Thursday and I am off for doctors’ appointments today. I got to sleep a little later this morning (other than getting up to give Sparky breakfast, after which I went back to bed happily for a little more time), and I can leisurely take my time going from appointment to appointment. The first is in Metairie–eyes and new glasses–and then I get to go to a dermatologist for the first time in about fifteen or so years. I’ve been using the same stuff to try to control my eczema (or psoriasis, I’m not sure which is the one I have because I’ve been told both at different times)1, and I want to primarily see if there’s another way to treat/control it. After I am done with those things, I’ll run my errands and then come home to read, write, and clean. I work at home again tomorrow morning, and have some on-line trainings to get through before I am free for the weekend again. Huzzah!
I was tired when I got home last night, but I did work on a short story for a bit before becoming a Sparky bed. There’s plenty of stuff to keep me occupied around here this morning–including a sink full of dishes–and I have things that I want to do once the appointments are over. Tomorrow is my remote day (which I’ve always called “work-at-home” day, but this is the terminology my employer uses, so I should use it as well), which is nice and I have a lot of on-line trainings to get done before the end of the month…can’t really believe it’s almost November already, can you? I also need to get back to work on the book. I signed the contract for Hurricane Season Hustle last night, so the book is absolutely going to happen. The release date will be in the fall, but I’m not sure of the exact date at the moment.
We finished watching season 3 of American Horror Stories last night, and while the final episodes weren’t really my favorites (although I did like the final one of the season), I’ve had to revise my theory that the show’s not good overall. There was surprisingly little gay content (there was a gay episode that was delightfully twisty and creepy from whence it began), which was disappointing–and less gratuitous sexy male bodies than I would ordinarily expect from a Ryan Murphy show for sure. The show itself is nothing terribly new, just a modern reboot of The Twilight Zone or Tales from the Crypt–both being shows I loved, I must point out–so some episodes are better than others, but the lesser ones are entertaining enough, and the twisty endings are surprising in many cases. I do love a good plot twist–Ira Levin was such a master of these, as was Daphne du Maurier; which is partly why I love them both so much. I really do need to find my copy of Rosemary’s Baby…
It’s weird to be almost finished with October, isn’t it? Of course, the beginning of the year now seems like it was a million years ago, and I don’t really remember much of Carnival this year. I didn’t have to go out of town during it this year, and probably won’t next year, either. I kind of want to enjoy parade season this year, in all honesty. We haven’t really been able to enjoy ourselves for several years during Carnival now, and it would be nice to get back into the spirit of the entire thing again, rather than simply thinking of it as a nuisance. I mean, I always thought it was a nuisance before the first parades started rolling, but I always got back into it the further into the parades we got. These last three or four years? Not so much, so I hope this year will be different.
We can but hope. I don’t think I will be as exhausted as I was the last few years, either.
And on that note, I am going to head into the spice mines and have some breakfast. Not much exciting to write about this morning, was there? My apologies. I hope to be more entertaining at some point in the future. Until then, adieu!
Next week I get to see the podiatrist to see if I have arthritis in my toes. ↩︎
A month or so ago, Ira Levin’s A Kiss Before Dying was one of those “special deals for ebooks,” and I can never pass up a classic for a mere $1.99 (I generally replace my hard copy books with ebooks when they are on sale, so I can donate the real book; but Ira Levin novels will never be donated), which put me in mind of him again (the book is a crime fiction classic), and I started thinking about what is the best part of two of my favorites by him, Rosemary’s Baby and The Stepford Wives, which is the slow build of paranoia until the heroines are completely convinced that everyone is in on it and there’s no one she can trust. This is what I consider “women’s noir,” which is books that depict and explore women’s fears (which is why Gothics were so popular, I think; the wife can never trust the husband and always thinks he is trying to kill her–before the real culprit is exposed and they have their happily ever after. This, to me, mimics what it’s like for a woman when she gets married in real life; she wants to believe in her marriage and love, but how many times has that turned to ashes and dust in reality? Husbands kill wives or cheat on them or leave them; all these marriage fears were tentpoles of Gothics). I was going to revisit both novels–I had some other things I wanted to talk about with The Stepford Wives, and its similarities to Rosemary’s Baby, but I couldn’t find my copy of the latter so went with the former.
Since 2015, the term “gaslighting” has come back into vogue, with small wonder. Gaslighting can make you question your own judgment and your grasp on reality1; something many of us have experienced over the past nearly ten years and it isn’t an enjoyable experience.
Paranoia, combined with not being believed, makes for a fantastic novel that is very difficult to pull off; I can think of any number of films and books that use paranoia as a driving theme for their plots, and I always enjoy them. There really is nothing more frustrating than being being not believed about something that’s happened–or is happening–to you. It can make you crazy, make you question yourself and your own grasp of reality. It’s horrible and cruel in reality, and it’s something everyone can relate to because we have all not been believed at some point in our lives. It’s happened to me enough times (including losing jobs) that it certainly resonates with me. (I have an idea for a gaslighting/paranoia short story that I’ve been wanting to write for some time now.)
So, needless to say, I greatly enjoyed reading my advance copy of Alison Gaylin’s upcoming January release, We Are Watching.
It’s been the longest day of Meg Russo’s life, and it isn’t even half over. Her stomach gnaws at her, her hands heavy on the steering wheel. But when she glances at the clock on the dashboard, she sees that it’s a little shy of 11:30 a.m., which means that Meg, her husband, Justin, and their daugheter, Lily, have only been on the road for an hour. They’ve got at least three more hours on the thruway, and then they’ll have to contend with the series of veinlike country roads Meg and Justin haven’t traversed since their own college days. If they don’t hit too much traffic, they should be in Ithaca by five, which now feels like some point in a future so distant, Meg is incapable of envisioning it.
Time is strange that, the past eighteen years zooming by in an instant, all of it leading up to a single day that’s already lasted eons. Meg blames the stress of last night, wanting everything to be perfect for their daughter’s send-off, which led to thoughts of Lily’s first visit home for Thanksgiving break, which in turn made Meg think for the millionth time about how cold their house gets in the fall, and how Lily always complains about it. New windows, Meg had thought, lying in bed with her eyes open, envisioning insulated windows to replace those paper-thin sheets of glass, the same windows that were here when she and Justin bought the place twenty years ago–and it was a fixer-upper then. What if Lily came home to new windows? Meg mused, still awake in the wee hours of the morning. Will she have changed by then? Will she have grown too sophisticated to get excited over a warmer house? And so on, until the sky was pink and it was time to wake up and Meg had barely slept at all.
I’ve enjoyed Alison Gaylin’s work since I first read And She Was back in 2012, and have been a fan ever since, gobbling up each new book as she releases them. She has always been a terrific novelist, but what has been amazing to watch is how she pushes herself to do better with each book, tackling bigger themes and creating believable, relatable characters you can’t help but want to root for. We Are Watching may be her best yet, starting as a slow burn but building into an adrenaline boosting rollercoaster of a thriller.
The book opens with Meg and Justin taking their daughter Lily off to college, with all the emotions and fears and sense of loss that comes with a child leaving home and starting to move into their adulthood. Meg is likable, and so is her family. But as they drive a carload of skinheads pulls up alongside of them and start taking pictures. Meg reacts very strongly–so strongly that even I was like take a chill pill, girl!–which eventually leads to a crash that kills Justin, leaving the two women shattered shells of their previous selves. Lily decides to take time off from college and even Meg becomes housebound, despite needing to run her book store in the small Hudson Valley town they live in.
But things slowly begin closing in on both Meg and Lily; who were those skinheads in the other car? Why are truly strange, cult-like people showing up in the store or in town, chanting weird things at them? As Meg’s paranoia and fear grows, it soon becomes apparent that a religious cult is targeting her and her family, but why? But to find the truth, Meg has to not only survive the cult, which seems determined to kill her and her child, but when she has the time, to dig back into her own past to discover the truth–because the truth is the only thing that can set them free.
This book is fantastic, and I couldn’t put it down. It has all the hallmarks of a great Gaylin novel–a compelling and relatable main character doing the best she can in a terrible situation; a twisty plot full of surprises; and the kind of strong writing that makes her sentences and paragraphs sing.
Preorder it now and thank me in January when you finish reading it.
The film this term comes from, Gaslight, is a great movie and Ingrid Bergman is terrific as the wife who isn’t sure if she is losing her mind; she deserved her Oscar and the film still holds up–and a very young Angela Lansbury makes her screen debut in it. ↩︎
Ira Levin has always one of my favorite writers, but I often forget about him when I am talking about influences. I don’t know if Levin’s work influenced me; he was very sparing with his prose, and I am most definitely not that, but I know he has written some of my favorite novels of all time and his incredible popularity–based on very few novels written, most of them pretty short–was such that titles of his books became part of the popular culture; a “tl;dr” if you will to explain something: Rosemary’s Baby, The Stepford Wives, The Boys from Brazil. He wrote one of my favorite crime novels with a shocking twist (two thirds of the way in!), A Kiss Before Dying, which won an Edgar and should be considered one of the best crime novels of all time (the problem with it is a big part of the genius is in the twist, and it’s such a massive spoiler it can’t really be talked about except in criticism).
I knew about Rosemary’s Baby–everyone alive the year the movie came out knew what it was and what it referred to (I was wanting to do an entire post about Levin, but I couldn’t find my copy of Rosemary’s Baby) so settled for rereading The Stepford Wives over the weekend (it’s very short, very chilling, and downright terrifying in places. It was also the first Levin novel I read; I bought the Fawcett Crest edition pictured below, and I think I read the entire thing in a single afternoon. I’ve also seen both movies, both of which were okay, but again, the great thing about Levin is how he played his cards and which ones he withheld; the movie editions couldn’t get away with what he did in the book, which made the movies less compelling and less terrifying.
And it definitely holds up. In fact, it’s kind of compelling reading in this post-Dobbs time in which we find ourselves living these days.
This is the actual copy I had, and read. It looks very Gothic on the cover, but it’s not that at all.
The Welcome Wagon Lady, sixty if she was a day but working at youth and vivacity (ginger hair, red lips, a sunshine-yellow dress), twinkled her eyes and teeth at Joanna and said, “You’re really going to like it here! It’s a nice town with lots of nice people! You couldn’t have made a better choice!” Her brown leather shoulderbag was enormous, old and scuffed; from it she dealt Joanna packets of powdered breakfast drink and soup mix, a toy-size box of non-polluting detergent, a booklet of discount slips good at twenty-two local shops, two cakes of soap, a folder of deodorant pads–
“Enough, enough,” Joanna said, standing in the doorway with both hands full. “Hold. Halt. Thank you.”
The Welcome Wagon lady put a vial of cologne on top of the other things, and then searched in her bag–“No, really,” Joanna said–and brought out pink-framed glasses and a small embroidered notebook. “I do the ‘Notes on Newcomers,'” she said, smiling and putting on the glasses. “For the Chronicle.” She dug at the bag’s bottom and came up with a pen, clicking its top with a red-nailed thumb.
Are there still Welcome Wagon Ladies? And what a clever way to open a novel about a bedroom community town for New York–what else but the Welcome Wagon Lady welcoming a new family to Stepford. It puts the reader at ease, too–something very familiar to people in the 1970s was the Welcome Wagon Lady, so opening a novel with something ordinary and normal is an interesting choice, given what’s to come. (For the record, there will be spoilers here. I’m sorry, the book came out in the early 1970s, as did the original film version and even the dreadful remake is now at least twenty years old.) Joanna Eberhart is a stay-at-home mom who gave up a promising career as a photographer when she got married, but now that the kids are older, she and her husband have found a lovely home in an idyllic seeming town where he can commute into the city1, and they’re in the midst of the chaos of moving in. There’s an extra room that even had running water to function as a developing room2, so Joanna can get back to pursuing her photography career. Good schools, lots of space, all kinds of enticements to get a young family to move out there3…
It’s difficult for young people today to even imagine what a different world it was I grew up in, and the 1970’s might as well be the 1870’s to the younger generations…then again. didn’t 1945 and World War II seem a million years ago when I was a kid…but I was much closer in time to WW2 than teenagers today are to the 1970’s. (The actual equivalent would be fifty years ago, which would have been 1921 to me; when my grandparents were born there was still a German Empire, an Ottoman Empire, an Austria-Hungary, and the Romanovs were still on the throne in St. Petersburg.) But when this book was written the Women’s Movement was just really gaining a lot of traction (it was called Women’s Lib, and proponents of it were scathingly called “Libbers” by those who thought women were better off in the kitchen, unseen and unheard), and women were beginning to understand they didn’t have to subscribe to the old, tired gender roles that basically were invented after the Second World War. They could have a career. They didn’t have to get married. Among the things they were protesting was not being allowed to get bank loans, credit cards, or bank accounts without a husband–which was very difficult for widows and divorcees (and why a lot of women stayed with abusive jerks.) It wasn’t a crime to beat or rape your wife because you owned her. The Pill freed them–both married and unmarried–from the terror of getting pregnant and abortion was illegal. Sound familiar?
Levin, who was also an incredibly sly critic of social structures, the culture, and society in general, saw the beginnings of women starting to assert their independence, and asked the question so many bewildered men, unaccustomed to women’s freedom, didn’t know the answer to: if women were free and independent and could choose their own course in life, what was the new role in all of this for men? What was their place anymore? There was pushback against women’s liberation and not just from men; some of the most vocal opponents to women being made into whole people came from women.4 If it was, indeed, a “battle of the sexes” as the conservative gadflies kept insisting (or a “war on men”), what would men do?
The Stepford Wives was the chilling answer.
Once Joanna moves in, she begins noticing how the other wives in town are all beautiful, have great figures, and always have their hair done, a face of make-up, and are devoted to making their husbands happy. She meets another recent relocator, brash Bobbie Marlowe, whose house is just as messy as Joanna’s, and they begin to bond over the weirdness of the other women in town. They make another friend, Charmaine, and the three women kind of bemusedly wonder if there’s something in the water in Stepford that makes the women behave like such 1950’s June Cleaver housewives. There’s also the Men’s Association, a men’s club that all the men of Stepford belong–a secretive organization in a big house. Joanna and Bobbie are appalled at the sexism in the very idea of such a club, and their husbands promise to try to make including women an option–the old “change from inside” shtick we’ve all heard a million times. Joanna’s husband brings some of the club officers for her to meet and get a read on. One of them is a Frank Frazetta-style artist, who does a series of sketches of Joanna. Another used to work in the animatronic section of Disney. Another is doing a research project he asks Joanna to help with, having to do with accents and the way people speak, which requires her to record an insane amount of words into a tape recorder.
And then…Charmaine becomes one of the Stepford wives, and the two women are terrified.
Bobbie is convinced now there’s something from nearby chemical plants in their drinking water, and goes to extremes in her paranoia. Joanna forces Walter to agree to move, and then they start looking for other places in nearby towns. Heightening their paranoia is finding out there actually HAD been a Women’s Club in Stepford, and even had Betty Friedan come speak to them4! What happened to these women? Levin is exceptionally brilliant at writing paranoia, and the reader becomes wrapped in them, what is happening to them, and hoping that they’ll get away somehow. But the biggest betrayal of all is yet to come: their husbands, whom they loved and married and started families with, are also in on it.
The message of The Stepford Wives was that men don’t really want a full partner; they want a home manager who takes care of everything, including the kids, so they can focus on work.
Sound like tradwives or something Senator Katie Britt would love to impose (on other women, of course; tradwife for thee but not for me) on the country, doesn’t it? Women with no imaginations, animatronic creatures who feel like women, and cater to their every whim and desire?
Maybe The Stepford Wives should be required reading for all teenaged girls. And sadly, the book still holds up. It’s not a reach to believe that there’s a town like this somewhere, where the men have murdered their wives and replaced them with droids. I certainly see enough troglodyte men on-line who think that way.
This was a HUGE trope in 1970’s horror; moving away from the city to get fresh air and space…only to have that dream of a bigger house and a lawn and fresh air turn into a fucking nightmare, which I hope to write a longer essay about at some point. ↩︎
Yes, we used to take pictures with “cameras” on “film” that had to be processed and developed; Fotomats were popular, or you could get it done at Walgreens. There used a developer on Decatur Street just off Jackson Square; I had a lot of pictures developed there when I was in the Quarter more regularly. ↩︎
Interesting that Rosemary’s Baby also opens with a young married couple, hoping to have kids, moving into a new place. ↩︎
I hope Phyllis Schlafly is frying in hell, and is sharing a cast iron skillet with the Reagans and Jerry Falwell. ↩︎
If you don’t know who Betty Friedan is, shame on you and use google. ↩︎
Sunday morning the Gregalicious slept late, and I feel good this morning. I stayed up late to watch Saturday Night Live return, and wasn’t terribly impressed. Our Internet also kept going in and out all day, which was annoying, especially during football games. The three games I primarily watched–Kentucky-Mississippi, Auburn-Oklahoma, and Georgia-Alabama, were all excellent games–and I also switched over to LSU-South Alabama periodically, but it was also a blow out so didn’t need to watch much. Still unsure how this season is going to shake out for everyone, which makes it interesting. I think there’s a lot more parity in the conference now, once you get past the clearly best teams this year (right now, I am going out on a limb and saying it’s Alabama and Texas, both teams LSU has to play in Baton Rouge this year) I think everyone is pretty equal for the most part, with the usual suspects (Mississippi State, Vanderbilt) in the basement. Kentucky almost beat Georgia last week and did beat Mississippi yesterday; Georgia almost beat Alabama, and that Auburn-Oklahoma game came down to the wire. The Saints play at noon today, which is cool, playing the Dirty Birds in Atlanta.
I did manage to get some things done during the games; I cleaned the downstairs bathroom thoroughly, I ran some errands in the morning (mail, Fresh Market, car wash) and then came home to start watching football. I also read, while in my chair, both We Have Always Lived in the Castle by Shirley Jackson and The Stepford Wives by Ira Levin (more on both later), so hope to start the new Gabino Iglesias at some time today, most likely during the Saints game. Jackson and Levin are excellent writers whom I deeply admire, with completely different styles but evoking the same feelings when you read them. I also managed to get most of the dishes finished yesterday, with whatever I used yesterday as the only dirty dishes left in the sink–and that will take about two minutes, tops. I had thought about delaying my trip to make groceries until tomorrow, but now that I am up I think I’ll go ahead and do that this morning and get it out of the way.
I also want to work on the kitchen a bit today, and I also want to get the floors worked on again. Sparky tears up the rugs all the time when he’s running around like a demon to burn off some of his Big Energy, and the longer they are messed up the worse they get messed up. I also have some other posts I need to get done this morning before I leave to make groceries; and the longer I let them sit there unfinished, the more likely it is they’ll continue unfinished. I have a particularly spicy one about transphobia that I’d love to get done at some point so I can Substack it (and attract more of the bigots and Nazis there), and of course, there are any number of others unfinished as well. Heavy heaving sigh. I also have three book reviews/reports to write–I’ve now finished The Price by Armen Keteyian and John Talty; an arc of We Are Watching by Alison Gaylin, and Everybody Knows by Jordan Harper, and I need to get those done sooner rather than later as well. I also have some emails I need to answer as well as some to generate.
Sounds like a to-do list to me, doesn’t it? I also need to clean up the mess around my desk. But the key is not to get overwhelmed by the length of the to-do list, and just start marking things off. I also need to work on the Scotty Bible today, but I can also see that I am starting to think in the old bad anxiety/stress markers by overwhelming myself with so much to do already. Next weekend I have an eye appointment, so I can order new glasses, and my doctor’s appointment is coming up. I am probably going to meet Dad in Alabama weekend after next, and will probably go up to Kentucky later this month. How exciting!
And on that note, I am going to head into the spice mines. Have a lovely Sunday, Constant Reader, and hope everyone in North Carolina and Tennessee are okay.
Labor Day and the last day of the three day weekend and Southern Decadence. It’ll be back to work with me again tomorrow (not going to say huzzah for that, sorry) but at least it’ll be a short work week. Alas, we don’t get another holiday until Thanksgiving, but I may take some time off this fall just to relax and rest and do shit, you know? I am finding these long weekends are enormously good for me physically and mentally, to be honest. I set my alarm to get up earlier this morning rather than letting myself just sleep as late as I wanted to,, and I feel better than I have all weekend sleeping late. Peculiar and strange, c’est moi. But I do want to get some things done today while taking it easy as well. I am trying to put off going to the grocery store until tomorrow; I may be able to get away with just a short walk to Walgreens because His Majesty is out of treats…but maybe it’s better to do it today and get it over with.
It does feel like I haven’t been to the office in an eternity.
Well, LSU lost it’s fifth straight season opener last night, and while I am trying not to get terribly discouraged about the season–it always sucks to start off the season with a loss–because it’s hard to say already how good USC is; so I really don’t have any idea of how good this year’s Tigers are. I had a feeling they were overconfident, and as galling as it is to lose to Lincoln Riley of all people, they could have won the game had they not consistently shot themselves in the foot, over and over, and there were a lot of questionable play calls that left points on the field. It actually reminded me a lot of the Florida State loss two years ago. Anyway, the Tigers have an easy game next week before coming home to play UCLA, so we’ll see how they regroup. I will also say Garrett Nussmaier is a great passer, so there’s potential for a great season despite the early loss. The loss cast a pall over the Lost Apartment, and I went to bed early, planning on rising early this morning, so that worked out just fine.
I had a lazy day around the house yesterday, not really doing a lot of anything. I read some more of We Are Watching, the new Alison Gaylin1 (preorder now, it’s coming out in January) which is marvelous as is everything she writes, before spending some time watching the US Open and news clips on Youtube. My shoulder was still sore from the vaccination on Saturday (it’s still sore this morning, too), and so I thought it best to take it easy and not risk getting unwell from the shot (which has happened the previous shots); or maybe it was my brain leaning into being lazy, which is always its preference. I did think a lot about the book yesterday, and feeling actually kind of excited about it, to be honest. I am trying something with it that’s more of a challenge to me, and that’s really exciting for me. I also spent some time filing yesterday and I did get ahead on the dishes and so forth. Today I can vacuum, if I so chose; but overall I am planning on a mostly low-energy day with lots of Sparky time relaxing in my easy chair. I am also planning on reading some more this morning.
The excitement I am feeling about writing this book has also kind of had a simmering effect on my creativity; rather than bursting with ideas the way I usually am when I am writing a book, I get a new idea but it’s more developed than the usual “just a title and a character and the basic idea,” which is also cool. I am also solving problems with some short stories I’ve stalled on, so yeah, it was a good weekend in that regard, and I am also working on some essays. It’s not like I’m not working even on days when I don’t advance the word count on the book, either.
Social media, such as it is now, is becoming more and more a waste of time that I don’t need to deal with in my life, frankly. One of the major problems is that it’s an election year, which is making people drop their masks with the mealy-mouthed can’t we all be friends despite our politics and the privilege that just drips from those statements just enrages me. The difference between me and the Right is that I don’t want anyone to be stripped of their rights. The Right’s corruption of American symbols has always been more about show than belief; kind of like their religion. I apparently spent a lot more time on Twitter than I thought I did–one never really is truly aware, is one–and now that Facebook is basically circling the drain, too, I am amazed at how much more free time I have. I guess I had become far more dependent on social media than I would have preferred or believed? Yesterday was another prime example of how bad Facebook is becoming. A lesbian writer friend had posted an image of a hideous Confederate flag cake with a joke about marrying your first cousin. Some woman I don’t know took offense, and said that flag has evolved into representing all Southerners.
I beg your fucking pardon?
Yeah, I let the racist bitch have it with both barrels before blocking her skank ass. Was she another lesbian writer? I don’t know and I don’t care, but if she is a writer, if that’s the way her mind works she’s probably a shitty writer as well as a shitty person. NO ONE defends the Traitor’s Flag and claims it represents all Southern people–because it sure as fuck does not represent Southern Black people, and to say that it does is so fucking racist you need to be repeatedly slapped, shamed, and driven out of the public square.
The paradox of tolerance is you cannot tolerate intolerance.
I also figured out what I need to do with Never Kiss a Stranger, and managed to convince myself my inability to finish that book was not a failure, either of imagination or as a writer. I knew how the book ended, and I knew how I wanted it to begin, but I didn’t know how to write the middle. The fact that it also started as a novella that I decided to expand and make longer has something to do with it, too; I kept going back and forth on whether there was enough story for a book or if I should, indeed, keep it as a novella, which can be forty thousand or less. There’s really not a place to publish novellas anymore, so at best I’d be able to do a novella collection or something as I have several others on hand, too–and one is almost nearly complete. Maybe I should include it in my collection of short stories? That would definitely fill that book out.
So, despite not really doing a whole lot of writing over the holiday weekend, I am not chiding or berating myself this morning over “wasting time.” It was a productive weekend, and I am getting better at being kinder to myself. I’m still figuring out the work/writing/life balance, but what I do know is that balance is a lot better now than it’s been in several decades.
And on that note, I am going to get another cup of coffee and repair to my easy chair for some more of Alison’s book. Have a great Labor Day, and never forget it was unions that got us the forty-hour work week, paid sick time and vacations, breaks, and weekends. I may be back later; we shall simply have to see how things go, won’t we?
Part of the reason I am enjoying the book so much–it hit me yesterday–is the writing style/voice reminds me very much of Ira Levin, who I’ve been thinking about a lot lately; been wanting to revisit The Stepford Wives and The Boys from Brazil, especially since JD Vance reminds me of one. ↩︎
A little bleary this Monday work at home morning–another good night’s sleep in the books–and my morning coffee should do the trick–and thus I will be reacclimated back to my normal life and some sort of what passes for my normal reality and real life again. I had a very relaxing day yesterday trying to unwind from the trip and get my land legs, as it were, back; I got some things done yet not enough, which is par for the course. Paul and I also finished Ozark–I imagine its ending is controversial; I wasn’t really surprised by it, to be honest–and dove back into Severance, which is truly bizarre and a very slow, unemotional burn–and then we both went to bed early. I have to work at home today and run a couple of errands at some point (Scooter needs to be retrieved from the kitty spa and I need to get the mail and groceries), as well as my work-at-home duties (data to enter, condoms to pack) and all kinds of others things. There never seems to be enough time in the day to get to everything i need to go to, but sometimes you just need to keep your head down and work your way through your to-do list.
The trip last week was invigorating and definitely raised my spirits; it was a needed and necessary reconnection with my crime community, which was marvelous. It is terrible and sad that I haven’t seen some of my friends in nearly (if not more than) four years; my last pre-pandemic appearance out of town was Bouchercon in St. Petersburg, so 2018. That’s a very long time to be away from connecting with the community and could be a significant part of the strange distance I’ve been feeling from…well, everywhere, to be honest. It was lovely dressing up (even if the pants I wore two weeks earlier in Albuquerque were suddenly strangely tighter in the waist) and putting on nice clothes; I also survived my brief stint at the podium on Edgar night. (The temptation to drink was very strong, but I declined all alcohol until I was off-stage.)
But now, it’s Monday morning after and the afterglow has somewhat faded and we are back to the cold harsh light of reality this morning. I have writing to do and chores and all kinds of other tasks and things to do. I am speaking as a guest at Spirit of Ink on Saturday; being interviewed by Jaden Terrell, whom I’ve known for years since we were both on the MWA board together. That’ll be nice, and I think at some point this week that Ira Levin ZOOM thing I did from my room in New York will be up and available somewhere on-line (I’ll share the link should I ever get one; it was a bit fun talking about Ira Levin and surprise twists). I am not feeling terribly overwhelmed this morning, or daunted; that will come soon enough, no doubt–it always does–but I am feeling a lot better about the non-stop Imposter Syndrome that is pretty much my entire life these days. It’s also gorgeous outside; it’s May so the heat is back and the humidity won’t be far behind; nor will the stinging caterpillars and the swarms of Formosan termites that generally return with Mother’s Day like the swallows of Capistrano.
And soon it will be summer, with the sweating and the misery and the high Entergy bills. But I want to also start working out again more regularly (it’s been a hot minute since I’ve set foot in the gym, so I am going to have to slowly start working my way back into it again, Jesus) and should probably start eating more healthy; the tightness of the waist of my pants at the Edgars was yet another signal that it’s only going to get harder to lose weight the older I get (which is sadly true for everyone–so don’t keep putting off your fitness regimen, people–don’t be Gregalicious) but I think discipline and dedication will do the trick.
And on that note, I think I am going to get another cup of coffee and try to dive into my emails before I have to start working. Have a splendid Monday, Constant Reader–I will be back here at the crack of dawn tomorrow as I ease back into my day job at the office.
I actually slept last night here at my hotel, and slept late this morning, both of which are so unusual it does bear remarking on. I also walked a lot yesterday here in Manhattan; it’s about fourteen blocks from the hotel to the MWA office; a straight shot up Broadway. That’s a lot more walking than my tired old fat-ass is used to, so perhaps that had something to do with the deep sleep. I also met a friend for drinks with Paul last evening (here in the hotel bar), and then we came back up to the room and I read for a bit before I got cross-eyed with sleep (I am really enjoying this Raquel V. Reyes novel tremendously; although I probably won’t get much chance to finish it before the flight home Saturday, which should give me plenty of time to not only finish reading Mango Mambo and Murder but to read (or make good headway on reading) one of the other books I brought along for the ride. (There will also be giveaway books at the banquet tonight…)
It really is remarkable how much I dislike working on a laptop, thought. Mostly it’s because the screen is too small for my aging eyes (note to self: make an eye appointment stat, maybe new glasses will take care of this for me) but I have my wireless keyboard (I hate typing on a laptop most of all) and my wireless mouse with me, which makes it a bit easier for me to deal with.
I was also surprised that I slept so well last night mainly because, well, the banquet is tonight and I have to be up on stage to begin with to welcome everyone and do some thank you’s and introductions, which I have to be stone cold sober to do–which, given there’s an hour of cocktail reception before hand, isn’t going to be easy for one Gregalicious, who never likes passing up free wine or champagne–and of course being stone cold sober is going to make it a bit more stressful, although the days when I used to drink heavily to deal with the stage fright anxiety are long in the past and let’s face it, was never a particularly smart thing to do (ah, the wisdom that comes with age). The awards are going to be broadcast live on our Youtube channel (if I were better at my job as EVP I’d share a link, but I am not better at the job so oh well) which means it will also be recorded and always be up there for all eternity (the Internet is forever, after all) so the possibilities of me doing something stupid and going viral, therefore burning MWA to the ground, are much higher than say, my speaking for a few moments at the Lefty Banquet. But I am trying very hard to manage my anxiety and stress–I handled the travel here very well, after all–and so this new calm centering thing I am doing seems to be working. I feel remarkably relaxed and rested this morning, in fact, which is highly unusual.
After I finish this and do some more emails, I will probably work on my short story a bit more.
Oh! I also did a ZOOM thing yesterday for the Jefferson Performing Arts Society (JPAS) for their upcoming production of Deathtrap; which of course was a huge Broadway hit comedy/thriller written by one of my literary heroes, Ira Levin (who also wrote A Kiss Before Dying, This Perfect Day, Rosemary’s Baby, The Stepford Wives, and The Boys from Brazil, for a few highlights). It was actually quite fun–I love the opportunity to talk about other writers; talking myself up is an entirely different subject–and I am not sure when or where it will be available to view on-line, but I don’t think I made a fool of myself.
I’ve been wrong before.
And on that note, I am going to head into the spice mines and get to work on that story some more. You have a lovely day, Constant Reader, and I will recap the banquet for you tomorrow.
The travel day wasn’t bad at all, really; I didn’t allow anxiety to seize control of my day OR my mood, and everything went smoothly. We had an open seat in between us on our flight, our bags came right off the plane, and the only really problem was our car service was late picking us up and bringing us to our glorious hotel on Times Square. I did manage to read Ernest Hemingway’s To Have and Have Not on the trip (do not recommend, but am willing to give one of his better works a shot, although there was plenty of reasons in this particular volume to make me never read Hemingway again ever)–I am certain there will be more about that later–and I think I am going to dig into Raquel V. Reyes’ Mango, Mambo and Murder next; I also brought along Curtis Ippolito’s Burying the Newspaper Man , L. C. Rosen’s Jack of Hearts, and the divine Carol Goodman’s The Lake of Lost Languages. I won’t probably get to all of them on this trip, but I should make a significant dent into this traveling TBR pile while I am here. I do have some other things to keep my busy–I really need to finish writing that short story this week, and I am doing a ZOOM thing about Ira Levin’s Deathtrap for the Jefferson Performing Arts Center tomorrow, between going into the MWA office to work as well as then meet some folks later for drinks.
Nonstop action in New York, y’all.
I was very tired when I got here yesterday, and by the time we were all checked into our hotel and unpacked, we just ordered room service and chilled in our room. I got about two chapters into Mango, Mambo and Murder before the words started swimming in front of my eyes and I had to put it down and go to sleep. The bed was very comfortable, and I slept really well–if off and on; but compared to Albuquerque it was like getting the sleep treatment in Valley of the Dolls–so I at least feel very rested this morning. I am about to get into the shower and walk down Broadway to the MWA office to do some last minute work pre=banquet (I still am not entirely sure what I am going to say about there, but one thing I do know for sure is I am not going to get up there and try to wing it; but I am not nearly as stressed about this as I was at Left Coast for some reason–maybe my decision to try to tamp down the anxiety is working? I managed to remain calm and relaxed all throughout my travel day yesterday, and I am not really stressing much about the banquet itself.
After all, there’s plenty of time for me to freak out about it tomorrow, right?
Well, I need to get a move on, so have a lovely Wednesday, Constant Reader!
And now it’s Friday. It’s hard to imagine that it’s almost Thanksgiving already, but the initial pandemic shutdown also seems like it was more than a million years ago–when dinosaurs roamed the earth–rather than a mere eight months or so ago. Eight months we’ve been dealing with this; even though it seems more like eight fucking decades. But I’ve noticed that time has sped up lately–for the longest time it felt like time was dragging and was taking forever to pass, but now…now time is flying.
I suspect it’s the looming deadlines and being behind on everything, quite frankly.
The sun is bright this morning in my eyes and I cannot find my baseball cap–it’s probably stashed somewhere I thought I’d remember where it was–so I’ve had to move my chair and I am writing this while sitting at a weird angle to my desk. I’m working at home again today, and will be walking to the gym for today’s workout when I am finished with this afternoon’s work. Yesterday for the Cynical 70’s Film Festival I watched The Boys from Brazil and The Towering Inferno–more on those later–and I think that for today I might just dip back into some more Halloween horror. We also started streaming Mr. Mercedes, which is now available on Peacock for free–I am actually impressed with everything they are offering; it’s very similar to HBO MAX, but am still not willing to pay for another premium service yet–and I have to say, I am enjoying this adaptation. It’s fairly true to the books–at least as I remember, although I don’t remember the neighbor Ida, played by the amazing Holland Taylor–and I have to say, the three Bill Hodges novels (Mr. Mercedes, Finders Keepers, End of Watch) have been my favorite Kings of this century thus far; Mr. Mercedes very deservedly won the Edgar for Best Novel some years back, and as much as I loved the books, I was very sad when I reached the end. King himself was an executive producer, and the television series adaptation was written by David E. Kelley, who has also been responsible for a lot of good television over the years, including Big Little Lies and The Undoing, which we are greatly enjoying as well. There are three seasons of this adaptation, and I assume each season covers one of the books.
The Boys from Brazil is an interesting film, and very much of its time. Based on the novel by Ira Levin, both book and film were very much of the 1970’s, and also encapsulated that cynicism and paranoia of the decade perfectly. It was also one of those stories that permeated the zeitgeist; everyone knew what”the boys from Brazil” were without reading the book or seeing the movie. The movie is a very close adaptation of the book–Ira Levin was known for his brevity as a writer, so rarely did things need to be cut out of the books for the screenplay. The Boys from Brazil was actually Levin’s longest novel–I could be wrong, but I don’t think so–and the film has some impressive star power, with Laurence Olivier, Gregory Peck, and James Mason in leading roles, and an incredibly impressive supporting cast, including Rosemary Harris, Anne Meara, and Uta Hagen. The film also opens with a focus on a young character played by an extremely beautiful young Steve Guttenberg (whatever happened to him? He was a big deal in the 1980’s and then just kind of faded away) as a young Jewish-American man who goes Nazi hunting in Paraguay, and is actually the one whose investigation tips off the big Nazi hunter played by Laurence Olivier about what’s going on and kicks the film into gear before he is, of course, caught and murdered by the Nazis.
It’s hard to imagine now that the 1970’s were forty years or so ago now; the world has changed so much…but the 1970’s were also only a few decades removed from the second world war and Nazi war criminals were still being hunted down worldwide by the Israeli secret police. (The Germans were also hunting them down for trials; the Israelis were killing them.) The Lieberman character played by Olivier (he got an Oscar nomination; ironically, he also got one for playing an escaped Nazi war criminal in Marathon. Man a few years earlier) was based on Simon Weisenthal; does anyone even remember Weisenthal today? (Weisenthal was one of the people who helped track down Eichmann.) It’s no secret that many Nazis escaped to South America after Berlin fell, and Brazil, Argentina and Paraguay in particular; so much so that it was so much a part of the zeitgeist that everyone knew and a casual reference was easily picked up on. Levin took that, decided to make Josef Mengele, the escaped Nazi “angel of death”, and put him at the center of the story. And the scene where Leibermann finally realizes what Mengele’s plans are–that is the scene that earned Olivier the Oscar nomination. The film doesn’t pack the same emotional wallop that the book does–probably because by the time the film was released, most people knew what the title referenced and what it was about (Levin was a master of the huge surprise twist), which killed some of the suspense. Gregory Peck isn’t very good as Mengele, either; paired with his listless performance in The Omen, Peck was clearly phoning it in for the most part in the 70’s and cashing the checks.
And as I always say, you can never go wrong with Nazis as your villains. The two best Indiana Jones movies have him fighting Nazis; you just can’t come up with better villains–having the opposition be Nazis alone immediately makes your hero pure of heart and decent and makes you root for him. (The Vatican, however, is an excellent fallback choice.)
There’s also an excellent essay to be written about The Boys from Brazil, comparing and contrasting it to Robert Ludlum’s The Holcroft Covenant, which is also about an attempt to resurrect the Third Reich, with the the seeds planted in the waning days of the war.
The Towering Inferno was part of the big wave of disaster movies that was a thing in the 1970’s, spawned by the huge success of Airport and The Poseidon Adventure. Like all disaster films, it boasted an all-star cast chock full of award winners and household names–Paul Newman, Steve McQueen, William Holden, Faye Dunaway, Jennifer Jones, Fred Astaire, Robert Wagner, Susan Blakely, and Richard Chamberlain, to name a few–and a terrible script that was focused more on the adventure than the actual characters. (It’s also jarring to see O J. Simpson in a supporting role; and to remember he had a fledgling acting career before he murdered two people) Disaster movies inevitably fit into the Cynical 70’s Film Festival because they are always about preventable disasters that wind up happening because of greed and people in positions of power that invariably shouldn’t be; there’s always one scene where the person in charge of cleaning up the mess and solving the problem sanctimoniously lectures the person they feel is responsible for it: in this case, fire chief Steve McQueen lectures architect Paul Newman about the irresponsibility of building skyscrapers from a firefighter’s point of view (and having witnessed 9/11….yeah, watching the scene made me squirm more than a little bit)–but Newman, you see, is the hero; the fire and the building’s failure to be properly prepared isn’t his fault; construction manager Richard Chamberlain cut corners on the electrical wiring and so forth to stay on schedule and under budget to please building owner (also his father-in-law) William Holden. I watched the movie for the first time several years ago–and couldn’t make it all the way through on a rewatch. The acting is too bad, the writing too awful, and the story not compelling enough. It was nominated for like seven Oscars, including Best Picture–which should give you an idea of what a bad year that was for film. It was based on two novels, published around the same time, that covered the same ground–a fire in a new skyscrape–so the rights to both had to be secured to prevent lawsuits: The Tower by Richard Martin Stern, and The Glass Inferno, by by Thomas Scotia and Frank Robinson, with their titles blended into The Towering Inferno.
Around the time I originally watched The Towering Inferno I rewatched three other big disaster movies of the time–Airport, The Poseidon Adventure and Earthquake–and none of them really hold up. There were scores of other disaster movies of the time too–several Airport sequels, a movie about killer bees, etc.–but if the BEST of the time don’t hold up, the ones that weren’t considered good at the time must be really horrific.
And on that note, it is back into the spice mines with me. Have a lovely Friday, Constant Reader, and I’ll catch you tomorrow.
I don’t mean that in a metaphorical sense, either; I mean, I literally cleared a space off on our cluttered floor and gave my ossified muscles a good, old-fashioned stretch, going through exercises memorized as a teenager from warm-ups for various sports, but enhanced and modified for my Gymnastics classes. I was always flexible, you see–and the one thing no one ever tells people about flexibility is that it isn’t something you have to be born with–you can actually work on it, gradually becoming more and more flexible and pliant the more you work on stretching those muscles. Sure, they will tighten up again after a while, but the next time you stretch you’ll be able to go a little bit further than you did the last time.
Yesterday’s stretching felt good; so good, in fact, that I will probably do so again today.
And now I will talk about stretching in the metaphorical sense.
I am signing two book contracts today; one for Bury Me in Shadows and the other for the Kansas book, whose title (for now) is #shedeservedit. Both are books that I have been working on for an eternity now it seems; the pandemic and it’s bizarre effect on time doesn’t help with that mentality, of course. Both books are stretches for me, in that neither is a series book (sorry, Scotty and Chanse fans) but rather stand alones. I don’t know how they will be marketed, but Bury Me in Shadows has a college student as the main character and #shedeservedit is about high school. Part of the reason I finally went ahead and pitched the books is because I can’t seem to discipline myself to get them finished; the pressure and stress of a deadline, which I’ve been trying to avoid for the last few years, apparently is needed in these troubled times in order for me to get the work done. Both have required me to stretch as a writer–taking me into themes and plots that ordinarily I would avoid, and forcing me to go further and deeper into the characters themselves in order for the stories to work. Whether I have managed to succeed with either book remains to be seen, I guess. Signing the contracts is scary, of course; I am a bundle of jangly nerves this morning as I sip my coffee and get ready to face what has already developed into a challenging day before I even got to the computer.
I watched Chinatown yesterday as part of the Cynical 70’s Film Festival, and it really is quite a marvelous film–the costumes! The sets! The cars! The cinematography! Also a very twisty and sometimes confusing plot; with strong performances all around from the cast, particularly Jack Nicholson in the lead; Faye Dunaway is also gorgeous, if a little mannered and stiff; and John Huston just oozes evil from every pore as Noah Cross. It was a great homage to the classic noir films of the 40’s and 50’s; I was also a little amused at the conceit of the private eye having an office with a secretary and two operatives–obviously, Jack Gittes was quite successful as a private eye chasing adulterers around Los Angeles. Chinatown, with its focus on the systemic corruption of money and power in Los Angeles at the time, with a focus on the war over water (and seriously, given its history, why is Los Angeles not considered as corrupt a city as New Orleans and Chicago?), I enjoyed the film immensely. Dark and lush and with great attention to detail, I can see why it was a hit and achieved such critical acclaim; however, given that it is a Roman Polanski film, there was always this edge of guilt as I watched it again. I first watched it about twenty years ago and didn’t really think too much about Polanski’s status as a convicted child rapist and fugitive from American justice; same with Rosemary’s Baby, which I think, despite being from the late 1960’s would also fit in this film festival. I like both films and enjoy them both; but in modern times it has become increasingly difficult to separate the art from the artist. I did make a decision years ago never to watch a Polanski film made after his conviction and escape from justice, somehow justifying that his earlier films should be exempt from a justified boycott.
Separating art from the artist is a difficult debate, with many nuances and points of view from both sides that I kind of agree with. The fact that Roman Polanski committed a crime and then fled the country to avoid punishment should have, by all rights, ended his career–yet somehow that didn’t happen. He has continued making films–even won an Oscar for Best Director, I think–and has enjoyed success and critical acclaim. Should his art be judged separately from his personal life? Am I hypocritical for refusing to read Orson Scott Card because of his vigorous anti-gay activity back in the day because it affected me directly, yet still watching pre-crime Polanski films? In all honesty, I doubt I will ever watch Chinatown again after this second viewing; I most likely won’t go back and rewatch Rosemary’s Baby either, despite its being based on a terrific Ira Levin novel and the brilliance of Ruth Gordon as Minnie Castevets, and the fact that it fits into this film festival–the cynical movies which flourished in the 1970’s actually started being made in the 1960’s, and Rosemary’s Baby is one of the best films about paranoia ever made, frankly.
Something I really need to put some more thought into, definitely.
I need to get cracking, too–I have an essay to edit, another one to write, a short story to edit and revise; and of course the manuscripts that need working on. I have bills to pay and emails to answer, and I also have to go into the office today to get some work done there, stopping at the grocery store on my way back home. We literally have no food at all in the house, sigh.
And so on that note, tis off to the spice mines with me. Have a lovely day, Constant Reader.
Queer and Loathing in America 