Tag: Do Not Fold Spindle or Mutilate

Ring of Fire

Monday and I am staying home from the office this morning. I didn’t sleep as deeply as I would have liked, and woke up several times before the alarm (and Sparky) got me up. It was after getting up and pottering around the way I always do that I started feeling hot and started sweating and my stomach git a little bit on the roiling side, so that along with a bit of being tired…and yeah, it was a no-brainer. I think my sinuses kicked in overnight somehow, and yes, blech. I really dislike being sick, but it’s one of those things you can’t control. Paul is departing tomorrow, and I don’t leave until Friday, so I am going to be home alone with Sparky–who will need lots of affection and reassurance and cuddling. I don’t mind that, of course; I just am hopeful I’ll be able to do things in the evening as well. I should be able to just read, too, if Sparky’s need for my lap is overwhelming.

Sigh.

I did send out a new newsletter yesterday, about my set of World Book Encyclopedias that my parents bought the summer I turned nine; they may have been birthday gifts? But they were treasured possessions I still miss sometimes; I miss being able to pull down a volume and just open it randomly and start reading. But as I said in the newsletter, I don’t have space for them in my house and they are, despite holding so many wonderful memories for me, they are in the end just things. I was proud of myself for getting it done and sent out on the weekend; I still missed the midweek one, though. We can but do better.

We started watching The Beast In Me last night, and I am really disappointed that none of you convinced me to watch sooner. It’s exceptionally well done, and the performances of Claire Danes and Matthew Rhys are exceptional. It appears to have been based on the story of Bobby Durst and Susan Berman–after the disappearance of his first wife; that jumped out at me right away. WE watched three episodes last night, and while I don’t know what Paul’s schedule is like today, maybe we’ll be able to finish it tonight.

This weekend was lovely, in all honesty. I did get some chores done, and I did some reading: a short story I want to write about, and another chapter of Listen to the Whisperer by Phyllis A. Whitney, which I am enjoying a lot. I had never really read her works before in an analytic kind of critical mind way, and so things are striking me this time around. Her plots usually involved a young woman with some sort of traumatic past, trying to find resolution in the present day, and very often involved her getting to know a family she’d never known before. In Listen, the heroine is heading to Norway to meet, for the first time, her birth mother, an Oscar winning actress whose career was ended by a scandalous murder on the set of her last film. She uses a more formal style, like the older Gothic writers, but she updates and modernizes it. I’m looking forward to writing about her and the book in a rather in-depth newsletter.

Obviously, given the newsletter post of the weekend while revisiting a novel I originally read when I was ten or eleven, I’ve been thinking about, and trying to remember, more about my childhood and the influences on me and my work. If I had never credited the encyclopedia as a major influence and having a great impact on me, I certainly never credited the made for TV movies of the 1970s! I used to love watching the “Movie of the Week,’ which if you didn’t watch when it originally aired, you might miss completely unless it was rerun during the summer. (Hard to believe we used to plan our lives around television so completely when now everything is available on demand.) I have a book about those movies, particularly ABC’s–and over the weekend I found videos on Youtube from horror fans remembering how amazing some of those films were, despite low budgets and bad sets. SOme of them were terrifying–Crowhaven Farm, The House That Wouldn’t Die, Scream Pretty Peggy, The Night Stalker and Do Not Fold, Spindle or Mutilate. They often starred either fading movie stars or television stars, or a combination of the two. The 1970s were also an interesting time for horror movies and novels. This is when Stephen King got started, after all, and I was a fan from the moment I started reading the paperback of Carrie when I was a freshman in high school.1

But probably my favorite Stephen King book was Danse Macabre, which doesn’t get nearly the love it should. Reading it broadened my mind to think critically about genre, and it also introduced me to any number of writers I grew to like and admire, like Harlan Ellison. I should revisit that…it was the first easily accessible academic tome I’d read at that point, and I loved how he got into literary theory through applying it to horror. It’s still not that much different these days, but literary writers always give genre writers grief —oh you’re in it for the money–and it was much worse back then when very few genre writers were considered literary writers, too. Stephen King wasn’t taken seriously until he was well into his career–despite his genius, his originality, memorable characters, an uncanny eye for human behavior, and his ability to make unbelievable situations feel absolutely real. I had already read some horror before Carrie–I Am Legend by Richard Matheson, The Other by Thomas Tryon, The Exorcist by William Peter Blatty, and Rosemary’s Baby by Ira Levin jump to mind–but King got me truly interested in horror as a genre and to consider writing it (I spent most of the 1980s trying to write horror to no avail).

And on that note, I think I am going to go lay down for a bit. I feel a bit queasy still, and you never know how my stomach is going to be these days. Have a happy Monday, Constant Reader, however you choose to spend your day, and I’ll be back tomorrow morning. Till then!

  1. King was also another revelatory author for me, but that’s for another time. ↩︎

Who’d She Coo

Here it is, a lovely Saturday morning, and I am steeling myself to go to the gym. I have things to do this weekend–writing, and a manuscript to edit, and I’d also like to get some short stories out for submission as well, around cleaning the house–and going to the gym is an errand that has been put off for far too long. The excuses and rationalizations I can come up with for not going to the gym are legion.

Thanks to a Scott Heim post yesterday on Facebook, I had a blissful moment remembering one of my favorite TV shows of my youth, The Snoop Sisters, and the glorious ABC Movie of the Week Do Not Fold, Spindle, or Mutilate–which was, actually, the original catfishing story. Four elderly women (played magnificently by Helen Hayes, Mildred Natwick, Myrna Loy, and Sylvia Sidney) as a joke sign up for a computer dating service–back in the days when computer programs were ‘written’ on hole-punch cards; computer dating was actually a new and exciting thing in the 1970s, with all the newfound freedom of the sexual revolution, the pill, and feminism. Of course, the young man their “perfect woman” is matched up with is deranged, and he begins stalking and terrorizing the women. I watched that movie every time it aired, and guess what? It’s on Youtube! (Isn’t everything, really?) So, I am going to try to carve some time out in my schedule to rewatch it…because I, of course have so much free time.

I slept fairly well last night, all things considered, and woke up before seven this morning–but stayed in bed until about seven thirty. There’s still a mess in the kitchen–something I’m going to have to do something about this morning, because I won’t be able to do anything in this mess I can see when I turn my head in any direction, so it’s fortunate that I did, in fact, wake up so early. Last night I tried watching Bad Times at the El Royale, which looked like a fun, twisty, noirish thriller–but about forty-three minutes into it, I gave up. The cast is terrific, and there was a lovely 70’s vibe to it (it was set in the 1970’s, at a motel that straddles the California/Nevada line in Lake Tahoe), but after forty-five minutes of nothing happening, I couldn’t sit through another hour and forty five minutes. The movie was, frankly, certainly too long, and if the first half of your movie is basically just backstory and set-up…you need to re-edit your film. Sorry not sorry. I even gave up before Chris (THOR!)  Hemsworth showed up–which should tell you how bad the film was.

Which is a pity, as the cast was amazing.

I think tonight we will watch Always Be My Maybe. I do love Ali Wong.

My Pride Month posts and tweets about queer crime writers are getting some lovely traction, which is always nice, and I do marvel at the way things have changed over the the course of my lifetime. It does occur to me that I am not celebrating or talking about things on here for Pride Month; perhaps I should rectify that, and perhaps I will. It’s been a long journey, and a long life for me–I certainly never thought I would live this long, even when I was a kid–and I do think, from time to time, about the fatalistic way I viewed my life after I came out and started living–rather late–as a gay man. One of the many, many stories I have in some sort of progress is set in the early 1990’s in New Orleans; and deals with some of that sort of the thing. It’s a long story, and probably will wind up being a novella which I will either self-publish on Amazon or include in my next collection of short stories (which I can also self-publish on Amazon if my publisher doesn’t want it). It’s called “Never Kiss a Stranger”–I mention it from time to time–and it’s also a way for me to recapture what New Orleans was like at that time–sleepy and crumbling in the sun.

And yes, at the end of the month, I will post the list of queer crime novels and authors here, so people can use it as a reference. I also think it’s going to be published somewhere? Maybe the Mystery Scene blog? Anyway, someone asked if they could use it and post it someplace like that, and obviously, I said yes to it.

And now, perhaps it’s time to get back to those old spice mines.

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