Sunday here in the Lost Apartment, and all is well. LSU won, 13-10, not a particularly impressive showing. (Tulane also won, GO WAVE!) The games yesterday weren’t exciting or interesting, so after Paul got up we alternated between games and other things (more on that later). It was a very nice relaxing day, over all. I did run some errands in the morning, but after I got home that was it; no more outside for me this weekend. It was actually in the 80s yesterday, too. I didn’t do much cleaning around here yesterday, either, and the kitchen is a total mess (because I made Shrimp Creole last night for dinner) which I will need to clean up at some point this morning. I also didn’t read much yesterday, either; something I need to rectify this morning. I mean, it is a real messy mess. Yikes.
I dropped off four boxes of books to the library sale yesterday morning, and yes, this pruning of the books had helped de-clutter the living room, and I also came across some books I’d forgotten that I had–juvenile mysteries, amongst other things–which was also kind of cool. I’m planning to do another round of pruning once I get back from the trip (but probably not next weekend; I’m going to spend Sunday recovering from the drive); progress! I also want to start working on the storage attic. I know, the non-stop rollercoaster thrill ride of my life is almost too much to read about, isn’t it?
But I came across copies from a juvenile series, Ken Holt, that I really loved when I was a kid (still one of my favorites; it’s a toss-up between this series and The Three Investigators) and while paging through one of the copies (The Secret of Hangman’s Inn) I remembered how incredibly homoerotic the series was, particularly the relationship between Ken and his best friend, Sandy Allen–they are often around each other in varying stages of undress, including nude, for one example–and often share rooms and beds. There’s definitely an essay for the newsletter about this series, its homoeroticism, and how well the books are actually written. They all have a hard-boiled, noir-ish aesthetic that I loved. They were shot at with real ammunition, had to outwit and out think criminals, and since they were journalists (despite being so young) Ken’s write-ups of their cases and Sandy’s photos often went into syndication. Not bad for a pair of eighteen-year-olds! I also think this series is why I kind of wanted to be a journalist when I first went to college–but that is also a story for another time.
I didn’t write anything on the computer yesterday, but I did spend a lot of time writing in my journal. I also went back and reread my current one from the start, picking up on notes and ideas and thoughts about several things I am working on. I came across some excellent notes for Chlorine, for example, and as I reread my notes (just from this journal) I recognized something–part of the problem I am having with writing further into the book is base premise that starts the book doesn’t really work or make sense; the stakes aren’t high enough for my main character to get involved to begin with, and so I have to amp them up, kill my darlings, and maybe start over. I get very stubborn about throwing stuff out that I’ve already written, but those chapters are salvageable, kind of; I may be able to use the bits and pieces, but I am going to dive into it, headfirst, in December with the goal of getting a first draft finished by the end of the year. Stubbornness about your work is not a good quality for an author to have.
I also got my contributor copy of Celluloid Crimes, which ironically has the short story I adapted from Chlorine’s first chapter, “The Last To See Him Alive,” which is still a good story and I do love that title an awful lot. It’s always nice to see your work in actual print in a book, you know?
Around the games we watched some of the skating from Cup of Finland, this week’s season finale of The Morning Show, and a lot of the news shows. I am still processing the Friday news; the bromance in the Oval with FOTUS basically rolling over on his back and showing Zohran Mamdani his belly, and it may take me a while longer to wrap my head around the devolution of the MAGA movement into fascism and Nazism with the embrace of Nick Fuentes, the gay Latino Nazi, which makes no sense to me but I’ve never understood people who lick the boots on their own throats.
I am also really enjoying Ken Burns’ The American Revolution, which at least is honest and doesn’t really get into any of the weird national mythology we’ve built up around our history–basically to erase any wrong-doing and eradicate any questioning of the endless justifications for stealing an entire continent from its inhabitants. The Americas weren’t discovered and colonized; they were actually conquered, in a mass genocide that lasted centuries. US History and the American Revolution were actually my gateways into my lifelong obsession and interest in history; watching this series is reminding me of how I went from US History to English history to European history, with some dabbling in the ancients (Egypt, Greece, Rome); I really should have majored in History, the primary problem being picking a particular period to specialize in. As I said the other day, I should have majored in History with a minor in creative writing, and I could have become a historian like Barbara Tuchman; her A Distant Mirror remains one of my favorite histories and served as an inspiration for my idea to write a popular history of the sixteenth by focusing on women holding power…that century remains an outlier in Europe when it comes to powerful women and queens. I am probably going to write an essay about my interest in US History, and one about my interest in ancient Egypt.
And on that note, I am going to take my coffee into the living room to see if any more news has broken since I went to bed last night, after which I am heading into the spice mines. Have a marvelous Sunday, Constant Reader, and I’ll be back tomorrow morning.
The other day after work I was too tired to write and so I settled into the easy chair with one Sparky for cuddle time, but needed something to watch. I finished burning through the news to get caught up as I do every day, and then started searching for something else to watch when I saw Scooby Doo, Where Are You? in my “Up Next” list as I scrolled through it. It’s always tricky when I need something to watch on my own without Paul–it has to be something he’s not interested in watching–and at some point over the last four years I started revisiting this show from my childhood but never finished the rewatch–mainly because I am now in my sixties; far too old for the audience they were going for.
While I wouldn’t say Scooby Doo Where Are You? was necessarily a huge influence on me and my life, I did love it and watched it every Saturday. It started sometime after Jonny Quest and The Hardy Boys cartoon was cancelled, and a kid who was devouring kids’ series books by the stacks and checking out every book in the school and public library that had the words mystery, secret, clue, haunted, ghost, riddle, or phantom in the title, the adventures of the Scooby gang was usually the highlight of my Saturday morning cartoon experience. I have not been a fan of anything that came in the wake of the original half-hour show (we will never discuss the abomination/hate crime that was Scrappy Doo), and for the purpose of this entry (and really, in my heart and mind) we will pretend that the show was cancelled after the original series run and nothing was rebooted, restarted, revamped, or overhauled in the years since the original Scooby Doo money train was derailed.
But saying Scooby Doo didn’t cement my interest in mysteries wouldn’t be true. The show did, silly as it was (watching as an adult I couldn’t help but wonder, “why would the bad guys go to such extremes to scare people off?”–which also is a contrivance often used in the Nancy Drew/Hardy Boys type books, too), but I watched it every Saturday morning. I kept watching through the next iteration, the hour long show with guest stars, but after that I was too old and had better things to do on Saturday morning than watch cartoons. I’ve always had a soft spot for Scooby, just as I did for the animated Hardy Boys show and Jonny Quest, and unlike many others, I never see reboots or remakes or re-imaginings as “destroying my childhood” because I am not a moron. I can see how the show appealed to kids–you can never go wrong with a sentient Great Dane with limited speaking abilities–and I remember writing Scooby fan-fic when I was young. I started out “novelizing” episodes, and started writing my own. I’d forgotten about that when I was originally rewatching, but in my head the kids’ series I eventually came up with was linked very much, not only to other kids’ series, but Scooby Doo as well.
I don’t want to adapt Scooby or write Scooby books anymore, but I do occasionally want to go back to my kids’ series and think, why don’t you give this a try? Often times, the reason I don’t write things I think might be fun challenges is mostly cowardice and Imposter Syndrome. Can I really write kids’ fiction? Can I really write historicals? However, writing Jonny Quest might be interesting, especially with a reading of the Quests as a queer family.
One of the things about Scooby Doo that always interested me as a kid, and continues to interest me as an adult: Velma. Velma was clearly the smartest of the gang1, which was fun and unusual, and Daphne (‘danger prone Daphne’) wasn’t dumb despite being the pretty one, even though she often needed rescuing. Over the years the character of Velma was really interesting to me–being a brain, of course, meant she had to wear glasses and was hopelessly far-sighted–because she wasn’t easily scared and she was often the one who figured everything out. It was also interesting to me over the years to see many people read Velma as a coded lesbian, which begs the question why? She never has any interest in the opposite sex, but none of them do, really–it’s not that kind of show. We have no background on the gang, either–how are they able to just drive around the country at their age without having to check in with parents, and where does their money come from?
Of course, this is asking a lot out of a children’s cartoon series, which is also why I find it odd to revisit these shows looking for queer coding, and you can usually find it. The all-male environment of Jonny Quest, which is also a kind of “found family” show or Velma not being a late 1960’s/early 1970’s stereotyped girl are good examples of this.
I’ve always wanted to do a reread of all the kids’ series (I still have the books) to reread them for queer coding. I’ve already mentioned before that there was homoeroticism in both the Ken Holt and Rick Brant series–deliberate or not, it’s hard to say–but does this exist in the more popular Nancy Drew and Hardy Boys books. Is tomboy Trixie Belden a budding butch lesbian, with Honey her future femme wife? What about cousins Bess and George in the Nancy Drew series, who are also almost a parody of butch/femme dynamics?
This is the kind of stuff I would love to write–critical queer theory about kids’ mystery series, books, and television programs.
Maybe when I retire.
Calling themselves that also always amused me, since gangs usually are criminals of some sort or another; gang is usually mean that way, even though it’s just a descriptor for a group of people with a similar interest. ↩︎
I’ve always been weird, even when I was a little boy. I was different from other kids. I didn’t want to play outside, I wanted to read or play with my toys and make up stories. My parents were always urging me to go outside to play, so I’d just take a book and go sit on the back stairs of that little apartment on Komensky in Chicago. When I started school, I remember it being a bit of a shock to me. There were other kids in our neighborhood, but I didn’t really play with them much; they were mostly girls and friends of my sister’s, and while she let me tag along a lot (a running theme of her unfortunate childhood–always being saddled with her weird younger brother), I preferred my solitude and a book. School was strange for me; thrust into a world where I was surrounded by kids I didn’t know, and I didn’t understand how they all seemed to know each other and be friends already. I stayed by myself for the most part until someone asked me to join a game or something, and entertained myself for the most part. No one picked on me, no one said anything hateful to me or called me names, and for the most part I got on with my classmates. I got up in the morning, went to school, went to Mrs. Harris our babysitter’s house for lunch, back to school and then finally home. We only lived a block away from my elementary school, which made life ever so much easier for my parents; they didn’t have to worry about us coming and going to school safely. We only had to cross two streets to get there–down one block and across to the other side–and there were crossing guards. I knew instinctively that somehow I was different from the other kids; no one liked to read as much as me1, and only as an adult did I find other people who read as much, if not more so, than I do.
But reading–and watching television and movies–began defining “normal” to me; and I couldn’t understand in my childish brain (so advanced in so many ways but lacking in just as many) why the real world was so different from the fictional realities I lost myself in while consuming media. Riverdale in Archie comics seemed like such a nice place, but that was definitely not my high school experience. Whenever I took a chance on reading something age-appropriate (ah, those Scholastic book fairs!) I generally didn’t like it unless it was a mystery. I read so many of the kids’ series books for many different reasons; ironically liking the two most popular (Nancy Drew and the Hardy Boys) the least (Ken Holt, Judy Bolton, and the Three Investigators were much better).
It was when we moved to the suburbs that I began to realize that I was not only different but I was weird. I was a boy who didn’t care that much about sports, didn’t want to play them, and there was all kinds of stuff messing with my brain. Sixth grade wasn’t too bad, but that was also the first time that other kids began to wonder about my masculinity, but the worst it got was being taunted by other boys as a “sissy,” and then the next day the group of boys in the neighborhood I met through school acted like nothing had happened the day before–which was when I first learned that you couldn’t really trust other people; they would be your friend one day and cruel the next; and then back to being your friend again. (That group did turn on me completely in junior high school one day; it was weirdly coordinated with other kids at school who weren’t in our neighborhood.)
I hated being shamed more than anything else, for something I couldn’t control. It was in junior high also that I began to understand my sexuality at the same time so many kids began understanding mine and laughing and mocking me for it. I was always in fear of violence, and the kids in my middle-class mostly white desegregation-refugee suburb weren’t above ganging up on one person and beating them. (The suburbs, where we moved for “more stability” and “to have our own house” was far more dangerous for me than living in the city.) I ignored it all, but inside I burned with shame and embarrassment because I also knew the other kids were right about me; I did like boys, and how on earth did I ever learn, in a world that in which homosexuality was erased from public view, what men did together sexually? How did I know? I don’t remember reading about it anywhere, and whenever a gay person appeared in any media it was very negative. But there we were.
The irony lies in the fact that I never really cared that much about having friends or being popular–but media convinced me otherwise; that it was important to be liked and popular and have lots of friends. So I would always allow myself to try to imagine what that would be like. So, I kind of made myself miserable as a teenager, more so than I should have been, because it had been made very clear to me that no one could ever find out. I felt like a pariah, and I also felt like the few actual friends I had weren’t really my friends, because if they knew I was gay they wouldn’t like me anymore. It wasn’t even that I really wanted to be popular, but I thought if I was, the cruelty would go away and no one would question my sexuality.
High school and college was more of the same, really. Lonely and wishing I had friends, forgetting that I didn’t need any. I even joined a fraternity, but even that wasn’t enough; some of the brothers were homophobic trash who loved making fun of me and laughing at me behind my back–which is where I also learned the valuable lesson that men are bigger gossips and much crueler about it than women. Such fraternal love, right? But it was in the fraternity that the seeds of not giving a fuck were beginning to be sown. It was a very bad decade, and it was the last decade of darkness controlling my life.
I was tired of being afraid all the time, you know?
I decided, when I was thirty, to leave that closet behind and get on with my life. It took another three years before I started the long reboot of my life, and when I found Paul I realized I don’t need anyone else, do I? I had long thought, for any variety of reasons, I would always be alone for the rest of my life, and once I’d accepted that (also, part of the shame PTSD went along with believing that I wasn’t deserving of someone’s love) I decided to embrace being weird and different from everyone else. The one piece that was still missing was being a writer…and once that really got started, I didn’t need anyone else. I had Paul, and I had my characters, and devoting myself to a writing career made things a lot easier. I mean, I still prefer being liked–who doesn’t–but if people don’t like me, it’s not my problem.
I’m weird that way. I think everyone who is a creative is weird. You have to be disconnected from the main fabric of society in some way to create; I don’t believe you have to suffer in order to create, either; but I’ve done my fair share of suffering over the years. I am always startled to hear how other people view me and my work; I prefer being liked, as I said, but it’s really not essential for me. It makes writing conferences a lot more fun to have friends to hang out with, but I always have my guard rails up.
Being weird, to me, is a good thing. It’s who I am and I don’t want to fight it anymore. I’m not going to worry if people like me or not; and I don’t owe any apologies to anyone. As Bette Davis once said, “other’s people’s opinions of me are none of my business.” I don’t mind being disliked; no one is liked by everyone and there certainly are a lot of people I wouldn’t cross the street for if they were on fire unless I’m carrying a can of gasoline (you know who you are, but you wouldn’t be reading this anyway because you’re sewage).
And people who dismiss me because I’m gay–or whatever surface reasons they may have–aren’t people I want to know in the first place because homophobes are never good people. Homophobia is usually the first step on the ladder to a soul full of bigotry and prejudice, and rarely if ever do homophobes stop with hating queer people.
Who wants to be normal? I saw that as a horrific existence when I was young, and part of my own misery for the first thirty years of my life was from being gaslit so constantly into what I knew would be a hellish adulthood that would most likely end in suicide.
One of the reasons that the MAGAts hate being called weird so much is because their entire identity is vested in being “normal”–it’s everyone else who is weird, strange, and different. But it’s not normal to want to check everyone’s genitals. It’s not normal to interfere in other people’s lives and tell them how they should live. It’s not normal to think you and your fellow believers are the only ones who have it right and everyone else is going to hell. It’s not normal to think skin tone makes a difference to intelligence, ability, and work ethic. It’s not normal to fetishize Israel because of your apocalyptic religious fantasies. It’s not normal to worship guns over other people’s lives. It’s not normal to see attacks on your faith when no one is even thinking about you. It’s not normal to want to regulate and track women’s menstrual cycles and fertility. It’s not normal to prioritize the unborn over the living. It’s not normal to hate your country unless your golden calf is elected. It’s not normal to claim to be religious but not follow the teachings of your holy book.
They’ve never been normal. Never. But they think they are, and it’s really all PTSD from NOT being popular in high school. They weren’t homecoming queens or cheerleaders or football players; and if they were, they peaked then and are still bitter that their personal glory days are far behind them. (Also: not normal.) Being called “weird” in a dismissive, you don’t matter way gets under their skin because they are not used to be questioned. They claimed to be the normal ones, the correct ones, the true American patriots–and we just let them without challenge. They aren’t used to being challenged, and when they are, it just causes them to melt down completely. They wore their hates and prejudices proudly–embracing being racists and homophobes and TERFs and misogynists3—but challenging their normality hits them hard because they know they aren’t really normal deep down inside.
The best way to deal with bullies? Withering scorn and contempt and outright mockery, as well as constant reminders that they aren’t normal and actually have sociopathic tendencies.
And it’s working. They have no response other than “no, you’re weird!” That doesn’t work on me because I am weird and I’ve embraced my individuality rather than being bullied into being like everyone else. I have no desire to go back to some fantasy halcyon past for straight cisgender white men, where everyone else is merely here to be used for their convenience. I’ve lived in that world and I have no desire to go back to it, in any way.
And wanting to? Is very fucking weird.
I also recently realized that the reason I loved to read and watch movies/television is because that was the only time I could get my brain to calm down and focus. So…my bad mental health as a child set me on the path to being a writer, which is also why getting the anxiety under control–which also has helped dramatically with mood swings–has me worried about being able to write again. But again–anxiety. ↩︎
I loved kids’ series when I was, well, a kid. I still have fond memories of reading and collecting as many of the books as I could–I still have all my copies–and while of course times have changed, I feel bad for kids today who don’t have the plethora of series to choose from that I did when I was a kid.
Of course, I chose all of them, pretty much.
And while the most popular kids’ series were Nancy Drew and the Hardy Boys, my favorites were the ones that weren’t as well known, didn’t last as long, and vanished from print during the late 1960’s and through the 1970’s. I always preferred Judy Bolton, Trixie Belden, and Vicki Barr to Nancy Drew; I enjoyed The Three Investigators, Ken Holt, and Rick Brant far more than I liked the Hardy Boys, but you could get Nancy Drew or Hardy Boys books almost anywhere, whereas the others were incredibly hard to find. Our babysitter used to take us to the Goldblatt’s Department Store on 26th Street in Chicago when she went, pulling her buggy behind her (Dad says Mom used to pull me and my sister in hers to the grocery store, but I don’t remember that). Mom would always give my sister and I two dollars each to spend, and I loved going there because in the basement was the kids’ section, and while my sister was looking at dolls or single records (remember 45’s?) I discovered the remainder table, where Goldblatt’s marked down some of the lesser known Grosset & Dunlap/Stratemeyer Syndicate books on a big table, for like thirty-nine cents, which was a big deal because I could get a lot of books at that price. They were all series books I’d never heard of, but they sounded interesting. It was off that table that I got my first Ken Holt. Rick Brant, and Biff Brewster mysteries. The Biff Brewster books weren’t as good as the other two series, but today I want to talk about Rick Brant, and why I loved the series so much.
Rick Brant, being tall for his age, had no trouble making the final connections on his latest invention. He screwed the bell on solidly, then stepped back to view his handiwork.
The doorbell was now in an unusual position. Instead of being at waist level, it had been moved to the inside of the doorframe and placed up high.
It looked fine. A stranger might have to hunt a little before he saw the push button, but he’d find it all right. Rick went inside and threw the switch that would send electricity into the gadget and went to collect the family.
Mrs. Brant was in the kitchen, supervising the supper preparations for the family and the scientists who made their home on Spindrift Island.
Rick sampled the cake frosting in a nearby bowl and invited, “Can you come out on the porch for a minute, Mom? There’s something I want to show you.”
Mrs. Brant looked up from the roast she was seasoning, a twinkle in her eyes.“What is it now, Rick? Another invention?“
“Wait and see,” he said mysteriously. “I’ll go get Dad and Barby.”
And so opens the first Rick Brant Science Adventure. I bought four Rick Brant books that day (The Rocket’s Shadow, The Egyptian Cat Mystery, The Flying Stingaree, and The Flaming Mountain), all of which had some appeal to me. I wasn’t really that much into science or rocket ships, but I did buy the first because it was, well, the first in the series, and OCD Child Greg had to read the first book. I didn’t have to read the series in order–I did try that with the Hardy Boys, but gave up when it was time for Book 4 and the title, The Missing Chums, didn’t excite me so I got one of the later volumes, The Mystery of the Aztec Warrior instead. There was a pyramid on the cover. I’ve always been a sucker for pyramids–but I always felt obligated to eventually get to the first volume of every series. It wasn’t always necessary, but in some cases–The Three Investigators, Trixie Belden, Judy Bolton–they really did set the stage for the rest of the series and it helped to have read the first one.
I’ll be completely honest here, too: I was never good at science. I don’t know why that was, but I just was never good at any of it–biology, chemistry, physics; math and science were my two Achilles heels. I only read a couple of the Tom Swift books, and even those were because one was reissued in paperback and renamed In the Jungle of the Mayas (the Mayans built pyramids!) but I got the impression the Swift books were more about science than a case or a mystery or anything. The Rick Brant series, on the other hand, while having some insane titles (The Electronic Mind Reader, The Wailing Octopus) like all series did, there were also some that were called “mysteries.” So, yes, science, but also mystery.
I also had no idea it was going to become one of my favorite series.
When I first read The Rocket’s Shadow in the late 1960s/early 1970s, it was already significantly dated. Originally published in either 1946 or 1947, the background to the story was that the scientists on Spindrift Island, off the coast of New Jersey, were trying to build a rocket to send to the moon. Several different groups were trying to accomplish this, and whoever succeeds first was going to get a very lucrative government contract…and their efforts are being sabotaged. Rick’s father, Dr. Hartson Brant, is world-renowned, and of course Rick is very interested in science and is always inventing things to either save time or effort, and they aren’t usually very practical, even though they do work. Rick and his younger sister Barby go to school on the mainland–Spindrift is separated from the coast by tidal flats that are underwater during high tide–but everyone on the island is determined that their rocket will succeed and they’ll catch the saboteurs.
Rick soon figures out a clue and gives chase to some of the saboteurs, who turn on him and attack him–only he is rescued by a blond hitchhiker carrying a military duffle. He and Rick run the attackers off, and then Rick brings his new friend, Don Scott–“Scotty”–home with him because he has no place to go. He’s out of the military and has no family, was just wandering the roads to see where he wound up. The close bond between Rick and Scotty1 resonated with me, especially their sense of camaraderie and affection for each other. They had no girlfriends or even any girls who might be potential dates at first (some were introduced in the series later, Barby growing up for Scotty and a new scientist comes to the island and has a teenaged daughter Jan who is sort of an interest for Rick–but the girls are never more important to them than they are to each other.2
Obviously, by the time I got and read the book we were already into the Apollo space programs from NASA, and we landed on the moon in 1969–so all the science in The Rocket’s Shadow was off and wrong–also the rocket got there in like twenty minutes, not possible even now–and as such, the series could never really be updated and revised like the Hardys and Nancy Drew. The Rocket’s Shadow would have had to have been completely rewritten, and I’m not sure how you could introduce Scotty as a hitchhiker/war vet (he lied about his age) today.
I enjoyed all the books in the series. I did eventually get them all over the years and read them, and many of them are dated. High tech walkie-talkies don’t seem so impressive in a cell phone world, and of course, there are some trips to foreign lands (Asia and Pacific Islands) that are probably more than a little racist and dated now. But I loved The Lost City, where they are off to Tibet to set up a radio receiver on the opposite side of the world from Spindrift to triangulate with the rocket on the moon, and they discover a lost city of Mongols and the tomb of Genghis Khan. They also meet, in that book, an Indian youth named Chahda who helps them out and becomes basically a member of the family, and they take him off the streets of Delhi and pay for him to go to school. Chahda was incredible smart and adventurous too–but not sure how he’d hold up under modern scrutiny in these more evolved times.
And maybe when I’m retired I’ll reread the series critically. The books can be found on ebay and second-hand sites; some are available as ebooks, either on Amazon or Project Gutenberg.
I am even now wondering if this character is why I’ve always liked the name Scotty, and have used it repeatedly for characters of my own creation. ↩︎
I do find in also amusing that my parents–so worried about me reading books about girls instead of boys; did they not understand just how homoerotic the relationships between boys in these books were. This amuses me greatly now. ↩︎
One of the most fun, for me, things about being a writer is being able to pay homage to books and writers I’ve enjoyed or felt a connection to in some way. I do this in at least every book I write–sometimes it’s as little a thing as having one of my characters reading a book I greatly enjoyed–and sometimes it’s a little more sly and tongue in cheek. For one example, I wondered occasionally while writing Bury Me in Shadows if anyone would notice that the name of the plantation house that burned during the Civil Was was Blackwood Hall–I only called it that once or twice; I usually referred to it as “the ruins”–and that it was a ghost story…hence The Ghost of Blackwood Hall, which had always been one of my favorite Nancy Drew mysteries when I was a kid (my favorite books in any series were ones that dealt with ghosts, hauntings, or the supernatural–it never was anything supernatural–in them; even as a kid I had, apparently, this morbid fascination with death and the afterlife that has continued into my adulthood). Vieux Carré Voodoo was also inspired, in some ways, by The Mystery of the Fiery Eye, one of my favorite Three Investigators mysteries–a jewel stolen from an idol that cultists will kill to get back is at the heart of both stories, and I also took inspiration somewhat from Wilkie Collins’ The Moonstone, which I had also read and loved as a child.
I’ve not picked up a Nancy Drew mystery in years to read through, until recently. I remember the series fondly–it wasn’t my favorite, nor was the Hardy Boys; but those books were more easily accessible and easier to find in stores and libraries than the other kids’ series, and with the kind of obsessive behavior I’ve always had–which hasn’t tempered much with the passage of time–once I started reading a series I wanted to read (and own) the complete set. This odd childhood obsession has never abated, even as I am now past sixty; I don’t have room to have all my series books out displayed on bookshelves (they are some of the boxes in the attic and the storage unit) and I think I am missing a few volumes from each series I do collect–but without being able to put them out, it’s hard for me to know which ones I am missing, so I’ve kind of held back on collecting them over the last decade or so. Discovering eBay in the wake of Hurricane Katrina was a big impetus in getting me to start collecting (trying to finish collecting) again, but the lack of space for storage–let alone putting them out on display in bookcases–inhibited me and I began to wonder about the advisability and the point of collecting children’s book series if I was simply going to put them in boxes and store them. It seemed kind of dumb, in all honesty, and so I stopped.
But the kids’ series had an enormous impact on me growing up and as a developing writer. I honestly think that The Haunted Showboat, number 35 in the Nancy Drew series, was my first actual encounter with New Orleans and Mardi Gras; it was either the fourth or fifth Nancy Drew mystery I had actually read (I started with The Secret of Red Gate Farm, The Mystery at Lilac Inn, and The Hidden Staircase; I think the next I read was The Haunted Showboat or Password to Larkspur Lane) and I do believe it was Nancy Drew who introduced me to New Orleans (outside of US History; I knew the Battle of New Orleans and the Louisiana Purchase and all of that, but this was my first non-historical introduction to the city).
I used to be able to list the books in order as well as give some background on the story; my memory isn’t quite as reliable on that score as it used to be. I joined some fan groups on Facebook, primarily to see if there were other alternatives than eBay and scouring second hand stores for the copies of the series books I am missing (and that’s a whole other story; there’s definitely a murder mystery novel that can be built around adult fans of kids’ series, seriously), and have been taken aback by the toxicity that can show up in these groups: hatred of anything new or daring or different to do with the characters (they have gone to TOWN on the new television series for both Nancy Drew and The Hardy Boys–hating changes and updates with the fiery white hot passion of a dozen burning suns–and it inevitably comes down to ‘political correctness’ and ‘being woke’–despite knowing that all the earlier series books were revised in the 1950s thru the early 1970s to get rid of dated stereotypes and racism), but that is a subject for a different time (I’ve not watched Nancy Drew–literally forgot about it–but I’ve liked The Hardy Boys).
Anyway, as I am writing a new Scotty book, I decided to do some research into Nancy Drew and New Orleans–mainly deciding to reread both books that were set, at least in part, here.
So, I went on line (much easier than going through the boxes in storage–which is yet another example of how stupid it is for me to keep storing books) and ordered copies of both The Haunted Showboat and The Ghost of Blackwood Hall, which, according to a synopsis I read on a Nancy Drew website, had Nancy, Bess and George come to New Orleans–which I didn’t remember. I remembered that the book was about Mrs. Putney being swindled out of her jewelry, and it had something to do with spiritualism, which eventually led Nancy and her friends to the abandoned, haunted Blackwood Hall–but I did not remember them coming to New Orleans. This struck me as strange–I certainly vividly remembered other parts of the story, particularly a scene when Ned and Nancy stumbled into quicksand (which, according to everything I read and saw on television and/or movies as a child, I thought would be more of a danger to me at every point of my life).
Both books arrived on the same day, but since I do remember The Haunted Showboat more than I remembered anything New Orleans with The Ghost of Blackwood Hall, I decided to look through the latter and read the New Orleans section again.
Yeesh.
Despite my obsession with collecting and reading the entire series, as I mentioned earlier, Nancy Drew was never my favorite of the kids’ series; I liked The Three Investigators and Ken Holt most of all, and I always thought both Trixie Belden (the original six) and Judy Bolton were better written and more interesting than Nancy (Judy was also a goody two-shoes, but she was more rounded and developed, as were her friends), and looking through The Ghost of Blackwood Hall made me remember why she was never a favorite; the books aren’t very well written. (The original texts were much better than the revised ones, but it was a very low bar to hurdle, seriously.) And yet I had to have all the books and read them all; I watched the 70s television series with pre-Dynasty Pamela Sue Martin; and I still sort of have a soft spot for good ole Nancy; but man, these revised texts are simply terrible–and the later, newer books steadily declined in quality–I remember one where Nancy and her friends, being chased by a bad guy, duck into a room and–this is so stupid, it was even shown as an illustration–hide by sitting in chairs and holding up picture frames because of course the bad guy would look at them sitting still and believe they were a photograph or a painting.
Even as a kid, I knew that was fucking stupid.
Anyway, so Nancy is hired by a jeweler to help out his client Mrs. Putney–who clearly isn’t the sharpest tool in the shed–who is a widow and received a message from “beyond the grave” from her husband that she needed to bury her most valuable jewelry in the woods for safekeeping. (She’s also told to tell “no man or woman” about this; which is why the jeweler brings her to Nancy because she’s a “girl”–but the jeweler is a man…I guess in her mind he doesn’t count because he’s the one who spots that her jewelry is all fake, once she’s reconsidered her stupidity and dug the jewels back up.) There’s a lot of gullibility and superstition in this book, for the record, that doesn’t really make any logical sense. In a weird sequence of events, Nancy winds up with the name of a man from New Orleans who was an accomplished jewelry designer and “capable of making fakes that look real”–so she decides to follow the clue to New Orleans to look for information on the man. Because of course. Anyway, despite the fact that Mrs. Putney isn’t paying for this trip and in fact warns her not to go–Carson Drew, Nancy’s father, decides to foot the bill for her, Bess and George to fly down to New Orleans and follow this laughable clue that could only be a valuable one in a Nancy Drew mystery. (As I was reading this part again, I started thinking about how expensive this would be back then–the revised text was written in 1967, the original in the late 1940’s–and how amazing it was that all three eighteen year old girls had nothing else to do and could hop on a flight to New Orleans just like that; I am sure even back then it was more expensive to buy a ticket at the last minute.)
None of this mattered, of course, to young Greg when he was reading it the first time…and yes, I am being harsh about a kids’ series book which I am clearly too old for, but c’mon. And I knew when I was a kid that the books weren’t well written. (One thing that always annoyed me about this series and the Hardy Boys was they never really deduced anything or solved an actual mystery; really, the books were usually about catching a criminal whose identity was known almost from the start through a series of contrivances.)
But…
Once they are in New Orleans–after Bess tells a strange woman on their flight where they are staying in city: Nancy, seated in front of them, was sorry their hotel had been named. She had wanted to keep their visit to New Orleans as secret as possible. Um, you’re on a flight to New Orleans. So, since it’s too late to call on the suspect’s former boss, they go sight-seeing–but Nancy ducks into every jewelry and/or pawn shop they come upon.
The trip proved to be pleasurable, if not profitable. Their inquiries led them into many sections of New Orleans. The French Quarter, where the buildings were charming in their elegance of a bygone day, interested them most. Beautiful ironwork, delicately tinted plaster walls, old courtyards, once the center of fashionable Creole family life, fascinated the girls.
On a balcony, a brightly-colored parrot chattered at them in friendly fashion. A smiling woman, bearing a basket of flowers, stopped to sell a flower to each girl. On all sides, the visitors saw interesting characters, and heard the soft-spoken dialect which was a blend of French, Cajun, and Gumbo.
GUMBO IS NOT A LANGUAGE.
And since Cajun is a derivative of French…sigh. And by 1967 New Orleans wasn’t really bilingual anymore. It had begun to die out around the turn of the twentieth century, and it’s definitely a rarity here now to find anyone native who speaks both English and French, or speaks French as their first language.
The next day they visit their suspect’s former employer, who knows nothing, and then do some site-seeing before lunch “in a quaint restaurant.”
“New Orleans is wonderful!” Bess exclaimed. Counting on her fingers, she added, “We’ve seen the banana wharf, the market, the garden district, and that old cemetery where all the dead are buried in tombs above the ground.”
“That’s because this place is below sea level,” said George. “Say, do you suppose that guide that we believed the story about the tomb which is supposed to glow at night with an unearthly light?”
“He said spirits come out and weave back and forth like wisps of fog,” said Bess.
“That’s just what they are–fog,” George declared practically.
“Oh, I don’t for a minute believe in ghosts,” Bess replied quickly.
“I wish we had time to go to Grand Isle, the haunt of Lafitte and his men,” said Nancy.
“Who is he?” Bess asked.
“He was a famous pirate,” Nancy replied. “According to tradition, when burying treasure, he always murdered one of his band and left his ghost to guard the hidden loot!”
I guess Bess never studied about the Battle of New Orleans–and no one at either the Stratemeyer Syndicate or Grosset & Dunlap knew that you capitalize “Garden District.” Then comes a really weird section where the girls visit a spiritualist photographer on whose works sometimes “spirit writing” appears. Naturally, Nancy’s image has a warning to stop sleuthing, and then the lights go out and when they come back on, the photographer is unconscious, along with Nancy, are gone! This for me is a particularly weird section. Nancy is the point of view character, even if at a distance. Why would you then switch to Bess and George frantically searching for Nancy rather than showing her capture and abduction and eventual escape? WHY HAVE THE ACTION TAKE PLACE OFF THE PAGE?
Oh, and when Nancy regained consciousness, she was tied up and trapped in a basement near the Quarter.
A basement. Near the French Quarter. In New Orleans, which we’ve already learned is below sea level and therefore bodies can’t be buried in the ground.So of course we have basements.
But Nancy leads the cops back to the house, where all evidence of her being tied up and so forth have disappeared:
To their surprise the policeman remarked soberly, “This isn’t the first time queer things have happened in this section of the city.”
Ah, so it must be the Faubourg Marigny. Lots of queers lived there and in the lower Quarter back then. But I guess the girls should consider themselves lucky that they found an English-speaking cop–who would never say “this section of the city.” He’d name the neighborhood–“this isn’t the first time queer things have happened in the Marigny.” So anyway, the girls decide to go home, and fortunately, there’s a flight from New Orleans to River Heights within an hour. They pack and head for the airport just in time to catch their flight home–when Bess mentions something else mysterious that is going on that she knows about and just hasn’t mentioned before for some reason, and of course, as always, this side story subplot is connected to the main one.
And that’s where I stopped, since that was the end of Nancy’s adventures in New Orleans.
Sigh.
The Haunted Showboat, on the other hand, opens with an immediate eye-roller for New Orleanians:
“Would a trip to the Mardi Gras interest you, Nancy, and also a mystery to solve?” Bess Marvin asked.
Mardi Gras is French for Fat Tuesday, so basically Bess just asked her if she would interested in a trip to “the Fat Tuesday.” Yes, I am well aware that outside of New Orleans it’s all lazily considered Mardi Gras, but it’s really Carnival. Mardi Gras is quite literally Fat Tuesday, the final day of Carnival, and while I’ve grudgingly come to accept that there’s no way that people will ever not refer to the entire event as “Mardi Gras”–even I have a tendency to get lazy and say”Mardi Gras” when I mean Carnival–it will never not bother me. Of course, Bess isn’t from Louisiana and she can be forgiven for getting this wrong, and even using “the” as unnecessary definitive article can be forgiven. But–and this is something that always annoyed me about both Nancy Drew and the Hardy Boys–never is it mentioned in this book that Nancy and her friends have been to New Orleans before, and never was it mentioned on that previous trip in The Ghost of Blackwood Hall that Bess and George have New Orleans relatives.
Wouldn’t you think that would have come up in The Ghost of Blackwood Hall? Of course it didn’t, because when book 25 was written they had no idea that Book 35 would return Nancy and friends to New Orleans and Louisiana. (This kind of continuity thing used to drive me nuts; Nancy and the Hardys were ‘well known’ as amateur detectives, and every book opens with a reference to their first series book as well as the most recent, and closed with a teaser for the next, despite the fact that really, every mystery they solved was a stand alone with no connections to the past or the future. A couple of other continuity errors that always bugged me with Nancy is that Ned is mentioned as her boyfriend in the revised text of Number 5, The Secret at Shadow Ranch even though she meets him for the first time in Number 7, The Clue in the Diary; she finds her dog Togo as a stray at the opening of The Whispering Statue’s original text; but she already has Togo in the revised text of earlier volumes and yes, I am aware that I have spent way too much time in my life obsessing about Nancy Drew and continuity errors in the series–and there are a lot.)
Anyway.
If anything, The Haunted Showboat is actually worse than The Ghost of Blackwood Hall in so many ways, and not just in the aforementioned minor ways. First of all, the cousin of Bess and George’s, who invited them down, is named Donna Mae, because back in the day you could always make your audience know “hey this is set in the South” by giving a female character two first names–and always something Mae. (Ellie Mae Clampett is another example; for the record, out of dozen and dozens of southern women relatives there is exactly one whose name was “Something Mae”.) It takes a while for them to get to Louisiana–Nancy’s car is stolen once, and the replacement is sabotaged–because of course the criminals down in Louisiana will stop at nothing to keep this teenager from the midwest to interfere with their plans!–but there’s one part of their trip that is absolutely hilarious: they drive through Mobile on their way to New Orleans, but somehow get to the Mississippi River before they get to New Orleans or the plantation outside of town they are visiting:
Soon the girls reached the broad Mississippi and gazed at the peaceful, somewhat muddy river.
SOMEWHAT MUDDY?
Nancy then follows the River Road and turns inland. This geography makes literally no sense at all. But..it’s Nancy Drew, and the worst is yet to come.
You see, the Havers–who live at Sunnymead–have two black servants: Mammy Matilda and Pappy Cole. And oh yes, it’s just as racist and horrible as you can imagine–especially when you add in the “voodoo drums” they hear when canoeing through the swamp to get to the wrecked and haunted showboat, the River Princess. Anyway, yes, you can just imagine how dated and awful these depictions are. And everyone calls it “the Mardi Gras,” which no one does in the real world, either. The Quarter is referred to (correctly) as the “Vieux Carré”, but an aside says “or the old city”–it means “old square”, not old city–and of course they have lunch at Antoine’s.
There’s also an Uncle Rufus, who lives in the swamp in a tiny cabin and does voodoo spells.
There’s also a swamp episode and a wrecked, haunted showboat in an episode of Scooby Doo Where Are You?, which I’ve always wondered whether it was inspired (or stolen) from this edition.
So, neither book has aged particularly well–I’m still trying to wrap my mind around Gumbo as a language–and I suppose I shouldn’t be surprised by the racist depictions of Black characters in The Haunted Showboat, but the book is still in print and kids are still reading it. Everyone knows that the original texts of the Hardy Boys and Nancy Drew series were updated in the 1950’s and through the 1960’s to get rid of problematic depictions of non-white characters; it might not be a bad idea for them to do it again now. No one should be reading The Haunted Showboat as it stands today, really.
But it was an interesting time travel to revisit the books again. At some point I’d love to talk about all the kids’ series I read when I was a child, but…time.
And now it’s Saturday. It’s still cold in New Orleans and we still don’t have any heat but it’s not as bad as Texas by any means, and we never lost either power or water pressure. So far we haven’t had a rolling blackout, either–although they were threatened. I spent most of yesterday unpacking and repacking condom packs, while watching history videos on Youtube, done by a local New Orleanian–someone I do not know–correcting revisionist history; it began with his lengthy video on the Confederate propaganda movie Gods and Generals–which I have never seen; I tend to avoid Civil War films because they are all-too frequently Lost Cause narratives at best or defenses of white supremacy at worst–even the ones that don’t center Confederate stories. I have no desire to see either. I was raised on the Lost Cause false-narrative, and I am still kind of bitter about being taught false narratives as truth as a child. I also resent having had to spend so much of my adult life correcting everything I learned that was wrong and/or incorrect; relearning American history without the rose-colored glasses of American exceptionalism and manifest destiny firmly placed on my nose and eyes.
Writing Bury Me in Shadows, methinks, is in some ways for me kind of a reckoning with that “heritage.”
The cold is going to continue through this weekend, but tomorrow is supposed to be relatively normal late winter weather for New Orleans. It will be nice to get back to normal. It’s currently forty degrees and sunny outside, and I’ll take it, thank you very much.
Today I am going to spend most of the day rereading and revising my manuscript. I want to be able to get through the entire thing in one sitting–this way I can catch most of the repetition, and I am going to also be starting to sprinkle the new stuff through the manuscript that needs to be added. I am hoping that on Sunday I can go to the gym and start inputting the changes; Monday I will assess as to whether I believe I can finish before the deadline or not. (I am a firm believer in not waiting until the last minute to let my publisher know the manuscript will be late.) I mean, I do have another full weekend to get it all done, but it’s not going to be super easy. I have to write an entire season of a podcast–or at least, significant excerpts from said podcast–and there’s at least one more chapter that needs to be written. (Depends on the inputted changes I am going to be making as I go; the goal is to make writing that last chapter really easy by making it a “now that everything is over and has been resolved” kind of chapter.)
It’s going to be lovely to be done with the book, to be honest. I started writing this version in the summer of 2015; I wrote the entire first draft in slightly less than one month–without the last chapter; I never did write the last chapter because I knew I was going to have to make changes to the story and why write something I might have to throw completely out? I have always tried to be efficient with my writing–not going off on tangents, not writing things that will have to be cut out later (it’s so painful cutting out entire scenes and chapters)–and knowing that I couldn’t really write the final chapter until I was absolutely certain about the story itself. I know the story now–this is like the eighth draft, seriously, I don’t think I’ve ever written anything that took this many drafts (novels, at any rate; I have short stories that have been through eight or more drafts, seriously). I am looking forward to moving on from it at long last; I want to start planning the writing of Chlorine next, while also finishing some short stories and putting together some proposals for other ideas I have. If all goes well, I will be able to write a first draft of Chlorine in April, a first draft of the next Scotty in May, and then spend the summer revising and rewriting both. I’d like to spend the fall finishing other odds and ends I have in my files–“Never Kiss a Stranger” has been crying to me from the files to be finished, for one, and there are a couple of other novellas and short stories I want get done. Granted, if any of the proposals sell I will have to change my writing schedule, but if none of them do sell…well, I have plenty on hand for me to write.
I may even start a new series. I’ve been thinking that a gay cozy mystery might be fun to write. I love puzzles and lots of suspects and things; I’d love to do something along the lines of James Anderson’s The Case of the Blood-Stained Egg Cosy, which is probably my favorite cozy mystery of all time; a big mansion, secret passages, jewel thieves, international espionage–all taking place over a house party weekend at an English country home. I’ve always felt it was a shame that those wonderful old classic home house party/small village mysteries the British wrote that I loved to read really couldn’t be replicated in the US…and then later realized that is because those stories are completely rooted in the British class system and what would be comparable here and then…yeah, you see where this went, don’t you? Although some day I will figure out how to do one of those…
I WILL. And it will be marvelous.
I also need to reread The Affair of the Blood-Stained Egg Cosy again. It’s really quite marvelous; I do hope it holds up.
I’ve also been sort of paging through/rereading the Three Investigators’ The Mystery of the Fiery Eye, which in some ways was a tribute to Wilkie Collins’ The Moonstone–which I also did with my own Vieux Carré Voodoo–while not finishing the Dana Girls’ The Clue in the Cobweb. I also keep meaning to get back into reading short stories, since my mind is in that weird “I need to finish my book” place where I can’t focus on reading anything new (once the book is done, I am going to spend some serious time with Jess Lourey’s Unspeakable Things, which I had started reading before locking into “finish the book” mode), so it’s either short stories or rereads until I turn this manuscript in. Anyway, that’s one of my favorite Three Investigators books because it, too, involves a treasure hunt with vague clues (or rather, a riddle of sorts) the boys have to figure out in order to find their new young friend August’s inheritance, the Fiery Eye, a cursed jewel stolen from an idol in a fictional southern Asian nation (Constant Reader will note that Vieux Carré Voodoo also involved the need to solve a riddle to find a cursed jewel stolen from a temple in a fictional southeast Asian country). I also recently–and I don’t remember if I shared this here or not–had the epiphany that the Scotty series, in some ways, is in and of itself a tribute to The Three Investigators…if they were adults and gay and in a “throuple”, as such relationships are called nowadays (I first heard the term in a CDC training). It also occurred to me that many kids’ series involve the main character and two close friends–or if the main characters are a pair (the Hardys and the Danas) they’re inevitably given a close pal who shares their adventures (in fairness, the Dana sisters have several friends who fill that role; some of the books involve several of their friends, but the only one whose name I can recall now is Evelyn Starr–although I believe they also had a friend named Doris Garland, but I am not sure about that name). As I thought about this more, I had to wonder if this was an attempt to steer the books away from homoeroticism or the undercurrent of the main character and his/her best friend being more like a couple then as friends….but I also can’t imagine that being a concern when these books were first conceived? (Although Trixie Belden and her best friend Honey Wheeler certainly play out the butch/femme lesbian dynamic rather convincingly–which I think why in later books in the series they played down Trixie’s “tomboyishness” and tried to make her more of a girly-girl.) Nancy Drew’s first four books featured her and her dear friend Helen Corning; in book five Helen vanishes (she shows up in a couple of later books) and is replaced by cousins Bess and George (again, the butch/femme dynamic at play, even though they are made cousins to avoid such thinking…but George is so damned butch and Bess so femme people made the connection anyway). The Hardys have Chet Morton, who is relentlessly fat-shamed and mocked throughout the entire series (Frank and Joe sometimes aren’t the wonderful boys they are made out to be). I have certainly made note of the homoerotic undercurrent in the Ken Holt series (with his best pal Sandy) and the Rick Brant series (with his best pal Scotty) before; there is none of this in the Three Investigators series because there are three of them, and they are vaguely around thirteen; it is doubtful any of them have gone through complete puberty yet because they still think of girls as kind of alien creatures, which really plays strangely in the series where the male leads are in their later teens….the chasteness of the Hardys with their token girlfriends–like Nancy, Bess and George with their token boyfriends–never quite rings true to me. They don’t even kiss! That probably has more to do with their target audience (nine to thirteen year olds) than anything else, but even when I was a prepubescent kid it struck me as strange.
I still want to try writing my own middle-grade series for kids; I think I may take a month this summer and try to write one and see what happens. I’ve been planning such a series since I was a kid, after all, and my writing career lately has seemed to be all about writing the things I’ve been leaving on the back burner simmering for years.
And on that note, I am heading back into the spice mines. My book is calling to me, and I want to read some short stories with the rest of my morning caffeine. Have a lovely day, Constant Reader–and friends in Texas, hope you’re doing okay. I’ve been thinking about all y’all this past week.
Ye Gods, how lovely was it to get in my car yesterday morning and turn the heat all the way up? I actually felt warm for the first time in days, and the heat was on at the office, too! Marvelous, simply marvelous, really. The weather also got significantly warmer–still cold, but twenty degrees was a significant improvement–over the course of the day. It’s going to drop into the thirties again overnight on Friday and Saturday, per the forecast, but if I can sleep through it I don’t care how cold it gets at night. I did have ice on my windshield yesterday morning–that was an unpleasant surprise–but my wonderful car warmed right up as I sat there and the ice melted and all was right in the world again. The drive to work was a bit of an ordeal; I left early, just in case, and was right–New Orleanians cannot drive under the best of circumstances–and when I got on 90 highway from the west bank to connect to I-10 East….my ramp was blocked off by an apparent car fire? And then of course the next exit from I-10 West (don’t try to follow the highway nonsense in New Orleans, seriously) was Carrollton. Because people drive like morons I wasn’t able to take the Carrollton/Tulane exit and had to get off at Carrollton right in front of Costco…and you always need to remember that when you need to make a left turn in New Orleans, you probably can’t. I wound up detouring around Xavier University and our OTHER building on my way to work this morning…thank God I left early so I got here around the time I usually do….it only took me almost three quarters of a fucking hour.
Ironically, the temperature in the Lost Apartment last night was one that would ordinarily have me bitterly bundling up and complaining about the cold…last night as I moved around the apartment getting things done–all the things I wanted to do and intended to on Fat Tuesday, I was laughing at myself…because after Fat Tuesday last night seemed very pleasant indeed in the Lost Apartment. I slept like a stone last night–God, if I could only sleep every night the way I do when it’s this cold!–and didn’t really want to get up this morning, either–it was warm and comfortable–but even so, this cold this morning is completely bearable and something I can handle with aplomb, methinks.
One great tragedy of the cold, though, was I lost a day’s work on the manuscript on Fat Tuesday, which means really having to buckle down on working on it this weekend. I may wind up having to ask for an extra week, but it’s very close and if I can get a lot done this weekend I might not have to ask for another week–but I am not going to kill myself and am going to try to be reasonable and realistic about how much I can get done this weekend.
Rather than finishing Mr. Mercedes last night, we chose to watch Serena Williams play Naomi Osaka at the Australian Open; some amazing tennis, but I have never enjoyed watching Serena lose. I suspect that was her last Australian Open; I think after this year she will undoubtedly retire and enjoy the rest of her life, maybe even have another kid. She owes us tennis fans nothing, really–I just hate seeing her marvelous career come to an end.
It’s forty-two in New Orleans right now, with a projected low of thirty-nine for the day. I will undoubtedly feel very warm and toasty when I retire to my easy chair to watch movies and remake last week’s condom packs (they were exposed to a temperature that was too low for them to stay good; so I have to remove the condoms from the packs I made last week and put new ones in); I’m not sure what I want to watch today. I watched Young Rock last night while I waited for Paul to come home; I can’t make up my mind as to whether it’s meta and charming, or cheesy yet charming. Dwayne Johnson is just so damned charismatic…I have been a fan from the early days (just as I have been a long-time fan of John Cena; I don’t watch WWE at all anymore for a variety of reasons, but that doesn’t mean that I can’t appreciate the talents working for them), and there were times watching the show when I laughed out loud–the actors playing him when he was younger were very well-cast, as were the men cast as the professional wrestlers he knew and hung out with when he was a kid; and the woman playing his mother is very likable. Also–the guy playing his father Rocky Johnson is eerily well-cast as well. So, I’ll probably keep watching, but am reserving judgment on it.
Oh, I wonder if either version of My Cousin Rachel is available to stream anywhere? I’ve never seen either, and I do love the book very much. If my mind could focus better, I’d give it a reread–for some reason I’m having trouble reading again, so at some point today, tomorrow or over the course of the weekend I am going to delve back into some short stories. I started reading an ol Dan Girls mystery, The Cluein the Cobweb, because I want to start doing blog entries about the kids’ series I loved so much (I’ve already done The Three Investigators and Ken Holt; I am also rereading a Three Investigators tale, The Mystery of the Fiery Eye as well), and eventually would love to cover every one of the series I read when I was a kid and continued collecting as an adult. I know I’ve also already done Trixie Belden–but I’ve not done any of the others. I am hesitant to approach Nancy Drew or the Hardy Boys; even with the ones I’ve already done I barely scraped into the extensive research and scholarship on those series, and as I’ve noted before, fans of these series take them very, very seriously (I still want to write a book about that; I think a very interesting murder mystery novel could be set at one of these fan conferences they do annually because I don’t have enough to write already.)
And on that note, tis time to head back into the spice mines. Hope you have a lovely day, Constant Reader, and please stay warm and safe out there!
Yesterday was simply a dreadful day, weather-wise; I imagine today isn’t going to be very much better, in all honesty. It’s 26 degrees in New Orleans right now, give or take. I am sitting at my desk in layers, the space heater going full blast, water is dripping out of every faucet to protect the pipes, and I’m about to go look for my fingerless gloves. FOUND THEM! I am glad Carnival has essentially be canceled for the most part–it’s too fucking cold, seriously. The high for today is predicted to be 36…which would usually be some kind of record low. But looking outside the windows I don’t see snow anywhere—at least we don’t have that to deal with. I am kind of dreading getting up at six tomorrow morning to go to the office. It’s going to be incredibly miserable, but at least then I have two work-at-home days. This cold snap is only supposed to last through the weekend, but during the ays it will get up to the 50’s and finally, by Sunday we’ll be back to the normal winter weather for New Orleans. It won’t be easy, but we’ll make it through somehow.
Our heat doesn’t work, by the way, so if it’s 26 outside it’s about that inside, give or take a few degrees. If I didn’t have to do a ZOOM thing later this morning I’d repair back to the bed with iPad and laptop and a book to read; I still may do that after the class ZOOM thing is finished.
My goal for yesterday was to get caught up some on my emails–I managed to get that accomplished, although even more have shown up this morning–and to print out the manuscript preparatory for the big edit/revise. This last one, while I may have called it the last draft, is actually a part of preparing the final draft; I wanted to get through the entire thing changing it from past tense to present tense, while also reading and getting an idea of what all needs to be added or deleted. This next pass through the printed pages will be where I make the notes to revise the language used, and then figure out where the new pieces I need to write need to go. The last and final pass will be a line edit, basically, where I try to catch all the mistakes and things that got missed when I changed things before. I am on track to be finished by the end of the month, or at least by the end of the first weekend of March, with any luck.
We got deeper into season two of Mr. Mercedes last night, and are still enjoying it; we only intended to watch one episode, and wound up getting through four, with only four left, which at some point today–it’s Fat Tuesday, after all–we will most likely finish the show off. After a slow start the season has really picked up; I didn’t really want to stop watching last night, but it was already past eleven and I needed to get to bed–getting up at six tomorrow is going to be hard enough, given the cold, and sleeping in really late today would not have helped that situation in the least–but it’s nice to know that it’s there waiting for us when we finally are ready today. I’m not sure if Paul is going to work today–well, he’s not going to the office for sure, but whether he is going to make phone calls or send emails remains to be seen. It’s so weird to be up at this hour on Fat Tuesday and not hear a crowd at the corner or the drums of the marching bands. I really do miss the high school marching bands; especially the public school ones and the Marching 100 of St. Augustine’s; “St. Aug’s”, as we call them down here.
While I was printing out the manuscript yesterday morning I did a deep dive into the Internet about the Three Investigators, which, in my humble opinion, is one of the best (if not the best) of the kids’ mystery series. One of the other things I was doing yesterday involved contracts for MWA’s upcoming mystery writing handbook, How to Write a Mystery, edited by the amazing Lee Child and Laurie R. King; so as I was reading an interview with the ghost writer for several of the Three Investigators books–including several of my favorites–and the name seemed familiar, as did that of his wife–so I made notes on the notepad that always sits next to my mouse to look them up and see why the names seemed familiar. Imagine my surprise when someone responded to the emailed contracts with an issue, and it turned out to be the ghost writer’s wife! That was why the name was familiar; I had seen it very recently. One of those weird, synchronistic elements of my life, I suppose, but it was still kind of cool to be corresponding with the wife of a Three Investigators ghost writer. The original author of the series, who created it and wrote ten of the first eleven volumes, Robert Arthur, also deeply interests me.
I also realized that, in some ways, I had mimicked The Three Investigators with the Scotty series: while the series is written in the first person, there are three of them; Scotty, Frank, and Colin. My original plans when I was a child for my own series initially began with a single character to hang the series on; it eventually evolved into three friends solving mysteries–and yes, the concept of there being three was not unique to, or originated by, the Three Investigators–the Hardy Boys and their pal, Chet; Nancy Drew with Bess and George; Judy Bolton and two separate groups of three (either with Irene and Honey, or with Lorraine and Lois); etc. (I’ve also always wondered, in the back of my mind, if having three precluded any notions of homoeroticism; it certainly existed in the Ken Holt series with his best bud Sandy, or in the Rick Brant with his buddy Scotty–which has also made me wonder lately if that’s where the name for my Scotty came from… since having three meant including a chaperone).
So, I intend to spend the rest of the morning straightening up the kitchen to serve as the backdrop for my ZOOM session, swilling coffee and trying to stay warm. So, on that note I am heading back into the spice mines, and will catch you on Ash Wednesday. Have a great day, Constant Reader, as always.
While the official first day of the summer season isn’t here quite yet, it’s already summertime in New Orleans–with everything that means. The thick heavy wet air that clings to you like a warm wet wool blanket; the beautifully bright and yellow sunlight that burns your skin red as it pierces through the windows of your car; and the climbing electric bills as your air conditioning unit desperately tries–and only occasionally succeeds–to keep the temperature livable and breathable inside your home. Tourists who come to New Orleans often complain about the extreme difference in temperature from going inside to out and back inside again; how cold it is everywhere in doors; that the shorts and tank tops, soggy and wet from sweat, aren’t enough covering as the they dry in the cold frigid inside air. It is really impossible to know how to dress in New Orleans when it’s hot; but those of us who live here are used to it, but you never get used to how just existing and moving around outside sucks the energy right out of you, and sometimes–like when you’re lugging all the shit you bought at Costco in from the car–you have to just sit for a spell, chug some cold water or Gatorade (or a daiquiri if you planned ahead), and collect yourself.
That was my yesterday. As you may have noticed had you paid close attention, I had been unwell for a while; primarily from forgetting that I have to be more cautious dealing with heat and more careful and mindful of the maintenance required for my older body. This whole thing started with me being unable to sleep for several nights in a row, and the moved on to severe dehydration and exhaustion and stomach issues. This led to another COVID-19 test, being sent home from work, and a slow recovery. But after days of drinking lots of water, avoiding caffeine (much to my own detriment when it comes to productivity), and good sleep–as well as staying inside as much as possible–I am finally, this morning, feeling like myself once again; energetic and creative and ready to go. I took two more vacation days this week–Wednesday and Thursday–to continue my rest and recovery, and it seems to have done the trick (I was really worried about the Costco trip being a setback; but I am stubborn and I wanted to get it out of the way; but I downed lots of water before I went, took a Gatorade with me, and had another after I got home).
And this morning, yes, I feel like me again for the first time in what seems like an incredibly long time.
I’m working from home today, which means data entry and making condom packs while streaming things on the television; I should finish the first season of Jonny Quest today, since the episodes are only about twenty-four minutes long; which makes me wonder if that’s why it had such a short run on Saturday mornings when I was a child–not enough time left for commercials. Scooby Doo Where Are You? episodes are 21-22 minutes. Money is key, and despite some problematic issues with the show (it was produced in the 1960’s, after all) it still holds up pretty well. It did put me in mind of another kids’ book series I read when I was younger–the Rick Brant Science Adventures by John Blaine, which was yet another one of the many Grosset & Dunlap series. Like the Ken Holt series I talked about recently, the Rick Brant series was never as popular as the Hardy Boys (nothing ever achieved the popularity of Nancy Drew), but were much more interesting, more action-packed, involved actual detective work, and were far better written. The similarities between Jonny Quest and Rick Brant are staggering; the Quests live on an island; Rick and his family also lived on Spindrift Island, separated by tidal flats from the coast on New Jersey. The Quests sort of adopted Hadji, who became Jonny’s best friend; Rick’s best friend is Don Scott (Scotty), and the Brants unofficially adopt him into their family. Jonny and his family go all over the world having adventures and solving mysteries having to do with science, for the most part; Rick and Scotty do the same. Jonny’s father is world-famous scientific genius Benton Quest; Rick’s father is world-famous scientific genius Hartson Brant.
The first few Rick Brants I read, like Ken Holt, I obtained off the sales table in the bargain basement at Goldblatt’s in Chicago: The Rocket’s Shadow, The Egyptian Cat Mystery, The Flying Stingaree, and The Flaming Mountain. Over the years, I found more of them at swap meets and flea markets and used bookstores; I think I met have an almost complete set of them now (I did acquire some via eBay after Katrina). Some of the books are now available for download on Project Gutenberg; several volumes from a variety of those old kids’ series–including Ken Holt, Judy Bolton, and Biff Brewster–are there (and yes, I downloaded all of them). I want to start revisiting some of these series, since they influenced me into becoming a mystery writer, and while scientific knowledge has proceeded incredibly rapidly since the Brant series were published and went out of print, it’s kind of fun to go back and revisit the world of cutting-edge science (or what was seen as futuristic science) at the time; The Rocket’s Shadow was basically about how the Spindrift Island scientists (other scientists and their families also lived on the island) were racing to build and launch a moon rocket–the case involved Rick trying to solve the mystery of who on the island was a traitor and leaking secret information about the rocket project to a competitor; Scotty rescues him from the bad guys in the first chapter. Scotty was a military veteran who lied about his age to enlist and fight in the war (World War II; the book was originally published in 1947)–which was glossed over and ignored as time passed and the series continued, which would have aged him. This was twenty-two years before the actual moon landing, so to kids reading this in 1947 and the years after, it was kind of science fiction.
We will finish the final two episodes of Elite that are available tonight, and then will have to wait for season four. They had started filming before the world shut down, alas, so there’s no telling how long it will be before we get another season to binge and love. I also am not sure how the show is going to continue; this season has them all graduating and the crime this season is focusing on occurs at the graduation party. I can’t praise this show enough; it’s completely addicting, and there are never any slow parts. The way they have developed the characters and their relationships with each other make total sense and are completely believable, despite the sometimes completely over-the-top situations they find themselves in. Once we finish watching, I will devote an entire entry to discussing the show. But seriously–you won’t be sorry if you watch.
And now back to the spice mines. Have a lovely day, everyone.
Sunday morning and I slept very well last night, which feels pretty lovely this morning, quite frankly. Yesterday was a good day, which I took off from all my deadlines, worries, and cares. I did run to the grocery store for a few things, tried to buy ink at Office Depot to no avail, and then went to the gym. I then came home and showered before reading for a while, and then I started watching Outer Banks again, after it being recommended by Chris and Katrina Niidas Holm; this time I got sucked into the story. Is it a great show? Not really, but it is trashy fun, and I like that the writers finally got what they were actually doing and went all in. We also finished watching The Great last night, which is actually quite fun and terrific. I’m not quite sure who the audience for The Great is, but Elle Fanning is terrific as Catherine and it’s highly entertaining.
Sigh. Saturday nights are a whole lot different for me now than they were for years.
It doesn’t seem that long ago that Saturday meant an entirely different thing than it does to me now. Now, it’s all about what can I get done today and what will we watch this evening and so forth; back then it wasn’t a question of whether we would be going out or not–the question was which bars would we be going to and what time would we be going out. Even if the idea was always just to be around people and listen to fun music, we’d inevitably pass the tipping point over into drunk. Sometimes we’d go dancing, sometimes we’d just hang out in the non-dance clubs with friends or would run into people; the free flow of going out on the weekend in the French Quarter was something that could never be planned. You never knew who you’d run into and how that would impact or change your plans; whether the mood or the music in a particular club would be off or fun–which also impacted how long we’d stay there before moving on.
I miss going dancing sometimes, but I don’t miss the late nights and the cigarette smoke (of course that’s also a thing of the past) and I don’t miss getting drunk two or three times on the weekend, either (the only question of the weekend wasn’t if we would go out on Saturday or not, it was would we also go out on Friday as well? And Sunday inevitably wound up being a given). I drank enough in those days to last me the rest of my life, and while I do like the occasional cocktail and the occasional buzz, I don’t like getting sloppy drunk anymore, and that happens more rarely now than it used to.
Now, of course, as a fifty-eight year old who feels like he’s going on eighty sometimes, the thought of going to a bar or a club isn’t appealing to me in the least. I can’t imagine standing around for hours, for one thing, and for another, I can’t imagine dancing for hours like I used to, getting hot and sweaty and taking off my shirt and tucking it into the back of my jeans. Then again, it’s been so long since I’ve been to a gay bar I don’t know if gays still do that–oh, what am I saying? Of course they do. Just like the swallows return to Capistrano, a certain subset of gay men will always go dancing on the weekends, drink too much, perhaps indulge in some illegal substances, and dance the night away with their shirts off. Why else would you go to the gym all week if you’re not going to show off the hard work on the dance floor?
I do miss it sometimes, though.
Today I am going to do some writing and trying to get out from behind this eight ball I seem to have been behind for most of this year. I have some things to reread and edit, and of course I want to get going on the Secret Project again, which has stalled for a moment–damned work week heat and humidity, sucking the life out of me every day–and there’s some cleaning to do as well. I didn’t get the floors done yesterday–trying to get caught up on the dishes and laundry was hard enough work as it was–and I am going to try to finish reading Phyllis Whitney’s The Red Carnelian today, as well as Bruce Campbell’s The Secret of Skeleton Island, which is the first novel in one of my favorite kids’ series, the Ken Holt mysteries. And yes, as always, I am probably assuming I can get more done today than I actually can, but hey–you never know until you try.
It’s also so incredibly easy to get distracted…I must try to avoid distractions at all cost. Distractions are the progress killer.
And I am, after all, so easily distracted. In fact, even as I type about not letting myself get distracted….I am thinking about things to do to waste my time today rather than writing.
But one important thing: I am going to close my web browser before I start writing. The Internet is the true distraction.
And on that note, tis off to the spice mines. Have a lovely Sunday, Constant Reader!
Queer and Loathing in America 