Tag: General Hospital

Turtles All The Way Down

Thursday and my last day in the office for the week. I also only have to work Monday and Tuesday of next week, so I pretty much have a rather lengthy vacation with a two-day work break. Yay! It’ll be nice to relax and recharge and hang out with the boys and make progress on everything, sleep as late as Sparky will let me…woo-hoo!

Yesterday was a busy day in the clinic–the afternoon, at any rate–but I stayed on top of most everything somehow. Today should be somewhat easier, and I can get caught up on the few things I am behind on (mostly Admin work, processing paperwork from yesterday) before the stay-at-home day and my weekend. I feel pretty good this morning (more sleep would be lovely, but isn’t necessary) and am in a pretty decent mood. I didn’t do a lot yesterday when I got home from work; I went uptown to get the mail after work, which was an adventure because I left the office late. Got some Christmas cards (apologies again, everyone) in the mail, and my Anthropic settlement information. I watched The Real Housewives of Salt Lake City–which was a rather silly episode, but quite fun. I caught up on the news, refused to watch whatever speech that was that aired last night (and from what I am seeing this morning, I didn’t miss anything; so to me at least, it seems like it was nothing more than a distraction from the Vanity Fair disaster and all the other disasters rooted in this administration1), and then did some light picking up and filing before going to bed. I feel rested and good, miraculous for a Thursday, and cannot believe Christmas is a week from today. It was dark when I went uptown last night, and on my way home from Uptown last night I saw a lot of decorated houses, which kind of made me feel Christmasy. We’re getting a new television from Costco as a Christmas gift to ourselves. I don’t feel like we really need a new one, honestly, but the one we have is over ten years old, and Paul has been hankering for a new television, for reasons unknown to me, for several months now. I bought our current one at Target on the West Bank as a Christmas gift for the apartment all those long years ago. I don’t really care about gifts anymore, which has been a conundrum these last years because we don’t really need anything, so we’ve kind of abandoned birthday and Christmas presents. We usually, for example, get Chinese food for our birthdays as a treat, or a pizza from a place that’s inconvenient to go to.

I am hoping to get a couple of newsletters done over the weekend and set to post over a week or so; I need to finish my essays on Laurie R. King’s O Jerusalem, The Princess Bride, and General Hospital, and I have a new essay series I am planning, about my lifelong obsession with all things ancient Egyptian; which will be a lot of fun to write, methinks2. I also need to finish reading The Postman Always Rings Twice, and start my next read over this weekend as well (it’s looking like a toss-up between a Dorothy B. Hughes classic and the latest Eli Cranor). There’s absolutely no reason I can’t get a lot of reading and writing done over the holiday break, as well as cleaning and organizing with plenty of time to be lazy and relax. Staycations are kind of nice, actually. I also don’t think the clinic is busy next week, either; but after New Year’s, YIKES.

I didn’t watch this week’s new episode of Heated Rivalry, but I did see that Netflix canceled Boots, in what can only be seen as a capitulation of the company to the Pentagon, because the Secretary of Alcoholism didn’t think it “properly depicted the Warrior Ethos of the military.” I’d like to see that drunk rapist adulterous piece of shit make it through Boot Camp, and based on every piece of video evidence I’ve seen, that piece of shit can’t even do a pull-up properly. Such a masculine stud! Netflix also wants to acquire Warner Brothers, so they’re dancing around the Administration’s whining bitch-ass complaints. Leavenworth is too good for this piece of shit’s war crimes, and I also think he should be turned over to the Hague. Anyway, I digressed away from the point (because that piece of shit makes my blood boil), which was that a co-worker asked me in the elevator the other morning if I “wrote m/m romance under a different name.” I was a bit taken aback at first, but I just replied no, but kept thinking about it the rest of the day, and it’s popped back into my head any number of times since then.

I’ve not written anything that could be strictly considered romance other than a couple of short stories here and there over the years. I don’t read much romance–my supervisor loaned me an m/m romance novel last year that I still haven’t read, but writing gay romance (or “m/m”, whatever; but there are distinctions) is something that has occurred to me over the years. I do have several ideas for them, but they’re more romantic stories than actually romance. It would be a challenge, I think, but I love challenges and pushing myself to try to write new things I’ve not done before. I do need to read more romances, though, in order to really write a good one. Ever since Charles (shout out to Charles Click!) mentioned this to me the other morning, a sports one has kind of started taking shape in my head–partly because I already wrote an erotic short story about an athlete (who wasn’t a wrestler, LOL) that could easily be adapted to a novel.

Something to think about, anyway. Maybe after Chlorine.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check back in with you again tomorrow! From my workspace at home between the windows!

  1. At least we’re not invading Venezuela…yet. Happy with what you voted for, MAGAts? ↩︎
  2. And it gives me the opportunity and excuse to watch The Mummy movies with Brendan Fraser and Rachel Weisz again. ↩︎

I’m No Stranger to the Rain

Well, it’s Tuesday morning, so we clearly survived Monday, did we not? It was bitterly cold yesterday morning; I wore a sweater, a jacket, my hoodie under the jacket, and tights under my pants so it wasn’t terrible when I left the house in the morning, either. It’s cold again this morning, and will remain so for the morning; the afternoon won’t be too terrible. I didn’t mind the cold terribly yesterday, because I dressed for it for once rather than not doing so and whining all day about being cold. I hadn’t intended to dress for it again this morning, but looks like I will not have a choice. It’s chilly here inside the windows, but I slept well and feel pretty good this morning. I didn’t do much last night once I got home from work. I did make groceries on my way home, but once I was home and snug and comfy in my easy chair with a purring kitty and my blanket, I didn’t really want to get up and do much of anything, other than catch up on the news and do some more Youtube research. The news was its usual shit-show, the way it has been for at least ten or so years, if not this entire century. Whatever we thought the twenty-first century was going to be like in 1999 is not what we wound up with. Did anyone see this coming other than the Heritage Foundation, Faux News, and the Republican Party1?

I generally don’t comment on celebrity deaths; I don’t know the deceased, after all, and who cares what I think? I was a fan of Reiner and his work–The Princess Bride remains one of my all-time favorite movies, and so eminently quotable, too–and he made a lot of great films I enjoyed. He and his wife Michelle, as you know, were murdered on Sunday, allegedly by their son who has issues, which would have been bad enough but then, of course, sewage is always going to sewage. Even the dolts who are still hanging onto their belief in their tin-pot dictator wannabe, for the most part, were horrified by him this time; why was this time so different than every other time he’s been an insensitive spoiled brat? That’s what I truly find interesting about this latest idiocy. What was it about the Reiner tragedy that triggered such a response from his followers? I mean, it can’t have been empathy, right? So why this time? I can’t quite wrap my mind around this sea change for MAGAts, and I’ll probably wonder about it for a while. But the murders were a tragedy, but both Reiners left a distinguished legacy of work behind them–and Reiner’s films will continue to bring joy to viewers as long as streaming services carry them.

And I really need to do my essay on The Princess Bride, inspired by a conversation on Twitter where I wrote a lengthy tweet-string explaining why I find the movie so magical.

And while we’re commenting on celebrity death, Anthony Geary, long-time portrayer of the anti-hero Luke Spencer on General Hospital, also died recently. I watched the show in the 1970s and 1980s fervently, and Geary was no small part of that; and Luke-and-Laura were legendary in the world of soaps. Genie Francis still plays Laura on the show. The highest rated episode of any daytime soap was the wedding of Luke and Laura back in 1980 or 1981. Geary was gay; I don’t know that he ever publicly came out, but I read it in an article about him shortly after he retired from acting, I think. I guess that’s why I was always a fan. I never got a gay vibe from him, the way I have with other actors, either. So much for my Gaydar, although it’s easy to say it was a subconscious recognition.

I really need to write my General Hospital essay, too.

My God, I am so behind on literally everything. The good news is these are all just personal deadlines, so they are anxiety-inducing (not that I have anxiety anymore–at least certainly not to the life-controlling-and-strangling way I used to). Paul is doing an excellent job of clearing out the bedroom; and I should definitely take some time and do some pruning down of all my shit–including the books–and most especially my paper files. I don’t really feel like those need to be kept anymore, and it’s all just kind of hoarding of a different sort, isn’t it? I also need to clean out the kitchen cupboards, too, and the floors are just a given. Sigh.

We’re also supposed to have rain through the weekend beginning tomorrow, which is marvelous. Cold, gray and rainy makes for a snug weekend at home with Sparky, Paul and blankets. I am definitely going to do some reading this weekend, too.

I am also getting all of my Chlorine notes organized, so I can get into the feel of the book. As I said the other day (yesterday) I think I have finally landed on the character’s voice, and have decided that, despite it being technically a historical (it is set seventy years ago) I think I am going to write it in present tense. Maybe that’s a mistake, but switching from present to past would be time consuming but not terribly difficult to do. I may even try to write the first chapter this weekend, too, and see how it goes.

And on that note, I am heading into the spice mines. Have a toasty terrific Tuesday, and I’ll be back in the morning.

  1. Christ, I am neither an analyst nor a political reporter, but I predicted this outcome back during the Clinton Administration. How did I see it but none of the people paid to be political experts did? ↩︎

Don’t Shoot Shotgun

Goodbye, ruby Tuesday! We’re still having a heat advoisory today, and at this point I am trying to remember the last time we weren’t in one. I slept well again last night, and again didn’t want to get out of my comfy bed this morning. Ah, well, get over it, Gregalicious. I had a good day at work yesterday and got a lot done; but once I was home my ambitious plans for the evening fell by the wayside yet again as I provided a cat bed for Sparky and actually fell asleep for a little over an hour! That never happens. I did get some work done last night before falling asleep, and I am hoping that I’ll get some more done tonight. I am not going to be hard on myself because part of this new leaf/new stage in my life is being kinder to myself when I don’t live up to my own expectations.

We’ll see how that goes.

I also wrote two more entries, about the short stories I contributed to a couple of anthologies that are about to drop, and that felt kind of good, you know? I reread the stories for the first time since copy edits and you know, they are pretty good stories, and I am very pleased to be in anthologies with such terrific writers surrounding me. I also sent out a newsletter, about my reread of The Dark on the Other Side by Barbara Michaels, so yeah, I did get some writing done yesterday. I usually don’t count the blog and the newsletter as writing work, but they really are so I really should, shouldn’t I? It’s sometimes hard to believe I’ve been blogging since December of 2004–so blogging will be turning twenty-two later this year. Since I will also be 64 shortly, that’s about a third of my life. And now I’ve been a published author longer than I was not, if that makes sense? I’ve been a published author over half of my life now.

A definite milestone.

It’s also nice to feel reconnected to writing again, which is something I just realized that I am feeling again after a very lengthy period of not feeling connected to it, if that makes sense? I barely remember the beginning of this year. anything before I got sick is just kind of a blur nowadays, but I do know the writing of the new book wasn’t going well–and I was really exhausted going into getting sick, which made writing even harder. I don’t remember last year a lot, either. My memory is rather pathetic these days, and I am having trouble remembering things I should know. (While watching Wicked the other afternoon I could not remember Michelle Yeoh’s name to save my life; I wound up looking it up on my phone.) But this morning I feel like of course I can get all this stuff done, which is a lovely feeling and one I’ve not had for a considerable time.

We started watching The Hunting Wives last night on Netflix, based on the recommendation of a co-worker, and while we only watched the opening, pilot episode, it seems like the kind of soap operatic melodrama I often can’t get enough of (see past addictions to All My Children, General Hospital, Dynasty, and Melrose Place) and I am really looking forward to the rest of this first season. I went straight home after work last night, no stops anywhere, and while I may not have gotten any chores done (I need to empty and reload the dishwasher, and there’s clothes in the dryer) but the straightening I did this weekend is still holding firm. I may go straight home tonight, too–I need to have some things either picked up at the grocery, or delivered–and I can wait to go by the postal service tomorrow on the way home.

So, once I make it through my day job, I can get straight home and get to work on the chores before settling in to do some writing. I’ve promised a short story to an anthology–I already have two that with a bit of revising would be perfect–so I need to get back on those revisions, and I still have some other writing to get done that I really need to get done by Friday as a preference, Monday as a last ditch effort.

So, on that optimistic note, I am going to head into the spice mines this fine hot Tuesday morning. Stay cool wherever you are, Constant Reader, and I’ll be back later or tomorrow morning to check in with you again!

Promises

Tuesday morning, and I hope all is well with you, Constant Reader. I slept deeply and well, didn’t want to get under the weight of the blankets, but did and now I am waking up. I just had a piece of King cake (the on I bought Sunday has mysteriously been almost completely eaten since yesterday morning) with my coffee this morning. It’s forty degrees again this morning, only getting into the mid-fifties later. I did pick up my copy of Bemused (and a few other books, Disclaimer plus two non-fiction tomes, one about Appalachia and another about the Satanic panic and the Go Ask Alice literary fraud), came home, and Paul and I started watching season two of The Rig, which is interesting; I remember nothing much about the first season, but the show has shifted from the smaller story of the workers trapped on an oil rig in the North Sea and weird shit happening to a much bigger story that was kind of jolting. I do like the cast (including Emily Hampshire from Schitt’s Creek), and it’s interesting as it shifts from a horror story into The Abyss. Definitely an interesting choice, and one I did not see coming.

This year has turned into something, hasn’t it? Everyone was so glad to see 2024 usher itself out the door that we weren’t prepared for 2025 to be a disaster from day one. A terrorist attack on New Orleans to ring in the new year, and of course California is still burning. The very notion of putting conditions on federal aid, as well as “blaming” California for its own situation, is so not very Christian (looking at you, Mike Johnson–the fact that you consider yourself a modern Moses instead of a modern Jesus is telling) and an absolute joke when we open the federal wallet for hurricane relief without question every hurricane season (AS WE SHOULD)—when what we should be doing is figuring out way to make hurricane relief faster and more effective and efficient and to do better by victims of natural disasters–which are only going to keep increasing and with greater impact as we navigate the treacherous waters of the new regime. They come so fast and furious now that it’s easy to forget even the more recent ones. California is burning while North Carolina continues to recover from it’s unexpected hurricane disaster–does anyone even think about North Carolina now, in the winter? I do find it interesting that their state government is far more interested in overturning a free and fair election in their state while so many of their citizens don’t have shelter or power (or both). But we move on, like we always do, and assume that the recovery is completed once the story is out of the news. Angelenos are suffering a trauma right now, just as the North Carolinians still are, and the effects of those traumas are very long-lasting. Trust me, I know, and it will be years before either region is recovered, if they ever do.

Well, the New Yorker dropped its horrific article on the sexual abuse (re: rapes) perpetrated by Neil Gaiman on a LOT of women, and yes, I needed a Silkwood shower after reading it. It’s awful, and yes, it is terrible, but it doesn’t surprise me as much as it did the Gaiman fanboys and fangirls. I’ve never truly been that kind of a fan boy for anyone, really; there have been a few whose beliefs and values wound up not aligning with mine, but it wasn’t a trauma for me nor did it trigger an emotional meltdown because I don’t get that vested in artists as a general rule, so when they turn out to be awful in some way my reaction is generally well that’s a shame and I don’t read them anymore. Simple. Getting rid of Orson Scott Card from my shelves wasn’t a big deal, nor was never reading any further of Marion Zimmer Bradley’s1. I had read David Eddings’ The Belgariad2 in the 1980s when I went through my fantasy reading period, but didn’t know about his crimes (with his wife and co-writer) against their adopted children3 or that they did jail time until the piece on Gaiman dropped yesterday and the Internet lit up with angry former fans and friends denouncing his behavior. As for me, well, I’ll always be fond of The Sandman and sorry the Netflix series is ending after a wonderful first season, but I probably won’t be reading anything else of Gaiman’s, or revisiting The Sandman again. But I do think you can separate the art from the artist, to some degree; but that’s up to individuals and their own ick factors, I think. My mentality is I won’t ever get a chance to read everything I want to read, so why revisit the works of problematic, or read new works by them? I had no problem whatsoever cutting Dan Simmons out of my must-read list, and he was one of my favorite horror writers.

The Internet blew up at Carrie Underwood yesterday for agreeing to perform at the coronation of the anti-Christ Monday. Hey, if she wants to lick his boots, go for it, bitch. I’m not the one who’ll have to answer for it to God someday. Have at it, but remember no gay will ever listen to, download or buy anything you ever record from now on. Everything he touches dies, and why do you think you’ll be exempt from that? I imagine you lost any non-MAGA listener you had, but hey–you’ve got that Aryan Master Race thing working for you, so have fun performing for the glory of the Fascists. How did that work out for Leni Reifenstahl?

I was also a little saddened to read about the death of one of my favorite soap stars, Leslie Charleson, recently. She was the second actress to play Dr. Monica Quartermaine on General Hospital, and she lasted decades longer than the original. I always liked Monica, and absolutely loved the way Charleson played her. Sure, I enjoyed the whole Luke-and-Laura stuff, but I primarily watched General Hospital for the Quartermaines, who were conniving and backstabbing and fucking hilarious. (Jane Elliott’s Tracy remains my favorite soap character ever; scenes between the two were great television.) I always thought they should have their own show, and the way they kept killing off Quartermaines willy-nilly over the years was really aggravating; I wanted more Quartermaines, not fewer, and they never deserved to be on the back burner.

And on that note, I am heading into the spice mines. Have a lovely Tuesday, Constant Reader, and I’ll check back in with you again tomorrow.

  1. I was a fan of her gay romance, The Catch Trap, and had always meant to read her Arthurian novels…I can live without reading The Mists of Avalon, after all. ↩︎
  2. I’d actually considered revisiting that series, because of my fond memories of it, but now? Ick ick ick. ↩︎
  3. It’s pretty horrible to adopt children so you have victims at your mercy. ↩︎

Brothers in Arms

Ah, the Menendez Brothers.

I hadn’t thought about them in years until Ryan Murphy announced they would be the focus of the second season of Monsters (although it could also have been a season of American Crime Story, for that matter; how does he decide? How did he decide Grotesquerie would stand alone when it could have been a season of American Horror Story? For that matter, why is the Aaron Hernandez one American Sports Story instead of American Crime Story?). It’s been over thirty years since the original murders, and this case was the first one I remember that was, thanks to cable television, part of the public discourse; the trial was televised and people watched; everyone had an opinion; and the tabloid coverage was crazy. I don’t remember another crime story have this kind of impact before, but it set the stage for OJ’s trial, the Jon-Benet Ramsey murder, and so many since then it’s hard to really keep track of them all. But I do believe the brothers were the first to be so much in the public eye once they were arrested; a “viral” crime before anyone knew what that even meant.

I wasn’t sure I wanted to watch this latest take on the Menendez brothers and the murder of their parents, to be honest. I’ve watched at least one documentary on the case years ago, and I watched the made-for-TV movie with Billy Warlock of Days of Our Lives and Baywatch fame (I remember especially the scene when his wig was torn off his head), and of course I read Dominick Dunne’s coverage in Vanity Fair. As I mentioned, it was one of the first murder cases to get national attention, to be was all over the 24 hour news channels, not to mention Court TV and all the others. The national tabloids, magazines, and even local newspapers and stations scrambled for coverage1 . I remember the first trial ended in a hung jury, and I kind of lost interest after that–as did the media. The only reason I knew there was a second trial that ended in convictions was thanks to Dominick Dunne. The case would get back into the news periodically in the years since, but I didn’t really pay much attention. Books and documentaries and fictional adaptations continued to be churned out in the decades since their conviction, and like I said, I wasn’t really planning on watching this new series2. I thought they were psychotic killers who murdered their parents for their money.

And yet, one Saturday night after we’d finished watching all the football games, Paul suggested we start watching Monsters, and I thought, why not? If it’s not good, we can always stop watching.

I didn’t think the first episode was very good3, but we decided to give the show one more episode on Sunday, and then we were hooked. It’s a very Ryan Murphy show, to be sure: it’s visually beautiful, and the acting is excellent. The two young men who play the brothers, Cooper Koch (Eric) and Nicholas Alexander Chavez (Lyle), late of General Hospital, are gorgeous to look at, are often shown in some form of undress (including a full frontal shot of Koch), and they deliver some astonishing performance (so does the entire cast). There’s one scene that Koch does that is almost the entire episode, him doing a monologue about his life, his parents, his brother, and his failures, his weakness, that is an Emmy reel in and of itself. Javier Bardem and Chloe Sevigny are also fantastic, as is Nathan Lane as Dominick Dunne; Leslie Grossman and Ari Graynor also shine in supporting roles. One thing you always have to give Murphy credit for–incredible actors giving incredible performances is something you can usually expect from one of his shows. (Jessica Lange’s four seasons on American Horror Story is a masterclass in acting talent and range.)

While I know the family has had some objections to the series–not the least of which is the implication that the brothers had that incestuous closeness; but some of the scenes that showed that were from other people’s perspectives; for example, the scene in which they are in the shower together–a cousin has stated that the dad did make the boys shower together–and Lyle did testify under oath that when they were kids, his dad encourage him to also molest Erik. (I think seeing a report on that is what made me think there were hints of incest in their relationship; I honestly don’t remember as it was thirty years ago and I didn’t pay that much attention. I did think, when I first read about the murders, that they were guilty (they did shoot their parents) and when they switched the sexual abuse defense, I 1000% thought they were making that up (no one could say it didn’t happen) as a “get out of jail” free card.

And watching this show? For the very first time, I thought they might have been telling the truth. I knew boys were capable of being raped and molested and abused as children, even as teenagers; the priest scandals were just slowly beginning to come out into the light. but the amount of Americans–men especially–refused to accept the fact that boys could also be victims was astonishingly high. For one thing, most victims were too ashamed to do anything about it (another toxic masculinity issue), and because other men wouldn’t believe them, or think “they wanted it” (you know, the same things they say about women rape victims). The shame of “being unmanned” was still a thing in the 1990’s–the toxically masculine also have issues with gay men because it besmirches manhood or something fucking stupid like that, or “womanizes” men. And it was very difficult for anyone to believe a father could do that to his sons.

And bearing that in mind, I completely understand why the Menendez brothers wouldn’t have told anyone, nor would they have told the cops or their original lawyer. It makes sense. And they only admitted to it when it looked like they were definitely headed for the chair.

It. Makes. Sense.

And I would have probably voted to acquit.

The show also highly sexualizes its young stars in a way that we are seeing more of these days (certainly in Ryan Murphy series; I have to say I do approve of the objectification of men–and I also like that the gay male beauty standard, so often maligned within our own community, has clearly spread to straight men of all ages. I’m amazed, for example, how many young men have realized the importance of leg day and building up a lovely round hard butt. The two young actors playing the leads, Cooper Koch (Erik) and Nicholas Alexander Chavez, are incredibly gorgeous; Koch even does a full frontal scene sans prosthetic. They also had good chemistry between them, which…I can certainly understand why the family was furious about the hints of incest in the series–but that was what the person whose perspective was being shown thought. Lyle also testified to abusing Erik when they were younger–and like I said, they seemed almost unnaturally close.

And when it was all over, Paul asked, “do you think they were abused?”

GREG: I didn’t at the time, but now I’m not so sure. And they’re the only ones who know for sure, so we’ll never know.

I think the show had changed a lot of minds about the brothers–and now that a member of Menudo had come forth to claim he was also sexually abused by Jose Menendez, they may even finally get out of jail…but would they have been so “viral” at the time if they weren’t good looking young men?

Sexualization, Party of Two?
I could be wrong, but I don’t think men’s bikinis were cut or worn like this in 1990.
See what I mean about sexualizing them? There’s an entire scene of him doing squats with dumb bells FROM BEHIND.
This is another example of the “incest inference” scenes. It doesn’t look like anything off until you think, would two young men talking in a pool float this close together?
  1. When we got to the episode on the Ryan Murphy series where OJ went on the run in the Bronco. Paul turned to me and said, “The 90’s were a time, weren’t they?” to which I replied, “Jon-Benet Ramsey, Versace, OJ, the Menendez brothers–yeah, it was one major crime mystery after another.” ↩︎
  2. I have a love/hate relationship with Ryan Murphy productions. When he hits the ball cleanly, he knocks it out of the park. But most of the time his shows collapse under their own weight and endings rarely resolved everything. But his better shows are usually based on a true story… because the story’s already written. ↩︎
  3. It was very over the top and campy; it wasn’t until later that I realized that each episode is the story from someone else’s perspective (aka Rashomon), which is something I absolutely love, so I should rewatch that episode to get a better sense of it. ↩︎

New Fire from an Old Flame

I grew up watching soap operas, and yes, soaps also influenced my development as a writer–which means I have to be careful not to slip into melodrama.

I know my grandmother watched them, and so did the lady down the street who babysat us in Chicago: One Life to Live, General Hospital, and Dark Shadows. I’ve always recognized Dark Shadows as a major influence on me as an artist and author; that and the old black-and-white crime movies my grandmother loved to watch with me. It’s why I’ve always had a taste for the dark and Gothic, and Dark Shadows merged horror with mystery in an expert blend that I can vividly recall to this day–and often go there in my work sometimes.

One Life to Live was always interesting, and they did stuff other shows weren’t doing. Viki’s Dissociative Identity Disorder storylines–including when it came back when she was under heavy emotional stress, usually involving memories of her father–was riveting; so was the Carla storyline, in which a beautiful young light-skinned black woman was passing for white, and involved with a white doctor. (I was terribly disappointed to find out, years later, that actress Ellen Holly, the first Black female star of a soap, received death threats and was also victimized by bigotry within the cast and crew and network.) It was never a favorite through the late 1970s and 1980s, but I watched; Erika Slezak was terrific as Viki and Robin Strasser was INCREDIBLE as her arch-enemy and stepmother, Dorian Lord. Andrea Evans returned in the 1980s as Tina, Viki’s ward…only to find out that Tina was actually her half-sister because her mother, Viki’s best friend, had an affair with Viki’s father…which led to yet another return of Viki’s DID.

Like all soaps, it was complicated.

But it was in the 1990s that One Life to Live became must-watch television.

Novelist Michael Malone was hired, out of nowhere, to be the headwriter, and he reshaped the show completely to his vision of what good storytelling should be, and the issues the show should be bringing forward. He introduced some new characters, slowed down the pacing of the show, and dove into the interior lives of the long-term characters, as well as their history. There were any number of explosive storylines during this period that made the show must-watch television; I recorded it every day so I would never miss anything. (All My Children and General Hospital were also having glorious runs at the same time; ABC was firing on all daytime cylinders.)

And then they brought in a new character, a friend of Viki’s son Joey, Billy Douglas–which was also Ryan Philippe’s big break.

Seriously, how adorable was young Ryan Philippe?

Daytime had dipped their toe in the water of queer characters before, before quickly ending the storyline and writing the character out. But in the early 1990s, Malone was willing to push the envelope and confront homophobia in all of its ugliness. It began with the arrival in town of Reverend Andrew Carpenter, who was shortly followed by his father, Sloan, from whom he was estranged. The reason of the estrangement was the father’s rejection of his gay son, who subsequently died from HIV/AIDS. Andrew can’t get past how his father rejected his brother due to homophobia, and they didn’t reconcile before the brother’s death. Already something was building here, and then Joey Buchanan’s (Viki’s younger son) friend Billy–a popular athlete, just elected class president–comes out to him. Joey is surprised, but accepting, and is there for Billy as he agonizes over what to do. Eventually, he goes to Andrew for counseling–and young villainess Marty Saybrooke, whose romantic interest in Andrew has been rebuffed, overhears the counseling session and tells everyone that not only is Andrew gay, but he’s been grooming (the term wasn’t used there) Billy into becoming gay too! The town is then torn asunder over the sudden outbreak of homophobia; Billy comes out to his parents and is rejected by his father, everything comes to a head, and the truth comes out–and Marty would get “punished” for her crimes later, in the most horrific way possible (again, must-watch television)–and Andrew and his father reconcile; the AIDS quilt is brought to Llanview; and people become more accepting of Billy. They introduced a love interest for him, but viewer reaction to this was harsh, and so they wrote Billy out by sending him off to Yale, never to be seen again.

Since then, almost every show gradually had gay or lesbian or bisexual characters, but I have stopped watching soaps, finally giving up on them in the late 1990s because I couldn’t really spare the time to watch anymore. But Billy, acted brilliantly by young Ryan Philippe, and beautifully written, was one of the first and best portrayals of a gay teenager on television, and I’ve been a fan of Philippe ever since.

It’s a shame One Life to Live no longer airs, going down in the bloodbath of soaps after the turn of the century. The show’s run in the first half of the 1990s was extraordinary–including the brilliantly conceived and written gang-rape of Marty that happened at a fraternity party, and the aftermath was explosive and brilliant. One Life to Live at the time also had a fantastic cast, wracking up Emmy wins left and right…and it was shortly after the Billy storyline concluded that they cast Nathan Fillion as Joey–and another fandom was born for me.

I’ve often wondered how much impact that story and character had on the public perception of queer people as well–during the Clinton administration things began to look up a bit from the horror of the 1980s, and I think television definitely had something to do with it, with positive representation.

I Can’t Help It

Yesterday afternoon’s doctor visit went fairly well, all thing considered–I certainly feel much better after that visit than I ever felt after visiting my former primary care physician, who should lose his license (more on that later at another time, but I will share that story at some point not to shame my former physician but as an example of precisely why we have to advocate for ourselves with medical professionals)–and I have to say I am in a good place about everything medical this morning. I don’t have gout (yay!), but rather have psoriatic arthritis in my toe, which isn’t great–but it’s not so painful that I need medication for it. I just know that the toe joint hurts whenever I bend it. Better that than gout, right? And my blood sugar is high, but not quite pre-diabetic, so I do need to cut back on rich and fattening foods (which I should do anyway) and increase my exercise (well, once the arm is healed I will be all over that, thank you very much). On Halloween I have an early fitting at the dentist’s–meaning the day when the soft food diet becomes history and a bitter memory is nigh, and eventually the surgery will be here and then it’ll be recovery time.

Nothing like spending the holidays recovering from a surgery.

I spent some more time with The Dead Zone last night, and got through the part where Johnny’s psychic gift is actually exposed to the world at last, even as he is still recovering and going through horribly expensive surgeries (King was also ahead of the curve in that he was writing about how medical bills can bankrupt people long before it was in the public discourse). This was when he touched his physical therapist and saw that her house was on fire; it was witnessed by several people at the hospital and of course, someone leaks it to the press and reporters descend on his hospital. I am really enjoying this book this time around–I always do–but the days when I could just pick up an old favorite and revisit it are in the past; now I always think about the others in the piles and on the bookshelves that I’ve not gotten to quite yet. I also saw yesterday that rereading books was yet another example of anxiety functioning; drawing comfort from the familiar–you know how the book is going to end already, so the anxiety that comes from not knowing how it will end–which makes me read faster and unable to put a book down–is absent and you can just enjoy it. This is precisely why Paul and I used to always rewatch the rebroadcast of LSU football games on Sunday–so we could actually watch the game without the stress of worrying about the outcome; and there were often things we’d missed in the heat of the moment.

I also watched another episode of Moonlighting, which I am enjoying very much the second time around. It’s held up pretty well, outside of the occasional misogyny; and there’s a lot less of that than you’d think, given it was the 1980’s and misogyny was still rampant everywhere (not that it’s ever stopped, but shockingly things are better now than they were forty years ago). The chemistry between young Bruce Willis and a gorgeous Cybill Shepherd was off the charts–even if her character was a bit over-the-top angry sometimes; it’s easy to see why Addison was a fan favorite, even though she came into the show as the bigger name and no one knew who Willis was. But the show was going for the rapid-fire dialogue of the great screwball romantic comedies of classic Hollywood–His Girl Friday, The Philadelphia Story, Bringing Up Baby, My Man Godfrey–that I absolutely have always loved.

Paul got home after I went to bed, and I was so dead to the world I couldn’t tell you when that was or what time, which is my way of saying I slept super well last night. We have a relatively light schedule at the office today so I should be able to catch up on all my work. Tomorrow I have an appointment at the pain management clinic–more surgery prep–but it’s also my work-at-home day, which means I made it through the week and to the weekend again. There’s also not an LSU game this weekend (it’s the pre-Alabama bye week) and I also looked at what games there are this weekend and yeah–nothing I particularly want to watch, so I should be productive this weekend, even if that means just reading.

I also watched the season premiere of The Real Housewives of Beverly Hills, and doing some more thinking about my reality television viewing and why I am drawn to these shows about horrible people behaving badly. They used to be just a pleasurable, turn my mind off kind of entertainment; much as soaps used to be (and I watched plenty of those back in the day, which is a topic for another time as well) but something’s changed in the last few years, even before the pandemic, really; my mentality about these kinds of people has shifted in some ways that I can’t quite put my finger on. I mean, I know they’ve always been terrible people–even the ones I liked–but I guess before I was able to just see them being horrible to each other and it was entertaining in a weird, performative way–like how you can’t help but look at a car crash when you pass one. The 2016 election and all that followed in its wake made me realize that these are terrible people and that probably spills over into other parts of their lives as well–including things like politics and social justice.

And do I really want to spent my off-time encouraging and feeding into the machine that makes these terrible people famous? And what does it say about me that I watch these shows so I can sit in judgment on them and their behavior and feel morally superior to them? It’s one thing when they’re fictional characters designed specifically to prey on your emotions–judging Monica Quartermaine on General Hospital for bad choices is one thing because she’s fictional. Her trials and tribulations are scripted for maximum drama, nor do they matter outside of the context of the program…it’s not real. It’s an entirely different thing to watch Real Housewives of Beverly Hills and judge Erica Girardi (which I’ve done plenty of, believe you me) when her life and behavior actually have real life consequences. She’s a real person, and what we watch on television is some of her reality but not all of it; we only see what the producers want us to see as they shape her narrative and influence how she is viewed. “Blaming the edit” has become widely mocked–you can’t get a bad edit, really, if you haven’t said or done something that can be used to make you look bad, but the reality is anyone can cherry-pick anything to make someone look bad–Fox, Newsmax, and OANN made a fortune doing that very thing. Don’t get me wrong; I have judged her many times and found her wanting, but at the same time…there is that element of well, she put herself out there to be criticized and judged, but does that make it okay? Does she deserve it?

So sometimes, even as I judge and roll my eyes, I do feel a bit squicky about watching. And that doesn’t even take into consideration the lie that the shows are real. They remind me of professional wrestling before Vince McMahon outed the sport as entertainment with predetermined results (to avoid the federal regulations of actual competitive sport and escape culpability for steroid abuse); fans swore it was absolutely 100% real, when those who weren’t fans could clearly see it was not.

And on that note, I am heading into the spice mines. May your Thursday be as marvelous as you are, Constant Reader, and I’ll check in with you again tomorrow.

I Can’t Believe She Gives It All To Me

And just like that Wednesday has rolled around again, and today is the day I meet with the orthopedic surgeon to determine just what needs to be done to repair my torn left biceps muscle. I am a little nervous, to be honest, and more than a little trepidatious about it. I’ve not had any kind of surgery since having my tonsils out as a child and a potentially cancerous lesion removed in 2007, so I’ve kind of been lucky on that score (I don’t consider tooth extraction–even the wisdom teeth–as surgery; just how my mind works so don’t @ me, okay?). Dr. Google has told me that I’ll need physical therapy, a soft cast, and a sling (not the fun kind) for a while, maybe as much as six months to a year, which is definitely not pleasant or anything I want to happen to me at any time, but if needs be, it needs be, I guess.

At least after today I won’t have to wonder any more.

But my rebooting the week seemed to have done the trick. Yesterday was a good day; I slept really well and was in a very good mood when I came to work. A friend texted me to remind me that it was also my first birthday since Mom died, and so subconsciously I was probably grieving, which was why the energy felt so off Monday (the news of Tiger’s passing didn’t help much in that regard) and it really should have hit me when I got Dad’s note in the mail. It’s funny, I keep trying to tell Dad that it’ll gradually get easier but it really never does, does it? Hell, just typing since Mom died makes my eyes fill. I need to remember to keep being kinder to myself, and not so hard always on myself. After work I ran errands again–much as I hate driving all the way uptown every day, at least when I do there’s a place to park when I get home, and Paul’s expecting something, and I needed to make a little groceries on the way, too–and followed my Monday strategy of showering after emptying the dishwasher and putting my groceries away. I did finish the new draft of “Whim of the Wind” last night–and I have a place to try getting it published now–so I am going to let that sit for a couple of days before digging back into it. I’m glad that I let go of the sentimental attachment to the story since I wrote it back in college; it makes so much more sense to revise it into something different but keeping the same feel and vibe. I don’t think I stuck the landing on the second draft, but I have something to work with now, and that’s terribly important.

I tried working on another story after I finished that revision but alas the fountain had run dry by then. I did pull up both stories I want to get to work on, and maybe after my appointment this afternoon–and errands after that–I’ll be able to sit here and finish both stories tonight. I slept great last night–even better than i had the night before–and actually didn’t wake up until four (then five, then the alarm) which was probably the longest stretch of “straight through” sleep I’ve had in I don’t know how long. It was again miserably hot yesterday, but these last few days haven’t felt quite as hellish as the ones before. Paul was late getting home last night (board meeting) and after I finished writing for the evening, was kind of lost. I did do a load of laundry and another load of dishes, even going so far as to clean and straighten up the kitchen (I also showered when I got home; the twice daily showers seem to be doing the trick–getting things done and sleeping well) before repairing to my easy chair to watch some Youtube. Yesterday evening I revisited some scenes from old soaps, mostly General Hospital and All My Children–I still haven’t accepted that it’s no longer on the air–and I was also thinking about all the actors from soaps we lost to HIV/AIDS back in the day; and how many really gorgeous young men had appeared on the soaps when I used to watch and then just disappeared…which, of course, makes me wonder. (I love that the actor who played Derek Mallory, the police chief on Edge of Night back in the late 70s and early 80s, started in gay porn movies.) Someone really should write about that; and how actors had to remain closeted to have careers until the modern day era where there are only four soaps left, but they often have gay characters and storylines now. (was it Christian McLaughlin who wrote Glamourpuss, about a closeted gay soap star who gets outed, so the show makes his character gay and turns him into the villain?), I remember when Donna Pescow played the lesbian nurse on All My Children back in the day–she wasn’t around long, of course, the occasional queer character rarely lasted for long–but i would love to read a book about the history of queer actors and queer storylines on the daytime soaps–I remember the gay teen storyline on One Life to Live back in the day (Ryan Philippe’s first big break as an actor was playing that gay kid) and remember thinking wow what a difference this storyline would have made to teenaged me back in the day.

Representation matters, people. It really does. And if you’ve never not seen yourself reflected back to you in popular culture, you literally have no idea what it feels like or how moving it is when you finally do.

And on that note, I am heading into the spice mines. Have a lovely day, Constant Reader, and I’ll check in with you again later.

Dark Shadows (Josette’s Theme)

I always forget this when I am asked about major influences on my life, writing, and career–but probably the biggest influence on me was the television soap Dark Shadows.

“My name is Victoria Winters…”

So began the first episode, with young heroine Victoria speaking over some rather spooky music, usually with a background scene of a light in the window at the great house of Collinwood in the fog, or waves crashing against the beach, or the family cemetery, or even the Old House.

Dark Shadows is probably the root or seed from which Bury Me in Shadows was grown from, now that I think about it more. A haunted old house, an even older house in ruins nearby in the woods that was the original family home, ghosts and secrets from the past–oh yes, the framework is absolutely there, and it never even occurred to me.

When my sister and I were kids, we moved to Chicago from Alabama. I was about two years old, give or take; I don’t remember moving up there nor do I remember ever living in Alabama; my sister was two years older. My parents both got jobs–the point of the move was for climbing the economic ladder; they both got really good jobs in factories while my dad finished his degree. But because they both worked (our friends and neighbors all felt sorry for us because our mom had to work; their moms all were housewives), we needed to be watched while they weren’t home. Our landlady recommended a woman down the street–a mother of six whose two youngest were in their last years of high school–and so we started spending our days with Mrs. Harris, who fed us breakfast and lunch, and Mom would pick us up on her way home from the bus stop. When we started school, we went there for breakfast and lunch but came home after school; school let out at 3:15 and Mom was usually home by 3:30. But it was Mrs. Harris–and my grandmother, who worked a night shift–who got me started watching soaps in the first place. One Life to Life and General Hospital sort of held my attention, but it was Dark Shadows I couldn’t wait for. I used to run home from school to try to catch the last five or ten minutes during school; it wasn’t a problem during the summer.

I loved Dark Shadows.

I was crushed when it was canceled.

I mean, look at that house!!!!

The show wasn’t canceled, although the ratings were starting to slide a bit in the later years. The truism that Dark Shadows‘ producers and writers discovered is one that practically every other continuing series having to deal with the supernatural and supernatural creatures has had to deal with: how do you keep topping yourself and raising the stakes? True Blood, Supernatural, The Chilling Adventures of Sabrina, and countless others have all run headfirst into that wall. Once you’ve done time travel and vampires and witches and werewolves and Frankenstein and other dimensions, what is left to do? I admire them for pulling the plug rather than getting more and more desperate to get the ratings up and eventually damaging the legacy of the show.

The show was a phenomenon the likes of which had never really been seen before in daytime–and the lesson learned from its success (go for the young audience!) would soon lead to the creation of youth-oriented shows like All My Children and The Young and the Restless–and of course in the mid-1970’s soaps would be forever changed when General Hospital introduced the character of teenager Laura Webber, played by an actual teenager, Genie Francis–and daytime was never the same. But Dark Shadows managed something that other soaps hadn’t–they created teen idols. Jonathan Frid as Barnabas, David Selby as Quentin, and even David Hennessey as David Collins were often on the covers of teen magazines like Tiger Beat and 16. The show even licensed FAN FICTION–a series of books based on the characters from the show, but thanks to all the fun stuff with time travel and parallel dimensions, Dark Shadows was perfect for spin-off books that took place in other Dark Shadows universe; one could even say Dark Shadows was one of the first shows to make use of a multi-verse.

The books were cheap–as you can see in the picture above (a copy sent to me by a friend with whom I bonded over our mutual love of the show) they ran between fifty cents and seventy-five cents a copy; they all had that same gold bordered cover with an oval image of characters from the show, and they were all written by “Marilyn Ross”, which was a pen name for a very prolific Canadian author named  William Edward Daniel Ross; he wrote over three hundred novels during his career, and Marilyn Ross was the name he used for Gothics–and the Dark Shadows books. (He also wrote as Clarissa Ross, and I read some of those novels as well, including The Spectral Mist.) They also weren’t particularly well written, and while they did take place outside the show’s continuity, there were also moments in some of them that didn’t make sense; in one of them, in which Barnabas shows up at Collinwood in the 1910’s, the only son of the family dies in a tragic accident…but if he was the only son, where did the present day Collinses come from? (The earlier books were told from the perspective of Victoria Winters, and in some cases the gimmick was some member of the family was telling Victoria a story about the family history.)

That’s the kind of shit that drives me insane.

But I remember when one of the off-brand television channels in Chicago (not affiliated with a major network) started running repeats of Dark Shadows from the very beginning when we lived in the suburbs in the evenings while the networks ran the evening news–guess what I was watching instead? Yup, Dark Shadows. (I always found it interesting, too, that the young actress who played Victoria Winters originally–Alexandra von Moltke–eventually became infamous as Klaus von Bulow’s mistress Alexandra Isles, who was, in the prosecutor’s theory, the reason Klaus injected Sunny with enough insulin to induce the coma from which she never woke up. But I digress.

I always wanted to write a vampire story similar to that of Barnabas Collins; I have an entire idea for a rural Louisiana version called Bayou Shadows that I’ve tinkered with off and on since the early 1990’s…but then Charlaine Harris started the Sookie Stackhouse series, which was essentially the same thing. I still might write about Bayou Shadows–the town called that has popped up from time to time in my books about New Orleans and Louisiana; most recently in A Streetcar Named Murder, actually–and if people think I’m ripping off Charlaine, so be it.

I’ll know that I’m really ripping off Dark Shadows.

The show also spawned two feature films, Night of Dark Shadows and House of Dark Shadows, each featuring one of the show’s leading men, Jonathan Frid and David Selby, respectively; the first did far better than the second. The show was revived in prime time for a single season in the late 1980’s; I watched it and loved it, of course–even got Paul to watch when it became available on DVD and I rewatched. I wish that show had been given more of a chance, because it was really quite good, and I was curious to see where the story went from that first season. It also had an excellent cast, including Hammer Film star Barbara Steele as Dr. Julia Hoffman. I did watch the Tim Burton film from this century, which had some clever moments but wasn’t quite as good; it went for the silly parody thing The Brady Bunch movies of the 1990’s did, but it didn’t land. The actress who played villainess Angelique in the original series, Lara Parker, has also written some Dark Shadows novels (I have copies but haven’t read them; I really should). Kathryn Leigh Scott, who played the original Maggie Evans on the soap (and in the first film) also has written novels; she was at Long Beach Bouchercon, where I met her and got a signed copy of her book Down and Out in Beverly Heels. She was lovely and couldn’t have been nicer; I really should read that book someday.

I’ve had Dark Shadows on my mind lately because I bonded with Carol Goodman at Bouchercon over our mutual love of Dark Shadows, and the Scotty book still in draft form takes place mostly in a rural parish outside of New Orleans; not the same parish where Bayou Shadows is located, but the next one over.

Sometimes I think it would be fun to reboot the show again, retelling the original story, or picking up from where the television series ended, or even doing a new generation, some forty years later, with David Collins as an adult with children and so forth…Carol and I have joked about coming up with a concept and trying to sell it and be the showrunners…which would be a dream.

When the Lovelight Starts Shining Through His Eyes

As I mentioned yesterday–these blog post titles taken from the Supremes discography sometimes feel a bit off as I do some Blatant Self-Promotion about my new soon-to-be-released novel #shedeservedit.

I got my first ignorant comment on one of those blog posts yesterday; someone posted a link to a video about “toxic femininity” and how it’s “as bad if not worse” than “toxic masculinity.” Needless to say, I not only didn’t approve the comment but marked it as spam and blocked the user from commenting/reading my blog. For those of you who are new here–I don’t engage with trolls, not do I permit them the energy or the oxygen of allowing their ignorance to be seen by anyone here. This is my blog and I pay for it; therefore I will curate the content here and if you want to troll me, well, it’s just going to earn you a comment marked as spam and get you blocked, so don’t waste your time or energy on me. You may, of course–I cannot stop you, but I won’t engage with you nor will I allow Constant Reader to see your ignorance, so there you have it.

I wrote yesterday, and it felt good to get another chapter down. I only have two more to go and the revisions, and I have to say, pantsing this thing on a tight deadline hasn’t been the easiest way to write this book, but it’s working. I’ve got the plot all worked out now, who the killer is and why, and now all I have to do is cram the resolution into the last two chapters and we are finished, done, ready to go off to the editor with prayers that she likes what I’ve done and doesn’t require a complete overhaul, which is also entirely possible and within the realm of probability–one of the reasons, frankly, that I’ve not signed. a contract to dive straight away into another book when this one is finished; I thought it best to leave my time free just in case. (I am going to start working on Chlorine and Mississsippi River Mischief while waiting for my edits; there’s always something to write, after all–I can also work on the revisions of the novellas in the meantime as well.)

There’s always something…

Today’s BSP is going to focus on writing about small towns, rather than what I’ve been covering (toxic masculinity). The first book I remember reading about a small town that really stands out to me–as an examination of small town dynamics, rather than merely a setting for the story–was Ellery Queen’s Calamity Town, which was, if you are an Ellery Queen fan, the first Wrightsville story. There were several of these novels–the second, I believe, was The Murderer is a Fox–and I enjoyed them all; Queen clearly loved writing about Wrightsville, since he kept returning to the scene of the crimes, as it were, but the best, the true standout for me, was the first: Calamity Town. This book–published well over a decade before Grace Metalious scandalized the world with Peyton Place–also covers the same territory as Peyton Place: scandal and hypocrisy and the paralyzing power of gossip in small town America. Calamity Town remains a favorite mystery novel of mine to this day; I should reread it. It’s plot is ingenious and entirely rooted in human psychology, and it also contains one of the best and most clever misdirections in crime fiction history. It was Calamity Town that made me first start thinking about how small town society is actually a microcosm of American society as a whole, all encapsulated in a small package, and also that made me realize, for the first time, how claustrophobic small towns can be; where everyone knows everyone and you can’t really do anything without someone knowing; and how secrets kept can become very damaging over time. Queen is, at first, struck by the apple-pie Americana of Wrightville…and then he begins peeling back the layers.

Peyton Place, which I found to be far less scandalous than either General Hospital or All My Children by the time I got a copy at a secondhand bookstore in Emporia when I was seventeen or eighteen, also showed me again how claustrophobic small town life could be. Sure, there’s some bad to the point of laughable writing in the book (“your nipples are hard as diamonds”, anyone?) but other than those brief moments, overall it’s a very well-constructed book and a damning indictment on the hypocrisy of American small towns. I also read Sinclair Lewis’ Main Street around the same time for an American Literature class (I still think we should have read Elmer Gantry instead, or It Can’t Happen Here, but I was not in charge of the syllabus), which is also about the falseness of keeping up appearances and worrying what the neighbors think. I find it interesting that “small town American values” are frequently–particularly by conservatives–pointed out as what is the backbone of our country and so on and so forth (part of the entire “cities are BAD” thing we have had going on culturally for decades, if not centuries), but when that veil is peeled back, there is just as much rot and decay as in any “wicked” city. As I pointed out on Susan Larson’s radio show the other day, the vast majority of the soaps were originally set in very small towns, rather than urban centers.

Nobody does small towns quite like Stephen King, and the first time he really addressed small town life was in ‘salem’s Lot–although it can be argued he did a masterwork on small town life with Needful Things–and it was in his tale of small town Maine being overrun by vampires, he also did an incredible job of painting the town, it’s working class citizens and the minutiae of their lives; how circumstances trapped some of them and killed their dreams–and how others never had any dreams to be killed in the first place. The way he interweaves the lives of his small town characters, their relationships and histories and how everything is interconnected is masterful; has anyone ever done a critical analysis of King’s work with small towns? It also falls into this group; what King does with Derry is just as exceptional as his work on Castle Rock and Jerusalem’s Lot in the other works.

I based Liberty Center on Emporia, Kansas, geographically; my town is loosely laid out the same way Emporia is; there’s a small college there, as in Emporia, and there’s a meat packing plant on one side of town that reeks of death and stale blood on the south side of town, and of course, the waterfall on the river on the way out of town heading south and the park that goes with it. Other than that, it’s memory and invention; I’ve not set foot in Emporia in nearly forty years and have no plans to ever do so again. (Likewise, when I write about my fictionalized county in Alabama–it’s loosely based on where my family is from, but I haven’t been there in thirty years and will most likely never go visit again, so it’s all memory and invention for me.) I don’t know if I will write another novel about Kansas–I have some other ideas, of course, don’t I always–but it seems weird to create another fictional small city so similar to Liberty Center, but at the same time it seems even weirder to set another book there after having already done so (although i should probably revisit Sara sometime and see how I did it–and what I called the towns in Kahola County–before deciding one way or the other).

Heavy sigh.

Today I need to write another chapter, and I also need to work on revising a short story as well as writing a promotional article–and of course, there’s the horror that is my email inbox which needs to be dealt with this week once and for all (it’s all relative; answering everything and emptying it out inevitably means generating more emails there; my email responses will trigger emails in response which turns it into a Sisyphean task without end), and today is the men’s US figure skating championships, which naturally I plan to watch so I need to get my writing done before then, don’t I?

So on that note, I head into the spice mines. Have a lovely Sunday, Constant Reader.