Tag: Lent

Red Frame/White Light

AH, the first day of the week that doesn’t have a name–after Lundi Gras, Mardi Gras, and Ash Wednesday, just plain Thursday seems a bit on the dull side. Today is the last day before I return to work; and yes, I am working at home tomorrow, in case you were wondering–but I do have to run by the office at some point to pick up some more of my work at home work. I figure tomorrow morning I’ll get up, bang out my blog entry, and then work until I am caught up before taking this work back into the office and picking up more work. Yesterday was a stunningly beautiful day for running the errands I needed to get done–CVS, mail, making groceries–the high was in the eighties and it was sunny as fuck; the low being only 63. I continue to make my way out from the emotional devastation and move toward an uneasy and unwilling acceptance. The world keeps turning, after all, and much as I would love nothing more than the self-indulgence of wallowing in self-pity, I have things due and things to do and books to write and books to read and errands to run and a life to maintain. I need to get my life together and make plans. I need to get back into shape by taking exercise more regularly and I need to take better care of myself. A lot has happened in the world since everything around me turned upside down; things I ordinarily would have taken some kind of stance on or said something about–like all the nastiness about how Madonna looked at the Grammys, or the Palestine East train disaster, or Marjorie Traitor Green’s call for secession (because it worked out so well for the conservatives the last time they tried to leave the Union). In some ways it was kind of nice to have something that crowded out all the rest of the noise in the world; being caught up in my own stuff enabled me to dismiss Traitor Green’s idiocy as precisely what it was–her pathetic need for attention and validation from people equally stupid as she is and from the media because that’s what she is all about; attention and grifting. While there are criticisms that can be leveled at Madonna, trashing her appearance is reductive and misogynistic. I would have preferred Madonna to age gracefully and not have any work done, personally–what a message of solidarity about the misogyny of agism she could have sent by staying natural–but it’s her body, her face and her decision. She would be criticized for aging naturally (“MADONNA LETS HERSELF GO is what they would report, with lots of bold type and exclamation points) or for gaining weight (remember the breathless reporting about Elizabeth Taylor’s weight?); so why not let her do what she wants to do and what makes her feel good about herself? If you want to be horrified by how she looks, why not use that as a way to extrapolate out into a broader commentary about what our society and culture does to women in the public eye?

But that would require intelligence and work, and why do anything hard when it’s easier to get clicks by being shallow and horrible?

Yay for freedom of the press!

Anyway.

I allowed myself to sleep late again this morning–it’s kind of sad what I consider “sleeping late” these days–but it was another good night’s sleep, which I am grateful for. I did run errands yesterday, which was necessary, and then when I got home I started working on cleaning the apartment: laundry, dishes, etc. After awhile of that, I curled up for a few hours with Tara Laskowski’s marvelous One Night Gone, which I am greatly enjoying, and then I made dinner last night before watching a few more episodes of Class, which we should finish soon–since Outer Banks‘ third season is dropping tonight or tomorrow. Today is the last day of this bereavement leave, which I did need–there was simply no way I could have returned to work on Monday, seriously–and I am not even sure this coming Monday’s return to the office will be okay. But I can’t stay out forever, but I am also forcing myself to use this time to rest and relax. My toe is still throbbing a bit this morning, but I am going to rewrap it in a little while and of course it’s going to be elevated and iced and all that jazz. I do find that I am still short of temper and easily irritated; I seriously snapped at Paul yesterday which was completely unnecessary. I guess I am still dealing with it on some interior levels below the consciousness. It did occur to me yesterday that one thing I should do, or try to, is write a long essay about my mother. Not for publication, of course, or even for posting on here (the further we get away from the funeral, the more uncertain I am growing that I should have even brought it up here at all in the first place). That might help, I think.

And it might get me writing again. I do have that short story I need to be working on (although an alternative story occurred to me last night–one that would need some revisions, but could work; I just need to dig it out and reread it), and I do want go get all this filing done today before working tomorrow at home. I also need to investigate my dryer situation and see if it is, indeed, something I can potentially repair myself–it would be marvelous to not have to buy a new dryer–but that will require me to spend some time on researching it on-line, which I can do as long as I don’t bother getting sidetracked or distracted by some other shining object in the meantime. I think I am going to spend some more time reading my book this morning before moving on to filing and dishes. I also need to trim some books that I can take to the library sale this weekend, and of course, I need to start revising and editing the manuscripts.

Life goes on, the world keeps turning, and tax liabilities continue to accrue, so I am heading into the spice mines. May you have a marvelous Thursday, Constant Reader, and I will check in with you tomorrow.

Out of Time

It’s today that I officially run out of time on this draft; tomorrow I need to get it emailed in. I think I’ll be okay; I wrote six thousand words yesterday and only have six thousand more to go before I can call it an official draft that I can send in with an email of apology and explanation. It’s fine, really, everything is fine. I am remarkably calm about everything these days. I’m not sure why that is, but I do like it, and am delighted that it appears to be becoming a theme for me in 2023. But I am very excited to get this draft finished and turned in–I think it’s eventually, with some work, going to be one of my better ones–but now I have the foundation and skeleton of the book finished; soon I will go in and do all the little touches and finishes that will turn it into something fun and readable for readers. But I still have more to write yet–there are two chapters left to write–and while I did get six thousand words down yesterday, I have to do another six in order to get it finished. Which is fine and do-able, of course. And it’s always nice to finish something right before a weekend away.

We watched more of The Recruit last night, which we are really getting into, so I am looking forward to seeing another episode tonight or maybe two? We shall have to see, of course. I was very tired after getting home and writing last night; last night’s sleep wasn’t as deep as my sleep has been lately, but that’s okay; I did sleep decently even if I did have to keep waking up. I have a lot to do tonight, as well–and I would like to get back to doing some reading. But once I have the manuscript finished, I can have my evenings after work free for a few days; I’m not planning on getting into the weeds on editing until I get back from Alabama. Hopefully that will give me the time to do some short story writing that needs finishing, as well. The kitchen is a mess, too–I really don’t like going away for the weekend with the house in a mess to come home to, but I don’t know if I’ll have the time to do anything about it in the meantime. And then of course it’s parade season again the next two weekends, and before you know it it’s Lent and it’s all over again for another year. The first quarter of the year in New Orleans is always a challenge…

Cindy Williams died yesterday–it took me a minute to remember that Penny Marshall had also passed away already–and of course, most of the commentary and posts defaulted to Laverne & Shirley, and why wouldn’t they? It was a highly rated–if sophomoric–comedy series for eight seasons on ABC, and it did make her both rich and famous. But the thing I always thought was kind of sad was that she was actually capable of a lot more than a slapstick lowbrow comedy on television (hey, she got rich from it, and it made a lot of people happy, too) because she’d given some really fine performances in very good films like American Graffiti and The Conversation (both of which I watched during my Cynical 70’s Film Festival; most people remember American Graffiti as a fun comedy about one Saturday night in 1962 in Modesto, California–but it was a lot darker and more serious than people generally remember. It also was set in 1962, not the 50’s, but it was in that weird aftermath period where the music was still very similar–the Beatles hadn’t crossed the sea yet–and until the Kennedy assassination, the early 1960’s seemed very much like a continuation of the 1950’s until everything changed. I always wondered what Cindy Williams may have made of herself as an actress in film had she not taken the Laverne & Shirley gig. And that Tuesday night ABC line-up was something: Happy Days, Laverne & Shirley, Three’s Company, SOAP, and Hart to Hart.

Ah, my teen years.

I recently rejoined the Horror Writers’ Association; I am not really sure why, to be honest. They sent me a “we want you back” email and I was talking to That Bitch Ford and I thought, sure, why not? You’re not really a horror writer but you ARE a writer who has written some fiction that could be classified as that and you’re always looking for new places to submit short stories and….so I did. I’d forgotten why I’d initially let the membership go, and it barely took a month for me to be reminded. There was a contretemps on the official Facebook page for the group, and then it just kept spiraling out of control with all the nastiness, bigotry, and hatred. As an author, I would always like to be seen as an author first and treated with the common courtesy that any author should expect from their peers, particularly in a nonprofit organization that serves them. But, as I have been reminded all-too-many times since Murder in the Rue Dauphine was sent out into the world, there will always be those people–in publishing, bookselling, reviewing, etc.–who will always define me by my sexuality and denigrate both me and what I write because of it. As I often say on panels when it comes to genre, the adjective gay trumps anything that follows: mystery, horror, science fiction, romance, etc. I am also very aware that gatekeeping in publishing–while on the decline–has always been there to keep the “undesirables” out. Seeing someone whom I didn’t know–and have no desire to know now–erupting on the HWA page and spewing hate-filled rhetoric, and then doubling-down by appearing on a white supremacist/Nazi’s podcast for several hours…well, you put on the SS uniform, it’s kind of hard to deny your complicity in the Holocaust after the war. And watching it all go down over the last few days reminded me of why I left the organization in the first place–the overt and covert bigotry in the organization.

And for the record, when you’re talking about diversity and you say but it has to be about the writing! that’s a dogwhistle people like me have been hearing for decades. What you are saying is the reason our genre is not more diverse is because the non-white non-straight writers aren’t good enough.

Yeah, that was all I needed to hear to know where I stood with HWA, and so when it was time to renew the next time, I just let it go.

And I am also incredibly proud of myself because usually my response to situations like this one–this most recent blow-up, and that comment all those years ago–is to say okay I have to get involved so I can fix this. I am very happy that instead my thought is, oh yes, this is why I let it lapse and will do so again. I’ve been fighting this kind of shit for decades, and frankly, I’m tired. I just want to focus on me for a while and let everyone else fix all the things that need fixing.

And on that note, I am heading back into the spice mines. Have a lovely Tuesday, Constant Reader, and I will check in with you again tomorrow, when Pay-the-Bills Day rolls around again.

Twelfth Night

The other night, as I walked to Lilette to meet my friend Laura for dinner, I walked past this house:

It made me smile, as the New Orleans dedication for decorating for the holidays (any holiday, really) always does.

I posted this picture after taking it, along with a caption along the lines of it’s almost Twelfth Night and the start of Carnival! Someone commented, a bit surprised, “already?” which once again made me realize how different living in New Orleans is from living anywhere else, really, in the country. Nobody outside of Louisiana (unless they’re Catholic) understands how Carnival actually works, which makes sense. If it doesn’t affect you, how would you know? So, I decided explaining Carnival would be an excellent blatant self-promotion post, particularly since A Streetcar Named Murder is built around (sort of) a Carnival krewe and their membership recruitment ball. So, buckle up, Constant Reader, I’m going to give you a sort of primer for New Orleans Carnival.

Carnival begins on Twelfth Night, January 6th, and the season continues until it ends at midnight on Fat Tuesday (Mardi Gras is actually the last day of Carnival, not the entire season; but over the years Mardi Gras has become synonymous with Carnival, but the locals will always correct you when you call it Mardi Gras instead of Carnival; and ‘mardi gras” literally translates from the French to Fat Tuesday), when the bells of St. Louis toll the beginning of Lent and the police clear everyone off the streets of the city (no one is supposed to be out on the streets after midnight; I used to love to stand on the balcony at the Parade watching the mounted police officers slowly making their way down Bourbon Street as the crowds disperse before them–and behind them the street is empty). I’m not going to get into the history of Carnival and how it all began as a “farewell to the flesh” before the religious solemnity and penance of Lent; but that’s the part most people don’t get if you’re not from here or Catholic. Christmas, Carnival, Lent, and Easter are all tied together. Twelfth Night is always a fixed date because Christmas is fixed for December 25th; but since Easter’s date is never the same, neither is the date for Mardi Gras/Fat Tuesday, which is always forty days before Easter.

So, first things first. If you want to know all there is to know about each year’s Carnival, you start by getting a copy of Arthur Hardy’s Mardi Gras Guide, seen below. (You can order it on-line if you’re curious about it.)

(Don’t @ me, I know it should be Carnival Guide, but Mr. Hardy is Mr. Expert on all things Carnival, so we let him get away with it every year.)

The guide is invaluable, even though now there’s a parade tracker app so you always know where the parades are. The parades are what most people associate with New Orleans and Carnival/Mardi Gras; the big ones that shut down St. Charles Avenue and Canal Street aren’t until the last two weekends before Fat Tuesday. I don’t even know how many parades pass by our corner during parade season, but it’s a lot. (I’m hearing that the parade routes are being truncated a bit because of not having enough police officers to pull parade duty, but I don’t pay a lot of attention and just look at the Guide–which I have yet to get a copy of this year.) So, parade season is the two weekends prior to Fat Tuesday. The first weekend is easy, really; there’s parades on Friday night, Saturday afternoon and evening, and Sunday afternoon. Then we get a two day respite before they start in earnest, and there’s always at least two a night beginning the Wednesday before Fat Tuesday. Muses is Thursday night, following two others; there are also three on that Friday. Saturday afternoon is my favorite, Iris, which is followed by Tucks. Endymion is the big parade on Saturday night but it has a different route; it doesn’t come down St. Charles unless rain has caused it to be postponed for a night (when Endymion rolls down St. Charles on a Sunday night it’s a nightmare out there at the corner because Endymion is HUGE). There are parades all day Sunday, culminating with Bacchus Sunday night; Orpheus is the grand finale on Monday night, and of course on Fat Tuesday Rex follows Iris and then come the truck parades. There are also other, smaller, walking parades earlier; Krewe de Vieux, for example, is enormous and is a Saturday night later this month. After Twelfth Night and before Parade Season, there are balls and parties and walking parades and all kinds of celebrations leading up to the parades. The bleachers are already going up at Liberty Circle and all along St. Charles.

So, what does A Streetcar Named Murder, which is set in October, have to do with Carnival, and how is this a blatant self-promotion post?

Because the plot of Streetcar is set around an October costume ball for one of the newer Carnival krewes, the completely fictitious Krewe of Boudicca (it was Athena in earlier drafts, until I realized that I should check to make sure such a krewe doesn’t exist anywhere and sure enough, there is one; either in Metairie or on the north shore), which is also kind of new-member rush for the krewe. Our main character, Valerie, has no interest in belonging to a krewe; as she says, she’s fine “just going to parades and catching throws.” But her neighbor/best friend Lorna wants to join Boudicca, and she is dragging an unwilling Valerie along for the ball. It’s at the ball that the murder takes place; turns out the membership chair for Boudicca is Valerie’s nemesis, and of courea Valerie is the one who finds the victim after she’s stabbed.

And of course, it’s Carnival season again in New Orleans! So more info and blatant self-promotion to come!

Stoned Love

It’s Ash Wednesday and before dawn as New Orleans crawls out from under and returns to what passes as normal around here–which by the standards of everywhere else, ain’t normal.

I’m kind of glad to see it over this year. I’m sort of glad we had it–it felt like a return to normalcy of a kind, even if I didn’t feel excited about it or participated in it much–but I’m also happy it’s over. I feel very weird having been essentially trapped inside the house for the last six days or so, with small windows of opportunity here and there to run necessary errands and get things done. I spent a lot of the time tired–I’m not sure what that’s all about it, but “low energy” has been a thing around here for quite some time–and last night I went to bed at nine. I did submit a story to that magazine that asked for one–I finally gave up on “Parlor Tricks” yesterday morning–it literally was like pulling teeth–and instead edited what. I have on “Never Kiss a Stranger” down to about 4000 words, tacked on an ending, and turned it in as “To Kiss a Stranger (Summer of 94)”. I doubt they’ll use it–hell, I may never even hear back one way or the other; professionalism when it comes to short story submissions, with some exceptions, seems to have gone the way of the dodo over the years–but at least I tried. I now also am wondering if this story needs to be a novella or not; slicing all that extra stuff out of it felt really good, and while the ending wasn’t necessarily stuck (that can always be fixed, of course), the story itself wasn’t bad in its trimmed down state. Which naturally puts me on the horns of a dilemma: keep it as a short story and fix the ending, or leave it as a novella and finish revising/writing it?

Or…why not both?

We finished Toy Boy last night (I keep calling it Boy Toy, which is incorrect) and….not as good or as interesting as the first season, alas. By the time the final episode rolled around I realized I hadn’t been paying as close attention as I did during the first season and thus had literally no idea what was going on in the finale–which ended remarkably well, given how dull the season actually proved to be–and set up the next season quite well…which means we will probably watch the third season, if there is one. Paul’s late night schedule and Carnival has thrown me off on everything we watch; I don’t remember what series that are currently airing that we were watching–but it should show up on my up next on Apple TV.

At least I can hope.

I also have to pay the bills today–always a joy–and probably should go back to the gym tonight. I’ve not been since Wednesday night–Friday was one of those horrible low-energy days where everything was sore and achy; going to Muses Thursday night, even briefly, was undoubtedly a mistake. And I also need to start digging out from under because I am so far behind now I don’t even know what’s what. I know I have a story due sometime in April that I need to start writing; I need to get caught up on my MWA stuff and the anthology I am editing; and I need to start a significant final revision edit of my book coming out in December. So first things first: make a to-do list, go through my notebooks and look through my notes about pending things that need addressing, and try to get my energy levels high and stop allowing myself to feel defeated before I even try.

And on that note, tis off to the spice mines with me. Have a lovely Ash Wednesday, Constant Reader, and I will talk at you tomorrow.