Think About Me

Wednesday morning and all is sort of well in the Lost Apartment. It’s dark outside still, but the sun should be rising soon over the West Bank (don’t ask) and my coffee should start kicking in soon. I’ve continued testing negative for COVID, so I think I escaped Bouchercon and the trip unscathed, which is actually kind of lovely. I don’t think I could handle yet another week of being knocked out and unable to do anything. Although the enforced rest–first with the COVID and then with my back more recently–was also kind of nice.

I was very exhausted when I got home from work yesterday, so kind of just headed right to the sweats and the easy chair. The kitchen is still a mess from Monday night’s dinner, and I really need to get that cleaned up tonight after work, if I have the energy. I have adjusted to these early mornings in some ways–it’s not painful to get up anymore, and I am not groggy and half-asleep most of the mornings anymore–but I do get tired a lot earlier, and sleepy too. I dozed off a couple of times in the chair last night while watching Making it Big, which is a lengthy video on Youtube about the growth and development of the gay porn industry, from its humble beginnings with Bob Mizer and physique magazines/videos to what it is today–free and almost everywhere you look on the Internet. I started in this industry writing gay porn–my first two published short stories were gay porn, and they paid rather well, thank you very much–and I had a very nice sideline until around 2009 editing and writing it. It was around 2009 that the bottom started falling out of gay porn writing and editing–and within a few years that sub-genre of the industry was gone for good. I miss the money, although I don’t miss doing the writing or editing. I produced some terrific anthologies along the way, and some really terrific short stories as well as erotic novels.

I’m not in the least bit ashamed of my past writing and editing gay erotica–writing is writing, and there’s an entire gamut of quality in gay erotica, as there is in every sub-genre in publishing; some was terrific, some was great, some was competent, and some was garbage. I am also often been told, throughout my career, that admitting to, and talking about, writing gay erotica was an error, that I shouldn’t talk about it or write about it ever or should put up a firewall between it and my “serious” writing. My response to that was always puzzlement; I take all of my writing seriously so why would the gay erotica be any different than that? But there is a stigma, still to this very day, about pornography and erotica (although it’s always been around; archaeologists have been finding erotic art in ruins going back thousands and thousands of years), which probably has a lot to do with the bizarre and deeply-rooted American societal and cultural bias about sexuality in general. It’s dirty, it’s private, it’s something you shouldn’t talk about openly with other people and you should be embarrassed if it comes up and therefore need to change the subject immediately.

This puritanical societal mentality is the root cause of a lot of our problems, in my opinion. A society and culture where sexuality is no big deal, where no one is judged for their sexual needs and desires and activities, and where the topic can be discussed openly and honestly, would be a much healthier one. But talking about sex and desire and need embarrasses most Americans and makes them uncomfortable; I believe that writing about eroticism and passion and desire and sex was maybe the best preparation for my day job as a sexual health counselor that I could have asked for.

The first time I wrote an erotic short story I was embarrassed almost the entire time I was writing it. I embarrassed myself, because in order to write an erotic short story I had to write about a desire of my own, a kink, if you will; something I had always been interested in, had experienced a few times, and wanted to explore much further than I had already. It’s hard to get younger people, who grew up with the Internet and smart phones and hook-up apps how difficult it was to find other gay men who were into the same secret fetishes and desires–now all you have to do is a Google search, really–but there was serious isolation back in the day, and with all the shame we learn through society about sex and desire, it was very easy to believe that you were the only person who was into whatever it was you were into. But once I had written one, I found that the more of these type stories that I wrote, the more free I felt; the more open, the more accepting of kinks and other people’s desires and what they were into. One of the great gay erotica writers said in the introduction to a collection of his own work you can’t write great sex unless you’ve had great sex, which I didn’t think was true at the time–creativity and imagination being what they are–and while I don’t necessarily think that’s true any more than I did then, I will say having great sex makes it easier to write about great sex…and when you can look at sexual experimentation as research…

Write what you know, indeed.

But early on in my career I was both naïve and stubborn. Don’t use your own name for writing erotica, I was told, over and over again, because it will damage your non-erotica work and people won’t take you seriously. That really wasn’t the threat that my well-meaning friends and colleagues thought it was; at that point in my life no one had ever taken me seriously about anything; and especially when it came to my ambitions with writing. So, my first short stories were published under my own name, and I edited two erotica anthologies under my real name, as well. The great irony was under my own name I became known for writing a certain kind of a gay erotica, rooted in one of my own fantasies and desires, but it also wasn’t the only thing I wanted to write about–but I had become typecast as an erotica writer and those were the only stories editors wanted from me; so I started using Todd Gregory so I could write erotica about other fetishes and desires and needs, other than what everyone wanted Greg Herren to write about. Which was actually, in retrospect, kind of funny.

It was also around this time that my traditional short story-writing problems–which I still have; I am never really certain if there’s an actual story in my stories, if you know what I mean–were sort of solved, because I realized that erotica is the perfect illustration of beginning, middle, end: two people meet, have sex, and then there’s an ending bit. I was having trouble publishing short stories–genre wasn’t ready for openly gay characters and themes, I didn’t write literary fiction–and so I decided, you know, you have this idea for a story–add a sex scene to it and see what happens. The story was published, and I became more experimental with my own erotica–one of my favorite stories I wrote was about a merman who was also an empath, “The Sea Where It’s Shallow”–and I became more and more known for erotica writing as Todd Gregory started editing anthologies and writing more and more stories.

It’s been a long time since I wrote anything erotic–and who knows if I ever will again? I have an idea for a gay romance novel I would like to write, but I also know that the kind of sex scenes I write–grunting, sweating, messy, and loud–aren’t the kind of sex scenes romance readers tend to like, but on the other hand, I may be making assumptions and who knows what they like? It’s one of the things I want to write over the next two years because I think it’s a fun challenge (yes, yes, I still manage to fool myself into thinking writing challenges are fun; I never learn), but we’ll see how everything goes.

I also kind of want to reread my erotica to see how it holds up, and I also kind of need to (heavy sigh) start making a list of characters and places and so forth that I have already used, so I won’t have Chris Moore or Eric Matthews showing up in yet another book (although it’s not impossible in the real world for different people to have the same name, either) and besides, maybe by doing so I can see the way to connect the books all together even more closely.

And on that note, I am heading into the spice mines. Happy Wednesday, Constant Reader!

Christmas Won’t Be The Same Without You

I did not want to get up this morning.

A quick look at today’s temperature–it is currently forty-eight degrees–explains it. It is chilly in the Lost Apartment this morning, and my heavy blankets felt all too marvelous for me to want to get out from underneath them when the alarm began it’s insistent cacophony far too early this morning for my tastes, quite frankly. The first day of winter looms nigh this week–perhaps even today or tomorrow–and then we’re in for the cold spells of winter in southeastern Louisiana, I would presume.

It’s weird–since Christmas is this weekend I only have my three days of work in the office this week, and then I have a four-day holiday. The holiday will be spent, of course, trying to get back on schedule with everything–I had a semi-productive day yesterday, and that productivity needs to continue today–but as my coffee kicks in I am also not tired, I am finding; more like I was groggy and didn’t want to come fully awake just yet. The stiff soreness in my shoulders also isn’t there this morning, so perhaps after work tomorrow I can actually return to the gym and start easing my way back into working out again. Yay? Yay.

I spent some time with Vivien Chien’s delightful Death by Dumpling yesterday, which is also an immersive experience into an Asian business center in Cleveland; which is interesting. I know we have a rather nice-sized Asian immigrant community in New Orleans–there was a section along Canal Street that was once our Chinatown–and there are a lot of Vietnamese families in New Orleans East (Poppy Z. Brite’s Exquisite Corpse explored the New Orleans Vietnamese community)–yet another part of New Orleans’ rich and varied culture/community/history I’ve never touched on in my work. The lovely thing about New Orleans is you can never ever run out of things to research, explore and write about here; the sad thing about New Orleans is realizing there is so much that it’s incredibly humbling; I always kind of laugh to myself when I hear myself being described as a “New Orleans expert”–please. There’s so little that I actually do know as opposed to the actuality; I am always realizing how little I do know about the city and its history and culture.

I also spent some time writing on the book yesterday, and it is beginning to really take shape nicely. If I can maintain a decent schedule on it, I should be able to finish on time–which will be just in time to head to New York next month, barring the trip getting canceled for one reason or another (please please please let that not happen again). I also managed to get the promo recordings done–I hate, as I have mentioned, hearing and seeing myself on recordings, so I can’t rewatch them to see if they are any good or not–but maybe I should start recording myself doing readings from my books and stories as promotional materials? I don’t know, it’s hard for me to imagine that succeeding, but…is that part of the self-destructive mentality that is rooted in my deeply felt Imposter Syndrome, or is that a valid critique of me, my attempts to promote myself and my career, and that very really sense that no one cares whether you do or you don’t?

Heavy thoughts this morning on my second cup of coffee, right?

But at least I got an email this morning from one of the places I recorded a video for–a brief read of “The Affair of the Purloined Rentboy”, from The Only One in the World–and Narrelle Harris, the very kind editor, seemed to have really liked it, so there’s that part going for me this morning. Yay, I think?

I also got the cover artwork for one of these anthologies I have a story in–Cupid Shot Me, Valentine’s Day gay crime stories, and that is the book that “This Thing of Darkness” is going to be revised/edited for (I made a note on my list of stories/manuscripts due this morning to note that this is the one due on January 10th)–and it’s pretty cool. I do love landing short stories, wherever I can. I hate that the short story market isn’t as strong as it used to be; even writing gay erotica was a nice supplemental income back in the days before everyone began truly using the internet to scratch their porn itches…remember the days of porn videos, either renting or buying for the exorbitant price of $89.95? The bargain bins of gay porn videos that had been remaindered? I’ve never pretended not to have written gay porn (or erotica, whichever makes you feel better about it), but it has been a hot minute since I’ve actually written or read any. That doesn’t mean I won’t ever again–there’s some gay noir I want to do that needs to be lusty, sweaty and erotic–but for now…it’s certainly not in my immediate future or in my plans for what I need to get done over the next two months.

And on that note, tis perhaps time for me to head into ye olde spice mines. There’s a lot I have to get done before the holidays this weekend.

Have an awesome Monday, Constant Reader!

Too Late

Outside of the “getting up to an alarm” thing that is always a trial for me every morning, I think I feel rested and alert today–as opposed to yesterday’s Greggy Grogginess. This I hope is a good sign for today’s workday and the work to come tonight. I didn’t get as much work on the book done as I would have liked yesterday–I’m really going to have to dig deep today and try to get back on schedule–but the work I did get done last night was good work, and therefore I will take it. It was most pleasing to our eyes.

After I finished working on the book, I spent some more time with The Russia House, which is actually quite marvelous, and watched a documentary on the history of gay porn which was terribly interesting. I’ve talked quite a bit about Chlorine, and how I kind of want it to anchor a short quartet of gay noir historicals–the others being Obscenity, Indecency, and Muscles–that all sort of touch on the history of gay rights and the evolution of public opinion about queer people, by looking at the kind of crimes that had to be committed in order to be gay–whether publicly or secretly–back in the day. Muscles doesn’t really fit completely with the others–which deal with Hollywood, porn films, and public nudity, while Muscles is a bit different in that it doesn’t take on a big issue other than the former connection (and who knows how former it is?) between gay bars and the Mafia. I’ll watch the documentary again–I kind of found it by going down a wormhole the started with the discovery of the entire film of Song of the Loon on Youtube, and that’s a whole other story in and of itself.

Paul was home last night so I also got to make dinner, which was lovely; we’ve had so few opportunities to have dinner together over the last few months I’d forgotten how nice it is to have him be at home. He was working on a grant, so he spent most of the evening upstairs, but I suspect my boring evenings of going own Youtube wormholes after writing are going to be over for a while yet, and I do welcome this change. It’s also so weird that it’s almost April already. Last year seemed endless; this year is flying by already. That could also be because there were no deadlines really last year until the fall when I signed the contracts for the most recent two books–deadlines always make time seem to fly past. Tonight I am hoping to get to the gym after work, and then home to write for a while before piling into bed yet again and trying to get one more good sleep on the last night before having to wake up early for the week. They told us yesterday that we are gradually working our way to being back to fully operational again; it’s going to seem weird once we are, to be honest–I’ve gotten so used to there being no other people around for most of the time it’s going to be weird to have a building full of people again, not to mention a steady flow of clients into and out of the building. But there are worse problems to have, certainly! It just means I need to be flexible and adjust yet again.

I am so tired of having to adjust at this point, though…but what really is life but a rather lengthy series of readjustments to changing situations?

Whereas last week I was terribly stressed out by the impending deadline and everything else I had to do, this week I am eerily calm. I”m not sure if that means I think I have everything under control or my brain just snapped and I no longer care about the stress; whatever the root cause of the calm is I’ll happily take it over the stress and being on edge, ready to snap at any moment. I hate that stress, because it also comes with a couple of sides: imposter syndrome (which try to again rear its ugly head last night before being batted back down) and depression. It amazes me that despite being so deep into my career now that the day my fortieth novel is published is coming up–I think I’ll probably hit that milestone at some point in the next few years, but then again would have to sit down and actually count the books, and I always, invariably, forget some when I do that–but I probably should figure that out someday. And update my long out of date CV….but then again, why do I even need a CV at this point?

Heavy sigh. This is why nothing ever gets done around here.

And on that note, I am going to ride this energy wave and get some things done before I head to the office. Happy Tuesday, Constant Reader!

I Sing the Body Electric

I’ve been reading a lot of history lately (nothing new there, really; my favorite non-fiction generally tends to be history), focusing primarily on New Orleans and Louisiana for the most part. As I read histories of New Orleans, here and there I find little bits, here and there, about the queer subculture in the long years and decades before Stonewall; little bits, here and there, more of asides in longer narratives than anything else. There were, of course, male prostitutes in Storyville back in the day–generally not housed or regularly employed in the houses, but should a customer be desirous of, shall we say, male companionship, the madams would send a runner down to a gay watering hole a few blocks away in the Quarter and find someone looking to make some quick cash…and they never failed to find someone willing to satisfy the “peculiar tastes” of the john.

Finding this, and other references to bordello activity by reformers protesting their existence and wanting them shut down, as “sodomy” quite naturally piqued my interest. As a port city that was, at one time, the largest port and largest city in the southern United States, a city that was also a blend of many different cultures and so forth, New Orleans clearly had always had havens for homosexuals in those dark times when we were outlaws. As I read other New Orleans histories, I do keep an eye out for these references, and mark the pages in order to find them easily again.

There’s a lot of stories untold there in the past, and I’ve been considering the possibilities of writing more historical-based fiction in New Orleans. I’ve already started a short story about a young gay man who occasionally picks up extra cash by working in one of the brothels at night “on demand,” and I think it has some terrific potential.

Queer people have often been erased by history, just as people of color and women have been, and while I will most likely never write non-fiction (you can’t make things up, which is the primary drawback for me), I do enjoy reading histories that focus on the gay community.

For example, David K. Johnson’s award-winning The Lavender Scare, about the purge of gay employees from the federal government in the 1950’s as intelligence risks (their sexuality left them open to blackmail from foreign spies; at least this was the fear) eventually led to my short story “The Weight of a Feather” (which I am still not convinced shouldn’t have been a novel); and as such, was quite delighted when Johnson released another scholarly look at queer American history this year, Buying Gay: How Physique Entrepreneurs Sparked a Movement.

I had, of course, known that “physique pictorial” magazines essentially were the original gay porn magazines; those images still can be found on the Internet.

buying gay

Johnson’s thesis holds that the mailing lists, and sales, of these magazines early on developed a cohesive gay market, and the recognition of said market gradually led to activism and wholesale societal change; that the magazines themselves created a sense of community by letting deeply closeted and frightened gay men know they weren’t alone; there were others like them, and helped them feel seen.

This further extrapolated into films and books, and gradually a gay rights movement.

The book is well written and deeply researched, as was The Lavender Scare (recently filmed as a documentary I am looking forward to seeing), and shed a light on a time I don’t know much about; few people know much about that time. One of the greatest tragedies of the community is how it was ravaged by HIV/AIDS in the 1980’s and 1990’s, until the development of the drug cocktails that first extended life, and eventually managed to make HIV a manageable infection rather than a fatal one; a lot of oral histories were lost as a result, and an entire generation of gay men was not only lost, but deprived the next generation of community elders and mentors.

I’ve been toying, over the last few years, with several ideas for noir novels with gay themes and characters set in the decades before Stonewall, and Buying Gay will, should I ever decide to do so, prove to be an invaluable source of material.

Well done, Dr. Johnson.

Kung Fu Fighting

Ugh. Tonight is the LSU-Alabama game, which means I will be incredibly tense all day. Sometimes I do wonder why I watch college football, as it really doesn’t seem like I enjoy it all that much…or maybe I enjoy the tension? Anyway, obviously, I am all in for the Tigers tonight, and win or lose, I will still be a Tiger fan. GEAUX TIGERS!

I also finished reading Mary Leader’s Triad last night, and started rereading Barbara Michaels’ Witch; I will probably discuss the Leader novel tomorrow.

We also watched, around our other shows this week, the latest James Franco film, King Cobra.

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The film is based on a true crime title (which has been in my TBR pile forever) called Cobra Killer: Gay Porn Murder and the Manhunt to Bring the Killers to Justice by Andrew E. Stoner and Peter A. Conway, about the true life murder of gay porn producer/director Bryan Kocis. I remember when it all happened; I also remember thinking this would make a great noir novel.

I have any number of ideas for noir novels set in the world of gay porn.

The crux of the case had to do with Kocis’ exclusive contract with a young porn star who performed under the name Brent Corrigan; the killers–Harlow Cuadra and Joseph Kerekes–were porn producers/stars who were deeply in debt and saw Corrigan’s popularity as a way to get out of the debt, by having him star in one of their films. Kocis was the fly in the ointment with his exclusive contract and his trademarking of the name “Brent Corrigan”; so they killed him. Grisly and dark; it has all the makings of a great noir, and I may still write it, you never know–as I said, I have any number of ideas for noir novels set in the world of gay porn.

It is an industry that sadly lends itself to noir.

The film, starring James Franco, Christian Slater, Garrett Clayton, and Keegan Allen in the leads, with Alicia Silverstone and Molly Ringwald in supporting roles…is well done but not well written, if that makes any sense. The way it is filmed and edited and written tells the story from the moment young Sean Lockhart meets Bryan Kocis, ostensibly to intern in a film production company, only to find himself being turned into Brent Corrigan, gay porn star. The way the role is written you can’t really tell if Sean went to meet with Kocis knowing what he was doing; did he want to do porn for the money, or was he really interested in film making? He also kind of comes across as not particularly smart.

Clayton, however, is certainly pretty enough to be a twink porn star, if you’re into twink porn stars.

Garrett Clayton, late of the Disney Channel:

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The actual Brent Corrigan:

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The movie was, you know, just okay. I didn’t really come away from it feeling anything, or with any further insight to what happened or why; it was just kind of matter of fact. The strongest performance in the film, I felt, was from Keegan Allen, whom I used to watch on Pretty Little Liars; he managed to make killer (oops, spoiler, sorry!) Harlow Cuadra sympathetic; kind of a child/man who was both intellectually and emotionally stunted, whereas Franco’s portrayal of Kerekes left me wondering ‘was it the drugs, or was he actually a sociopath?” But Keegan Allen was terrific.

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The movie was entertaining enough; it held my interest, but as I said, it was matter-of-fact to the point it seemed almost like a documentary; this happened and then this happened and then this happened and then they were arrested.

Corrigan is not pleased with the movie, I suppose I should add, and plans to write his own book about what happened.

And that, really, is the key to all of this, and why I think the movie doesn’t succeed ultimately. I don’t know who Brent Corrigan is, or any of these people, any more than I did before I watched the movie.

One thing they did get right–almost so right it made me laugh–was how bad the acting in porn films are. They would show the start of the scenes, when the actors have to “act”–and they really got the amateurish line-readings down pat.

I do want to read the book now, though, because the story is, in and of itself, fascinating to me.

And now back to the spice mines.