Sunflower

Thursday and my last day in the office for the week. I slept super-great last night–the first time this week that has happened–and only woke up once. I feel rested and good this morning. Tomorrow, of course, I have to get my oral surgery done in the morning (yay? Well, the end result will be a lot of pain to end the almost constant pain I’ve been living with for years, so that’s better, right?) and then it will be a soft food/mostly liquid (not alcoholic) for I don’t know how long. I weighed myself yesterday, and with even my shoes and belt on and my keys attached to my belt and my wallet in my pocket, I’d lost three pounds since the last time I weighed myself (I would imagine all the eating I did in San Diego made me weight go up dramatically). It would be great if I could get back down to 200 at some point (I remember the days vividly when I would never admit to weighing that much publicly; then again, weighing that much would have completely freaked me out).

I managed to get the page proofing for Mississippi River Mischief done last night after work, and the book’s not bad at all. The writing is strong and the plot makes sense, which is always a plus, and it does move along nicely. I also had forgotten that I had set up the next one in the afterward; or at least had gotten the premise begun–this next one is going to take place while the boys are living in the dower house on Papa Diderot’s Garden District property, and maybe, just maybe, this next one will be the long-awaited and never-written (thanks to Katrina) Hurricane Party Hustle. Then again I am getting ahead of myself, am I not? Let me get all this other stuff done first and then I can worry about the tenth Scotty. But next year Scotty turns twenty-one at last (legal at last! legal at last!) and so I think I may spend a lot of time next year celebrating twenty-one years of Scotty. I think the ebook for Jackson Square Jazz might finally get launched, making the book available for the first time since 2010, and then I can rest easy at long last. I’m not sure how much work I am going to be able to do this weekend–will I be on painkillers the entire time? Will I be too zonked out on painkillers to get anything done this weekend? I guess we shall just have to wait and see. I also don’t know if and when I’ll be blogging again, either. But hopefully I can be lucid enough to read S. A. Cosby’s All the Sinners Bleed or if I can’t read, lucid enough to watch movies.

We watched some of the US Open last night, which was nice. I keep forgetting that it’s happening; we stream now rather than have cable, so I no longer have any idea when anything actually airs or what is actually airing, which is a significant shift in how I watch television. It was nice that so many Americans made it to the quarter-finals–it’s been a long time since the US made such a great showing at the US Open–and sadly, I have to admit that I’ve just not been as interested in tennis since Serena Williams retired. But I do love to watch tennis, as I remembered last night as I proofed, occasionally looking up to watch the action. We watched Madison Keys win, and then watched Carlos Alcazar until I went to bed (Paul of course stayed up watching).

The cover proof also landed in my inbox this morning so that’s what I’ll be doing tonight: filling out the page proof form and proofing the cover. I’m starting to feel creative again, too, which is super-great. I want to get some more writing done, and of course I need to start plotting out the next two books I am going to write while trying to finish a draft of Muscles, which is the plan for this fall (I probably will have to put Muscles aside to work on something else, but might as well get as much done as I can before the arm surgery, whenever that might wind up being).

More and more people who’d been at Bouchercon are testing positive for COVID, which believe me is the worst possible outcome I could have when I swab myself every morning. Sure, it means I’d have to reschedule the oral surgery, but there are definitely worse things that could happen to me then testing positive for it. I would definitely need to be past it when I consult with the Tulane Institute of Sports Medicine. It’s weird because everything is so up in the air until I know what’s going on with my arm, and how long the recovery process is going to be. I don’t know that I want to be doing a lot of traveling with my arm in a soft cast and a sling (and not the good kind, wink wink nudge nudge) because how would i handle the carry-on luggage? Heavy sigh. Again–not going to worry about it because that’s just borrowing trouble.

And on that note, my test is negative and I am heading into the spice mines. Have a great Thursday, Constant Reader.

The Wurlitzer Prize (I Don’t Want to Get Over You)

And here we are on yet another Pay-the-Bills Wednesday. Paul is leaving today, and won’t be back until a week from Saturday. I also don’t have Scooter for cuddles and company. Will I go mad living under conditions of absolute reality? Even larks and katydids are believed by some to dream.

Yesterday was a much better day than I’ve had in quite some time, all things considered. I slept incredibly well, so didn’t start off my day either sleepy or groggy or tired, which is always a plus. The work day was relatively low-key; we were slow in the morning but busy in the afternoon, and frankly, I prefer it that way; busy in the morning inevitably means tired in the afternoon, and if we’re so it’s agony. But over all, a good day at the office and an auspicious beginning to the month of August. (I also didn’t note that it was the anniversary of both of our moves to New Orleans; first in 1996, then again on August 1 2001 when we moved back home from That Horrible Year Away.)

I ran errands on my way home–mail, prescriptions, groceries–and then came home to a sink full of dirty dishes which needed attention, so I took care of that as well as another load of laundry, and then sat my ample buttocks into my desk chair and banged out the revision of Chapter 3 I’d been stuck on for a little less than a week (not so much stuck as tired and didn’t want to bother with it, in brutal honesty) and got it finished and under control before moving onto Chapter Four. I also worked on “Whim of the Wind” for a little while, and also did some more research into the history of the city I am fictionalizing for the WIP, which I continue to fail to discuss. Perhaps this weekend? Perhaps. I kind of want to see if I can get past Chapter 4 before I talk about the book publicly, but that’s nothing more than my own superstitions, which is pretty stupid. As a general rule I don’t believe in things like jinxes and curses and so forth, but I do believe you can actually speak things into existence sometimes. The only takeaway I got from Psych 101 in college was the concept of visualization; that picturing something in your mind can make it happen–but not like winning the powerball or anything like that, but more along the lines of why you always spill something full when you’re carrying it no matter how careful you are…because your mind cannot picture a negative–you can’t see yourself not spilling it; so when you think about not spilling it, you will because you see yourself in your mind actually spilling it. (It’s like how you cannot prove a negative–you can rarely prove you aren’t something; but it is incredibly easy to prove you are. I use this example: someone drinks a lot. They don’t think they have a problem, they don’t wake up in the morning feeling like death warmed over twice and wanting another drink. But once someone says, “You have a drinking problem”, you can’t prove that you don’t. You can say you aren’t, but that’s denial. You can stop drinking for a time period—but if you start drinking again, well, there, you see, you were in recovery and then relapsed! You cannot win, so why bother trying?) It is much harder to prove something isn’t true than it is proving something is. Guilt is the same way–how do you convince the cops, who are convinced you are, that you aren’t?

I will say this about the WIP–it’s more hardboiled and noir than what I usually write, I am having a lot of fun with it, and it’s been a long time since I wrote anything set in Florida, if I ever have? Dark Tide started as a Florida panhandle novel, but I moved it to the Alabama coast; “Cold Beer No Flies” was a panhandle story, too. But this is me fictionalizing Tampa–come to think of it, my main character in The Orion Mask lived in a fictional Tampa I am using again for this one–and I’ve not set foot in Tampa, other than flying in and out for Bouchercon in St. Petersburg, since I moved away in December 1995 to once again reboot and restart my life.

I was tired after all my errands yesterday–the thermostat in my car let me know it was 101 when I left the office yesterday; it is insane for it to be that hot, even in New Orleans. It’s exhausting dealing with this insane summer heat this year. But I did get some writing done yesterday, which was a good thing, and of course Paul finished packing. Heavy heaving sigh. Ah, well, I have Superman and Lois to catch up on, and My Adventures with Superman, and so many old classic films to watch, so I shouldn’t have any trouble keeping myself entertained so I don’t feel lonely or bored. And of course I could be writing, which is always difficult in August…I also think about how about eighteen years ago I was finishing (finally) Mardi Gras Mambo at long last in that last, fateful August before Katrina. It really was a completely different world all those years ago; maybe I ‘ll go back and read those old Livejournal entries from August of 2005, so I can remember the world before once again. I also have a lot of reading to get caught up on, as well. I have some errands to run this evening on the way home from work, and then I am going to be inside for the night. We did watch another episode of Gotham Knights last night–very intense, as the season finale moves closer–but now I have to wait for Paul to come home to finish. Heavy heaving sigh.

But perhaps I’ll use all this solitude productively. One never knows, and on that note, I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I will check in with you again tomorrow.

One More Chance

My first series will always be special to me, even though I’ve retired Chanse MacLeod…at least for now, at any rate; I’ve learned (sometimes the hard way) that I shouldn’t ever say never when it comes to my writing career. Chanse will always be special for me in that he was the main character in my first book to be published as well as the first series of mine to see print. I originally created Chanse in 1989–can you believe that? Thirteen years from the time I first started constructing the character and him getting into print.

When I left California and moved to Houston that year, I decided to put the miseries of the 1980’s behind me, forget the past, and try to move on to the future I wanted for myself. I still had no idea what I wanted to do to make a living, but I knew I was never going to become a writer unless I actually, you know, wrote. When I moved to Houston, I moved away from reading mostly epic fantasy and horror to reading crime and horror. Sue Grafton’s F is for Fugitive had just been released, and the bookstore–Bookstop?–I frequented in Houston had a store catalogue that had book reviews and author interviews, and Sue Grafton was on the cover. I thought the alphabet titles was a great idea, so I bought the first three and took them home. I loved them, and started diving back into the crime fiction genre headfirst. I also started reading the Erle Stanley Gardner Perry Mason novels again–I’d read some when I was a kid–and I also started reading the rest of the Travis McGee series (I’d read, and not liked, The Dreadful Lemon Sky when I was thirteen; I wasn’t old enough to appreciate the series) and absolutely loved them. I loved McDonald’s writing style more than anything else, and the descriptions of McGee sounded, well, hot.

I started creating Chanse MacLeod as a blend of Kinsey and Travis McGee, really; I was driving to work one day and crossed a bayou. noticing the sign for the first time, and thought “The Body in the Bayou would be a great title for his first book” and so i started constructing the character and his world. He was a former cop turned private eye in Houston; he’d played college football at Auburn but suffered a career-ending injury his senior year and so he went into law enforcement, eventually going out on his own. He had a secretary named Clara that he shared with a couple of lawyers in an office suite in downtown Houston, and most of his work involved trying to get evidence of adultery for wealthy and suspicious spouses. In 1994. after I fell in love with New Orleans, I moved Chanse to New Orleans and his college experience to LSU; I also was discovering gay crime novels around this same time, so I decided to make Chanse a gay man; from a small town in Texas with homophobic parents and family, playing a sport where homophobia is rife, and he too discovered and fell in love with New Orlean…so he became a cop when his football career ended, eventually becoming a private eye. I started rewriting the four or five chapters I’d written with the story set in Houston…but once I moved to New Orleans and began to grasp what it was actually like to live here, I threw the entire thing out and started over.

That manuscript I started over became Murder in the Rue Dauphine, and the first place I submitted it to offered me a contract six weeks after I mailed them the manuscript. Alyson was home for the first five books in the series…before Alyson Books went belly-up, without paying me the advance for the fifth book and no longer paying me royalties on the others (the entire series was still in print when Alyson folded).

Burn in hell, corporate trash who bought Alyson.

(The company had been doomed for a while, and the unfortunate last minute attempt to rescue it failed, which I thought was horrifically unfair to the person who they brought in to save it. The final collapse was hardly his fault; his predecessors had made so many unbelievably stupid mistakes there was no saving the business, really. And ebooks and so forth started eroding away at the reader base, at the same time the business began to crumble. I’ve always felt bad for the poor dude who was the last to hold the title of publisher. I don’t think he had any staff and he was the only person working there by the bitter end.)

But when Alyson went belly-up and chose to stop honoring their contractual obligations to pay their writers, I’d already moved the Scotty series to Bold Strokes Books and was doing not only anthologies for them but also editorial work for them, so moving the Chanse series there was a no-brainer.

The last two books in the series were done with Bold Strokes Books.

As with anything with my career, I had a plan for the Chanse series but of course, man plans and the gods laugh. I had always intended the series to be seven books, from the very beginning, and I had this emotional journey for him all mapped out: the series would chart his progression from lonely, damaged and scarred loner with a snide sense of humor to more centered, more grounded, more mature and more settled into his life. So, when the series opened, he was–against his better judgment–seeing a hot flight attendant, and wondering if he was actually falling in love and had the opportunity to be happy for once in his life. I really did give him a miserable backstory; alcoholic mother, abusive drunk redneck father, grew up living in a trailer park in a snotty small Texas town where no one would let him forget he was trash until he showed some football playing ability–and he was just cynical enough to understand they still considered him trash, but trash with a skill they appreciated. He went to LSU and joined a fraternity in a final attempt to banish the homosexuality from his brain (it didn’t work), and then was injured in a bowl game so his career was over–he’d been considering going for the NFL draft. He was a big man, as such; and spent a lot of time in the gym working out and keeping fit. I also had to make a horrific decision while writing the second book–with every intention of walking that ending back in the third.

And then Katrina happened, and everything changed.

My editor at Alyson Books at the time, Joe Pittman, was new. He had come on board shortly after my previous editor was let go (I had a different editor for each of the first three Chanse books, and in fact had a different for the last two–so the Chanse series went through five editors at Alyson…now I would see that as a sign), and I was assigned to him as a gay mystery writer. He got in touch with me after Katrina to check in on me and of course, to encourage me to write about Katrina, which I did NOT want to do whilst I was in the middle of experiencing the aftermath still. I was still unhoused at the time, staying with my parents in Kentucky, before moving back to Hammond, Louisiana, just before Rita to housesit. Paul and I talked on the phone one morning and suggested we do a fundraising anthology for Katrina victims…but I wasn’t interested. Joe called me that afternoon and with the same suggestion, so I told him Paul wanted to do one and that was how Love, Bourbon Street came to be. Joe also kept insisting to me that I should write a post-Katrina book as the next Chanse book, and despite my reluctance I decided to go ahead and do it. Part of the problem, as I saw it, was, how do you end a book on a hopeful note when the city is still in ruins and most of the population still displaced? Joe kept pushing me, and I finally agreed to write Murder in the Rue Chartres–and I really don’t remember anything about writing the book other than I did actually write it, and it turned out to be one of my best books. It won the Lambda, for one thing, and got great reviews everywhere.

The fourth Chanse novel was, in my opinion, the weakest of the series. They’d fired my editor before I signed a contract for the fourth book, and when that finally happened, they needed me to write in like eight weeks. I asked for a two book contract so I would never have to write another book in eight weeks again (LOL at my naivete), and they were so desperate for the fourth they agreed. (I had already written a Scotty book that was just sitting in a drawer; I turned it into the fourth Chanse and to this day I think it was a mistake.) Of course, they did publish the fifth, but they never paid me a dime for Murder in the Garden District. The only money I’ve made off that book is from the ebook Bold Strokes put up–I gave them the entire Chanse backlist for ebooks, and those Chanse books still sell.

Maybe I shouldn’t have ended the series at seven?

But it felt like the right place to stop. Chanse’s personal story of personal growth and how it happened kind of got lost along the way; he grew and changed as the series progressed, but writing the last two–which I also think are good–felt a little paint-by-the-numbers for me; I felt that writing the sixth and when I felt it again in the seventh, I decided to stop there. I wasn’t getting any satisfaction for writing the books anymore, there was no joy derived from doing them, and since I’d already planned to stop at seven…I stopped at seven.

I still get ideas for Chanse books, of course. I have an LSU fraternity murder that would be a perfect Chanse story–I planned it as a novella–and of course, I’ve always wanted to fictionalize the Jeff Davis Eight murders as a Chanse novel, too. Maybe I could do three Chanse novellas published in one book?

That would make a lot more sense, and could be even more fun to write than one long single story novel.

Or I may not do anything with Chanse at all, and use those stories/plots for something else.

It’s Raining Men

The first song I ever danced to in a gay bar was, quite naturally, “It’s Raining Men.”

I never said I wasn’t a stereotype, did I?

I was twenty-one the first time I ever set foot in a gay bar. (If there were gay bars anywhere near me in Kansas, I had no idea) It was in Fresno, California, of all places; where I spent the 80’s and which I often lovingly refer to as “Topeka in the Valley.” It wasn’t much of anything, really; a small building on Blackstone Avenue, I think just past Olive, and near the off-ramp for the new cross-town highway in an attempt to alleviate traffic on the main streets of the city (it may have been further north). The bar was called the Express, and someone I worked with–the first obviously gay man I ever knew, and certainly the first one who was out and proud and not ashamed of it–took me one night after work. I was nervous as hell. I had no idea what I was getting myself into, and I remember it was dark and crowded. There was a bigger front room with the bar, and there was a smaller dance floor further in the back. We arrived–I didn’t recognize the song that was playing–got a beer (he got a vodka and cranberry), and then the next song started up. I didn’t know it, had never heard it before, but he dragged me out onto the dance floor and yes, the song was quite a jam. I loved it, and rather self0-consciously danced my ass off (I always loved to dance). My friend later told me the song was by the Weather Girls, who used to sing back-up for Sylvester, and it was called “It’s Raining Men.” The song was utterly ridiculous–it still is–but those powerhouse vocals, the driving beat, and the absolute joy in the idea that all you had to do was “rip off the roof and stay in bed” so a hot man will drop in from the sky for you? How could gay men not embrace the song? I bought the single at Tower Records a few days later, and every time that song played, I’d be out on the dance floor. Even now, when I hear it, I always think back to that first night I went to a gay bar.

HIV/AIDS was already a thing, but we didn’t know much about it in Fresno; it seemed like something new and scary but maybe no worse than some other new diseases that had been discovered in the 1970’s/early 1980’s. The rare yet terrifying information and reporting on it referred to it as GRID. It eventually claimed that co-worker who took me to my first gay bar, and his roommate, who was the one who told me years later that the co-worker (whose name I cannot recall, I just know it started with a K) was in the hospital, dying. “It’s Raining Men” always reminds me of him; always takes me back to that first time when I so nervously paid my cover charge and flashed my ID and walked into my first ever gay bar. There was another gay bar in Fresno, the Red Lantern, that was in a much shoddier (“dangerous”) part of town. (Gay bars, back in the day, were never in the best neighborhoods. Tracks in Ybor City in the early 90’s–when I lived in Tampa–was also not in the best neighborhood. Ybor City did begin gentrifying before I moved away, but originally? Yeah, not the best neighborhood.) I went there a few times as well–made friends there, made friends in the other bar, too. I lost all those friends, of course, and their names and faces are also gone, more lives lost to the mists of time in my memory. It seems a bit shameful to not be able to remember the names and faces of the first people who knew a part of me I’d never let anyone see before, but they also didn’t know me in that I kept the other part of my life secret from them.

It’s very strange, because I decided to google the gays bars of Fresno while I was writing this and apparently the Express closed in 2013? I don’t think it stayed in the same location–according to the site I found it had also been called “708” before becoming the Express again; who knows what that was all about. But the Red Lantern is still there on Belmont Avenue, in the same location; how wild is that? That’s a pretty long-lived gay bar for a place like Fresno, really. I remember in Houston there was JR’s, and Heaven, and maybe another one there in the Montrose district. But I didn’t start spending a lot of my weekend evenings in gay bars until I moved to Tampa. Tracks in Ybor City and Howard Avenue Station were the two primary gay bars when I lived there; and there was Bedrox on Clearwater Beach–which was the gay section.

And of course, there are gay bars everywhere in New Orleans. I haven’t set foot in one in a number of years, and may never do so again. I’m old; spending the night dancing would end with me in the hospital, or needing days to recover.

I don’t know what gay bars are like now because I’ve not been a part of that culture for a very long time–we haven’t even done condom outreach during special weekends in the bars in years anymore–which is why it’s hard for me to write about Scotty being still a party-boy. His age in the book I just finished and turned in is roughly forty-three or forty-four; after Katrina when I had to actually pick a time for the books to have been set (Katrina couldn’t be ignored), I decided that the Southern Decadence where Scotty met both Frank and Colin was in 2004, Jackson Square Jazz was that Halloween, and Mardi Gras Mambo was Carnival 2005. Scotty had just turned twenty-nine in Bourbon Street Blues, which meant he was roughly born in 1976, which works with the other timelines, making him twelve or thirteen when the Cabildo caught fire the last time. While the other books can be more amorphous, obviously Who Dat Whodunnit was set in January of 2010, right before the Saints won the Super Bowl. With the pandemic starting in 2020–which I will deal with at some point–this one had to take place before the world shut down, so I am thinking it’s May of 2019. I don’t want to skip ahead a year to the pandemic, so Quarter Quarantine Quadrille will be further in the future. I kind of want to do Decadence again in another book–with Scotty older but not much wiser–but am not entirely sure. I also would like to really do a Scotty Halloween book, and maybe even a hurricane evacuation one, I don’t know.

I am, however, very glad that I did write those first three Scotty books, when I was enmeshed in gay bar culture, because I’m glad it’s preserved in fiction. That world is gone now–washed away when the levees failed and the city rebuilt. Someone once told me I was the only person to document that pre-Katrina gay male existence, of going out to bars and being promiscuous and dancing all night long and drinking too much and occasionally dipping into party drugs.

I’m also kind of glad modern gays don’t have to use the weekends and gay bars as a place to let loose and be as free and gay as possible, which they couldn’t do during the week. Friday nights were always a relief, a respite from a cold and unloving world that judged us harshly and wished us harm.

I don’t miss the bright lights, the cigarette smoke (that’s how long it’s been), the stench of male sweat and the smell of poppers in the air as the deejay spins another banger. I mean, I do, but not in a sad kind of way; those memories are lovely and they make me a little wistful for the days when gay bars weren’t clogged with bachelorette parties and obnoxious drunk straight girls. But those weren’t the good old days, really; we had no rights and our sex lives were against the law; the few legal protections we have now were goals back then, something we could strive to achieve sometime in the distant future. I certainly never thought Lawrence would decriminalize my sex life and Obergefell would make it legal for Paul and I to marry; I never thought those things would happen during my lifetime. I didn’t expect to see an openly gay member of the Presidential cabinet; out queer characters as leads in television shows and movies–none of these things seemed possible to that closeted twenty-one year old who walked wide-eyed into the Express and went out to dance to “It’s Raining Men.”

I had no idea what the future held for me or for my community that night. In some ways I wish I could let that kid know everything would be okay and his life would turn out so much better than he ever dared dream…but knowing might change things, and I wouldn’t want to change anything that would take away the life I live now, because I love it.

Hate That I Love You

Tuesday and we survived Monday, Constant Reader–that has to count for something, doesn’t it? Actually, it wasn’t that bad, to be honest. I slept decently and woke up without problem with the alarm, and didn’t feel tired for most of the day. I had a highly productive day at the office, and then I came home and worked some more on the manuscript, which I am really starting to feel good about, believe it or not. I like my characters and I like the story, and I like that it isn’t set in either Uptown or the French Quarter or–where I always go–the Lower Garden District is always the default for me. This time out I set the book in the 7th Ward, on what we used to say was the “wrong side” of St. Claude (this is also the neighborhood where my office building is now, on Elysian Fields); even now people say this neighborhood is “unsafe”; and yes, we’ve had some instances where there was gunfire outside and we went into a code and locked down the office. Maybe I just have a false sense of security–which won’t change until something bad happens to me, as usual–but I never feel all that unsafe either going to or from my car before and after work. (I also love that realtors are trying to rebrand the neighborhood as ‘the new Marigny.” Um, no, it’s not and there’s no such thing as the ‘new Marigny.’)

I also slept well last night, which is great. I feel rested and relaxed this morning, but I also have to see clients today. I’ll probably be a bit tired when I get home tonight; seeing clients can drain you a bit, which is why I don’t see clients four days a week instead of three. I got some more work on the book done yesterday, and hope to get further along today as well–no relaxing until I get my work done tonight. I had a ZOOM meeting last night so I wasn’t able to get as much work done as i would have liked–still behind, of course, as always–but I am pretty happy with the work I am doing and how the manuscript is coming together, which is always lovely. I’m not hating the manuscript as I work on it, which is kind of a nice change, overall. Maybe I have finally gotten less self-loathing about my own work, after twenty-odd years? Nah, that can’t be it! Maybe I just feel centered for the first time in a long time? That is more likely.

It’s been a time, there’s no question about that. Mom’s health had been declining for years, so that was always weighing on the back of my mind, no matter how hard I tried to not think about it or even consider the possibilities inherent in recognizing that her health was failing; there was a pandemic and a dramatic shift/change in my day job; and of course I was doing a lot of volunteering around writing and trying to keep my authorial career going at the same time. I’m surprised I didn’t have more mental breakdowns over the last few years, in all honesty. It’s no wonder I was low energy, depressed, and tired all the time. There were paradigm shifts happening everywhere in my life, and I was completely unprepared for any of them, either physically or emotionally or intellectually. I don’t remember writing the books I wrote since the shutdown three years ago; Bury Me in Shadows, A Streetcar Named Murder, #shedeservedit–I remember the young adults because I’ve been working on them for years before I sold them; but the revision process? The editing? I don’t remember a fucking thing. I do worry some about how my brain works now; one thing that has definitely happened over the last three years is a complete loss of remembering how to deal with the ADHD, so focusing is a lot harder than it used to be. I don’t know if that’s related to the ten-day COVID I had last summer, or if it’s because of all the changes and shifts, or maybe it’s even a combination of all those things. I don’t know, but I know I haven’t been functioning at full brain capacity for quite some time now, and I am starting to feel normal (or what passes for that around here) for the first time in a long time. More like myself, I should say, rather than normal; I’ve always taken great pride in not being normal–once I accepted it.

But I also don’t remember much of my life post-Katrina, either; there are years after Katrina that are foggy memories, if that. It shouldn’t come as a surprise (or a shock) that things that occur during times of trauma and stress don’t go into the permanent memory bank (which isn’t as big and powerful as it used to be). I should be used to it by now, right? But I don’t think you ever get used to traumatic events, and your brain just figures out the easiest way to get through it all without causing more trauma, and if that means not remembering things that happen, well, who am I to question how my twisted brain works and functions?

I’m just glad it’s still functioning, really, even if it is all over the place.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

We Got the Beat

Thursday and my last day in the office this week. Woo-hoo?

I slept really well again last night and feel very rested. Yesterday was a good day; today feels kind of like it might be one, too. I suppose we shall simply have to wait and see how it all plays out, won’t we? But when I got home last night I felt pretty good. I picked up my copy of Cheryl Head’s Time’s Undoing, which I really want to spend some time with this weekend, since I’ve been looking forward to reading it once it was announced to be forthcoming. Cheryl’s a terrific writer and a wonderful person, and it has been a pleasure and joy watching her career take off since we first met all those years ago.

I didn’t get much done last night, nor did I even get to read much either; not sure what happened to last evening once I got home, to be honest. I know I worked on the dishes for awhile, but never finished. Scooter was, as always, feeling needy and screaming for attention, and once I get in the easy chair and he starts sleeping/purring in my lap, I’m a goner. I know I watched a lot of Youtube videos but I honestly can’t remember doing much of anything other than going down Internet wormholes on my iPad. Today I believe is a slow day at the office, which should help me get caught up on things I am behind on there, and of course tomorrow is my work-at-home day. Tomorrow morning I am going to try to replace the dryer fuse–I do remember debating about trying to do this last night and finally deciding not to try, because of the extreme frustration that would result from that not being the thing that is actually wrong with the dryer, plus it’s not going to be terribly easy to begin with; I have to pull the dryer out from where it is snugly place beside the washing machine in a very small laundry room; it has to come all the way out and be turned around so I can access the back of it (I am dreading seeing what it looks like behind and beneath the dryer), which is going to be an irritating pain in the ass.

And of course, there’s always the chance Scooter will go back there and won’t come out. Heavy heaving sigh. But I am looking forward to being in New Orleans this weekend, and I am starting to feel a lot better about everything. It still sneaks up on me now and then–when people offer condolences, it becomes problematic as I tend to choke up when talking about it with people face to face–but when I am on my own, I tend to be able to handle it without breaking down, if that makes sense? It’s when I talk about it with kind people that it overwhelms me; I know they are trying to be a comfort and it’s coming from a very good place…but it’s rough. Everything’s rough, really, and I’m still trying to figure out everything and processing it all. I am definitely not over it yet, acceptance is beginning, but it still sneaks up on me from time to time.

Sorry to be so dull and keep going on about it. It is what it is, after all, and no amount of moping or sadness is going to change anything. I do think I need to spend some time writing about my mom, though; writing always helps, and fictionalizing things is always the best way for me to handle things that happen to me. Writing my essay “I Haven’t Stopped Dancing Yet” and Murder in the Rue Chartres was enormously helpful to my healing process in the years after Hurricane Katrina; even last night as I was thinking about the Title IX issue in my old school district in Kansas (which I am becoming more and more obsessed by) and thought, you could write a book about this, and from the perspective of a queer adult from that school district who goes down a rabbit hole after his mother dies and…

Kind of pulled back a bit from that one as it developed, but it’s not a terrible idea.

And I already have so much else to write on the agenda. I’ve got to get these two manuscripts revised, I need to move on to Chlorine and the other one I have in progress, and of course I wanted to get all those novellas finished this year and I don’t think that is going to happen unless I get out of this malaise and affix my nose to the grindstone again. And there are short stories I need to get written.

Okay, on that note I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I will check in with you again tomorrow.

Lust to Love

It’s literally amazing how much stuff fell by the wayside over the last couple of weeks, really. I realized yesterday that it was already the 26th and thought how can that be? Mom just died on Valentine’s Day–twlve days ago? But I went to the office the rest of that week and drove over for the funeral last weekend, and then I was on bereavement leave and worked at home–the Fat Tuesday holiday fell in the midst of my leave–and today I am going back into the office, which feels like a step in the right direction towards normalcy, of a sort. Life does goes on, and as I’ve moped around this last week, it also kind of feels like I’ve been in a fog of sorts for quite some time. I should be used to this sort of thing, as it always happens with a paradigm shift–like how the weekend before Katrina we’d gone to Hammond to celebrate my birthday and had a great time…and while we were evacuated, that seemed like was a different life, a different world, and even happened to different people. Murder in the Magic City/Murder on the Menu seems like it was months ago. And hadn’t I just turned in the manuscript that week before I left, with plans to get back on it as soon as I recovered from that trip? Then Mom had her stroke and everything went up into the air, and now I’m trying to find all the balls I dropped somewhere that I had been somehow managing to keep up in the air.

Yesterday was a gorgeous day; it was eighty degrees when I made groceries and gassed up the car. I kept the toe elevated and iced for most of the rest of the day while I read more of Abby Collette’s marvelous Body and Soul Food–which I am really enjoying–and then around five gave up on everything for the rest of the day. I printed out a short story I need to read to see if I can revise it into something that I can turn in for this anthology I’ve committed a story to, and of course I have to dive back into the manuscripts. I have to write something for Paul for Saints and Sinners; and I think I may have agreed to write something else? I need to do thank you cards and I need to mail the books to the winners of the Facebook page takeover giveaway that I did. I need to check in on my dad and sister, and of course at some point this week the fuse for the dryer is going to arrive so I can see if I can get that working again (prayers are appreciated and welcomed; not having a dryer has really sucked). I also ordered some other things I need. I just feel like I don’t have a grasp yet on my own life, and I don’t really like the way it feels. It’s almost like I am swimming through a fog, and things I used to easily remember and keep track of now just go right out of my mind like they were never there in my head in the first place. I don’t like this feeling; I don’t like not being able to trust my memory anymore–but even now as I write this I am wondering hasn’t this been the case for a while? Isn’t that why you started making lists in the first place–because if you didn’t write it down you’d forget?

I can’t even trust my memory about my memory. There’s a Kafka novel in there somewhere.

I’m also more aware of how quickly I tire now, too. I know that’s been going on for a while–since last summer’s horrific bout with Long COVID–but I am hoping that once I get back into the gym I will start building up my endurance again, and I also have to accept that it won’t be quick and my body won’t change at the speed that it used to. For one example, I was overweight when I moved back to New Orleans in August of 2001; I’d lost twenty pounds and tightened up everything by Halloween so I could wear a slutty costume. I’m not going to be able to return to the gym and be able to dress slutty again within eight weeks. (Not that I would dress slutty now–I’m in my sixties, for God’s sake, and I don’t care whether people think I look good or not anymore. It was never the priority of the gym for me in the first place. Yes, I liked looking good and yes, I liked getting flirted with and hit on, but for me that was a nice side effect to having the endurance to dance for hours, or feeling good physically.

God, I used to be so vain! I don’t really miss vanity, though.

One of the things I was working on before Mom had the final stroke was building a website–just something to play around with when I have time (ha ha ha ha ha, sure, Greg, that’s going to happen) and of course, that was the same fucking day I got the text from my sister, so I’ve not done a whole hell of a lot there, you know? I did get the domain registered, and I loaded a picture as well as info on A Streetcar Named Murder, but it’s going to take me some more time to learn how to do all the things I want it to do.

Because I am just swimming in free time.

I’m a bit groggy this morning, mainly because I am out of the habit of waking up to the alarm now–it actually jolted me awake, as opposed to me already being awake when it goes off, which means a retraining of myself yet again as this does not feel natural to me. It feels weird having to go back to the office this morning, as well. My toe’s not quite as painful this morning, either–it still hurts, mind you, but I can walk without limping and it’s not as bad as it has been, which is progress. I am still going to message my doctor today, though. We’ll see how it feels at the end of the day, won’t we? I suppose I can always ice it again once I am home tonight.

And on that note, I am heading into the spice mines. Have the best Monday you can, Constant Reader.

Shattered

Thursday morning, and I am about to head over to the West Bank to have my car serviced before I head to Kentucky.

Kentucky? Why are you driving to Kentucky when parades start tomorrow, Gregalicious?

I curate my life here on social media/blogs etc. I don’t talk about friends or family on here or my day job very often. I try not to be offensive, and I try to protect the privacy of my friends, family, and co-workers. Most of them never signed up for this (my writer friends did, kind of, but nevertheless I don’t talk about their personal lives or our friendships on here) and as a general rule, I try to keep my entries non-personal; I don’t write about Paul (he has specifically asked to be left off my social media other than in passing) or what’s going on with him or us on here. But while I generally like to protect everyone’s privacy–and I usually don’t like bleeding in public–I feel like I kind of have to mention this, even if it’s a violation of my family’s privacy.

My mother has been in poor health since Christmas of 2019, when she had a stroke. We almost lost her that time, and since then, she’s had several procedures and been to lots of doctors and had all kinds of things done; it’s hard to keep track because there has been so much. At one point–it’s hard to keep track–she was having chemotherapy because they’d found cancer; she also was suffering because one of her vertebrae had shattered, and eventually had to have surgery to have bone chips removed. The cancer was along her spine, and I think the shattered vertebrae had something to do with the cancer, but it’s hard to remember and hard to keep track, as it has been relatively relentless ever since, one thing after another. I’ve been watching her decline for the past few years, which has been difficult. For the rest of the family it’s been so gradual as to not be noticeable; for me, not seeing her all the day, it was always a shock to see how much she had changed since the last time I’d seen her, and I also knew, each visit, that this might be the last time I saw her.

So, I am heading up there today, with plans to drive back to New Orleans on Sunday. The situation may change, of course; I may not get there in time. I had debated, after getting the text from my sister, about waiting still longer, but as more time passed yesterday I finally realized that if she goes while you’re on the road, that’s one thing–but I think not getting there in time would be easier to live with if I had tried. So, I talked with my supervisor and left the office early yesterday. I came home to straighten up the house and do laundry and other mindless chores while I decided what to take with me and what audiobooks to listen to in the car (I’m going to finish The Lying Game on the way up there, and will listen to Carol Goodman’s The Stranger Behind You on the way back). Scooter, being an empath like all cats, knew something was wrong and kept insisting that I sit down so he could lay in my lap, sleeping and purring to make me feel better. It comes and goes; that’s the thing with grief–you never know when it’s going to sucker punch you again when you aren’t expecting it–and maybe the way I deal with it isn’t the most healthy. I prefer to grieve by myself, quietly; I don’t want sympathy and I don’t want pity and I don’t want everyone to comfort me because all that does is make me sadder and cry more. Talking about it is when I start choking up and getting teary-eyed; so I’d rather not talk about it. I like to process things alone, work it all out for myself. This is one of the reasons I despise funerals and avoid them as much as I can; putting your grief on display like that has always made me nervous and uncomfortable. I’ve never been good with attention–as I kept saying this past weekend in Alabama, “Praise makes me uncomfortable”–that also holds true for this kind of attention as well. We were always raised to be stoic in public–“never bleed in public”–which convinced me that grief is something private. Unfortunately, that has also translated into making me uncomfortable around other people’s grief; I am terrible when someone I care about loses someone they love. I never know what to say or do, and I always feel helpless because my natural instinct is to do whatever I can to make things easier for the people I love–but I can’t take away their grief and pain, so I feel like anything I do or say is futile and useless.

When my final grandparent died right after Hurricane Katrina, I remember heading up to Kentucky (it was Thanksgiving week) and once there, my dad saying to my mother, “Well, I guess we’re the old generation now.” It’s hard not to think about your own mortality when you are losing a parent; especially when you’re already in your sixties when you lose your first parent. (Ironically, I am almost the age my parents were when the last of my grandparents passed.)

And no matter how prepared you are for this (I’ve been steeling myself since December 2019, and it’s always been there in the back of my mind; every time I get a text message I tense up), it’s never an easy thing.

And I have twelve hours in the car to think about it, remember things from the mundane (oh, I’ll never have my mom’s dumplings again) to the painful (Dad is going to be a wreck) and of course, the ever popular what now?

But I know I’d rather tense up and worry when I get a text message than say goodbye.

Not sure when I’ll be back here, Constant Reader. Take care of yourself and give your loved ones a hug for me, okay?

Callin’ Baton Rouge

I have decided, at long last, to throw away my ratty old LSU sweatshirt.

This sweatshirt, for the record, predates Paul, that’s how old it is. It’s either thirty or twenty-nine; I cannot really remember one way or the other. It was, however, my very first LSU sweatshirt–the first of many–and I bought it at the bookstore on the LSU campus. I don’t remember which drive from Houston to Tampa it was when I stopped on campus and bought it–it was either a time when I was driving my new car from Houston back to Tampa, or when I was riding with a friend who was driving from Phoenix to Tampa–I flew into Houston, he met me at the airport and we drove on to Tampa from there, but for a very long time it was my only LSU sweatshirt, and I’ve always had a deep fondness for it. It’s been worn and washed so many times that it’s incredibly thin and threadbare; the neckline is fraying and so are the sleeves at the wrist. It’s stained and ratty and messy, so much so that I won’t even wear it to run errands. I only wear it around the house and usually only when all the other sweatshirts are dirty (I live in sweats when I am at home), and the other day as I was putting it on I realized not only how old it was but how bad of shape it was in. Why are you holding on to this sweatshirt? I asked myself, and then Saturday morning as I was folding it out of the dryer I thought throw it away, why are you keeping this? Sentiment? You pride yourself on your lack of that emotion, so I decided to take a photo of it, write a farewell blog entry to it, and put it in the trash–which I should have done years ago, really.

I don’t even remember why I decided to stop on campus and buy it, to be honest. I have no memory of that at all. Even now, when we are on campus for games and go by the store, it doesn’t look familiar at all from back then. Maybe they’ve built or redesigned the campus store, I don’t know; it’s certainly possible. But I don’t remember it being right by the stadium, either; it’s possible there are two stores on campus. I couldn’t say for sure.

Despite growing up as an Auburn and Alabama fan (in that order; the rule was you always rooted for Alabama unless they were playing Auburn), I’ve always kind of been partial to LSU, even though I had no connection to either the school or the state until much later in life. I’ve tried to remember why I always liked LSU, even as a kid–I think it was two things: purple has always been a favorite color of mine, especially when paired with gold, and the live tiger on campus (which I am now on the fence about–I see the arguments both for and against keeping a live tiger on campus as a mascot, but I love that tiger). My cousin actually was on the Auburn team that lost the Earthquake Game back in 1988–my family is still bitter about that 7-6 last minute loss–and when we moved to Louisiana, I got Paul into college football and he became an LSU fan because we lived here. I still rooted for Auburn and Alabama and LSU, in that order. I was still rooting for Auburn and Alabama when they played LSU, though; even in 2003 when LSU won its first national championship since 1958. It was 2005 when everything shifted for me on the college football landscape; that horrible 2005 season after Katrina, when LSU’s football team was about the only positive thing Louisiana had going for it that season, that was when I went full-on bleed purple-and-gold LSU fan, and have never looked back since. Paul of course had already gone full tilt LSU fan, and his enthusiasm was catching. I used to only care about college football; now I pay attention to almost every sport, from basketball to gymnastics to baseball to track so I can root for the Tigers.

Even before LSU moved to the front of the list, I was writing about LSU. Chanse played scholarship football for LSU, and would have possibly played pro had he not suffered a career-ending knee injury in the Sugar Bowl his last season of eligibility. Chanse was a tight end; and I had always intended for Chanse to go back to LSU and solve a murder on the campus, at his fraternity house. That story, “Once a Tiger,” is about four thousand words in; I’ve debated turning it into both a novel or a novella rather than a short story. Scotty is an LSU fan–I wrote about Mike the Tiger in Baton Rouge Bingo–and of course, in A Streetcar Named Murder Valerie’s twin sons are in their first semester up there.

Looks pretty bad, doesn’t it? It served me well for nearly three four decades!

Paul and I went to our first LSU game in Tiger Stadium in November of 2010. It was the Mississippi game, the Magnolia Bowl; there’s not much love lost between LSU and Mississippi–their fans still can’t get over Billy Cannon’s Run back in 1959. LSU has ruined many a season for the Rebels, and vice versa, but I do think they hate us more than we hate them. The game was amazing, and we had a great time. We went to several games in 2011, and it wasn’t until the COVID year of 2020 that we went the entire season without going to a game; the only game we went to in 2021 was the first time the Tigers ever lost when we were at the game (Auburn, ironically; it was also Auburn’s first win in Baton Rouge this century). We didn’t go to any games this year, either; not sure if we will be going to any more in the future, either; but one never knows, and I would like to go to at least one more Saturday night game in Death Valley. We’ve been to some great games over the years, and I am very happy to say that we got to see that great 2019 team play twice–and we were at the Florida game, which was amazing and exciting and I couldn’t talk for at least three days afterwards.

And of course, this season was all over the place, but the team did something never done before in LSU football history: won at both Florida and Auburn…so obviously, the team has never won in Gainesville and Auburn and beat Alabama in Baton Rouge. Not even Joe Burrow could do that; in his first year as a Tiger he was 1-2 in those three games. So, if nothing else, Jayden Daniels has won a place in LSU history for that, and Brian Kelly did something in his first year in Baton Rouge that no LSU coach had ever done before–including Nick Saban (even the year Saban led LSU to a national title, that team lost to Florida in Tiger Stadium).

And so it’s goodbye to my old sweatshirt at long last. I don’t know why I didn’t throw it away sooner–it’s been ratty and stained and threadbare for years–unless it was an unconscious kind of sentimentality. I haven’t preserved much of my pre-Paul life–I’ve always viewed those years as a prologue to the rest of my life–but this was one of the few things left from that time.

But its time has passed, so farewell to you, old LSU sweatshirt. You served me well…and now I get to buy a new one to replace it. YES!

And here’s my Christmas gift from Paul this year:

The Christmas Waltz

The cold is coming!

New Orleans is going to have a hard freeze that lasts from this evening through Saturday night–which means I really need to make sure I don’t need to necessarily leave the house before Sunday, when the temperatures will be more normal for December in New Orleans. I’m just glad I am not flying anywhere this weekend–or driving. Yikes! It snowed the Christmas before Katrina–not really much of anything–which I’ve often pointed to as a sign that the horror was coming, but it’s snowed in New Orleans a couple of times since then without the city being destroyed the following year.

But it’s always in the back of our minds.

Thursday and my last day before the holiday weekend. I stopped and got the mail on the way home yesterday; I also made groceries. I also worked on the book some more, so I am hopeful that I can get some serious work done over the holidays. I am only going to take Christmas day off from writing–it’s the holiday after all, and I can swing a day to rest and do nothing and read Dashing Through the Snowbirds; it’ll be lovely reading over my morning coffee, which is really my favorite thing to do. Maybe in 2023 that can be my Sunday morning routine: coffee and a good book. Sounds marvelous, does it not?

Hilariously, I’ve been trying to remember my year of 2022 in an attempt to do some kind of end of year summary, or pick my favorite books and television programs and movies of the year, and to talk about highlights and so forth; but I’ve been wracking my brain to no avail. I couldn’t even remember when precisely I’d gone up north to visit my family in the spring, or if I didn’t go (I did, in going through the books I reviewed/discussed on here I came across the two audiobooks I listened to on my last trip, and those entries were in May; so yes, indeed I’d gone up there in the spring. I would have testified under oath not only that I didn’t go up in the spring but would have probably scoffed at the very idea). So, making a favorites of the year list would either be most likely incomplete or lacking validity in that I couldn’t remember everything. I also generally don’t like making favorites lists in the first place; how does one quantify what made me like one book more than another?

I’ve also spent some time this past year–and in the more recent weeks–thinking about my writing and my career and where to go with it next. I’ve been following a rather haphazard path since Hurricane Katrina; the hurricane showed me the futility of making plans and schedules and so forth for the distant future when nature can simply shred your plans in a matter of hours, leaving your life and your emotions in utter tatters. I know I want to make 2023 the Year of Completion; I’d love to get a lot of these unfinished projects around here done and out of the way. I do want to make a serious attempt at landing an agent in 2023; I say that every year but I’ve never really tried, so I think I am going to put myself out there in the new year and see what happens. I don’t think getting an agent will solve all of my career problems, or necessarily push me to resolve them myself–but it’s a step in the right direction, and I do think some of my in-progress works could do quite well for a publisher. Who knows? But at least having someone in my corner capable of giving me good advice–whether I take it or not is a different story, I am nothing if not headstrong–can’t really hurt going forward, can it? I have done pretty well for myself on my own, but going it alone my entire career was never part of the plan.

Ah well. Man plans, the gods laugh.

But yes, there are a lot of unfinished projects around the Lost Apartment, writing-wise. I need to get these first two finished as soon as possible, and then I am going to pick an unfinished project to work on every month. It’s an ambitious writing goal, to be sure, but I think if I focus–always an issue–I can make a lot of headway on a project. If it’s not finished at the end of the month, it goes back into the drawer and the next month will be spent working on the project scheduled for that month, and so on. Even as I typed that out I can foresee issues with it; what if I am on a roll at the end of the month? And is it that easy for me to switch from one voice and style to another? No, not really; it generally takes me a quick minute or so to get back in sync with the voice and the characters and the plot, but it does happen–writing my way through it always seems to help.

I did manage to pay all the bills and yes, I was correct–there was indeed a ridiculous amount of cash left over. A lot of bills, however, are coming due with that next paycheck, so I will have to conserve my cash to make sure I can make it through that rough almost-everything-comes-due-between-the-fifth-and-the-fifteenth period.

And on that note, I am heading into the spice mines. The traffic has been much lighter on the way to work this week–I imagine the same will hold true next week as well–and so I am not nearly as aggravated and stressed when I get to the office, which has been kind of nice. Have a lovely day, Constant Reader, and tomorrow I will check in with you about surviving the freeze. AIEEEE!!!!