I don’t remember when and where I first met Tara Laskowski; my memory has become a sieve over the years and the bout of long COVID in the summer of 2022 didn’t help much, nor did any of the things that have gone on for the last three or four years. But I’ve liked her from the very first–I love that she loves Halloween and centered one of her books arounnd it–and when I read her debut novel, I became a big fan. She, along with Carol Goodman, are killing the Gothic suspense novel genre, which has always been one of my favorites ever since I was a kid and discovered Mary Stewart and Victoria Holt and that Phyllis A. Whitney also wrote books for adults. She followed up her sensational debut One Night Gone with the Halloween book, The Mother Next Door, and it was also magnificent.
So I really was looking forward to her third novel, and Constant Reader, it did not disappoint.
Ever since Zack told me about The Weekend, it’s all I’ve been able to focus on. Most people would naturally be at least a little nervous to meet their significant other’s family for the first time.
But most people aren’t dating a Van Ness.
“Earth to Lauren.” Zach snaps his fingers, grinning over at me. He left work early to get on the road sooner and didn’t have time to change, so he’s still wearing his suit, purple tie slightly askew but knotted even after hours of driving.
“Sorry,” I say, tugging the ends of my hair. “Zoning out.”
“You look like I’m driving you to your death,” he says, then grabs my hand and squeezes. “Don’t worry. I promises it’ll be fun. Even if my family’s there.”
This is a great opening, and it sets up the story perfectly. Our sympathies are immediately with Lauren. Laskoswki has put her into a situation we can all relate to: the terror of meeting your partner’s family and the discomfort that comes with it, the self-doubt, the need to be liked and accepted. Zach is a Van Ness, too, and while we aren’t really certain what that means yet, it’s important and stressful enough so that Lauren, in communicating her thoughts and feelings, thinks it bears mentioning and we should understand how she feels. It works, and that outsider feeling (and haven’t we all felt like an outsider at some time? See Saltburn) keeps the reader’s sympathies with Lauren completely.
But there are three more point of view characters–two other women, one a Van Ness by blood and the other by marriage–which is always a difficult feat for an author to pull off, but making those voices distinct and clearly different from each other is what makes the book work. Harper, Zack’s sister, is harsh, tough, cold and vindictive. She runs her own beauty company and blog, VNity, which is struggling. Elle is married to Harper’s twin brother Richard, who oversees the vast Van Ness holdings, and like Lauren, has some serious “pick me” energy too; she joined the Van Ness family and has wiggled her way into the family by asserting herself as well as trying to take over the role of family matriarch, as their mother is dead. Their mother, Katrina, was a tough woman who was hard on her children, but babied the youngest, Zack–which the twins have always resented. The retreat, this Weekend, is a celebration of the twins’ birthdays, with a huge party being thrown the Saturday night of that weekend, spent up at the Van Ness Winery, in the Finger Lakes section of New York.
So yes, that Gothic feeling is there almost from the start. The wide-eyed young innocent, coming to the big family estate in a remote part of the country (see also, Beware the Woman by Megan Abbott) into a situation where she’s not sure she can entirely trust her boyfriend. The house is filled with secrets, too–hidden rooms, secret staircases and passage ways–and a lot of sibling resentment, bitterness, and anger begins bubbling up to the surface almost immediately.
There’s also a fourth POV character, known only as the Weekend Guest, who hates the Van Ness siblings and is trying to bring the entire family down as a brutal winter storm bears down on Van Ness Winery…
What a terrific read! Get a copy–you can thank me later.
Lou Berney is not only one of my favorite writers, but he’s also one of my favorite people in this business.
I met Lou for the first time many years ago, because we shared a panel together at Bouchercon in Raleigh (the moderator was Katrina Niidas Holm, and the other panelists were Lori Roy and Liz Milliron; none of whom I knew before and have been grateful ever since that I not only got to meet them and become friendly but also because–even better–I discovered incredible new-to-me writers whose work I’ve been enjoying ever since). Shortly after this I read his novel The Long and Faraway Gone and was completely blown away by it; it won every conceivable award for crime writing the next year, and he followed it up with the completely different but just as fascinating and brilliant November Road several years later. I’ve yet to go back and read his earlier work, but plan to eventually–but I also like having them in reserve; Lou’s not nearly as prolific as I would like. I kind of think of him as a male version of Megan Abbott: brilliant, insightful, and exceptionally gifted writers with piercing perceptions into the kinks and flaws of character that make people human.
And Dark Ride is exactly what is promised in that title–a dark ride.
I’m lost, wandering, and somewhat stoned. This parking lot, when you’re in the middle of it, deems much vastr and more expansive than it does from the street. Or do I just seem much less consequential? That’s the question. One for the ages.
It’s July, hot as balls. I stare up. The sky, pale and papery, looks like it’s about to burst into flame.
How would you describe the sky to someone who’s never seen a sky? You’d have to explain how it’s different every day. So many shades of blue, of grat. And we’re not even talking about sunrise or sunset. Plus the clouds! How would you describe clouds?1
“You need some help?”
“What?” I say.
Some dude in a suit is about to climb in his car. He’s about my age, probably a couple of years out of college. With the suit and haircut, though, he’s all business. Me, I’m wearing board shorts, flip-flops, and a vintage faded Van Halen T-shirt I found for five bucks at Goodwill. I haven’t cut my hair in almost forever and I’m a minimum-wage scarer at an amusement park fright zone.
Jesus, what a fucking great opening. (Although I did wonder if any T-shirt costs $5 at Goodwill.)
Dark Ride has about the most unlikely main character you’ll ever meet in a crime novel–Hardy “Hardly” Reed–and that above paragraph is a master-class in character. In fifty-two words and two sentences, Lou Berney created a character that I absolutely, 100% know and believe is real. I’ve known any number of Hardlys over the years, and I can also certainly identify with being in your twenties and kind of drifting aimlessly, with no plan for the future other than you’re afraid of it and you don’t want the path everyone else seems to wnt for you that you know isn’t right.
The story opens with Hardly going to the city building of some unnamed city in the Midwest (since it’s Lou Berney, I’m going out on a limb and saying it’s probably Oklahoma City or Tulsa) to get a thirty-day continuation on paying a parking ticket. A tedious, horrible, day-disrupting chore that most of us have had to deal with at some point in our lives. Personally, I despise having to go to any city or state office for any kind of business, and feel pretty confident in stating that’s probably pretty much how everyone feels about that sort of thing. (Even worse is getting the camera fucking ticket in the mail.) Hardly is, by every definition of the word, a loser–despite being very likable and relatable; the kind of man whose relatives just sigh and say, “well, that’s Hardly” when they talk about him. But Hardly doesn’t have relatives. His mother died when he was a child and he would up in foster care–and even admits he and his foster brother, a successful rising architect, got very lucky with their foster family. But he came out out of it with no purpose, no sense of direction, and no goals or desires for life. He just does his minimum-wage job, lives in his shitty rented room, and smokes a lot of weed. So do most of his friends.
And the opening paragraph and that meditation on the sky and clouds? Such a stoner thing to do. (I’ve had some experience with cannabis–especially in my twenties, but that’s a story for another time.) So, why is this amiable, stoner loser the main character of this book? we soon find out. As he waits in line to get his continuance, he sees a woman with two very young children–and notices on both a pattern of cigarette burns on each child. Horrified, he looks for someone in authority to report this to–but no one seems to care. The woman and her children leave, and he manages to meet someone who works there who pointedly won’t tell him their names but that he needs to sign in, which makes him realize he can her name that way–Tracy Shaw. He finally calls CPS and makes a report over the phone. Relieved that he’s done his duty, he goes on with the rest of the day, which includes going to work at the crappy amusement park where he works (a fair played a major role in The Long and Faraway Gone, which makes me think at some point in his life Berney must have worked for an amusement park or a fair) where we meet his co-worker and friend, a mentally challenged 16 year old named Salvadore, who is one of my favorite characters in the book.
It begins, though, to bother him that CPS never calls him back with questions or for more information–he’s sadly still young enough to believe in the efficacy and efficiency of Authority–and it begins festering in his head. He’s worried about Tracy, but he’s even more worried about the kids, seven and six by his estimate, and how their lives are being shaped and ruined by the abuse. It keeps bothering him until he decides to do something about it, and what follows is a delightfully entertaining, beautifully written saga of someone who has been completely written off by society as a loser and a wastrel yet still manages to find the strength of character and moral purpose to try to save those kids, however foolhardy–and dangerous–it may turn out to be for him.
I’m not really sure how to describe the book, to be honest. I feel like “stoner noir” is the best fit, even though the cover calls it a thriller, I don’t know if that’s actually correct or not. Hardly’s sense of purpose, his sense that he’s the only person who cares about saving those kids, reminded me of a knight’s quest from classic literature; another time he reminded me a bit of Don Quixote tilting at windmills. I loved this book. I loved the main character, I loved the voice, I loved everything about this book–except the fact I didn’t write it.
Buy it, read it, cherish and love it–and thank me later.
“Bow and flows of angel’s hair, and ice cream castles in the air” per Joni Mitchell. You’re welcome. ↩︎
And it’s a work-at-home Friday, which means we’ve somehow managed to survive yet another week of going into the office whilst living through more heat advisories. Hurray! Hurray! I slept much better and more restfully on Wednesday night, so I didn’t start the day off yesterday dragging and tired. I think I am finally getting used to getting up so early, as I get sleepy earlier than I ever have and even on days off, I wake up at six before going back to sleep for another hour, maybe even two if I am particularly lucky. Paul got his plane ticket to visit his mom, and so he is departing this coming Thursday for ten days. No Paul, no cat? What the hell am I going to do for ten days without Paul or a cat to entertain me? Hopefully, I’ll apply the lesson learned Wednesday night, where I come home and rest for a little while before springing into action. I want to get a lot done this weekend, if at all possible.
Paul and I had a lovely long chat the other night, which was nice. We’re often both so tired and worn out by the time he gets home we generally end up just watching television and not really talking all that much. But it was in the course of that conversation that I had a brilliant insight into the Scotty series and why I’ve been so hyper-critical and tough on myself with the most recent one, which will be coming out this fall. I’m not going to get into that here, but it was yet more evidence of how “not talking about your work in progress or how you feel about it” is bad advice; because in talking to him and saying it out loud and hearing it seemed to unlock some door in my mind where BLAM, now I know the answer, and so my questions over the last few years about whether I should keep the series going or not kind of became moot. Sometimes you really can’t see the forest for the trees, so talking it out, saying things out loud, actually is an enormous help.
I’ve been thinking a lot lately about myself and my work; and it’s been invigorating, really. I was telling Paul, during the course of that conversation the other night, that the main thing I remember feeling over the last few years was defeated; I felt defeated and run down and like I was always behind, which only amplified my own stress and anxiety and made me feel even more defeated to the point where I often felt helpless and paralyzed in the face of everything. Losing Scooter was the final jolt that just kind of made something in my head snap, for want of a better way to describe and/or say it. Everything has just been so miserable for so long, and so much completely out of my control, that it’s very easy to feel defeated, beaten down, and thinking well at least I’m old and have had a good life now that the world and civilization is burning to the ground isn’t really much help in picking up my own spirits, inspiring me and motivating me to get back to work. Reading Megan Abbott’s latest was, as ever, not only an inspiration for me to work harder and do better work but her brilliance was also kind of a kick in the pants for me; the depth of thought and perception she puts into her characters is what, for me, makes her books so powerful and special (the language usage and choices are also exceptional) and made me think I need to dig more deeply into my own characters, and perhaps spend more time carefully crafting sentences. I think I do that in my short stories, but because a novel is so much longer and I am always behind, I may not do it as much in the longer form as I should. (I did, I think, succeed with that in Bury Me in Shadows and #shedeservedit.)
I was tired when I got home yesterday in the broiling heat, but still managed to do some laundry and clear out the sink as well as put away the dishes in the dishwasher. So, I am coming into this weekend slightly ahead of the game. I tried getting to work on the laundry room shelves–which are absolutely disgraceful–but it was too much for me so I gave up on it and went back to the sink to wash everything now that the dishwasher was emptied and I could reload it (and yes, I wash my dishes before putting them in the dishwasher). I also worked on revising an old short story of mine. I hadn’t reread it in quite a while, and the last time I tried to do anything with it was a revision with severe tweaking to fit the theme of an anthology call (it was a terrible attempt I regretted submitting almost immediately after sending the email), and I realized several things. This is the story that never quite worked completely but my professor from my second attempt at taking a college level writing course praised so highly and told me was publishable, finally reawakening the dream and the goal again, made me believe, if only for a little while. I’ve thus kind of always thought of the story as sort of holy in some way; beautifully written and poignant, with a strong voice and so forth that I would always just kind of skim it and think, no, I still can’t think of any way to make this better. Yesterday evening I opened the document again and started reading…and started making changes. It seemed suddenly very bare bones and simple, which worked…but didn’t go deep enough, if that makes sense? Anyway, the story was about 2130 words when I started working on it (much shorter than I remembered as well) and am not even halfway into it and it’s at almost 3000 now, and its actually working. Yes, it’s lovely and simple in its original form, but it didn’t work because of the central core of the story–the late night visit to the graveyard to look for a supernatural occurrence that happens every year but only on that night. The legend, the ghost story if you will, was predicated on a “family history story” that I now know is apocryphal to the point of being trite (having addressed this very issue in Bury Me in Shadows), so I had to change that–and in changing that, the rest of the story started falling into place in my head. I hope to finish working on the story tonight after work. I also have page proofs to finish going over this weekend, and I want to work some more on the book I am currently writing. Hopefully, I can get the laundry shelves taken care of this weekend and the laundry room itself; Paul’s looming visit to his mother and absence for ten days frees up a lot of time for me to purge and clean and get shit done around here.
Excellent timing, too. I’d love to have the place shipshape in time for my sixty-second birthday.
I also want to spend some time reading this weekend. I know I am being overly ambitious and the weekend is only two days–which is how I always end up feeling like a failure; by setting myself up to feel that way by placing unrealistic expectations on myself that I somehow convince myself (I’m doing it right now in my head, even as I type this) that those expectations are not only realistic but feasible. It’s always a fun time inside my head, isn’t it?
I watched a documentary while waiting for Paul to get home (he had a board meeting), and it was about an app I’d never heard of that was apparently a thing but I was completely oblivious to while it was going viral. (You know me, always with my finger on the pulse.) It was interesting but weird; when it finished I wasn’t really sure what the entire point of making the documentary was since there really wasn’t a cohesive story. Some weird shit happened, sure, but nothing that made it stand out so much from the rest of the weird shit that is always happening to deserve a documentary on MAX (which I always pronounce the way Carol Burnett doing Norma Desmond would), but it held my interest for stretches of time, therefore keeping me from doom-scrolling social media. Twitter, er X (I changed my name on there to “Madame X”, just for shits and giggles) is literally burning to the ground right in front of us; I don’t precisely remember what evil thing Facebook did but it’s not much fun anymore, and while I do appreciate visuals a lot, looking at pictures will only hold my interest for so long. In a way it’s kind of good, because the more it bores or enrages or produces any kind of negative reaction from me the less time I spend there…and that time can be better utilized doing things that are productive. I understand its uses–and the continued belief that a presence there can somehow move books for you–but I don’t like how being on there for a prolonged period of time makes me start thinking and reacting. That kind of negativity and toxicity is something I’ve always, since I started recognizing it for what it was, been trying to cut out of my life, so why am I participating in something that not only envelopes me in it, but makes me want to behave or even just think in ways I’ll not be terribly proud of later? There are enough random blows in life that come at you out of nowhere that you have to deal with; so why would you invite more chaos into your life?
It doesn’t make sense. And I really don’t need to waste the time there. I’ll still use it, of course, to check in on friends and post my blogs and about events and things I am doing and books I am hawking, but I am trying to limit it. I’d rather stay in touch with people I genuinely care about in other ways that liking or replying to a post or tweet or x or whatever the fuck it is this week.
And on that note, I am getting another cup of coffee and heading into the spice mines. I’ll probably be back later on at some point; I seem to have gotten into the habit of multiple posts per day somehow lately. Not sure what that is about, either, but rolling with it.
Monday and back to the office with me this morning, woo-hoo! Yesterday was kind of nice. It rained overnight and we had a couple of amazing thunderstorms in the morning which cooled everything off (for a quick moment) so I was able to cuddle up under my blankets with a cup of coffee and finished reading Megan Abbott’s amazing Beware the Woman (get a copy now and you can thank me later–I prefer cash), before doing some chores around the house and getting a handle on the kitchen/office mess situation. Yesterday afternoon around one I checked the temperature and it was a mere 78 degrees here. In July, in the afternoon. Madness, am I right? But it gradually started climbing again, as always, but it was a lovely respite from the brutality that has been this summer.
I also read a short story from one of the Alfred Hitchcock Presents, “Lady’s Man” by Ruth Chatterton, which I found interesting as it was nothing more than a little ghost story, set at a country home of none other than Noel Coward! I’m sure this must be the same Ruth Chatterton who’d been a film star in the 20s and 30s; a quick Google search answers the question that yes, the film star also was a writer! How delightful. The tale was told in a conversational style, as though Ms. Chatterton was making interesting conversation at a formal dinner, which made it really fun to read, even though the chills weren’t quite as pronounced as they were in some of the other stories I’ve read in these books. I do love revisiting these old anthologies and stories from another time.
I also spent some time going through my recent journals and marking pages with sticky notes that are applicable to things I am currently working on or thinking about going to work on. I usually brainstorm and think in my journals. It used to be just the act of writing something down was necessary for me to remember it later–which is why I never needed to really consult my notes in the Olden Days–but that is clearly no longer the case. Even writing stuff here in blog posts is no guarantee I will remember it later. It was also interesting because so much of my journal is just me scribbling, free associating names and titles then who the people are who got with both, quotes I like with attribution, and then the most bizarre things that literally make no sense at all; where did this thought come from? Is it original or did I see it somewhere and wrote it down? It’s always fun to see just how schizophrenic my creativity is when I don’t try to harness it. I actually wrote longhand in my journal last night while watching a documentary–I sometimes takes notes in case I want to blog about it later–and wound up writing several pages of a personal essay about my own experience going to Boys’ State in Kansas the summer I turned sixteen. (Yes, I was watching Boys’ State on Apple Plus, which was filmed at the Texas Boys’ State, which was interesting and well done, and a lot like I remembered it being all those years ago in a different state.) That evolved into me writing about always feeling like an outsider, observing from a slight remove, and went on for quite some time, rather indulgently, and I kind of was amused. There I was, feeling like I was creatively stifled and not able to write, yet writing in longhand in a journal, no less. It wasn’t fiction, of course, but it was still a creative expression, a free form exercise in stream of consciousness writing to see where my mind went–and inevitably, as always, I had to take the piss out of myself.
And that led to another page about my difficulties in taking myself seriously, and thus self-sabotaging myself and my career.
It truly is a wonder I have a career, or for that matter, even had one to begin with.
One thing that did come from that free form writing was a reiteration of something I think I may have posted here recently, that I should take just as much pride in my novels as I do in my published short stories. Sounds bizarre, doesn’t it, but my inner editor always wants to find and fix things in the novels, which inevitably leads to me wishing I could have another pass at it, and the reality is I will always feel like I should have taken another pass at a novel manuscript before it went to print. I need to get over that, or to at least keep it to myself and my journals rather than dragging my own work on my blog. I AM proud of my books, every single one of them, and every single one of them was the best book I was capable of writing at the time I wrote it. As I believe I continue to learn and grow as a writer the more I write, I will always think of my past work as something done when I wasn’t as mature a writer and was still learning because I am always learning. And hope to always continue learning and get better, not just as an author but as a person.
The older I get, the more I realize I don’t know, and how much I will never know. It’s kind of humbling, really.
I did decide what the next book I am going to write is going to be, and that’s a good thing. I was pretty sure of what it was going to be, because it’s in my head and needs to come out more than anything else at the moment–but there’s always something else nagging at the back of my mind saying write me write me! It has the potential to be very good, but I still need to figure some things out. I know how it starts and I know how it ends and I know the back story; I just don’t know the middle and how to get from Act One to the start of Act Three; I always struggle with the second act. I started writing it for a friend who was an acquiring editor, it was something I had been wanting to do for a while and he was interested in acquiring it once it was finished, or at least a first draft completed. So, while I was working on two other books at the same time, I was also taking one day every week and writing a three thousand word chapter and emailing it to him. I had completed Chapter Four and needed a transitional chapter that wasn’t boring or expository, so I had to put more thought into it than I had the previous four. This was last fall, when things started to get out of control in my personal life and with everything else, when I started falling behind on everything and my anxiety was out of control and I just didn’t have the headspace or creative energy to spare to figure out that chapter, so I stopped working on it.
But I never stopped thinking about it.
So, now I have to write it. I may continue to send it to him although he is no longer an acquiring editor, but he’s also a friend and I respect his opinion (he is remaining unnamed because I cannot say kind things about him publicly), so maybe I will. He was very encouraging, and sometimes I need a little bit of a push every now and then. I’ve also mentally worked out some of the kinks in those first chapters, too. I think it will be fun to write; I know I was enjoying it when I was working on it before, and it wasn’t like fuck, I don’t want to work on the structure and plot and meaning of this fucking thing, it was yeah, let’s figure this shit out.
That’s a good sign, methinks.
I’ve also decided my next read is going to be Kelly J. Ford’s The Hunt. I love Kelly and I love Kelly’s work, so I can’t wait to see what this is about. She has a truly masterful grasp of the rural South, and that voice! Oh, that authorial voice! She takes me back to my childhood summers in rural Alabama, shows those folks with a clear and unblinking eye, and then writes with language so beautifully and magnificently constructed that it makes me feel seen, home, and alive. I have some more fabulous books coming–what a summer for releases! New books to come from Laura Lippman and Angie Kim and Michael Koryta on top of all the treasures that have already been released this year? I’ve got Eryk Pruitt’s latest and Scott Von Doviak’s latest on their way, with a new Donna Andrews right on their heels. I need to stop slacking and get back to reading on top of everything else! Mon Dieu, how am I ever supposed to keep up?
There simply isn’t enough time in every day, is there?
There were also short stories in my journals–either the idea or the openings or an outline–that I’ve never transferred out or transcribed, which also needs to be done. God, there are so many short stories in progress…it’s daunting just thinking about it.
But it was a good weekend. I got some rest and I accomplished some things. I got better organized, with a short way to go, and am proceeding with plans to get everything back together again and start writing again, clearly and clear-headedly moving forward on something I’m really interested in writing, something I’ve wanted to write for a very long time–and it’s enormously satisfying knowing I am finally going to be working on it for real.
And on that note, I am heading into the spice mines. Have a lovely Monday, Constant Reader, and I may be back later. I tend to turn up like a bad penny here and there, now and again.
I finished reading the new Megan Abbott novel, Beware the Woman, this morning during a marvelous, raging thunderstorm that filled the gutters and streets of New Orleans with dirty swirling water, cutting the temperature to something bearable for once this summer and cooling the interior of my apartment to the point I needed to put on a sweatshirt and a knit cap on my head. Curled under a blanket with a good book while a thunderstorm rages with a warm cup of coffee on the side table, tendrils of steam rising in curly-cues of white from the creamer-lightened pool of soft brown, is perhaps my happiest of places.
Hell, reading anything new by Megan Abbott is my happiest of places.
My first Megan Abbott novel was Bury Me Deep, which stunned me with its craftsmanship, its voice, its literate choices of words and sentences structures that are short yet lyrical, minimalist strokes painting a broad canvas of human frailty and contradiction, crime and desire that comes from a primal place within, almost inexplicable and unexplainable yet so easily understandable and recognizable. I went on from there to Dare Me and the rest of her all-too-short canon; admiring, loving, respecting and enjoying each book with its magical spell woven by a true master of the literary form, astonishing in its humanity and an exploration of what lengths her characters will go to in order to get the thing (or things) they want, need, desire and hunger for.
Some of the earlier reviews I saw for Beware the Woman painted some parallels between the book and what is perhaps my favorite novel of all time, Rebecca by Daphne du Maurier…which had me intrigued and interested even more than usual.
But more on that later.
“We should go back,” he said suddenly, shaking me out of sleep.
“What?” I whispered, huddled under the thin bedspread at the motor inn, the air conditioner stuck on HI. “What did you say?”
“We should turn around and go back.”
“Go back?” I was trying to see his face in the narrow band of light through the stiff crackling curtains, the gap between every motel curtain ever. “We’re only a few hours away.”
“We should go back and just explain it wasn’t a good time. Not with the baby coming.”
His voice was funny, strained from the AC, the detergent haze of the room.
I propped myself up on my elbows, shaking off the bleary weirdness.
We’d driven all day. In my head, in my chest, we were still driving, the road buzzing beneath us, my feet shaking, cramped, over the gas.
Our main character here is Jacy Ashe, a pregnant wife in her early thirties, married to a neon sign artist, Jed, and working as an elementary school teacher. They are en route when the story opens to the remote upper peninsula of Michigan (primarily known to me from Steve Hamilton’s novels) to visit Jed’s retired doctor father, who lives up there in what used to be the family summer place, with his housekeeper, Mrs. Brandt. This is one of the classic set-ups of one of my favorite subgenres of crime fiction–the Gothic–as well as placing it strongly into another category I love, domestic suspense. This novel has echoes of du Maurier, Phyllis A. Whitney, Dorothy B. Hughes, and Margaret Millar…blended seamlessly together into a classic yet modern novel that updates and reinvigorates both subgenres, bringing them into the modern era and proving they are still just as relevant and important as they have ever been.
(Aside: I do not know where Abbott came up with the name “Jacy,” but it’s one I’ve always liked and wanted to use in my own work since first reading Larry McMurtry’s The Last Picture Show and seeing the Bogdonovich film based on it; I smiled and wondered if that was where Abbott got the unusual name from.)
The Gothic set-up is there, and I can also see the slight echoes from Rebecca: the brooding remote house in the country where tragedy has occurred in the past; the mysterious housekeeper who doesn’t seem to like our heroine very much; the slow-burn of slow revelations of secrets from the past; and the creeping paranoia and potential gaslighting of Jacy…often explained away as her pregnancy hormones or a reaction to the medications after she has a pregnancy complication. One of the strengths of Gothics, for me, is that question of paranoia vs. reality; the gaslighting that is always a hallmark of a Gothic novel. After all, what reason could either Jacy’s father-in-law or husband have for wanting to drive her mad and risking her baby’s health and well-being? She feels her husband slipping away from her and no one seems to believe her…this is probably one of the best depictions of a paranoid pregnant woman in literature since at least Rosemary’s Baby.
Someone once said the Gothic and domestic suspense novels were “women’s noir,” because the danger to them always arose from them being women and doing women’s things; a reaction to the terror of getting married and placing (until very recently) all of your agency into the hands of your husband–and what if you chose poorly?
Abbott takes the best elements of noir and combines them with the foundations of domestic suspense and Gothic to explore what it is like to be a woman, how it is to be a woman, and the trap of societal and cultural expectations for women.
And there’s a reason why the cops always look at the husband first when a woman is killed.
This is a brilliant novel, with many layers to unpack and unravel through its deceptively simple voice and brevity of language. Megan Abbott is a sorceress, a Scheherazade of crime fiction to whom you simply cannot stop listening. Read it, cherish it, love it.
Sunday morning in the Lost Apartment again, and I am looking forward to a lovely and productive day here. We had a rather marvelous thunderstorm last night–although there was potential street flooding, so hopefully the car is okay–which was nice. It’s been awhile since we’ve had a thorough cleansing rain like that, which is part of why the heat index has been so miserable lately. The temperature has been hot, and the humidity about what it usually is–not humid enough to rain, but so close it’s miserable. I had planned to barbecue last night, despite the heat, but when I was getting ready to start putting everything together was when I realized it was not only raining but pouring. There was also magnificent, long lasting rolling thunder claps that lasted for seconds; the kind where it sounds like the sky is splitting apart. So, I made pizza instead for dinner, and hopefully will be able to cook out this afternoon. The power also went out overnight–I slept well again last night, to wake up to blinking clocks everywhere. It was out for maybe about twenty minutes, based on the emails from Entergy letting me know an outage had occurred (how does one check one’s email without power? A mystery for the ages) and the follow up announcing the restoration of power was sent about twenty minutes later.
I ran my errands yesterday, including making groceries and dropping off boxes of books at the library sale. I cleaned and organized and filed most of the rest of the day, finally getting the office area whipped into some semblance of order that’s not only workable but close enough to being finished that it won’t take long to do so that I can finish it over my coffee this morning and while taking breaks from writing this–although these things generally tend to be fairly stream of consciousness. Today I am going to make a to-do list for the week, update the bills list and make sure everything is current, and I’d like to make some progress on the rugs in the kitchen. The living room looks much more bearable now that those boxes of books are gone, and I think I need to thin out the beads next as well as do some additional book pruning. I cleaned out some drawers yesterday, getting that project under way, and I also need to go through my last few journals to mark the places where I made notes on the things I am thinking about writing now. I’m also trying to decide what the point of whatever it is I want to write next will be. I’d like to write something for the Malice anthology, but the deadline looms and I don’t think I really have anything I can whip into shape in merely one day, which means I am going to need to write a draft and figure this story out as I go–the idea is very amorphous, and I’ve not been feeling terribly creative yesterday, which could prove to be a most frustrating writing experience. There’s another one I’d like to revise and work on–I am feeling connected to it, and to its voice, but again I am trying to figure out what I am trying to say in the story. I need to reread all of these things, of course. I need to reread lots of things so that I can get a grasp of them again so I can find my way into writing them. I actually started two books this past week, can you believe that? Like I don’t already have enough things in progress already that I need to start two more? I wrote the first sentence of each book, and stopped there. I know what I want to say in both of them, and where I want those opening chapters of each to go, but I’m not sure precisely how to say it.
I also got deeper into Megan Abbott’s Beware the Woman, taking it slowly and savoring the experience as the rare treat and pleasure reading anything written by Abbott always winds up being. Each book is different in content, yet variations on a theme; I think future literary scholars will look book on her canon and study it as the incisive social commentary it is, about what it is to be a woman as well as how it is to be one, the strictures and compromises, the struggles between expectations and reality, all wrapped up in a lovely bow of beautifully constructed sentences that are complex in their very simplicity, and razor-sharp observations and insights into the strange tangle of emotions and contradictions that make us all so tenderly and sadly human.
We watched a tragic gay romance movie last night, Firebird, which was based on a true story from the days of the Soviet Union and its homophobia (still a thing in Russia to this very day, never forget). It was very well done, but it was also sad as such stories always are, with the kind of bittersweet ending where the truly conflicted one ends up dead and the one who isn’t moving on with his life stronger for the experience. So, no, not the feel-good gay movie of any year, by any means, so after that a few episodes of Awkwafina is Nora from Queens was just the ticket back from that downer.
Also, when I was dropping off books at the library sale, since I had cash on me (which is a rare thing) I checked the children’s section for series books I collect (I do this periodically, but only when I have cash on me) and I scored today with four books at two dollars apiece, and I had exactly eight dollars on me. I got three yellow-spined revised text (important) Nancy Drews (The Secret of Read Gate Farm, The Sign of the Twisted Candles, The Clue in the Crossword Cipher) which was the style when I started reading them so those are the ones I want. I already had copies, but the ones I already had on hand have been damaged over the years, and these were in excellent condition. I also got a tweed original text Hardy Boys The Mark on the Door, which I’ve never had a copy of (I only ever had the blue spine revised text) and have never actually read. There was no dust jacket, but it’s in really good condition. It’ll be fun to read it; per the fan groups, this was one of the books written during the time the original writer had left and the new ghost writers weren’t as good; and the plots tended to be a bit on the insane side sometimes. I am rather intrigued to read it–since they were all revised to get rid of offensive ethnic and racist stereotypes and language, it could be eye-opening.
I’ve also been reading Matt Baume’s marvelous Hi Honey I’m Homo, and am now up to the chapter on Dinosaurs, which I never watched. It’s really a fun book about how queer representation began and evolved over the years, as well as documenting the pushback against that representation (newsflash shocker: evangelicals have been coming for us every step of the way), and it’s written in an easy and accessible style that flows well. I’ve enjoyed his Youtube content, and I’m delighted to see that the book is in the same vein and just as well done. Highly recommended, and definitely more to come on that when I’ve finished reading the entire thing.
And now to my easy chair, to spend more time with Megan Abbott. Have a great Sunday, Constant Reader, and I will check in on you again tomorrow.
And here we are, on a very hot Saturday July morning in New Orleans, feeling rested and relaxed, which is becoming the norm and I have to say I really quite like it. I think some of it has to do with the lessening of stress and anxiety with the lightening of my over-all schedule; it’s nice not being constantly busy and always feeling guilty (anxious, stressed) about the things undone when I had to call it quits for the day from sheer exhaustion…and then of course that stress/anxiety/guilt made it impossible for me to sleep. I even cut back drastically on my caffeine intake during this period–cutting back to only three cups of coffee (which is probably still too much, really) and only one 16 ounce bottle of Coke per day. It’s helped my sleep some–and I am not willing to up my caffeine intake to find out, either–but I’ve been sleeping so well the last few weeks since I recovered from the trip that I am almost not afraid talking about it will jinx it…but the streak continued again last night. I’m not sure what the difference is–probably the reduction in stress and anxiety.
Finding out that my mother suffered from anxiety was also incredibly helpful. Finally, at age sixty-one, nearly sixty-two (less than a month away), I realize that I, too, suffer from almost crippling anxiety, but never realized it because it’s just my reality, if that makes sense? Everything stems from anxiety: the self-deprecation, the not taking my work as seriously as I should as well as being dismissive of it rather than proud, the issues with public speaking–all of it stems from anxiety. But that’s because it’s always been for me, I just figured, as one would, that it was normal and everything else has the same issues because that’s all I know. The Xanax has helped somewhat with reducing my anxiety or lessening it enough for me to be functional, and now recognizing that it is an actual chemical brain condition that I’ve had most of my life has opened my eyes in many ways, and I am trying to rewire my brain to accept and understand that anxiety causes me to want to self-destruct at times. I wish I had known this about twenty years ago, even forty, but would it have made a difference?
Yesterday wasn’t a bad day, really. I woke up later than usual (same this morning, staying in bed until just past seven thirty like a lazy slattern) and feel very rested. I spent most of the day going over forms doing Quality Assurance as well as did some on-line trainings. Once the work day was over, I repaired to my easy chair with my journal and scribbled notes in it for awhile until Paul got home from the gym. We watched this week’s episodes of Minx (smart adding Elizabeth Perkins to the cast for the second season), The Crowded Room, and Hijack, and moved on to some more Awkwafina is Nora from Queens, which is rapidly becoming one of my favorite half-hour comedies of all time (the queefing episode is a non-stop laugh riot, seriously).
Today I want to spend some more time on a kitchen cleaning project, in which I am cleaning out the drawers and the cabinets in the kitchen. Things tend to accumulate around here, and there are things that get tossed in drawers that I’ll never need, have never needed, and just held on to for some reason unknown to my conscious brain. I also want to work on the kitchen rugs (which never stay in place, ever) and the floors a bit more. I need to purge more books, too, and work on the kitchen. There’s a mess now because I cleaned out some things already and now that stuff is scattered all over the kitchen and I need to either find a place for it all or toss it, I also am going to spend some more time with Megan Abbott’s Beware the Woman over my coffee and perhaps a few more Alfred Hitchcock Presents short stories before I run today’s errands: groceries, mail, library sale to drop off books, and maybe a car wash. The tire pressure light has been on in my car since I drove home from Kentucky, but the heat has been so intense I’m not sure I’ve been able to get an accurate gauge reading of the tire pressure; I’ll probably swing by the gas station before doing any errands to try equalizing the pressure again. I also want to spend some time trying to write today–whether it’s a new book project, a revision of a short story, or even a brand new short story entirely (that Malice anthology deadline is approaching), but I want to get back into writing again, flex and stretch those creative muscles that have been so dormant for so long.
I got the table of contents for another anthology that I am appearing in, School of Hard Knox, edited by the amazing Jeffrey Marks and coming from Crippen & Landau. The author of the Father Knox crime series, back from the Golden Age, had come up with a list of ten rules that should never be broken by a crime/mystery writer; we each chose a rule and wrote a story breaking it. Mine was “no supernatural events or beings”; which was kind of perfect for me. I dug out an old Alabama/Corinth County story that had been moldering in the archives for decades called “The Ditch,” which I revised and rewrote and made much stronger. I was pleased when the story was accepted, and I was even more pleased to be told that the copy editor thought my story was “powerful.” (I’ll write more about the story, and the anthology, when its release date is imminent.) I also got paid for my story “Solace in a Dying Hour,” and cannot wait to get my contributor copies of This Fresh Hell. I don’t know why I get so much satisfaction out of selling and publishing short stories; but subconsciously I think of each sale/publication as another knife into the corpse of that wretched college writing professor who told me I’d never publish. Given how revenge and “I’ll show you” will always drive me to prove someone wrong about me, I’m starting to think that professor may have been a blessing? I’ve certainly proven him wrong with over forty novels, fifty short stories, and over twenty anthologies edited, not to mention countless articles, interviews, book reviews, and essays I’ve published over the years.
Anyway, here is the TOC for School of Hard Knox:
Introduction – Jeffrey Marks Not Another Secret Passage Story – Donna Andrews A Matter of Trust – Frankie Y Bailey THe Dinner Partty – Nikki Dolson The Intruder – Martin Edwards The Ditch – Greg Herren Dichondra – Naomi Hirahara Baby Trap – Toni LP Kelner The Stolen Tent – Richie Narvaez The Rose City Vampire: An Accidental Alchemist Short Story – Gigi Pandian Chin Yong Yun Goes to Church – SJ Rozan The Forlorn Penguin – Daniel Stashower The Island Boy Detective Agency – Marcia Talley Ordeals – Art Taylor Knox Vomica – Peter Lovesey
Look at those names. I am so honored and thrilled to be in an anthology enabling me to share the interior with these amazing, glittering names. More on this anthology as things develop–release date, cover reveal, etc. I’m very excited to be in this book, which will be a strong contender for Best Anthology short lists next year, as well as the stories making Best Short Story shortlists. I’m particularly proud of my story, to be honest. I think my metier in writing is writing about Alabama, to be completely honest. I know I am known as a “New Orleans writer,” and to be sure, my greatest success has come from writing about New Orleans, but I feel more drawn to writing about Alabama now that I am in my sixties. I am sure some of it has to do with losing Mom–somehow, it’s like writing about Alabama keeps me connected to her in some weird, complicated and twisted logic only my brain is capable of making, but it’s true.
I’ve also decided that I am going to submit to the Nashville Bouchercon anthology, even though I am not going. The theme, being Nashville, has to do with music, and its being edited by the incomparable Brendan DuBois, who is a fantastic short story writer and has found enormous success as a co-writer with James Patterson (I also like Brendan; we served on the MWA board together and he’s really a great guy). I would love to be edited and work with Brendan, and I think the story I’m going to write for it is “The Blues Before Dawn,” a period New Orleans story from before the first world war, which I’d been thinking about turning into a Sherlock Holmes in New Orleans story. That might make it stand out from the rest, one never knows. It also could get selected out by the anonymous readers who could be homophobic–it happens, and one can never be sure if your story isn’t good enough or if its homophobia–another joy of being a gay writer of gay stories.
And on that note, I am making another cup of coffee and going to read Megan Abbott for awhile. Have a great Saturday, Constant Reader, and I am sure to be back again later.
Back to the office for me today, with tomorrow yet again a work-at-home day for one Gregalicious. Yesterday was an interesting one. It’s always strange disrupting your usual work week with a day off, but I slept super great Tuesday night and woke up feeling incredibly well-rested and on top of things. I did a load of dishes and a load of laundry, cleaned the kitchen, did some filing, and had a highly productive chore morning. I went to my doctor’s appointment (more on that later), and ran some errands before getting out of the blistering temperature of another heat advisory into the delightful cool of the Lost Apartment. The doctor visit was okay; we’ve (he’s) come to the conclusion that the issue with my left arm is most likely a torn bicep tendon, which will need surgery to mend. Hurray. Which means since our corporate insurer is dropping us after December 31 and there’s been no word about what’s going to go down with that, I need to have this done before the end of the year. Huzzah even more. So far, that’s dental surgery in September and now arm surgery before the end of the year. But…since the corporate insurance scum company is dropping us, I’m happy to force them to spend more money on us.
Insurance, the biggest scam ever perpetrated on the American people. Every kind and every type: an utter joke and scam to make shareholders profits.
But I am glad it’s going to be looked at and potentially repaired; this staying out of the gym has been horrendous and I hate that I am getting so out of the fit condition I prefer to usually be in. At least we’re saving money on the gym membership; we put mine on pause after I originally injured it. I tried talking Paul into a SPCA run to look at kitties this weekend, as I do not like living in a kitty-free home, but he is going to visit his mom soon and wants to wait until he gets back. I get that–not wanting to go away right after getting a pet–but it also means I won’t have a cat to keep me company while he’s gone. Heavy heaving sigh. But I can also consider our new kitty, when we get him, as a birthday gift. (And I will keep working on him, of that you can be sure.)
I read deeper into Megan Abbott’s brilliant Beware the Woman yesterday, around appointments, errands and chores, and it is deliciously marvelous. As always, reading Megan inspires me to write better myself–the truly great writers always are an inspiration, even as their talent awes me it also inspires–and it gave me some ideas, too, as the best writers always do. I am looking forward to finishing the book this weekend, after which I will move on to S. A. Cosby’s All the Sinners Bleed. I’ll get my grubby paws on a copy of the new Laura Lippman soon enough, and let me tell you, I’ve got some amazing reading ahead of me for the rest of the summer; Eli Cranor, Jordan Harper, Alison Gaylin, Wendy Corsi Staub, and the new Silvia Moreno-Garcia novel, Silver Nitrate, just arrived the other day as well.
I also was asked to moderate a panel at Bouchercon on Saturday afternoon; which brings my panel total to four (the other three are nominee panels, and since I have THREE nominations that means THREE panels; my queer crime writer friends are always telling me I need to shout that from the rooftops, so I am trying to be a little less self-deprecating and trying to take more pride in my accomplishments, and let’s face it, it’s pretty impressive and cool to have those three Anthony nominations. I think S. A. Cosby and I are the only people to be nominated three times in the same year; pretty heady company to be in, quite frankly.) That means I’ll have to prepare and I no longer have Saturday as a free day; but that’s okay. I can sleep in, grab some coffee, and make notes that morning before the panel. That Saturday is going to be one of those days where I’ll have to remember to eat, so I should probably make lunch plans with someone.
I slept well again last night, so deeply I didn’t want to get up this morning, but it’s my last day in the office for the week and I think I’ll survive somehow. I got my errands done yesterday, and didn’t get as much done around the house as I would have liked. I really need to make a project out of the kitchen drawers and cabinets. But it was miserably hot out there and I did get everything done outside the house that needed doing, and now this weekend I may need to make a single grocery/mail run while dropping books off at the library sale; there are at least two, if not three, that are ready to go. I may even get another box down from the attic to go through for book purging. We also watched more of The Crowded Room last night, and if Tom Holland isn’t at least nominated for an Emmy for this, the Emmys will be an utter and complete joke.
And on that note, it’s time for me to head into the spice mines. Have a lovely day, Constant Reader and I may be back later.
Wednesday Pay-the-Bill day, and I have the day off because I have a doctor’s appointment smack dab in the middle of the day, so…no choice but to take the day off. I don’t mind, despite the disruption of routine it causes. I have errands I can get done, and I can also take Megan Abbott with me to the appointment to read while I (inevitably) wait.
Coming home from work wasn’t as rough yesterday as it was Monday. I did pause once I shut the front door to wait and see if Scooter would come downstairs before remembering, which made a bit sad. It really doesn’t feel like home without a cat in it. And of course, our next cat may not be anything like Scooter. Scooter was a completely different cat from Skittle, after all–Skittle wasn’t nearly as affectionate, but he was but only when he wanted to be and for as long as he felt like it, while Scooter was constant. I’m torn between a kitten and one that’s already full grown; primarily because everyone wants kittens and it’s harder to adopt out full grown cats. Kittens are awfully cute; Skittle was a kitten when we got him. But our stairs are pretty steep for a kitten to navigate, and it also means we’d have to be a lot more careful with the front door. Scooter had no interest in going outside whatsoever; the front door could be wide open and he was having none of it. He was so disinterested in the outside he wouldn’t even stare out the windows–unless he heard Paul talking outside on his phone. That always intrigued him, and was the only time I ever worried about him going outside–if Paul was out there, Scooter would want to join him. But as a general rule, he didn’t give a rat’s ass about outside. (I’m with you, Scooter, I’d never go outside again if I could get away with it!)
I wasn’t tired yesterday either. I slept really well on Monday night–I’ve slept well ever since I finally adapted back to my life and reality after my vacation and the 4th holiday fucked with me–and we had a relatively easy day at the office. Between clients I did some more deep diving into Alabama history; I don’t know why it never occurred to me until this week that if I was going to write a short story built around an urban legend, why try Louisiana when I have all that history and lore and legends about my home state? I found a particularly gory and grotesque Civil War revenge story–based in fact–which might do the trick. One of the things that has been interesting me lately is the concept of the interior civil war inside the state of Alabama in the north hill country; Union sympathizers who didn’t believe in secession and refused to fight for the Confederacy, and some even served in the Union army. The Alabama Home Guard was particularly brutal; they were the ones who committed the atrocities that triggered the vengeance story, and that something I think I can work with. I know there’s a legend that one of my aunt-by-marriage’s ancestors served in the Union Army and when he snuck home for a visit, the Home Guard caught him and skinned him alive. Gruesome and horrible, but the back country in the South’s entire history is gruesome and horrible. There are a lot more stories to be told about the part of the country from whence I came…
I slept well again last night, too. I was able to sleep in a bit later because I took the day off for doctor appointments–I need to talk to my doctor about my arm and my toe again, heavy sigh–but since the appointment was in the middle of the day, I didn’t see any point in either going in before and returning after so took the entire day off. It’s a nice break to the week, really. We watched this week’s episode of Last Call, and then went back to The Crowded Room–mostly because we didn’t have anything else to watch last night. The first five or so episodes of the show moved really slow and you couldn’t really be sure what was going on. I figured out it was dissociative identity disorder that was plaguing the poor sad character being played (brilliantly) by Tom Holland; but the episodes we watched last night moved the story along, tied it all together, and were riveting. Paul and I agreed it was an odd storytelling choice; risking losing the interest of the viewers who might not continue because it was moving so slow and made so little sense. We wouldn’t have gone back had there been anything else for us to watch–but the performance by Tom Holland! My word, he’s quite the talent. I knew he could act–I’ve seen him give incredibly strong performances in two films, Cherry and the other one, The Devil All The Time, which was, in my opinion, terribly underrated as a film. I suspect Holland will win an Oscar at some point–if people can stop seeing him as Spider-Man.
I was thinking it might be fun–since our anniversary is tomorrow–to surprise Paul with a cat when he gets home from work tonight. But the more I think about it, the more I think that as fun as that would be, I think he’d want to be involved in the selection process. So, probably the best thing to do is talk to him about it tonight when he gets home from work, and maybe going out to the SPCA on the West Bank to see what kitties they have on hand for rescuing. I’ve looked at several websites for adoptable cats in the area, and of course want them all (Wendy Corsi Staub recently wrote a piece for CrimeSpree to promote her new book, Windfall, about winning the lottery; she asked a bunch of us what we would do should we win the huge lottery…and I should have said “buy a ranch so I could adopt all the cats in the world and give them a loving home,” because I would really love to do that), so probably its best to involve Paul in the process. Paul picked out Skittle, even though I found Scooter. I’m still missing Scooter–expecting him to come down the stairs at any moment, listening for him, and sitting in my easy chair after I get home from work just isn’t the same thing; I cannot justify sitting there doing nothing without the “cat sleeping in my lap” excuse.
I’ve got laundry going, and I need to finish the load of dishes in the sink so I can put them in the dishwasher and run it. I am going to try to get some things done around the house around the appointment, but we shall see how that goes. We’re in another heat advisory today–seriously–but this morning I am going to swill coffee, do some stuff around the kitchen, and maybe spend some time with Megan Abbott this morning. Have a great day, Constant Reader, and I’ll check in again later.
Monday morning and back into the office. I am kind of dreading it, to be honest; there was apparently some shake-ups and drama at the office on my work-at-home day while I was dealing with Scooter. Can’t wait to get into the office today and find out what’s up and what the future holds. Who knows? I may be coming home a lot earlier than expected and never going back.
I was very productive yesterday morning, all things considered. I slept in a bit, got up, and wrote the blog, worked on the dishes and laundry, cleaned up a bit, and found some computer files I was looking for. What’s truly strange–really really strange–is that my imagination is so powerful that I can remember writing entire short stories without actually having written them. A friend had mentioned the deadline for the 2024 Malice anthology, with an international theme to it, and I thought Oh, I have that ambiguous Central American–set Mayan ruins story I wrote a long time ago. I distinctly remember writing the entire story…only to look through all my electronic files to only find one with a few sentences, at best a paragraph, written. I pulled the file out of the file cabinet and sure, that’s all there was. I’d swear I’d written the entire thing…even looking through the old files from the 1980’s that had to be retyped, before remembering that I got the idea on a trip to the Yucatan….in about 1993. This means I remember writing something that I never did.
And people wonder why I think I’m not mentally stable?
I also pulled up a file for a potential next novel–the one I was thinking about before I left for the trip a few weeks ago, and even it isn’t what I remembered; primarily because all the changes I made were made in my head and not really made electronically. I originally wrote the first chapter with the story still set in the French Quarter; I moved it mentally to Camp Place in the Lower Garden District and made changes…in my head. Lord, where is my straitjacket? This isn’t the first time this has happened; where I’ve finished writing something in my. head but never got it typed up into the word document, to be bitterly crushed and disappointed later when pulling up the file. (This also happened with, among many others, “A Holler Full of Kudzu”.) I am certainly not sure that I’ll be able to get this story written, revised, and edited by the end of the month but….stranger things have happened.
I also read some more into Megan Abbott’s Beware the Woman and am completely in her thrall. Jesus, reading her makes me want to just give up and never write another word. Well, that’s extreme, but authors who are on her level do make me want to push myself, to try harder, and to do better work. I read for a little while, a few more chapters, then got up from my chair (quite reluctantly) to do some more chores. I didn’t get nearly as much done this weekend as perhaps I would have liked to have, but it was also my first Scooter-free weekend and I kept getting sad. I imagine I’ll still do so on occasion for a while, but I am also going to resolutely start looking for a new cat to adopt this week. The house just doesn’t feel right without a cat. This morning when my alarm went off I actually went to fill his food and water bowls before remembering they weren’t there anymore. I was afraid that would happen today, to be honest; knowing reality wouldn’t kick in instantly when I rose the bed. Today is also the big meeting with the entire department. I don’t know what that is about, or what is going to happen, or what even to expect. Hell, I may be unemployed by noon, who knows? Not the kind of stress I needed for the weekend on top of everything else, but when it rains in my life the streets definitely flood. I at least slept well last night. We finished watching Fake Profile last night, which was a lot of fun, with a completely insane series finale. I don’t see how they could do a second season, but stranger things have happened with Spanish-language Netflix programming.
I also read a couple of short stories from one of the Alfred Hitchcock Presents books, Stories That Scared Even Me, and realized something about my own short stories; the stories in these Hitchcock anthologies aren’t necessarily what we would traditionally refer to as “crime stories,” but I don’t think they count as outright horror, either. The stories are what you would expect from the television series–as well as others like The Twilight Zone, Outer Limits, and Night Gallery–stories that are more macabre than anything else, really; some with a very bitter and dark sense of irony more than anything else. The two stories in this anthology that I read over the course of the weekend, “Fishhead” by Irvin S. Cobb and “Camera Obscura” by Basil Copper, were these kinds of stories (the latter perhaps being a bit problematic–the ‘moneylender’ in the story is, while not coming out and saying so, the worst stereotypes of anti-Semitic tropes, while not coming out and saying the character is Jewish); more macabre in outlook than either horror or crime. I’ve also never heard of either author–but back in those days someone with a strong imagination, excellent typing skills, and dedication could make a decent living writing only short stories…ah, for those good old days of the business, right? I’ll probably do a google search on them–and the others whose names I don’t recognize–at some point because I am nosy.
Looks like the heat advisory streak, going back to early June if not late May, might get broken today. Not as humid as usual, but still the high will be 93. It felt cool out there this morning when I took the trash out.
And on that note, I am heading into the spice mines. Happy Monday, everyone.
Queer and Loathing in America 