Tag: journalism

Baby Now That I’ve Found You

Monday and back to the office with me this morning. I only have to go into the office today and tomorrow this week; the schedule is absurdly (almost ridiculously) light in the clinic for the next two days; somehow I’ll make it through to my lengthy holiday weekend. I feel good and rested this morning, too. It was a very lovely and peaceful weekend, and I managed to get a lot done (and I am not qualifying that anymore by decrying what I didn’t get done). Baby steps to a healthier me, which was one of the goals for 2025, wasn’t it? As a new year looms, it’s also time to start thinking about my goals for 2026…

Yesterday was rather nice and lovely. Sparky let me sleep in yesterday morning, and I did some chores throughout the course of the day. It was, as always, lovely to come down this morning to a mostly clean kitchen, with only a few things left to do tonight when I get home to reestablish order in the kitchen. Now that I’ve got the downstairs under control again, it should be a lot easier to maintain, which means I can spend time cleaning the stuff I never get around to–baseboards, windows, etc.–and I should probably take the car to the car wash at some point during the holiday weekend. I’ll have to still run errands, of course, but after I get Christmas dinner on Christmas Eve–we’re getting a deep dish pizza from That’s Amore out in Metairie–I should be able to spend Wednesday and Thursday without having to go anywhere. Huzzah, indeed! It was also gorgeous outside; it was in the high seventies when I ran yesterday morning’s errand. I think it’s going to be similar today, too.

The Saints won, which is three straight wins after a disastrous start to the season, which helped set the tone for a nice day. I also started reading yesterday, easing into reading Eli Cranor’s Mississippi Blue Forty-two and Bruce Campbell’s The Secret of Hangman’s Inn, the sixth Ken Holt mystery–both of which start very well. (The homoeroticism rampant I remember from the Ken Holt series is also on full display in the opening chapter, too.) I finally finished my newsletter about Laurie R. King’s O Jerusalem yesterday, too, and if you are so inclined, you can read it here. I have another one I want to do about General Hospital; I’d already started one months ago, but Anthony Geary’s death made it seem a bit more timely now than it was before (I hadn’t known they’d killed off Luke Spencer on the show, either, when he retired–in case he wanted to come back. Not that dying on camera on a soap means anything, of course.); I’d watched the show as a child with our babysitter, but got back into it when Mom started watching after we moved to Kansas–and I came back to the show when it was Number One rated and firing on all cylinders…which was before many people today were alive.

Another yikes, right?

Speaking of yikes, what the hell hath CBS wrought with the hiring of the ultimate mediocrity, Bari Weiss, to run their news department? That town hall with EriKa KirK was an absolute joke–and from everything I am seeing and hearing, their progress down the path to hell has no good intentions to pave their way. One thing that the last ten years has brought with it is the loss of any credibility that mainstream legacy media had; they’ve utterly abdicated and shat all over the legacy of good journalism and the First Amendment. They will never recover any credibility, and maybe that’s a good thing? I don’t know, but this all goes back to Reagan; today’s monster was conceived in his rotting brain, and that was where it began.

We did watch Murder in Monaco this weekend, which was quite interesting and fun; about the murder of Edouard Safra in Monaco in the late 1990s. I remember reading Dominick Dunne’s reporting on the case in Vanity Fair back in the day, and of course, Dunne suspected that the male nurse (arrested, tried, convicted) was being framed by the “black widow” Lily Safra, who had an earlier husband also die under very mysterious circumstances. This update on the case, with more revelations and more information on the aftermath that is very enlightening, is very interesting.

I also worked on some short stories yesterday, which was pretty awesome. I am trying to get some stories ready to submit by the end of the month, and so yesterday I worked on fleshing them out and making them stronger. The three I am working on, and hope to finish and submit, are “Even Katydids Dream,” “Come Sail Away,” and “No Security Provided.” I also have a historical story to polish for another anthology, and I think I am going to try to hit up both EQMM and AHMM in the new year with new stories. Very fun, indeed.

I also paged through Creole: The History and Legacy of Louisiana’s Free People of Color, from LSU Press, edited by Sybil Kein. There’s so much about Louisiana and New Orleans history and culture that I don’t know, and if I am going to write stories (and/or novels) set in New Orleans history, I need to understand it and have more knowledge of it; and this collection of historical essays about the Free People of Color, and how old Louisiana/New Orleans society was structured, will help me with that. (Although paging through it yesterday made me see some seriously archaic and racist language, which I suppose should be expected when reading about the past down here.)

I am looking forward to the holiday vacation, in all honesty; even if I don’t get as much done as I would like (which is very likely, since it always happens), but it’s also nice to have an easy time of it during the holiday season. And on that note, I am heading into the spice mines for the day. Enjoy your Monday, Constant Reader, and I’ll check in with you again tomorrow, on Christmas Eve Eve.

Remind me again, MAGA and Fox News, how Christmas is “under attack.”

Double Vision

Well, 2024 was a shit show of a year, wasn’t it? Then again, haven’t they all been pretty bad since 2015 and the golden escalator? It was, however, also a year with a lot of clarity for one Gregalicious; when I woke up to certain realities about life in general and started centering my own self in my life. So, for personal growth I’d say it was a good year; as for everything else in the world, maybe not so much. I didn’t publish anything in 2024; one of the few years since I started writing professionally where I actually had nothing–not even a short story–on my publications list. I did no volunteer work anywhere for anyone, and I just focused on my own recovery, my own self-discovery, and my own investigation into who I am and why I am who I am. It was a year in which I continued looking back, something that began in 2023 when Mom died, and came to a lot of realizations about myself and my history–and made peace with a lot of things that used to make me angry to remember and think about. I can reflect on some of those things now and not get angry. This was also my first full year on my anti-anxiety medication and the loss of anxiety from my life (and everything that branched out from the anxiety) has made such an amazing difference. It’s nice not having my anxiety controlling everything I do, and it’s also very interesting to see how many automatic coping mechanisms I had put into place to manage the anxiety, or at least keep it sort of controlled–especially when it comes to driving.

This was the year I turned against the legacy media, and frankly, I’ve not missed it in the least. I was worried about the election, not going to lie about that, but I also thought it was incredibly shitty they all decided to go with the “Biden is too old” narrative Trump and Fox were pushing on everyone, reporting it breathlessly like it was actually news while completely ignoring the fact that his opponent was a sun-downing narcissistic piece of shit. There have been two different sets of reporting on politics since the 1990s: the lies and demagoguery of Fox News, followed by the legacy media’s reporting on the lies Fox told like they were absolute facts. The positive glee with which the New York Times, Washington Post, CNN, and MSNBC reported, rubbing their hands with excitement as they basically committed election interference for the Right yet again, shivving President Biden in the process; has anyone done a wellness check on that shit stain George Clooney yet? He’s managed to keep a low profile since he did Trump’s bidding for him. I do not miss legacy media, and hope they all circle the drain and fail. Maybe then, and only then, will we get the kind of media we deserve in this country and not the failing legacy media. The way they are slanting the Luigi Mangione story is also out-of-touch and offensive; why hasn’t the New York Times sent a reporter to a rust belt diner to see how those MAGA voters feel about Mangione? Oh, no, we don’t care about those viewpoints anymore. No, the legacy media thought they’d help MAGA return to power and then lead the resistance, like they thought they did in the first term. Newsflash: you didn’t.

Has there ever been a pundit class that believed the smoke they blew up their own asses like our current batch? Well, I am not watching them anymore. I follow some pundits on Youtube that I enjoy, but to be honest…I don’t feel like I’m missing anything, to tell you the truth, Constant Reader. I’ve always loved and cared about my country, even as I looked at it very clearly as more and more myths fell the older I got, but I also don’t feel like I need to follow the news everyday or participate in all of the partisan, pro-corporate, pro-rich let’s turn politics into a reality show bullshit. We deserve better.

As someone who witnessed Watergate and everything that followed, I bought into the mythology of journalistic integrity and the importance of truth; wasn’t that why his creators made Superman’s secret identity a journalist? I had planned on being a journalist myself when I went to college, and my intro class was all about integrity and honesty, which I also took as gospel for years, like a fool. Why did I ever think modern journalism had left the days of yellow journalism, of Hearst and Pulitzer, behind? My naive outlook, no doubt, and belief in American mythology. Journalistic integrity–which was beaten into our heads by every sitcom that decided to have one of the characters become a reporter for the school paper–was always for sale and never could be depended upon. So I happily bid adieu to thumb-on-the-scales journalism, and Constant Reader, I am never going back.

As for other things from 2024, let’s see. I fought with my health insurance company over a medication I need for seven months, thank you for that, bottom-feeding scum-sucking health insurance companies. This affected the rest of my care, and forced me to go even further into debt in the new year for medical treatments and so forth, and I am not entirely sure when exactly I will be able to recover from this financial distress. Yay for health insurance, and the entire health care industry. But at least it was straightened out, and the medication was approved through 2030. I also got some people at the insurance company in trouble. Too bad, so sad. Womp fucking womp, trash.

There was a lot of stress for me this past year, which was made even more interesting by the change in medications. My brain didn’t experience either stress or anxiety or even depression this year; my moods stayed fairly level all through the mess, but it definitely weighed on me subconsciously, just like delaying dealing with the holidays for a year didn’t really work the way I wanted other than pushing it back a year. Well done, dumb-shit. Ah, well.

What a strange, strange year it’s been.

And on that note, we’ll be hurtling into the abyss of 2025 at midnight. So, until tomorrow morning, I’m heading into the spice mines. Have a lovely lovely eve of the New Year, Constant Reader.

I Care

How is it only Wednesday? It feels like it should be at least Friday by now, doesn’t it?This has been the longest week, seriously. It’s cold again this morning–in the forties–and the rain has stopped. The bipolarity of winter in New Orleans is something I don’t think I’ll ever get used to, no matter how long I live here. I don’t feel tired this morning, but the cold does make me want to get back in bed again and burrow beneath the covers. I was all kinds of warm and comfortable under my blankets this morning when the alarm went off, and by the second beep Sparky was up, trying to get my attention to get up and feed him. I don’t feel worn out, but I don’t think I’ll make it through the afternoon without my energy flagging. Ah, well.

I even left work early yesterday for my podiatrist appointment, and the good news is the toe has healed perfectly and he was most pleased with not only how quickly it healed but how properly as well. His absolute delight when he looked at was very clear. (Apparently, I am some kind of medical marvel of healing; Paul heals pretty fast, too–how many people are discharged the same day they get a hip replaced?) But that’s a good thing, and there was some callus where he’d cut the nail and the scab had been, so he got rid of that with an exacto knife (it didn’t hurt at all) and then I was done and walking out to head home. I wasn’t even super-tired when I got home, but I worked for a while and that wore me out enough to finally put it all aside and relax for the rest of the evening. I hate that I am not catching up as quickly as I would like to, but that’s life, you know?

I also keep forgetting the Super Bowl is here in February, which will make getting around the city so much easier. Yay. And of course, there’s a massive facelift (or at least temporary patchwork) being done to New Orleans to get ready for it, so you never know what detours lie in your future.

I also watched Matt Baume’s documentary about Lance Loud, the gay son of the first reality TV show, An American Family, from the early 1970s on PBS. we didn’t watch it, but everyone was talking about it, and I remember hearing about the gay oldest son, and how the marriage ended in a divorce. I think my parents thought being filmed for a television show was exploitative and kind of gross? My mother certainly wasn’t one to get into reality shows–she even stopped watching soaps about twenty years ago. I was never really sure why, but Dad has told me over and over again about how deeply conservative she was (trust me, I knew but it still came as a surprise–I always thought it was Dad and she was just trying to make him happy. Ah, the things we are led to believe as children but never really give much thought to…Dad became more conservative because she was so conservative), so I have to assume the soap thing (I used to watch them with her when I was still in school) might have had something to do with that? I know my sister stopped watching them because they encouraged you to root for adulterers. My grandmother also used to watch them when I was a kid (I actually think she was the one who got me and my sister started on Dark Shadows), but also stopped. Anyway, it was an interesting documentary, and I learned a lot more about Lance Loud than I’d ever really known before, other than he was the gay son on that show.

The tale of Robin Hoody keeps getting more and more interesting the more information that comes out about him, and I keep being more and more amused at the way the country has almost completely united (see what I did there?) behind him. That really should tell everyone about the mood of the country, shouldn’t it? I keep being amused at how the story is being reported, and how much resources the NYPD expended on searching for this person while no one is even talking about the immigrant stabbed to death by racists on the same day in the same city, and certainly the NYPD isn’t making that a top priority. I’d love to see the price tag for justice for a health insurance executive, and why the NYPD and the media made this into such an insane priority. Yes, by all means, do tell me about how everyone is equal in the eyes of the law! And of course, the more information that comes out about both shooter and victim, the more noble the shooter sounds and the more awful the victim was. The media was certainly unprepared for the way people reacted, and the fact that the media so completely misread the mood of the country makes you wonder, again, just how shitty they are at their jobs; and the right-wing grifters attempt to frame this as a right-left issue blew up their faces…as some angry Americans slowly began to realize the media they consume manipulates them to make money, and people saw it as more of a class war kind of thing that apparently everyone has just been waiting for to happen.

And that’s what has the elites and their puppet media terrified. They cannot allow the country’s division to heal and anyone who is not an elite must be persuaded to fight a culture war when the real problem is and has always been the class war the billionaires have been waging against everyone else since Ronald Reagan was sworn into office in 1981. I also think a lot of the angry people are recognizing that they voted in the rule of an oligarchy and are not very happy about that, either. For the record, I don’t have any sympathy for those who voted for this and now have regrets. Too little, too late, too bad, so sad. You voted to make people suffer, and sadly, you’re also one of those. I can’t even begin to tell you how horrible those people were before the election, and how they absolutely refused to listen to anything anyone had to say.

And the newspaper coverage and most editorial commentary has shown how deeply out of touch they actually are from everyday citizens, and how they prop up the elites at every possible turn. Imagine if the media hadn’t gotten sucked into the cult of Trump in the 1980s and started turning him into a celebrity for no good reason. Seeing them trying to lead ‘the resistance’ after doing everything they could to reelect him (so much for that “liberal media bias,” right, Richard Nixon?) is not only craven, but disgusting and people are starting to see very clearly what our “news media” actually has become: completely incompetent and not good at their jobs. The news shouldn’t be a for-profit business, just like health care should not be.

And on that note, I am bundling up and heading into the spice mines. Have a lovely Wednesday, Constant Reader, and here’s hoping the rest of this week flies by.

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Teardrops on My Guitar

Saturday, and the first blog entry of the three day Labor Day weekend.

Labor Day.

September.

Sep-fucking-tember.

I think the kindest thing anyone can say about this year is that it hasn’t been a pleasant experience for most people, and putting it that way is perhaps a bit of a stretch. I do feel bad for people who are actually having good things happen to them in this year of utter misery and repeated horror; as I said recently, this is why we  need to get our joy where we can find it. Adaptability is one strength (supposedly) of our species, and I do see people adapting left and right; on the other hand, I also see others desperately clinging to the past and resisting adaptation most stubbornly. This has been quite a year on every level–and it has been interesting seeing how people have adapted, and how people are handling it all so differently.

This is why it surprises me when I see authors talking about how they are going to handle the pandemic in their work–or rather, how they are not going to address the pandemic in their work. It’s so global and so intense and it’s affected everyone, changing how we do things and how we live our lives, from the most mundane things like picking up prescriptions to grocery shopping to going out to eat, to the big things like jobs and house payments and school attendance and daycare. It has affected every part of our lives, so how can we ignore it or pretend like it never happened? It’s very similar to the Katrina situation New Orleans writers found ourselves in afterwards; we couldn’t pretend like the city hadn’t been destroyed or that we’d all been through a horrible trauma. But when I, for example, started writing my post-Katrina work, we were over a year into the recovery and so I could write about what it had been like, rather then trying to figure out what it was going to be like. Pandemic writing, of course, will inevitably date your work, just like Katrina divided my career into before and after. I’m still, frankly, trying to decide how to deal with it in my own work–or if I even want to continue writing the series or not.

And let’s be honest: my first and thus far only attempt to write pandemic fiction, started in the first weeks of the quarantine/shutdown, quickly became dated; I am very glad I didn’t finish it because a lot of the work would have been wasted. I do want to finish the story, though, see if anyone wants to publish it.

Today is going to be my catch-up day; I am going to try to get a chapter revised today, but my primary concern is getting things caught up; I want to finish reading Little Fires Everywhere (I really got sucked into it for a few hours last night) and get started on The Coyotes of Carthage, and I also think I might spend some time today with some short story reading–that Sara Paretsky collection keeps giving me side-eye whenever I sit down in my easy chair–and of course, there’s always electronic files to sort and clean up as well as physical ones. The house really needs some serious cleaning, frankly, and I know I’ll feel much better once that chore is actually accomplished.

Then again, who knows? This could easily turn into another lazy day.

Yesterday during condom-packing time, I watched the season finale of Real Housewives of New York (Dorinda’s recently firing makes a lot more sense now) and moved on to the next on my Cynical 70’s Film Festival, All the President’s Men. To digress for a moment, can I just say how fucking ridiculously good-looking Robert Redford was? I know, I know, commenting on the almost insane beauty of Redford isn’t like anything new, but good lord. Dustin Hoffman was also never considered to be particularly good-looking, but he looks pretty good in this movie and isn’t completely overshadowed by Redford, which would have been expected. It’s a very good film, from top to bottom; everyone in the cast is superb (it was also interesting to see so many people in bit roles that would later become stars on television–Polly Holiday, Stephen Collins, Meredith Baxter Birney), and it also made me miss the heyday of the thriller featuring the intrepid, dogged, never say die investigative journalist. This is something we’ve lost with the rise of the Internet, 24 hours news channels, and the death of print: with magazines and newspapers either shuttering or cutting back staff, it’s really no longer realistic to have the crusading journalist as the heroic center of your book or movie; as I watched the show I kept thinking about the old Ed Asner series Lou Grant, and whether it was streaming anywhere.

All the President’s Men, of course, is the film version of the book Carl Bernstein and Robert Woodward wrote about their investigation into the Watergate break-in in 1972, which was the tiny thread that was pulled and eventually brought down the Nixon presidency and almost destroyed the Republican party in the process. I read the book initially when I was in college–it was required reading for my Intro to Journalism class (I was torn between majoring in journalism or English; being unaware that I could have gone to college somewhere and majored in Creative Writing–but actually, I am very glad I never did that)–and it was my first real experience with understanding, for the first time, what Watergate was all about. It happened in real time during the course of my life, but I was also between the ages of 11 and 13 from the first reports of the break-in and the resignation of a president, and so I didn’t really understand what was going on and only had a vague idea as it infiltrated every aspect of the culture beyond the news. It certainly gave rise to the concept of conspiracy theories and the belief that the government couldn’t be trusted–which gave rise to Reaganism in the 1980’s–but reading the book was my first baby-step forward to shaking off the ideology with which I had been raised. I had never seen the film, and so it really seemed to be perfect for my Cynical 70’s Film Festival…although it was difficult for me to get up the desire to actually queue it up and click play, frankly; the utter failure of the 4th Estate to do its job properly in this century plays no small part in why we are where we are today. But it’s a good film, and it also depicts the back-room aspect of journalism–the battle for column inches, the struggle for the front page, the competition with other newspapers and television–which is really kind of a lost world now. (I had always wanted to write about a newspaper–which is partly why I made Paige a journalist, morphing her gradually into a magazine editor.) I will say watching this movie now made me think about writing about a modern-day journalist; the struggle between the print and on-line copy, etc. If I only had more time.

It’s also very sad to know that if Watergate was happening now, the story would be killed by an editor, and we’d never know the truth.

We also finished watching Outcry last night, which was terrific, and the latest episode of Lovecraft Country (it dropped early because of the holiday weekend), and its continued brilliance is really something. We also saw the preview for Raised by Wolves, the new Ridley Scott series for HBO MAX, and it also looks terrific. A new season of The Boys also just dropped on Prime; so there’s a wealth of things for us to watch, and I rediscovered (oops) my Showtime watch list last night, which also has a cornucopia of delights on it.

And on that note, tis time for me to head into ye olde spice mines for the day. May you all have a lovely, lovely day today.

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I Did Something Bad

Actually, it would be bigger news if I did something GOOD, frankly.

But here it is Friday and I am working from home yet again. I have my work supplies already in place, and will be adjourning to my easy chair after reading emails and getting caught up on things. I had intended to watch Aliens immediately after watching Alien earlier this week, but since that didn’t happen, I am now wondering if I should dip back into the world of 1970’s paranoia/conspiracy film (although the point could be made that both Alien and Aliens also fit into that category; I love how film, like novels and short stories, can straddle genres–which kind of defies the very notion of genre in the first place), and both The Parallax View AND Three Days of the Condor are on HBO MAX.

I’ve never seen either (but read the books back in the day) and I am very excited. All the President’s Men is also there, but I’m not sure I can bear, in these times, to watch a film about journalists actually doing their job and holding politicians accountable. Perhaps it’s possible they never did–our own history is littered with examples of journalistic lies and media manipulation–the Hearst empire and fortune was built on that, as The Alienist: Angel of Darkness reminds me in every episode (the Hearst papers, and others of their ilk, were partially, if not directly, responsible for the Spanish-American War, and it is this time period in which the show is set). We are continuing to enjoy this season, which is telling a compelling story and is very well produced, written, and acted. I am also looking forward to Lovecraft Country, and Season 2 (mayhap the final season) of Krypton is also now available on DC Universe.

I also discovered, to my great joy, that my story “The Carriage House” is in the current, or soon to be released, issue of Mystery Tribune (click to order); it also contains stories by Josh Pachter (“Paramus is Burning”; I read this in draft form as a sort of ‘sensitivity reader’), as well as Reed Farrel Coleman and others; they do a lovely job and the magazine is quite beautiful; you can also buy the electronic issue, which is less expensive and will be delivered electronically on August 20th, which also happens to be my birthday–which is in less than one week. I am hoping to be able to take a long weekend next weekend for my birthday–we shall see how it goes.

I’ve not had the energy this week to look at Bury Me in Shadows, but these last few nights I’ve slept extremely well and have felt very well rested each morning when I get up, so I am hoping this will hold through the weekend so I can get those first ten chapters polished and finished. Ideally, I would be able to get that taken care of on Saturday so that Sunday I could start marking up the next ten, but I also recognize that might be overly ambitious and I don’t want to end up berating myself for an inability to get something finished that was overly ambitious in the first place.

But…on the other hand, it’s much too easy to not be overly ambitious and underestimate what one can get done as well–which isn’t as effective, at least for me. If I plan “oh I’ll just get these five chapters done” and then breeze through them relatively quickly, I am not the type to say, “well, since that was so easy I should immediately move on to the next”–rather, I simply pat myself on my back for achieving the goal and walk away from my computer, which is not optimal.

I did, while waiting for Paul to finish up his work for the day (he inevitably will go upstairs when he gets home from work to continue answering emails and do chores before coming down to watch whatever it is we are currently watching), pull up Murder in the Rue Dauphine on my iPad to start reading it again–as I mentioned the other day in my post about the genesis of Chanse MacLeod, I think it might not be a bad idea to revisit the Chanse novels, particularly since I am thinking about writing about him again, eve if only in novella form–but I’d forgotten I’d written an introduction to the ebook edition, which was made available perhaps about ten years after the print book was released; it was this introduction that I read while I waited for Paul last night. It’s really not a bad essay, quite frankly, and since I received Laura Lippman’s My Life as a Villainess, a collection of her published essays and some new material, I found myself again thinking about my own potential collection of essays; while I haven’t published a great many of them over the years, I have published a few–and God knows I’ve been keeping this blog, in one form or another, since December 2004; this December will make sixteen years of blogging. There is, of course, self-doubt involved in even considering the project; it’s not like vast multitudes awaken every day and think oh I need to go see if Greg’s blogged yet. There’s also, I don’t know, this whole self-defeating sense of like anyone cares about your self-reflection or your opinion on anything.

God, it never ends.

I also managed to get Alex Segura’s Poe Dameron: Free Fall this week; and this is actually a Star Wars novel I will read rather than just place on the shelf and let collect dust (I read the novelization of the first film, obviously, many years ago, ghostwritten by Alan Dean Foster and credited to George Lucas, and enjoyed it very much. I also enjoyed Alan Dean Foster’s Splinter of the Mind’s Eye, which was written and published between Star Wars–the first film will always be Star Wars to me, and I am ready to die on that hill–and The Empire Strikes Back; when the second film was released all of its revelations and surprises immediately made the book wrong and irrelevant and reduced it to simple fan fiction. I vowed then I would never read another Star Wars novel, other than novelizations of the films, because I couldn’t trust George Lucas to release a film that fucked with the books–and sure enough, the release of The Force Awakens wiped that universe clean and all the novels released since 1983 became non-canon–which made me glad to have not read them. But…the release of The Force Awakens also made remember my fanboy self, and I did start buying up the books again–especially the ones that were well-regarded, like the Thrawn trilogy. And yet I’ve never gotten around to reading any of them…but I will most definitely read Alex Segura’s because I know he’s an amazing writer).

And on that note, tis off to the spice mines with me. Have a lovely Friday, Constant Reader, and will check in with you again on the morrow.