Blood Bitch

Saturday morning in the Lost Apartment.

The ZOOM thing I had to do yesterday went well; I am always self-conscious about these things. But I got to read from #shedeservedit, which I hadn’t done before, and it was lovely to be able to say that it was nominated for both Agatha and Anthony Awards. As Constant Reader is obviously aware, I don’t really boast or brag or broadcast about good things that happen to me, but damn it, I’m going to for just a goddamned minute. I can’t say for sure that #shedeservedit was the first queer book to get an Agatha nomination, but I can say for sure it’s one of the few that ever have–and I feel very confident in saying it was definitely the first time a book from a queer press has been nominated. Bury Me in Shadows might not have been the first queer book nominated for an Anthony, but it was certainly the first queer one to be nominated in two different categories. Last year’s Best Paperback Original category for the Anthonys was the first time two queer books by two queer writers from two different queer presses were nominated (shout out to the amazing Cheryl Head, who shared the honor with me!). I am also one of the few authors to be nominated in two different categories at the Anthonys in the same year; this year saw me become of the few authors ever nominated in three different categories in the same year.

When I actually take the time to stop and think about it, it’s actually pretty fucking amazing and groundbreaking. I certainly never saw any of that in my crystal ball, or would have ever dared to dream about that happening. I’ve also been nominated for a Macavity, a Shirley Jackson, a Lefty, an Agatha, and a total of seven nominations from the Anthonys (I did win the first time I was nominated, for Best Anthology for Blood on the Bayou), which is a pretty nice resume, really; I’d be super-impressed by those credentials if they belonged to someone else, so why am I so reluctant, cautious, scared to take pride in my own accomplishments? It’s one thing to be self-deprecatory about your writing and your career, but awards are something you have no control over, so why not take pride in them? If the mentality I was raised with was “be humble and let other people acknowledge your work” why can’t I be proud of myself when other people are acknowledging my work?

Heavy heaving sigh.

I slept well again last night. Paul got home late and I spent most of the evening reading nonfiction. I was very tired most of the day yesterday, but got chores done around the work-at-home duties and thus the apartment isn’t a complete and utter disaster area this morning. I do have a load of dishes to put away and have some more things in the sink that need to go into the dishwasher, but overall the kitchen/office is in pretty good shape this morning (the living room is an entirely different story, of course). Today is Gay Pride, and Saints and Sinners has a booth, so Paul will be gone most of the day. Yes, I am not going to Pride again this year, because i have to stay home and get all of this work done, or at least progressed a bit further. It’s going to be hot as hell out there, but I have the entire apartment to myself for almost the entire day, which never happens, so I need to take full advantage of this opportunity. I’d like to get caught up with several chapters revised today; have to look over another manuscript, and I want to get some reading done today. I am probably also going to take some time to answer some emails and try to get the inbox emptied out. I also need to write another Pride post–but I don’t want to write about anything negative, so maybe I’ll go finish one of my “wistful memories about the past” posts; I’ve started several of these and it would be kind of fun to finish them; at least fun for me; I never know if any of my Constant Readers find these entries fun. In a way, it’s kind of like working on my memoirs, and just remembering things the way I remember them–whether I remember correctly or not–is okay for a blog post, methinks. Posts about gay joy are a lot more fun than the ones about what it’s like to be oppressed.

And maybe later I can get caught up on Superman and Lois, which I forgot that I was watching. Whoops! Not sure why this season didn’t grab me the way the previous ones did; the Jonathon Kent recasting kind of threw me off a bit, but that’s really not fair to the replacement actor now, is it? No, not really. And I should spend some time with the book I’m reading today as well, so I can finish it because really great books (the one I am reading is also great, make no mistake) but this is what I have on deck now: Beware the Woman by Megan Abbott; All the Sinners Bleed by S. A. Cosby; The Hunt by Kelly J. Ford; Everybody Knows by Jordan Harper; and Ozark Dogs by Eli Cranor (lots of Southern Gothic there, which is delightful, to say the least) and there’s also these old anthologies I ordered from eBay. I need to write a lot today; I’ll probably did into the next chapter as soon as I finish this and do some filing to clear my mind and get it ready to write fiction.

Writing about my award short-lists had me thinking once again about what to do with my papers. The thought of having to catalogue them myself is unpleasant and means it would never get done (why is there no ebook of Jackson Square Jazz, Greg?), and I had pretty much come around to the point of view that I could easily just throw it all away but thinking about the award recognition made me question that decision all over again. But…while the blog itself only shines a light on a very carefully curated (right?) segment of my life, I also talk about writing and so forth on here, so future scholars (should my post turn of the century career be of any interest to any such future scholars) can always just come here and read to learn about me. My papers are just manuscripts, anyway; marked up and revised and scribbled all over–and I have most of that as a digital record, anyway. So, yes, that makes the most sense, and the project for this summer will be getting rid of all this paper hanging around here and up in the attic and over in the storage place. Besides, I’m not that interesting, really. I don’t think I am an influential voice in queer crime writing, either, and probably within a few years of my mandated-by-will cremation, will be most likely forgotten. I am actually fine with that, to be honest; very few writers from every generation are remembered–probably less than ten percent from every period, really; and whether or not I helped raise the bar for queer crime writers isn’t for me to say.

And besides, the thing I am most likely going to be remembered for is longevity, anyway, and I am fine with that.

Which sounds like a lovely place to segue into the spice mines. Have a lovely Saturday, Constant Reader, and I will be back at some point.

Sorry

And we have cycled around once again to work-at-home Friday. Huzzah? Huzzah.

I will be taking a short break from my work-at-home duties today to interview Margot Douaihy today for S&S’ Pride Month extravaganza. Ah, the terror of not sounding stupid when interviewing someone really smart and talented. Heavy heaving sigh. I will of course post a link to it when it goes live, so you can hear how smart she is and how much I fumble in interviews. Her Scorched Grace is probably the best debut novel you’re going to read this year, and I highly recommend it. It’s not too late to get a copy, either. (You can order it https://bookshop.org/p/books/scorched-grace-a-sister-holiday-mystery-margot-douaihy/18283014?ean=9781638930242–I don’t understand why this stupid site won’t let me do short hyperlinks like it used to, but it’s fucking annoying. Anyway, buy the book. It’s terrific.)

And it’s a three day weekend! Huzzah! I am looking forward to getting some rest, getting a lot of editing and revising done, and hopefully some cleaning and reading.

I was terribly tired yesterday, the way I inevitably am on Thursdays, and really didn’t want to run errands when I got off work, but I put on my big boy pants and did it anyway. I decided my brain was too mushy to work on the book–I went ahead and read the next few chapters I’ll be editing after work today, so I did do something, at any rate–while relaxing with a purring cat in my lap after I did some chores. I had to unload the dishwasher and reload it, plus fold the clothes in the dryer before moving the load in the washer (I started this on Wednesday night but completely forgot once I was in the clutches of Vanderpump Rules), and tried to do some things to straighten up the kitchen before the energy flagged and I was forced back to the easy chair by mental and physical fatigue. There are, after all, worse things. But I can get a lot of revising done this weekend, which is terrific. It would be great if I can get the whole thing finished by next weekend, wouldn’t that be marvelous? I slept deeply and well last night, too–and managed to sleep in all the way until seven thirty, which is when I usually get to the office. I was exhausted last night when I crawled up the stairs to bed, but as Paul noted, “it’s not that you’re old, you just get up really early every morning now” which is true. Funny how I managed to go almost my entire life without having a 9 to 5 job for very long, and now my body clock is adjusting to it at this late stage of my life. My body is now used to it; I just have to retrain my brain to stop thinking in terms of losing time by going to bed earlier since I get up earlier and thus have more time during the day.

We started watching Platonic these last few nights, a new Apple Plus show starring Rose Byrne and Seth Rogan. I do like Seth Rogan and think he’s funny, and of course love Rose Byrne since her days on Damages, which I feel doesn’t get nearly enough credit for how fucking good of a show it was, and its amazing cast, led by GLENN CLOSE, who was phenomenal as Patty Hewes, super attorney and all around horrible person. Platonic is quite funny, and the chemistry between the two as platonic former best friends who come together again after Rogan’s character gets divorced (the Byrne character didn’t like the woman he married) like no time has passed. Luke McFarlane is beautiful as always as her gorgeous husband, essentially the Ricky to her Lucy. I do recommend it, it’s clever and funny and well written, and, like all Apple shows, very high production values.

I also managed to proof my short story “Solace in a Dying Hour,” forthcoming in an Australian anthology titled This Fresh Hell yesterday, as well as reviewed a book contract for signing–and emailed the corrections necessary to the contract in order for me to sign it. I also spent some time doing research for this afternoon’s interview; I’ll spend some time reviewing the research and coming up with great questions for her, or at least ones that won’t embarrass me by being too stupid and the kind of thing she’s been asked a million times. We also started watching the Hillsong documentary, which is interesting because I really don’t know much of anything about that church; but it’s a megachurch which probably means the heresy of the prosperity gospel, and yes, it’s a heresy. Jesus was not about “believe in Me and you’ll get earthly treasures”; the promise was supposed to be about a wonderful afterlife. (It always has amused and saddened me that so many people miss that Christianity isn’t about life but death and the afterlife; the point is to be the best possible person in your human life to earn a good afterlife, so yes, the prosperity gospel is heresy–“it is easier for a camel to pass through the eye of a needle than for a rich man to get into heaven”–does that ring any bells? At some point I am going to have to talk about religion and how it’s been perverted from a guide to life to so many things that it isn’t supposed to be…)

I also rewatched the first part of the Vanderpump Rules reunion in its longer, no commercials version on Peacock, and that version is by far the best of the two. It flows better, is edited better, and the extra seventeen minutes of public shaming for the Toms (Sandoval and Schwartz) was worth every second. I really need to spend some time on that blog entry about reality television I started after the wrap of the last season of Real Housewives of Beverly Hills; because those two shows are entwined; Rules was initially a spin-off of Beverly Hills, with Lisa Vanderpump going back and forth between the two shows (until she quit Housewives). So much has already been written about the Scandoval that what new or interesting thing can I find to say about it, or the layers to levels of cheating and adultery being laid out on the show by its cast? I am sure none of the players involved in this had the slightest idea how explosively this would go viral, turning the three players (Sandoval, his mistress, his enabling best friend) into pariahs. Not even Camille Grammer in her legendarily villainous first season on Beverly Hills got this kind of publicity or exposure–she did get the cover of People magazine–and of course, the legal troubles of Erica Girardi/Beverly Hills cast drama got some coverage in major papers because of the massive frauds perpetrated by her husband (and get the fuck out of here with the “she didn’t know” bullshit), but still–nothing in reality television prepared anyone, let alone Bravo, with how this affair within the cast would explode and become a worldwide fascination…while Andy Cohen and the network count their cash as the money keeps rolling in. The reunion episode got over two million viewers, which is huge for a reality show. The question is, do I finish my entry about reality shows and their appeal before the reunion episodes finish airing, or can I go ahead and do it now?

Always the question, really.

And on that note, I am going to make another cup of coffee and head into the spice mines. Have a lovely morning, Constant Reader, and I’ll be back with you again tomorrow.

Be Tender With My Love

Saturday morning, and how is your weekend so far, Constant Reader? Mine is going just fine, thank you for asking–you’re always so thoughtful.

I woke up early this morning–I’d just planned on sleeping until I woke up, and boom! There I was wide awake at seven thirty this morning, so I just rolled with it and got out of bed and decided to start the day.  Yesterday afternoon was kind of lovely; as I said yesterday I spent the afternoon backing up devices, cleaning, doing the laundry, that sort of thing, while trying to cleanse my mind and prepare myself for the next chapter of the WIP. There’s also still some cleaning and straightening up to do, and later I have to go pick up a book at Garden District and my prescriptions from CVS. After that I intend to come home and read or write or clean for the rest of the day.

I started watching Good Omens last night, and rather enjoyed it. Paul didn’t care for it, so it’s something I’ll have to watch on my own, and then we watched another episode of Killing Eve, which has gone into a whole new level. I daresay this second season is even better than the first? The primary thing I love about this show is it constantly surprises me; I never have the slightest clue which direction the story is going to go next, which I absolutely love. There’s nothing better than a completely unpredictable show, you know? This is why I loved Game of Thrones and Dead to Me so much; why I continue to enjoy How to Get Away with Murder, which no longer even makes any logical sense, but is just a wonderfully over-the-top campy soap opera now. (I am also aware that a lot of people have stopped watching Murder for that very reason; but I’ve always enjoyed soaps so I don’t have a problem with it–I also remember that Melrose Place became a lot more fun once it stopped trying to be realistic and went full-on over-the-top)

I also want to work on a couple of proposals this weekend, and I’d love to send some more of my short stories out into the world. I have a couple that I think might be ready to go out; but it’s difficult, as I’ve said before, since my short stories tend to be crime stories that aren’t necessarily mysteries. Writing a mystery short story is incredibly difficult, of course; I’ve tried it a few times and I’m not certain I had any success with it. But I do think there may be some stories I have on hand that might be ready to be sent out into the world, and the worst thing that could happen would be they say no, right? And no doesn’t mean I suck, of course, it just means the story wasn’t right for that particular medium.

It’s also Pride Month, today being the first day of it, and lately I’ve been seeing (and sharing some of the) posts about the history of Pride, or “pictures from this city’s pride in this year” and one of the things that strikes me as I look at photos from pride celebrations in the 70’s or 80’s or 90’s is how overwhelmingly white and male the pictures are; which is kind of a sobering thought. Where are the gays of color, where are the lesbians, where are the transpeople? One of the problems we have as a community is that we are a microcosm of the society at large; so the queer community comes with its own racial/misogynist baggage carried over from the bigger society. And while progress has been made in the right direction within our community, we do still have a long way to go.

I often doubt, as I am wont to do about anything to do with me being a writer, my ability to tell stories about race, misogyny, and homophobia well; without being preachy, without being over the top, without making out those who believe in those things cardboard cutout villains with no redeeming qualities. Can a racist or a sexist or a homophobe have any good qualities? And therein lies the rub. No matter how much of a good person someone with any of all of those qualities might be, I don’t think their good qualities can outweigh the bad ones, quite frankly. “I’m glad you rescue dogs. Unfortunately, your commitment to the belief that (fill in the blank) are secondary citizens not entitled to full and equal protection under the law negates the good you do.”

Ava DuVarnay’s seminal mini-series about the Central Park 5, When They See Us, has been released and is apparently wrenching. I know I need to watch it, but I am resistant to it because I know it’s going to expose some horrific things, and from everything I’ve seen or heard it is a wrenching experience. But I do think it’s important, and not watching would serve to only make me even more complicit in systemic racism; I consider this to be yet another step in my ongoing re-education on the subject of race in America.

I’m also hearing good things about Chernobyl, which Paul also doesn’t want to watch.

And now back to the spice mines.

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