King of My Heart

I went down a wormhole thought pattern of sorts this morning, triggered by reading a Crimereads essay about spy novels, and their genesis; it mentioned that Rudyard Kipling’s Kim was one of the first spy novels, and I also realized that only had I not read Kim, I’m not entirely sure I’ve ever read Kipling; however, a quick Internet search just not has reminded me that I have, indeed, read Kipling: Rikki-Tikki-Tavi, The Jungle Book, Captains Courageous, but I really don’t remember anything about them (let’s be honest, all my memories of The Jungle Book are naturally from the Disney animated film). I may have also even read Just So Stories, but am not entirely sure. I’m sure Kipling’s work does not stand the test of time–just the title of the poem “The White Man’s Burden” made my eyes almost pop out of my head when I came across it this morning–as they undoubtedly reflect the white supremacist view of Imperialism and the need for the British Empire.

On that same note, I feel relatively certain that the M. M. Kaye novels I once enjoyed (Shadow of the Moon and The Far Pavilions) probably wouldn’t hold up well, either.

I always read for pleasure and for enjoyment; to escape the world in which I found myself inhabiting and feeling like a changeling for the most part; I still do, for the most part. I haven’t been paid to write a book review in over a decade; I’ve always felt that as an author myself, there was a conflict of interest in accepting pay to read and critique another author’s work, and there was always, inevitably, the possibility that an honest view on something that didn’t work for me as a reader would be seen as a vindictive move on my part to torpedo another author, out of jealousy or spite or both. There are any number of these reviewers being employed, and paid quite handsomely, by major newspapers, and I don’t want to be one of them. I don’t like writing negative reviews, and if I am reading something I don’t care for, having to finish reading it because I am being paid to write about would inevitably make me resent the book and its author and would thus color the review.

I generally read things I think fall under my purview as a writer–mostly crime novels, some horror now and then, and maybe something every once in a great while, that would be considered literary. Often these are books by writers I already have discovered, or new ones recommended to me by others whose tastes I respect–The Coyotes of Carthage came to me in this way; Lisa Unger was recommended to me by numerous friends; and yes, Paul Tremblay came to me as a recommendation from a friend. I know I need to expand my horizons to improve as a writer, which is why I am not only committed to the Diversity Project (books by marginalized writers) but also to the Short Story Project. The Diversity Project has been a terrific learning experience, and the Short Story Project has helped me become a better short story writer. I’ve been trying to read New Orleans history lately–with a dash of Louisiana thrown in for flavor–in order to get a better sense of the city and state, so that I can write about them both more knowledgeably; plus there is so much inspiration in reading about the past of both city and state! It’s also incredibly humbling to know how little of that actual history I did know, and even though I knew how rich that history was, I had no idea just how much of a gold mine of inspiration and ideas it would prove to be.

Like I said, I tend to read things I think I will enjoy, and if I am not enjoying the experience, I inevitably stop reading. I have started things and put them aside, only to go back to them again and greatly enjoy them; Paul Tremblay’s A Head Full of Ghosts being the best and most recent example of this I can remember; I started it, got several chapters in, and wasn’t feeling it. I went back to it months later and couldn’t put it down, and frankly, after The Cabin at the End of the World, Tremblay is becoming one of my current favorite authors.

So, I’ve been wrong about books before, and I’ve also been wrong about authors before. Hence the dilemma in being a book reviewer, and why I have chosen for many years now to seek extra income by reading for reviews. I enjoy writing about books I enjoyed on here, my blog; that’s part of its reason for existence, and I also curate what I read and write about here. No one chooses for me what I read or what I write about; and I will only review something negatively if the writer is, frankly, long dead; and even then, it’s simply an explanation of why the book didn’t work for me (an example of this latter type was Night Has a Thousand Eyes by Cornell Woolrich; I appreciated the book but there were things about it I didn’t like, that I felt didn’t “play”, but since he is long dead–over fifty years–I wasn’t overly concerned about hurting his feelings….and I have enjoyed other works of his).

I often talk about how my education in what the Academy considers to be classic American literature (British, too, for that matter) is sorely lacking. It’s something that I occasionally wonder about; should I go back and read these so-called classics as decided by a group of people whose opinion I generally don’t respect very much? It’s entirely possible, I know, that books I was forced to read as a teenager in high school and college were actually better than I thought at the time because I loathed being forced to read anything and I despised the way they were taught by pompous pseudo-intellectuals with tenure (I really enjoyed mocking that world in my story “Lightning Bugs in a Jar”, and will probably mine it again at some point as story fodder).

But I can honestly say I went back twice to reread The Great Gatsby only to discover that I loathed it even more than I remembered loathing it the first time; I also spent some time in my twenties trying to read other works by the writers I was forced to read and found that I did, in fact, enjoy some of them. I hated Sinclair Lewis when I was forced to read Main Street in college; I later went back and enjoyed both Elmer Gantry and It Can’t Happen Here very much. I disliked Fitzgerald’s This Side of Paradise very much, and I loathed the Hemingways I was forced to read (The Old Man and the Sea, A Farewell to Arms) so much that I just can’t bring myself to read anything else of his. I was very surprised, actually, to find myself enjoying Faulkner quite a bit, and I keep meaning to go back and reread both The Sound and the Fury and Sanctuary–but there are also a lot of other Faulkner novels I’ve not read, and probably should. I also despised Tom Sawyer and the other, celebrated Mark Twain short stories I was forced to read; but as an adult greatly enjoyed Puddinhead Wilson, The Prince and the Pauper, A Connecticut Yankee in King Arthur’s Court, and Life on the Mississippi.

But I am not someone who became a writer because I wanted to have a legacy, or be lionized; I became a writer because I wanted to tell stories, and I wanted to tell the stories that I wanted to tell. I never had any desire to have my work be taught in colleges, or for students to be forced to write papers about my work. I always say that sort of thing isn’t up to me to decide, and it’s never been my aim. If I’m forgotten after I die, well, I won’t be the first.

I justify to myself not reading a lot of literary fiction by saying there simply isn’t enough time for me to read everything that I actually want to read, let alone find the time things people think I should read. But I also have this sense in my mind that perhaps I am missing out on something; I know I’ve read books that have gotten critical acclaim that were more on the literary side and liked them very much and learned from reading them. Colson Whitehead, for example, is simply brilliant while also writing genre fiction–The Nickel Boys and Underground Railroad were stunningly brilliant; I really need to read more of his work–and thinking about Colson Whitehead led me to thinking about, of all people, Cormac McCarthy. I’ve not read McCarthy, but from what I have gathered from what I have heard about his work is it technically is also genre fiction; The Road is a post-apocalyptic dystopian novel, after all–a friend whose opinion I respect read and hated the book, so I’m probably not going to go there–so I started going through his canon on the web and I finally settled on one to add to my TBR pile at some point, Outer Dark, because it too sounds like genre fiction. We shall see how that goes, shan’t we?

Laura Lippman often says that genre fiction is literature, and by claiming literary classics as genre (the most common is, of course, Crime and Punishment) we are demeaning the great genre work, which stands on its own without the necessity of claiming Dostoevsky or Faulkner’s Sanctuary as crime fiction (although I do believe Sanctuary is pulpy noir of the best kind). I do agree with her to some degree; as I said, I do think Sanctuary is noir, and an argument could be made that An American Tragedy by Dreiser is as well. (I’ve also pointed out numerous times that The Great Gatsby is really a murder mystery told in reverse) But her point is spot on: genre fiction doesn’t need to claim classics from the Academy in order to be recognized as literature, and claiming those books does make it seem like trying to make fetch happen.

I also like to believe that my best work is still ahead of me.

Of course, that means I actually need to do it.

And on that note, tis back to the spice mines.

Did You See Me Coming?

And somehow, just like that, we made it to Wednesday again. Well done, Constant Reader; sometimes it feels like we’re just not going to get there.

So, yesterday morning between screenings, I checked out my iCloud drive to just see what precisely I have in progress at the moment (not counting everything else that has been unfinished for years) and the count is: four novels, four novellas, and at least nineteen short stories. (And y’all wonder why I talk about having creative ADHD. Barbara, please.) Then again, should I get all of these things finished by the end of the year, I would absolutely have another short story collection completed (there are already several unpublished, finished stories I have in my “to submit” folders as well, and three that have been sold–two of which are out now–in The Beat of Black Wings and The Faking of the President; so at some point that second collection will be ready to go within the next year or so*) and so it looks as though the dearth of Gregalicious publications will be solved once he gets off his ass and starts finishing things.

Heavy heaving sigh.

One thing I noticed yesterday as I drove to my essential job (yes, my job is considered essential) is that there was a lot more traffic then usual at that time; and then I remembered driving home Friday night after work in heavier traffic than usual as well. Oh no, I thought, I wondered how long it would be before New Orleanians couldn’t stand the isolation anymore and despaired; but there was so little traffic on my way home from work last night that I managed to play one song on my phone through the car speakers as I pulled onto the highway and it was just finishing as I pulled into a parking space across the street from my house (yes, I managed to hit every light as green once I got off the highway too; I LOVE when that happens), so maybe it’s not so bad after all.

These are such strange and new times, and I’m never really certain what to think about them, you know? Or to try to think ahead; this week is about all I can handle right now, thank you very much and good night.  But I’m also a planner, even if the plans and their timing remains somewhat amorphous all the time; it’s just kind of who I am. I’m also aware that if you don’t plan ahead a bit, you tend to get very surprised along the way and that is never, ever a good thing.

Yesterday I discovered, entirely by accident, that one of my favorite old movies–The Letter, starring Bette Davis, had actually been a short story by W. Somerset Maugham first, before he himself adapted it into a play which then became the basis for the two film versions (the more famous Bette Davis version was actually a remake of the Jeanne Engels version from the previous decade), and it was in the public domain, so I downloaded a copy of it to read for the Short Story Project; it’s a long story, clocking in at over 13,000 words, which in today’s world I suppose would make it a novella. I am, of course, rather excited to read the original source material, and I’m not sure I’ve ever read Maugham before–just another one of those great old white male writers I’ve never read; and it occurs to me just now that one of the things I should reread for the Reread Project is Hemingway’s A Farewell to Arms. I’ve never really gotten Hemingway, and certainly didn’t when I was forced to read him in high school–hating the experience so much I never went back to him–but maybe it wouldn’t hurt to give Papa another turn. Perhaps as a more mature adult and reader I can appreciate him more (although my recent reread of The Great Gatsby made me hate the book even more than I already did); but I certainly didn’t mind reading some other Old White Men over the years, like Sinclair Lewis and Theodore Dreiser (I should tackle the massive An American Tragedy sometime; I really liked Sister Carrie when I read it), and I should probably make up one of the greatest gaps in my reading history–The Adventures of Huckleberry Finn, which I’ve never read–but I’ve read a lot of Twain over the years.

It is absolutely insane how many works I have in progress! (I just reread the opening of this entry again) But I do believe that perfectly illustrates my point about my creative ADHD….and there are even more short stories than that, really; those are the ones I’ve worked on at some point over the last few months. And of course, more ideas come to me all the time. Heavy heaving sigh.

And on that note, I need to get ready to face my day. Have a good Wednesday, Constant Reader!

*the third, “The Carriage House”, has been sold to Mystery Tribune, and I’m not sure when it will be released; so stay tuned!

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Okie from Muskogee

Thursday morning, and I am working from home today; or taking a mental health day–I’m not sure which it will be as of yet. This week has been fraught, to say the least, and by the time I got home yesterday I was exhausted and literally just collapsed into my easy chair for cat cuddles and mindless Youtube viewing. I don’t precisely remember what led me down that particular rabbit hole, but I at one point found myself listening/watching music videos of the Archies, Josie and the Pussycats, the Monkees, and the Partridge Family. (Hanna-Barbara animation, by the way, wasn’t very good–and the voices! My God, the speaking voices of the characters was like fingernails on a blackboard.) We also continue to watch The Chilling Adventures of Sabrina, and seriously–if you’re home, have Netflix, and are looking for something really fun to binge, you can’t go wrong with Sabrina.

I think what is making this week particularly hard is knowing that this weekend was when the Tennessee Williams Literary Festival/Saints & Sinners was supposed to be taking place; I was looking forward to seeing friends and making new ones, hanging out in the Quarter, staying in our posh suite at the Monteleone while coming home from time to time to keep Scooter company, and then launching into the next week energized and ready to get back to writing. Instead, I am physically and emotionally drained; the weather is spectacular (although I would imagine those from up north would consider this too hot–it is much warmer than it usually is in late March), and who knows what fresh hell tomorrow will bring? This morning I woke up at seven, but stayed in bed almost another two hours simply because I didn’t want to face my emails or whatever the new reality for today was going to be. But I can’t, in fact, stay in bed all day–no matter how much I want to–so I finally rolled out of bed and am now on my first cup of coffee and thinking already about how best to make use of the day.

I did read “The Masque of the Red Death” again finally last evening; I found a pdf on-line free for download (thank you, public domain!) so I downloaded and printed it out and read it while a cat purred in my lap. As I was reading it–it’s really more of a fable or fairy tale than an actual story; there’s no real characters, and the only one who has a name–Prince Prospero–is never developed into anything remotely human or three dimensional; as I said, it’s more of a fable illustrating the futility of trying to escape from death than an actual short story. And yet–yet it still resonated with me more than “Death in Venice”, which, though, I am still thinking about a few days later, which means it affected me probably more than I originally thought.

Either that, or all these stories–linked by plagues and Venice, in some ways; it was easy to imagine Prospero’s palace being on the Grand Canal–are linking and fusing together in my mind somehow; so perhaps the essay I am thinking about isn’t so far-fetched and out of touch with reality as perhaps I may have originally thought. I am going to spend some time today reading du Maurier’s “Death in Venice” pastiche, “Ganymede”, and I will let you know how that goes. I still don’t seem to be able to commit to a full-length novel, but I also do remember that I did read an awful lot in the aftermath of Katrina–in fact, I remember rereading All the President’s Men as well as a book about the criminal conduct of Nixon’s vice president, Spiro Agnew–and so am thinking I might be best off turning to my non-fiction reading. I am still reading Jason Berry’s City of a Million Dreams, and I am thinking about getting down my copy of Barbara Tuchman’s A Distant Mirror and rereading her chapters about the bubonic plague’s first, and most deadly, visits to Europe.

I made a post on Facebook yesterday, a little annoyed, about how the condos being built on my street two lots over is continuing despite the shelter-in-place order, essentially saying so glad the condo construction going on two lots over from my house is considered essential. Don’t get me wrong, I’m glad the guys are working and getting paid; these are scary times, particularly for those living paycheck to paycheck, and I certainly don’t begrudge anyone getting paid-, but I can’t help but think about their safety, and I also can’t help but wonder who in the hell is going to buy a condo in this economic climate? As of yesterday Louisiana had 1,795 confirmed cases and 65 deaths, most of them in Orleans Parish, but it’s spreading gradually to the outer parishes, who are even less equipped to deal with a pandemic than Orleans. Anyway, this led to an idea for a noir short story called “Condos For Sale or Rent”, and I actually scribbled down the opening to the story last night…and it also kind of made me think about, as is my wont, quarantine/pandemic fiction. I wonder what post-flood New Orleans fiction would be like; now I wonder about how this whole pandemic/quarantine event will impact not just crime fiction, but fiction in general.

And here I am, already thinking about a pandemic short story, and even last night, before switching on Sabrina (that’s how the Youtube wormhole started; I was thinking about Sabrina, and how she was originally a character on Archie–so I looked for the old show on Youtube, found the video for “Sugar Sugar”, which featured Sabrina working a kissing booth, and then I got sucked in), I was thinking about a Scotty book during the pandemic/quarantine. Obviously such a book cannot be written now–without knowing what’s going to happen with COVID-19, you cannot tell the entire story–but it’s not a bad idea to take notes and come up with thoughts about it.

I also just remembered Katherine Anne Porter’s Pale Horse Pale Rider is set during the Spanish flu pandemic of 1918; perhaps I should read it again. Not a huge fan of Porter, either, to be honest; I read The Collected Stories of Katherine Anne Porter (I was looking for “Miss Brill,” not realizing at the time that was written by Katherine Mansfield rather than Porter) and was underwhelmed by them. Maybe I should give it another whirl? Maybe my tastes have matured and deepened enough by now for me to develop an appreciation for Porter. I should probably take another run at Hemingway–I only read The Old Man and the Sea and A Farewell to Arms, both of which were required for a lit class in high school and I hated them both–although Hemingway is precisely the kind of writer I’d hate if I knew in real life.

And on that note I am heading back into the spice mines. Have a lovely day, Constant Reader, and do whatever you need to in order to keep yourself safe and uninfected.

Chris-Mears

Chiseled in Stone

Sunday! It’s raining and gray outside this morning; I’m not sure (because I haven’t looked) what that means for today’s parades (Femme Fatale, Carrollton, and King Arthur–which is over fifty floats and loaded down with gay men, most of whom I know so I always get buried with beads), but I will take a look later. This morning i need to get some work done, and I need to make it to the gym for the start of week three of my workouts–which means today is three sets rather than two of everything. However, I decided it only made sense to cut the treadmill/cardio part of my workouts during parade season; it only makes sense, you know–as I am doing a lot of standing and jumping and walking during the parades. We only went to the night parades yesterday–Sparta and Pygmalion–because Paul was sleeping during the day (it’s festival crunch time, and he stays up really late working) and yes, I could have gone by myself–but it’s not as much fun without him. If the parades are–heaven forbid–rained out, then I will have a lot of free time to get things done, rather than trying to get them done before and after the parades.

Instead of parades yesterday afternoon, I spent most of the day writing some and finishing rereading Mary Higgins Clark’s Where Are the Children? It really is a hard book to put down, which was, of course, Mrs. Clark’s biggest strength as a writer–that, and her ability to tap into women’s biggest fears. I’m writing a rather lengthy post about the book already–so I won’t discuss it too much here. And if the parades are cancelled, I’ll probably get that finished today.

So, I intend to spend this morning prepping for the gym and answering emails, then when I get home from the gym I’ll get cleaned up and write some before the parades get here–if they are, indeed, coming; they might just be delayed. There aren’t any evening parades today, so of course they can all have their scheduled departures pushed back; they may also abandon the marching bands and walking crews to roll in the rain. I don’t know if we have the physical stamina to stand in the rain for four hours–neither one of us can risk getting sick at this point–but then again, there are overhanging balconies at the corner, so who knows? I guess I’ll judge how bad the weather is when I am walking to the gym this morning.

I also now have to make the all-important decision on what to read next. I think I’m going to take a break from books that I have to read and read something just for the fun of it, and I think I’m going to choose a cozy by a writer I’ve not read before. When I said I wanted to diversify my reading–and started, last year, doing so by reading more authors of color–I didn’t just mean reading books by authors marginalized by race or sexuality; I also meant books outside of what I generally read. I don’t read a lot of cozies, and I’m not exactly sure why that is; I’ve read Donna Andrews, Elaine Viets, Leslie Budewitz and others, but I am now questioning whether or not those actually qualified as cozies? I generally get cozies in the gift bags given out at conferences, and I do buy them from time to time–I support women writers, and I do feel like cozies are treated as somewhat less than by the crime  genre in general–and I also feel like it’s time to change that perception, and give cozies their due. I have an interesting looking one on hand from Ali Brandon, Double Booked for Murder, and I think that’s what I am going to read next. My cozy reading is woefully less than what it should be, and I want to start making up for that lost time. After that, I’ll probably move on back to the books I need to read and one of my reading projects, whether it’s the Reread Project or the Diversity Project (I am thinking Mary Stewart’s The Moonspinners is way overdue for a reread), or even, perhaps, some Cornell Woolrich.

Woolrich is one of those pulpy writers from the mid-twentieth century who wrote a lot of books and short stories, but was also a miserable alcoholic and a gay man who lived with his mother most of his life. He wrote the story Hitchcock adapted as Rear Window, and wrote several other important noir-esque pulpy novels. I had started reading The Night Has a Thousand Eyes a few years ago, but got sidetracked by something else–probably reading for an award–and never got back to it, which is a shame; I greatly enjoyed it, and I find Woolrich to be an interesting character. I wish I had the time and the energy and the wherewithal to devote more to writing nonfiction; I think a biography of Woolrich would make for interesting reading (I also have always wanted to do one of John D. MacDonald, but again–would I ever have the time to read his–or Woolrich’s, for that matter–entire canon? Not entirely likely; maybe once I’ve retired from the day job and have days to fill with writing and reading and research); I am also curious because it seems most writers from that time period–including Faulkner, Hemingway, and Fitzgerald–all had drinking problems; as did Woolrich. I’m not surprised a gay man living in those times lapsed into alcoholism–it’s a wonder more gay men of my generation don’t have lingering addiction problems.

I’m still dealing with my creative ADD problem, alas; being aware that it’s going on and happening doesn’t make it easier to control. I just realized yesterday–as I was writing notes in my journal about another short story idea (“Die a Little Death”) that I’d also completely forgotten about “Never Kiss a Stranger”; which is still yet another long story (novella?) I am in process with, along with “Festival of the Redeemer,” and still another I’ve not pulled out and worked on in over a year. It’s absolutely insane how many works I currently have in some kind of progress, which means ninety-five percent of them will most likely never be finished or see print. (Well over a hundred short stories or novellas; I have at least four novel manuscripts in some sort of progress; and fragments of at least five other novels–and none of this is counting essays in progress, either…yeah, it’s unlikely that I will ever finish all of this. And still I persist. Just like I will never read all the novels I want to read, I will never finish writing everything I want to write. Sigh.)

All right, I’m going to go read for a little while before I brave the rain to go to the gym. Have a lovely Sunday, everyone.

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Sara

Memorial Day Monday, and I haven’t gotten near as much done as I intended, according to the “long weekend stay-cation to-do list”, but I got so much more else done that I cannot feel defeated or disappointed in myself.

Which, of course, is a step in the right direction. I’ve also gotten used to waking up in the morning between nine-thirty and ten; tomorrow’s alarm is going to be a very rude awakening, I fear. But it is what it is, I suppose, and at least this is only a four day work week, so that’s something, right?

Always find the upside, you know?

I took a lot more notes in the journal yesterday, figuring out how some other stories are going to play out, and even started brainstorming on Muscles. I know this doesn’t seem like I’m getting very much done as far as actual writing is concerned, and that may be true; but what I’ve done this entire weekend is make the actual writing possible. Today I am going to try to get some of that actual writing done–I know, right? SCARED OF THAT. And I also have some reading to do; I’m participating in a panel of readers to choose some short stories for an anthology. I also have some other busy-work to take care of today as well; so I am going to try to get that done before I start writing.

I am still reading that Roth novel; it’s not very quick going, despite being so well-written and the characters aren’t really quite as awful as the ones I recall from Letting Go, but it’s kind of slow going; there’s not really a reason to keep turning the page, which is always the problem, at least for me, with literary fiction. On my shelves, TBR, are two big literary fiction books that are massively long, Hanya Yanaghara’s A Little Life and Garth Risk Hallberg’s City on Fire, and while there are  gay characters and themes in both…they’re so long. Since they have gay characters, I kind of feel, as a gay author, some responsibility to the community to read them, dissect the gay characters, etc. It is representation, after all, and that representation should be critiqued by someone within the community.

I am sure that was handled by Gay and Lesbian Review Worldwide, which is a lovely magazine, and yet…I feel like it’s sort of my job somehow; a need or feeling which I definitely need to get past and over as quickly as possible. I am sure I will finish reading the Roth this week and I can get back to reading crime novels. (Yay!)

So, yesterday’s journal entries included work on my short stories “The White Knuckler” and “Never Kiss a Stranger” and “Hold on to the Night” and “This Thing of Darkness” and “And the Walls Came Down”; and the novels Muscles and Bury Me in Satin. I am writing a lot in my journal, which is convenient and easy, of course; I love having my journal, and I love having it handy, so whenever something occurs to me I can write it down and riff on it for a little while. This has been working tremendously; I solved the problems with the Scotty novel this way, made progress on the WIP; and at the rate I am going when it’s time to work on Bury Me in Satin the entire thing will have already been written or planned out in my journal.

Which will certainly make the process easier.

I’m all about it being easier, in case you’d never noticed.

As I page through my journal I also see notes I made for two essays; one about the evolution of teen movies from the 1950’s to the present (triggered by watching the original Friday the 13th last night, with a very young, dewy and beautiful Kevin Bacon), and another about Robert Downey Jr.’s career trajectory, and yet another about whether Carrie White from Carrie was a villain or a victim (this popped up on Facebook this week, and the question was very strange; I always considered Carrie a victim and certainly never as a victim; I also made the connecting thought that varied interpretations of what role she played in the novel/film has everything to do with the reader/viewer’s life experience as well as how they see themselves; which is an interesting direction to take, essay-wise; I was also thinking it might not be a bad idea to include Christine’s Arnie in the discussion. I consider both novels to be excellent depictions of teenage life and high school; no one really does childhood or high school quite the way King does).

So, that’s it for today, the end of my stay-cation. I got a lot of brainstorming and problem-solving finished for my writing; the Lost Apartment is in some sort of order at long last, and I am of course making myself all kinds of promises I won’t keep; about staying on top of the household chores and staying on top of the writing and the reading and using my journal to get myself out of sticky situations with both. I am very glad I took the stay-cation, even if I didn’t get close to getting all the things finished that I needed to get finished. My visit to the storage facility had to be postponed because of the recurring back pain; hopefully I can get that handled one day this week; either Thursday or Friday.

Always keep moving forward.

Next up in the Short Story Project is “The Jockey” by Carson McCullers, also from The New Yorker’s The 40’s: The Story of a Decade:

The jockey came to the doorway of the dining room, then after a moment stepped to one side and stood motionless, with his back to the wall. The room was crowded, as this was the third day of the season and all the hotels in the town were full. In the dining room bouquets of August roses scattered their petals on the white table linen and from the adjoining bar came a warm, drunken wash of voices. The jockey waited with his back to the wall and scrutinized the room with pinched, crepy eyes. He examined the room until at last his eyes reached a table in the corner diagonally across him him, at which three men were sitting. As he watched, the jockey raised his chin and tilted his head back to one side, his dwarfed body grew rigid, and his hands stiffened so that the fingers curled inward like gray claws. Tense against the wall of the dining room, he watched and waited in this way.

I’ve never been ashamed to admit that often I don’t get McCullers’ work; but I like the way she writes and the insights into her characters that she shares. This short story, about a damaged jockey who enters a crowded dining room during the season at Saratoga and confronts three people, dining together, who’ve had some impact/will have some impact on his life, and their complete disinterest in him as anything other than an object to be pitied, eventually to be scorned, is well drawn and depicted; and very telling about human nature; how we are with people who are of use to us and who we, as a society, generally are to those who cease to be of use to us. I have to confess, my revisitation of McCullers, between this and Reflections in a Golden Eye, has made me a lot more interested in her and her work; just as reading some of Flannery O’Connor’s stories recently has raised my interest in her work as well.

As I have said before, I often find my failure to get certain writers, seen as masters or geniuses, or in other ways celebrated by the so-called Academy, as a failure not only as a reader or a writer but as an intellectual and even, possibly a moral failure; but my recent reread of The Great Gatsby went a long way towards curing me of that mentality; likewise, the recent re-approaches to the works of McCullers and O’Connor have also made me realize that in some cases, I may not have been intellectually and morally ready to read these works. I am going to give Hemingway another chance at some point  as well, and I do want to read more of Faulkner. I’ve certainly enjoyed reading Sinclair Lewis and Theodore Dreiser a great deal more as an adult than I did in college courses. I didn’t enjoy reading Jonathan Franzen, and I’ve come to believe that David Foster Wallace is a cruel joke played on unsuspecting readers and students of literature by bitter professors. I also found Styron’s Set This House On Fire more readable, more enjoyable, and more of an achievement than Sophie’s Choice or The Confessions of Nat Turner; but I also read the latter when I was in my early twenties, so it may be possible for me to appreciate them more greatly now; I do consider myself to be a more sophisticated reader now than I was in my callow youth.

And now, back to the spice mines.

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Can’t Fight This Feeling

Saturday! Yesterday was so obnoxiously humid that I was completely exhausted when I finished all the running around I had to do yesterday; it was all I could do to stay awake. Regardless, I cleaned the kitchen–even doing the floors–and started work on the living room before collapsing into my easy chair with a book in the early evening and dozed off while reading Carson McCullers’ Reflections in a Golden Eye.

Not that it’s not a good book, but I was simply tired.

I often talk about how, despite my voracious habit that goes back as long as I can remember, that there are many classics of literature I’ve not read (including Huckleberry Finn). I was thinking about that this week, because I’d ordered two sets of books–a set of Hemingway and a set of Fitzgerald–that my dad owned, having gotten them from a book club, when I was a kid (I’d already found the Faulkner set on ebay; which is where I found these others as well). I don’t remember if it was the Literary Guild or the Doubleday Book Club or what, but my dad joined one of those mail-order book clubs and got those three sets of books–I suppose thinking that we needed nice copies of classic books by three of American literature’s most shining (straight white male) lights (I think he later added a set of Steinbeck, but I could be wrong; that might have been me in my teens.)

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I took an American Lit class my sophomore year in high school, and it’s from that class–as well as the American Lit class I took in college–that my antipathy to many classic writers was born. I think reading The Great Gatsby, The Grapes of Wrath, Babbitt, The Old Man and the Sea, and A Farewell to Arms in high school, when I was too young to really appreciate them kind of ruined them, and those authors, for me. I’ve not reread the books, so I don’t know if I still wouldn’t care for them; but I do know that I’ve gone on to read other books by some of those authors and liked them (Steinbeck’s East of Eden is one of my favorite books of all time; Sinclair Lewis’ Elmer Gantry and It Can’t Happen Here are terrific; and I really enjoyed This Side of Paradise by F. Scott Fitzgerald). I’ve never revisited Hemingway, as my visceral response to the two books of his I did actually read was so strong. But I am going to give it another go; I am going to read The Sun Also Rises (my father thinks For Whom the Bell Tolls is the greatest American novel; but Dad and I rarely agree on anything cultural), and I am also going to reread The Great Gatsby at some point. I may even give The Grapes of Wrath another go; it actually kind of bothers me that there are ‘American classics’ that I didn’t like and may not have because I wasn’t old enough or mature enough, as either a human or a reader, to have enjoyed and appreciated.

But Christ, there is so little time to read everything!

Which is one of the reasons I am reading this McCullers novel (although calling it a novel is quite generous; it’s only 127 pages so it’s really a novella) is because I’ve not read much of McCullers (The Member of the Wedding in college, didn’t like it–but there is, I think, something about being forced to read something that makes me dislike what I am being forced to read; I should probably revisit Flannery O’Connor as well), and I am thinking that I probably should.

Ah, today’s storm is about to break, so I shall take that as indication that I should put on my helmet and get back to the spice mines.