Tag: Italy

I’ll Be Around

Tuesday! How you doing, everyone? I’m feeling better every day. I was a little lower energy than I would have liked over the weekend, but it’s a process, isn’t it? I’m also sleeping very well, despite the return of the heat and the humidity and their combined assault on my sinuses. It’s frightening that it’s still relatively early June and it’s this hot already. Going outside yesterday was absolutely miserable. I stopped on the way home to make groceries, and was sweating lugging the bags in from the car. Sigh. Today I need to swing by the post office on the way home, too.

Yesterday was a pretty good day overall. I woke up feeling pretty good, and managed to make it through the day feeling good (other than when I was lugging the groceries in). I now weigh 198, back up from those frighteningly low weights from the illness, and I am also not as hungry all the time as I used to be, or thinking about food constantly? I think my body recognizes what weight I should be–around 200–and was thus convincing me to want to eat more to get back to that weight. I’d like to stay here, honestly; I think this is a good weight for me, and if I can maintain it as I get stronger and keep healing…maybe when I am able to get back into the gym and start working out regularly again, I can get myself into decent shape again. It won’t be easy and it will take longer than it ever did before, because I’m older and my body has been traumatized a lot in the last few years, but I have to remember the patience I am learning with this recovery.

I actually did some more writing yesterday, too–I know, right?–and it went rather well. I am trying to push myself to get a short story written for a submission call that closes soon–there are two others I want to get to by the end of the month, we’ll see how that goes, won’t we? The problem, of course, is short stories don’t pay much so the financial incentive isn’t really there to motivate me, and since it’s an open call no one will care if I don’t finish the stories and turn them in to see what happens with them. But I do want to publish more short stories, and there are so many I have on hand that need to be worked on and revised and rewritten and/or finished. I have so many that I wrote for a submission call that I never turned in–or finished, so I have a lot of story fragments that need to be finished. There are a couple of calls that I have something on hand already that may work, but needs to be revised and/or finished. And I do want to submit to the conference anthologies; nothing ventured, nothing gained. I didn’t write anything for the New Orleans Bouchercon anthology this year, because I am still kind of bitter about not being allowed to submit to the Minneapolis one in case people wouldn’t think I cheated to get my story in, if I did get in–as if I would ever do such a fucking thing; I really don’t like having my integrity challenged and insulted like that, and yes, I do take that kind of shit personally. How is being told people would think I’d cheat to publish a short story not impugning my character and insulting who I am as a professional?

I’d rather not publish something, rather than do so by cheating the system.

And to me, the people who’d accuse me of such a thing are the kind of people who would do exactly that. That isn’t how my mind works. I guess I had better parents than y’all. I don’t know, I guess having integrity is something no one cares about anymore? Well, I do care about it, and if that makes me old-fashioned, I can live with it. I am old, after all.

I’ve really been missing my friend Victoria Brownworth these past few weeks, as the country continues to circle the drain as our democracy slips through our fingers, aided and abetted by the pathetic pieces of collaborationist quisling shit known as the today’s legacy media. Her emails and reporting would have been lit. She was one of the few journalists whose reporting I trusted, and now she is gone. This is why I no longer subscribe to any newspapers on-line and why I do not watch CNN or MSNBC–and why I will never watch anything with that pretentious fuck George Clooney in it ever again. I wasn’t a fan of the asshole to begin with, but occasionally he might make a film over the years where he actually had to do something besides play himself and mug for the camera that I might have been interested in seeing–but no more. The irony that after that bullshit editorial he wrote for the New York Slimes last summer that he was nominated for a Tony for playing Edward R, Murrow was almost perfect; Murrow was a true journalist while Clooney played a role in the downfall of the country.

They are not the same.

Clooney, you’re not fit to lick the shit out of Murrow’s asshole, and you’ll never be anything other than a craven piece of shit who did his best to throw the election to Trump, before escaping to your villa in Italy with your wife. The Reign of Terror, for the record, eventually urned on everyone. I hope you have your day in front of the tribunals.

But after getting my chores done and some writing, Paul and I watched another episode of The Survivors, and I am thinking I may need to add Jane Harper to my list of authors to check out. The show is quite excellent, and cinematically shot in a very stunningly beautiful location, and the way everyone’s lives are knitted together and knotted by misery and tragedy is quite extraordinary. It’s a terrific show, really.

I didn’t get much chance to read last night, alas and alack. But that’s okay; there’s only so much time in a day and I refuse to berate myself or get down on myself about not getting enough stuff done every day anymore. Life will try to knock me down enough on its own without me creating more anxiety and stress for myself, and I don’t ever want to be back in that horrible place I was in, emotionally, before the illness reboot. I am feeling good about my life and both careers (day job and writing), and I’d like to keep it that way, thank you very much.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again probably tomorrow.

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Strange Things Happen

Remember that stomach thing I had going on yesterday morning? And it had resulted in my not sleeping well? Yeah, well, I was very miserable and tired all day at work, and my stomach just felt worse and worse and worse. I finally left work early, came home, and just chilled out. I also took today off as a cautionary measure. So far so good, and here’s hoping I am rested and can do something with this extra free day that so unexpectedly dropped into my week. I think it means some time with Lavender House, and I do need to clean this messy kitchen up, beginning with the laundry room. Maybe I can put on some Orville Peck while cleaning. I’m really enjoying his music.

Last night I watched the first half of the Ken Burns documentary Leonardo da Vinci, and I quite enjoyed the fact they didn’t try to shy away from his sexuality or try to straight-wash him, like Da Vinci’s Demons did (still enjoyed the hell out of the show, anyway) and so many other shows and movies have, but actually talked about his male relationships quite openly. That was rather refreshing. I’ve always been interested in the Renaissance, and with Leonardo and the great Michelangelo as well. I was thinking about this while watching last night, ferreting out of my brain’s fading memory banks where my interest in Italy came from, and I was able to peg it properly: when I was ten I spent five weeks in the South, including about three at my paternal grandmother’s on a bay in the panhandle. Her second husband loved nothing more than a good flea market, so we often went to them, and I got to buy books for pretty cheap. I remember one time I got two books: one, a lovely but crumbling old edition of a biography of Francois I, King of France; and the other a book called Italy in the Golden Centuries. I think maybe I also got a turn of the twentieth century translation of a history of France; it may have been on that same flea market visit or another, but it was the same summer. I was in my Tudor/Stuart phase at that time, but that July I started learning about France and Italy…both of which were way more interesting than English history. There was a hammock strung between two massive live oak trees in her backyard, dripping with Spanish moss, and I would lay there in the shade with the cool salty breeze from the bay and the steady lapping of water, and just read. It was wonderful. I could have spent the rest of my life in that hammock, reading. The connection between Italy and the French kings, the great artists…since we went to Florence I’ve had this idea for a book I want to write about a lost piece of Michelangelo’s art, going back and forth through the movements of the piece through time and the present day thriller of trying to find it in the present day while others (BAD GUYS) are trying to beat them to it. (I love that kind of shit.) I may even take a stab at this sooner rather than later. I mean, it sounds fun–but my word, the research! And of course I would need to return to Italy for research purposes, wouldn’t I?

I also have been doing the weirdest research for a future book project you can imagine: I’m watching Youtube compilations of television ads from the late 1960’s through the early 1980’s, and it is fascinating how many of them I remember–and can sing the jingle along with. I may have hated the ads–still do–so I guess they were effective? I don’t know if they ever shaped my buying choices and decisions (price is always the most important factor, and store brands are no different from name brands; Costco’s brand is better than most competitors), but I sure do remember them. That’s kind of the grounding in the period that I need to write about it, to trigger memories of what I watched and what was going on and what kinds of bikes did kids ride and music did they listen to and games did they play. Going down this memory hole has been interesting, because I am also having to revisit those periods of my life from the perspective of a much older and very much more tired gay man who really hasn’t developed a whole lot of wisdom about either myself or life in general, but I can see things I couldn’t then. Perspective? A little amusement about how things that didn’t “exist” then that we know about now and I could have been medicated for all those years? Yeah, I can’t be bitter or mourn something that never could have been. And despite how much I grouse and bitch and moan and complain like the old man I am now, I am very pleased with my life and where I am with it. My mom always said (some of her stuff was wise, some of it was kind of horrible, but it was always absolutely real) you can’t have regrets if you’re happy, and I think that is very true. And examining my own history is kind of not painful anymore in that context, if that makes sense? I always never wanted to look back because it seemed like I always got angry when I did–but I wasn’t really being angry; because I am not angry about it anymore. I do remember the anger, the pain, and all the emotional rollercoaster ride that came with it. When I tell the stories, whether face to face or write them on here, I do channel that emotion again into the telling to make it clear just how horrible it all was and how horrific it felt. I guess I can write passionately, and I do not think that’s a bad thing at all.

I am having fun writing the essays, too. I am having fun writing again. That is very pleasing in my eyes. And I am hoping all this free time (five days off in a row) will get my butt in this chair and writing. Sparky hasn’t quite figured out Paul hasn’t come home yet, so he’s not super needy yet–but I am pretty sure that moment is nigh. I slept so good last night, y’all, and it’s nice to wake up feeling so good this morning. This kitchen/office is an utter and complete disaster area, and I definitely must do something about it sooner rather than later. I think I’m going to finish this, start straightening up, and then repairing to my chair to spend some time with Lavender House (it really is quite superb), and I think I’ll finish watching the Leonardo documentary today, too. Heavy sigh. I may even try to write later on too. #madness

And maybe I’ll even finish assembling my desk chair. It’s been about a month since I bought it and started putting it together only to get frustrated and walk away from it before I took a sledgehammer to it. I may even put that on the top of my to-do list.

And on that note, I am heading into the spice mines. I hope you have a lovely Thanksgiving Eve, and I may be back later. One never can be sure, and I have a lot of free time to myself over the next five days–except, of course, for my darling Sparky.

I’m Coming Out

So, one of the things I’ve decided to do for Pride Month is spend the entire month talking on her about, well, being a gay American and how that impacted (and continues to impact) my life every day. I have written numerous essays over the years, many of them with a very limited audience, and I’ve always had an eye to collecting them into a book, or using them to build a memoir of sorts around. But…this one I am sharing with you all this morning was very well received. I was asked to write a letter to my sixteen-year-old self, agreed to do it, and then completely forgot about it. I received a reminder email about it, which I read when checking my phone at the train station in Florence where we were waiting for the train to Venice. Horrified, I sat down in the first class car (we splurged), opened my laptop, and started writing. I reread it several times, made some edits, and then, as we were pulling into the station in Venice, I emailed it in. It went live overnight while we were in Venice, and when I checked in on-line the following day (taking the train back to Florence) I was shocked to see it had gone a bit viral (for me), being shared a lot and getting lots of likes and comments. Anyway, here it is, my letter to a sixteen year old me while on a train in Italy. (Rereading this made me laugh–as I pretended I had written it before the trip, so they wouldn’t know I waited to the last minute. For the record, I always wait till the last minute, and I also didn’t want them to know I’d forgotten about it.)

Dear Greg as a 16 year old:

I am writing to you on your birthday; our birthday, I would suppose. We have just turned 53 (I am going to henceforth refer to our disparate selves in the singular; Teen Greg as you; current self in the first person—the royal-sounding “we” sounds a bit on the pompous side). In two days, I am leaving for Italy. Italy! As a teenager, you are perhaps lying on your bed, either reading a book (if I recall correctly, that summer before your senior year you worked your way through James Michener; Centennial being the last one you read before school started) or daydreaming of being a writer, of being an adult, of getting out of Kansas, of being a success and traveling the world.

I know there are times when you wonder if you will ever leave Kansas, if your dream of being a writer will come true. I know there are times when you despaired of this; but please rest assured that on your 53rd birthday you will have published over thirty novels and fifty short stories. You will be president of the local chapter of Mystery Writers of America as well as serving a term on the national board and chairing several committees. You will have edited almost twenty anthologies, and been nominated for awards more times than you can remember—and will have even won some.

I know you think you are different from everyone else you know at your school, and in some ways you are. Your classmates will fall in love and marry, have children and watch those children grow up and marry and have children of their own. But that difference you are so ashamed of, the one you carefully hide from everyone you know and deny when confronted, is nothing you need feel shame for. I know there are nights when you lie in your bed and wonder if you will ever feel love, will ever be worthy of being loved, or whether your difference will force you to live your life, and walk your path, alone. I know that in 1977 it seems impossible not to be ashamed of who you are, and weight of that secret weighs heavily on your heart. But I can assure you that not only will the day come when you can hold your head high and shout at the top of the lungs I am a gay man, but likewise, you will find a love so pure and beautiful and remarkable that some nights before you go to sleep you will think about how lucky and blessed you are in wonder. There will be times when you are reading a book and you will look up at the man you love as he sits on the couch playing with your cat and you will be so suddenly overwhelmed with love that your eyes will fill with tears.

And several months before you turn 53, you and the man you love will decide to jointly celebrate your birthdays as well as the landmark of your nineteenth anniversary together with an eight day trip to Italy, visiting Pisa, Venice, Florence and Tuscany.

Just as you once dreamed.

As for never getting out of Kansas, you will find your true home on the day you turn 33. You will get out of a cab and step onto the cracked and tilted sidewalks of New Orleans and become overwhelmed with a sense of belonging and home. And two short years later, two weeks before you turn 35, you will move to New Orleans where you will hopefully live out the rest of a life that proved richer and more amazing than you could have ever hoped.

Yet as I write this, I realize that knowing these things lie in your future will affect the decisions and choices you make. Part of who I am now is because of the sorrows and sadness and bad choices you will make in your future. Even one different choice, one different path, will change your timeline and it is possible, even very likely, that I would not be sitting at my desk after packing for this trip to Italy writing this letter to you. I would not change my current reality for anything. I live in the city I love with the man I love doing the work I love living a life I love.

So I am glad I cannot actually let the 16 year old me know what the 53 year old me knows. I prefer to believe that writing this letter will send the positive energy back through time to give you the strength to always persevere, always survive, and always keep moving forward.

And maybe that is where my strength came from; maybe that is how I  managed to find the way to hold my head high and keep chasing my dreams.

As lovely as it would be to tell you this, that every one of your dreams will not only come true but better than you dreamed them, I am glad that I cannot.

With all my love,

Greg at 53

Almost ten years ago. Wow, that was a long time ago.

David Denies

About nine years ago or so (Lord, has it really been that long?) Paul and I got an opportunity to go visit Italy. It remains, to this day, the best trip of my life and one of the high points. We visited Pisa, Tuscany, Venice and Florence. I fell in love with Italy and once there, understood why the Renaissance happened there–the colors, the light, the beauty, everywhere you looked; I’ve never been anywhere so gorgeous and scenic in my life (and yes, I do include Hawaii in that; Hawaii was also gorgeous and scenic but in an entirely different way). And of course, we went to the Accademia della Galleria in Florence so we could view Michelangelo’s crowning achievement, the magnificent David.

To say that I was awestruck is a vast understatement.

I was also not prepared for its sheer size. Having only seen photographs before, I’d assumed it was larger than life but not that much larger (I am still surprised by how small the Hope Diamond was; sure, it’s enormous for a diamond, but I had always thought it was fist-sized, at least. It’s not. I’ve also hear the Mona Lisa isn’t very big–someday when I get to the Louvre I’ll find out), but it is fricking huge.

I’ll never forget that moment when we walked around the corner–having already examined some lovely art–and there he was.

I audibly gasped. (The unfinished sculptures along this hallway were all by Michelangelo; there were stunning because you could see how they were taking shape and how he worked, five hundred years later.)

We were also incredibly lucky because the Accademia della Galleria wasn’t very crowded, either. And because it wasn’t very crowded, we got to spend a lot of time staring and admiring him. I also, as is my wont, started wondering if the statue had come from Michelangelo’s imagination, or if he had used a model; and how amazing would it be to have been the model?

See how few people there were? I could walk all around and take his picture.

Anyway, as I was saying, I started thinking about the model. Who was he? Apparently in the 1980’s, a small sculpture was found that historians think might have been what Michelangelo have used when making the larger scale work. But we still don’t know who the model might have been. So, as I walked around, staring in sheer wonder at what human beings are capable of creating, awestruck, I kept thinking about the model.

And then I had this image of a young man, in fifteenth century attire–you know, tights and so forth–walking through the Piazza della Signoria–with all kinds of other things going on; and Michelangelo, stopping on his way to his work studio to buy bread and cheese, seeing this incredibly beautiful young man and being as awestruck as we are when we see the sculpture. I didn’t know about the smaller sculpture that people now think was the model, so I thought wouldn’t it be cool if Michelangelo had the beautiful young man pose for him for his sketchbook? And maybe he fell in love with the boy who didn’t love him back, and he painted him from one of the sketches as David and gifted it to him, and it became a legendary lost masterpiece?

And how much would that painting be worth today?

I really liked the idea.

There is, however, no question that the statue is magnificent, an incredible achievement and probably one of the greatest sculptures of all time. I mean, look at the detail on the hand, on the arms, and those veins! This was carved from marble.

It just blows me away.

And he looks different from every angle; his facial expression and pose seem to signal something different depending on where you are looking at him from.

Incredible.

The idea that a work of art as timeless and stunning and precious as Michelangelo’s David is too much for children is vile, disgusting, and indicative of the filthy minds of those who think nudity equals sin. The fact that they also use religion as an excuse to censor great art is equally disgusting; our bodies–no matter how they are shaped, how they are formed, what size and color and so forth–are, per their religion, creations of God and therefore perfect as they are. Denying that means denying God, and that seems like a very egregious sin to me; at least from what I remember of the Bible and Sunday school (all of which is etched into my brain with acid) those who denied God and His marvels didn’t do well.

It is the arts that are the foundation of civilization; it is the arts that show what wonders humanity is capable of creating, and think how dark and barren the world would be without the arts. Denying children exposure to great art is a greater abuse than anything that could ever happen at the hands of a drag queen during Story Hour.

Get your shit together, Florida. Seriously.

Italian Summer

Eight or so years ago at this time Paul and I were in Italy. Sigh, Italy. God, how I love that country. I would love to live there in a village in Tuscany–well, really, anywhere in Italy would work just fine, really. I do so hope we’ll be able to go back someday. I’d love to see Pompeii, Milan, and Rome. And both Corfu and Capri–especially after reading (listening) to Carol Goodman’s wonderful The Night Villa. (One of the real life incidents she mentioned in the book from Capri’s history fascinated me, and took me down a wormhole and now I want to write about that historical incident, of course.) I have since written a short novella (or long short story) set in Italy called “Don’t Look Down,” which was included in Survivor’s Guilt and Other Stories, and I have another novella-in-progress set in Venice called “Festival of the Redeemer,” which I hope to polish and edit at some point before the end of the year. Sigh, Italy. What a beautiful country, with lovely friendly people and the most amazing food and….so beautiful. You can see why the Renaissance flourished there.

I got the final edits on “Solace in a Dying Hour”–two questions (one in which I had made a mistake) and the rest was copy edits and the deletion of a paragraph. So that’s a wrap, methinks, and I am really fond of the story, too. It was my first venture into Louisiana urban legends and myth; well, really the second, because I did write “Rougarou” about a decade ago, but it’s been a while since I’ve turned to Louisiana legend and folklore to write a story, and writing about le feu follet was a lot of fun. I want to do more of these, of course; as Constant Reader may remember, I’ve become fascinated by the story of Julia Brown and the Great Hurricane of 1915, when her town, Freniere, was wiped off the map. Freniere was located on that narrow strip of land running between Lake Maurepas and Lake Pontchartrain; if you’re driving west out of New Orleans on I-10, and then take the Hammond exit north on I-55, that’s the land the bridge is built on (when you’re actually driving over dry land, that is). I’ve always called that swamp the Manchac Swamp, but I don’t think that’s it’s real name (and I’ve called it that in books, too. Yikes!). You cannot get to the location where either Freniere or Ruddock (the other town in that area that was wiped away by the Great Hurricane of 1915) any way except by boat; apparently some of the swamp tours will swing by the old location where the graveyards still are, but the wreckage and remains of the towns are long gone. Both towns were only reachable by train or boat when they actually existed; there were no roads in or out of town, which always makes me think why would anyone want to live in such a remote and isolated place? But yes, you can bet the witch Julia Brown will appear someday in something I write.

I also got a rejection for a story yesterday, but it was one that I expected so it didn’t sting. I knew it was a long shot to begin with, so that’s fine, and I can certainly send it to another market, which I will most likely do after reading it again to make sure it’s actually quite terrible and I was in a complete state of denial about it being publishable in the first place. Rejection is just part of the game, of course, and there are any number of reasons your story doesn’t get accepted that have nothing to do with the story’s quality itself. I like my story and I think it’s clever, but that doesn’t mean it doesn’t need to be looked over another time, you know?

I feel rested this morning. I was very tired when I got off work yesterday afternoon, which is fine; I’d rather be tired after work then during it, you know? I didn’t get much of anything done once I got home, either–I had to pick up the mail and a prescription on my way home; today I can just come straight home–and I have some things I need to get taken care of when I get home from work tonight. Which is cool, I think I can spend a bit of time preparing (I have to make a promotional video–which clearly I’ve been putting off as it is due to be turned in tomorrow) and of course, I have to make the kitchen in the background behind me look–well, not embarrassing for me, at the very least. (Although I don’t know how much more embarrassed I can get filming myself. I hate the sound of my voice and I hate the way I look on video recordings–mainly because the actuality of how I look does not come close to the way I see myself in my head–pictures, recordings and the mirror often provide deeply disturbing shocks for me.)

And on that note, I am going to head into the spice mines this morning. Y’all have a marvelous day, and I’ll be back tomorrow for another entry. See you then!

I Hear You Knocking

I really wish I had discovered how marvelous audiobooks are for long drives years ago. My God, listening to audiobook rather than music makes the drive so much more enjoyable; sure, I do zone out every once in a while when I am driving and listening–I always go off on some kind of mental tangent at some point or another when I am highway driving for a long time, which means I sometimes have to rewind because I missed something–but my old fears of audiobooks in the car (I would get so involved in the story I’d stop paying attention to the driving, or the driving would require so much attention I wouldn’t be able to listen to the book anymore) also proved to be for naught. The drive is still the worst part of the trip (other than the not-being-able-to-sleep thing), but audiobooks have dramatically improved the entire experience so much that I almost don’t mind the drive anymore….almost.

I also wish I’d started reading Carol Goodman a lot earlier. I don’t recall how or why I first discovered her work, but I am a big fan and I was delighted, after reading (and enjoying the hell out of) The Lake of Dead Languages recently to go ahead and download The Night Villa for the trip.

It may just be my favorite Goodman to date.

When the first call came that morning I was with a student, so I didn’t answer it.

“Don’t worry,” I told Agnes Hancock, one of my most promising classics majors, “the machine will get it.”

But it stopped after the third ring.

“I guess whoever was calling changed his mind,” Agnes said, relacing her fingers to conceal the ragged cuticle on her right thumb. She’d been gnawing on it when I found her waiting outside my door–ten minutes early for my eight o’clock office hours. Most of my students were sound asleep at this hour, which was why I held my office hours so early: to discourage all but the most zealous. Agnes was definitely a zealot. She was on a scholarship, for one thing, and had to maintain a high average, but Agnes was also one of those rare students who seemed to have a genuine passion for the material. She’d gone to a high school with a rigorous Latin program and gotten the highest score on the national Latin exam in the state. Not shabby for a state as big as Texas. She wasn’t just good at declensions, though she had the ability to translate a line of ancient poetry and turn it into poetry again, and the agility of mind to compare the myths from one culture to those of another. She could have a successful academic career in classics or comparative literature. The only problem was that her personal life was often chaotic–a result, I suspected, of her looks.

So far, the majority of the Goodman novels I’ve read all have to do with private schools and usually involve a Classics professor; just as in The Lake of Dead Languages, our main character in The Night Villa is a professor of Latin, who can actually sight-read (translate as she reads), but unlike the others, (set in Ne England) when The Night Villa opens we realize our main character is actually a professor at the University of Texas and lives in Austin. The others also were more Gothic in nature; brooding old buildings that used to be family mansions, now converted into schools and dormitories, slightly older heroines with dark secrets in their past that come back to haunt their present, the “woman in danger” trope replayed and revamped beautifully, with poetic writing and vivid settings you can see in your head (had Goodman published back in the 1970s and 80s, I guarantee all the books would have a young woman with long hair and long nightgown running away from a creepy mansion with a light on in one window). Our main character is Sophie Chase, a young woman teaching at UT with a sad backstory–orphaned young, raised by her grandparents and her aunt (M’Lou); she also had a long term relationship with a young man named Eli that ended up badly after she lost their baby in a tragic fall and he became involved with a mysterious, cult-like group. The opening of the book is a lot more violent and in-your-face than what I’ve become accustomed to with Goodman’s work; Sophie and some other professors are interviewing students for a possible internship with an archaeological dig going on in Herculaneum (a city which suffered the same fate as Pompeii and by the same volcanic eruption, but didn’t the press Pompeii did). During Agnes’ interview a troubled young man she used to date comes into the interview room with a gun and starts shooting–Sophie is shot in the chest and loses a part of her lung, but she ends up going on the trip to Italy as one of the other professors who was supposed to go was killed by the gunman. They are being hosted on the island of Capri in the bay of Naples by a billionaire software designer with an interest in archaeology. He has built his own villa on the island as a replica of the villa they are excavating in Herculaneum, the Villa della Norte, the Night Villa. A discovery of some papyrus scrolls in the ruins that reveal some information about an ancient slave girl from the time also has intrigued Sophie, which is part of the reason she has agreed to go–as well as wanting to get away from Austin for a while. (Sophie wrote her dissertation on the slave girl; this discovery offers to give her more insight and information about the girl for the book she is writing.)

The book is, if you’ll pardon my language, fucking amazing. Not only do we have Sophie dealing with the aftermath of a massive emotional and physical trauma (getting shot and losing part of your lung is a serious fucking trauma), but also the fallout from the end of her relationship many years earlier; a kind of feeling of responsibility for Agnes and how she is dealing with the guilt and trauma of the boyfriend going nuts and on a shooting spree (it ended with him shooting himself); and of course the mystery of the scrolls. The scrolls also give a beautiful insight into life in ancient Herculaneum and in the Roman Empire and also tell a story about the slave girl. It’s an exceptionally good novel, literate and smart and complex and multi-layered; and I haven’t even covered everything in the story here. Sophie is strong and likable and vulnerable; she makes for a great heroine, and she also has so much empathy for other people you can’t help rooting for her.

The book, set mostly on Capri, reminded me a lot–in a good way–of Mary Stewart’s This Rough Magic with its Corfu island setting; Goodman is also exceptional about setting and place. I could see the Bay of Naples and Mount Vesuvius; the ruins of the city buried by the eruption; and I also love how she weaved mythology and the ancient mysteries as an integral foundation of the story. I would even go so far as to say Goodman is the modern equivalent of Mary Stewart–which is high praise indeed.

Amazing Grace

Well, I am home and I am drained–exhausted on every level: emotional, physical, mental. I got home before six last night–I left Kentucky at seven a.m. my time–and of course, the entire time I was there I never slept much or well, so while I did sleep well last night (oh, the comfort and joy of my own bed at last) I am still bone-tired physically this morning as I swill my coffee and wait for clarity of mind to develop. I am glad I took this essentially last minute trip, though. I hate that my family lives so far away from me. Or I live so far away from them? I don’t know which is the proper way to put that. I guess it doesn’t matter.

I did do a lot of reading–I listened to Ruth Ware’s The Death of Mrs. Westaway on the way up and Carol Goodman’s The Night Villa on the way home (I got home so fast that I wasn’t able to finish the latter; I am going to finish listening to it this morning while I get the Lost Apartment back under control), and I also read Alan Orloff’s delightful I Play One on TV and James Kestrel’s Five Decembers, which was amazing. My dad also gifted me two books by Paul Strathern, The Medici and The Borgias. After I finished reading Alan’s book I started reading The Borgias, which is really interesting. (My dad bought them because I talked so much about loving Italy, so he decided to read some Italian history; he really enjoyed them and thought I would as well, and I am like gimme gimme gimme.) He had also cleaned out an area in the basement, purging books (I come by my hoarding tendencies genetically) and found some that were mine when I was a kid so he put them aside for me, if I wanted them. I took them, even though I am trying to purge books myself; ironically, one of the books he gave me was The Rape of the A*P*E*: A History of the Sexual Revolution by Allan Sherman, which I talked about in my erotica writing workshop at Saints and Sinners, and since I have to teach it again at the West Jefferson Parish Library a week from Saturday, I am glad to have it in my hot little hands. I really have to be more prepared this time around.

As I sit here and the coffee works its wiles on me, I am trying to figure out and remember where I am with everything and what needs doing. I am terrified to look at my inbox; I mostly deleted spam the last four days, so that it didn’t get completely out of control. I need to finish the edits on my book and I need to revise a short story, that much I do know, so when I get through this morning I’ll be buckling down here at the work station and trying to get through them. I’ve also got to get the workspace under control, and the Lost Apartment isn’t exactly in great shape either (I didn’t get the chance to clean as thoroughly as I would have liked before I left; I also left a sink full of dishes, which I started working on last night but didn’t quite finish; Paul and I decided a few hours after I got home to relax and watch our shows-in-progress: Under the Banner of Heaven, Hacks, and Gaslit (what they did to Martha Mitchell was so disgraceful–and Julia Roberts is killing the role) because exhaustion was starting to seep in for me and I really was out of steam. My easy chair felt amazing–I really felt like I was one with the chair last night–and there is definitely nothing like my own bed. I woke up at six this morning–my body not knowing it was a holiday and I didn’t need to go to work this morning–but I stayed in bed for another hour before getting up. I really don’t want to figure out what all I have to get done and where I am with everything just yet–and I absolutely should go to the grocery store today, but I don’t have the energy to deal with that today so I’ll probably make a short list and stop on the way home from work tomorrow. I have to go uptown to get the mail anyway.

Yeah, that sounds like a better plan than going today. (Although hilariously last night I said to Paul at one point, “I probably should at least do the dishes and stop putting things off until tomorrow, which is becoming a habit and I don’t like it” and here I am, pushing something off till tomorrow again.)

Some things never change.

And on that note, I am heading into the spice mines. Have a lovely Memorial Day, Constant Reader.

Moonlight and Kisses

Thursday and I have the day off for a doctor’s appointment later. I slept very well last night–wasn’t sure how that would go, actually–and feel more rested and centered today than I have. I think I actually know what day it is today (I did keep thinking yesterday was Tuesday all day), and it’s not cold today, which is odd. New Orleans weather bipolarity at its best–it’s going to rain today and the rain is going to bring very cold weather behind it. Tomorrow is supposed to be very cold–30’s!–and I am, naturally, dreading it.

I have to work today of course; the to-do list progress belies the success of me making to-do lists, and so today must buckle down and get work done. The house is, as always on a Thursday, a horrific mess that belies, at a glance, that anyone has ever cleaned here; there’s a stack of filing to be done; and of course I haven’t even unpacked my backpack from yesterday. When I got home from work last night I was very tired and so just dropped off the backpack where I always do (next to the two shelf bookcase next to my desk) and unpacked my lunch bag and just kind of settled in for the night. I had also fully intended to start rereading Joseph Hansen last night, but my brain was fatigued and I couldn’t focus, so naturally I went down a Youtube wormhole–seriously, having access to Youtube on my television hasn’t been the best thing to develop for me technologically lately; it’s become yet another way for me to waste time and distract myself, but I also know that when my brain is fatigued as it was yesterday it’s useless to try to make it do anything, whether it’s read or write or anything productive. My mind also generally tends to wander when I am watching these videos–and they are slightly entertaining on some levels–and so sometimes I solve problems with things I am writing or dealing with in regular every day life while I am mindlessly, brainlessly watching a video about how Naples and Sicily had one of the most enlightened cultures of the Middle Ages during the Norman rule of the region in the twelfth century, and how they integrated Greek, Arab, and European culture and education into one, fusing them into a very enlightened society with equality for all and freedom of religion.

Plus, education by osmosis. I’d known that already, of course, but not in great detail and it was interesting to me intellectually. (The post Roman Empire history of Italy is actually incredibly interesting.)

Anyway, today I am going to try to get dug out from under my emails (knowing, of course, that emails always beget emails) as well as work on the book; I also have some housekeeping to manage on the Bouchercon anthology front–that, while incredibly tedious, needs to be done–and of course, a sink full of dishes and loads of laundry to tackle. Yesterday was pay-the-bills-day, and I of course only paid the immediately due rather than everything that falls due before the next Pay-the-Bills Day, so at some point over the course of this weekend–so much work to do–I need to go ahead and get those out of the way as well. (It’s always so depressing.) But I feel like, daunting as everything may seem, that I can get it all done if I focus on the job at hand and start working my way down the list, everything will get done and it’s much easier, after all, to focus on one task and disregard the others until you can give them your full attention. That has always worked before, and has always put me in good stead.

And so, on that note I am heading back into the spice mines. Have a lovely Thursday, Constant Reader, and I will catch you on the other side.

Feliz Davidad

And so it was Christmas.

I have to say this weekend has been quite lovely thus far. I’m getting work on the book done, I am getting things done, and I am somehow remaining relatively relaxed and sane while I accomplish things, which has been quite nice. I am sleeping very well and sleeping in every day, which is going to require some adjustments when Monday rolls around again, sadly. I feel remarkably well-rested and refreshed this morning, which is also nice as I sip my coffee and think about what to have for breakfast; probably yogurt and fresh berries, before they go bad. I am going to make pulled turkey today for the holiday in the slow cooker, so dinner’s already sorted for me, which is also kind of nice. I am intending to clean out the refrigerator today as part of my chores for the day; Paul is going to work out with his trainer this morning and I am not sure what his plans for the rest of this holiday might be. I need to write a chapter of the book today, which shouldn’t be terribly hard–I’ve written some really dreadful chapters over the last few days–and should probably spend some time with Vivien Chien’s Death by Dumpling today; I had hoped to have it finished before today so I could spend the day with the most recent Donna Andrews novel; but I may just make that my New Year’s Day reading, to close out the holiday season (even though Carnival will be starting on Twelfth Night, which is even sooner than one might think).

I also found an essay I’d been looking for; I, like Paul, have an obsessive side to my personality that I try to combat and not give into when it takes hold of my brain; often to no avail, sadly: when my brain goes into obsessive mode, there’s really not much else I can do rather than either ride it out (not easy) or give in to it. This most recent obsessive conduct had to do with an essay I had written; the other day I remembered it and started looking for it, despite the fact that I couldn’t remember what the file was named. I had been asked to write a letter to myself at age sixteen the summer we went to Italy; I started writing it before we left for the trip but had never finished it. I eventually finished it, as I recalled vaguely the other day, on the trip to Venice from Florence; I wrote it on the train, saved the file, and hit send. I could not find it anywhere; and obsessed about it all day yesterday as I dug through electronic files (which are in much worse condition as far as organization than I even feared, which I will have to do something about at some point). After Paul got home, I talked to him about it and as I spoke to him it hit me: I had emailed the story in, maybe it was in my ancient sent email folder. And sure enough, there it was; and doing a second search by the title proved that it was saved nowhere in my files; I am not sure how that could have happened, but my biggest fear about my electronic files has now proven true: there are things that have disappeared from them over the years.

But this Christmas miracle is worth enjoying; a piece I’d feared had disappeared forever (the website where it was posted no longer exists; so much for the Internet is forever) has been retrieved, and it can be the opening piece in my collection of personal essays, should I ever decide how to do that and how to pull it all together.

If 2021 was the year of finishing things–Bury Me in Shadows and #shedeservedit having been in progress for years, even decades–I think that mentality needs to continue forward in 2022: finish things. I do want to finish the novellas, the short story collection, and potentially the essay collection; I also want to finish Chlorine, and possibly something else. I’ve also spent some time going over my blog from the earlier part of 2021, to try to remember things I watched and books I read; my memory is even faultier than I remembered it being in the first place. But it’s also kind of fun seeing what I was reading and watching earlier this year–the impact of HBO MAX’s It’s a Sin combined with my sixtieth birthday this year had me revisiting and thinking about the past a lot, for example, and forced me to process a lot of things I had never processed before, which may have had something to do with a lot of my own issues: never deal with it, just keep moving forward may not have been the most mentally healthy plan for me to get through my life, but it was also necessary for survival, and I will not/shall not judge my younger self for whatever coping mechanisms and skills I may have developed in order to get through everything I had to deal with in this my life.

And on that note, I think I am going to finish this, eat my breakfast, and head into the spice mines for a little visit. Have a lovely Christmas, Constant Reader, even if it’s just another Saturday to you.

You Can’t Always Get What You Want

Ah, Venice.

I’ve always loved Venice: the idea of a city that exists in a place where no city really should but does anyway (like New Orleans); a city with a long and remarkable history that at one time was one of the major powers of the world, despite not really having much population yet somehow carving out an empire; and always dreamed of visiting there. When Paul and I lucked into our marvelous trip to Italy back in 2014 (I think it was 2014? I could be wrong, it may have been 2015 but it really doesn’t matter) I definitely wanted to include Venice in our itinerary. We wound up only being there for twenty-four hours, but I was enchanted (I was enchanted by all of Italy, really), and have always wanted to go back and spend more time there. We were incredibly lucky when we were there; it was the week before Labor Day weekend, and there were no real crowds there (I have since seen horrible pictures of crowds so thick you can barely move), and we just wandered around looking at beautiful buildings and crossing canals and going into churches and eating gelato–lots and lots of gelato (which was every day, everywhere, while we were in Italy–we even got some at the airport when we flew back out).

Venice is also the setting for my all-time favorite novella and movie based on it (Daphne du Maurier’s “Don’t Look Now”). I love the Katharine Hepburn film Summertime, in which a lonely unmarried teacher comes to Venice and is also enchanted by how gorgeous the city is, and also finds a bittersweet romance with a handsome Italian man. One of my favorite parts of Indiana Jones and the Last Crusade is set there. I finally read Thomas Mann’s “Death in Venice” as part of my “plague days” reading last year when COVID-19 shut down the country; as well as Daphne du Maurier’s take on the tale, “Ganymede.” John Berendt’s City of Falling Angels, about the La Fenice fire and the insanity in rebuilding the fabled opera house, was a remarkably insightful look at how things work in Venice, as well as the restoration works on the city and its gnarled bureaucracy, as well as the blasé attitudes of the locals about how corrupt and insane everything is there.

It goes without saying that the similarities between Venice and New Orleans are striking, and run much deeper than the constant threat of water and Carnival.

I started writing a novella this year set in Venice–which I’ve wanted to write about ever since I visited–and at some point I will revise it to get it ready for publication; it’s on my to-do list–and so naturally, Christopher Bollen’s A Beautiful Crime was added to my TBR pile as soon as I knew of it.

And what a delight it turned out to be.

Down below the cry of gulls, below floors of tourists undressing and dressing for dinner, below even the shrinking figure of his killer. a man lies crumpled and bleeding. He’s been dead for only a few seconds. He’s sprawled on his stomach, his body twisted at the hips, his left arm hooked in a U above his head. From a distance, from high above, he looks almost as if he were sleeping. It’s the blood leaking through his pink shirt that gives the crime away.

Outside, the sun is setting on what is unarguably the most beautiful city on the planet. There are a lot of dead bodies in this town. Upstairs in the man’s room, an English guidebook recommends taking a boat out to San Michele to visit an entire island of them. Among the legions buried there are the composer Igor Stravinsky, the ballet director Sergei Diaghilev, and the poet Ezra Pound.

The city is sinking and has been for centuries. Enjoy it while you can. The blood is pooling around the body. Screams are blaring from all directions. The killer is making a run for the exit.

But none of this has happened yet.

I don’t think I’d heard of Christopher Bollen before I heard about this book; I may have read some of his work (he writes for both Vanity Fair and Interview magazines), but I was not prepared for how good this book would be.

And the really good news is its his fourth; he has three more books for me to read and cherish and enjoy. Huzzah! (It’s always delightful to discover a new-to-you writer you love, isn’t it?)

The premise behind this book is pretty genius: a young gay couple who have fallen quickly and madly in love with each other, come up with a “foolproof” plan to con a wealthy douchebag out of enough money for the two to ride off into the sunset together after paying off their unsurmountable debt…and Venice is where the action happens. Bollen spent time in Venice interning at the Peggy Guggenheim museum, which pays off in this complex and riveting noirish thriller. Bollen brings Venice to life in a way that few other writers have; you can smell the canals, taste the food, enjoy the bite of the liquor and savor the wine and the spellbinding beauty of the city through the eyes of his characters.

Our young, intrepid gay couple are Nick Brink and Clay Guillory. Nick came to New York to escape his sterile and stale childhood home in the Midwest, and soon has a very well-to-do older man in love with him; Ari, who is an expert in antique silver and runs one of the few silver businesses left in the country. Nick loves Ari, but it’s not a deep passionate love; it seems more like gratitude and appreciation more than anything else. Ari does love Nick, but his plans for their future (he also employs Nick at the silver shop, which is pivotal to the plot of the book) are making Nick claustrophobic and feeling trapped. Nick looks at the years ahead with Ari (and possibly a child) and is terrified of what his life will become; while this is stable and nice and everything he could have possibly wanted…now that he has it, he’s not sure it is what he wanted after all.

Clay is the surviving companion of an older gay man, Freddy van der Haar, last scion of one of the first families of New York (going back to the days of New Amsterdam and the Dutch settlement); Freddy was one of the last surviving colorful characters of the wild and crazy Bohemian artist scene in New York, and had the wealth to really pursue the kind of life and lifestyle that no longer seems possible or to exist anymore. Everyone, of course, believes Clay is a gold digging conniver who may have even murdered Freddy for the inheritance. But the truth is not how it appears on the surface; there was no money left, and Clay has even gone deeply into debt taking care of Freddy as he declines slowly into death. Clay owes hundreds of thousands of dollars to student loans and medical bills, and doesn’t see any way out of his situation.

The two meet by chance at Freddy’s memorial service; Ari knew Freddy, of course, and Nick doesn’t want to be there. He slips out for air and meets Clay on the steps–Clay isn’t attending (he knows very well what Freddy’s friends think of him) but just wants to make sure that the flowers he ordered arrived. They encounter each other again shortly thereafter, when Clay brings in the last of the van der Haar silver collection for appraisal and possible sale; unfortunately it’s all worthless junk. But the mutual attraction is there, and soon Nick is slipping away from work and his shared apartment with Ari for afternoon trysts at Clay’s inherited brownstone in Brooklyn, which he is selling to help pay down the debts of Freddy’s estate as well as his own.

And the two lovers come up with a plan: part of Clay’s inheritance is a small piece of a palazzo in Venice which the van der Haars once owned completely. The rest of the palazzo is now owned by a wealthy investor named Richard West (whom Freddy despised), who has an obsession with the van der Haar family and wants to possess some of their silver. Why not have Clay try to sell the junk to West, and have Nick–who works for an antique silver firm, after all–falsely authenticate it so they can pay off all that debt and live happily ever after? West is a major scumbag, after all, who fucked Clay over once already; and is it really a crime to fuck over someone who is so awful? Not only will their debts be paid but Clay will finally have vengeance against the man who cheated him out of his dream job…and so begins the game of cat-and-mouse.

And what a delight it is. Bollen is a terrific writer–his gift for sentences and paragraph construction is amazing–and his characters all seem quite real. He peoples the book with a terrific supporting cast, all of whom are actualized; from Daniela the transwoman (who is old school; refuses the term “trans”) with whom Nick stays in Venice, to Freddy himself to West and his entourage. As the deception goes deeper, the pacing also begins to pick up, as well as the sense of dread as they change and adapt their plan and decide to go for even more money…and like the best Hitchcock films and all great noirs, the deeper they get into the deception, the more dangerous the game becomes.

Venice itself is a character; Bollen writes about the city with such love and affection that it becomes impossible to imagine the book being set anywhere else–and he also addresses the primary issue in Venice: the crowds of tourists and the outsiders buying apartments to rent out as Air BnB’s, thus driving up the cost of real estate and living in the city that is forcing the locals out (just like New Orleans! Something else the two have in common!)–and this also plays an integral part in the story.

I loved this book, and even though for a while it was making me think I need to scrap my Venice novella…I soon realized I don’t have to. My novella is in the perspective of a tourist falling in love with the city, whereas Bollen’s is written from the POV of someone with intimate, personal knowledge of the city that comes from living there and truly experiencing what it is to be a Venetian.

Highly recommended; it’s a great read.