Whatcha See is Whatcha Get

Good morning, Constant Reader, and a happy Thursday to you. I am a bit groggy this morning as I swill my first cup of coffee, but Scooter has already been fed and so at least the cat cries have stopped.

For now, at least.

I slept pretty well last night again, and maybe my body has readjusted to my work schedule already, which is nice and I was a bit concerned that it might take a while for that to happen. But I seem to have slipped right back into the routine I was in before I left for New York, and that is, of course, quite lovely. I stopped at the grocery store on my way home from the office yesterday and picked up a few things, then once I was home I retired to my easy chair to edit “Solace in a Dying Hour,” which actually is a much better story than I thought it was. In fairness to me, expecting the story to need a great deal of work really isn’t a case of Imposter Syndrome, as one might have expected (it so often is just that), but rather because it was so hard for me to write and took me so long to get into the story groove. It’s actually not bad at all, and just needs some tweaking here and there; which I should be able to do tonight and get turned in by the end of the day. This is actually rather nice, and I am most pleased about it, in all honesty. By the time I’d finished, Scooter was in my lap and I tuned in to get caught up on Superman and Lois; Paul came home while I was watching and we switched to the new Jane Seymour mystery series on Acorn, which is quite good. I’ve always appreciated Jane Seymour and thought she was more talented than she often received credit for; I suppose being a Mini-series Queen during the 1980s didn’t really help all that much–but I thought she was exceptional in the adaptation of East of Eden that was done in the 80’s, in which she played Steinbeck’s perhaps most evil creation, Cathy Ames. (She was also good as Natalie in War and Remembrance, having a remarkably long career for someone who started as a Bond girl in Live and Let Die.) The show is Harry Wild, and we quite enjoyed it; although it’s hard to think of a British crime series we haven’t enjoyed.

I also didn’t get an opportunity to read any more of my Carol Goodman novel, either, which didn’t please me. Perhaps tonight I can relax with my book and the Gothic story of what is going on at that boarding school on the lake. Really, y’all, if you’ve not read anything by Carol Goodman, you really should. But tonight I am coming straight home from the office–no detours, no stops to make–and so hopefully that means I can spend some good quality time reading tonight. Fingers crossed, at any rate, especially since Saturday I have an appointment in the late morning and a ZOOM appearance to make in the mid-afternoon, which means I won’t have a lot of time to do much of anything on Saturday other than making the kitchen background to my computer camera neat and tidy.

I was also delighted to see that the Saints signed former LSU and Kansas City Chiefs standout (and local high school star from St. Augustine’s) TYRANN MATHIEU. The Honey Badger is finally coming home to New Orleans (HUZZAH!) and I think this was an incredibly smart move by the Saints. Mathieu has already proven himself to be a leader who is interested in helping and giving back to the community (he helped fund the new state-of-the-art training center for the LSU football team, for example, despite the fact that he was kicked off the team and out of school for infractions after his sophomore year), and what better brand ambassador in the city of New Orleans for the Saints than a local kid who made good? I’ve never really understood why the Saints never signed anyone from LSU over the many years since Sean Payton took over–especially since so many of those stars were from either New Orleans or Louisiana–but maybe it was a “local hero ego” kind of thing. Who knows? (Paul and I dreamed that Joey Burrow would end up playing for the Saints, but that would have been too much to hope for, really.) I’ll be actually curious to see how LSU and the Saints will do this year; I remember the last time new coaches came in to both around the same time was 2005 at LSU (Les Miles) and 2006 with the Saints (Sean Payton)–both of those turned out well, so here’s hoping the new coaches at both for 2022 will also turn out well.

As always with football season, hope springs eternal.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader!

You Keep Me Hangin’ On

Set me free, why don’t you, babe?

I cannot get used to having the house at a moderate temperature. It’s so weird to get up and not freeze as I come downstairs and make my first cup of coffee, while I get ready for work, anything. I also had insomnia last night, alas–but again, first time in a very long time that’s happened, so I guess I can live with it, really. I had a very good and productive day yesterday–I got caught up some on the book (still behind, but nothing that can’t be defeated by some good work getting done every day) and I also made progress on my emails. I doubt I will get the inbox emptied today, but stranger things have happened before, and could even happen again.

We finished Ozark last night, and now have to wait until the second half of the season drops before finding out what happens to the members of the cast. I can’t imagine this having a happy ending–they just keep going from bad situations to worse ones, and I can’t help but feel that Marty and Wendy are not going to have a happy ending where they escape from the criminal world and go back to having some semblance of a normal family life again; unless they get into witness protection or something like that. Julia Garner also continues to kill it as Ruth Langmore–I see another Emmy in her future–and overall, it’s really been a terrific show from the beginning. We also got caught up on Peacemaker, and started the new season of Servant, which is even weirder than the first two seasons–which is actually saying a great deal.

Apparently the NFL had some great play-off games this weekend; as I’ve noted before, outside of the Saints I generally don’t follow (and don’t care) very much about pro football; now that so many LSU players are in the NFL I pay a little more attention to them because–well, LSU players; and how could I not pay attention to the professional success of the kids from that great 2019 season, especially Joe Burrow, who still wears an LSU wrist band in every game he plays for the Bengals? I can’t root against Tyrann Mathieu or Clyde Edwards-Helaire (Kansas City Chiefs) or Justin Jefferson (Vikings), or whenever I hear a former LSU player’s name called in a game it becomes very difficult for me to root against them (unless, of course, they play for the Falcons, in which case all bets are off). It’s weird–it’s been a while since the post-season continued without the Saints, so I could stop paying attention to football on the weekends and get things done.

The weekend was good, over all. I did manage to get what I planned to get done with the book–didn’t quite finish the filing, organizing and cleaning, though–and I did brainstorm for a bit about two stories I am writing and are due soon (yikes) while I was waiting for Paul to finish whatever it was he was doing (work no doubt) and come downstairs to watch television last evening. It’s very strange how bipolar being a writer can make one; Saturday I was struggling with the work, which was why I only did one chapter instead of the planned two. I was certain Saturday that the book was garbage, unfixable, and was going to be the end of my career. Yesterday I zipped through three chapters, thinking this isn’t bad at all, really and occasionally this is actually working and I am enjoying myself. Seriously, it’s a wonder I haven’t had a complete mental breakdown multiple times since I started working in this literally insane industry.

But fortunately I do enjoy writing. I do enjoy doing the work–even when I hate doing the work, which is usually when it just won’t come for whatever reason and I am forcing it–and I actually enjoy editing and revising because you are making it better, which is always a pleasant feeling. And that’s how I was feeling with it yesterday–I am making this better–and why I had so much fun with it. Hopefully that same sense of joy will resurface tonight–although every once in a while I will get to a part that has to be completely redone because I changed something earlier in the book and then I sob internally before I start screaming internally.

But it’s always up and down, and if anything, my mood swings and chemical imbalances make me perfect for being a writer; because it has proven to be a rollercoaster ride of its own (kind of like the chemical imbalances) and if anything, I’ve gotten used to my life feeling like a rollercoaster; slow climbs to heights, speedy descents into lows, and the ever popular stomach-churning loop-de-loops. But I write because I love to write, and after learning how to edit and revise, I love the process of making the work better than it originally was–much as I would love to believe I can write a perfect first draft I no longer make myself crazy trying to get it all right the first time. And there are times I have stories that I don’t know how to fix (usually short stories; I still have many from college writing classes that have potential but have to actually be revised or edited in some way to make them publishable; I did finally figure out how to make “Whim of the Wind” work–after almost forty years–and that’s one of the stories I plan to revisit when I am finished with this manuscript. I do enjoy writing, even if the business of writing makes me crazy; I also like writing what I want to write. Sure, every now and then I think to myself “hey this is a really great commercial idea”–but usually it’s more along the lines of “I think this is an interesting story and I want to take a shot at writing it.”

And sometimes…sometimes the final book doesn’t feel as complete and finished as I would like, even if it sells and gets nice reviews and award recognition; in which case I will always revisit the base idea but with different characters, different location, and different styles of writing. I know I have a tendency to always use the same type of structure with my short stories–which I need to stop doing, because when you do a collection it becomes rather obvious, which I noticed (even if no one else did) with Survivor’s Guilt and Other Stories…

Heavy sigh.

And on that note, I am off to the spice mines on a chilly morning. Have a great Monday, Constant Reader.

Ask Any Girl

Sunday morning and I wish I was coming down.

But a cold spell has descended upon New Orleans overnight, and its chilly in the Lost Apartment this morning. I overslept–much later than ever–and didn’t rise until ten this morning; obviously, all that “outgoing energy” I spent on the MWA ZOOM board orientation drained my batteries completely. That, and the cold, I suspect, combined to make me not want to get out of bed this morning–in fact, I could just as easily go straight back to bed and probably could fall asleep for a while. I am sure that has more to do with the cold than anything else; all I really want to do is get underneath a blanket and stay warm–so when I finish this I am going to go sit in my easy chair under a blanket and read some more of the new Alafair Burke novel before diving into this morning’s writing. I am going to do my best to pretend my email inbox doesn’t exist today and solely focus on resting, reading, and writing.

We finished watching Murders at Starved Rock last night, which was actually kind of annoying; the entire premise of the documentary is the man who served over forty years for the murders might be innocent, and yet they finished filming before the DNA tests came back (due in 2022)? I mean, sure, they can always do one more episode later, but come on–you left the audience hanging? Why put the documentary together and release it now? Paul and I found this to be terribly irritating and annoying. We then moved on to Season 2 of Cheer–I had wondered if they would do another season, given how incredibly popular the original was back in those early days of the pandemic; I actually think it may have come out before the pandemic–it’s so hard to remember these things now. I had wondered how they would do the second season–given how successful the first was–and I have to say, the decision to focus on how the sudden fame has affected everyone there at Navarro College and the town, while still trying to get prepared for the next Nationals–and taking a look at their arch-rival from Trinity Valley as well–was a very wise choice. The Trinity Valley coach also makes a good villain, so it will be interesting to see how it all plays out. So far so good; will keep you posted as we get further into the season.

We haven’t even gotten to the part where one of the breakout stars is arrested for inappropriate behavior with an underaged boy yet–although I am not sure I am all that keen on watching how that plays out, really, other than in a “can’t look away from the train wreck” kind of way. And isn’t that really the allure of reality television in the first place? The opportunity to be voyeurs without judgment? (Hmmm, that would be an excellent jumping off point for an essay, wouldn’t it? Hmmm.)

But I need to write today; reshaping and revising my manuscript so that it’s ready to go to the editor, and everything else I have to do is going onto the back-burner to simmer for a little while longer. I have been thinking also a lot about a couple of stories I need to get finished, “The Rosary of Broken Promises” and “Solace in a Dying Hour,” and I need to go over “The Sound of Snow Falling” one more time. I was also very pleased to see the Cincinnati Bengals won their play-off game yesterday (I don’t really care about the NFL outside of the Saints, but I, as an LSU fan, am also a huge fan of both Joe Burrow and Ja’Marr Chase, who are now killing it at the professional level so I follow the Bengals a bit; I also pay attention to the Chiefs more than I ordinarily would because two favorite LSU players are also on their roster.)

And on that note, I am getting another cup of coffee and retiring to my chair to read some more of Alafair’s new book before diving back into mine.

Have a happy Sunday, Constant Reader!

O Come All Ye Faithful

As Constant Reader may or may not know, the Lost Apartment–hell, the entire house–is a haven for stray cats. We feed them and take care of them, so does our landlady, and so does our neighbor on the first floor on the other side of the house—and Jeremy in the carriage house does too. I think the largest the herd has ever been is five cats, but I could be wrong. We’ve been down to two–Simba and Tiger (who has the most seniority)–for quite a while now, and there’s a tuxedo cat that pokes around sometimes, but runs whenever you try to get close to her, but this past week a new cat has shown up, and has taken up residence beneath the house: a a tiny black kitten we’ve not really named yet, but have taken to calling the Dark Lord, because he’s completely invisible once the sun goes down. He doesn’t let us get close–he’ll come out to look at us, but scampers away whenever we try to pet him or get him to come near. We’ve started feeding him, as we feed the others, and Paul will eventually make sure that he becomes friendly, so we can catch him and get him to the vet. I don’t think he’s old enough to be fixed now, anyway. He can’t be more than a month or two old.

I always wonder where these strays come from, you know? Tiger was clearly always feral, but Simba is much too friendly to not have been someone’s cat. And a kitten? Where did the kitten come from?

Ah, the mysteries of being the Crazy Cat Couple of the Lower Garden District.

LSU defeated Mississippi yesterday 53-48 in what wound up being a completely insane game in Tiger Stadium; one in which they managed to go up early in the third quarter 37-21, only to fall behind 48-40 with about eight minutes left in the game. True freshman quarterback Max Johnson (who is 2-0 as a starter) managed to connect up with true freshman Kayshon Boutte (you cannot get a more Louisiana name than that, seriously) on two impressive scoring drives, sandwiched around an impressive defensive stand, to pull ahead with less than two minutes left in the game to go up 53-48; the defense held again, forcing a fumble to end the game with less than a minute to go to escape having the first losing season since 1999 and give Tiger fans–so beleaguered this season–a lot of hope for the future. That team that finished strong after the pasting by Alabama was mostly freshmen and sophomores….and in these last two games there were guys playing I’d never heard of before. Our back-ups pulled off an upset of Florida (which gave Alabama all they could handle in the SEC title game) and then Mississippi (the LSU-Mississippi games are always exciting; for some reason Ole Miss–it is an old rivalry game–always seems to play their best against LSU and the Tigers inevitably have to rally to win the game in the end. Paul’s and my first game ever in Tiger Stadium was the Mississippi game in 2010, which the Tigers needed a last minute score in to win); so pardon us for thinking perhaps next year will be a good one and the year after that a great one–which is the LSU way, really. It was very exciting, and I’ll be honest, I thought we were done for when the Rebels went up 48-40 and our defense looked very tired–very very tired–but in a downpour the Tigers pulled it off and thus made my day.

I also managed to unlock the puzzle of Chapter Eighteen and got it finished, and by doing so I realized I perfectly set up the final act of the book–which will make these other chapters more challenging, but that’s okay because I still have plenty of time to get this all finished and ready to go on schedule, which is very exciting.

I also read very far into The Man Who Invented Rock Hudson, and I have to say, gay Hollywood history is very interesting, and that particular period, post-war into the 1950’s, is also extremely interesting. I actually kind of wish I was more knowledgeable about the period, or had studied it in greater detail. I’ve already written a short story based in that dangerous era for gay men, “The Weight of a Feather”, which is included in Survivor’s Guilt and Other Stories, and of course, Chlorine is set in that time period. I actually have several historical gay noirs planned–Obscenity, Indecency, and Muscles–that will take place during different periods of twentieth century gay history–the 1970’s, the 1990’s, and the early aughts–which will reflect the changing moods and dangers of being gay during various decades, and how different life was for gay men in each decade. It’s an interesting concept, and one I hope readers will embrace.

Plus, the research will be endlessly fascinating.

The Saints play the Chiefs today, and apparently Drew Brees will be playing again. This presents a dilemma for me, clearly; I love the Saints, but the Chiefs have several of my favorite former LSU players on their roster (Tyrann Mathieu and Clyde Edwards-Helaire, to name two) and it’s hard for me not to want to see them do well. Perhaps the best way to handle this is to not watch at all. I don’t know. I have to write Chapter Nineteen today, and am trying to decide if I should go to the gym today, or wait until tomorrow. I overslept this morning–an hour, didn’t get up till nine–and I also only have to get through the next three days at the office before the holidays AND my brief between Christmas and New Year’s vacation–I hope to not only get this book finished by then but have the time to work on my MWA anthology submission and reread and plan the final version of #shedeservedit.

Then again, I’ll also probably be horrifically lazy a lot during that time–it happens.

And on that note, more coffee for me before the spice mines. Have a lovely Sunday, Constant Reader.

Blue

So, Saints & Sinners and the Tennessee Williams Festival were a Jeopardy clue on Friday night; how fricking cool is that? I didn’t see it myself–I was cleaning–but any number of people tagged me on Facebook or on Twitter, so I got to see it, which is cool. The Tennessee Williams Festival has been a clue before, but I think this is the first time Saints & Sinners was–and it’s a queer/LGBTQ festival, so even more cool. Way to go, Jeopardy! There’s a reason why you’ve always been my favorite game show!

Hold up your hand if you didn’t think I’d get everything done yesterday that I’d planned. But it was still a good day, and I wrote some new stuff for the first time in a while. I have these horrible stagnant times, when I don’t get any writing done–and as we’ve already established, I always have to force myself to do it (despite loving doing it) and then when I’ve got my writing for the day finished, I wonder why I have to make myself do something I love–and those stagnant times always make me worry that I’ve lost the spark, the desire, to do it; that this time is the time I won’t be able to get back into it and do it. I worked on the Secret Project for a while yesterday, basically completely rewrote everything I wrote to begin with, and moved onto from the first scene to the next scene, which was also quite lovely.

I did get some organizing done–there’s more to be done today; my iCloud drive is so ridiculously disorganized that it’s almost impossible to use, and I probably should back everything up yet again–and some of the filing; I should be able to get more done this morning before I dive back into the Secret Project. I am also planning on heading to the gym for the first time in a very long time (I prefer not to think about just how long that time has been, frankly), which is my first move in my attempt to live a healthier, better organized, better life. I already am thinking of excuses to get out of going, frankly–which is par for the course, as always–but as long as I don’t tie myself to any particular time table, I should be good. I guess the Super Bowl is also tonight, but I don’t really care about either team–the 49ers or the Chiefs–though I suppose if I had to pick one I’d pick the Chiefs, and that’s mainly because they haven’t won a Super Bowl in forever and I think Kansas City could use the boost. We’ll probably spend the evening getting caught up on shows we watch. We still haven’t finished watching Messiah, are way behind on Dare Me, haven’t started the last season of Schitt’s Creek, and so on.

We haven’t even started HBO’s adaptation of Stephen King’s The Outsider, which is getting rave reviews. Who would have ever guessed The Hogan Family’s Jason Bateman would become one of our finest actors/directors/writers for television? I really can’t wait for Ozark to come back.

I also finally finished and published my blog post about Victoria Holt’s Kirkland Revels, part of my Reread Project; I still need to do The Talented Mr. Ripley–it’s started, but I need to finish it.

I am resisting the urge to read Dorothy B. Hughes’ The So Blue Marble next; I need to start reading Tracy Clark’s canon so I can interview her for Sisters; but I also have to read Lori Rader-Day’s The Lucky One for the panel I’m moderating this year at the Jeopardy clue Tennessee Williams Festival late next month. Decisions, decisions. Probably the smart thing to do is read Tracy Clark’s first book next, then Lori’s, and then back to Tracy again for her second book.

I’ve also reached the final section of Richard Campanella’s Bourbon Street, which I am looking forward to finally finishing this month. I’ve thoroughly enjoyed the book, which is interesting, well-written, and incredibly informative; it’s going to remain on my desk as an important reference guide for any future New Orleans writing I do–which reminds me, I’ve got to start that Sherlock Holmes story–and probably when I finish the Campanella I’ll probably move on to Jason Berry’s City of a Million Dreams: A History of New Orleans at Age 300. 

The plan is to get this work on the Secret Project finished this week, get started on the Sherlock story, and then get back to Bury Me in Shadows. I’d like to get Shadows turned in by the end of March, get back to the Kansas book–maybe with some serious focus I can get that finished and turned in by the end of May, and then I can get to work on Chlorine. I’d like to have the first draft of Chlorine finished by the end of summer.

Must stay organized, and must stay focused.

I also finished reading Dorothy B. Hughes’ Dread Journey yesterday.

dread journey

“I’m afraid.”

She had spoken aloud. She hadn’t meant to; she hadn’t wanted those words to come up from her throat to her lips. She hadn’t meant to think them, much less speak them. She didn’t want Gratia to have heard them.

But across the room the girl lifted her eyes from her book.

“What did you say?” she queried.

Dorothy B. Hughes is one of the more unjustly forgotten women writers of the mid to later twentieth century; fortunately Sarah Weinman worked–and has continued to work–tirelessly to bring this women back into the public eye. She wrote the introduction to Dread Journey, and in it she names Hughes as her favorite crime writer of all time. She’s not wrong, frankly; Sarah and my friend Margery are both huge fans of Hughes, and if not for them–and Megan Abbott–I may not have ever started reading Hughes, and for that I shall always be grateful to them. In a Lonely Place and The Expendable Man are both extraordinary; I think, frankly, The Expendable Man should be taught; it’s on my list for the Reread Project, for later in the year. Dread Journey is yet another masterwork by Hughes; I cannot wait to dig my teeth into more of her work.

Dread Journey takes place entirely on a train; the Chief, making its regular run from Los Angeles to Chicago–and you know, at some point, someone really needs to do a book or lengthy essay about crime novels and trains; not only did Hughes write one, but Christie wrote two (the very well known Murder on the Orient Express and the lesser known The Mystery of the Blue Train; as well as others that revolved around trains, like 4:50 from Paddington–called What Mrs. McGillicudy Saw! in the US) and of course, Graham Greene’s wonderful Orient Express comes to mind as well. Trains were part and parcel of the American experience. Trains made travel and connecting the massive distances across this continent much easier in the time before air travel became more commonplace and everyone wasn’t convinced they needed a car; there’s a certain nostalgic romantic element to train travel now, probably a result of these novels. I know that year we lived in Washington, we loved taking the train to Philadelphia and New York, even on to Boston; I’ve always, as I said the other day, wanted to write a book or a story called Murder on the Acela Express, and perhaps someday I will–even though the Acela is more of a commuter train without compartments. One of these days I want to take the City of New Orleans on its twenty-four hour ride to Chicago; it just seems like a lovely thing to do and the reading time! Oh, the reading time.

Anyway, the premise behind Dread Journey revolves around the dysfunctional and borderline abusive relationship between Viv Spender, a self-made Hollywood producer and studio head, and Kitten Agnew, a woman he discovered, became obsessed with, and groomed into a major star–America’s sweetheart, the girl next door. There is a huge difference between Kitten’s public image and who she is–a hard as nails fighter who won’t let go of her stardom in the face of Gratia Shawn, his new obsession, and whom he has decided will replace Kitten as the star of his dream project in the role of Clavdia Chauchat. But Kitten has a contract and isn’t giving up without a fight–and they, along with Viv’s longtime secretary Mike Dana, and several other characters–a journalist returning from the Far East, who drowns his memories of the atrocities and horrors he saw there in alcohol; a snippy, gossipy bandleader; a failed screenwriter returning to New York embittered by his failure; and of course, the car attendant, a man of color named James Cobbett–a decent working man who witnesses almost everything that happens on the car. Will Viv go so far as to kill Kitten to get out of the contract he has signed with her? She’s threatening to sue if she doesn’t play Clavdia; and the tension mounts as the cat-and-mouse game between the two of them slowly draws everyone else in the railroad car in.

It’s a very short read, and a good one. I highly recommend it, and of course, Sarah Weinman’s opening essay is worth the cover price alone.

And now, back to the spice mines.