Tag: Magazine Street

Homeward Bound

So, when Ellen Byron was preparing to interview me for our live stream event from Murder by the Book, she sent me some questions to prepare myself with. They were good questions, actually, and I thought that taking time to answer them when I can think about the responses would be an excellent BLATANT SELF-PROMOTION post.

So, without further ado, here we go!

What inspired your book? Series premise and the specific story?

That’s an interesting story, actually. I had been toying with the idea of writing a cozy for a long time–I’ve always liked them–but never was sure I could do it; there were rules, after all, and I’m terrible about following rules, always have been. Several friends have been encouraging me for years to do it, but I always hesitated. It was (I thought) outside of my comfort zone, and while I would toy with ideas here and there, none ever came to anything. My partner’s office is near a costume shop, and he’d had to go in there one day for some reason or another, and as is his wont, he struck up a conversation with an employee about the costume business, how they made money, how they stayed open all year, etc etc etc. He’s very curious. Anyway, that night I mentioned to him that someone had yet again suggested I write a cozy, and he wasn’t sure what one was, so I gave him a thumbnail overview, and he said, “Oh, you should do a costume shop” and proceeded to tell me about his conversation with the shop employee. I agreed it was an interesting idea, and stowed it away in the back of my head for future reference, and would think about it now and then, come up with characters and a community for the main character to be a part of, and so on. But at the same time I kept thinking New Orleans wasn’t the right place for a cozy series–basically looking for ways to fail instead of reasons to succeed, which is the underlying theme of my life, really–and so it went. An editor I’ve worked with before was interested in the idea of my writing a cozy series, so I wrote up a proposal and sent it off. They liked it, but couldn’t sign it, and recommended I take it somewhere else, so I did. It evolved from a costume shop to an antique shop during the process of me signing a contract with Crooked Lane; they liked everything about my idea except for the shop itself, so I had to change that. I went down to Magazine Street and walked for a block, writing down every kind of shop I saw, and sent the list in–and we all came to an agreement about the series being structured around an antiques business. As for the story, well, I wanted to talk about and explore the gentrification of New Orleans that has been ongoing almost this entire century, and how real estate has just exploded around here. (It still staggers me that our rent was $450 when we first moved here; the lowest rent I’ve seen advertised in our neighborhood is around $1500 for less than thousand square feet. Our original apartment now rents for $2500 per month now, which is insane.) What happens to Valerie–the fear of a new tax assessment pricing her out of her house–actually happened to a friend of mine; and the prices just seem to keep going up all the time. You can’t even buy a condo in my neighborhood for less than $350, 000 now–the asking prices for houses in the neighborhood are completely insane. Every time I see a new listing in the neighborhood for half a million dollars or more I think, we really should have bought when we moved here–but home-ownership is New Orleans isn’t something Paul or I have ever been terribly interested in. Termites, tornados, hurricanes, floods, black mold–no thanks! But man, what a return on our investment had we bought in 1996!

We both write series set in New Orleans. Why do you find it so inspiring? Especially when you’ve lived in so many other places?

I’ve lived all over the country–we’re from Alabama, and I’ve lived in Chicago on the south side, the suburbs, Kansas, Fresno, Houston, Tampa, Minneapolis and then New Orleans. New Orleans is the only place I’ve ever been to where I felt like I belonged, where I fit in; where I didn’t seem like the eccentric one. New Orleans embraces its eccentrics and doesn’t judge them, and I like that. I knew that first time I came here on my birthday in 1994 that if I moved here all my dreams would come true. And they have, which has been kind of lovely. And no writer could ever exhaust the inspiration New Orleans provides. I’ve written fifteen books set here and countless short stories at this point, and haven’t even scratched the surface. I’ve never written about the music scene here, for one glaring example, or restaurants or the food industry or…you see what I mean? There’s not enough time in my life to write everything I want to about New Orleans.

Tell us about your protagonist. Where did the inspiration for her come from?

My sister never had any interest in going to college or having any kind of career other than being a wife and mother. She was a straight A student and had numerous scholarship offers, but had little to no interest. I used to always think she had wasted her potential, but gradually came to the realization that she has the life she always wanted when she was growing up, and has never missed having a career outside of the home–so rather than feeling bad about her lost potential, I should have been happy that her dreams came true. I started thinking about that more, and thought that would make a great starting place–a woman like my sister who wasn’t really very interested in college but went because it was expected of her…only to fall in love, get married, and drop out when she had twins. I really like the idea of a woman who’s not yet thirty, who wasn’t really sure what she wanted from life and then sidetracked to wife-and-mother, but with her kids now off to college and her husband having died…what do you do for the rest of your life when you’re a widow at thirty-eight and your kids have left for college? And the more I thought about her, the more I liked her and wanted to write about her.

Why did you choose the Irish Channel as the neighborhood?

My Scotty series is set in the French Quarter, and the Chanse series was set in the lower Garden District (where I’ve always lived and always default to it for that very reason), so I wanted to do something different this time out. Before I moved here, I had friends who lived in the Channel and I loved their house and I loved their neighborhood. I had already started writing a novella set in their old house, and I thought, why not use that same house for this series? The Channel did used to be considered a bad part of town, too, when we first moved here (so was the lower Garden District, which we didn’t know), and so I thought the gentrification issue would work better there than in my neighborhood. That part of the Channel is one I used to spend a lot of time in. As my character mentions in the book, I used to hang out at the Rue de la Course coffee shop at the corner of Magazine and Harmony–it was where I would meet friends for coffee. I’m still bitter it closed.

Similarities in our series: both widows, both have family mysteries, both live in the Irish Channel, you have jokes about potholes, I have a plot point about them. Let’s talk about NOLA’s potholes.

Oh, the potholes! Ironically, an active one ate one of my car tires a few weeks ago. Usually, if I am going someplace and have to turn around, there’s usually room for me to make a U-turn or I can turned into a driveway and turn around. This particular day the bar on the corner had reopened after being sold, closed, and renovated for a few months. So, there were cars everywhere, including blocking the driveways, and I thought, fine, I’ll just go around the block, which I hadn’t done in years. Because I hadn’t done that i years, I forgot there’s a massive pothole right when you make the turn so you have to jog left to avoid it. I hit the pothole, hard, and when I did, I thought oh that’s not good and as I continued driving I noticed the car was pulling to the left–which was the tire that hit the pothole. Sure enough, it was flat. It had a nail in it, and I happened to hit the pothole perfectly so that the nail dragged, tearing a hole in the tire. So, yes, New Orleans is a city of potholes–all different shapes, sizes, and depths. When the streets flood the water hides the potholes, and if they are really deep…the one on our street (which is reforming after being filled in and paved over for like the fiftieth time) ate a pick-up truck when that end of the street flooded a few years ago, so our street was blocked until the water went down and a tow truck could get in.

You have a Nolier than thou joke – I have OhNo!LA, an app that’s a runner in the book.

I wish I could claim credit for that joke, but I stole it from Bill Loefhelm, another New Orleans crime writer when we were on a panel together talking about writing about New Orleans and the need to get things right. He responded to a question about accuracy by saying something like “Yes, you really don’t want to set off the Nolier-Than-Thou people” and it still makes me laugh whenever I think about it because it’s so true! In all honesty, I am one of those people–nothing is more infuriating to me than reading something set in New Orleans that doesn’t get it right–but I’ve loosened up some as I’ve gotten older. I was even wondering if that was still a thing while I was writing this book…but since it’s come out I’ve seen any number of locals posting reviews and comments about “how (he) got New Orleans right” so it is still a thing. (And I’m glad and grateful people think I get ir right.)

How would you say your past experiences and jobs in life inform your writing?

I always say that life is material, as is every experience you’ve had. I’ve had so many jobs over the years and have been fired so many times I can’t keep track of them all anymore. But I also had a huge variety of jobs–fast food to retail to food service to banking to insurance to an airline to being a personal trainer to managing a health club to being a magazine editor to my present job working in an STI clinic as a sexual health counselor. Whenever I am creating a character and need a job for them, I inevitably fall back on one of my experiences. The main character in The Orion Mask worked at an airport–I’ve written a lot of characters who work for airlines–and so I try to get away from my own experiences once I catch myself doing it again. I have always had jobs that required interaction with other humans, so I’ve gotten to observe a lot of human behavior. I’ve written about high school students in Kansas (where I went to high school). I’ve written about fraternities because I was in one (hard as it is to believe now). I played football in high school, I’ve written about football players in high school. The only places I’ve lived that I’ve not written about are Chicago, Houston, and Tampa (I have written about Florida, but just the panhandle, where I spent of time as a kid).

I read a blog post where you talked about your relationship with the city. How has it morphed over the years and where does it stand now? It sounded like doing promotion and writing about the city reignited your love for it. What’s your writing process? You write in different genres. Is the process different?

As sad as it is to admit, it’s very easy when you live here to start taking New Orleans for granted. As I said before, I usually am so focused on what I am doing–work, writing, errands, chores, etc.–that I don’t pay much attention to my surroundings as I should (I think we are all guilty of this to some degree). About a year before the pandemic, my day job moved. I had worked in our office on Frenchmen Street for well over ten years–right across the street from Mona’s, in that block between Decatur and Chartres, so I was a block outside the Quarter five days a week, and we also used to do a lot of testing in the French Quarter gay bars and passing out condoms during Carnival, Southern Decadence, and Halloween. So I used to spend a lot of time in and around the Quarter. It was lovely–I could go to the Walgreens or the Rouse’s on Royal and there was a bank branch on Chartres Street, too, by the Supreme Court building. Anytime I didn’t have anything in the house to pack for lunch I could just walk into the Quarter and get something not only amazing but inexpensive. I used to walk past where Scotty lives all the time. After we moved into our new building in the 7th Ward, I don’t go into the Quarter much anymore. So I was starting to feel a bit disconnected from New Orleans already before the pandemic shut everything down. But I realized when I started doing promo for this book that I am not disconnected from New Orleans. I’ve just lived here so long that I don’t take as much note of the unusual or the weird as I used to–it’s become normalized to me. I’ve acclimated. It’s still just as weird and wild and crazy here as it always has been, it just doesn’t strike me as weird and wild and crazy the way it used to. I need to take more walks and spend more time exploring the city and checking things out. I don’t know if all the hidden places I used to take friends to eat in the Quarter are still there, either. Maybe after Mardi Gras…

Fortune Teller

Very glad it’s Thursday already. I am tired again this morning–there was some insomnia last night, but not nearly as bad as that if the night before–but I am waking up and slurping coffee and getting ready to face the day. I did manage to get all the bills paid yesterday and did some writing–which wasn’t easy. I’m hoping to get some more of that done tonight and hoping that it actually will get better and easier the further I get into this new project. But in checking my emails there’s not a weather advisory today for the first time since before Christmas, what with freezes, high winds, hail, tornadoes, flash flood warnings, and dense fog advisories. Yeesh, that’s something, isn’t it? It’s like the weather has lost its mind down here–well, everywhere in the country for that matter, really–but climate change is a myth, y’all. (eye roll to infinity)

The schedule at work is picking up, too, and probably within a few weeks I won’t have time to breathe during the day anymore in the clinic. We have gone back to appointments every half hour rather than every hour–which is what we did before the pandemic–and that’s going to take some getting used to, I think. After work last night I had dinner with a very dear friend at Lilette, a lovely place on Magazine Street where they have amazing passionfruit bellinis (I limited myself to one, but easily could have slurped down three or four) and got caught up with each other. I really do have the best friends–such a blessing so late in life, you know, to make some amazing friends past forty. My life has gotten significantly better the older I get, which is probably the best way for that to occur…I just wish I had the energy I used to have so I could enjoy it more. That’s something I should have added to my goals for 2023: take time to appreciate and enjoy the good things in my life more. It’s so damned easy to only see the negative and the bad, which are always far outweighed by the good and positive. I’m going to try to get as much of my email inbox deleted before next Monday–or at least addressed in some way–and as my term with Mystery Writers of America starts to come to a close, I can also start archiving all my emails having to do with MWA business.

The sky is turning blue which means the sun is rising over the West Bank (don’t ask), and it’s only in the low fifties this morning, which probably means high sixties-low seventies during the day and when I get off work. I have to run errands when I leave the office this afternoon, and then I am going to come home and try to dive more deeply into the book I am currently writing–which is wickedly fun–and hopefully Paul will get home at a relatively decent hour so we can watch more Sherwood, and hopefully I can stay awake for a while tonight at any rate, LOL. Yesterday afternoon was when I hit the wall, which had me deeply concerned because I was having dinner with a friend I’ve not seen in nearly a year. But I came home from work, shaved and showered and got dressed, and felt fine as I drove uptown. I was early, as I always am, so I wandered around the neighborhood (a part of the city I am rarely in) and took pictures of houses with their Christmas lights or just some interesting shots of houses with their regular lights on. I need to do more of that, really–one of these football free weekends I need to take the streetcar (or walk) to the Quarter and take a look around, get more of a feel for it again. I am planning on spending the weekend of the festivals (TW, S&S) at the Monteleone this year (which means coming home periodically to feed the cat and spend some quality time with him), which will also help me explore and get to know the city a bit more, or re-familiarize myself with it. It occurs to me that probably a lot of my private places–the ones I could take friends for meals and drinks that were off the touristy beaten path–probably aren’t in business anymore. I know I recently saw the Green Goddess had closed because of the pandemic, which has me a bit concerned about the other places I used to take folks. But I am also getting to know my own neighborhood better–I can always bring people down to the Lower Garden District to eat and have cocktails; St. Vincent’s is a really nice place here in the neighborhood, and there’s that awesome Vietnamese café next to our vet, and of course Lilette and Coquette and all the other marvelous place uptown of the Quarter to eat.

I really do love living in New Orleans. It’s quite marvelous, really–sure, there are endless frustrations and irritations every day (someone needs to make everyone in the city take a remedial driving course like yesterday), but it’s so beautiful here. Last night was a lovely evening, and as I walked around taking pictures of houses with their Christmas lights (or just their normal lights) I kept thinking to myself you really are so lucky to be able to live here. It still hits me sometimes when I am driving around running errands; I’ll notice something I’ve driven past thousands of times before that never registered and I’ll smile and think god damn, I live in fucking New Orleans! and it really makes my day.

And at this time next week I’ll be waking up in a hotel in New York–hopefully having slept decently. I am kind of excited about the trip–time has really flown since I booked my flights and things–and since it will be my last hurrah…I do have mixed feelings about stepping back from my role there. Sure, I will miss it–it actually could be a lot of fun a lot of the time–but there are also things I am not going to miss. I’ve always been super-hard on myself, and rarely, if ever, give myself credit for things I’ve done and accomplished. Part of this comes from not taking myself terribly seriously–I laugh at myself ruefully all the time–and I’ve always had this mentality that if I did something, it must not be a big deal because I am no more than, if not below, average. But I don’t believe that as deeply as I used to, nor do I think it’s necessary for me to constantly be humble about things I’ve done, either. I think it’s also time for me to update my CV again, which will enable me to count all my stories and novels again for an update.

And on that note, I am heading into the spice mines. Wish me well, Constant Reader, and I will do the same for you. And I will check in with you again tomorrow.

Rare Things

So, Greg, why did you choose to write about an antique shop when you know nothing about antiques other than they are old furniture and so forth?

In all honesty, I didn’t originally set out to write about an antique shop, and while the book was in progress my utter lack of knowledge about the antiques business did have me incredibly concerned. Even though I had decided that Valerie herself would know nothing about antiques (that way, she and I could learn together), it still made me feel fraudulent and like I didn’t know what I was doing writing about something I didn’t know anything about. But then I went to Crime Bake, and at one of the panels a writer named Barbara Ross, who writes a Clambake New England series, confessed she knew nothing about clam bakes or any of those types of things…so she had to learn as she wrote the series. That was exactly what I wanted and needed to hear from someone and that was the right time for me to hear it, so I felt a lot more confident about the book when I returned home to New Orleans from that trip (it’s always nice to go to a writer’s event and learn something; I feel like I always do whenever I go to one).

Originally, I had wanted to write about a costume shop; which even now seems easier to learn about that antiques, to be honest. There used to be a costume shop in my neighborhood for years, on St. Charles Avenue on the lake side on the same block as Hoshun. I never went inside, but I always thought it was interesting that it was open year-round rather than just being seasonal; I would have thought they wouldn’t have enough business to do so. But it closed and another opened in the CBD near Paul’s office, connected to whatever theater that is in the next block–which means they had an enormous warehouse space to keep their costumes in, and their primary customers were local theater, film and television productions. I thought, yeah, that could be fun so I moved MY shop back to the block and decided to give them a warehouse to store costumes for commercial rentals in, out near the airport. When Crooked Lane wanted something other than a costume shop, I just went to the Starbucks at the corner of Washington and Magazine, got a latte, and walked down the block writing down the kinds of businesses I walked past. I sent those to Crooked Lane and they picked an antique shop, which was a bit daunting but….anything is do-able, right? And since I like to learn…in theory.

I did stop into one of the ubiquitous antique shops in New Orleans to talk to the manager, who gave me some good tips–estate auctions and sales, for example; something that hadn’t occurred to me–and also, highly amused that both Valerie and myself knew nothing about the business, suggested, “Start with Antiquing for Dummies.” I’m still not sure if she was kidding or not, but I thought it a pretty good idea, so I ordered a copy and had Dee–who works at Rare Things–suggest Valerie do the same in the book!

Serendipity, if you will.

And then I needed a name for the business. In the late 1980’s there was a marvelous supernatural syndicated series called Friday the 13th-the Series (because it just used the name, it was not related to the films in any way) in which there was such a shop called Curious Goods. The premise of the show is that the owner of the shop made a deal with the devil and all the items in the shop are cursed; he goes back on his deal and the devil drags him to hell. His niece and nephew inherit the shop and start selling things–only to find out that the items are all cursed –an older man with lots of knowledge tells them; they form a team to track down the objects, which can kill–or can make a wish of some sort for the person owning it come true, but death is required–and each episode focuses on one of the objects. I thought about calling the shop Curious Goods, as an homage, but then thought but the objects in this shop aren’t cursed, so I went with Rare Things. I liked the name, and thought it really fit; it’s really more of a curio shop than an antique shop, anyway.

And the benefits of an antique shop means I can have a lot of fun with future volumes, if there are more. How much fun would it be for Valerie to have to stay at some old manse working on an estate sale, only to be bedeviled by ghosts and secret passages and so on? It also means getting to explore history and areas outside of New Orleans; I am becoming more and more interested in the entire state rather than just New Orleans, too, so this really is kind of cool–more reason to explore Louisiana’s history! Huzzah!

So, that’s how this book came to built around an antique shop on St. Charles Avenue. More to come!

Everywhere

Saturday morning in the Lost Apartment and all is well this morning. I slept in a bit (I also went to bed later than I usually do, so I slept about the same amount, really) and feel rested and relaxed this morning, which is always a nice, pleasant thing to feel. I didn’t get much work done on the book yesterday (355 words, all of them bad except maybe “Scotty” and “Frank” and “Colin”) but that’s okay; I feel a lot less stressed and a lot less pressured this morning about everything that needs to be done now. The stuff all needs to get done, of course; that hasn’t changed, but I am not feeling as much stress about it as I was feeling yesterday.

I read more of ‘salem’s Lot last night while I was waiting for my friend Ellen Byron (buy her books! Bayou Book Thief is amazing!) to text me to meet her for a drink. I picked her up at the Sazerac House (Canal and Magazine) and it had been quite a while since I drove down that way in the evening, and yikes. SO much traffic, so many people everywhere. I’m still not used to pedestrians in the CBD at night, even though the area hasn’t been a ghost town at night in years, but then we swung around and came up to have drinks at St. Vincent’s, which has been renovated and redone and remade and turned into a boutique luxury hotel right here in the heart of my neighborhood. I’ve posted some pictures of the place when I was doing my walks through the neighborhood last year; it’s even more beautiful inside than I imagined. These weekend is Tulane Homecoming, so there are a shit ton of people in town (that’s actually what brought Ellen to New Orleans, in fact; she is an alum) for that, and of course the people from Mississippi here for today’s LSU game in Baton Rouge (Geaux Tigers!). It was lovely to sit and have a drink and talk about writing and books and this crazy business we are in; she’s an absolute delight (buy her books!) and I look forward to the next time I get to see her.

But this morning I realized how utterly I am failing at reading. October is winding down; Halloween is a week from Monday, and I still haven’t finished my reread of ‘salem’s Lot, let alone done my annual Halloween reread of The Haunting of Hill House or getting caught up on the horror novels in my TBR pile. I’ll spend some more time with Mr. King this morning before I run my errands–I have to go get the mail and I have to stop at the grocery store because I want to make white bean chicken chili tomorrow, and have nothing I need for that–and I am debating whether I want to grill burgers today or not. The LSU game is on today at 2:30, and of course Skate America is airing this weekend (yay for figure skating!) so I’ll have to write around those times.

The reread of ‘salem’s Lot is a lot of fun, actually; I am really enjoying this revisit of the book and seeing why I enjoyed it so much the first time around. King wasn’t STEPHEN KING yet when he wrote and published it, so I am sure it didn’t get the kindest reception from critics of the time; particularly when you take into consideration what they considered to be great writing back then. I don’t remember when it was that the Literati changed their mind on Stephen King, but I do remember how he wasn’t taken seriously as a writer by them for a very long time (he writes horror! He’s too prolific to be a real writer!), and some of his best work was already behind him by the time he got the anointing he deserved for a very long time. I mean, he had quite a run, and quite a varied one at that, before he finally published a book I didn’t like (The Tommyknockers, for the record) and it seemed an aberration as he seemed to climb back on the horse and right the saddle in the next one after that. I love how many points of view he uses in ‘salem’s Lot, giving us little glimpses of fully realized characters and their lives to show us human beings so that when they actually wind up becoming vampires, you do feel a sense of loss. Many of these minor characters are objects of sympathy, while others you just kind of shrug when the vampires come for them and think, well, you were a shitty person anyway, oh well, this is justice of a sort. The scene where Mike Ryerson has to finish burying the coffin of Danny Glick is one of the most terrifying scenes I’ve ever read, and it still holds up today. I like how King gets into the point of view character’s head and gives them a voice–which is still King’s, but different from the other voices he uses–and that sort of structured stream of consciousness is something I really like and enjoy reading; I sometimes use that style in my own writing.

(I started to write something self-deprecating, but am proud of myself for catching it and not doing it. Progress.)

And on that note, I am going to head into the manuscript and do some cleaning before the errands are run. Have a lovely day, Constant Reader, and I will check in with you again later or tomorrow.

I Can Feel Your Heartbeat

Well, this has turned into a rather interesting stay-cation, has it not?

This morning, as I swill coffee and read weather reports with bleary eyes, trying to decide what to do–we are still leaning towards not leaving; knowing at best we will probably be without power until Thursday at the earliest in a best case scenario–which is horribly unappealing, given how hot it’s been and the time of year it is–but…but…ugh. I’m not even certain, were we to go, where we would go–north, east, west–and from everything I am seeing this morning the highways out of the city are backed up, bumper to bumper and barely moving; that could be incorrect, of course (one never really knows unless one is out there). I don’t see the sense in going west or north, to be honest; the track will probably bring Ida ashore west of New Orleans, and the storm is going to go north from landfall. East would be the best choice, methinks, but…it’s not like everywhere east also isn’t a hotbed of COVID-19, either. I’m not really sure what to do, to be honest, and there’s definitely a part of me that thinks we’ve already missed the evacuation window period, anyway.

The good news is that the imminent loss of power/potential evacuation forced me to sit my ass down and get through the manuscript yesterday. I think I may have missed some spots, and I am not certain about a decision I made with something to bring it in line with things further back in the manuscript, but I am going to print it all out today (if I have enough ink) so I at least can look at it if we don’t have power for the next few days (if we evacuate, of course, it won’t matter because I can access it on my laptop). But that’s one more thing to cross off the list, which is very cool, but I suspect everything is going to come to a screeching halt by tomorrow at any rate, so I should probably get as much done as I can while I still have power.

Last night I had dinner with a friend from out of town–scheduled to come in for Bouchercon, she came to town anyway because her daughter goes to school here–at Red Gravy on Magazine Street (it was really good; I recommend the lasagna but don’t get the margarita with agave juice; it’s too sweet–at least for me; I like the tequila bite in a regular margarita myself) and she texted me this morning that she and her daughter are heading for Texas; which is kind of a bit of a relief. I was worried about them; the daughter is Not From Here and has already had some horrible experiences with losing power for days since she came to the city last year–I am, insanely, more concerned about the loss of power than anything else myself–and I hope they make it west safely. It was a lovely evening–there were hardly any people out and about; the only indication of anything was the lines at the gas stations–and then I came home. We watched this week’s Ted Lasso, which was marvelous as always, and then started watching the new season of American Horror Story: Red Tide, which was….interesting. It’s entertaining enough, but kind of, well, stupid. I kept thinking why would you stay there? It’s set in Provincetown in the off-season, as a writer brings his pregnant wife and daughter there so he can write, and they’ve got free rent as long as the wife, a decorator, redecorates the house. But crazy shit starts happening almost immediately–which begs the question, where does Provincetown hide all these crazy creatures during tourist season? A lot of it doesn’t really make sense (well, it is Ryan Murphy, after all) but we’ll keep watching because it’s entertaining.

And as always, the imminent arrival of a hurricane inevitably reminds me of the abandoned fourth Scotty novel, Hurricane Party Hustle, which I had planned in the wake of finishing and turning in Mardi Gras Mambo that August of 2005…that obviously had to be abandoned after Katrina came a-calling. I had always wanted to write a murder mystery set during that eerie time when the city empties out for an evacuation, with 80% of the people gone and the eerie silence and weird emptiness that comes with it. I used some of the stuff I’d already written for this book for Murder in the Garden District, which also has an evacuation in it–I used the memories of evacuating for Katrina for Murder in the Rue Chartres— and every once in a while, the thought crosses my mind that the Scotty version would be interesting to write and experience. I’ve never really dealt much with Katrina in the Scotty books–it was in the past and he basically waves it away as the past in the prologue to Vieux Carré Voodoo–and I’ve always thought about going back and writing the Scotty Katrina book–I can always keep the series going by filling in the times between books, if it comes to that or if writing Scotty in his sixties is unappealing–but I probably won’t do that. I don’t know–but I am also laughing at myself this morning; only a writer would view an approaching and imminent natural disaster as material and start thinking about ways to build a crime novel around it.

Take THAT, Imposter Syndrome!

And now, I am going to head into the spice mines. Have a lovely day, Constant Reader, and keep Louisiana in your thoughts!

When I Grow Up

Saturday morning and yesterday was lovely, as we slowly begin counting down the last days of my fifties. Hurray!

Yesterday was actually kind of lovely. I had my spa day (in full transparency, that means I got a back wax) which I enjoyed (at some point in time I will discuss how I feel about body hair, particularly that which grows on one’s back), got my prescription, got Scooter’s insulin syringes, got the mail, made groceries, and got phô (AT LAST), and the phô (from Lilly’s Cafe on Magazine) was truly magnificent. I got home around two thirty; it was a weird weather day in New Orleans, where the sun was shining in parts of the city and there was a downpour in others, along with thunder and lightning; which enabled me to experience all the vagaries of a summer day’s weather in the city in August over the course of two hours. After the errands were completed and my phô bowl was empty, I spent the rest of the day relaxing and organizing and cleaning–yes, yes, I know, but organizing and cleaning (like the LSU 2019 football season) is my happy place. I wound up not reading much, nor doing any writing, but I managed to get a lot done. I am still not as organized as I would like to be, as I think I should be, but I have three more days without work pressure to get through, and so while I am going to spend some time writing and reading over the next three days, I also want to finish getting organized. I’ve been so scattered and disorganized for so long–really, since the Great Data Disaster of 2018–that getting that particular act together has been enormously helpful, and I think if I actually can go ahead and get completely organized, that will make my getting everything done that I need to get done finished that much easier.

I am going to spend some time this morning with The Other Black Girl. I have to get the mail today–I am expecting some things–after which I’m planning on braving the West Bank to do some box store shopping (the traffic over there is always horrible, even on the best of days; and now that I am thinking about it some more, perhaps I should just wait and go on Monday; it’s not pressing. I can just get the mail today, really, and pick up a few things at the corner Walgreens–which I now think might be the best option? We’ll see how I feel).

But I got all my Chlorine research organized–I went through my journal (the most recent one) last night and marked the pages where I brainstormed the book; I need to do that to several more of the last ones, actually)–and I also have a secret project which I look forward to telling you about, Constant Reader; I know it’s disappointing on some levels, but I am having to push writing the next Scotty, Mississippi River Mischief, to the first quarter of next year. I also managed to get some other things organized; I need to do something about these boxes of files under my desk for one thing, and in looking through the stuff in my filing cabinet, I also realized that a lot of the stuff in there could be shifted into boxes and moved up into the attic. I do have the boxes….and I am also thinking it may be time to do another book purge, in order to drop off some boxes on this coming Thursday to the library sale.

In other words, I am looking forward to a typical Saturday around the Lost Apartment. I do need to get to the gym today (I didn’t go yesterday) and will be going again on Monday rather than Sunday; but I also have to get really started on the edits of #shedeservedit if I am going to get those finished by the end of the month. The fact that I have absolutely no desire to do it is of course indicative of how much I need to do it and how much I will actually enjoy doing it once I get started going on them. I also need to finish the second draft of “The Sound of Snow Falling”, and what better time to do that than this weekend? I love the new computer and it’s so much easier to work on than the old one was; but I best be using the hell out of it now that I spent the money on it. I’m still a bit in awe of it–the picture quality is so good it’s like having another television for the kitchen (I went ahead and watched the latest episode of Ted Lasso on here last night while Paul worked on a grant–I know, but the great thing about Ted Lasso is rewatching isn’t an ordeal, and this last episode, a Christmas episode airing in August, was just absolutely perfect and made me tear up several times as well as laugh out loud; I didn’t think it was possible for anyone to do a Christmas episode/movie/book of any kind any more without it being heavy-handed and cheesy…but I need to stop ever doubting Ted Lasso; the show is always a joy and those twenty Emmy nominations, especially those for the cast, are extremely well-deserved)–and the sound and picture is amazing. That means I can watch football games in here this fall while cleaning and/or doing other things…which is heavenly.

And yes I am well aware of the fact that the honeymoon period will end soon….but that doesn’t mean I can’t enjoy the fuck out of it while it’s still happening.

I also got caught up on my Real Housewives watching. I had cut back to just watching the two I started with (New York and Beverly Hills), but these aren’t good seasons for either; and just watched the Erika Jayne/Girardi divorce/criminal investigation/civil suits play out makes me a bit uncomfortable. I don’t have much sympathy for either her or her husband–you can deny all you want to, but settlement money for victims disappearing means it went somewhere, and one thing so many people in this country don’t understand is you can still be punished for profiting from a crime even if you didn’t know you were profiting from a crime. I don’t see how she thinks she can escape financial liability–possibly a sympathetic judge and jury would spare her from jail time–but it’s difficult to watch her excuses and her self-pity; she has no tears or empathy for her husband’s victims. Rather, it’s all about her and what she’s going through; and frankly, every time she cries me me me me I think to myself lock this bitch up and throw away the key. So, between the snooze-fest that is this season‘s New York and the real life criminality being exposed on Beverly Hills–and being coddled–might have me finally cutting the cord with these two shows. I have no desire to watch Dallas, but have heard good things about both Potomac and Salt Lake City (which also is filming during the real-life criminal exposure of a cast member)…but I also kind of wonder if these shows haven’t already run their course? Society and the culture have experienced a significant shift over the last four years….and maybe the time for shows like this is past.

And on that note, I am going to get another cup of coffee and spend some more time with The Other Black Girl, which is truly terrific. Have a lovely August Saturday, Constant Reader–and I will check in with you tomorrow, if not later.

Rhythm of the Night

And now it’s Thursday, and a work at home day–the first of my two of the week, followed by a three day weekend HUZZAH!

I didn’t write last night–I wanted to get phô and a spring roll from Lilly’s Cafe, and a chicken banh mih for Paul, but alas, they are closed until July 9th for summer break, so it will have to wait until next weekend. It was a bummer, of course, but it was also a remarkably cool early evening for June/almost July in New Orleans, so I walked around Magazine Street in my neighborhood to look at how things have changed since the last time I walked around Magazine Street in the Lower Garden District–taking pictures for Instagram, natch–and by the time I got home (not sweaty, I might add), I decided to take the evening off from writing. I’ve been on a roll lately, and while there is something to be said for maintaining momentum when it’s going, there’s also something to be said for letting your batteries recharge for a day or so. I want to get a lot of writing done over this holiday weekend, and I thought it would be best to take an evening off. I was also in a remarkably good mood, so I also had a martini last night while watching television before bed, and slept really well. Coincidence? Perhaps, but I also like martinis so I may have another one tonight.

We continue to watch High Seas, whose second season got off to a rather interesting start–apparently now the ship is haunted, and they picked up survivors from another ship that sank, one of whom is apparently a psychic unironically named Casandra–but it’s so entertaining I kind of hope the Barbara de Braganza never docks in Rio, frankly. The kids at work were watching a show on Netflix this week in their community space called Happy Endings, which looked rather funny, and so we gave it a whirl last night and it was funny. It apparently ran for three seasons on network television in the early part of the last decade, but I’d never heard of it, and as Paul pointed out, even as early as when this aired (2012) we had already moved on to bingeing shows–we may have been watching DVD’s from Netflix (remember that?), but we weren’t really watching anything regularly from week to week, except on Sundays, when we would watch The Walking Dead or Game of Thrones (I still miss that show, and really need to get back to reading the books at some point…maybe when he publishes the next one? Ha ha ha ha! I’ll probably be dead before that happens.)

Looking around at the office/kitchen this morning, it really is amazing at how big of a mess I can let this place become during my three-days-at-the-office; how awful did it get when I went to work five days a week? The mind reels…but I also used to work two half-days and one day I didn’t go in until eleven thirty; so I had late afternoons and mornings most of the week to repair it gradually to order for the two twelve-hour days I used to work (which seems completely unbelievable to me now; how the hell did I ever have the energy and wherewithal to get up at six and work twelve hours two days in a row? JFC, where did that energy go?). I certainly don’t think I’ll be able to go back to that work schedule again, frankly. While I am not overly fond of the three get up before dawn work days, I do like getting home in the late afternoon/early evening; and that has proven to be a good time for me to get to the gym as well as write. I was thinking yesterday–part of the reason I decided to take the night off from writing last night–that I’ve actually written in excess of thirty-five thousand words in slightly less than three weeks, which is actually kind of impressive, and if I am able to keep going at that pace, think of everything I can get done the rest of this year…

But I am also smart enough to know that’s probably not very likely. There will be fallow days when words won’t come no matter how much I try to write them; days when I’ll be too tired; days when I will just be flat out too lazy to do any work of any kind. Again: be kinder to yourself and don’t push too hard.

And on that note, tis off to the spice mines I go! Have a lovely Thursday, Constant Reader!