Tag: John Oliver

I Was Made For Dancin’

Tuesday morning and am easing back into the week somehow. I was a bit tired yesterday, and felt a little low energy, like the prelude to an onset of something. By the time I got home from work I truly felt lousy, so relaxed for a while, took some Dayquil, and let my mind wander while watching the news, this week’s John Oliver episode, and decided to peek in on the most recent episode of The White Lotus, to see what everyone was talking about on social media all day yesterday. Okay, got it. We’ll probably watch the entire season once it’s all available; it definitely piqued my interest and I will have forgotten all or most of this by the time we watch anyway–one of the benefits of this truly shitty memory thing I have going on anymore. I did work on the book a bit, and knew what to do, but was just too fatigued to do it. I hate when that happens. But this morning I feel better than I did yesterday morning, so here’s to a productive day. I really hate feeling under the weather. Tired is an entirely different thing I don’t mind so much, but being sick can fuck all the way off.

The world, and country, continue to burn to the ground as the MAGA government by billionaire further establishes and consolidates power to the executive branch. (Thanks again, Sycophant Schumer. Your interview in the New York Times only served to further underscore how out of touch with your constituents and your base you are. You’re as big a disgrace as Roger P. Taney and James Buchanan. You fucking own this, you and the other nine who knifed the base in the back. Oh, and thanks again for shivving Biden last summer, you fucking piece of shit, and handing the White House back to the Right. Remember, we sent the Rosenbergs to the chair. We are where we are because of Democratic cowardice. I will never forget.) It’s hard not to get worried, stressed or be anxious. My job is federally funded, after all, and they are coming for queers and queer books, too. Woo-hoo, nothing like having both of your careers hanging over the precipice, is there? My Social Security and Medicare apparently are also on the line, so after a lifetime of working hard and paying into both systems, I’ll never be able to retire…voluntarily, at any rate.

Thank God I have anxiety medications. Thanks again, Senator Schumer and the Asinine Nine.

Heavy heaving sigh.

I am pleased with how the book is coming along, even if I was too brain-dead last night to do much more work on it. It’s going to be pretty good, I think, nice and spooky and Gothic and creepy. Years ago I read a John D. MacDonald novel called Murder in the Wind, which takes place during a hurricane, when a bunch of motorists take shelter in an abandoned house–all strangers, but one car contained a psychopathic criminal–and that’s kind of the tone I want to merge with the usual Scotty tone to pull the whole story off. I know MacDonald was a sexist writer whose work was very much of its time and some of it hasn’t aged well, but the man could write and tell a story and create some memorable characters, plots and situations; I’m sure a revisit of his canon would also turn up some racism and homophobia, too. I do think, were he to be alive and writing now, he’d be more woke than conservative; almost all of his later Florida novels had to do with environmentalism and how greed and corruption were destroying the state (Condominium, anyone?), and I have often longed for someone to write those kind of Louisiana books…I also think Carl Hiassen style novels about Louisiana would also be kind of awesome. Don’t look at me, I’m not a strong enough plotter to write anything like Haissen, just as I am not familiar enough with the environmental disasters conservative greed and corruption create to write about them…and doing the research would probably make me anxious again. I know I’ve always wanted to write about cancer alley and the poor Black communities poisoned by it, but how do you tell that story when there’s no justice in the end for anyone? Not to mention the disappearing wetlands. Who knows how long Louisiana can still call itself “sportsmen’s paradise” once everything is ruined down here?

Louisiana, and New Orleans, never cease to be sources of inspiration, you know?

And who knows? Stranger things have happened.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I may be back later. One never can be entirely sure.

The bare curve of a male ass–do we think it will trigger Meta’s puritans?

You’ve Lost That Lovin’ Feeling

Bring back that lovin’ feeling now it’s gone, gone, gone….

One of the worst things about being a writer with a very vivid imagination is that I often think I’ve written more of a short story than I have, and inevitably am a little shocked when I open the most recent draft of the story and what I remember writing isn’t there…and then it hits me that I either thought the story through until that point, or I scribbled ideas for it in my journal…so that gradually morphed into oh I never did write that scene/story/ending. I then sigh in disgust at past Greg for not actually writing it into the story itself and then try to remember what I can of it as I try transcribing it. The loss of my short term memory also plays a relatively large role in this madness, too. Can you guess why I am mentioning that this morning? Yep, this was the case when I looked up two short stories to add to my collection; I was trying to decide which stories I have unfinished that just needed a revision and I thought I was there with several more stories than I clearly was when I looked at them last night.

One of the ghastly things for me about being a writer is thinking I’ve written something when I actually haven’t. I was tired yesterday when I got home from work; I hit the wall at some point in the afternoon, so I succumbed to Sparky’s demands and let him cuddle with me in the easy chair when I got home from work. Paul worked at home yesterday, so when he came down we watch John Oliver and then finished Dirty Pop, the Lou Pearlman documentary. It did feel weird not having the Olympics to watch, but this is that fallow two weeks or so between the Olympics and college football getting started. Has the NFL preseason started? I am terrible about that, but since I no longer (refuse to) pay for the Times-Picayune (a ringing endorsement for the red candidate from their editorial board was the final nail in that coffin once and for all) it’s harder to remember about the Saints. I shouldn’t be surprised; the billionaire who bought the paper also is a dyed-in-the-wool Republican who ran for governor back in the day. Maybe I am wrong, but I don’t remember the paper being slanted so heavily to the right back in the day. Anyway, there’s certainly no excuse for me to not get a lot done this weekend other than laziness….and laziness isn’t necessarily a bad thing, either; I think it’s your body telling your mind to rest. I also have a four day weekend this weekend for my birthday, so that should be really nice. I suppose I should make a to-do list of projects to work on for those four day–definitely taking books to the library sale will be number one on the list.

I did sleep really well and got up pretty easily this morning. I’m still in that I could fall asleep again if I went back to bed stage, but the body is starting to awaken and my mind is feeling sharp. I hope I don’t get tired this afternoon the way I did yesterday, but I don’t really have any control over that. It didn’t, in fact, rain yesterday as was promised; it’s possible again today as well and we’re hitting a heat index of 112. Yay. It didn’t seem so bad yesterday as I drove home, picking up the mail on the way. I’m still listening to the podcast My Dad Wrote a Porno, which makes me laugh multiple times in the car; it’s attempt at being sexy and provocative laughably bad, and their reactions to Belinda Blinked are hilarious. There’s many seasons of this, so I should be set for listening in the car for quite some time. I just haven’t been in the mood to listen to music lately while driving, which is unusual. I’m just tired of all my playlists and albums on Spotify, and I’m so disconnected from what is popular music that I have no idea what everyone is listening to these days, and odds are I wouldn’t care for it if I did. (The first time I heard something popular and thought what the fuck is wrong with kids today was when I was in my thirties…so yes, I’ve been a cranky old man shaking his fists at the clouds for thirty years)

One of the things I have been doing in the evenings is paging through a book I read several years ago called Weimar Culture: The Outside as Insider by Peter Gay (I’ve had Weimar Germany on my mind since about 2015 or so) and it got me to start thinking about my work as art, and its place in the overall world of queer art and literature. I don’t think students of queer literature in the future will be reading and/or studying any of my work, by any means; I think the only thing I have going for me is being prolific and producing a lot of work. I think there are many queer crime writers whose work would be seen as more influential and of more literary and artistic value than mine–Michael Nava, J. M. Redmann, Ellen Hart, Kelly J. Ford, Lev Rosen, Christa Faust, Margot Douahy and John Copenhaver, just off the top of my head, are far more likely to make up the reading list for a Queer Crime Lit class. We really do have some amazing queer crime writers out there currently and some pretty amazing ones in the past. I was thinking about writing about queer crime and its giants, but as a queer crime writer myself the possibilities for giving offense are simply too great for me to even attempt such a thing. I also haven’t read every queer or queer-oriented crime novel, either, so it would hardly be definitive, like Michael Bronski’s Pulp Friction. Besides, I’m hardly an academic; that kind of writing isn’t really my style. I admire it, wish it was a voice and style I could slip into comfortably, but it’s really not.

I would, at some point, like to engage in scholarship. Maybe after I retire. Maybe I could take an on-line class on literature and/or one on writing essays. So many potentialities, so many possibilities…kind of nice.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader and one never knows; I may be back later.

Denial

And here we are at Tuesday morning already. The weather is supposed to be shitty today–rain and thunderstorms and flash flood alerts for today and tomorrow; it already started last night–and yesterday it was in the 80’s when I got off work. It’s 72 now and the sun isn’t up yet, either–the high for today and tomorrow is in the low 80’s. I suspect this is going to be a long, hot wet summer in New Orleans.

I came home from work yesterday and worked on my book, around the cat neediness (always), watched John Oliver’s impressive takedown of Tucker Carlson (the new Bill O’Reilly) on Last Week Tonight, and then just went to the Taylor Swift World Youtube channel and let her music videos play–along with some live performances–on stream while I put corrections into the manuscript. I am now up to Chapter 5, and am hoping to get even further along with it today. The goal is to get it all finished and input this week, so I can print it out yet again and decide on a structural edit over the weekend, with new writing to be put in place while cutting down excessive wordiness and repetition throughout the entire thing. But it’s going to be a good book–whether it actually winds up doing what I originally intended for it to do when it’s finally finished remains to be seen, but I think I will be pleased with it.

Yesterday the Lambda (Lammy) nominations were released, and as always, there was a bit of controversy involved. It’s inevitable, really; every year when they announce their finalists, people get angry and old grudges come out. I generally tend to avoid these conversations; I came to a place of peace with the organization awhile ago and let go of all the turbulent feelings just the mere mention of the organization or its awards could trigger in me. I worked there twenty years ago, and while it wasn’t a great experience in some ways, I learned an awful lot–about non-profits, publishing, how to put together a magazine, management skills, etc.–while I was editor of Lambda Book Report (it was weird; someone had reminded me of that on Sunday on social media–I had done one of those ‘post a memory of me’ things on Facebook, and Richard Labonte brought up meeting me at a Lammy reading at the San Francisco Library back when I was editor of LBR…it’s been so long even I forget about that; and it’s been scrubbed from my author bio since at least 2004). I also made some great friendships that still exist today. Overall, I prefer to remember the positives from working there now rather than the negatives (there were a lot of negatives, in all honesty). There were changes that needed to be made to the organization back then; changes have been made in the years since Paul and I left their employ (I do remember, with no small amusement, being told when I quit by some people that I was “ruining my career”–over fifty books and fifty short stories later here I am still, so no, people who told me that, you weren’t channeling Nostradamus), but I don’t think some of them were the ones that were needed or even necessary. For about three or four years in the early aughts, after quitting I was still somewhat emotionally vested in the organization…but the more time passed the less vested I felt and now I can read complaining threads on social media about the organization and not have any kind of vested emotional reaction to any of it; and while I do think the history of their awards is important, I do think they’ve kind of lost their way. But it’s not my problem and it’s very easy to be an armchair quarterback and make critiques–it doesn’t cost anything, after all, even in a time investment–when working to make those changes is much harder in terms of work and time. I’ve won the award twice–Best Anthology and Best Gay Mystery–and have been nominated so many other times I’ve really lost count. It’s somewhere in the teens, and I know the most nominated authors are me, Ellen Hart, That Bitch Ford, and Lawrence Schimel, and not in that order (I believe Ellen has the most), but whenever I try to remember which books and what years and what categories was I nominated in, I inevitably forget something–as I always skip something when I am counting how many books I’ve done….just last night I was remembering that I co-edited a vampire erotica anthology with M. Christian for Alyson Books that came out in the August before Hurricane Katrina, and I can’t remember it’s name–Blood something; Lust, perhaps? I only have a few copies and whenever I come across one, it always catches me a bit off guard: “Oh, yes, the book I always forget…”

And if anyone would have told me twenty five years ago I would lose track of award nominations and how many books I’ve actually done, I would have laughed in their face. But awards aren’t as important to me as they were when I was first getting started–don’t get me wrong, they are very lovely and I appreciate making short-lists, which is always a nice pat on the back from colleagues–and so I never see short-lists I didn’t make and think maybe next time. I just don’t like getting caught up in the hoopla of them; wondering if I am going to win, wanting to win, being disappointed when I don’t. That kind of egotism isn’t healthy, frankly, and I don’t like I seem to immediately launch into a competitive mode once the pleasure and surprise of being nominated wears off and naked ambition rises inside me.

While some ambition is necessary–you’ll never finish writing anything without it–out of control ambition is not a trait I like or aspire to; but it does happen sometimes and I have to reel it back in.

I don’t like it, quite frankly.

And on that note, tis back to the spice mines with me. Have a lovely Tuesday!

The Beach

Tuesday!

Yesterday was not nearly as productive as it could have been. Generally, on mornings when I have to get up at six, will invariably have a cappuccino at home while I wake up, and then make another to take with me, which I sip at all morning. This gets me through the day pretty well, and through into my evening when I go home and write or edit or read or do chores. So, Constant Reader, you can only imagine my horror when I got to the office and my travel mug was not in its side holder on my back pack. (It turned out to be in the in the car–it fell out of its pocket when I got my backpack out of the car yesterday morning when I arrived at the office…) So yes, I ran out of steam yesterday afternoon, and was very tired by the time I got home from work. In other words, last night all I managed to do was a load of dishes, and quite frankly, this morning I’m not even sure what I watched last night, other than the final episode of It’s a Sin with Paul; turned out he did want to finish watching. Oh yes, now I remember; I watched this week’s episodes of Allen v. Farrow and John Oliver’s show. Allen V. Farrow continues to be a harrowing watch; this week’s episode was about the custody battle–which ended with Allen getting a massive bitchslap by both the court and the judge; in other words, the judge believed Mia to be a fit mother and Dylan a credible witness, and Allen didn’t prove himself to be a fit parent–in fact, his visitation rights with the two other children he shared with Farrow were limited by the court and had to be supervised. If the goal was to punish Farrow, it failed massively–other than making her miserable for a period of time. Interestingly enough, one of the main takeaways from the show is being blown away by how beautiful Mia still is, today. I never understood the desire to have so many children–not, of course, that my understanding was ever needed or necessary or required; my mentality was always “I don’t get the need for so many kids, but if it makes her happy, more power to her and she is adopting kids, which is terrific.” I don’t think Farrow has worked much since the break-up with Allen; her career was mostly starring in his movies after they became a couple…the real shame is I’d like to watch some of those films now (I’ve never seen many Allen films, not being a fan) but I’m not sure if I should. It’s another one of those Roman Polanski things–ironically, one of my favorite Polanski films also stars Farrow, Rosemary’s Baby–I think, but some of those Allen/Farrow films are considered classics.

In other welcome news, I discovered yesterday that I now weigh 203 pounds; the lowest since around 2011/2012, and just three pounds away from my goal weight. I managed to get down to around 212 last year or the year before, as a process, from the 225 I had ballooned up to about a decade or so ago; I set 200 as my goal weight for the year, but I’d be stuck at 212 for so long I didn’t think I was ever going to break through. A few weeks ago I was delighted to see I’d managed to break through that plateau and had dropped to 208; someone gave me a compliment yesterday which drove me to the scale in the (unused) nurse’s office and to my delight, I discovered that I had somehow dropped another five pounds–whether it’s the working out, the change in diet (which was neither extreme nor dramatic), or the walking to the gym and back and always using the stairs at the office, I am not sure–but it has happened, and it is most pleasing to our eyes. I also made some progress on my emails yesterday, which was a very pleasant development.

This weekend is the virtual Saints and Sinners Festival; I taped a panel about mystery and romance with four amazing writers (Carrie Smith, Carsen Taite, J. M. Redmann, and Cheryl Head), which I think is scheduled to air on Sunday, March 14th, at 3 pm CDT; I am not really sure where, so I will have to find out and post it later. I know that after its original air date it will be available for viewing on the Tennessee Williams Festival’s Youtube channel. I was woefully unprepared, but I also had a group of very smart, savvy, and talented women to give me great answers to simple questions and it was a lovely experience for me–I’m not so sure it was for them, but I didn’t see any eye-rolling on screen to my inane questions so they are also incredibly professional as well.

I don’t think I’ve mentioned it here either, but I also have an essay in the upcoming book from Mystery Writers of America Presents, How to Write a Mystery, edited by Lee Child and Laurie R. King. I know, right? I still have to pinch myself whenever I think about it. I got an ARC recently, and the book looks simply beautiful. And how awesome to be in a collection with some of the top writers in the field? I can now cross “be in an MWA anthology” off my bucket list–but “get selected for an MWA anthology through the blind read process” remains on the list. My essay is called “Writing the Talk” and is about dialogue, and it owes a heavy debt to editor Laurie R. King, who whipped it (and me) into publishable shape after a couple of rewrites and revisions.

And yes, there will be more about that later. 🙂

And on that note, I am heading into the spice mines. May your Tuesday be bright and fun and wonderful.