limits, and Night Gallery–stories that are more macabre than anything else, really; some with a very bitter and dark sense of irony more than anything else. The two stories in this anthology that I read over the course of the weekend, “Fishhead” by Irvin S. Cobb and “Camera Obscura” by Basil Copper, were these kinds of stories (the latter perhaps being a bit problematic–the ‘moneylender’ in the story is, while not coming out and saying so, the worst stereotypes of anti-Semitic tropes, while not coming out and saying the character is Jewish); more macabre in outlook than either horror or crime. I’ve also never heard of either author–but back in those days someone with a strong imagination, excellent typing skills, and dedication could make a decent living writing only short stories…ah, for those good old days of the business, right? I’ll probably do a google search on them–and the others whose names I don’t recognize–at some point because I am nosy.
Looks like the heat advisory streak, going back to early June if not late May, might get broken today. Not as humid as usual, but still the high will be 93. It felt cool out there this morning when I took the trash out.
And on that note, I am heading into the spice mines. Happy Monday, everyone.
I did read some short stories this weekend from the Alfred Hitchcock Presents anthologies I’ve gotten from eBay over the last month or so, and they’ve been wonderfully delightful and deliciously wicked. They also remind me of where I got the idea that short stories should always have a wry, slightly ironic but gasp-inducing twist at the end. I remember vaguely watching Alfred Hitchcock Presents (we were always a family who were fans of Hitchcock) and, while I was too young to remember The Twilight Zone, I do remember Night Gallery. I am also loving reading stories by masters of crime fiction that I’ve not read before; in one of the anthologies the next story up is by the delightful Charlotte Armstrong. I just read one by Anthony Boucher (for whom Bouchercon was named) called “They Bite” that was incredibly creepy; in another one of the anthologies the next story is by Roald Dahl. I would love for us to go back to the wonderful world that existed back in those days, when the short story was a much more valued art form than it is today and there were all kinds of markets for them. Heavy heaving sigh.
So, I did pull out that story the copy-editor said was “powerful,” and as I read it my horror grew, until by the time I finished it I had noted so many errors and transition problems that I thought that cannot be the version I turned in and was in thorough panic mode when I remembered to check the laptop and sure enough, there it was. I did reread the story, did spot some mistakes, but the revision I did before turning it in was clearly the right thing to do, as the story was significantly better and made more sense and was actually, pretty good. It touched on themes I seem to keep returning to, over and over again, but what can you do? I cannot control my creativity that strongly, you know; I write the stories as they come to me. I do worry that I am repeating myself though–how many hangover scenes have I written over the years (which is hilarious, because I never really had hangovers the way other people have always talked about them)?
We started watching a new crime show that seemed to have a lot of potential, but there were a couple of annoying characters in the forefront of the show that undermined it for me, so we gave up after a couple of episodes. We did watch the final episode of The Ashley Madison Affair, which was pretty interesting to me. First of all, if anything, it emphasized the fact that not everyone is content with monogamy–and since we idealize monogamy and the nuclear family in this present day society (unrealistically, I might add), the concept of open and honest conversations about sexuality and monogamy and so forth are made very difficult to have. Women are trained from childhood to see cheating as the worst possible sin of all time, as well as to try to inhibit and control their sexuality as much as possible, denying themselves the same freedom to explore what they like and enjoy while also determining what they don’t like and don’t enjoy the way single man are often allowed. Dorothy Allison wrote very strongly about how societal views and beliefs and mores about female sexuality prohibited women from becoming their full selves; there’s always someone just raring to slut-shame a woman, isn’t there? A former friend of mine who claimed herself to be an ardent feminist (she became a TERF, of course) and that women had every right to be as sexually liberated as men would then turn around and slut-shame every female celebrity that ever came up for discussion. All models were really “escorts,” and every successful woman in entertainment slept her way to the top.
That’s an interesting feminist take, isn’t it?
We also started watching a gay teen movie, and turned it off within five minutes. It was terrible. We watched something else after that, but i honestly don’t remember what it was, to tell you the horrible truth. I hate this memory nonsense, seriously.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I’ll check in with you again tomorrow (or later, whatever the case may be).
Per Wikipedia (which isn’t always accurate): In feminist theory, the male gaze is the act of depicting women and the world, in the visual arts and literature, from a masculine, heterosexual perspective that presents and represents women as sexual objects for the pleasure of the male viewer.
Or, as Laura Lippman likes to quip about crime fiction written by men: A beautiful woman is dead and a man feels bad about it.
Lippman is joking, sort of; much of male-centered crime fiction can be boiled down to that sentence. The sexualization of women in crime fiction, particularly in hard-boiled fiction or noir, has been a thing since the early pulp days; classic English crime fiction, like that written by Agatha Christie and Dorothy L. Sayers and their other contemporaries, probably didn’t sexualize their women characters…although I do seem to recall that Arlene Marshall in Christie’s Evil Under the Sun was not only sexualized, but also highly misunderstood; it isn’t until Poirot solves the crime at the end of the book that we finally begin to understand Arlene as something other than a sex object who devours men like a praying mantis; the Christie version of a femme fatale being softened, as it were, in the final reel.
It is surprising to read books published in prior decades with their attitudes towards women–sometimes my jaw literally drops at how writers used to describe women, reducing them to their sexuality and their sex appeal; older, or less attractive, women, are written about in an almost contemptuous manner. This still pops up from time to time in modern fiction, but it’s not nearly as common as it used to be.
I was sitting at a literary luncheon, for example, while the speaker was talking about his admiration for John D. MacDonald–an admiration I share–and in particular, about MacDonald’s Travis McGee series. I was nodding and smiling when a female author friend leaned over and whispered to me, “I wonder if he’ll mention McGee’s magic wand.”
I was startled at first, and then I stifled a laugh–it wasn’t the appropriate time in the talk to laugh–but the more I thought about it, the more I realized she was right. One of the major things about Travis McGee, and the novels written about him, was how he ‘sexually healed’ the damaged women he was assisting during the course of the book; even his friend and cohort often referred to him as a ‘knight-errant coming to the rescue of the lady.’ It never really dawned on me, when I was reading the books–either the first time or any of the successive times I’ve reread them–that he was actually fucking them back to good emotional and mental and physical health; I always thought, since it usually involved them going sailing on his houseboat and fishing and doing the mindless, physical work while relaxing and getting tan and enjoying life away from the worries and problems of the world and day-to-day life.
I missed the bit about the magic wand because I’m gay and it never crossed my mind.
Which is doubly ironic, considering how much MacDonald and McGee influenced my Chanse MacLeod character and the series I wrote about him; but despite the influence in the creation of the character/series, my series was dramatically different from MacDonald’s.
Being a gay crime writer, while limiting in many ways, is incredibly freeing in others. I fully acknowledge that my books are firmly centered in the gay male gaze; that when I write either Chanse or Scotty, I often devolve in description of male characters the way male writers used to/sometimes still do write about women; their looks, their sex appeal, their fuck-ability factor. Sometimes I wonder if that’s what people mean when they talk about my books being all about sex; because Chanse and Scotty view men as sexual beings and that is something readers aren’t accustomed to seeing?
Perhaps.
Something to ponder.
Today’s short story is “Born of Man and Woman” by Richard Matheson, from The Best of Richard Matheson collection:
X–This day when it had light mother called me retch. You retch she said. I saw in her eyes the anger. I wonder what it is a retch.
This day it had water falling from upstairs. It fell all around. I saw that. The ground of the back I watched from the little window. The ground it sucked up the water like thirsty lips. It drank too much and it got sick and runny brown. I didn’t like it.
Mother is a pretty I know. In my bed place with cold walls around I have paper things that was behind the furnace. It says on it SCREENSTARS. I see in the pictures faces like of mother and father. Father says they are pretty. Once he said it.
And also mother he said. Mother so pretty and me decent enough. Look at you he said and didn’t have the nice face. I touched his arm and said it it alright father. He shook and pulled away where I couldnt reach. Today mother let me off the chain a little so I could look out the little window. Thats how I saw the water falling from upstairs.
Richard Matheson isn’t as well known as he should be; he is a giant in the horror community and deservedly so, but he should also be highly acclaimed as one of the great writers of any genre from the twentieth century. His novels were filmed frequently–so even if you don’t think you know his work, you do. SOme of the films based on his novels include The Incredible Shrinking Man, Legend of Hell House, I Am Legend (The Omega Man), Somewhere in Time, Stir of Echoes,What Dreams May Come, and countless others. His short stories were often adapted for episodes of Twilight Zone or Night Gallery–probably the most famous being “Nightmare at 50,000 Feet.” Just a creative genius.
This story is chilling, absolutely chilling. We never really know much about the poor young man (or woman) chained in the basement of this family’s home; other than he was born of their union and something went terribly wrong. He is treated terribly and not educated well and they feed him, but they also are so repulsed and horrified by him that they beat and abuse him and keep him chained against the wall…but as the story progresses his pathetic need for love and company turns.
And it’s hard to feel any sympathy for the rest of his family…who are about to become his victims.
Queer and Loathing in America 