Wednesday morning and I was tired yesterday. I’m not sure why that was; but I really hit a wall yesterday afternoon and thus skipped running errands after work. I came home, collapsed into my easy chair, and settled in for the evening. We watched two more episodes of The Diplomat after dinner, and then I stumbled up the stairs to bed. I feel like I slept much better last night, although I did wake up once or twice–wide awake at five, but stayed in bed until the alarm went off. It’s also supposed to be colder today, with a high no greater than the mid-sixties. THE COLD FRONT IS HERE. It does feel a bit cooler inside this morning, and the air hasn’t kicked on, so…but I feel comfortable rather than cold.
The pictures and news out of Jamaica doesn’t look great; Melissa is now battering Cuba, with tracks leading it away from the Gulf and up the Atlantic, away from shore. Apparently we’re in a high wind alert, particularly for Lake Pontchartrain and Lake Maurepas. Should make for an interesting drive to work this morning, at any rate, especially since I-10 is elevated over Claiborne Avenue almost the entire way.
Apparently there was an accident on I-59 yesterday that resulted in lab monkeys escaping in Mississippi. The monkeys were from Tulane’s research arm, and per news reporting, were infected with Hepatitis C, herpes (a particularly virulent kind) and COVID. As I rolled my eyes, I initially thought along the lines of “this is how it starts in all those plague thrillers, like Michael Crichton would write” but as I thought about it more, the involvement of an elite university in this along with two of the most poorly run states in the union had me thinking more along the lines of Carl Hiassen or an old Burt Reynolds caper movie; it really could go either way. I’m not an intricate plotter, though, and the thing with Hiassen is that he is a master at plotting. Because he writes funny, he doesn’t get the kind of recognition that other master crime writers do (funny is never taken as seriously as tragedy even though it is much harder to be funny), but I have nothing but the utmost respect for him, and Bad Monkey1is probably my favorite funny novel that I’ve read so far.
But checking the news this morning, it seems like all the monkeys were killed…and they weren’t actually infected with anything. So it’s a tragedy, not a comedy, after all.
Since I feel so much more rested (mentally and physically) today I am hoping that I’ll be able to get some writing done when I get home tonight. I would like to get a first draft of a novella and a short story finished by the end of the weekend, and with no LSU game to watch that should make my weekend more of my own, you know? I do want to finish reading the Scott Carson novel I barely started last weekend, so between reading and writing and cleaning my weekend should be plenty full. I do have some errands to run on Friday once I finish my work-at-home duties, but other than that…I should be home for most of the weekend, other than the walks I need to start taking. I also need to start stretching, too.
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll be back in the morning for my last day in the office for the week blog. Till then, au revoir.
The irony that my favorite funny caper/crime novel is titled Bad Monkey did not escape me. ↩︎
Work at home Friday, and all is peaceful in the Lost Apartment this morning. Huzzah? I think this is a definite huzzah. I have a department meeting later this morning (online) and a lot of quality assurance to get done before I get to dive back into the book as we enter into the home stretch. Isn’t it exciting? I need to be finished by close of business EST Monday, and I worry that I may need every minute of that time. But there’s nothing else to do but get to work on it, is there? I think we’re also going to run to Costco after I am done working, too. It’s going to be quite the busy day for me.
The independent autopsy of Trey Reed, the young Delta State student found hanging not so long ago, concluded the cause of death was actually blunt force trauma, not hanging, which makes it murder, not suicide. Anyone surprised the cops and legal system in Mississippi covered up the murder of a Black college student? I certainly wasn’t, and anyone who believed those initial findings–the cops determined it was a suicide immediately, and didn’t bother looking for anything else–is a fucking racist and moron. When it comes to anyone who isn’t white or straight in the South, authority simply can’t be bothered. It may NOT be racism; it could just be sheer laziness and incompetence, but forget it, Jake–it’s Mississippi.
And thank you, Colin Kaerpernick, for your foundation’s work and paying for the independent autopsy so his family can try to seek what passes for justice in that wretched state. (There’s an entire essay to be written about Kaerpernick and the NFL’s selective and unbalanced and unfair approach to protest and political speech, but I am also sure any number of Black writers have done so already, and also have done exceptional work on the topic making anything I could write or say overly simplistic and from too privileged a perspective to do much good for anyone.)
Yesterday was a good day for the most part but I was terribly exhausted when I got home, and wasn’t really able to do much of anything once I was here. I’d already done most of the chores on Wednesday night so there wasn’t much to do last night, and over the weekend I can do the odds and ends that are left to be done. I caught up on the news–the Theo Von break with MAGA was an interesting turn (the rise of reality show performers into the political arena is also something that needs to be written about, if for no other reason than to warn future voters about the dangers of celebrity politicians, no matter how minor the celebrity may have been). Theo is from the North Shore of Louisiana, and he used to work out at my sorely missed gym around the corner (nice body, aging into redneck face). I watched one of his stand-up specials a while back, out of curiosity; I turned it off ten minutes in because I hadn’t even cracked a smile once. Next thing I knew, he’s a podcaster with incredible reach that he used for evil and to help destroy the country. He’s waking up to the knowledge he was played for a sucker…but I also don’t feel terribly sorry for him, either. What am I supposed to think? “Sorry you’re not nearly as smart as you thought you were”? And…the north shore of Lake Pontchartrain is populated pretty heavily with white racists who fled the integration of the public school system in New Orleans.
And don’t even get me started on Sean fucking Duffy.
But I slept pretty well last night and feel very rested this morning. My legs feel a bit tired, but that’s nothing I can’t deal with and I am going to be seated most of the day…although sometimes they tighten up if I sit for a long time. After Paul got home, we watched this week’s The Morning Show and Peacemaker–which I am really enjoying this season, and will definitely be writing about the show once this season concludes–before retiring to bed for the evening pretty early.
Sigh, it’s going to be glorious not really having to get up to an alarm for a week….because my vacation also begins when I finish day job work today. Huzzah!
And on that note, I am heading into the spice mines. Have a lovely Friday, Constant Reader, and I’ll check back in which you tomorrow, okay?
I had something go a little viral (in a very small way) on Threads; New Year’s morning when I saw, after what happened here, that garbage “humans” were blaming “the border”1 for it (um, well actually it was an American military vet, bitch) and posted MTG needs to keep New Orleans out of her hellmouth and at last count, I was at well over a thousand likes and an equally insane amount of reposts–and no “libt@rd” replies for me to block, either. Now, imagine had I put that on Twitter (fuck you now and forever, Elmo, I will always deadname your shitty app). Would I have escaped being swarmed by right wing trolls? Probably not, which was one of the many reasons that helped me break the addiction to Twitter and delete my account. Sometimes I miss interacting with people there (Jericho Brown, for one, and other friends, too), but I do not miss the toxicity and the really bad takes from trashy trolls and bots.
The energy around town yesterday was very off. Of course we all talked about the incident all day at work–the clients, too–and the vibe that’s always there, even when you’re not paying attention, just didn’t feel right. I saw a lot of social media posts yesterday that were love notes to New Orleans, and the love notes far far outnumbered the disgusting bottom-feeding ones (see MTG reference above). And reading those, I started remembering back over the years. Not just the years I’ve been so blessed to live here, but the ones going back to the day when Bienville came up Bayou St. John from Lake Pontchartrain to the island surrounded by swamp alongside the Mississippi River. New Orleans has had this kind of horror before; the biggest mass death event for gay men until Pulse was the Upstairs Lounge Fire in the early 1970s. Hundreds and thousands died during fever season. There was bubonic plague during the Wilson administration, and a massive hurricane a few years later that wiped out entire communities. New Orleans has always understood that death is a part of life, and no one knows when Death will come for you–so live every day like it’s your last; squeeze every bit of joy and pleasure and happiness out of life you can because it can all go away tomorrow, chér. And I remembered back to that time I came here for my birthday in 1994, and an entire new world and life opened up in front of my eyes as I got out of the cab at the corner of Bourbon and St. Ann–and I’ve said before, the city whispered in my ear come live here and I will make your dreams come true.
I love my city, and it will do what it does best. It will mourn its dead and raise money for survivors and celebrate the lives of those lost in this horrific act, the way we always do. New Orleans will not stop being what it is or who we are. We held Carnival after Hurricane Katrina and it was marvelous, absolutely fucking marvelous, and exactly what we needed when we needed it the most. New Orleans will always celebrate being alive, and that’s really part of the charm of this city; not only do we welcome everyone we encourage and celebrate difference, and find joy in finding community all together. What will Carnival be like after this? Joyous but cautious, I would imagine; but as always, Carnival puts everyone into a great mood and we celebrate that we’re still here.
I was tired yesterday–didn’t rest enough I guess after returning to the gym, which I am hoping to do again later on today–so I didn’t get as much writing as I would have liked to get done; I did take Chapter One to over five thousand words from slightly more than three thousand; not bad for a working week. I am hoping to get through the rest of the original chapters this weekend (no college football, nor do I have as much to do as I usually do on a weekend, either, which is absolutely 1000% awesome. The drive home was an exercise in Security Theater; cops and police cars everywhere, and they’d closed off the CBD around the Superdome completely, which was a nightmare as the CBD is the area closest to the interstate–how many people get home from work–so maneuvering around stupid drivers and closed streets and blocked lanes was quite the adventure in irritation and frustration.
Sigh.
Also: I am sick and tired of white racists saying “it’s not safe!!!!” about New Orleans when what you really mean is “too many Blacks live there.” This usually goes along with some pious weeping about how much they used to love New Orleans back when it was safer…newsflash, K-K-Karen: New Orleans is as safe as it ever has been. When you were a child, your parents never talked to you about crime, but when precisely was New Orleans this paragon of safety? New Orleans was always a major port–and major ports aren’t exactly known for decorous behavior and peace and quiet. Was it safer when the Mafia ran the Quarter? When the Upstairs Lounge burned with over thirty people inside? When prostitution was legal in Storyville, or when New Orleans was the liquor capital of North America during Prohibition? Crime has always been rampant here, and this vile racist pretense that before desegregation New Orleans set the standard for law-abiding American cities? Hardly. Just admit your parents or grandparents didn’t want the kids in your family to go to school with Black kids and be done with it, okay?
I feel pretty confident that twink-in-barely-more-than-a-thong will trigger the puritans.
I wonder how long before this post gets flagged by social media puritans as “adult content?” Yesterday’s post was flagged as porn by the cosplaying Puritans at Threads–a man in his underwear is pornography; bare female breasts or some woman with an enormous ass in only a thong proliferate everywhere. Seriously–fuck all of the way off, censors–and think about the message you are actually sending women with your selective application of “oops, this is porn! Shame on you!” to shots of men in swimsuits or underwear, but okaying degrading and demeaning pictures of women every fucking day.
But…Facebook began as a way to rank and score girls who wouldn’t fuck Zuckerberg by a hotness scale, so here we are.
It’s a work at home Friday for me today, and we’re going to Costco later, after I finish my work at home duties. The house is in better shape than usual (thank you, day off on Wednesday and cleaning), so there isn’t as much housework to get done this weekend. My muscles are tight this morning, so I am going to have to do some stretching, and then head back to the gym tomorrow. I also learned something else about myself yesterday–I always rush through my workouts and get extremely frustrated if I have to wait on a machine. When I went the other day, I took my time. I moved through the exercises relatively quickly, but I did them all slowly, didn’t allow myself to get frustrated, and didn’t try to rush through it. And again, I realized I was so focused for so long on using my time effectively and efficiently and trying to do everything as quickly as I can that…it was much easier to get annoyed and frustrated and cut the workout short or something like that. This time, taking my time and actually feeling the muscles work instead of going through so fast that I don’t notice any burn until I am finished isn’t the best way to exercise. I also don’t have the anxiety anymore, so I also don’t feel like I need to get through everything as fast as I can because I don’t have as much to do as I used to. But the good news is my shoulder and arm do not feel any more sore or fatigued than anywhere else; in fact, it actually feels better than it has in a while.
Louder, for those in the back: clearly I should have continued exercising after I was done with Physical Therapy. But…I wasn’t in a good place for the most part last year, so it is what it is and I can’t change that now so move forward and remember. And also remember how good it felt to go to the gym and exercise in the first place.
I also started writing a synopsis of The Summer of Lost Boys last night, too–which felt good and was kind of fun to do. I also need to work on some short stories this weekend, run a few errands, and do some picking up around here. I want to write some today after work, and I think I’m pretty much done with the college football play-offs. There’s no one left that I care about watching; in fact, not a fan of any of the final four, to be honest. LSU already played their bowl game2 and so…who cares? It’s Gymnastics season now, and LSU is the defending national champions, so that’s very cool.
We’re watching Cross, which we’re enjoying; we also finished Hysteria! earlier this week, and it was a lot of fun.
And on that note, I am heading into the spice mines. Have a terrific Friday, Constant Reader, and I may be back later today; one can never be certain.
They still are blaming illegal immigrants despite the fact the killer was born and raised here and was a veteran of our military! They are quite literally the fucking worst humans ever born. The next four years are just going to be a shit show. ↩︎
They did win, by the way, beating Baylor 44-31. ↩︎
Wednesday morning in the Lost Apartment, where it is a staggering 39 degrees outside. Brrr! But I slept pretty well (even if I didn’t want to get up), and my mind is slowly but surely coming back to life. Yesterday wasn’t a bad day at all, but I was out of sorts and off-track for pretty much the entire day, because my routine was disrupted when I got to work and so…yeah. I did run my errands on the way home from work last night and got home to a needy Sparky, so I had to spend some time playing with him and then transformed my lap into a cat bed for a little while. Tomorrow morning I have to get up super-early for PT–which I am not looking forward to, and of course there’s a department meeting on Friday morning, that I think I’ll go into the office for despite it being my at-home day and having the ability to call in for it. I have some on-line events Saturday for the January Bold Strokes bookathon, which I should post more about, and then the rest of the weekend is mine.
I did some more research into a story I am writing last night, and yes, I actually started writing the story. I’m writing about Julia Brown, the “witch” of Manchac Swamp who worked as the healer in a small town inside the swamp and along the lake shore, which was only accessible by railroad. Frenier was a small community, and it was completely destroyed by the 1915 hurricane; all that is left of it is the cemetery and it’s only accessible by boat now. I’ve always wanted to write about the 1915 hurricane since I first learned of it–it came up when I was down a rabbit-hole about the Filipino settlements on Lake Borgne, which were also destroyed in the 1915 hurricane, which led me to reading about Frenier, and the so-called curse of Aunt Julia Brown. (I do wish I’d known about all this before I wrote a Sherlock story set in 1916; no mention of the previous year’s destruction in that story is odd but maybe unnecessary; it didn’t impact the plot of the story at all, but…if I set another Sherlock story in that same time period I need to address that elephant in the room.)
I also went down another research wormhole last night, too–inspired by Mary & George–about George Villiers, Duke of Buckingham and his close relationship not only with James I but with his son, Charles I…although the relationship between Villiers and Charles I wasn’t quite the same kind of erotic friendship as Villiers enjoyed with the senior Stuart. Buckingham was also one of the real historical figures that appeared in Dumas’ The Three Musketeers, which I still want to retell one day from the point of view of Milady deWinter. It’s such a fascinating period, really, and the clothes! MonDieu, the clothes! I’ve always been fascinated by Cardinal Richelieu, and really need to get over my fear of writing about a historical period and just buckle down and write that damned book, don’t I? Sigh. I also need to get back to both Chlorine and Muscles, too.
Heavy heaving sigh.
But I am also starting to feel like I am settling back into my normal, every day life, and I feel better than I have in years. That cloudy feeling in my brain seems to be gone, and I am adapting to getting back up early in the morning without much hassle; I suspect the sleeping pills are working their magic and sending me into a deep healthy sleep every night, which pays off in being both awake and lucid in the morning. I’ve also got some blog entries to finish writing–my thoughts on Saltburn, because I know everyone is just waiting to hear what I have to say about it, and some analysis of the most recent chapter of the graphic novel Heartstopper, both of which are destined to be queer cultural artifacts.
And I hope to finish reading Tara Laskowski’s The Weekend Retreat before the weekend, too. I should have spent some time with it last night, but it was after six when I got home and by the time I was finished with putting stuff away and quality Sparky time and writing, it was later and so I just went down the Villiers wormhole. I also watched the final episode of season 2 of War of the Worlds, and am officially tapping out now. Not only was the shark jumped, the story became preposterous. I thought it might be a bit more interesting and intriguing once I realized the direction they were going in, but no. I also forgot part one of the Real Housewives of Salt Lake City was airing last night, so I’ll be catching up on that tonight after reading. I get to go straight home from the office tonight, so fingers crossed that I’ll get some good reading time in before I shut my mind off and dig into some reality television.
And on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and who knows? I may be back later.
(NOTE: I started writing this post back in January, after I’d returned to New Orleans from my last Mystery Writers of America board meeting–this is to give context to the opening paragraph– as you are no doubt well aware, Constant Reader, that I’ve not been back to New York since January; so this is that same trip where this happened and I started thinking about these things, which have never been far out of the forefront of my mind since then.)
While I was in New York recently, walking around to and fro, here and there, hither and yon, I was always checking my phone (and yes, I hate that I’ve become one of those people) and then shoving it back into my pants pocket without putting it to sleep first or closing the app that was open. As I walked around, of course this led to my phone doing all kinds of weird things –closing an app and opening another, etc.; but at least there were no butt dials, right? At one point, when I pulled out my phone as I took a seat on the subway, somehow what was open on the screen was a google search for my book A Streetcar Named Murder–and when I went to close that screen I touched one of the images by mistake, which took me to the Goodreads page for the book. Bear in mind, I never look at Goodreads for any of my books, let alone Amazon–the temptations to start reading the bad reviews is too great, and while I can usually laugh them off, occasionally–and it depends entirely on my mood, of course–one will get under my skin and it will annoy me, and that’s not good for anyone.
This particular day on the subway the Goodreads page opened to the bad reviews first–its average is four stars, which I will always take because I am not Lauren Hough–and the very first one made me laugh out loud on the subway. Paraphrased, it was basically someone taking umbrage at “someone who doesn’t live here or know the first thing about New Orleans” writing a book about New Orleans. The reason they had come to this conclusion was because Valerie referred to Mardi Gras as “Fat Tuesday”, and according to this one-star reviewer, no one from New Orleans would ever say Fat Tuesday instead of Mardi Gras.
Well, I’ve lived here for twenty-seven years and I have heard any number of locals say Fat Tuesday rather than Mardi Gras, and so of course I had to click on the reviewer’s profile…and grinned to myself when I saw that they actually live in Metairie, not New Orleans…which to locals is a bigger crime than getting something wrong about New Orleans: claiming to be from New Orleans when you actually live in Metairie. (the rejoinder is usually along the lines of “bitch, you live in Metairie.”)
It was also kind of fun to be accused of inauthenticity when it comes to writing about New Orleans, because I personally have never claimed to be an expert on anything New Orleans (others have said that about me, and I always am very quick to reply not even close); the more I learn about the city the more I realize how little I actually know about the city. There’s an extremely rich (and often incredibly dark) history here; it’s hard for me to wrap my mind around the fact that the New Basin canal was there as long as it was, or that there were several train stations around the French Quarter (including one that essentially was in Storyville–rather convenient for the whores and pimps, right?), or that where UNO is now used to be the lake shore resort of Milneburg, or that the only way across the river or the lake was by ferry until Huey Long built a bridge at the Rigolets (the narrow inlet between lakes Pontchartrain and Borgne).
I was on a panel once at the Tennessee Williams Festival with Bill Loefhelm (if you’re not reading Bill’s books, shame on you and correct that immediately) and the question of New Orleans authenticity came up, and Bill’s response (paraphrasing) was that New Orleanians have a tendency to play a game called “NOLier than Thou,” in which they try to one-up each other to see who the true New Orleanian actually is–which is, of course, gatekeeping. (And yes, I immediately turned to him and said, “I like that and am going to steal it” SO CONSIDER IT STOLEN.)
It does bother me somewhat when I read books set in New Orleans written by people who have never lived here; you can tell, but I also get over it pretty quickly; who is to say who can and can’t write about a place? There’s a significant difference between visiting and living here, which I realized almost immediately after we moved here, and that also becomes very apparent in fiction. I had started writing the book that would become Murder in the Rue Dauphine before I moved here, and I realized, once I did live here, that everything I’d written about New Orleans was completely wrong. I didn’t work on the book for another two years; and even then I wasn’t entirely sure I’d lived here long enough to write about the city. So…I kind of cheated by making Chanse MacLeod not a native either; he’d moved to New Orleans after getting his degree in Criminology from LSU, and had been here about six or seven years when the story opened. So he was an outsider, too; so his views on the city and how things work around here were from an outsider’s perspective, like mine; that was easier. With Bourbon Street Blues, I decided that Scotty was not only a native but came from two old-line society families, from the Garden District and Uptown. One of the greatest joys of my publishing career was having the Times-Picayune’s mystery reviewer, as well as the Books Editor, both say repeatedly that I got New Orleans right in my books. (Thanks again as always for all of your support, Diana Pinckley and Susan Larson!)
And I never really worried about it too much from then on. I wrote about New Orleans as I saw it–the potholes, the cracked sidewalks, the leaning houses, flooding streets, oppressive weather and hurricanes. As the years passed, I became more and more aware that my New Orleans writing was primarily confined to the Quarter, the Marigny, the CBD, the Lower Garden District, the Garden District, and Uptown–a very narrow slice of the city, but those were also my slices of the city, so that’s I wrote about. Sometimes I’d venture into another neighborhood–Lakeview, the Irish Channel, English Turn–and sometimes the story would take the characters to another part of Louisiana–the bayou and river parishes, the Maurepas swamp, the Atchafalaya Swamp, Baton Rouge–which, oddly enough, I had no qualms about fictionalizing. I’ve created numerous fictional towns and parishes surrounding New Orleans; I’ve even invented a sleazy gay bar in the Quarter (the Brass Rail).
So, was I doing New Orleans (and Louisiana) right by making stuff up, inventing places like the Royal Aquitaine Hotel, the Brass Rail, Bodytech Health Club, Riverview Fitness, etc.? Sometimes you have to fictionalize things, even if they are based on something that really exists. I never really thought much about it; I felt like I was getting the feel of New Orleans right, that my characters talked the way people in New Orleans do and react the way people here do, and that I was putting enough reality into the books for them to ring true to locals, natives, and tourists. Sometimes the cases are based on, in or around something that actually happened or exist; like the Cabildo Fire, the Fire at the Upstairs Lounge, Hurricane Katrina and the ensuing flood; termite swarms; Huey Long’s deduct box; and even the court case in, I think, Murder in the Irish Channel that triggered the murders was actually based on a civil trial I served as a juror on.
When I started writing A Streetcar Named Murder, I realized a lot of things I was writing about had to be fictionalized; I couldn’t set a murder at a Mardi Gras krewe ball and use an actual krewe that exists in real life, for one thing (like I had to invent a French Quarter hotel for a couple of murders to occur in) and while I didn’t want to use the cheat that Valerie had moved here again, like I did with Chanse, I wanted her to be of New Orleans but not be of New Orleans…so her parents are from Georgia and moved here after college and marriage, so Valerie was born here, went to school here, met and fell in love with and married her husband here–but her roots aren’t very deep, so she is both insider and outsider at the same time. I liked that idea; like how I am of the South but not of the South, she was of New Orleans but not of New Orleans at the same time. When creating Jem Richard in Death Drop, again, he’s a recent transplant to the city but his father is from New Orleans but relocated to Dallas, where Jem was born and raised. Jem spent a lot of his summers in New Orleans when he was growing up with his paternal grandmother, so he too is of New Orleans but not of New Orleans; which I am really liking as a method of storytelling about the city. I also moved Jem to a different part of the city; he lives in the 7th ward, on St. Roch Avenue in what is known as the St. Roch neighborhood (aka what realtors are trying to redefine and rename as the “new Marigny”, in order to raise prices) which is also very close to my office. Part of this was to move the action out of the neighborhoods I usually write about (although he does wind up in both Uptown and the Quarter) and so I could explore another neighborhood/part of the city than what I usually write about.
I also had recently–prior to the pandemic–started feeling more disconnected from the city than I ever had before. Primarily I think this was due to my office moving; we had been on Frenchmen Street in the Marigny, one block from the Quarter and where Scotty lives, so whenever I needed some Scotty inspiration I could walk a block, stand under the balconies of his building and just look around, drinking in the sights and sounds and smells of the block. To get past this, I started joining New Orleans history pages on Facebook, like Ain’t Dere No Mo New Orleans or the HNOC page and various others–you do occasionally run into Confederate apologists and racists there (they usually cry about the “crime” in New Orleans–you know, the usual dog-whistles from the white flight racists who fled to Jefferson Parish or the North Shore to escape desegregation of the public schools) and reading more histories of the city, state, and region–which are incredibly fascinating. That reading/research helped me write my historical Sherlock in New Orleans short story, “The Affair of the Purloined Rentboy”–but I have also since realized I got some things wrong in the story too, but there is just so much to know. I set the story in 1916 for example….without knowing New Orleans was hit by a MAJOR hurricane in 1915 that wiped out any number of settlements and villages around the lakes and the bay shores (that will turn up in a story sometime; the destruction of the lake front village of Freniere is just begging to be fictionalized and written about). When I mentioned this to another writer, who primarily does historicals, she snorted. “It’s impossible to know everything, and would people in 1916 still be talking about a hurricane from 1915?”
Probably, but if it doesn’t have anything to do with the story being told, why would I mention it?
A very valuable lesson, to be sure.
So, yes, lady from Metairie: you caught me. I’m not from New Orleans, you’re correct. But I’ve also published over twenty novels and umpteen short stories set here, and have even won awards for doing it.
And I’ll call it Fat Tuesday if I fucking want to.
The Huey P. Long Bridge at sunset, photo credit Marco Rasi
I do love researching Louisiana, even if and when it leads me down a rabbit hole as it always does. I’ve been trying–and it really isn’t necessary–to find out of you can actually leave the New Orleans metropolitan area without crossing a bridge; I-10 east and west require bridges (west is the wetlands/swamp alongside Lake Pontchartrain, going east you cross the lake) and of course the Causeway to the North Shore is also a bridge across the lake. Obviously you need a bridge to cross the river (there are two, the Crescent City Connection and the Huey P. Long Bridge), which leaves the old River Road, which for years was the only way into or out of New Orleans without crossing a bridge as it follows the levees up the river to Baton Rouge. I’ve never actually taken the River Road so I can’t swear that there are no bridges on its path alongside the river going north; I’ve been trying to get the answer by using Google Maps and Earth rather than taking the time to drive all the way out there and see for myself. The trick is, of course, the Bonne Carré Spillway; according to the maps the road is inside the spillway, so if the spillway is opened I believe New Orleans would have no dry land exits in any direction. I want to include this in my book, but…I also don’t want to have to take the drive to find out for sure, either.
And if I get it wrong, of course I’ll hear about it.
I am back into the office on a Monday for the first time in a very long time; I feel good this morning. I woke up long before the alarm and stayed in bed until the alarm went off, but I do feel remarkably rested all the same. We’ll see how this shift in work days feels later in the week, won’t we? But so far it feels good.
The Saints did win yesterday; for some reason I thought the game was last night instead of in the afternoon so I was reading in my chair when Paul came downstairs and mentioned that the game was on and it seemed like an exciting one–so I tuned in just in time to see the closing two minutes of the Saints’ second win on the season. I’m glad, though, I didn’t watch–from all reports it sounded like the kind of exciting and thrilling game that is inevitably an emotional rollercoaster, and after the disastrous LSU game on Saturday I don’t think I could have handled a close, exciting Saints game on top of it anyway, so it was just as well. I did get some writing done yesterday–nowhere near as much as was necessary and needed, so yay, still behind! Woo-hoo!–and then we watched our shows last evening. I enjoyed the new episodes of The Serpent Queen (now deviating from the actual historical story), House of the Dragon, Interview with the Vampire, and an episode of The Midnight Club (which, interestingly enough, is turning the stories the terminally ill teens tell each other into adaptations of other Christopher Pike stories, which is really clever) before retiring to bed relatively early last evening.
Ugh, just looking at my inbox is giving me the vapors. Hopefully I’ll make some good progress on that as well as my to-do list; which I made last week and nothing is crossed off of it, which doesn’t bode well for me or anyone or anything for that matter. But here’s hoping I can start making progress tonight or tomorrow.
Watching Interview with the Vampire, as well as rereading the book, has sent me down some mental wormholes as well. I actually wound up digging up copies of my vampire writings from the past (for teh record: the novellas “The Nightwatchers” and “Blood on the Moon,” and my novel Need), which aren’t terrible (I really need to stop defaulting to all my old work is terrible because it’s not); I had in fact forgotten a lot about them, to be honest. I just read the beginnings of all three to get some sort of idea of what I had done and was like, oh, wow, I didn’t remember this character or I’d forgotten this was set during Carnival and so on. So I am hoping that rereading them won’t be painful and will remind me of some other things that I wanted to work on; I was always disappointed that I never got to do a follow-up to Need–I’d created what I thought was an interesting paranormal mythology that I really wanted to explore more, but never got the chance.
Maybe when I retire?
And on that note, I am heading into the spice mines.
It’s probably hard to imagine what Southern Decadence is like unless you’ve actually been to it; even the hundreds of pictures I’ve taken and shared on social media over the years can’t even remotely begin to get the concept of what it’s like across–the same as Carnival, really; it has to be seen and experienced to be truly understood. My first Southern Decadence was in 1995, which was around the twenty-second or third time it was held; my knowledge of Decadence, primarily from urban legend and tales told from one gay to another and passed down over the years, is sketchy and probably untrustworthy (if you’d like the unvarnished truth and read about the history, I highly recommendSouthern Decadence in New Orleans from LSU Press, co-written by Frank Perez and Howard Philips Smith; I have a copy and thoroughly enjoyed reading it. Alas, my memory isn’t what it used to be, but the story is it began as a bar crawl for a friend who was moving away, and grew from those humble beginnings into a massive event that draws queers from all over the world).
That first Decadence I came to was also one of the hottest, temperature wise, or perhaps it was simply because I wasn’t used to the summers in New Orleans yet since I didn’t live here. I just remember being in Oz one afternoon and just soaked in my own sweat, and going down the back staircase from the second floor–the staircase that opens out onto the dance floor–and having to hold onto the railing because the steps were slick and wet. The railing was also wet, and when I touched the walls so were they–all the humidity and body heat and sweat–but at the same time it was so much fun. Gorgeous, flirty and friendly men everywhere, everyone scantily dressed and getting wasted and just having a good time. This was during the height of the circuit parties, most of which have died off over the years–there’s no longer a Hotlanta weekend in Atlanta in mid-August anymore, for example–but back then, it seemed like every month if you had the time and the money there was a circuit party somewhere you could fly off to and be yourself and have fun being in an entirely gay environment for a few days. That was, for me, one of the primary appeals of circuit parties and gay bars–they were safe havens for everyone to be out and proud and loud…and after a few weeks navigating the straight world for work and play and life in general…it was lovely to let loose in, for want of a better word, a safe space.
Circuit parties also had their downsides, don’t get me wrong–Michelangelo Signorile detailed some of those in his book Life Outside, which got taken out of context an awful lot–drug use and rampant sex and bad choices also led to other problems, not to mention the spread of HIV and other STI’s; the very first time I ever went to a circuit party–Halloween in New Orleans, 1995–there was a very Masque of the Red Death feel to it; here were all these gay men crowded into a riverfront warehouse, doing drugs and dancing and having a great time while the plague raged outside the doors. I even wrote about that in my diary on the flight back to Tampa a few days later.
But Decadence was always my favorite, out of all of them, and it was something I looked forward to every year. My workouts were always planned so I would hit peak physical condition for Decadence and maintain through Halloween, before starting to work on the Carnival body. It feels weird to talk about it that way, but that was my mentality and my schedule for years. Bulk up for a couple of months, then lean down leading into the event.
I had always wanted to write about Southern Decadence, and I know I’ve written about how I came up with the idea for the book numerous times; standing on the balcony at the Pub watching one of the strippers fight his way through the mob of gay men to get to the Pub so he could work, Paul saying you really should write a book about Southern Decadence and seeing a scene vividly in my head as I looked down at the sea of sweating gay men. I’ve also written about where the idea for the character and his family came from. So what is there left for me to say about Bourbon Street Blues?
The new cover for the ebook edition.
The name’s Dansoir. Dick Dansoir.
Okay, so that really isn’t my name. It’s my stage name from the days when I was on the go-go boy circuit. I started when I was in college, at Vanderbilt up in Nashville. As with almost everything that goes on in my life, I became a go-go boy on a fluke. The Goddess brings interesting experiences into my life all the time. Sometimes I don’t think it’s all that great, to tell the truth, but she always seems to be watching out for me.
I was working out at my gym one day when this guy came up to me and asked me if I wanted to make some easy money.
Like I hadn’t heard that one before.
I was twenty-one at the time, just turned, but I wasn’t some wide-eyed dopey innocent. I was raised in the French Quarter, after all, and by the time I went off to college at age eighteen I had pretty much seen everything. French Quarter kids have a lot more life experience than other kids their age. You can’t really help it. The French Quarter is like Disneyland for adults, and growing up there, you get used to seeing things that other people can only imagine.
Anyway, this guy said he was a booking agent and scout for this agency that booked dancers in gay bars throughout the deep South. The troupe was called Southern Knights.
“You can make a lot of money this way,” he said to me above the sounds of people grunting and weights clanging. “You’ve got the look we like.”
I looked at myself in one of the mirrors that are everywhere in gyms. I was wearing a white tank top and a pair of black nylon jogging shorts. I was pumped up from lifting, and if I did say so myself, I looked pretty good. I’m only about five-eight—nine if I have thick-soled shoes on. I have curly blond hair that’s darker underneath. The sun does lighten it, but that darkness underneath always makes people think I dye it. I don’t. I have big, round brown eyes. I am also one of those blonds lucky enough to be able to tan. I’d gotten a good tan that summer and it hadn’t faded yet. The white tank top showed the tan off nicely. I also have a high metabolism and can stay lean rather easily.
But scam artists are everywhere. I wasn’t about to fall for a line from some stranger in the gym. For all I knew, it was a trick to get my phone number, or an escort service, or something else I didn’t want to be involved in.
Not that I have anything against escorting. People go to escorts for all kinds of reasons—loneliness, fear of commitment, whatever—but they do fulfill a need in the gay community, and more power to them. I just never saw myself taking money from someone for having sex. I like sex. I enjoy it. So, it just never seemed right for me to tale money for doing something I like.
Besides, taking money for it would make it work. I prefer to keep my status amateur.
I got a copy of the book out yesterday and skimmed/read it again, to get another look and remind myself of Scotty’s roots and beginning. I realized yesterday, as I turned the pages of an ARC (yes, I still have ARC copies of Bourbon Street Blues available), several things: one, that the reason I always hate reading my own work is because my brain is trained to read my work editorially, to fix and edit and correct and look for things needing to be fixed (and I can always find something) and that second, it’s really been so long since the last time I looked at this book–or any of the earlier Scottys–was four years ago, when I was writing Royal Street Reveillon. So, by making the obvious effort to flip the editorial switch off, and having so much distance from the book that it almost seemed like something new to me, I was able to skim/read the entire thing without wincing in horror or pain or embarrassment.
The original cover, which always makes me smile.
Bourbon Street Blues was also the last novel I wrote that didn’t have an epigram of any kind, let alone Tennessee Williams: I started that practice with Jackson Square Jazz with a line from Orpheus Descending: “A good-looking boy like you is always wanted.”
Reading the book took me back to the days when I was writing it. The Greg who wrote Bourbon Street Blues is still here, I’ve just been through quite a bit since then and have changed because of my experiences. There were some sentences in the book I would change now to make better, but there are still some jewels in there, and well, I can kind of understand now why the character is so well-liked. He’s charming and humble and kind; sure he talks about “being irresistible” a lot, but that’s part of the charm. Guys find him attractive. He doesn’t necessarily see it, but is more than willing to accept it and not question it. He enjoys his sexuality and he enjoys having sex. I wanted Scotty to be unabashedly sexual and to have no hang-ups, carrying no stress or issues about being a very sexual gay man.
As I read the book again, I also started seeing something that had been pointed out to me over the years a lot–and began to understand why this was pointed out to me so much; an old dog can learn new tricks, apparently–but I still think other people are wrong. The book isn’t “all about sex,’ as some have said. Rather, Scotty sexualizes men; he sees them as potential partners and appreciates beauty in men. His friend David also loves to get laid, so they cruise a lot–whether they are at the gym (either the weight room or the locker room), a bar, wherever they are–and so people get the idea that the book itself is incredibly sexual, even though there is literally only one sex scene in the entire book and it’s not graphic; Scotty’s weird mish-mash of spirituality and beliefs and values make the act itself a sacred ritual, and that was how I wrote the scene; from a spiritual, commune-with-the-Goddess perspective. It’s also funny in that people are so not used to seeing world through the Gay Male Gaze that it’s jarring, and puts sex and sexuality into the minds of the reader.
The question is, would people think the same if this was done through the Straight Male Gaze, in which women are sexualized? Since this is the default of our society–literature, film, television–is flipping the script to show the Gay Male Gaze so uncommon and so unheard of that it triggers such a reaction from some of the readers?
There’s also so much innocence in the book, and it’s also interesting to see it as a kind of time-capsule: Scotty doesn’t have a computer; his rent (on Decatur Street in the Quarter, with a balcony) is $450 a month (ha ha ha ha, that’s what the condo fee would be now monthly); and he also doesn’t have a cell phone. The whole point of the book was to do a Hitchcockian wrong place/wrong time now you’re in danger kind of story; and that is precisely what Bourbon Street Blues is. I’d forgotten that one of the running gags in the book is that he never gets a chance to sleep much throughout the story so he’s tired all the time and just wants it all to be over so he can go to bed.
Another thing that’s dated: even in 2002, in my naïveté and innocence, the evil politician running for governor–when described by Scotty’s brother Storm as problematic–even he doesn’t support an outright ban on abortion–he wants to ban it but with the rape, incest and health exceptions.
Even in 2002 I couldn’t conceive of anyone running for statewide office calling for an outright ban on abortion.
How things change.
It was also interesting that I got two things very wrong in the book, too: for one, I was thinking for some reason the swamp on the edges of Lake Pontchartrain on the way to Baton Rouge on I-10 was the Atchafalaya (it’s the Manchac/Maurepas), and while I had always remembered I’d given Scotty’s mom a name in this book but forgotten it later when I needed a name for her in a different book–I had the name wrong. I thought I’d called her Marguerite in Bourbon Street Blues then named her Cecile in a later book; I had actually called her Isabelle. (I’ve even told that story–about the names–before on panels and been WRONG ALL THIS TIME!)
It was also interesting and fun to remember–as I read–that Scotty was also not looking for a boyfriend. He was perfectly happy and content being single (which was also something important I wanted to write about–a gay man who didn’t care about finding a life-partner, figuring if it was meant to be it would happen). I also presented him with two potential love interests–Colin the cat burglar and Frank the hot daddy–with that actually being resolved without him having to make a choice between them. I also had the book end with Scotty being slowly persuaded into becoming a private eye.
Originally I had conceived it as a stand alone novel, but the publisher offered me a two-book contract, so when I was writing Bourbon Street Blues I knew there was going to be a sequel. This freed me to leave some personal things open for him; I knew I was going to bring Colin back in the next book so he was going to have to choose between them, and I also knew the personal story needed to be wrapped up by the end of the third book, which was going to be the end of the series with everything resolved. That changed when I wrote Mardi Gras Mambo, but that’s a story for another time.
Bottom line: it’s a good book and I am proud of it. It’s only available now as an ebook from Amazon, but I hope to eventually make it available through every service as well as get a print-on-demand version for those who might want one.
Eight or so years ago at this time Paul and I were in Italy. Sigh, Italy. God, how I love that country. I would love to live there in a village in Tuscany–well, really, anywhere in Italy would work just fine, really. I do so hope we’ll be able to go back someday. I’d love to see Pompeii, Milan, and Rome. And both Corfu and Capri–especially after reading (listening) to Carol Goodman’s wonderful The Night Villa. (One of the real life incidents she mentioned in the book from Capri’s history fascinated me, and took me down a wormhole and now I want to write about that historical incident, of course.) I have since written a short novella (or long short story) set in Italy called “Don’t Look Down,” which was included in Survivor’s Guilt and Other Stories, and I have another novella-in-progress set in Venice called “Festival of the Redeemer,” which I hope to polish and edit at some point before the end of the year. Sigh, Italy. What a beautiful country, with lovely friendly people and the most amazing food and….so beautiful. You can see why the Renaissance flourished there.
I got the final edits on “Solace in a Dying Hour”–two questions (one in which I had made a mistake) and the rest was copy edits and the deletion of a paragraph. So that’s a wrap, methinks, and I am really fond of the story, too. It was my first venture into Louisiana urban legends and myth; well, really the second, because I did write “Rougarou” about a decade ago, but it’s been a while since I’ve turned to Louisiana legend and folklore to write a story, and writing about le feu follet was a lot of fun. I want to do more of these, of course; as Constant Reader may remember, I’ve become fascinated by the story of Julia Brown and the Great Hurricane of 1915, when her town, Freniere, was wiped off the map. Freniere was located on that narrow strip of land running between Lake Maurepas and Lake Pontchartrain; if you’re driving west out of New Orleans on I-10, and then take the Hammond exit north on I-55, that’s the land the bridge is built on (when you’re actually driving over dry land, that is). I’ve always called that swamp the Manchac Swamp, but I don’t think that’s it’s real name (and I’ve called it that in books, too. Yikes!). You cannot get to the location where either Freniere or Ruddock (the other town in that area that was wiped away by the Great Hurricane of 1915) any way except by boat; apparently some of the swamp tours will swing by the old location where the graveyards still are, but the wreckage and remains of the towns are long gone. Both towns were only reachable by train or boat when they actually existed; there were no roads in or out of town, which always makes me think why would anyone want to live in such a remote and isolated place? But yes, you can bet the witch Julia Brown will appear someday in something I write.
I also got a rejection for a story yesterday, but it was one that I expected so it didn’t sting. I knew it was a long shot to begin with, so that’s fine, and I can certainly send it to another market, which I will most likely do after reading it again to make sure it’s actually quite terrible and I was in a complete state of denial about it being publishable in the first place. Rejection is just part of the game, of course, and there are any number of reasons your story doesn’t get accepted that have nothing to do with the story’s quality itself. I like my story and I think it’s clever, but that doesn’t mean it doesn’t need to be looked over another time, you know?
I feel rested this morning. I was very tired when I got off work yesterday afternoon, which is fine; I’d rather be tired after work then during it, you know? I didn’t get much of anything done once I got home, either–I had to pick up the mail and a prescription on my way home; today I can just come straight home–and I have some things I need to get taken care of when I get home from work tonight. Which is cool, I think I can spend a bit of time preparing (I have to make a promotional video–which clearly I’ve been putting off as it is due to be turned in tomorrow) and of course, I have to make the kitchen in the background behind me look–well, not embarrassing for me, at the very least. (Although I don’t know how much more embarrassed I can get filming myself. I hate the sound of my voice and I hate the way I look on video recordings–mainly because the actuality of how I look does not come close to the way I see myself in my head–pictures, recordings and the mirror often provide deeply disturbing shocks for me.)
And on that note, I am going to head into the spice mines this morning. Y’all have a marvelous day, and I’ll be back tomorrow for another entry. See you then!
I got up again before seven this morning–despite staying up an hour or so later last night than I usually do; I was waiting, hoping Paul would be coming home, but he didn’t get home again until after I went to bed. I didn’t get nearly as much done yesterday as I would have liked because I got distracted by reading Kellye Garrett’s marvelous Like a Sister, and by the time I finished the book it was late afternoon and the tiredness I was feeling yesterday morning–I mentioned it, remember? I wasn’t as awake and alert as I had been the day before–I decided to just kick back and relax for the rest of the day. I watched a lot of history documentaries on Youtube; watched a lot of news worried about Ukraine; and then last night I decided to watch The Drowning Pool, a 1970’s film version of Ross Macdonald’s book–with significant changes made to the book–moving it to Louisiana for one (more on this later). When the movie was finished I went to bed, and woke up early again this morning (body clock has reset, for good or ill). I have to make groceries this morning, as well as gas up the car (can’t wait to see how much gas costs today; but I am more than willing to pay more to save Ukrainian lives, frankly) and head home for some more editing work. I am going to work on my manuscript today; and I have a manuscript from Bold Strokes I need to get edited this week as well. Lots of heavy lifting to get done this week, but I think I can manage.
I also need to select my next book to read. I’ve narrowed it down some; the leading contenders include Harlem Shuffle by Colson Whitehead, The Twelve Jays of Christmas by Donna Andrews, The Prophets by Robert Jones Jr., and All Her Little Secrets by Wanda M. Morris. A plethora of treasures in my TBR pile, no? There’s also some short story collections and anthologies I want to start working my way through–not to mention a short story I need to write by the end of the month (see why I need lists?)–so I think once I get home from the grocery store I will most likely have to make this week’s to-do list. I also have some emails to write for sending tomorrow. But I don’t feel as paralyzed this morning as I usually am by a daunting pile of work that needs doing. We’ll see how I feel when I get home from the grocery store, though, I suppose. Usually dealing with the groceries wears me out and I am pretty much useless afterwards; I don’t know if that is actual physical or mental exhaustion or laziness settling in. I know that my energy levels have significantly decreased over the past pandemic years, and sometimes I do wonder if it’s maybe Long COVID; exhaustion and loss of energy seems to be one of its leading symptoms, and of course, both tend to trigger depression, which creates a massive downward spiral. But I keep testing negative for it, so what do I know?
So, The Drowning Pool starring Paul Newman as Lew Archer, renamed Lew Harper in the movie, and the location was moved from southern California to Louisiana for some reason. The movie is very cynical, so it definitely fits into my Cynical 70’s Film Festival, but it’s not a very good movie. (I’ve read the book, and while the family structure of the film seemed familiar, there’s a lot of significant diversion from the book.) One of my favorite parts of the movie is one of those things Louisiana/New Orleans people always point out in movies and television shows: the geography makes no sense. Harper is summoned to New Orleans by an old flame, whom he meets in a Royal Street antique shop for some reason. She doesn’t anyone to know she’s hired him, so why would you meet in the Quarter? The airport is in Kenner; why would you make him drive all the way into the heart of the city when you could have simply met him at a lounge or bar out near the airport, where they would be a lot more anonymity? Anyway, the old flame (Joanne Woodward, wasted in a role far beneath her talents) has gotten him a room at a motel in the small town she lives in, and she runs off, promising to be in touch…and here is the weird Louisiana geography part. He leaves the Quarter, takes the causeway across Lake Pontchartrain, eventually crossed the river in Baton Rouge, and then winds up somewhere in swampy Acadiana. That’s all fine…but why would you take the causeway to the north shore to get to Baton Rouge when I-10 heads directly there from New Orleans? He added at least another hour to his trip by crossing the lake. There’s another scene where he’s tracking someone down, following his girlfriend as she gets off the St. Charles streetcar, crosses the street, and enters a home. Harper later refers to the man’s “apartment in the French Quarter”–um, the streetcar doesn’t run through the Quarter, it didn’t in 1975, and it was clearly St. Charles Avenue (there are several more of these, in fact; the bayou area near the town was clearly filmed in the Manchac Swamp). The plot is convoluted and didn’t make a lot of sense–blackmail, Joanne Woodward’s husband is a closet case, someone has stolen an account book from a local oil baron’s company that exposes their pay-offs and bribes and other illegal activities–and Newman, while handsome and charming, doesn’t really put a lot of effort in the role. Your mileage might vary, of course, but I found it to be disappointing. The only thing about the film of note was very young Melanie Griffith playing Woodward’s nymphet teenage daughter…and I kept wondering how old IS she to be so sexualized in a film? But it was also the 1970’s…in catching up on the 1970’s films I’m constantly amazed at how much unnecessary nude scenes for women there are, or gratuitous sex scenes that add nothing to the plots in these films. But I also appreciate the grittier, more realistic if cynical point of view of the films; there’s nothing pretty or noble about humanity in these movies…which also kind of explains how “hopeful” movies like Rocky and Star Wars were so enormously successful during the latter part of the decade.
And on that note, i think I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and I will check in with you again tomorrow.
So, it’s now Tropical Storm Sally, with landfall expected sometime on Tuesday, given its current projections, and we are right smack dab in the center of the Cone of Uncertainty–although the path overnight has shifted somewhat– it going right over us; with storm surge through Lake Borgne through the Rigolets and into Pontchartrain as well as the mouth of the river. The surge is only supposed to be a maximum of twelve feet, which is okay since the levees can handle up to sixteen, but yikes if you’re outside the levee system!
I got caught in a downpour yesterday while running my errands–file this under What Else Is New–which I honestly don’t mind; it’s kind of becoming expected for me. I’m surprised when I run errands and don’t get caught in a downpour. What’s annoying is how rain makes New Orleans drivers–never the best in ideal circumstances–makes them forget everything (what little) they actually know about how to drive and become even bigger morons. I am also amazed at how many people cannot deal with the possibility of getting wet in the rain, or having to walk a few extra yards in the pouring rain. Um, if I’ve learned anything about New Orleans rain in the nearly twenty-five years I’ve lived here, it’s that it doesn’t matter: you’re going to get soaked, no matter what, and once you reach a certain point in soaking wet it really doesn’t matter anymore. You can only get SO wet.
It’s really not rocket science, people. Seriously.
I started writing a short story which started forming in my brain on Friday night–“Fear Death by Water”–and that title is actually a quote from T. S. Eliot’s “The Waste Lands.” Nothing to fear here, Constant Reader–while I do own a copy of Four Quartets I’ve still not read it; there was a lengthy quote from the poem at the opening of a book I was moving in the ever-shifting attempts to declutter the Lost Apartment Friday evening–the book, which I loved and should probably reread, was Nightmare Alley, which my friend Megan recommended to me and it is quite the dark noir ride, But those four words–fear death by water–struck a chord in my creative brain and I heard the opening sentence very clearly in my head: But she would have never gone out on a boat, she was always afraid of water and as the sentence began to crystallize in my head, I started seeing the rest of the opening scene and also that this would be a gay NOPD detective Blaine Tujague story. So after I put the groceries away yesterday afternoon and before changing out of the clothes that got wet in the downpour and showering, I opened a new Word document and began writing this story. It stalled out about a hundred or so words in; I am hoping to get back and spend some time with it again today.
The vacuum works better now that the filter has been clean, but it’s still not as strong as it once was; or perhaps I am merely remembering it being more powerful. I am not really sure. It takes more than a couple of runs over things to get the properly vacuumed (I love that the Brits say “hoovered”, as they turned the brand name of a vacuum into a verb). So the Lost Apartment looks much better this morning than it has in a while, but i still need to get some more work on it done. It’s a start, though, and every little step works.
We watched The Babysitter: Killer Queen last night, and while the previews made it look quite marvelous, it wasn’t really. The highlight was Robbie Amell shirtless, and he was the only person in it who seemed to have committed to actually performing, other than the male lead and the new female love interest. (Note to producers: you can never go wrong with Robbie Amell shirtless.) We also started watching a new series called The Duchess, which had moments of humor but seemed kind of flat in all; we’ll give it another episode to see if it picks up. We are also sort of losing interest in Raised by Wolves; the most recent episode struck us both as a bit dull and we’re losing interest in the story; it’s taking a bit too long for the story to really start moving. I was playing Bubble Pop and checking social media while watching the fourth episode, and let’s face it, that’s a pretty damning indictment.
I also started Babylon Berlin yesterday, and it’s quite marvelously written.
I way overslept this morning. Our phones of course went crazy around six in the morning with the emergency alert about the state of emergency being declared with Hurricane Sally, which may now be a category 2 and again, I am worrying about the power situation more than anything else; I have a freezer filled with food that will perish should we lose power for a significant amount of time, which would absolutely suck rocks. It appears there will be lots of rain as well as high winds that we’ll be dealing with most of tomorrow; I’ve not received any notice yet about work so currently the plan is still for me to go in to the office. That, of course, could change at any moment, so we shall see. No, we aren’t planning on evacuating–but that may change given the power situation, and if we do lose power, at least I can get some reading done.
I plan on trying to make some progress with my emails today, as well as trying to work on the story and getting chapter eight finished on the book as well.
And on that note, tis back to the spice mines with me. Have a lovely Sunday, wherever you are, and stay safe.
Queer and Loathing in America 