My flight was a bit delayed yesterday–weather between New Orleans and Fort Lauderdale–and then got stuck in a lengthy cab ride in horrific DC traffic (which is why I never drove that miserable year we lived here), but over all it was pleasant. The flight wasn’t full, I had a row to myself, and the screaming infants on the other side of the aisle weren’t too obnoxious, and I got to read Ellen Byron’s Wined and Died in New Orleans, which I’ve been calling the wrong name for quite some time now, which is more than a little embarrassing (it’s because I’ve always wanted to write something called To Live and Die in La.–which is a play on the title of a crime film from the 1980’s I remember nothing of other than the title song was recorded by Wang Chung and I kind of liked it; and I think–could be wrong–Willem Dafoe was in the cast (I don’t care enough to look it up; you can access the Google just as easily as I can). Other than that, I don’t really remember a whole lot of it.
But I did make it to the hotel, got my registration packet, and then started running into friends–first up were Barb Goffman and Dina Willner; always a treat when the first people you run into are lovely people you enjoy–and then that first night became a bit of a blur; I wound up having dinner with Julie Hennrikus and Sherry Harris, then ran into Ellen Byron (see above) and then I wound up sitting in the bar with her, Vicky Delaney, Leslie Karst, and a couple of other lovely people whose names I do not recall. Then, very tired, I repaired back up to my room and actually slept decently (for a hotel; it would have been a ‘meh’ sleep night if I were at home). The bed is actually very comfortable, the room itself is nicely sized, but cannot comment on the shower yet, as I’ve not had one but no worries–it’ll be happening very soon.
It just feels very good to be around book people again. I kind of need that, you know? Writing is such a weird profession, in that you spend most of the your time isolated from your colleagues (co-workers, really) and even if you like near other writers…everyone is busy. We all have jobs on top of our writing, we all have families and homes to keep up and errands to do and the everyday minutiae that has to be done every day…and then you have to carve out time from all of that to do your own writing. I try to be very jealous of my writing time and always try to protect it, which was always an issue before. And yes, there are many times when I’ll find something else–anything else–to do other than write, I really don’t understand it, but almost everything I love to do is something I have to make myself do. I have to make myself go to the gym. I have to force myself to write…although that usually happens when the other option is so odious that writing is preferable. But once I get started–when I finally get started–I love it. Just like the gym. I always feel so good afterwards (that endorphin rush is so marvelous)…which reminds me, I want to start taking walks every day when I get home from work, even if it’s just around the block or down to the park and back, I should spend more time outside, really.
I should do a lot more things.
But I already feel invigorated and inspired, which is really the primary benefit (for me) of coming to these things. Even yesterday on the flight I was putting Ellen’s book aside from time to time so I could scribble an idea into my journal. That’s very cool. I think this morning I’ll probably take a shower and then spend some time editing the new Scotty because I may not get another chance to work at all and I am running (as always) out of time,
So on that note, Constant Reader, I will bid you adieu. My panel tomorrow morning is early, and I have to leave for the airport relatively early on Sunday morning, too, so…this may be the last you hear from me until Monday. Can you go two days without me, Constant Reader? Chin up! You can do it. And besides, you know me. I’ll probably post something anyway.
If I live to see the seven wonders, I’ll make a path to the rainbow’s end…
It’s 49 degrees here in New Orleans this morning–it could have been worse, and was predicted to be worse–so I can’t complain too much. It’s chilly inside the apartment this morning, but I have on my sweats and a stocking cap and feel okay. I didn’t want to get out of the warmth of the bed this morning–who can blame me–but I do feel somewhat rested this morning, which is always an enormous plus. I managed to not feel exhausted yesterday, so I managed to reconfigure Chapter Five so it is no longer a steaming pile of crap and now feel like I can move on to Chapter Six. Huzzah! Progress, Constant Reader, we are making progress at long last and it feels marvelous. We also watched this week’s Reboot (seriously, y’all, this show is hilarious and marvelous and you should be watching) and started the new season of The Vow on HBO–remember the NXIVM cult? They got a second season, which is going to be interesting as it covers the trials and has interviews with some of those higher-ups who pled guilty…but I am not seeing the cult leaders who finally woke up and brought them down as heroic, frankly. I have mixed feelings about them, to be honest; when they finally turned they really turned, but they were also involved for years and recruited lots of people–especially women–to the group, so I don’t know. There’s something to be said for atonement, I suppose, which is one of those esoteric philosophical questions about crime and punishment and our legal system (I’ve always felt conflicted, for example, about the sex offenders’ registry; I totally get why the neighborhood should know a convicted sex offender has moved into the neighborhood but at the same time it feels like a continuation of their punishment–either you do the time and are rehabilitated or you’re not…this conflict of fairness in my mind is what led me to write my story “Neighborhood Alert”).
I actually listened to my Sisters in Crime podcast interview with Julie Hennrikus (I tend to avoid listening to recordings of my voice, as I don’t like how I sound) for a change, and started to wonder about this distaste I have for hearing my voice. I don’t sound to myself anything like I sound on recordings, so for one thing it’s jarring to my sense of self (“that’s what other people hear when I talk?”), kind of like photographs, and there’s a bit of an effeminacy to my voice, I think–or that I hear–that makes me uncomfortable–and as I listened last night (it’s an interesting conversation, and Julie is a marvelous interviewer) I began to wonder why I hate the sound of my voice so much. There’s nothing wrong with sounding effeminate, so why does it get under my skin the way it does? It makes little to no sense, and it’s definitely something to do with the self-loathing I developed as a child from being an outsider. But after I started listening, after a while I stopped cringing as my voice came out of the computer speakers and started paying attention. Julie is a marvelous conversationalist/interviewer, and I felt like I didn’t come across as a pompous and arrogant fool who doesn’t really know what he’s talking about, which is also a plus. (I’ve always felt that authors should be good interviews, since they are story-tellers; the interviewer’s job is to prod the subject into telling an entertaining story–which I think is another part of it; I tend to think my life and my writing processes and anecdotes aren’t terribly interesting, which again goes to the core of self-deprecation and humility that I am trying to break as it is not only counter-intuitive but it’s a bad quality for an author to have…I am always so afraid I’m going to sound arrogant and ungrateful that I tend to go too far the other way.)
But now that I am working on my aversion to hearing my voice, I can listen to the other podcast i recently recorded with Ricky Grove, about My Cousin Rachel, you can listen by clicking here if you like. I am actually now looking forward to listening myself–now that I am getting over my aversion to my own voice–and listening to myself more regularly will help me conquer that aversion, yank it out by the roots, as it were. Working on improving myself will clearly never stop until I breathe my last, will it?
I’m hoping to have a productive day, really. I feel rested, my brain isn’t feeling fatigued, and I feel more alert than I did earlier this week. I need to get some life-function things to do (make sure all bills are listed on calendar; remake my to-do list) and tonight after work I am hoping to be able to sit down and bang out Chapter Six, as well as perhaps read some more into ‘salem’s Lot while I wait for Paul to get home from work. I think I’ve pretty much decided not to make the trip to Boston for Crime Bake–flying back and two weeks later having to drive to Kentucky sounds exhausting and like way too much for me already–plus with the book deadline looming over everything, that makes it less promising to take a second trip before the deadline, alas–so it’s probably smarter for me to go ahead and cancel that trip…but I may keep the time off I’ve requested so I can work on the book. Hmmm, decisions, decisions. But I also need to be able to take time off to go to New York in January for my last hurrah for Mystery Writers of America…so who knows? Maybe I should just cancel the vacation requests and work? I don’t know. I hate making decisions because I am so certain that I will make the wrong one…
See how insidious that self-deprecating self-loathing thing is? It pops up everywhere. Why can I never make a decision that either makes sense for me or with confidence that I’m making the right one? Sigh, I don’t know and probably never will, I suppose.
And on that cheery note, I am heading into the spice mines. Have a lovely day, Constant Reader and I will talk to you again tomorrow.
Tuesday morning and feeling okay, I guess. Yesterday I had to do some incredibly tedious things at the office that literally made my eyes cross and completely exhausted me by the time I was finished, but the good news is that we got it done and praise the Lord and pass the ammunition, please. I cannot get over how tired I was yesterday afternoon, and I’d slept really well Sunday night, too. Go figure. My supervisor got me a cappuccino on her way back from going to the Office of Public Health to drop stuff off, which also could have been the reason I crashed so hard: the high from that caffeine rush was bound to wear off, and what better time than when going through endless forms looking for particular ones? Yeesh, that was exhausting. And of course after running errands on the way home, I was exhausted when I got home. I did some work on the book–very little–but my brain was essentially shut down and so I didn’t get very far, alas.
I was also too tired to read much when I repaired to my easy chair, so I read another chapter of ‘salem’s Lot, which also wasn’t easy given how tired my brain was. Paul worked at home yesterday, so he came down earlier than usual and we finished watching Diary of a Gigolo, which had a very interesting end. I think tonight we’ll probably move on to a A Friend of the Family, another series that shows how wretched the 1970’s kind of were.
I also had the great good fortune to be interviewed by Sisters in Crime Executive Director Julie Hennrikus for the Sisters podcast; it was a lot of fun but I don’t remember much of what we talked about, but you can certainly listen to it here, or wherever you download your podcasts! I’ve been doing the rounds of podcasts lately, which has been kind of fun and interesting–certainly more so than I usually do, which is practically never–and I’ve never quite grasped the whole podcast thing. I know people listen to them all the time (my supervisor listens to them on the way to work) but I don’t know if I will ever listen to one that I have been on–I really do hate the sound of my own voice, which is something else that should be unpacked in therapy–and maybe someday I’ll explore the world of podcasts more (it’s just one more version of technology I neither understand or comprehend and I really don’t want to learn more, you know what I mean?) but as always, when I have more time.
Constant Reader, I don’t think I will ever have more time…
But I did get some things done yesterday, which is a good thing–even if they were miniscule and not really helpful in the overall picture of how much I have to get done. But progress is progress, and getting rid of the little things can sometimes help in the overall context of getting everything done. The month continues to slip through my fingers and I keep hoping against hope I’ll have one of those great writing days where I write like a gazillion words so the book gets back on track. Ha ha ha ha, as if. But maybe today will be that day when it all clicks into place and the writing gets easier, as opposed to the tooth pulling it’s been like since I started writing this damned thing.
One thing I was noting when I was reading a chapter of ‘salem’s Lot was that this was one of the first times I remember reading about a main character who was a writer–I think this was before I read Youngblood Hawke–and I remember, as someone who didn’t know how to type properly, being amazed that Ben Mears not only was a writer but he wrote at his typewriter. This boggled my mind completely. My parents never let me take Typing in high school (even though I wanted to) because it was a class for, ahem, “girls” (yes, Virginia, I grew up in a time when high school classes other than Gym were gendered), like Home Ec, and it was also not seen as a “challenging” enough class that would help prepare me for college. (The irony that every paper I had to do in college needed to be typed did not escape me.) I tried writing at my typewriter a few times throughout the 1980’s, but it never really worked for me…it wasn’t until I started using a word processing program on the computer at one of my part time jobs that I actually started writing at a keyboard. I actually bought a word processor from Sears in 1991, and have used some sort of computer to write on ever since. It’s also interesting to me that authors used to write on typewriters and books used to be significantly longer. I already mentioned the expansive word count on this book–and imagining that King wrote the entire thing on a typewriter?
I really should stop complaining about writing, shouldn’t I? Or whenever I do, I should remind myself now imagine doing this on a typewriter and that would be the end of that.
And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader and I will talk to you again tomorrow.
I originally started writing Sleeping Angel in 1994.
That seems like such a long time ago, too. I hadn’t met Paul yet, was still working for that wretched airline at the airport, was broke broke broke and often ran out of money long before payday, and any kind of decent life for me seemed impossible. It was the next year I decided to snap out of the constant feeling sorry for myself, and instead of waiting for the world to come knocking on my door to make my dreams come true, that the only person who could make my dreams a reality was me, and that I needed to make the changes necessary to my life if I were going to become a writer for real–like stop dreaming about it and writing now and then, and start taking it seriously and writing all the fucking time, and trying to make it happen–which meant sending things out to try to get them published.
It’s weird how you forget things about books you’ve written until something out of left field reminds you of something. Julie Hennrikus, during our Sisters in Crime podcast interview, asked me about writing young adult fiction, and how I came to do that. The story is very simple, really; after discovering Christopher Pike and R. L. Stine and other young adult authors who wrote young adult novels that were either crime or horror or a cross of the two, I decided to take the book I was writing at the time–Sara–and write it as a young adult novel instead of as one for adults. It really didn’t take a lot, to be honest–I removed the framing device that firmly set the book back in the 1970’s–and turned it into a modern day story about teenagers (which it always was). After I finished Sara, I wrote another called Sorceress–and when I finished it, I began writing Sleeping Angel. I still didn’t have a strong grasp of how writing actually worked (which is kind of embarrassing when I remember how naive and stupid I actually was back then, but what did I know. seriously? Very little.) and so I never rewrote anything; I just printed them (I had bought a very inexpensive word processor that I loved, and wrote on) out and saved the originals. I was about half-way through Sleeping Angel when I discovered there was such a thing as queer crime novels…so I abandoned writing young adult fiction and started thinking more in terms of writing a gay private eye series…which eventually became the Chanse MacLeod series and Murder in the Rue Dauphine.
Flash forward another decade or so, and in the spring of 2005 I attended BEA and the Lambda Awards in New York. I lost twice that year (Best Gay Mystery for Jackson Square Jazz and Best Scifi/Fantasy/Horror for Shadows of the Night) and then on Saturday night I attended a cocktail party for the Publishing Triangle. (It was at this party that I met both Tab Hunter and Joyce Dewitt.) I also met a very nice man who was familiar with my work, and asked me if I had ever considered writing young adult fiction with gay characters and themes? I laughed and replied that I had two completed first drafts and a partial for another in a drawer back home; he then gave me a business card and told me he would love to take a look at them with an eye to publishing. I lost the card years ago, probably in the Katrina aftermath, but he was an editor for Simon and Schuster Teen, which was very exciting. I told him I would revise one and send it to him as soon as I finished Mardi Gras Mambo, which was at that point over a year overdue (I didn’t mention that part). This was exciting for me, as one can imagine; another opportunity gained by simply being in the right place at the right time, which has been the story of my career pretty much every step of its way. Once I finished Mardi Gras Mambo that August, I started revising Sara.
And then came Hurricane Katrina, and everything went insane for a few years, and I abandoned the attempt to rewrite Sara. There was just too much going on, I was displaced and finding it hard to get back into writing, and I just wasn’t in the right place emotionally to revise or rewrite a book. I’ve always regretted that last opportunity.
Flash forward another year or so and I casually mentioned to a friend this missed opportunity. What I didn’t know when I mentioned it (bemoaned it, really; I still regret this lost chance) was that she had been working for another publisher as an acquiring editor for young adult/children’s work. “Would you rewrite one of these for me? I’d love to pitch this to the company.” So….rather than Sara, I went with a rewrite of Sorceress, which had a teenaged girl lead character and I didn’t see any place to add queer content (I’d been adding that to the revision of Sara ) and sent it to her. Alas, before she had the opportunity to pitch it the line she acquired for was closed down and that was the end of that….until a few years later when she decided to start her own small press for juvenile/young adult fiction, and wanted Sorceress. I sent it to her, we signed a contract…and then I realized I needed to let Bold Strokes Books know I was doing this. I emailed them, and they replied, “You know we do young adult?”
Well.
I wrote back and mentioned I had two others collecting dust, and so I contracted both Sara and Sleeping Angel with them. I decided to do Sleeping Angel first–which is odd, as I didn’t even have a completed first draft; I don’t remember why I decided to do this, frankly–and so I started writing and revising.
The really funny thing–just looking at the cover for the book–is that the character name “Eric Matthews” was one I came up with when I was in college; I had an idea for a book set in my fraternity, and came up with three names for characters that were pledge brothers and friends: Eric Matthews, Chris Moore, and Blair Blanchard. I used Eric and Chris for Sleeping Angel (completely forgetting that I had already used those names in Every Frat Boy Wants It a few years earlier), so yes, even though the fraternity books I used were by “Todd Gregory”, I accidentally re-used the character names.
Whoops.
The original intent with my young adult fiction was to connect it all together, the way R. L. Stine did with Fear Street, and sort of how all of Stephen King’s work is as well. The three books I started with–Sara, Sorceress, and Sleeping Angel–were connected, and were the springboard from which the others would come–or were supposed to come, from. Sara was set in rural Kansas. The main character of Sorceress moved from rural Kansas to a small town in the mountains in California, Woodbridge, which was also where Sleeping Angel was set. The main character of Sara moved to Kansas from the Chicago suburb where the main character of Lake Thirteen was from, and so on. (Likewise, the main character from Dark Tide was also from the same county in Alabama where Bury Me in Shadows took place, and #shedeservedit was set in the town that was the county seat for that rural Kansas area where Sara was set.) I’d consciously forgotten that, but fortunately my subconscious still holds on to things the forefront of my brain doesn’t.
When I originally envisioned Sleeping Angel back in 1993 (or 1994, I don’t remember which), the concept I wanted to explore was something, a concept, that Dean Koontz had used in his book Hideaway–that someone was in a car accident and died, only to be resuscitated by the EMT’s. But when he came back to life, he brought back something with him from the other side that gave him a psychic connection with a serial killer. It was an interesting idea–I wasn’t using the serial killer thing–but I loved the entire concept of someone being brought back with something extra (which, now that I think about it, is also the entire conceit Stephen King built The Dead Zone around). I decided to keep the car accident to open the book in the new version, but the opening I originally wrote had to be tossed. I also came up with an entirely new concept for the book: what if you were in a bad car accident, but there was a dead body in the car who was NOT killed in the accident but had been shot and was already dead when the car crashed? And if the main character has amnesia….who killed the kid in the back seat?
And away we went.
He was driving too fast, and knew he should ease his foot off the gas pedal, bringing the car down to a safer, more manageable speed.
But he couldn’t bring himself to do it.
“Hang in there, buddy,” he muttered grimly under his breath, taking his eyes off the road for just a moment to glance in the rearview mirror into the backseat. What he saw wasn’t encouraging. Sean’s eyes were closed, and he couldn’t tell if Sean was still breathing.
The blood–there was so much of it, and it was everywhere.
He swallowed and took a deep breath, trying to hold down the panic. He had to stay calm. He couldn’t let the fear take over, he just couldn’t. He had to hold himself together. He had to get to town, to get Sean to the hospital before it was too late–if it wasn’t already too late.
Not a bad beginning, right? Pulls you right into the story.
I don’t remember what–if anything–I was expecting when Sleeping Angel was finally released (it actually wound up coming out before Sorceress, ironically); it had not even been six years since the right-wing homophobes had come for me for daring to accept an invitation to speak to high school students in a Gay-Straight Alliance. And now I’d actually dared to write a book about teenagers, for teenagers. The horror! But the book come out and there wasn’t even the slightest whisper of controversy about the “gay pornographer” writing a y/a book. It got really good reviews for the most part, people really seemed to enjoy it, and it eventually won a gold medal for Outstanding Young Adult Mystery/Horror from the Moonbeam Children’s Book Awards, which I’d never heard of but was kind of a big deal, or so I’m told. The gold medal was nice, too–very pretty (but it’s not the rock from the Shirley Jackson Awards–the smooth polished stone I got for being a finalist may be my favorite thing I ever received as recognition for my writing).
Well, this morning’s test was positive yet again; apparently with the new variants you can test positive for up to ten days. Yay? Jesus. I woke up feeling pretty good this morning–the fatigue and brain fog weren’t as bad yesterday as they had been on previous days, which I thought was a good sign that maybe this was going to be over very soon. And like I said, while I didn’t exactly spring out of bed this morning with a song on my lips and music in my heart, I felt better on rising then I have since this whole thing started. But if things stay true to form–at least how they’ve been since I first tested positive last Friday–in about an hour I’m going to hit the Wall of Fatigue and Fog. I’m trying not to think about how far behind I am getting on everything. Then again, maybe the worst of it is over and I’m sliding down the other side of Recovery Mountain. Who knows?
I managed to make it through a podcast interview with Julie Hennrikus, executive director of Sisters in Crime, last evening, and I don’t think I made too big of a fool of myself. I’m not sure when it’s going to be available to listen to–I won’t listen to it as I despise the sound of my own voice–but when it is, I will certainly be sharing the link everywhere. It was very kind of Julie and Sisters to have me on, and I always love the opportunity to talk about my favorite subjects–ME and writing and books. I babbled on inanely for quite some time–and I think she very kindly let me ramble on for longer than was scheduled–but as I said, ask me about me and I’ll never shut up.
Which is probably why most people never ask, right?
I started reading Sandra SG Wong’s In the Dark We Forget, and I am already hooked, just a few chapters in. The writing is very strong, and the concept of the story, at least as I understand it thus far, is quite intriguing. I did manage to read about fifty pages or so yesterday before nodding off for nearly two hours–the fatigue was strong yesterday–but the fog was lifting a little and not nearly as bad as it has been. We watched some more episodes of Condor last night, and I have to admit I was having trouble following the story–which is, to be fair, quite convoluted, intricate, and complicated–which might have been the fog. I also managed to get some chores done around here, but seriously I am very happy that my head managed to clear for the interview.
Ah, there’s the fog. No fatigue yet, though. I think I can handle the fog without the fatigue–at least the fog doesn’t make me feel like I need to take a nap every half an hour, which is a definite plus.
And there’s the fatigue. I knew it was too good to be true, and I also just realized–how funny–that I started writing this over an hour ago. So I guess I’m not as back to normal as I had thought when I first woke up, am I? LOL. I do often amuse myself with my lack of self-awareness and my ability for self-delusion. I guess I want to get over this quickly and so am ready to grasp any improvement as a sign that it’s finally past. But today I do feel somewhat better than I have since the first positive test last Friday. While I do feel some fatigue, it’s not as extreme as it has been, and the brain fog isn’t nearly as paralyzing as it was before. I guess the real test will be the ability to focus, won’t it?
I was also informed this morning that the new variants will result in positive test results for up to ten days. I guess I have one of the new variants, because we are on day six of this, and tomorrow will be the first full week of it. But I do think the worst has passed now, and it should be all downhill from here. And again–so lucky; this could have been so much worse, thank God for inoculations and so forth. The fatigue is starting to spread now–it’s almost weird how it starts in one place (usually, it starts with the brain fog) and then works its way through the rest of my body.
Christ, I have so much to do. I hope I can keep my focus together to get all of this stuff finished. I guess I can always just do the old “work on a bit until I am tired and then when I am not tired go back to it” system, which has worked before. I’ve also not ever been sick this long in quite some time, if ever. Ugh, stop whining, already and remember how lucky you are: you didn’t need to be hospitalized, fevers were mild and not long-lasting, no stomach upset of any kind, and best of all, no intubation. It’s been, for me, mostly unpleasant and time-consuming, neither of which are ideal. But also cannot be helped–but that resignation always feels like defeat to me for some reason, and I hate that about myself.
I don’t think I’ll ever live long enough to properly self-examine all of my neuroses, hang-ups, and issues. Probably for the best, and on that note, I’ll bring this to a close. Sorry for all the illness updating; hopefully soon we’ll be back to normal around here, Constant Reader–or whatever passes for it. Have a great Thursday!
Queer and Loathing in America 