Tag: jackson square jazz

The Second Time Around

…for Chanse, that is.

Oddly enough, the second Chanse was the fourth novel I published, and therein lies a tale.

Funny how with these earlier books there’s always a story, isn’t it?

So, I sold Murder in the Rue Dauphine to Alyson in September of 1999–but the pub date wasn’t until February 2002. I saw no point in writing a sequel to the book immediately; primarily because there was a nearly two and a half year wait between signing the contract and when they were able to schedule me in. So, I figured I had about a year and a half before I needed to get it finished (everyone told me it would be released a year after the first, and in all honesty, what was the point of writing two or three books while waiting for the first to come out so the others could be scheduled?), and so, with time to spare and a lengthy period of time to “waste”, I decided to start thinking about the “what ifs”–what if the book sells super-well and is popular? What if this isn’t just a one-off standalone and could be turned into a series? The more I thought about it, the more I liked the idea and I liked letting my mind roam.

So, what would I do if the series took off and I needed to write more?

Being creative and full of energy in my late thirties, and thrilled to death that now I wouldn’t die without having published a novel, I reread the manuscript and my analysis of who Chanse was and why he was who he was, and I started mapping out a personal journey for him, that lasted several books. He was a cynical loner, with a couple of friends, and he was still really not adjusted to being gay when the first book opens. He was estranged from his immediate family of younger sister and brother and his parents; he never returned to Cottonwood Wells after leaving for LSU. He’s ashamed of his family but he also knows they will never accept his sexuality, either, so it’s very easy for him to cut them off almost entirely. So, his journey was going to be like that of the main characters of the show Moonlighting; each case would teach himself something about life and himself, and he would grow from the lesson learned in each book. Each book going forward would have a life lesson for him (Rue Dauphine did as well; the lesson was ‘you can’t just trust someone automatically because they’re queer.’); and the one he’d learn in the second book would be about love and trust (the third would be about sacrifice, the fourth would deal with his family, the fifth would have him fall in love with someone else, the sixth would deal with him dealing with losing his best friend to her husband and realizing he does need other people, and the seventh, the swan song for the story, would find him ready to finally commit to someone and live with them, so the series would be seven books long).

Shortly after I sold the first book, I again learned that lesson myself–the case in the first book was inspired by a gay con artist who’d gotten involved with a non-profit here in the city and then blew out of town overnight, having stolen/embezzled a shit ton of money and leaving a pile of debts behind. I had written to a local color magazine for the gay community (I can’t remember the name!) about writing for them. I wrote something for them, and they hired me to be editor of the magazine, as the business was expanding and it would free up the founder to focus on the new directions while I ran the magazine. It was fun, I got to work with a lot of fun new friends, and…then it all blew up in our faces. It was very similar to the earlier situation–a gay con artist blows into town, makes a lot of promises, runs up a lot of debt and then it just blew up completely. Turns out the guy was a con artist with a record of credit card fraud, and he was on the FBI watchlist so yes, I did get interviewed several times by the local office of the FBI.

The second book, which had the working title Murder in the Rue Royal, was based on that story, but I had already been playing around with a stalker storyline, and then I realized how I could cross the two stories into one seamlessly and write the book. I managed to get another first draft finished when a two-book deal to write the Scotty series for Kensington and Alyson dropped the option for the second book, saying “two mystery series with a gay main character in the same city by the same author are too similar to each other”–which I took as a challenge to make Bourbon Street Blues and Scotty as different as I possibly could to prove them wrong. So, the manuscript went into a drawer and I started happily working on Scotty instead…and again, it was a stand-alone that morphed into a series.

This was the Insightoutbooks edition cover of Murder in the Rue St. Ann
This is the new cover the book got when Bild Strokes Books republished the book as an ebook.

I took a streetcar named St. Charles down to Canal, crossed the street and walked down to Royal.

It was eleven o’clock in the morning on one of those splendidly sunny September days that makes you glad to be alive. Taking the streetcar had been a good idea. The long heat of summer had broken, and the air was crisp and in the mid-seventies. The sky was that blue unique to New Orleans, with wispy white clouds scattered across its expanse. There was just a hint of cool moisture in the air. There were a lot of people milling around the sidewalks on Canal— a good sign for the tourist season. Canal used to be the main shopping drag of the city, with huge department stores like Maison Blanche and D. H. Holmes. Those were long gone. They had either gone out of business or fled to the suburbs— now it was mostly hotels, fast food, and Foot Lockers.

There were hopes that putting the Canal streetcar line back in place would stimulate a recovery for the street. So far, all the construction work had simply made the Quarter difficult to get to from uptown. Add to that the chore of trying to find a place to park that would get me a ticket in two hours or cost ten dollars, and I was kind of glad I was having car trouble—the streetcar down and a cab home was very simple.

Not that riding the streetcar didn’t bring its own set of aggravations.  If the cars ran on any fixed schedule, I’d never been able to figure it out. You could wait for one for half an hour and then three in a row, all packed to the gills, would show up. The streetcar ostensibly operated as public transportation, but was also a de rigeur tourist attraction. There was no way of telling when you’d be able to catch one with a place to sit. But when you did, it was nice to find  a window seat on a sunny day and enjoy the city clacking by.

So, when Alyson chose to drop the Chanse series after I signed with Kensington, Murder in the Rue Royal went back into a drawer, which was fine–it wasn’t a good book–and I moved on with my life. The advance for signing with Kensington paid for our move back to New Orleans from Washington, and moving back here was absolutely worth ending the Chanse series for, seriously. I still didn’t have an agent, but I’d been signed to book contracts by two publishers already, and I figured it might be easier now. We accomplished the move, get our new apartment set up on Sophie B. Wright Place, and started putting our lives back together. I don’t remember the timeline of how it came to be, but I was still working with Alyson on my first and second erotic anthologies (Full Body Contact and FRATSEX), so I was aware when my editor left and a new person, that I knew slightly, moved from assistant editor to senior editor. We were talking on the phone one day about Full Body Contact and she casually mentioned, “I don’t see your second Chanse book here on the schedule, what’s going on?” and I told her the story, “Oh for fuck’s sake, when can you get it done by?” and that became the second contract for Chanse.

So, after finished Jackson Square Jazz and turning it in, I broke out Murder in the Rue Royal (the title had already been changed on the contract to Murder in the Rue St. Ann; my new editor didn’t like the alliteration) from the drawer, blew the dust off it, and reread the manuscript. I looked at my timeline for the series, and saw that this was the one where he was supposed to fuck up his relationship, but I didn’t see it in the manuscript. I reread the first book, thought long and hard about Chanse and who he was at this point in his life and after several long days of musing it hit me, between the eyes: jealousy. Jealousy would be what fucks up his relationship, and it only made more sense to me that Chanse would be the jealous one. Paul had a loving, accepting family and was more secure in and of himself as a gay man and what he wanted out of life. Paul was considering becoming ground-based at the New Orleans airport so he could settle down and have more of a life with Chanse, which also has Chanse very alarmed and makes the jealousy even more intense….so what would be the thing that would set Chanse’s jealousy off? Something from Paul’s past that Chanse didn’t know but finds out about in the worst possible way?

I had had some issues, believe it or not, with stalkers over the years. I had always wanted to write about a stalker, so what if Paul had a stalker? Why would Paul have a stalker? And then it occurred to me that Paul had a past he wasn’t ashamed of, but had never mentioned to Chanse. Not out of a fear that Chanse wouldn’t understand, but mainly because he had no need to tell him because it wasn’t anything dark. He had done some nude modeling when he was younger and he had also done some soft-core wrestling fetish porn, which is where the stalker came from. And what if I could work the con man he’s been hired by was someone Paul knew from the soft-core fetish porn? What if the guy contacted Paul because he’d been getting threatening notes on top of everything else going on in his life? And what if Chanse ran into Paul when he was leaving the con man’s offices, which brings all this out about Paul’s past? What if it shook a jealous, possessive, insecure Chanse enough for them to fight about it? And what if Paul disappears after the con man is murdered?

That was something I could work with, and so I did.

I’ve always called Murder in the Rue St. Ann my most under-appreciated work. By the time the book had come out, Paul had lost his eye to the muggers and we were in recovery mode. I didn’t do much of anything to promote the book (other than a signing at Outwrite in Atlanta, where I signed all of my books until they closed), and it kind of came and went quickly. I felt it was the most unappreciated of all my books. Jackson Square Jazz had come out earlier in the year before Paul was attacked, and it sucked all the oxygen up that year intended for me–it was the Lambda nominee, not Rue St. Ann–and I didn’t pay much attention to the book after it came out, either. The ‘christians” came for me a few months after the book’s release as well, and then Katrina…so yeah, Rue St. Ann got no press, got no attention, but somehow still managed to sell well.

I did have the next one planned, Murder in the Rue St. Claude, which there was a proposal in for, but Alyson was also going through other, deeply concerning changes that showed how little the higher-ups knew about anything, let alone publishing. But that’s a tale for another time, I think.

What’s Forever For

It’s cold again this morning in New Orleans, with it around thirty-one this morning as I swill my coffee and shiver a bit here in the workspace. There’s always cold air coming in from somewhere–the windows, the frames, somewhere–so it’s always a bit colder when I’m at my desk than it is elsewhere inside the apartment. I slept really well again last night–still don’t know where the sleeping pill bottle got to, thanks again, Sparky–but I do have a stopgap until I can get that prescription refilled again at the end of the month, and it worked last night. Fingers crossed that it continues to do so until I either find the original bottle or get the refill at the end of the month…

Yesterday was a good day around here. I had my strength PT yesterday morning, which is getting more difficult by the appointment. It really kicked up into gear yesterday, and while I was very happy to make it through the workout without begging for mercy or having to take too many breaks–it was harder than I imagined, but I also refused to get concerned, anxious or worried about the fact I was using only four pound dumbbells for some and a six pounder for others. But the burning of lactic acid in my muscles, while startling at first, eventually reminded me of how good it feels when you do work out, and the rest of my body was screaming to be stretched, exercised and used. I ran a couple of errands afterwards before returning home to my work-at-home chores. I finished watching the first episode of the 1982 BBC Brideshead Revisited, which I’d never seen before and am now watching (and eventually reading the original source material), inspired by Saltburn, and that’s partly so I can write more intelligently about the film, which still haunts me. I cannot remember the last time I was so interested and intrigued by and with a film, which means it’s a good one. It even has me thinking about revisiting The Talented Mr. Ripley, and reading more of the Ripley novels, which I have steadfastly ignored for the most part despite my abiding love for Highsmith’s work (the woman herself not so much…although it is interesting that two of my favorite women authors of all time, Highsmith and du Maurier, were lesbians or had lesbian tendencies).

We also watch Friday Night Heights, as ESPN calls the Friday night SEC gymnastics meets, to see LSU take down Kentucky and become the first team this season to break the overall 198 score mark, which is incredibly impressive. LSU has everything they need to win their first national title this year, but they’re going to have to be mentally tough and keep improving, which they already seem to be doing quite well.

After that, we watched the season finale of Reacher, which was fun if inexplicable; the ability to do all kinds of crazy stunts and so forth thanks to CGI does tend the make things a bit ridiculous as crews are always trying to outdo everything that came before. The helicopter scene was a bit preposterous, but no more preposterous than some of the aerial feats performed in whatever that Tom Holland/Mark Wahlberg treasure hunt movie was last year. (Those scenes always remind me that I wouldn’t survive as I would be so absolutely terrified I would either have a heart attack or a stroke on the spot, if not both simultaneously–you don’t see Scotty ever getting into a plane or a helicopter or anything; the biggest heights thing I ever did with Scotty was in Jackson Square Jazz and there’s been nothing since.)

I also think I am getting to the point where I am going to be ready to really start writing again. There was a lot of inspiration and creative thinking done yesterday while doing some tedious work-at-home chores; which really felt good. I think I may even be able to sit down tomorrow morning after i get up and actually go to town with writing. I am in the process of starting a new Scotty, so the opening is playing in my head; I know the boys will be living in the Garden District while Cooper Construction1 turns the townhouse on Decatur Street into a single family home again with a personal gym on the first floor. I had been thinking it needs to be set in either July or August (Mississippi River Mischief was set in May) and I definitely think it should be Hurricane Party Hustle, the accursed title and story I had to abandon in the wake of Katrina. It’s still a good story, and it could work, even with the difference in time (2005 was a different world than 2019, which is when this will be), then I can do the Mardi Gras book, and then the quarantine book….which will bring Scotty to twelve adventures and then maybe–just maybe–I can think about retiring the character and the series. I am not saying I am going to, but that’s as far out as I have him planned and when I run out of plans is usually when I reevaluate.

I also have some things to do today for the Bold Strokes Book-a-Thon today. At eleven am eastern I am moderating a panel on strong finishes; then I have a young adult panel and a “you’ve written an insane amount of books” panel. That’s probably going to take most of my brain bandwidth today, and when that’s all done I can probably do some chores and maybe do some reading–or watch more Brideshead Revisited.

And on that note, I think I am going to head into the spice mines for the rest of the day. Have a lovely Saturday, stay warm, and who knows? I might be back later.

  1. Yes, this is a shout out to A Streetcar Named Murder, in case you missed it. ↩︎

State of Independence

Up ridiculously early for PT this morning, but it’s fine, I suppose. I am awake, not foggy headed, nor does my body feel tired, so that’s a win of sorts. I’m glad I survived my first full week of work this year, only to have another three day weekend on deck. I’m falling behind; Sparky was feeling especially needy last night and was in need of cuddles. I started a load of laundry before I sat down to let him get comfortable and reassure him he wasn’t abandoned–a nightly occurrence lately–and then I started getting caught up on Real Housewives and this week’s Percy Jackson and before I knew it, it was time for bed and I didn’t finish the laundry, empty the dishwasher, or do much of anything last night, which felt terribly wrong on every level. But it was okay, I suppose. I’m trying not to be too hard on myself for not getting more done in the evenings–trying to be not so hard on myself in general in this new year.

Nick Saban retired yesterday, as probably the most successful college football coach of all time. It’s going to be weird going into the next season without him at the helm at Alabama. I hated that he came back to college football by going there–it was such a massive betrayal of LSU, where he was from 2000-2004, rebuilding the program and bringing it back to glory, along with a national title–which made Alabama a big hurdle to get past every year. It was frustrating to lose to them almost every year, but I also got over my anger at him and he won back my respect. He seems like a good guy for the most part, and his players loved him and performed for him in a way few coaches ever accomplish. He won seven national titles (including his first, at LSU in 2003), and there were only a few seasons (2007, 2010, 2013, 2019) that Alabama was out of the national picture at the end of the regular season, which is pretty impressive. They won two national titles without winning the conference! I wonder who will take his place? Alabama is a brand, and their fans don’t tolerate not winning, so there’s a lot of pressure that comes with the gig; kind of like when Bear Bryant retired back in 1982. Between the Bear and Saban the Tide only won the national title once. I appreciate Saban’s legacy, and can’t help but wonder if Alabama will remain at the top of the SEC, or whether it’s time for a run by another school–LSU, Mississippi, Georgia, Texas, Oklahoma–to have a strong run like Florida’s from 2005-2012.

My guess is he didn’t want to deal with the new play-off system and really didn’t like some of the other changes happening in the sport, and realized he didn’t have to.

It’s also cold here this morning, and next week it’s apparently going to be even colder. Huzzah, he typed sarcastically. But it’s much better in the apartment now than it used to be; it’s amazing how life-changing the new system (which isn’t all that new anymore) has made in the winter months around here. It’s also been great being able to wear my Fitbit again now that the brace is gone, and now I can track just how well I’ve been sleeping every night; I used to be lucky to get a sleep score over 75 more than once a week; now my lowest sleep score since strapping it back to my wrist was 78, and the others were all over 80, which used to be a very rare happenstance. It’s so nice to sleep deeply and well on a regular basis; it’s amazing what a difference it makes in quality of life, but I’ve got to stop being so focused on Sparky time when I get home from work and need to do some things first, because if I give in to him I’m down for the night.

I also hope to be productive this weekend. I have a lot of shit to get done, and lots of housework to do. But I am starting to feel creative again, which is terrific, and my mind feels clearer than it has in years; maybe that means I’ll do better work? But then again, the work I’ve been producing over the last six years has been my best, I think, and I would like to keep getting better. I really need to get that copy edit of Jackson Square Jazz done so I can get it back in print, and I want to get this short story collection finished, and…and…and…there’s so much that I have on hand that is unfinished! But I think I’ve finally figured out the problem with one short story, figured out how to do another that I’ve been stuck on, and so yeah, these are all good things, right?

And on that note, I am heading into the spice mines. Perhaps will be back later, or else it won’t be until tomorrow. Have a great Thursday, Constant Reader!

You’ve Got Another Thing Coming

And now it’s Thursday, the last day in the office for me this week, and I somehow made it through the entire week of going into the office without being tired by the end. The jury of course is still out about today–I’ll have to see how I feel at the end of the day, or mid-afternoon, of course–but I am very pleased to be awake and feeling rested this morning. I took it easy when I got home from work yesterday, spending some quality playtime with Sparky and watching some Real Housewives–my God, the Salt Lake City finale was some epic reality television–and couldn’t decide what to read next. I am leaning towards R. F. Kuang’s Yellowface (because I love me some publishing noir about authors behaving badly), but there are others in the running as well (most notably Tara Laskowski’s The Weekend Retreat). Tonight when I get home from work I will decide; I am coming home straight from work again; no need to run errands on the cusp of the weekend. I also need to get back to writing, and the sooner the better. I have high hopes for this weekend because it appears as though I won’t be tired going into the weekend, and the kitchen isn’t nearly as big a mess as it usually is on Thursdays–so if I can get the dishes handled tonight, I’ll be way ahead of things when I get home from PT tomorrow morning. I am seeing Dr. O’Brien at last on Saturday, so I am hoping to kiss the brace goodbye once and for all. LSU Gymnastics also has their first meet on Friday night, which is always fun to follow. The team is really loaded this year, too. GEAUX TIGERS!

I also want to get to the library sale this weekend to donate some books, too. Maybe I can spend some time tonight and tomorrow night pruning out more books. The laundry room is nearly under control again, but there are still even more books that can go.

And I should really started copy-editing Jackson Square Jazz so I can finally get that ebook up and available for readers. I am losing money every day that book isn’t available, and I might be able to run a promo when it becomes available (I am thinking of offering Bourbon Street Blues for free and Jackson Square Jazz for $1.99 for about a month or so). I mean, it makes sense: Scotty turns 21 this year, so I should be promoting the hell out of the Scotty series this year–and should really write another to get out this year, but I don’t think that’s going to happen. I’ve always focused more on writing the books than promoting them; I only have so much bandwidth, and writing/editing generally uses up the megabytes in my brain that have to do with writing/publishing. I’ve also been very shy about promo, too–which was the anxiety bedeviling me. Maybe now that I am on the right medications, that won’t be a problem going forward. It’s already helped me with some aspects of doing public stuff; so maybe my nervous aversion to doing things in public has become a thing of the past? Worth a try, at any rate, right?

I also need to work on the procrastination thing I’ve been dealing with for the majority of my life. Why do I always feel the need to wait until the last minute for everything? Why will I always goof off now instead of doing the things I need to do so I can goof off later? This would always immediately play into my anxiety, and always made my stress levels go off the charts. Was that what drove me to get so much done? Stress and anxiety and the pressure I used to put on myself? Will I be able to get as much done in the future now that the anxiety is medically handled? It does make me a bit worried, but I am sure I’ll get back on that horse when I need to.

And on that note, I am heading into the spice mines. Have a lovely Thursday, Constant Reader, and I’ll check in again later, most likely.

Walking to New Orleans

I really need to start taking walks around my neighborhood in the early evening to look at, photograph, and document the Christmas decorations. New Orleans loves holidays, loves costuming, and loves holiday-themed decor; everyone just goes to town for every holiday, and it’s one of the things I love about New Orleans. New Orleans always feels somehow more Christmas season-y than any place I’ve ever lived before, even though we very rarely have a white Christmas here (we did back in 2004); the only place that seems more Christmassy to me is New York–and that has everything to do with Miracle on 34th Street and Macys. When I worked for the airline I used to go to New York for a day every December and buy my mom an ornament from Macys–their Christmas floor was so amazing, always–but now I don’t work for an airline and Mom is gone, so that’s just another one of those nice but bittersweet memories now.

I’ve really been falling down on the job since the surgery about doing blatant self-promotion for Mississippi River Mischief; having major surgery within a few weeks of having two new books drop was perhaps not the smartest decision I have ever made. I always feel weird and uncomfortable doing self-promotion, anyway; I always think people don’t want to hear about this constantly and as you can tell, I’m not really good at it. I know I should be out looking for reviews that are positive and sharing them; but looking for positive reviews inevitably leads you to finding negative reviews, and at this point in time especially I have no interest in reading about how I’ve failed at my job. My books aren’t for everyone–but that doesn’t mean they suck, either. (If I don’t like a book I’m reading, I don’t finish it and I don’t talk about it; I simply say it wasn’t for me when/if asked.)

This enforced rest from the surgery has been an interesting time. I’ve read a lot–mostly short stories, some novels–and streamed a lot of things to watch, but I’ve also been going down a lot of wormholes in my own brain; trying to remember things with a memory that was already starting to fade a bit with age, but it accelerated dramatically after my COVID experience in the summer of 2022…I had already come to realize, recognize, and accept that my memories were faulty all along anyway; we always remember things differently than other people remember the same things because of who we are and how our minds work and how our experiences–and all those little things that make up our personalities and our perspectives–shape us into who we are. I like to paraphrase Joan Didion and say we tell ourselves lies in order to live–we don’t see ourselves as bad or as the villain in any given situation; we reshape events and remember them in ways that exonerate ourselves and push the fault onto others. Over the last years–pre-pandemic, I know that is the case if I can’t remember precisely when–I know I’ve been trying to look at occurrences in my own personal history and trying to be more objective about them all.

In some ways, that was where the story of Mississippi River Mischief came from; I wanted to deal with something from Scotty’s past that I’d brought up in one of the first books in the series (the long out of print Jackson Square Jazz, which hopefully will be available again in time for its twentieth birthday next year) and I’d always wanted to go back and reexamine that incident from Scotty’s past, with an older and much wiser Scotty reflecting on it and how it shaped and developed who he is–only to have it not be how he remembered it in the first place. It crossed my mind briefly while writing Royal Street Reveillon that “oh, the aftermath of this is a good place to deal with this thing from his past1,” and given how and why the underlying case in the new book comes to the Scotty and the guys, and what happened in the last book, this was the book where I had to go there and bring it all back. Yes, Jackson Square Jazz had been out of print since 2010, so the only way anyone could get it was from second-hand sources or libraries, so a couple of pages about Scotty’s past in an unavailable book–well, I did think for a while I wouldn’t have to dredge that up in this most recent book, but it didn’t take long for me to realize that I had to–it was cowardly not to deal with it and pretend I never wrote about it in the first place (especially since I’ve always intended for the book to be rereleased), and it fit in with not only the new story but what happened in the previous book.

And the fact that it was an extremely loaded subject made it all the more important that I address Scotty’s past–being seduced by his wrestling coach in high school–so that he could see it for what it actually was rather than what he remembered it as.

And the fallout will continue into the next one. (Yes, there are going to be at least three more, and I promise not to go four years between Scotty books again.)

  1. Sorry, I’m trying not to give spoilers on a book that is almost six years old! ↩︎

Be My Lady

Tuesday morning and it’s feeling a bit chilly in the Lost Apartment this morning. I am propping the brace on the edge of my desk so I can use both hands–and it doesn’t seem to bother the arm too much to use my fingers. I actually don’t feel any pain, but it feels a bit weird, if that makes any sense.

Yesterday was the first time I’ve felt like me again after coming home from the surgery. I cut up an old T-shirt (well, Paul did; one needs two hands to cut cloth) so I could fit it on over the brace without having to use the arm or move it; my left nipple peeks out every now and again, but that’s okay. Tomorrow morning is my first post-op visit to the surgeon, so I want to think about the things I need to ask about and write them down to take with me. It’s an early appointment–8 am–so I won’t be thinking as clearly as I would later in the day. I’m getting used to sleeping in the chair–I’ve been sleeping ten hours a night on average since that first sleepless night after the surgery, which is very-un-Greg-like, but I attribute that to my body recovering from the trauma of the surgery. I wish it would last forever, though, I really love sleeping.

Paul and I did go run those errands yesterday, and driving wasn’t an issue at all. I think the prohibition on driving in the instructions had more to do with the painkillers (which I don’t need) than any lingering after-effects of the surgery. It felt very nice to get out of the house, since I hadn’t even gone outside (I don’t think) since coming back home last Tuesday–hey, it was a week ago, wasn’t it? It seems like an eternity. I am very impatient to get through this, but of course you can’t rush recovery. I am trying not to get frustrated or impatient, but it isn’t easy for me–I haven’t gotten to the acceptance of things I cannot control yet, sadly–and my emotions are still all over the place. I had a couple of emotional moments yesterday which weren’t great–but those moments are also becoming fewer and farther between, which is a relief. I hate subjecting anyone to my particular brand of crazy, least of all Paul–who is usually the only person who ever sees it, and that is something I don’t like, either.

I didn’t write anything yesterday, the errands exhausted me, and so I spent the rest of the day in my chair. I watched a marvelous documentary series about film horror from Blumhouse–four episodes–which was a lot of fun but nothing really new that I hadn’t already known. It did give me an idea for a slasher thriller in two parts–the original occurrence than a revisitation ten years later; but the worry is, of course, that it’s been done already or I have nothing new to bring to the genre. It’s an interesting conundrum and puzzle I’d like to get figured out; one that will need to percolate for a while before actually getting to work on it. I always worry about how much preparatory work I do for my books, and I also worry I don’t do enough research for them, either. (I love research but also find it frustrating because I never know when I’ve done enough research, and as someone who is always spotting historical inaccuracies in all media…I don’t want anyone doing that to me or thinking that I’m a lazy researcher…although on second thought why the fuck do I care? There are always going to be those people, after all.) I was thinking about that very thing yesterday in terms of two other books-in-progress I’ve been working on for years; I’m not certain that I chose the proper career path given how my brain is actually wired–for someone who gets anxious to the point of shaking sometimes (it was really bad when I was a kid) why would you choose a career where you have to do things that trigger anxiety? I don’t ever get anxious about the day job, for example.

It’s weird but all this down time sitting in my chair unable to focus enough to read a novel (short stories are easier) has given my addled brain the opportunity to think and reflect. This whole past week has been an emotional rollercoaster–I think surgeries tend to make you emotionally raw to begin with–but I’ve also spent a lot of time grieving my mother since coming home last Tuesday. I was always able to engage my mind before and not think about it–even when I was too tired to do anything more than watch Youtube videos in the evening. But this forced inactivity is an entirely different thing, and I can’t seem to get control of my mind when it starts to wander. I’ve been thinking about my career and where it’s gone and where it may go in the future over this last week; my stubbornness at keeping going when maybe I should gave given up. I’m proud of all my work, and I’ve also come to accept that my old work maybe isn’t terrible the way I’ve always feared. I always approach rereads of my own work with my mind subtly shifting into editorial mode, and once I recognized that recently, I do go ahead and shut that off before I do read. I’m a different writer than I was twenty-two or more years ago, and I have always wanted to continue to improve, grow, and get better with each new story, book, or essay (I don’t care how bad these entries are, actually; it’s rare that I go back and revisit these); so of course I would write the older books etc. differently were I to write them today; that doesn’t mean the old ones aren’t good.

And honestly, how many award nominations do I need to get before I finally accept that I’m pretty good at this whole thing? That I have the respect of my peers?

I’m proud of all my work, but I also have preferences as far as that is concerned; some children I love more than the others. The ones I am not as fond of are the ones that I think I could have made better than they were; the ones I wish I had another pass at. That’s what I am thinking with finally re-editing and preparing Jackson Square Jazz for rerelease; here’s a chance to give it a bit more polish, make it come together better, and remove inconsistencies and continuity errors from the series as a whole. Reediting the manuscript is something I can do in my easy chair, and then I can slowly input the changes into the word document gradually until the entire thing is finished. Slow and steady wins the race, after all. I’m very happy, seriously, with my career as far as the work itself is concerned. I would like my writing to be a lot more profitable than it’s been thus far (what writer doesn’t dream of fame and fortune) but I couldn’t care less about the fame–I’ve always cared more about the fortune, actually; I’m pragmatic that way.

I’m hoping to write more today–after I finish this I have some emails to attend to–and I also have bills that simply must be paid so I can stop getting stressed about that, too. I don’t know how long I am good for in this chair sitting upright with the brace balanced against the edge, to be honest…but I need to give it a try. I am just not wired to be inactive, I guess,

Have a great Tuesday, Constant Reader, and I will see you again later.

Things We Do For Love

I love to write.

I do, I really do. I was thinking about this the other night; I was thinking about my trip this weekend to spend time with relatives I’ve not really talked to much over the last forty or so years. Rereading Jackson Square Jazz (I finished last night) has also been revelatory. It’s a pretty good book, and rather ambitious in its scope, but there are some things I’m going to need to revise out of it–primarily words and phrases that have since become problematic. (They were always problematic, but unfortunately we weren’t as aware of these things back then as we are now.) But the purpose of the book overall in the scheme of Scotty’s growth as a person and development of his character definitely played out here, and it definitely worked, so I was rather pleased with the reread.

But it was (is?) interesting to see how I’ve changed and grown as a writer in the ensuing twenty years. I was also a little impressed at how ambitious this book was, in its scope and its story-telling; I don’t remember being that ambitious when I was writing the book. I remember where the idea came from, and how long it gestated in my head before it became Scotty #2; ironically, this was the plot I was going to use to try to write a mainstream mystery with Paige as the main character…at least, that was how I first thought of it. I will have to go back through the manuscript and start making corrections and finding the errors–with the actual finished book on the table beside me to consult for corrections and so forth–and I am also going to need to have the iPad around, so I can do searches in the other Scotty books to verify things. There were also a couple of interesting things I noted in the book as I was rereading it–I did a really good job of setting up the big twist in Mississippi River Mischief that was twenty years in the making–but there were also some things in there that I’ve not followed up on or I’m pretty sure are incorrect; the way I described the apartment on the top floor of Scotty’s building is way off; I am going to have to reread Vieux Carre Voodoo again as well and see what other continuity errors I’ve made with that building over the years. I also kind of liked Scotty’s not-totally-an-adult yet voice; he was a bit of a Peter Pan throughout his twenties, and didn’t start settling down until he was well into his thirties, which was also kind of interesting to me. This book also contains my first car chase (and my first writing about a car accident, for those who keep track of how many accidents Scotty has been in–Chanse has been in a few, too) and some of its geography was wrong; so I am going to need to clean that scene up a bit as well. I guess the best thing to do is reread the version that came out in print next, and put sticky notes in the places where I think I made mistakes in the manuscript to see if it got cleaned up in the edits.

I mean, I really tried a lot of shit in this book, and it actually worked! Good for me!

I ran errands on the way home from work yesterday (mainly so I don’t have to again today) and was a bit tired by the time I got home. I did get started on the chores before Tug decided he needed my lap, and of course, once I was in the chair and he was in my lap it was all over. I did manage to put away the dishes and do another load, as well as get started on the laundry, which I will have to finish tonight. Tomorrow is a work-at-home day, which will be nice. I do need to take the car in for an oil change and tire rotation before I leave on Saturday; whether I do that tomorrow morning or Saturday will depend on a number of things–primarily whether I hear from the dentist that my temporary plates are ready; I really would like to have those before I leave for the weekend because I’d really rather not have to remain on the soft food diet and try to figure out what to stop and eat on the way there and back.

I also picked up two books yesterday, which will come in handy for Halloween Horror Month: Elizabeth Hand’s retelling of Shirley Jackson’s The Haunting of Hill House, A Haunting on the Hill, and the Jonathan Maberry edited Weird Tales: 100 Years of Weirdness. I also got my three Anthony nominee certificates from this past Bouchercon in the mail, which was incredibly lovely and still doesn’t quite seem real to me yet. It still feels like it happened to someone else. I never got the certificates from the previous years–I didn’t know they actually made them for us–and the first time I actually picked one up was at Malice, when they gave out the ones for the Agathas (which was the first time I found out that they make these for the nominees. Just as well–I don’t have that much wall space and boy did that ever sound arrogant!) this past spring. It’s very nice to have these, too, but I am not sure where I can put them. Like I said, I don’t have much open space left on the walls of my kitchen/office. On the other hand, it may be time to mix that all up, anyway, and rehang things or replace things that have been up forever. Do I really need the glamour shots of Joan, Bette and Kate? Probably not.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I will check in with you again later.

Tension

Wednesday morning and another good night’s sleep down. I didn’t want to wake up this morning–rather, didn’t want to arise from the comfort of my warm soft bed and the pile of blankets that help me sleep better–but of course there’s Big Kitten Energy in the house now, and Tug wanted breakfast. So, at around a quarter to six Big Kitten Energy launched itself at me and started cuddling and purring and wanting petting as well as feeding. He’s currently galloping around downstairs and just having a marvelous time. Yesterday was his first day at home alone with both of us out at the office; so I wasn’t sure what to expect when I got home. What mischief had the bored little kitty gotten up to on his own–what had been knocked over, knocked off counters and/or tables, what had he found to turn into a kitten toy which probably shouldn’t be a kitten toy, and so on. He didn’t come galloping down the stairs either once I got home, either. But by the time the groceries were put away I heard him coming down the stairs, and then we repaired to my easy chair where we just cuddled and I started rereading Jackson Square Jazz instead of doing chores–which I will now have to do tonight when I get home…but who could resist Tug’s insistent little face that he needed a lap to sleep in?

Yes, in case you were wondering, Tug has indeed taken his place as head of the household.

As the salt intrusion continues to make its way up the river to New Orleans, the panic is getting more realistic. I stopped to make groceries on the way home yesterday, and there was plenty of bottled water. I bought another gallon to go with the case of smaller bottles I got last week–doing what was advised, merely getting water every time I shop–so the initial panic-buying of water has at least some to an end. There’s also a cold front on its way down here, supposedly arriving around Friday–but looking at the weather forecast, all it means is it will be colder at night, dipping down into the sixties while hovering in the high seventies/low eighties during the day. That’s livable, of course.

I was tired when I got home last night, so didn’t do much of anything other than cuddling with the kitty and watching Youtube documentaries about long-forgotten Byzantine emperors (it really is amazing how little history of eastern Europe we learn in school) and the new Matt Baume (probably not new) video about Some Like It Hot, which, while now widely regarded as one of the greatest screen comedies of all time, was highly controversial at the time and went through some serious battles with the censors. (If you aren’t watching Matt Baume’s Youtube channel, you really should; he does some amazingly researched videos about queer rep in film and television throughout the history of both media, and his book Hi Honey I’m Homo is essential reading material tracing queer rep in sitcoms.) Now I want to rewatch Some Like It Hot, which I’ve not seen in decades. I don’t think I’m going to run any errands on the way home today–there’s some things coming in the mail, but they can wait for tomorrow’s drive home (or perhaps even Friday, really; nothing important coming other than maybe some copies of books I’m in or have written); Claiborne heading uptown is a mess after you pass the I-10/Highway 90 spaghetti mess, as the far right lane is closed there where it meets Martin Luther King along with an off-ramp from the highway, so everyone is trying to get over to the left lane from the right ones and of course, the far left lane is also closed, so about five lanes are trying to compress into two or three right at the intersection, which makes for aggravating, patience-challenging snarls. I did find myself losing patience while I was driving uptown yesterday and I wasn’t as able to control the rising anxiety as well as I have been doing since learning that’s what’s wrong with the wiring in my brain. I think that was another reason I was so tired when I got home; the emotional rollercoaster triggered by the rise in anxiety on the drive wore me down…and there’s nothing better for peace and calm than a purring kitten sleeping in your lap.

I am so glad we got Tug.

It was also interesting rereading Jackson Square Jazz last night for the first time in years–I rarely reread my own work from start to finish; usually I just look for information inside an old Scotty that I need for the one I am currently working, and this experience of rereading (okay, I just started rereading it last night) this old book of mine–my third novel–has been revelatory. For one thing, I am a very different writer now than I was then, and wow, has Scotty changed both in voice and character over the last twenty years! Scotty has grown up quite a bit–kind of hard for that not to happen, given everything he’s been through since I first created him–and the book is actually kind of time capsule. I remember deciding not to update any of the Chanse books when it was time to put up the ebooks; it would have been a lot of work for not much return in terms of satisfaction; the books are of their time, and changes in technology and the world happen too regularly to waste time revising and updating old books. I did feel that urge a little bit as I read through the manuscript pages (I am reading the uncorrected and unedited final draft I turned in)–Scotty had just gotten his first computer at the beginning of the book, for example, and while he had a cell phone he hated it and called it his “hell phone,” which mirrored how I felt about cell phones at the time. On-line chats and chatrooms were still a thing when I wrote the book; how would one update or revise that? Have the messaging through Grindr, instead of instant messaging? It’s actually a lovely time capsule of a time long past–showing what it was like to be an unrepentant gay slut with a healthy sexual appetite who lived in or near the Quarter in the years before Katrina…which makes it all the more important that I not only make it available again, but I also have to make sure, as I go through it, that it’s consistent with the books that came later–so I am going to have to work on that long-overdue Scotty Bible, and it’s really past time that I get that done; I certainly have a stack of Scottys with post-it notes all over them that have been waiting for me to do something with them. I’ll keep rereading it when my brain is too tired to process something new, and I think I’ll slowly make my way through all of the Scottys, to make sure the consistency is there.

Maybe I should revisit my old work?

And on that note I am heading into the spice mines. Have a lovely Wednesday, Constant Reader, and I’ll check in with you again tomorrow.

You Still Get Me High

So, we brought this little fella home yesterday from the SPCA.

His name, already given to him when we picked him, is Rum-Tum-Tugger (I announced it incorrectly on social media yesterday with a typo calling him Tigger by mistake) and that will probably change as we get to know him better; he doesn’t know the name at all. He’s almost five months old, and is completely fearless. I wanted to take all the cats home (and the dogs, too; it’s always so sad to me to see their hopeful faces and their wagging tails, thinking you might be their rescuer. All the cats we met were sweet, some a little shy (Sing out Louise!) which made me sad because they seemed to put some effort into making friends, but are apparently used to not being picked they gave up trying to win us over once we walked away from them. Tug was having none of that, and let us know he was the only cat for us. He has the cutest little meow, and there was no shyness at all once we got him home; he fearlessly explored the entire apartment, made cuddle time as well as let us both know, with head butts and purrs and exposed belly and making biscuits, that he was happy to have his Forever Home. I woke up this morning to him purring and curled up next to me on my pillow, and last night he followed Paul up to bed–and then came back down looking for me the way Scooter used to–hey, it’s bed time! He’s a kitten so he’s very playful–he made toys out of wrappers and dust and whatever he could find on the floor–he chased my highlighter around on the floor for a good half an hour or so.

Obviously, he needs some toys. Scooter didn’t care about toys, but clearly our very playful house tiger kitten needs things to play with.

I slept really well last night, despite going to bed so late–we finished off Sex Education last night. I don’t know if that was the finale for the show or just for the season, but it seemed like the perfect way to end the show if that was the intent. The season was a bit uneven, but they all learned important lessons and fractured families and friendships began healing. I also was incredibly satisfied with how the Otis/Maeve relationship was wrapped up. It seems to me that another season would undo this season, if that makes sense, and another one would feel kind of forced. The actors are getting too old for their roles, if that makes sense (much the same as the original cast of Elité), and I liked the note the season ended on.

This morning I am trying cacao instead of coffee, and just brewed my first ever cup of it. Here’s hoping it tastes as good as it smells? It’s unsweetened chocolate, really; and by itself, it’s kind of bland. But adding vanilla and sweet-n-low makes it taste more like hot chocolate. I’m trying this out as a coffee alternative; it’s supposed to give you a coffee-like energy but without caffeine, and without the caffeine there’s no crash later. I kind of like it. I don’t know that it’ll replace coffee in my daily routine, but it’s good and we’ll see how the effects play out with me. I am going to drop beads off today for the disabled kids, and books to the library sale but don’t really feel like I need to make a grocery run. I think we have everything we need, so it can wait until one night after work on my way home. I also need to get gas and air up my car tires, now that the weather has gotten milder. I’ll be taking it in for an oil change and a tire rotation this coming Friday.

LSU plays at Mississippi tonight; it’s the Magnolia Bowl rivalry game so they always, like Arkansas, play like world-beaters when they play LSU. They can make their season by beating LSU, and after last week I am not so confident the Tigers will make it out of Oxford with a win–they also got beat by Alabama last week for the seventh or eighth year in a row, so they also need the win to stay relevant in the division and the conference; it would take a miracle for them to win the West with two losses. (I refuse to call the University of Mississippi by its commonly used nickname for any number of reasons, not the least of which is that it’s a callback to plantation days. That school has been problematic for decades, but at least they no longer wave Confederate treason flags at games; how must seeing that have felt to visiting Black players? Obviously, their fans didn’t give a shit, like how Alabama’s student section was chanting homophobic and racist slurs at the Texas players several weeks ago–nothing says welcome to the SEC like homophobia and racism.) I’m not sure what other games are on today, but I think for me today I am going to clean up around the house some and finish reading Shawn’s book so I can move on to Halloween Horror Month. I feel like I slept well but have low energy this morning, and I am just going to roll with the low energy and rest and relax for the majority of the day so I can get some writing done tomorrow. Next weekend I’ll be in Panama City Beach for the night visiting Dad and my aunts and uncles, so no writing will get done that weekend. I think I will try to work on Jackson Square Jazz during the games today, too.

So, on that note i am going to head into the spice mines. The kitchen is a disaster area, as always, and I should have spent some time on it last night, but that’s what Saturday morning is for; catching up on things. Have a lovely Saturday, Constant Reader, and I’ll be back at some point.

Padam Padam

And here we are at a manic Monday yet again, and shortly I will be heading into the office for yet another exciting week of the day job. Hurray and huzzah? I slept really well on Saturday night, getting up just after seven yesterday despite not going to bed until almost midnight; I found myself reading some things Saturday during the games that I shouldn’t have started–one of them being Queen Margot by Alexandre Dumas; I have the ebook–and I was also reading legends and stories about Louisiana’s past as well as Alabama’s; I have an ebook called Warrior Mountains Folklore: An Oral History by Rickey Butch Walker (which is an Alabama name if I’ve ever heard one); which isn’t necessarily about the Alabama county I’m from, but the ones directly north, including notorious Winston County, which contains the Bankhead National Forest. It also tells stories of the indigenous people of the area, and reminded me that Tuscaloosa actually is the Creek words for “black warrior,” meaning the Black Warrior River is actually the Tuscaloosa (tusca loosa); this will all go into the construction of my fictional Alabama county, which is ongoing. (And yes, the irony that one of the greatest–if not the greatest–college football programs is in a town named Black Warrior in the native tongue is hilarious.)

(It has occurred to me that I don’t necessarily have to connect all of my Alabama stories just as I don’t need to connect all my Kansas stories–which I realized while writing #shedeservedit–which was kind of freeing. I need to think in terms of multiverses rather than one single interconnected universe with my writing, don’t I? It certainly makes things easier than trying to keep the continuity and so forth going.)

Anyway, I am sure my Alabama just-for-fun research will undoubtedly pay dividends in future writing, no doubt. I also have been having ideas for more stories set there; I may give Jake’s boyfriend Beau his own story at some point; I keep going back to the legend of the Blackwood witch from antebellum/early statehood days, because the witch story is one I’ve always wanted to tell. Beau, being an archaeology major with a minor in Alabama History, is just the perfect person to tell the story of the witch I’ve always wanted to tell. But is it weird to have another vengeful spirit in the woods behind the Blackwood place, and the Civil War ruins? Or could it be tied to the lost family cemetery, still out there in the woods somewhere? As you can tell, I’ve been thinking about it lately.

I managed about a little more than twenty-five hundred words on the new Valerie yesterday, which felt great to do, really. I wanted to write some more on the Jem sequel, too, but after finishing the Valerie chapter I just felt mentally fatigued. I’m not used to writing this much in a short period of time anymore (just over an hour or so) and it’s going to take me a while to get back up to the proper writing speed I cannot maintain year-round. But it felt great to be creating again, and I do love the plot of this book. I also spent some quality time with Shawn Cosby’s marvelous All the Sinners Bleed, which is going in a direction I did not see coming and one that I am really enjoying. Shawn is such a master story-teller! I can’t wait to finish this so I can write about it–and I hope I finish it in time to read Lou Berney’s new one before I switch to October Halloween Horror Month. I think I may try out a Grady Hendrix novel for one of my horror reads and of course, I am terribly behind on Stephen King, and there are also some other lovely horror novels and collections in my piles of books to be read that could make for a fun reading month: Stephen Graham Jones, Silvia Moreno-Garcia, Paul Tremblay, Christopher Golden, Sarah Pearse, and Katrina Monroe, among so many others–I need to get back into the habit of reading for at least an hour every day. The only way to get through all the books i want to read is to make a daily time allowance for reading and stick to it.

After the abysmally disappointing Saints game, I went back to my easy chair and rather than delving back into Shawn’s book, I decided to start reading Jackson Square Jazz, the finished and published edition, to get a better handle on the story again. It’s been a long time, and I knew it had to do with a young figure skater, the Napoleon death mask, and the Cabildo fire, but not really much beyond that–although I think it’s actually the book where Scotty is in his first canonical car accident. Again, I am distant enough from it now not to immediate go into editing mode as I read it–ironic, since I need to re-edit it–and just read it. I really need to stop being so hard on myself. I know I’ve already made great strides in that direction, and I like my new positive attitude toward writing and publishing. I think analyzing why I am so hard on myself, recognizing the mentality I defaulted to when reading my work meant needing to flip a switch in my brain and going into a different mode other than editorial and doing it consciously makes a lot of difference. I was pleased rereading my short story collection, and was pretty pleased with rereading Jackson Square Jazz, particularly since it’s an early book in my canon and it’s been over twenty years since I wrote it.

(It’s kind of awe-inspiring and terrifying at the same time to realize just how long I’ve been doing this. Bill Clinton was president when I signed my first book contract.)

Well, that made me feel rather elderly.

I slept super-well last night, too. I was very tired and falling asleep in my chair, so I went to bed around nine and only woke up once, around two, and then woke up again half an hour before the alarm (as usual). Hopefully, I will not be too tired to function later today.

And on those two rather sad trombone notes, I am heading back into the spice mines. Have a lovely Monday, Constant Reader, and I will be back before you know it.