Did you miss me this morning? I had to take my car in to get it serviced (and was informed of things I’m going to need to get done soon), and then I came home to pack and run some errands. That’s all done now, and I am waiting for a podcast I am appearing on to promote Crime Ink: Iconic with Robyn Gigl, John Copenhaver and Marco Carocari on Alan Warren’s “House of Mystery” show, which should be fun and interesting. I don’t know how long that will take, but afterwards I am loading the car and driving north. I think I remembered to pack everything I need and if I forget anything, well, there are stores and things up there. I don’t have any writing to take with me on this trip, which is very weird–I am always writing something, it seems like–but I’m still decompressing from turning the book in (it needs work, I already know that) and so I am just going to let my mind wander for a while and scribble down ideas and start thinking about things I want to write and do. I am also thinking I probably won’t finish this before I leave, as I am loading the car the minute I sign out of the podcast.
Yesterday was an easy day of literally doing nothing other than picking up the mail and a prescription. I did nothing other than read The Haunting of Hill House and mostly think about how brilliant it is before going down some wormholes on Youtube–reviews of Hill House, some news, and some history documentaries about the Batman comics and their evolution over the years as well as the character changes. I did love comic books when I was a kid through being a teenager, and have occasionally dipped back into that world periodically as an adult (I really wish DC would let me write Nightwing, or revive Will Payton as Starman–or as another hero), so I find it interesting to learn about their history, and how the characters developed–as well as what outside influences impacted the characters. I’m not a comics nerd, but I do appreciate the art form and the creators, and am never averse to learning more about things I enjoy.
Well, it is now Friday afternoon and I am in Alabama, resting. Obviously I didn’t finish this entry before I departed, and am only now getting around to it; and it may not even be finished this time, either, LOL. I drove up here after recording the Housse of Mystery podcast, and that is a very helpfully placed link to the recording, which consists of Al Warren interviewing editor/contributor John Copenhaver, Robyn Gigl, and Marco Carocari. And me, of course. This was about the Crime Ink: Iconic anthology John edited and is freshly available at all your favorites places you select your reading choices. I’ve not had time to read it yet–that whole finishing-the-book thing–but am looking forward to digging into it sooner rather than later. I got here very late (for me)–nearly ten, my bedtime, and yes, I was very tired. As I drove through the dark night of rural Alabama, I kept getting a bit spooked and having deja vu and thinking, when have I ever driven through rural Alabama at night by myself before, which gradually morphed into I should memorize how it looks and feels to do this so I can write about it so I started describing the pines and the hollowed out hillsides the road cut through and when I pulled up to a four-way stop, I started laughing myself because I finally remembered; that was a passage in Bury Me in Shadows, and one of the creepier parts of the whole book!
Glad to confirm that I got that right.
Anyway, I was exhausted when I finally got here, and got up early yesterday to ride with Dad down to south Alabama–a lengthy round trip–to see family and was again exhausted last night–so exhausted I sat down here at the desk to try to check my email and I fell asleep! I woke up at two in the morning with my face down on the desk resting on my folded arms. I’m still tired today, so Dad is visiting friends while I rest here before we go to his old high school’s Homecoming Game–which is going to be strange for me, obviously. Dad and Mom used to come down for reunions fairly regularly until she started getting too sick, so he’s been back for games before. But for me, it’s a new experience. I’ve not been to a high school football game since my youngest nephew graduated high school, which I think was before Hurricane Katrina, and I’ve certainly not been to a rural high school game since I graduated high school myself. So, yes, I need to pay attention and notice things, because a project (one of many) I hope to finish over the next year or so opens at a high school football game. (I’ve also been thinking about some small town y/a horror/mystery novels lately, and thinking about writing another soon.) It doesn’t hurt that I’ve been thinking about slasher movies lately (Halloween Horror Month, remember?) and listening to Adam Cesare’s Clown in a Cornfield 2: Frendo Lives! in the car (which I am really enjoying) has also put me in mind of writing a slasher novel. I am not working on anything until everything is over with the new one–edits, copy-edits, and proofing–but it never hurts to spend some time in my head thinking about stories and characters and subtexts and intertwining subplots and stories.
I also read about half of Chris Grabenstein’s The Hanging Hill in the car yesterday. It’s a middle grade novel, but engaging and a bit funny, too. It’s easy to see why he’s so popular with kids.
I think I am going to go lie down for a bit. I’ll be back later, I am sure.
Well, I never came back to finish this, did I? Friday night’s Homecoming game ended well for the home team (they won 64-6), and then Saturday Dad and I watched football games. I was delighted LSU won, but wasn’t impressed by how they played. We watched the Alabama game with Missouri first, went to eat during the afternoon games with my uncle, and got back in time for the night games (we had the Auburn-Georgia game on the television while I had the LSU game on my new phone–and the picture quality was amazing). I have never seen such horrific and biased officiating in my life as I witnessed in the Auburn-Georgia game, and that team of officials and the replay idiot in Birmingham all need to be fired and horsewhipped, frankly. They blew so many calls–the so-called Auburn fumble was either a touchdown for Auburn or a touchdown for Georgia, not a touchdown for no one, for one example–that I wouldn’t trust them with a flag football game for children.
Sunday we went to Mom’s grave and put out flowers, and then I drove home…and Sparky was very happy to see me once I did.
So, this post should technically be read before this morning’s, but…so it goes!
I have really come to love Bouchercon, and it’s always a highlight of my year.
Things have seriously changed for the better.
Queer Crime Writers after a dinner out in San Diego, with Marco’s lovely husband Mark Gutkowski
Bouchercon last week was a marvelous, marvelous experience. I had such an amazing time, saw some people I’ve not seen in quite some time (and quickly remembered why I love them so much), and stayed up way later every night than I should have–one of my many neuroses is FOMO, of course; I still regret not going to Dallas in 2019–but I laughed a lot, had some great panels, and made some new friends, too. I ate great meals, had some marvelous cocktails, and I really liked the hotel (once I figured out the shortcuts to the meeting spaces). It also made me think about my own history with the event, how things have changed for the better, and how I hope it keeps changing for the better. There were so few of us queer writers who used to go back in the day; now we have enough of us to have a happy hour where we get together and drink and chat about writing and the business and oh, how we all laugh. It’s wonderful.
When I first got started in this business, publishing was different. I had to explain this recently to someone I am hiring to do the ebook for Jackson Square Jazz for me; why I didn’t have a pdf file, because back then there were no ebooks and you got your page proofs in the mail, as well as your marked up manuscript for the editing process. So all I have on hand is the unedited version of the book I turned in. But what also was nice back then was there was a support system for queer writers that we no longer have–there were queer newspapers, queer magazines, and queer bookstores. We had a queer book of the month club–Insightoutbooks–and their influence in shaping and developing my career cannot be underestimated. After Hurricane Katrina and the six months spent touring for Mardi Gras Mambo, I kind of withdrew back into myself. I don’t remember much of 2006-2008, to be perfectly honest; I just know that I went back to work full time in 2008 and after adjusting my writing/editing schedule to that, it was around 2009 or 2010 that I resurfaced and started thinking about promotion and marketing again.
And what I found was that during those lost years (I call it the Hibernation) everything had changed. The queer newspapers and bookstores were mostly gone. ISO shut down. And I realized, with a sinking heart, that I was going to have to start going to mainstream conferences to promote myself. After working so hard in the mid to late 1990’s ensuring I could exist in almost entirely queer or queer-friendly places, I found myself having to essentially start over. Queer writers never mattered to the mainstream crime organizations and conferences, and I braced myself, knowing I was going to encounter homophobia yet again.
It didn’t take very long–although in retrospect, I’m actually surprised it took as long as it did.
I joined Mystery Writers of America, and later, Sisters in Crime. I also went to Bouchercon in Indianapolis and San Francisco. I didn’t know more than a handful of people and tended to glom onto the people I did know (sorry about that, guys; social interactions at events where I don’t know anyone ramps up my anxiety, so I glom onto the people I know). Indianapolis I wasn’t in the host hotel, I was across the street–and it was cold. It was the weekend of the Ohio State-Purdue game, I can remember that because my hotel was full of OSU fans, so I found myself mostly hanging out in my hotel room and reading, while braving the cold to go across the street for my panels and events. It was nice, and decided to go to San Francisco for it the next year. There I was in the host hotel and realized oh you really need to stay in the host hotel in the future, because it made everything easier. I was starstruck most of that weekend–I rode in the elevator with S. J. Rozan once and another time with Laurie R. King, which was incredible. I only had one panel, at 4 pm on Friday afternoon that no one came to, but I had a really good time—and even decided to put together a bid to host it in New Orleans (and that is a whole other story), before yet another person decided that it was time for a Bouchercon programmer to put the fag back in his place, letting me know that I and my books weren’t important enough (the exact wording was “surely you have to understand that someone who’s edited a couple of anthologies doesn’t really deserve to be on panels”–despite the fact that my tenth novel had just been released…and of course, the greatest irony of this was that I went on to edit three of their anthologies) to grace any panel, and that any panel I’d been given in the previous two years should be considered a gift.
Should be considered a gift.
A fucking GIFT.
(For the record, Paul is an event planner by trade. He is executive director of both the Tennessee Williams/New Orleans Literary Festival as well as Saints & Sinner, a queer litfest. Just to be certain I wasn’t overreacting and being a diva-bitch, I let him read the email. His response? “If one of my staff, interns or volunteers wrote an email like that to an attending author I would fire them on the spot.” And before anyone starts up with the “programming a Bouchercon is hard” I will remind you that Margery Flax and I wrote over one half of the program for Dallas in three fucking days and contacted everyone with their assignments and then reorganized and redid the program to accommodate schedules and wrong panel assignments for about two weeks before it was done–with the local chair constantly throwing things at us that made us start pulling threads and weaving it back together again….nothing like “oh, sorry, I forgot that I promised these people a panel for this” after you’ve redone it for the fourth time. That happened a lot. And the entire time, we were incredibly polite and friendly and did whatever we could to accommodate people; apologizing and fixing it repeatedly. NOT ONE PERSON RECEIVED A FUCKING EMAIL TELLING THEM TO CONSIDER ANY PANEL THEY GOT AS A GIFT.
But then, I’m not an unprofessional piece of shit whose pathetic ego sees programming as power to abuse, either.
I wasn’t saying (and was very respectful) oh I am such a big deal how could you not give me an assignment, all I asked was hey, I know how hard your job is, but I don’t understand how you get on a panel and what can I do differently in the future to get one? What am I doing wrong? I approached them with kindness and respect for the work they were doing and got bitch-slapped, demeaned, and insulted in response. No author who is paying their own way to a conference and essentially providing the event with free entertainment for its audience should ever be treated so contemptuously by event organizers, period. The fact that when I expressed these concerns to the national board all I got back was mealy-mouthed excuses and “we’re sorry you’re offended” told me everything I needed to know about the organization and its board; the way they were treating me about the New Orleans bid (I had planned on having Susan Larsen–former chair of the National Books Critic Circle, chair of the Pulitzer Prize for fiction twice, long time programmer for the TW Fest and a nationally respected book reviewer–help out along with Pat Brady, long time publications chair of the Historic New Orleans Collection, huge mystery fan, and also a long time programmer for TWFest only to be told their vast knowledge and experience wasn’t “good enough” and I needed to get the homophobic trash who told me I was nothing to program New Orleans–yeah, like that was ever going to happen) was also egregiously horrible, condescending, insulting, and unprofessional.
Needless to say I cancelled my trip to St. Louis and never considered attending Cleveland; I tend to not go where I am not welcome. I am not taking my hard-earned money from my “nothing career” and giving it to a homophobic organization, where I then get to beg for scraps and get treated like shit. I have better ways to spend my money, thank you. (And yes, I know who the programmers were and yes, I will carry that grudge to the grave.)
I withdrew my bid to host for New Orleans, and I washed my hands of the mainstream mystery community. Who needs it? They were never going to accept me or my work, they were never going to read my work, they didn’t give a shit about me, and it was pretty clear they never would. I was kind of at sea for a few years, there. There were no more queer newspapers, no more queer bookstores, no more gay Insightoutbooks.com book club, nothing. Outside of the TWFest and Saints & Sinners, I had no conference outlets to promote myself and my work. The mainstream mystery world clearly wanted no part of me, so what was I supposed to do? So, I just kept writing. I operated my social media pages as a promotional outlet for my work, and I kept writing this blog. I did finally return to Bouchercon when it went to Albany; friends convinced me to go, and one powerful friend requested me for a panel she assembled–and it came through. Having friends made a huge difference, really, and through my friends I met and made more friends, and Bouchercon slowly became a must-go event for me every year…eventually reaching the point where I never had to be concerned about getting on a panel, while at the same time no longer caring whether I did or not. It became more about seeing my friends and being around other writers than a work/promotional thing for me. Ironically, once I no longer cared or worried so much about being on things…I started getting put on more and more things, with bigger and increasingly more important co-panelists (I still can’t get over the fact that I was on a panel with ATTICA LOCKE in Minneapolis. I was too nervous to say anything to her; I spent that entire panel looking at my co-panelists and listening to them speak and wondering why the fuck I was on that panel).
And now, of course, we have a group: the Queer Crime Writers, and a core group of us have been showing up together at conferences ever since we bonded at Left Coast last year (and bonded even more with more of us at Bouchercon Minneapolis last year): John Copenhaver, Marco Carocari, Kelly J. Ford, and Robyn Gigl–who’ve all become very dear to me over the last year or so. Teresa Cain/Carsen Taite joined us in San Diego, and became my con-wife; what a great time we had!
And somehow, I am getting nominated for mainstream awards, an outcome I could have never predicted. I won the Anthony for Best Anthology for editing Blood on the Bayou, and was nominated for Best Short Story at the Dallas event for “Cold Beer No Flies” (I lost to S. A. Cosby, no disgrace there). Last year Bury Me in Shadows was nominated for Best Paperback Original (losing to Jess Lourey) and Best Children’s/Young Adult (losing to Alan Orloff); neither of those losses were devastating because Jess and Alan are also friends of mine, and I couldn’t have been happier for them both. This year I had three nominations in three categories for three different books–Best Anthology for Land of 10000 Thrills (losing to S. J. Rozan for MWA’s Crime Hits Home); Best Children’s/Young Adult (losing to Nancy Springer for the latest Enola Holmes, hello, no disgrace there); and Best Humorous for A Streetcar Named Murder (losing to Catriona McPherson for Scot in a Trap)–again, with the exception of Springer, I lost to very talented friends I like very much (I’ve not met Springer). That’s seven Anthony nominations in total, to go along with the Macavity, the Agatha, the Lefty, and the Shirley Jackson nominations. Not bad for a queer writer, wouldn’t you say? Ten mainstream award nominations? I certainly never would have dreamed all those years ago when I was told “any panel you get should be considered a gift” by Bouchercon programming.
That doesn’t mean the community is free from homophobia; it’s still there. I have mentioned before the mainstream cisgender male author who is clearly afraid to acknowledge my existence and always beats a hasty retreat whenever I walk up; I find his homophobia amusing. You’re not hurting me, bro, because I don’t want to know you, either. It doesn’t mean that I can’t be sitting in a booth in the hotel bar with a bunch of friends only to have a straight man look at me, smirk and say “faggy” in a sentence, as though daring me to call his ass out because he’s so much more important than I am; no worries, asshole, I don’t even have to repeat the story to anyone because since then you’ve shown all the big names you’re buddies with that you’re actually a piece of shit, and yes, I’ve watched it all with the same fucking smirk you had on your face when you thought you’d pull out your micro-penis and slap it down on the booth table in Toronto, and when I hear stories about you, I am delighted to pull out “Well, I’ve known he was trash since he said faggy in front of me, looking me in the face and smirking as he said it”.
Assholes will always out themselves, at least in my experience–and I’m very patient. I store the receipts and pull them out to corroborate horrific behavior when the timing is right.
I’ll save the racism, sexual harassment, and homophobia I faced in Albuquerque at Left Coast for another time.
I’m very pleased with the progress that has been made in our community over the last five or six years–I mean, the Rainbow Diversity panel about queer crime writing in Toronto was packed, when such panels in the past only drew maybe four or five audience members. Codes of conduct have been implemented to protect attendees from sexual harassment and pervy conduct, as well as racism and homophobia.
Progress is often slow, and it is easy to get impatient. I don’t know if my involvement with Bouchercon has made things better for queer writers there, but I do know the award nominations show other queer writers that such things are possible for them. Nothing says you’re welcome here than seeing members of your community nominated for the awards. The more of us that attend also means that more of us will get nominated, be on panels, and be able to talk about our work to readers who might open their minds and read our books. Being visible at these events is crucial and important.
And like water wearing down a stone, we have to keep relentlessly pushing.
(John, Marco, Kelly, and Rob Osler have all been nominated for mainstream awards over the last year, along with me. Edwin Hill and PJ Vernon have also been recognized for their brilliant work, too. This is so wonderful to see–I’d be delighted even if I weren’t with them in this grouping. And if you’ve not read any of us, there’s not a single person I’ve mentioned by name you can go wrong with. It’s also exciting seeing the new queer talent rising in writers like Margot Douaihy.)
I was torn about going to Nashville next year; their anti-trans and anti-queer laws have me not really wanting to spend my queer money there. But the point was made that going and being very present was an act of defiance…and Lord knows I love defying homophobes, so I guess I am probably going to go. I can visit Dad either before or after, so it actually makes sense for me to go. I’ve decided to write a very gay story to submit to their anthology (which means I need to get back to work on it), and so yeah…I think defiance is the way to go.
Plus….I love my Queer Crime Writers. I can’t imagine not being around them next year, and I would absolutely go nuts from FOMO.
So, in closing, thank you, Queer Crime Writers. I love you all, and thank you for letting me into your group. Let’s keep making a difference, shall we?
Monday! Back to the office for the weekly routine! It took me awhile to fall asleep last night, but eventually Morpheus opened his arms and welcomed me into the Dreaming, although I don’t remember anything I dreamt last night. Yesterday was, over all, not bad. I’d slept fairly decently Saturday night, but had some trouble with motivation yesterday. I did write a little bit, but for the most part felt burned out and mostly tired for most of the day. The end of the month is nigh, of course, which is a bit of a trip–can it really be August already–and the year is slipping past. I have a busy rest of the year ahead of me, too–after Bouchercon I am having oral surgery, and I am trying to schedule a consultation so I can get my arm surgery scheduled before the end of the year. I’d prefer to do neither, but I am tired of mouth pain and am not sure how much longer I could last dealing with the pain from my teeth. I am just ready to be done permanently with mouth pain.
It was raining when I went to bed last night, so I imagine the sound of rain helped me fall into a deep sleep; if only we could have a thunderstorm every night when it’s time for bed. Paul is leaving Wednesday, so when I get home from work that night he won’t be here. I am kind of in denial about it, to be completely honest. I’m going to be excessively bored, undoubtedly, but the key is to make sure I utilize the time effectively rather than allowing myself to be bored, you know? I can always read something, there’s a lot of shows for me to catch up on that Paul’s not interested in–Superman and Lois, and I should finish Titans, and My Adventures with Superman–and there are other classic films I’d like to watch as well. I can also watch the television in the bedroom and read in bed every night if I so desire.
We did finish watching Last Call last night, which was terribly sad because of how the killer was able to get away with it–twice!–before they finally linked him to the gruesome murders, and the difficulties prosecutors had in determining jurisdiction. We had a serial killer in the aughts who was preying on gay men down in the bayou parishes of Terrebonne and Lafourche back in those pre-Katrina times; no one’s ever written about him as far as I know, and most of his victims were homeless and/or hustlers, so no one cared much about the victims (similar to what happened with the Jeff Davis Eight in the same time period–women with records for prostitution and drugs murdered and no one ever caught or prosecuted) but at least they did finally catch the Bayou Killer (that’s not what his name was; I’m not even sure they gave him one since no one cared about the victims), but what the primary underlying theme to both true crime stories is that the police, for the most part, didn’t care about the victims so they didn’t try terribly hard to find them justice.
Yet another example of the fraught relationship between my community and the cops.
We also watched the first three episodes of Gotham Knights, which was better than I was expecting. DC’s continuity is something I no longer understand, as there are any number of Batman children and Robins and so forth having accumulated over the years, so I am not really sure about how the cast of this show came together–Batman’s adopted son, who isn’t a Robin, is accused of hiring the Joker’s daughter and some sidekicks to murder Bruce Wayne/Batman for the inheritance. Now they–with the help of a young Black female Robin–have to clear their names and catch the real killers, which involves the Court of Owls. I have no idea what’s going on these days in the comics with the Batman family–but I will always think of them as the originals I grew up with: Batman, Robin, Batgirl, and Nightwing (my favorite).
I also spent some time reading Kelly J. Ford’s The Hunt, which I am enjoying a lot. Kelly really gets the Southern working class voice and setting perfectly, and of course, she’s very literate in the way she writes. The book is layered and textured, and captures that small Southern community feeling more perfectly than most writers I’ve encountered. The queers are doing some really great work in crime fiction these days, which is pretty amazing–with amazing new voices coming along, it seems, fairly regularly over the last few years. Kelly, John Copenhaver, Margot Douaihy, Marco Carocari, Rob Osler and PJ Vernon are all doing amazing work and getting mainstream recognition, which is even cooler. Rob’s Devil’s Chew Toy continues to wrack up award nominations for debut novel; he’s currently up for both the Anthony and Macavity, and was one of the finalists for the first ever Lillian Jackson Braun award. Well done, Rob!
I, of course, didn’t complete my ambitious plans for the weekend, and that was in no small part due to that little voice reminding me in my head repeatedly what are you going to do while Paul’s gone–and of course, it never takes much persuasion for me to procrastinate or to be lazy, so I would give in and go do something besides sit at the computer and write, which is of course terrible. But I also didn’t want to not spend time with Paul while he was awake, either, since he’s leaving on Wednesday. Sigh. It truly never ends.
And on that note, I am heading into the spice mines. Have as lovely a Monday as possible, Constant Reader, and I will check in with you again later.
I’d been feeling sour lately; the constant hate attacks leveled at me and my community relentlessly; the bigotry and hatred against us so naked in its hostile resentment. I was also feeling sour about Pride and its co-opting by corporations eager for queer dollars but who cower before the bigots (here’s looking at you, Target and Anheuser-Busch), and I actually started writing an A Charlie Brown Christmas-type diatribe about how the meaning of Pride has changed and been demeaned and devalued and lost over the last few decades. I may still write it, I don’t know. But last night it occurred to me the best thing I could do to fight the bigots this month is to celebrate my joy in who I am, in my community, and in my country. Because yes, it’s my country, too–and don’t you ever fucking forget it.
I wasn’t meant to have the traditional American male life trajectory. There was never going to be a wife or children, even if I had been born straight. I realized very early on in life that I would be a terrible parent–I don’t pay enough attention to be a good one–and so I ruled that possibility out. I also always wanted to be a writer, and I honestly think being one is the only thing that could have possibly made me happy in this life, gay or straight; but it was such an overwhelming piece of who I am that I could have never committed to a white collar salaried job for a corporation. For me, the day job just needed to be enough to cover life’s necessities; it was never going to get my entire attention and dedication and energy. But not being straight, and not seeing any kind of representation of people who were like me in any medium–television, film, books, comic books–and seeing only the dominant societal paradigm modeled repeatedly, and knowing I didn’t fit comfortably into that paradigm, made me believe there was something wrong with me, something dark and horrible and shameful that couldn’t ever be public knowledge. Couldn’t ever be admitted. The overwhelming shame at being something different, something unusual, was engrained deep into my soul. I was miserable for many reasons for a very long time, but the primary was denying who I was: a gay male writer. Recognizing, and accepting, that truth has gone a long way towards helping me heal, become a better person, a better adult, and has certainly brought me a great deal of joy.
I love my writing career. I do. I’m very proud of it, every last bit and piece of it, whether it was crime or horror or suspense or sports journalism or erotica or romance or whatever it may have been that I created, that I wrote, that I put a piece of myself into. I’ve had some absolutely amazing highs in my career, and I also know that I don’t actually give myself enough credit (any credit, usually) for what I have done and accomplished. I’ve been nominated for a shit ton of awards. I complain about it a lot–there are many days when I don’t want to do it, times when I have to force myself to do it, and yet…I am never happier than I am when I am writing, creating, getting my daily word count, and rereading the book when going over the page proofs..which is when I usually realize (for the first time since starting to write the damned thing) that hey, I’m not so bad at this as I always think I am and then of course, there’s the day the box of books arrives.
I also got to interview the marvelous Margot Douaihy for Saints and Sinners’ Pride Month celebration, which you can find right here: https://youtu.be/RQ2e22mRFqw. I think it went pretty well, and is yet one another example of how wonderful and lucky my life is and how I should always be grateful. My last three novels accounted for some of the best reviews of my career, and accounted for seven (!) award nominations for me over the last couple of years–mainstream awards, at that. (I supposed it’s really only six; one of the nominations is for an anthology I edited, and I don’t really count that as one of my books; editing an anthology is an entirely different animal than writing a book. It’s still work, it’s still a lot to get through, and I am proud of my anthologies just as I am of the novels…but I don’t think of those as being wholly mine; the anthologies also primarily belong to the contributors, really.
This last year or so has actually been, despite all the personal drama and trauma, has actually been lovely for me on many levels. Over the past year, I’ve reconnected with the queer crime publishing community. I walked away from it over a decade ago; tired of people pretending to be my friend while driving the knife in and twisting it, tired of always being made to feel like my work wasn’t worthy or meant to be taken seriously, and so on. As I moved into and toward the more mainstream mystery community and trying to carve out a space for myself in that world, there were setbacks and pitfalls…and homophobia. As tiring as it is to have to deal with that kind of shit every day, I also recognized that the only way queer crime writers were going to get their due in the mainstream is if some of us went out there and made room at the table for us. That was why I joined various mainstream mystery organization’s boards of directors, not only to do work that would benefit the entire crime writing community but also to make space for queers, too–if by doing nothing more than showing up and being noticed. Presence makes an enormous difference, and sometimes…it helps to have a queer face and voice there to pipe up every once in a while. Over the last two years, thanks to making some terrific new friends who are also queer crime writers, and amazingly gifted and talented at what they do (John Copenhaver, Marco Carocari, Kelly J. Ford, Robyn Gigl, and so many more), and they are looking to form a queer crime writing community to organize and help the organizations and conferences be more inclusive and welcoming. It was lovely spending time with other queer crime writers at Bouchercon in Minneapolis. John and Marco also went out of their way to include me in things at Left Coast Crime and Sleuthfest last year, which was also marvelously kind.
So, yes, I am proud. I am proud to be a gay American, and I am proud to be a queer crime writer. I’m sorry that my existence bothers you, but my life is also none of your fucking business. It’s hilarious to me that the people who obsess about sex lives and genitals are the “christians”–you know, I spend absolutely zero time every day obsessing about the sex lives and genitals of other people…because it’s none of my fucking business.
And I am going to continue to be proud here, every fucking day of this motherfucking month. Fuck you, homophobes and haters.
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll talk to you again later.
I am tired this morning and really wishing I had taken the day off so I can sleep in and get my act together today; the apartment is a mess and there are errands that I should run not to mention chores that built up while I was Festing this weekend. I am also a bit drained, like my batteries need recharging. I slept decently last night (Scooter kept waking me up throughout the night) but I easily felt like I could sleep more. Ah, well, no choice but to buckle up and dive headfirst into the week and just go to bed early every night so I can get somewhat recharged. I think the weekend went very well; I just wish I could divide myself up (or have clones) so I can see and hang out with everyone I want to; the problem is there is so little time to see and do everything and it kind of slips through my fingers. I also should have taken more time off from work–today, for example–to make it easier on me both physically and intellectually, so that I can commute from home to take care of Scooter while still seeing people and getting to do a lot more. I had to leave last night after dinner and walked home (it was rather hot and humid all weekend, which is unusual for March so I was sweating a lot, which is also unpleasant because even after it dries you feel sticky still), and of course was soaked and tired when I got home. (I walked home twice from the Quarter this weekend, which is more walking than I’ve done since probably Carnival, 2018.) Probably not the best thing to do, but no streetcar ever passed me on the walk home either night, but once I started walking I just kept walking and after I walk past Poydras I’m like kind of dumb to catch a cab or call a Lyft now so wind up walking on. It’s usually once I’ve walked under the highway that I think yeah walking wasn’t the best decision here.
The panel I moderated went well, I thought; my panelists (Marco Carocari, John Copenhaver, Kelly J. Ford) were spectacular, witty, smart and presented themselves extremely well and made me look intelligent and like a good moderator, so thanks, y’all. We had a nice turnout and some good questions from the audience. My reading went well on Saturday (I was also glad to get a chance to read “This Town”, which I’ve not had a chance to do before), and of course, I had some lovely meals with friends during the course of the weekend. Everyone seemed to be having a good time over the course of the weekend (one of the best things, for me, about Saints and Sinners is how it’s so incredibly upbeat; everyone is in a collegial mood, if not a good one. I generally come away from S&S inspired and ready to get back to the keyboard–and I do feel that way this morning, or would if I didn’t feel so tired. (I really should have taken a Lyft home last night; it was a bad decision to walk…but the exercise was something I needed and I need to do more of, and just because I’m out of shape and not used to walking distances anymore should serve as a wake-up call to start getting back in shape.) But my coffee is doing the trick this morning, and I am waking up mentally. Physically everything is tired–my toe is sore, another reason I shouldn’t have walked home twice–but mentally I’m okay, and I bet my shower will wake me up this morning. I probably should have taken one before I went to bed.
And now it’s reality time again, and back to the ritual of sleep, work, write, cuddle with the cat while watching television. The apartment somehow is a mess–I don’t know how that happened when neither one of us was home for most of the weekend, but it’s the case. I have laundry to do and dishes to put away and I need to go through the refrigerator and clean out stuff that spoiled over the weekend (always a joy!) and rearrange the rugs and the floors need cleaning and…sigh. It really never ends, does it? And I need to get back to work on the book. I was going to bring it with me to the Monteleone so I could work on it over the weekend, but as I was packing I said to myself you always do this and then you never even THINK about it and my interior voice was 100% correct. I am going to probably take the first half of the revision to my easy chair tonight at some point and start doing a line edit on it. I don’t think my brain is functioning well enough today for me to be able to work on revising tonight, but a line edit to check for sentence structure and rhythm and overuse of the same words? That I can do with a purring kitty asleep in my life…and I may just go to bed early, too.
Gosh, so many options! But I definitely need to get gas soon. I’d forgotten that I didn’t get gas Friday morning, which was on my errands-list before heading to the Quarter. But what a lovely weekend it was, from beginning to end. I had drinks with friends–lots and lots of drinks–and some lovely meals (Palace Cafe, Mr. B’s Bistro–one can never go wrong with a Brennan restaurant), and lots of laughter and hilarity and good times. I love being around writers.
And now I can look ahead to my trip to Bethesda for Malice Domestic, which will be the next time I will be around writers for an entire weekend, which is marvelous. (After that, it won’t be until Bouchercon in San Diego, which is far too long.)
And I think I am definitely reading Scorched Grace next. I heard Margot Douaihy read from it this weekend, and after listening to her on panels… yeah, I need to read about the lesbian amateur private eye nun with a gold tooth sooner rather than later.
And on that note, I am going to drag my butt to the office and get this week going. Have a lovely Monday, Constant Reader.
Sunday morning in the Lost Apartment and I am sitting here, swilling my coffee and feeling very rested and relaxed, which is absolutely lovely. I came home last night after the Saints and Sinners anthology launch/reading; because I was exhausted and Scooter was home alone since Friday afternoon when I got my Lyft down to the Quarter. (And my poor baby kitty was lonely and needy, too.) I’m going to leisurely get ready this morning before I head back down to the Quarter. I have to moderate a panel at 1 with John Copenhaver, Kelly J. Ford, and Marco Carocari; and then I want to see the TWFest panel right after, moderated by Jean Redmann, with Shawn Cosby as one of the speakers (I don’t remember the other panelists and I don’t want to get it wrong, and of course, have no program here to consult. I was very tired yesterday. I had an eight am breakfast yesterday morning before my panel (young adult fiction) and so of course, spent the night at the hotel only to not sleep a wink all night–I should have just come home and gotten up early yesterday, dumb decision–and so was dragging most of the day. I had a reading in the late afternoon as well–I read from “This Town” from Murder-a-Go-Go’s, edited by the divine Holly West, and it went really well. I was also in the same reading session as Cheryl A. Head, Margot Douaihy, Chris Clarkson, and a couple of others whose names I’m blanking on. Everyone read very well, and Chris was on my young adult panel (he wrote That Summer Night on Frenchmen Street, which I am looking forward to read); he’s very charming and fun to talk to and smart. He also lives in our neighborhood!
As always, S&S is a whirlwind and the time just seems to fly by every day. I’ve had the great good fortune to be palling around with my panelists–which hopefully will make the panel easier to moderate–and been having a marvelous time. I’m feeling rather inspired about my own writing and my career–S&S always has that effect on me; all writer/lit cons do, really–and while I slept amazingly well last night, I know I’m probably going to tire out easily today. I also forget that I am not used to being around a lot of people all the time, plus public speaking has always tired me out; I have such stage fright that always triggers an adrenaline rush that departs from my body once its over, leaving me drained and tired. I think I’ve also changed my mind about what my next read is going to be; Margot’s book Scorched Grace, which she read from yesterday, just sounds so inventive and clever and original that I think I just want to go ahead and read it instead of Christopher Bollen’s The Lost Americans, which I am also really looking forward to, and then I want to read Chris Clarkson’s book. I am a reader first and foremost, and there’s nothing I love more than discovering great new books and finding new-to-me authors. (There’s also a lot of great books coming out this year yet, too–a new Shawn Cosby, a new Megan Abbott, a new Lou Berney, a new Laura Lippman; what an amazing year for reading this is going to be!)
My books also sold out this weekend by yesterday afternoon, which was really lovely.
This is also going to be a rough work week, as I will be heading into the week feeling exhausted and tired already. But that’s really okay; I will survive and that will make next weekend’s rest and relaxation that much better and needed.
It’s always weird every year when the Festivals are over. It’s always weird to go into the literary bubble for a weekend and then have to reenter reality again. But that’s the way my life goes; this weird duality and parallel lives I am living this time around. And everyone is always so kind about my books and my panels, it’s actually rather lovely. I guess I have, just by sheer determination and dogged perseverance, managed to stick around this crazy business for twenty-one years as an author; twenty-six if you count when I first started getting paid to write, and somehow maybe settled, unknowingly, into a ‘respected elder’ place. I don’t know, maybe my work has been respected all this time and I, being the oblivious type who always takes compliments with several spoonfuls of grains of salt, never noticed because I always had a bit of a chip on my shoulder. Something to think about, anyway, on those rare occasions when I can just sit around and reflect on my life, career, and the passing of time. (I know I’ve recently had some insights on situations and people in the past that I didn’t quite see or understand at the time; the wisdom from time passing, I suppose.)
And on that note, I am heading into the spice mines. I want to eat something and get cleaned up before I head back down to the Quarter; my panel is at 1 I think. Talk to you tomorrow, Constant Reader!
Thursday morning and all is quiet and still in the Lost Apartment. Again, I didn’t want to get up this morning, but forced myself out–the constant whining from a hungry cat for the assist, seriously; he hasn’t shut up since I got up even though I have fed him–but that’s okay. I am taking tomorrow off because of Saints and Sinners, so being tired today is okay. I’m always tired by Thursday. I wasn’t that tired when I got home from work yesterday, so I was able to get some work done, which felt great–I also realized that after today I will be over halfway finished, with an end to the revisions in sight. It’s coming along very well and I’m quite pleased with it, and very happy I seem to have been able to get back into the groove after a very difficult period. I stopped by the post office to get the mail yesterday–some things I needed and ordered had arrived–and then came home to work for a glorious couple of hours before I started doing chores around here. I also watched the second episode of Ted Lasso, which I am still loving; I’ve seen some dissatisfaction on social media about the new (final) season; I have no quibbles or concerns with it so far. The show’s heart is still there, the character relationships are just as strong if not even more poignant, and I think they are taking us on a wonderful ride this final season. I love this show so much I don’t even wonder what’s going to happen or even speculate about it; I am more than content to simply enjoy the ride for what it is without looking ahead. (I don’t want to look ahead because I don’t want it to end.)
Tonight when I get off work I get to come home, do some more work on the book, and relax. Tomorrow I’ll move into the hotel for the night–I’m going to come home Saturday night to keep Scooter company, and then will commute back on Sunday before coming home in the evening. I also am probably going to try to do some organizing and cleaning before spending some quality time with Scooter in the easy chair. I also need to figure out what I am going to read from at the reading series on Saturday; but I can think about that tomorrow morning after I’ve slept in and feel a bit more rested than I do this morning. I slept pretty well last night; I pretty much slept through the entire night but I do remember waking up around one thirty in the morning before going back to sleep. But my coffee is jumpstarting my brain and body as I type this, and I am sure I shall make it through this day without a problem. I will probably just come straight home from work tonight; I can run errands tomorrow and get things done around the house before I head down to the hotel.
I’m looking forward to this weekend primarily to see people I’ve not seen in a hot minute. Some terrific crime writers are coming in for the weekend–Jean Redmann, Michael Nava, Cheryl Head, John Copenhaver, Marco Carocari, Shawn Cosby, and Kelly J. Ford, to name a few–and so am looking forward to seeing my crime fiction family as well as the other S&S regulars. I didn’t really do much last year because I was revising A Streetcar Named Murder, but this year I’ve managed to not be as far behind as I usually am at this time of year. (Make no mistake, though–I have a lot of catching up to do before May 1, believe you me.) Maybe when I get home tonight, after working, I can start reading something new. I haven’t decided on my next read yet, which is terrible since I finished reading my last book Sunday, and haven’t started anything new. I am almost finished with my years-long reading of Robert Caro’s The Power Broker, which has kind of turned into an Afghan War of sorts around the Lost Apartment; something that’s been going on forever with no end in sight. I think I am going to read something by David McCullough as my next major-length non-fiction read; either the Johnstown Flood or the Panama Canal one; I’ve not been able to decide but I think I have about another hundred pages or so of the Caro to go anyway so there’s plenty of time for me to decide.
I can’t believe March is almost over already, either.
I need to get my taxes done. Next weekend, for sure.
And on that note, I am going to head into the spice mines. Have a lovely Thursday. Constant Reader, and I will check in with you again tomorrow.
And here we are, on the final day of the year 2022. Happy New Year, I guess? It doesn’t feel like the year is turning, but everything has felt so totally out of whack since the 2020 Shutdown that it’s not a surprise, really. As I sit here bleary-eyed with my coffee trying to wake up for another thrilling day of writing and cleaning, it seems very weird to look back to a year ago at this time. I was on deadline then, too–and was way behind on that book, too (A Streetcar Named Murder, for the record), but other than that I don’t remember what my mood was like or what I was thinking about going into the new year. We were still in the midst of the pandemic (that hasn’t changed–what’s changed is it isn’t news anymore and everyone seems to be pretending it’s all over), and I know I wasn’t exactly going into 2022 thinking oh this is the year I’ll get the coronavirus! That did happen, and my ten-day experience with COVID-19 was bearable for the most part. I just had intense and severe exhaustion as well as the brain fog, which hasn’t entirely lifted. I still have no short term memory, and am struggling to remember things every day–which has made writing this book more difficult because I can’t remember small details and things that are kind of important. I also think being so scattered isn’t much help in that regard; I’ve never been able to handle getting a grip on things and have felt like I’ve been behind the eight-ball for the last three years, floundering and struggling to keep my head above water, and never confident that I had a handle on everything. It’s been unpleasant, really; I prefer to be better organized and to have things under some sort of manageable control, and this constant feeling that I am behind and will never catch up on everything has been overwhelming, depressing, and damaging.
I read a lot of great books this year–I was going to try to make a “favorite reads of the year” list, but as I went back through the blog for the last year looking at all the books I talked about on here, there’s no real way for me to quantify what were my avorite reads of the year. I managed to read both of Wanda M. Morris’ marvelous novels, All Her Little Secrets and Anywhere You Run; Marco Carocari’s marvelous Blackout; John Copenhaver’s The Savage Kind; Carol Goodman’s The Night Villa, The Lake of Dead Languages, and The Disinvited Guest; Ruth Ware’s The Death of Mrs. Westaway and The Woman in Cabin Ten; Raquel V. Reyes’ Mango, Mambo and Murder; Ellen Byron’s Bayou Book Thief; Rob Osler’s debut Devil’s Chew Toy; Mia P. Manansala’s Arsenic and Adobo; Kellye Garrett’s Like a Sister; Alex Segura Jr’s Secret Identity; Laurie R. King’s Back to the Garden; Tara Laskowski’s marvelous The Mother Next Door; James Kestrel’s Five Decembers (which would be a contender for favorite read of the year, if I did such things); and of course several Donna Andrews novels as well. I am forgetting some great reads I truly enjoyed this past year, I am sure–I will kick myself later for not remembering I Play One on TV by Alan Orloff, for one example–but it was a year of great reads for me. I know 2023 will also be a great year for reading.
I also watched a lot of great television this past year as well, and again, I won’t be remembering everything and will kick myself later. If nothing else, it was a year of some amazing queer representation on television; this was, after all, the year Netflix not only gave us the wonderful, amazing, adorable Heartstopper but the equally charming and adorable Smiley (which you should watch, absolutely). It was also the year where Elité continued, but the shine is starting to go off the show a bit. I was very vested in their Patrick/Ivan romance, which they ended in this last season with Manu Rios, who plays Patrick, leaving the show at the end of the season along with his two sisters (spoiler, sorry), which was dissatisfying. I am looking forward to seeing what else Manu Rios gets up to in the future…we also enjoyed 1899, Andor, Ted Lasso, Sex Lives of College Girls, Peacemaker, The Sandman, House of the Dragon, Ozark, and so many other shows I can’t possibly begin to remember them all this morning. But I have no problem saying that without question my favorite show of the year was Heartstopper. Even just looking at clips on Youtube, or those “Ten Cutest Moments on Heartstopper” videos, always makes me feel warm and fuzzy when I view them. The soundtrack for the show was also terrific, with some songs so firmly engrained in my head with scenes from the show (one in particular, Shura’s “What’s It Gonna Be” always makes me think of that scene where Charlie comes running after Nick in the rain to give him another kiss, which is what was playing in the background). Wednesday was another highlight, a surprising delight when I was prepared to have my hopes dashed, and The Serpent Queen was also a lot of fun. We also enjoyed The Bastard Son and the Devil Himself, but it was cancelled after its first season, which was disappointing.
Professionally, it was a pretty good year in which I had three book releases: #shedeservedit in January and A Streetcar Named Murder in December, with the anthology Land of 10000 Thrills, thrown in for good measure in the fall. I sold some short stories that haven’t come out yet, as well as some that did this last year: “The Rosary of Broken Promises,” “A Whisper from the Graveyard,””The Snow Globe,” and “This Thing of Darkness” all came out in anthologies this year, with “Solace in a Dying Hour” sold and probably coming out sometime in the spring. I also sold another story to another anthology that will probably come out in the new year as well, and I still have one out on submission. In what was probably the biggest surprise of the year, last year’s Bury Me in Shadows was nominated for not one, but TWO Anthony Awards (Best Paperback Original and Best Children’s/Young Adult) which was one of the biggest shocks of maybe not just the year, but definitely one of the highlights of my career thus far. I lost both to friends and enormously talented writers Jess Lourey and Alan Orloff respectively, which was kind of lovely. I had been nominated for Anthonys before (winning Best Anthology for Blood on the Bayou and “Cold Beer No Flies” was nominated for Best Short Story), but being nominated for one of my queer novels was such a thrill–and to have it nominated in two different categories was fucking lit, as the kids would say. The response to A Streetcar Named Murder was an incredibly pleasant surprise; people seemed to genuinely love the book, which was very exciting and cool.
I traveled quite a bit this year as well–going to Murder in the Magic City/Murder on the Menu, Left Coast Crime, the Edgars, Sleuthfest, and Bouchercon. I went to Kentucky twice to see my family, which further fueled my love of audiobooks for long drives–on both trips I listened to Ruth Ware on the way up and Carol Goodman on the way back–and also did some wonderful podcasts and panels on-line, which was nice. We didn’t go to any games this season in Baton Rouge, but in all honesty I don’t know if I can hang with a game day anymore–the drive there and back, the walk to and from the stadium, the game itself–I would probably need a week’s vacation afterwards!
College football was interesting this season, too. This season saw the reemergence of Tennessee, USC, and UCLA to some kind of relevance again; the slides of the programs at Texas A&M, Florida, Oklahoma, Auburn, and Texas continued; and LSU turned out to be the biggest surprise (for me) of the year. Going into the season I had hopes, as one always does, but after two years of consistent mediocrity (with some surprise wins both years) they weren’t very high. The opening loss to Florida State was a surprise and disappointment, but at least the Tigers came back and almost made it all the way to a win. The blowout loss to Tennessee at home was unpleasant, certainly, as was the loss at Texas A&M. But LSU beat Alabama this season! We also beat Mississippi, so LSU was 2-2 against Top Ten teams this season–and I would have thought it would be 0-4. And 9-4 is not a bad record for a transitional year, with a new coach rebuilding the program. And LSU beat Alabama. The Alabama game will undoubtedly go down as one of the greatest Saturday night games in Tiger Stadium. It was incredibly exciting, and I still can’t quite wrap my mind around it or how it happened. It certainly shouldn’t have; LSU was simply not an elite-level team this past season, but what a job Brian Kelly did coaching in his first season in Baton Rouge. Did I mention that LSU beat Alabama this year? (And one really has to feel for Alabama, in a way; they lost two games by a total of four points on the last play of each game. Four. Points. That would probably be what I would call this season for Alabama: Four Points from Greatness. The LSU-Alabama game this year is definitely one of those that gets a nickname from the fan base, I am just not sure what it would be. The Double Earthquake Game? (The cheers when LSU scored in overtime and then made the two point conversion registered on the campus Richter scale) The Conversion Game? I don’t know what it will be named for all eternity, but it was an amazing game. I do think it also bodes well for the future for LSU. Will both LSU and Tennessee (which also beat Alabama for the first time in like fifteen years) be able to consistently compete with Alabama now? Has Georgia taken over as the SEC behemoth? Has the Alabama run ended? I don’t think so–they have an off year where they lose two or three games periodically (2010, 2019, 2022)–and they could bounce right back. next year and win it all again. You can never count them out, even in their off years.
As for the Saints, they swept Atlanta again this year, and that is enough for me.
I did write a lot this year, even though it didn’t seem like I actually did while the year was passing. I also worked on Chlorine and another project I am working on throughout the year, as well as the novellas, and of course, I was writing short stories and essays for much of the year. I also read a lot more New Orleans and Louisiana history, and I had tons of ideas for things to write all year long. I did make it to the gym on a fairly regular basis at the beginning of the year, but then it became more and more sporadic and after my COVID-19 experience, never again. I also injured my arm a few weeks ago–when I flex the bicep it feels like I have a Charley horse, so not good, but it doesn’t impact my day to day activities. I also had my colonoscopy at last this past year–the prep was horrific, and I am really dreading doing it again at sixty-five, should I make it that far.
Yesterday was a nice day. I was exhausted, and after my work-at-home duties were completed I did some chores–laundry, dishes–and I also spent some time both reading (A Walk on the Wild Side) and writing. I also watched the Clemson-Tennessee Orange Bowl last night before Paul got home from his dinner engagement and we watched a few more episodes of Sex Lives of College Girls. Today I am going to read a bit this morning with my coffee before getting cleaned up and diving headfirst back into the book. Paul has his trainer today and usually either goes to the gym to ride the bike or to his office to work for the rest of the afternoon, so I should be able to have some uninterrupted writing time, which will be lovely. And on that note I am heading into the spice mines. Have a happy and safe New Year’s Eve, Constant Reader, and I will check back in with you later.
Yesterday was marvelous for one Gregalicious. I had a lovely panel with marvelous writers–talking about POV, which I really cannot speak to with any authority, but I winged it and I think I did okay? It was quite fun–Alan Orloff and Elaine Viets, whom I already knew, were their usual witty and intelligent selves; and the new to me writers (Thomas Kavanaugh and Tammy Euliano) were also phenomenally smart and clever and I had a marvelous time. Several people also came up to me (out of the blue) to tell me how much they enjoyed my reading from Chlorine Thursday night, which was so nice and lovely and cool, and really meant a lot to me.
I then had a marvelous dinner in Boca Raton at Kuisine, a Peruvian-Asian fusion restaurant, with some writer friends. It was lovely; the food was remarkable and the company of course very interesting. I suspect I talked too much–I had a glass of rosé before we left for Kuisine and I had a marvelous specialty cocktail with dinner; as we all know, it’s very hard to shut me up once my brain has become infused with alcohol. But my companions were very gracious, for which I am eternally grateful.
I have two panels today–one about Amateur v. Professional detectives, followed by one on How to Write a Mystery, which I was a contributor to, and both should be marvelous. Marco Carocari is my first moderator, with the wonderful Oline Cogdill moderating the second. It’s been lovely ever since I arrived. I’m having a wonderful time, and I do highly recommend Sleuthfest for aspiring writers in Florida to attend; lots of good information and helpful workshops and panels on mastering the craft.
I also managed to write quite a bit yesterday morning; logging in over two thousand words on one of my many projects that I am working on. It was a very pleasant surprise, frankly; I just kind of wanted to see where I was at with the chapter I was working on, and just kind of went to town from there with it. I think it’s coming along nicely. I have three chapters done on this, about to go onto the fourth–but of course I’ve been writing this off the top of my head (pantsing, I suppose you could say) but I already kind of knew how these first three chapters or so would play out before even trying to write it–it’s something I’ve been thinking about for years, really–and maybe it will turn into something; maybe it won’t, but for now, I am having a good time with it so why not keep riding that rollercoaster while I can? I also need to get to work on the new Scotty–I am falling behind, and that is simply unacceptable. This weekend, as I had hoped, is kind of invigorating me and my creativity.
I do think my constant juggling act with the flaming chainsaws gets to me periodically. Yes, I have a day job (going on seventeen and a half years at the same employer, a record for me–previously the record of holding a job for me was five years) that I enjoy doing and I absolutely believe in the mission of what I do forty hours a week–but it’s not my identity (I think that may have always been the problem I had with previous jobs; they held my interest until i mastered it, and then I got bored. And jobs that have no value or connection with you other than the actual paycheck eventually become drudgery and I started resenting the job, which inevitably would lead to the downward spiral ending with me quitting or getting fired), but when I don’t have the opportunity (thanks, pandemic) to escape from that into the role that I do Identify with–writer–by being around other writers, talking about books and writing and so forth, which is my identity, it’s easy to slip into depression and everything that comes with that. Exhausting as events like this are–I tend to get overloaded and fried by all the talk and being around people and meeting new people and engaging with friends I only get to see at events like this, and i never sleep well when I am on the road–they are also invigorating. When I get home tomorrow evening, I will be energized and excited despite being completely exhausted. This is a very cool thing, of course.
My neck is also a little stiff this morning, which means I must have slept wrong on the pillow last night. It’s irritating getting old and having your body start betraying you on a regular basis. Heavy heaving sigh. But I think I am going to finish this now, do some stretches, take a shower and do some writing before I head back downstairs. Have a happy Saturday, Constant Reader, and I’ll be checking in with you again, as always, tomorrow.
I’m referring to the crime fiction world. I’ve been having a marvelous time reading debut authors lately–Mia P. Manansala, Wanda M. Morris, just to name two–and I have to say, the debut authors are simply killing it lately. I am glad I’ve not been asked to sit on any judging panels for best firsts lately, because while it would be amazing to read all of these exceptional debuts for an entire year, having to winnow them down first to five and then to pick a winner would be incredibly difficult. It’s hard enough participating in fan-voted awards, like the Leftys and the Anthonys.
That is also particularly true when it comes to queer crime. Some of the queer crime novels I’ve been reading over the last year or so have been exceptional–and Marco Carocari’s Blackout fits right in with the premise of this post: an exceptional debut novel, and with gay characters, issues and themes front and center; and written by a gay man. Blackout was a Lefty finalist for Best First Novel (a truly packed category, seriously) and I couldn’t have been prouder of Marco–especially once I finished reading the book.
Franco couldn’t deny it any longer. This had been a mistake. “I’m sorry…hold on a second,” he said, gripping the rooftop’s metal railing to keep his balance, his blue gym shorts around his ankles. All around him low hanging pinkish clouds held back SoHo’s city lights, dousing the neighborhood in a muted glow.
The half-naked man behind him grunted and stepped back. “Dude, this isn’t working for me.”
Franco detected frustration in his voice, but found it hard to care.Wiping sweat from his forehead, he scratched the blond stubble on his cheek, his naked skin damp from from the sultry air. “Sorry, I…need a moment. I don’t feel so hot,” he said over his shoulder, straightening up. He spat on the ground, but the strange metallic taste lingered in his dry mouth. He swayed and saw double. “What the hell was in that thing?”
He got no answer and glanced at his bare chested hunk of a date standing there, zipping up.
Okay, considering this had barely taken ten minutes, date was probably grossly overstated. Franco eyed the ripped, olive-skinned stud who went by Pitcher9 on the MeatUp app, but whose real name he’d already forgotten. Pressed, he’d go with Hey since that was an intimate an introduction the situation warranted. A fading, crudely drawn mermaid tattoo on the man’s left oblique, possibly a blast from his youthful past, only increased his bad boy vibe.
Well, that’s an opening, isn’t it?
When I discovered that not only was queer fiction a thing, but that queer crime fiction was a strong and vital force in the genre, I was in heaven. I devoured queer fiction, and especially queer crime fiction of any kind. I discovered the rich history of queer fiction by reading writers like Joseph Hanson, Barbara Wilson, Richard Stevenson, Michael Nava, Ellen Hart, and Katherine Forrest–and any number of others. I was a queer book reviewer for years. I was editor of Lambda Book Report and served as a Lambda judge any number of times. I kind of burned out on it, to be honest…but I kept reading it and I certainly was paying attention. There has been any number of ups and downs in queer crime over the decades, but the flourishing we’re seeing now is pretty amazing for me to witness.
First of all, Marco’s book begins with the above scene (there’s a set-up introduction chapter, that dates back to the New York blackout of 1977), and it’s from a crime fiction small press. Not a small press that is queer owned and operated, but a crime fiction small press. That’s some serious in-your-face gay sexuality going on in those opening paragraphs; a hook-up gone bad on a rooftop in Manhattan. It is both blunt and frank and right there, in your face–and I cannot even begin to express how exciting it is for me, not just as a gay author but as a gay man of a certain age, to see gay sexuality expressed so bluntly and openly from a small crime press. Just as it amazed me that PJ Vernon’s Bath Haus was published (and promoted heavily) by one of the big presses in New York, it’s also lovely to see that small crime fiction publishers are embracing this kind of content.
It’s lovely, frankly.
The book itself is a strong debut novel from someone who will undoubtedly be a force to reckon with in the years to come. Franco smokes a joint with his trick, but the joint is laced with something so Franco becomes what we call an unreliable narrator/unreliable witness. He thinks he sees a murder happen in the window across the street–but the police find nothing to corroborate or back up his story. Did he really see something? Was it the drugs? And slowly, as Franco and his friends try to figure out what is going on and what is happening to Franco, it all seems to lead back in time to that night when the lights went out in New York…
Franco is a terrific character–likable if frustrating from time to time–but how would anyone react in this kind of situation? The trope of “I think I saw a murder but I may not have” isn’t original–Agatha Christie’s brilliant What Mrs. McGillicuddy Saw is one of the best of these types of stories, but Carocari giving it a gay twist–and what a gay twist it was, indeed!–made it fresh and original and new. I don’t know if Carocari plans on writing more books with Franco as his protagonist–or if what he writes next will be a crime thriller or gay at all; but whatever it is, I am looking forward to reading it when it comes out.
I am a fan. Well done, Marco, and welcome to the queer crime fiction club!
Queer and Loathing in America 