Tag: Lucien Truscott IV

I’m Not Through Loving You Yet

Sunday morning here in the Lost Apartment, and how are you doing , Constant Reader? I feel good this morning, actually; a good night’s sleep and a rest day always seem to have this effect on me. I guess the new reality for me is being worn out by the end of the work week and needing a brain-dead day of rest. I feel good this morning and my coffee is hitting the spot this morning. Yay! I hope this means a productive day around the house. I have work to do that I do need to get done, after all.

I was tired yesterday, both mentally and physically. I managed to get the errands run; made groceries at two different stores (!), dropped a box of books off at the library sale, and picked up my copy of Alter Ego by Alex Segura, which I am very excited about. I loved Secret Identity, and there’s no reason to think Alter Ego won’t be better; reviewers are loving it all over the country, and I’m probably going to move it up on the TBR list to the on-deck position behind my current read. So many good books! Which is, as always, a delightful problem to have. Whee! I am very excited about this. I am going to get back into reading fiction, now that I’ve finished The Demon of Unrest–my. new non-fiction read is probably not going to be as smoothly flowing a narrative (White Too Long). I have so many great fiction reads to get to! A plethora of riches to be sure. I am going to work today on some things, and I am going to work on the house some, too. It always seems to be a mess for some reason which is beyond me, but go figure, right?

We watched some of the Grand Prix of Figure Skating finals, which saw US skaters win gold medals in three disciplines–men’s, women’s, ice dance–which I don’t think has ever happened before? This bodes well for the World Championships in March, and it’s been awhile since anyone could say that, really.

I also wound up watching some football games idly, while I read short stories for a contest I am judging. I guess if you were pulling for either team, the games were exciting; Georgia beat Texas in overtime; Clemson needed a desperation field goal in the closing seconds to beat SMU; and even Penn State-Oregon was dramatic. Now on to the bowls and play-offs, which is going to seem very weird. I’m not really sure how I feel about this entirely new, semi-pro look college football is going for, and how it really has always been about greed. Which is a shame–but it always was a farce when it came to all that “amateur athlete” bullshit anyway. Players always got paid, and colleges always looked for ways to justify it or cover it up or exploit loopholes in the rules. It was also interesting seeing SMU in the ACC title game, too–SMU was the only school under the old rules to ever get the death penalty for too much cheating, and it killed the program for decades…so the NCAA became reluctant to use it again. (Ironically, the next college that would have–should have–gotten the death penalty was ALABAMA in the 90’s–and they weren’t ever going to do anything to Alabama that might kill that program.)

When I took the box of books to the library sale yesterday, they asked me if there were any mass-market paperbacks in the box because they aren’t taking those now. They’ve told me that before–and I’ve had to take books out of the boxes before. I still put some in there, just to see if they’ll say no to them, and if they don’t, it does get them out of the house. When did mass-market paperbacks become so anathema to American readers? I loved them when I was younger; they used to be as cheap as seventy-five cents when I was a kid, and I remember their prices gradually increasing until it was silly to not pay the dollar or so mor to get it in trade paperback, which were usually sturdier and more solid editions. Now it’s more along the lines of “the print isn’t big enough” for me, and I suppose ebooks have replaced the mass market editions. I always wanted to write something with my name on the spine in mass market, but never succeeded in getting there–and now they are being phased out completely. That’s a shame.

I was thinking about mass market paperbacks because I was moving books around in the laundry room and came across two editions that are two important books to my younger self; two that I’ve always wanted to revisit as companion pieces to each other: The Lords of Discipline by Pat Conroy, and Dress Gray by Lucien Truscott IV. The former is set at Carolina Military Institute in South Carolina (aka The Citadel), the latter at West Point. I read Dress Gray first, living in Kansas and picked it up at the grocery store, I think. It was a murder mystery set at the military academy, and the victim was a closeted gay cadet. I remember really loving the book, and I don’t remember why I picked up The Lords of Discipline, other than I know we’d already moved to California before I read it. I think I’d watched The Great Santini and wanted to read the book, but the Waldenbooks at the mall only had Lords in stock, so I got it instead, and became a huge Pat Conroy fan. I do want to revisit both books; I’ve been wanting to write a crime novel set at an Alabama military high school–that all-male environment I’ve always found so interesting–but that won’t happen for awhile, at least.

The manhunt for the man who killed the UnitedHealthcare CEO continues, and with every new bit of information released he becomes even more of a folk-hero. Some have started calling him the Adjuster, which is funny, but I saw someone call him Robin Hoody yesterday and that, I think, is my absolute favorite thus far. He’s almost taking on a Batman-like lore amongst the American people; few things this century have united the country as much as approval of this murder has. That says something about the mood of the country, and if I were a politician or a corporate executive whose business model is fucking over the working class, I’d be pretty fucking nervous right now. There’s a bit of a sense of 1789 Paris and 1917 St. Petersburg in the air, and now that corporations and the uber-rich have been screwing us all over for decades with no relief anywhere in sight–if anything, a sense they are going to make it worse for all of us–and no, it wouldn’t surprise me if revolts started up, or more murders of the exploitive class.

It doesn’t hurt if the uber-rich begin to understand that it’s actually not in their own best interest to fuck around with the working class, either.

And on that note, I am heading into the spice mines. Have a lovely Sunday, Constant Reader, and I may be back later; stranger things have happened.

Breakin’ Dishes

Well, it definitely is not gout, Constant Reader. The antibiotic cream prescribed by my doctor has made a remarkable difference with my toe since I started using it yesterday; this morning it isn’t even reddish anymore and bending it hardly is noticeably painful. AH, modern medicine, and sorry I doubted you, Doctor. I did get tired eventually last evening; shortly after finally finishing yesterday’s post I repaired to my easy chair where I watched a few more episodes of Netflix’ The Movies That Made Us, primarily the ones about Friday the 13th, Aliens, and Nightmare on Elm Street. It’s always somewhat lovely to revisit pop culture of the 1980’s, even though it was mostly a pretty shitty decade overall. The difference between 80’s movies and 70’s cinema was dramatic, as I learned during my Cynical 70’s Film Festival back during the early days of the pandemic when I was making hundreds of condom packs every day sitting in my living room during what I was never completely convinced weren’t the end times.

I do have some more cleaning and straightening up to do around here today around working on my book. Yes, I am definitely digging into the book today. I slept like the dead last night, and even stayed up later than usual (Paul came home before I went to bed) and slept an extra hour later this morning being a lag-a-bed until nine (the horror!). I’m feeling very well rested this morning on all three planes of existence–physical, emotional, intellectual–so it should be a great and highly productive day. It’s cold this morning–in the forties outside–and yesterday I had to turn the air on because it was stuffy in here and the clothes weren’t drying. Turn the air conditioning on and cool it down a couple of degrees and it made a significant difference. (I’m always interested in that weird range of temperature where it’s really not hot enough to need the air conditioning, but the air is thick enough so that clothes won’t dry unless it’s colder and the damp is taken out of the air; I also always sleep best on the night that I launder the bed linens) But I am going to have some coffee, do some straightening up here in the office, maybe read for an hour or so, and then get cleaned up and parked at my desk for however long I can stand it today. My coffee is tasting pretty marvelous this morning too; always a plus and always a good sign.

I also spent some time last night revisiting Vito Russo’s The Celluloid Closet in what was probably the first time in about thirty years, which is kind of terrifying when you think about it. I discovered Russo back in the day when I was discovering the rich culture and heritage of my community, when I was venturing into gay bookstores and had started reading the gay papers and magazines in search of my people and some sort of definition of what it meant to be a gay man in the United States at that time. The Russo book was the first seminal text in critiquing the entertainment industry and its participatory role in enforcing the homophobic standards of the times (if not helping to create those standards by the erasure of queer people and themes in entertainments). Russo set out to show how Hollywood’s erasure, or stereotypic rendering, of queer people served to enforce those social dynamics and mores that were suppressing our community and relegating those who identified as members of that community as outsiders, a lower caste, and separate from the dominant culture. I’d love to see a popular nonfiction version of Russo’s work that focuses on representation in crime fiction; I have neither the research skills nor the patience to write such a book myself. One of the things I enjoyed the most about the Russo book was finding out what films had queer content erased from their original source material; like the film Crossfire, about anti-Semitism in the military, was based on a book called The Brick Foxhole, which was about homophobia in the military; the murder victim wasn’t a Jewish soldier but a gay one. The alcoholic Ray Milland won an Oscar for playing in the film of The Lost Weekend drank because he had writer’s block; in the book he drank because he couldn’t handle his homosexuality in a homophobic society. The mini-series made from Dress Gray saved the reveal of the dead cadet’s sexuality for a plot twist at the end; in Lucien Truscott IV’s novel it was right there, revealed on page one and treated, really, throughout the entire book as not a particularly big deal (I’ve been meaning to reread Dress Gray; it was one of the few books I read as a teenager that didn’t treat homosexuality as a hideous moral failing, a massive sin, and/or something just revolting and disgusting, just as I’ve been meaning to reread Pat Conroy’s The Lords of Discipline–you just know there had to be a queer or two at Carolina Military Institute).

I also remember discovering queer mysteries for the first time at the gay bookstore in Tampa, and thinking you’ve always wanted to write mysteries, why don’t you write them with gay characters and themes? And thus the seed was planted–by Michael Nava, Richard Stevenson, and Steve Johnson–that grew into my becoming a gay mystery writer in every sense of the term: I’m gay, I’m a gay writer, and I write gay mysteries.

So, that’s where my mind was last night; thinking about the very limited queer rep I’d been exposed to as a reader growing up and how discovering gay fiction by gay writers about gay life and experiences–books–essentially changed my life and the trajectory of my writing. I think my writing began to improve when I started writing what I knew–the tired old trope of write what you know–because I was writing about my truths and experiences and feelings about being a gay man in a homophobic country; that was how I found authenticity and truth in my writing, and was able to extrapolate that outward into writing about other lives, other people, other experiences.

And of course, the Lefty Award banquet is tonight. I’m cheering on my friends and fellow nominees from afar. It’s a pleasure and a thrill to be nominated for Best Humorous Mystery; I never expected in a million years to ever be nominated for a Lefty and then it happened, so A Streetcar Named Murder continues on as my “first” of many things. I’m not sure which of the other four nominees will have their name called tonight, but it’s an honor to lose to any of my fellow nominees. (I also never thought I’d be nominated for an Agatha, and yet here we are; I’ve been having a hell of a twelve month period, am I not? Two Anthony nominations, a Lefty, and an Agatha; who’s a lucky Gregalicious?)

And on that note, I am going to make another cup of coffee and go curl up for a bit with a book for a little reading pleasure this morning before I go to work. Have a lovely Saturday, Constant Reader, and I will check in with you again tomorrow.